875:', as he terms the concept, are those that achieve most relevance through a wide array of weak implicatures and not those meanings that are simply 'read in' by the hearer or reader. Yet the distinguishing instant at which weak implicatures and the hearer or reader's conjecture of meaning diverge remains highly subjective. As Pilkington says: 'there is no clear cut-off point between assumptions which the speaker certainly endorses and assumptions derived purely on the hearer's responsibility.' (Pilkington. 1991, 53) In addition, the stylistic qualities of poetry can be seen as an accompaniment to Pilkington's poetic effects in understanding a poem's meaning.
466:
836:. The first is that there may be an over-preoccupation with one particular feature that may well minimise the significance of others that are equally important (Wetherill. 1974, 133). The second is that any attempt to see a text as simply a collection of stylistic elements will tend to ignore other ways whereby meaning is produced (Wetherill. 1974, 133).
868:. Implicature may be divided into two categories: 'strong' and 'weak' implicature, yet between the two extremes there are a variety of other alternatives. The strongest implicature is what is emphatically implied by the speaker or writer, while weaker implicatures are the wider possibilities of meaning that the hearer or reader may conclude.
781:, for instance, its 'deviant' and abnormal features, rather than the broader structures that are found in whole texts or discourses. For example, the compact language of poetry is more likely to reveal the secrets of its construction to the stylistician than is the language of plays and novels (Crystal. 1987, 71).
764:
of the text (Downes. 1998, 316). Halliday refers to genre as pre-coded language, language that has not simply been used before, but that predetermines the selection of textual meanings. The linguist
William Downes makes the point that the principal characteristic of register, no matter how peculiar
823:
Widdowson makes the point that such sentiments are usually not very interesting and suggests that they may even be dismissed as 'crude verbal carvings' and crude verbal disturbance (Widdowson, 3). Nevertheless, Widdowson recognises that they are a very real attempt to convey feelings of human loss
949:
This language gives the reader a new perspective on familiar themes and allows us to look at them without the personal or social conditioning that we unconsciously associate with them (Widdowson. 1992, 9). So, although the reader may still use the same exhausted words and vague terms like 'love',
828:
but in where it appears. The verse may be given undue reverence precisely because of the sombre situation in which it is placed. Widdowson suggests that, unlike words set in stone in a graveyard, poetry is unorthodox language that vibrates with inter-textual implications (Widdowson. 1992, 4).
777:, Crystal observes that, in practice, most stylistic analysis has attempted to deal with the complex and 'valued' language within literature, i.e. 'literary stylistics'. He goes on to say that in such examination the scope is sometimes narrowed to concentrate on the more striking features of
950:'heart' and 'soul' to refer to human experience, to place these words in a new and refreshing context allows the poet the ability to represent humanity and communicate honestly. This, in part, is stylistics, and this, according to Widdowson, is the point of poetry (Widdowson. 1992, 76).
1095:
Davies, M. (2007) The attraction of opposites: the ideological function of conventional and created oppositions in the construction of in-groups and out-groups in news texts, in L. Jeffries, D. McIntyre, D. Bousfield (eds.) Stylistics and Social
Cognition. Amsterdam:
760:, is what he refers to as the symbolic organisation of the situation. Downes recognises two distinct aspects within the category of mode and suggests that not only does it describe the relation to the medium: written, spoken, and so on, but also describes the
1105:
Simpson, Paul. 2004. Stylistics: A resource book for students. Routledge p. 3: "The preferred object of study in stylistics is literature, whether that be institutionally sanctioned 'literature' as high art or more popular 'non-canonical' forms of
907:
Widdowson notices that when the content of poetry is summarised, it often refers to very general and unimpressive observations, such as 'nature is beautiful; love is great; life is lonely; time passes', and so on (Widdowson. 1992, 9). But to
580:
Stylistics as a conceptual discipline may attempt to establish principles capable of explaining particular choices made by individuals and social groups in their use of language, such as in the literary production and reception of
1623:
891:" (1798), the mystery of the Mariner's abrupt appearance is sustained by an idiosyncratic use of tense. (Widdowson. 1992, 40) For instance, the Mariner 'holds' the wedding-guest with his 'skinny hand' in the
755:
points out that
Halliday's 'tenor' stands as a roughly equivalent term for 'style', which is a more specific alternative used by linguists to avoid ambiguity (Crystal. 1985, 292). Halliday's third category,
576:
has made clear, non-literary texts may be of just as much interest to stylisticians as literary ones. Literariness, in other words, is here conceived as 'a point on a cline rather than as an absolute'.
