War film - Knowledge

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genuine kind of war film. Since she notes that there were in fact only five true combat films made during the Second World War, in her view these few films, central to the genre, are outweighed by the many other films that are only just war films. However, other critics such as Russell Earl Shain propose a far broader definition of war film, to include films that deal "with the roles of civilians, espionage agents, and soldiers in any of the aspects of war (i.e. preparation, cause, prevention, conduct, daily life, and consequences or aftermath.)" Neale points out that genres overlap, with combat scenes for different purposes in other types of film, and suggests that war films are characterised by combat which "determines the fate of the principal characters". This in turn pushes combat scenes to the climactic ends of war films. Not all critics agree, either, that war films must be about 20th-century wars. James Clarke includes

3545: 90: 5102: 3665:, calmly devoted to his men and his country. These films did not personalise the enemy and therefore lacked hatred, though Great Britain could figure as the "cultural enemy". For Japanese film-makers, war was not a cause but more like a natural disaster, and "what mattered was not whom one fought but how well". Asian enemies, especially the Chinese, were often portrayed as redeemable and even possible marriage partners. Japanese wartime films do not glorify war, but present the Japanese state as one great family and the Japanese people as an "innocent, suffering, self-sacrificing people". Dower comments that the perversity of this image "is obvious: it is devoid of any recognition that, at every level, the Japanese also victimized others." 4046:(1998) uses hand-held camera, sound design, staging, and increased audio-visual detail to defamiliarise viewers accustomed to conventional combat films, so as to create what film historian Stuart Bender calls "reported realism", whether or not the portrayal is genuinely more realistic. Jeanine Basinger notes that critics experienced it as "groundbreaking and anti-generic", with, in James Wolcott's words, a "desire to bury the cornball, recruiting poster legend of John Wayne: to get it right this time"; and that combat films have always been "grounded in the need to help an audience understand and accept war". Its success revived interest in World War II films. Others tried to portray the reality of the war, as in 3450: 5205: 3838:(1955), with its attention to the lives of the men, the more realistic film. The formula for a successful war film consisted, according to Lawrence Suid, of a small group of ethnically diverse men; an unreasonable senior officer; cowards became heroic, or died. Jeanine Basinger suggests that a traditional war film should have a hero, a group, and an objective, and that the group should contain "an Italian, a Jew, a cynical complainer from Brooklyn, a sharpshooter from the mountains, a midwesterner (nicknamed by his state, 'Iowa' or 'Dakota'), and a character who must be initiated in some way". Films based on real 3680: 2208: 3251: 2572: 4263: 2462: 4814: 3526:(1943). The depiction actually remained stylised. Jeanine Basinger gives as an example the "worst image for stark violence" when a Japanese soldier beheads an American: the victim shows pain and his lips freeze in a scream, yet no blood spurts and his head does not fall off. Basinger points out that while this is physically unrealistic, psychologically it may not have been. The wartime audience was, she points out, well aware of friends and relatives who had been killed or who had come home wounded. 2781: 4911: 4731: 12701: 5008: 12711: 3880: 4401: 4602: 2237:, but that in practice, "successful and influential" war films are about modern wars, in particular World War II, with the combination of mobile forces and mass killing. The film scholar Kathryn Kane points out some similarities between the war film genre and the Western. Both genres use opposing concepts like war and peace, civilization and savagery. War films usually frame 5236:, defined the genre as showing: the brutality of war; the amount of human suffering; the betrayal of men's trust by incompetent officers. War and anti-war films often prove difficult to categorize as they contain many generic ambiguities. While many anti-war films criticize war directly through depictions of grisly combat in past wars, some films such as Penn's 40: 3701:, the public fascination with war films became an "obsession", with over 200 war films produced in each decade of the 1950s and 1960s. War film production in the United Kingdom and United States reached its zenith in the mid-1950s. Its popularity in the United Kingdom was brought on by the critical and commercial success of 3350: 7580:

A large number of flyable Zero replicas exist. These were modified from North American AT-6 Texans for the 1969 movie 'TORA TORA TORA', about the Japanese attack on Pearl Harbor. The replicas are surprisingly convincing, though they are still clearly fakes, since the Texan is a chubbier aircraft than

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chose the historical subject as suitable for the worsening situation facing Nazi Germany when it was filmed from October 1943 to August 1944. At over eight million marks, using thousands of soldiers as extras and 100 railway wagonloads of salt to simulate snow, it was the most costly German film made

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without help from the Americans. Similarly, the country's films about the Korean War show victory without help from the Chinese. The film scholar Johannes Schönherr concludes that the purpose of these films is "to portray North Korea as a country under siege", and that since the U.S. and its "puppet"

3974:"served as the model for all subsequent combat spectaculars". However, its cost also made it the last of the traditional war films, while the controversy around the help given by the U.S. Army and Zanuck's "disregard for Pentagon relations" changed the way that Hollywood and the Army collaborated. 2532:

During the First World War, many films were made about life in the war. Topics included prisoners of war, covert operations, and military training. Both the Central Powers and the Allies produced war documentaries. The films were also used as propaganda in neutral countries like the United States.