701:
in 1960, Jakobson's lecture is often credited with being the first coherent formulation of stylistics, and his argument was that the study of poetic language should be a sub-branch of linguistics. The
730:. Dialect refers to the habitual language of a particular user in a specific geographical or social context. Register describes the choices made by the user, choices which depend on three variables:
1124:
Montoro, R. (2006) Analysting literature through films, in G. Watson, S. Zyngier (eds.) Literature and
Stylistics for Language Learners: Theory and Practice. Basingstoke: Palgrave, pp. 48-59.
1069:
Simpson, Paul. 2004. Stylistics : A resource book for students. Routledge p. 2: "Stylistics is a method of textual interpretation in which primacy of place is assigned to language".
655:
linguistics. For Bally, Saussure's linguistics by itself couldn't fully describe the language of personal expression. Bally's programme fits well with the aims of the Prague School.
674:. According to the Prague School, however, this background language isn't constant, and the relationship between poetic and everyday language is therefore always shifting.
685:
had been an active member of the
Russian Formalists and the Prague School, before emigrating to America in the 1940s. He brought together Russian Formalism and American
824:
and preserve affectionate recollections of a beloved friend or family member. However, what may be seen as poetic in this language is not so much in the formulaic
1079:
1133:
Attenborough, F. (2014) Jokes, pranks, blondes and banter: recontextualising sexism in the
British print press, Journal of Gender Studies, 23(2): 137-154.
513:, is the study and interpretation of texts of all types, but particularly literary texts, and/or spoken language in regard to their linguistic and tonal
872:
845:
1613:
1557:
17:
1657:
899:('...his hands dropt he.'); only to hold him again, this time with his 'glittering eye', in the present (Widdowson. 1992, 41).
1548:
493:
556:
as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from
664:, where it is assumed that poetic language is considered to stand apart from non-literary background language, by means of
383:
1019:
706:
1389:
1369:
1349:
1329:
1309:
1289:
1269:
1249:
1229:
1209:
1189:
1169:
1058:
734:("what the participants... are actually engaged in doing", for instance, discussing a specific subject or topic),
888:
343:
403:
348:
121:
1151:
Carter, R., Nash, W. (1990) Seeing through
Language: a guide to styles of English writing. Oxford: Blackwell.
378:
69:
1652:
323:
189:
537:
or choice of words, is often used in a cover letter and résumé and while speaking during a job interview.
723:
594:
443:
149:
548:. It does not function as an autonomous domain on its own, and it can be applied to an understanding of
789:
As well as conventional styles of language there are the unconventional – the most obvious of which is
525:, or everyday language may be used among casual friends, whereas more formal language, with respect to
521:
of language used by different individuals and/or in different situations or settings. For example, the
613:
530:
486:
433:
333:
159:
1618:
726:
to explain the connections between language and its context. For
Halliday register is distinct from
1024:
641:
514:
338:
281:
96:
979:
884:
747:
Fowler comments that different fields produce different language, most obviously at the level of
438:
276:
253:
670:
621:
388:
355:
308:
224:
204:
184:
86:
64:
59:
1080:
Rape is rape (except when it's not): the media, recontextualisation and violence against women
658:
Taking forward the ideas of the
Russian Formalists, the Prague School built on the concept of
938:
652:
518:
164:
1608:
989:
479:
408:
318:
199:
144:
41:
1142:
Jeffries, L., McIntyre, D. (2010) Stylistics. Cambridge: Cambridge
University Press, p. 2.
717:
Linguistic Function and Literary Style: An Inquiry into the Language of William Golding's
8:
1662:
1647:
1624:
Stylistics from Scratch: My 'Take' on Stylistics and How to Go About a Stylistic Analysis
999:
736:
573:
510:
249:
179:
154:
126:
984:
974:
694:
602:
598:
541:
469:
448:
418:
373:
328:
296:
286:
174:
169:
1544:
1385:
1365:
1345:
1325:
1305:
1285:
1265:
1245:
1225:
1205:
1185:
1182:
Mutual Misunderstanding: Scepticism and the Theorizing of Language and Interpretation
1165:
1054:
1029:
1009:
778:
637:
465:
313:
291:
234:
765:
or diverse, is that it is obvious and immediately recognisable (Downes. 1998, 309).
1053:
Widdowson, H.G. 1975. Stylistics and the teaching of literature. Longman: London.
1004:
712:
413:
244:
239:
214:
209:
194:
1614:
Checklist of American and British programs in stylistics and literary linguistics
1528:
798:
1302:
The Cambridge History of Literary Criticism: From Formalism to Poststructuralism
715:
is an important figure in the development of British stylistics. His 1971 study
1508:
865:
682:
258:
31:
1582:
Language as Social Semiotic: The Social Interpretation of Language and Meaning
832:
Two problems with a stylistic analysis of poetry are noted by PM Wetherill in
1641:
1518:
1404:
1382:
Structure and Function: a Guide to Three Major Structural-Functional Theories
1242:
The English Studies Book: an Introduction to Language, Literature and Culture
892:
752:
722:
is a key essay. One of Halliday's contributions has been the use of the term
686:
660:
648:
1577:
1567:
1449:
1423:
Literary Reading, Cognition and Emotion: An Exploration of the Oceanic Mind
608:
Plain language has different features. Common stylistic features are using
572:. Indeed, as recent work in critical stylistics, multimodal stylistics and
301:
91:
1609:
A CC licensed introductory course to Stylistics from Lancaster University
994:
861:
857:
853:
825:
565:
557:
545:
453:
428:
49:
1034:
934:
896:
748:
553:
549:
522:
423:
106:
1513:
Style in Fiction: A Linguistic Introduction to English Fictional Prose
1014:
964:
617:
569:
398:
393:
229:
219:
111:
101:
651:
proposed stylistics as a distinct academic discipline to complement
969:
959:
633:
609:
590:
586:
802:
727:
534:
526:
1416:
Context and Language: A Functional Linguistic Theory of Register
1342:
Language and Context: a Functional Linguistic Theory of Register
1115:
Jeffries, L. (2010) Critical Stylistics. Basingstoke: Palgrave.
790:
116:
761:
582:
561:
1496:
The Stylistics Reader: From Roman Jakobson to the Present
632:
The analysis of literary style goes back to the study of
1629:
1202:
Status and Function of Languages and Language Varieties
1344:, Continuum International Publishing Group, 1995, p6.
931:
Nor hours, days months, which are the rags of time ...
1589:
Language in Literature: An Introduction to Stylistics
1470:, 2nd edition (Cambridge: Cambridge University Press)
1446:, 2nd edition (Cambridge: Cambridge University Press)
805:, as found on headstones in a cemetery. For example:
1384:, John Benjamins Publishing Company, 2003, p 373.
1596:Literary Text: An Examination of Critical Methods
1398:
913:Like as the waves make towards the pebbled shore,
834:Literary Text: An Examination of Critical Methods
1639:
1538:
1456:, 2nd edition (Oxford: Oxford University Press)
744:(the use to which the language is being put).
1619:Stylistics – Theoretical issues of stylistics
624:length prevalence and language register use.
487:
1475:The Linguistic Science and Language Teaching
636:, though modern stylistics has its roots in
1480:Adrian Pilkington. 1991. 'Poetic Effects',
1084:Journal of Language Aggression and Conflict
928:Love, all alike, no season knows nor clime,
1364:, Cambridge University Press, 2007, p 12.
1284:, Cambridge University Press, 2007, p 10.
627:
494:
480:
1430:A Dictionary of Linguistics and Phonetics
1304:, Cambridge University Press, 1989, p83.
1164:, Cambridge University Press, 2010, p 1.
916:So do our minutes hasten to their end ...
860:', as instigated in the previous work of
740:(who is taking part in the exchange) and
677:
668:(from the norms of everyday language) or
1322:Stylistics: a Resource Book for Students
856:Adrian Pilkington analyses the idea of '
568:, as well as to political and religious
1432:, 2nd edition (Oxford: Basil Blackwell)
14:
1640:
1444:The Cambridge Encyclopedia of Language
1362:Style: Language Variation and Identity
1282:Style: Language Variation and Identity
1262:A Linguistic History of English Poetry
902:
775:The Cambridge Encyclopedia of Language
768:
597:, and can be applied to areas such as
1184:, Duke University Press, 1992, p 91.