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to provide a definition-by-example of "the World War II combat film", in which a diverse and apparently unsuited group of "hastily assembled volunteers" hold off a much larger group of the enemy through their "bravery and tenacity". She argues that the combat film is not a subgenre but the only

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production: a) the suspension of civilian morality during times of war, b) primacy of collective goals over individual motivations, c) rivalry between men in predominantly male groups as well as marginalization and objectification of women, and d) depiction of the reintegration of veterans. The

5264:, 1937). Renoir's critique of contemporary politics and ideology celebrates the universal humanity that transcends national and racial boundaries and radical nationalism, suggesting that mankind's common experiences should prevail above political division, and its extension: war. The second is 4700:

advised the British government that "If we renounced interest in entertainment as such, we might be deprived of a valuable weapon for getting across our propaganda"; he suggested using documentaries about the war and the war effort; celebrations of Britishness; and films about British life and

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established Kubrick as the "leading commercial filmmaker of his generation" and a world-class talent. Ehrenstein describes the film as an "outwardly cool/inwardly passionate protest drama about a disastrous French army maneuver and the court-martial held in its wake", contrasting it with the

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films. Their purposes included military training, advice to civilians, and encouragement to maintain security. Since these films often carried messages, they grade into propaganda. Similarly, commercially produced films often combined information, support for the war effort, and a degree of

4671: 2623:(1927) showed aerial combat during the war and was made in cooperation with the Army Air Corps. It proved a powerful recruiting tool. It became the first film (in any genre) to be awarded an Oscar for best picture. Later films of varied genres that deal with the First World War include 4142:, especially mutiny on board an American naval vessel, so the film was produced without their assistance. The film historian Jonathan Rayner observes that such films "have also clearly been intended to serve vital propagandist, recruitment and public relations functions". 4532:

pilot who is considered a coward by his comrades, as he returns alive from his missions. It broke the record takings for a Japanese live action film, and won the Golden Mulberry at the Udine Far East Film Festival, but was criticised for its nationalistic sympathy with

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as a "noisy, expensive and very long new blockbuster", with the comment that "for all its epic pretensions (as if epic were a matter of running time, tumescent music and earnest voice-over pronouncements), the movie works best as a bang-and-boom action picture".

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The film critic Stephen Neale suggests that the genre is for the most part well defined and uncontentious, since war films are simply those about war being waged in the 20th century, with combat scenes central to the drama. However, Neale notes, films set in the

3500:'s speech rousing the Russian people to battle, actual fighting, Germans surrendering and dead, and atrocities including murdered children and hanged civilians. It won an Academy Award in 1943 for best documentary. Newsreel cameras were similarly rushed to 3649:(1938) show the common Japanese soldier as an individual and as a family man, and even enemy Chinese soldiers are presented as individuals, sometimes fighting bravely. Once war with the United States was declared, the Japanese conflict became known as the 2345:

with its unhistorically empty beaches, low-level air combat over the sea, and rescues mainly by the "little ships". Beevor feels, however, that Continental European film-makers are often "far more scrupulous"; for example, in his view the 2004 German film

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made at that time. It was probably the first animated propaganda film to be made; it remains the earliest serious animated drama that has survived. Through World War II, animated propaganda shorts remained influential in American cinema. The

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in the Second World War. Despite episodes of danger and human tragedy, these films delight in a continual boyish game of escape and ingenuity, celebrating the courage and the defiant spirit of the prisoners of war, and treating war as fun.

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of some sort. They take place in the actual combat zones of World War II, against the established enemies, on the ground, the sea, or in the air. They contain many repeated events, such as mail call, all presented visually with appropriate

2094:, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the 3811:

brought a new complexity to the war picture, with a sense of moral uncertainty surrounding war. By the end of the decade the "sense of shared achievement" which had been common in war films "began to evaporate", according to Pulver.

2925:(1959). Fuller agreed that all his films were anti-war. No Hollywood films about the Korean War did well at the box office; the historian Lary May suggested in 2001 that they reminded American viewers of "the only war we have lost". 5250:. The end of the blacklist and the introduction of the MPAA rating system marked a time of resurgence for films of all type including anti-war films in the States. Robert Eberwein names two films as anti-war classics. The first is 4136:'s US-biased portrayal of events is a compensation for technical assistance received from the US armed forces, noting that the premiere was held on board a U.S. Navy carrier. In another case, the U.S. Navy objected to elements of 2383:

The costliest war in U.S. history in terms of American life, this war has been the subject of, or the backdrop to, numerous films, documentaries and mini-series. One of the earliest films using the Civil War as its subject was

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was like. Much of the film was shot on location at the Western Front in France; it had a powerful emotional impact. It was watched by some 20 million people in Britain in its six weeks of exhibition, making it what the critic

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Feature films made in the west during the war were subject to censorship and were not always realistic in nature. One of the first to attempt to represent violence, and which was praised at the time for "gritty realism", was

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propaganda series from Frank Capra; the War Department's Information-Education Division started out making training films for the U.S. Air Force and U.S. Navy; the Army made its own through the U.S. Signal Corps, including

4488:(1967) from a Japanese perspective. These "generally fail to explain the cause of the war". In the decades immediately after the Second World War, Japanese films often focused on human tragedy rather than combat, such as 7307:

Even though Japanese film techniques were basically learned from American and Soviet films, most of what has been expressed through these techniques has been fake, showing neither real Japanese customs nor the Japanese

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From the late 1970s, independently financed and produced films showed Hollywood that Vietnam could be treated in film. Successful but very different portrayals of the war in which America had been defeated included

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War has been the Soviet Union's cinema's major genre, becoming known indeed as the "cinema front", and its war films ranged from grim portrayals of atrocities to sentimental and even quietly subversive accounts.