816:(Ernest C. Draper 'Ern'. Died 4.1.38)
801:examines the traditional form of the
1484:, ed. Roger Sell (London: Routledge)
384:Conservative and innovative language
1632:Poetics and Linguistics Association
1020:Poetics and Linguistics Association
24:
1539:Hernández-Campoy, Juan M. (2016).
1224:, Pearson Education, 2001, p 315.
1204:, Walter de Gruyter, 1989, p 518.
1160:Lesley Jeffries, Daniel McIntyre,
540:As a discipline, stylistics links
25:
1674:
1602:
1572:Inside the Whale and Other Essays
1535:(Oxford: Oxford University Press)
751:(Fowler. 1996, 192) The linguist
693:at a conference on stylistics at
1564:, 2nd edition, (Harlow: Longman)
1473:A McIntosh and P Simpson. 1964.
1439:(London and New York: Routledge)
1425:(London and New York: Routledge)
644:of the early twentieth century.
517:, where style is the particular
464:
1374:
1354:
1334:
1314:
1294:
1274:
1254:
1234:
1214:
1194:
1174:
1154:
1145:
889:The Rime of the Ancient Mariner
1494:ed. Jean Jacques Weber. 1996.
1399:References and related reading
1136:
1127:
1118:
1109:
1099:
1089:
1072:
1063:
1047:
839:
813:As in the hour he passed away.
13:
1:
1658:Language varieties and styles
1461:The Language of George Orwell
883:Widdowson points out that in
709:he described in the lecture.
27:Branch of applied linguistics
1511:and Michael H. Short. 1981.
1501:ed. Thomas A. Sebeok. 1960.
324:Functional discourse grammar
190:Ethnography of communication
7:
953:
444:Second-language acquisition
10:
1679:
1562:A Dictionary of Stylistics
1505:(Cambridge, MA: MIT Press)
1491:(Edinburgh: Penbury Press)
1418:(London, New York: Pinter)
1222:A Dictionary of Stylistics
1078:Attenborough, F. (2014). "
919:William Shakespeare, '60'.
616:and individual idioms (or
122:Syntax–semantics interface
29:
1598:(Oxford: Basil Blackwell)
1463:(London: Macmillan Press)
1244:, Routledge, 2002, p 88.
895:, but releases it in the
784:
589:, in the study of spoken
434:Philosophy of linguistics
334:Interactional linguistics
1442:Richard Bradford. 1997.
1435:Richard Bradford. 1997.
1428:Richard Bradford. 1985.
1324:, Routledge, 2004, p75.
1264:, Routledge, 1993, p 8.
1040:
1025:Quantitative linguistics
878:
810:His memory is dear today
18:Stylistics (linguistics)
1591:(London: Hodder Arnold)
1584:(London: Edward Arnold)
1574:(London: Penguin Books)
1498:(London: Arnold Hodder)
1414:ed. David Birch. 1995.
1380:Christopher S. Butler,
980:Gender role in language
885:Samuel Taylor Coleridge
705:was one of six general
699:Linguistics and Poetics
628:Early twentieth century
620:). Stylistically, also
531:pronunciation or accent
1587:Michael Toolan. 1998.
1541:Sociolinguistic Styles
1466:William Downes. 1998.
1459:William Downes. 1995.
697:in 1958. Published as
678:Late twentieth century
271:Theoretical frameworks
225:Philosophy of language
205:History of linguistics
1421:Michael Burke. 2010.
707:functions of language
165:Conversation analysis
1626:Professor Mick Short
1594:PM Wetherill. 1974.
1533:Practical Stylistics
1523:Nineteen Eighty-Four
1487:Brian Lamont. 2005.
1468:Language and Society
1454:Linguistic Criticism
1340:Helen Leckie-Tarry,
1180:, Talbot J. Taylor,
990:Internet linguistics
819:(Widdowson. 1992, 6)
795:Practical Stylistics
409:Internet linguistics
319:Construction grammar
1653:Applied linguistics
1543:. Wiley-Blackwell.
1525:(London: Heinemann)
1482:Literary Pragmatics
1000:Liturgical language
903:The point of poetry
850:Literary Pragmatics
769:Literary stylistics
574:mediated stylistics
564:, non-fiction, and
511:applied linguistics
344:Systemic functional
139:Applied linguistics
81:General linguistics
1360:Nikolas Coupland,
1280:Nikolas Coupland,
1260:Richard Bradford,
985:Gianfranco Contini
975:Classical language
695:Indiana University
634:classical rhetoric
603:literary criticism
599:discourse analysis
542:literary criticism
449:Theory of language
419:Origin of language
374:Autonomy of syntax
329:Grammaticalization
175:Discourse analysis
170:Corpus linguistics
30:For the band, see
1550:978-1-118-73764-4
1515:(London: Longman)
1503:Style in Language
1489:First Impressions
1477:(London: Longman)
1411:(London: Penguin)
1030:Standard language
1010:Official language
779:literary language
691:Closing Statement
638:Russian Formalism
504:
503:
292:Distributionalism
235:Psycholinguistics
16:(Redirected from
1670:
1554:
1392:
1378:
1372:
1358:
1352:
1338:
1332:
1318:
1312:
1298:
1292:
1278:
1272:
1258:
1252:
1238:
1232:
1218:
1212:
1198:
1192:
1178:
1172:
1158:
1152:
1149:
1143:
1140:
1134:
1131:
1125:
1122:
1116:
1113:
1107:
1103:
1097:
1093:
1087:
1086:. 2(2): 183-203.
1076:
1070:
1067:
1061:
1051:
1005:Media stylistics
713:Michael Halliday
640:and the related
496:
489:
482:
468:
414:LGBT linguistics
404:Internationalism
379:Compositionality
240:Sociolinguistics
215:Neurolinguistics
210:Interlinguistics
195:Ethnomethodology
37:
36:
21:
1678:
1677:
1673:
1672:
1671:
1669:
1668:
1667:
1638:
1637:
1605:
1551:
1529:H. G. Widdowson
1401:
1396:
1395:
1379:
1375:
1359:
1355:
1339:
1335:
1319:
1315:
1299:
1295:
1279:
1275:
1259:
1255:
1239:
1235:
1219:
1215:
1199:
1195:
1179:
1175:
1159:
1155:
1150:
1146:
1141:
1137:
1132:
1128:
1123:
1119:
1114:
1110:
1104:
1100:
1094:
1090:
1077:
1073:
1068:
1064:
1052:
1048:
1043:
956:
924:
909:
905:
881:
842:
806:
787:
771:
703:poetic function
680:
630:
585:, the study of
566:popular culture
500:
459:
458:
369:
361:
360:
272:
264:
263:
259:Writing systems
150:Anthropological
140:
132:
131:
82:
74:
35:
28:
23:
22:
15:
12:
11:
5:
1676:
1666:
1665:
1660:
1655:
1650:
1636:
1635:
1627:
1621:
1616:
1611:
1604:
1603:External links
1601:
1600:
1599:
1592:
1585:
1575:
1565:
1555:
1549:
1536:
1526:
1516:
1509:Geoffrey Leech
1506:
1499:
1492:
1485:
1478:
1471:
1464:
1457:
1447:
1440:
1433:
1426:
1419:
1412:
1400:
1397:
1394:
1393:
1373:
1353:
1333:
1320:Paul Simpson,
1313:
1300:Raman Selden,
1293:
1273:
1253:
1233:
1213:
1200:Ulrich Ammon,
1193:
1173:
1153:
1144:
1135:
1126:
1117:
1108:
1098:
1088:
1071:
1062:
1045:
1044:
1042:
1039:
1038:
1037:
1032:
1027:
1022:
1017:
1012:
1007:
1002:
997:
992:
987:
982:
977:
972:
967:
962:
955:
952:
947:
946:
939:The Sun Rising
932:
929:
921:
920:
917:
914:
904:
901:
880:
877:
873:poetic effects
871:Pilkington's '
866:Deirdre Wilson
846:Poetic Effects
841:
838:
821:
820:
817:
814:
811:
786:
783:
770:
767:
719:The Inheritors
683:Roman Jakobson
679:
676:
629:
626:
509:, a branch of
502:
501:
499:
498:
491:
484:
476:
473:
472:
461:
460:
457:
456:
451:
446:
441:
439:Prescriptivism
436:
431:
426:
421:
416:
411:
406:
401:
396:
391:
386:
381:
376:
370:
367:
366:
363:
362:
359:
358:
353:
352:
351:
346:
341:
336:
331:
326:
321:
316:
306:
305:
304:
299:
294:
289:
284:
273:
270:
269:
266:
265:
262:
261:
256:
247:
242:
237:
232:
227:
222:
217:
212:
207:
202:
197:
192:
187:
182:
177:
172:
167:
162:
157:
152:
147:
141:
138:
137:
134:
133:
130:
129:
124:
119:
114:
109:
104:
99:
94:
89:
83:
80:
79:
76:
75:
73:
72:
67:
62:
56:
53:
52:
46:
45:
32:The Stylistics
26:
9:
6:
4:
3:
2:
1675:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1645:
1643:
1634:
1633:
1628:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1606:
1597:
1593:
1590:
1586:
1583:
1579:
1576:
1573:
1569:
1566:
1563:
1559:
1556:
1552:
1546:
1542:
1537:
1534:
1530:
1527:
1524:
1520:
1519:George Orwell
1517:
1514:
1510:
1507:
1504:
1500:
1497:
1493:
1490:
1486:
1483:
1479:
1476:
1472:
1469:
1465:
1462:
1458:
1455:
1451:
1448:
1445:
1441:
1438:
1434:
1431:
1427:
1424:
1420:
1417:
1413:
1410:
1409:Language Play
1406:
1405:David Crystal
1403:
1402:
1391:
1390:1-58811-361-2
1387:
1383:
1377:
1371:
1370:0-521-85303-6
1367:
1363:
1357:
1351:
1350:1-85567-272-3
1347:
1343:
1337:
1331:
1330:0-415-28104-0
1327:
1323:
1317:
1311:
1310:0-521-30013-4
1307:
1303:
1297:
1291:
1290:0-521-85303-6
1287:
1283:
1277:
1271:
1270:0-415-07057-0
1267:
1263:
1257:
1251:
1250:0-415-25710-7
1247:
1243:
1237:
1231:
1230:0-582-31737-1
1227:
1223:
1220:Katie Wales,
1217:
1211:
1210:0-89925-356-3
1207:
1203:
1197:
1191:
1190:0-8223-1249-2
1187:
1183:
1177:
1171:
1170:0-521-72869-X
1167:
1163:
1157:
1148:
1139:
1130:
1121:
1112:
1102:
1092:
1085:
1081:
1075:
1066:
1060:
1059:0-582-55076-9
1056:
1050:
1046:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
991:
988:
986:
983:
981:
978:
976:
973:
971:
968:
966:
963:
961:
958:
957:
951:
944:
940:
936:
933:
930:
927:
926:
925:
918:
915:
912:
911:
910:
900:
898:
894:
893:present tense
890:
886:
876:
874:
869:
867:
863:
859:
855:
851:
847:
837:
835:
830:
827:
818:
815:
812:
809:
808:
807:
804:
800:
796:
792:
782:
780:
776:
766:
763:
759:
754:
753:David Crystal
750:
745:
743:
739:
738:
733:
729:
725:
721:
720:
714:
710:
708:
704:
700:
696:
692:
688:
687:New Criticism
684:
675:
673:
672:
667:
663:
662:
661:foregrounding
656:
654:
650:
649:Charles Bally
645:
643:
642:Prague School
639:
635:
625:
623:
619:
615:
611:
606:
604:
600:
596:
592:
588:
584:
578:
575:
571:
567:
563:
559:
555:
551:
547:
543:
538:
536:
532:
528:
524:
520:
516:
512:
508:
497:
492:
490:
485:
483:
478:
477:
475:
474:
471:
467:
463:
462:
455:
452:
450:
447:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
390:
389:Descriptivism
387:
385:
382:
380:
377:
375:
372:
371:
365:
364:
357:
356:Structuralism
354:
350:
347:
345:
342:
340:
339:Prague circle
337:
335:
332:
330:
327:
325:
322:
320:
317:
315:
312:
311:
310:
307:
303:
300:
298:
295:
293:
290:
288:
285:
283:
280:
279:
278:
275:
274:
268:
267:
260:
257:
255:
251:
248:
246:
243:
241:
238:
236:
233:
231:
228:
226:
223:
221:
218:
216:
213:
211:
208:
206:
203:
201:
198:
196:
193:
191:
188:
186:
185:Documentation
183:
181:
178:
176:
173:
171:
168:
166:
163:
161:
160:Computational
158:
156:
153:
151:
148:
146:
143:
142:
136:
135:
128:
125:
123:
120:
118:
115:
113:
110:
108:
105:
103:
100:
98:
95:
93:
90:
88:
85:
84:
78:
77:
71:
68:
66:
63:
61:
58:
57:
55:
54:
51:
48:
47:
43:
39:
38:
33:
19:
1631:
1595:
1588:
1581:
1578:MAK Halliday
1571:
1568:MAK Halliday
1561:
1540:
1532:
1522:
1512:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1450:Roger Fowler
1443:
1436:
1429:
1422:
1415:
1408:
1381:
1376:
1361:
1356:
1341:
1336:
1321:
1316:
1301:
1296:
1281:
1276:
1261:
1256:
1241:
1236:
1221:
1216:
1201:
1196:
1181:
1176:
1161:
1156:
1147:
1138:
1129:
1120:
1111:
1101:
1091:
1083:
1074:
1065:
1049:
948:
942:
922:
906:
882:
870:
849:
843:
833:
831:
822:
799:HG Widdowson
794:
788:
774:
772:
757:
746:
741:
735:
731:
718:
716:
711:
702:
698:
690:
681:
669:
665:
659:
657:
646:
631:
607:
579:
539:
506:
505:
302:Glossematics
282:Constituency
254:interpreting
92:Lexicography
1558:Katie Wales
995:Leo Spitzer
923:Or, indeed:
862:Dan Sperber
858:implicature
840:Implicature
826:phraseology
671:parallelism
612:, regional
601:as well as
558:advertising
546:linguistics
454:Terminology
429:Orthography
349:Usage-based
250:Translating
145:Acquisition
50:Linguistics
1663:Literature
1648:Stylistics
1642:Categories
1437:Stylistics
1240:Rob Pope,
1162:Stylistics
1106:writing.".
1035:Stylometry
935:John Donne
897:past tense
749:vocabulary
653:Saussurean
554:journalism
550:literature
523:vernacular
507:Stylistics
424:Orismology
309:Functional
297:Generative
287:Dependency
107:Pragmatics
97:Morphology
87:Diachronic
1015:Philology
965:Aureation
887:'s poem "
666:deviation
647:In 1909,
618:idiolects
595:registers
570:discourse
399:Iconicity
394:Etymology
314:Cognitive
277:Formalist
230:Phonetics
220:Philology
112:Semantics
102:Phonology
1580:. 1978.
1570:. 1964.
1560:. 2001.
1531:. 1992.
1521:. 1949.
1452:. 1996.
1407:. 1998.
970:Basilect
960:Acrolect
954:See also
854:linguist
724:register
622:sentence
610:dialogue
591:dialects
587:folk art
560:copy to
200:Forensic
180:Distance
127:Typology
42:a series
40:Part of
1096:Rodopi.
848:' from
803:epitaph
728:dialect
689:in his
614:accents
535:lexicon
527:grammar
519:variety
155:Applied
65:History
60:Outline
1547:
1388:
1368:
1348:
1328:
1308:
1288:
1268:
1248:
1228:
1208:
1188:
1168:
1057:
945:(1633)
852:, the
791:poetry
785:Poetry
533:, and
470:Portal
368:Topics
117:Syntax
1041:Notes
943:Poems
879:Tense
793:. In
762:genre
737:tenor
732:field
583:genre
515:style
70:Index
1630:The
1545:ISBN
1386:ISBN
1366:ISBN
1346:ISBN
1326:ISBN
1306:ISBN
1286:ISBN
1266:ISBN
1246:ISBN
1226:ISBN
1206:ISBN
1186:ISBN
1166:ISBN
1055:ISBN
908:say:
864:and
844:In '
758:mode
742:mode
593:and
562:news
552:and
252:and
245:Text
1082:".
941:',
937:, '
773:In
544:to
1644::
797:,
605:.
529:,
44:on
1553:.
495:e
488:t
481:v
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.