5232:(1930) was unquestionably powerful, and an early anti-war film, portraying a German point of view; it was the first film (in any genre) to win two Oscars, best picture and best director. Andrew Kelly, analysing 2938:

about leftist guerrilla atrocities encouraged other film-makers. The 1960s military government punished pro-communist film-makers and gave Grand Bell Awards to films with the strongest anti-communist message.

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Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance.

4518:(2007), have emphasized positive traits of the Japanese military and contended that the Japanese were victims of post-war vindictiveness and viciousness. Such films have, however, been subject to protest for 2085:

battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include

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Many of the films promoted as "documentaries" added context to authentic battlefield scenes by staging critical events, and invented episodes and dialog to enhance excitement at the cost of authenticity.

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of the 19th century were called war films in the time before the First World War. The critic Julian Smith argues, on the contrary, that the war film lacks the formal boundaries of a genre like the

2187:, for example, speaks of "films to grapple with the Great War" without attempting to classify these. However, some directors and critics have offered at least tentative definitions. The director 4975:(1957) was judged best picture at the Oscars; it took the genre from chilly German prisons to the heat of a camp in Thailand. It was the first, too, to use lush colour to bring out the British 2329:"despair" at how film-makers from America and Britain "play fast and loose with the facts", yet imply that "their version is as good as the truth". For example, he calls the 2000 American film 6425: 5568: 3749:, though, partly because it celebrated an "exclusively British ", it failed in the American market. A large number of war films were made in the 1955–1958 period in particular. In 1957 alone, 2822:

against the backdrop of the civil war. The epic 168-minute film with its landscapes shot in Technicolor and a "beautiful" orchestral score was a success both with audiences and with critics.

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SEABROOK: The most exciting film music of all, Prokofiev. KORNBLUTH: Because it's so completely matches sound to image that you'll only have to hear that to know what you're seeing.

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crew, imbued with brutal Nazi ideology, travelling across Canada and meeting various kind, tolerant and intelligent Canadians, to encourage America into the war. The resulting film,

6348: 4177:(1925), war featured mainly as background. Only with the Second Sino–Japanese War from 1937 onwards did war film become a serious genre in China, with nationalistic films such as 4163: 5835: 2378: 6565: 8440:

Composer André Previn once remarked that Prokofiev's music for Alexander Nevsky was 'the greatest film score ever written, trapped inside the worst soundtrack ever recorded.'

7658: 4367:("Red and White", the colours of the flag of the new Indonesia), revisits the campaign for independence through the lives of a diverse group of cadets who become guerillas. 4157: 3136: 2335:

a "shameless deception" for pretending that a US warship had helped to win the Battle of the Atlantic—seven months before America entered the war. He is equally critical of

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criticized war obliquely by poking fun at such things as the draft board. The number of anti-war films produced in America dipped sharply during the 1950s because of

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The anti-war genre began with films about the First World War. Films in the genre are typically revisionist, reflecting on past events and often generically blended.

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whereas the Western portrays the conflict between civilized settlers and the savage indigenous peoples. James Clarke notes the similarity between a Western like

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Chris Vognar writes: 'Saving Private Ryan wasn't just a great movie: it was also the cultural touchstone for the country's revived interest in World War II.'

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found that Japanese wartime films had been largely forgotten, as "losers do not get reruns", yet they were so subtle and skilful that Frank Capra thought

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early in 1943 to record "the spectacle which greeted the Russian soldiers"—the starvation of Russian prisoners of war in the Voropovono camp by the

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is a movie full of tension, both with the enemy and between the contrasting personalities of the submarine Commander and his Lieutenant, played by

8205: 5762: 4302:, literally "Two Eye Marks", 1985) covers the limited nationalist resistance to Dutch colonial rule in the 1930s. A third group of films such as 7939: 3283: 7987: 4793:, "propaganda played as much of a role in the United States' struggle with the Soviet Union as did the billions of dollars spent on weaponry." 3474:

The Soviet Union, too, appreciated the propaganda value of film, to publicise both victories and German atrocities. Ilya Kopalin's documentary

5937: 2400:, about the first formal unit of the Union Army during the American Civil War to be made up entirely of Black volunteers. Some films such as 8508: 8287: 4500:(1959). From the late 1990s, films started to take a positive view of the war and of Japanese actions. These nationalistic films, including 3160:

during the Vietnam War. The film cuts to an (American) "helicopter-eye view", contrasting painfully with the human tenderness seen earlier.

12519: 4715:(1941), became the top film at British offices that year. Entertaining films could carry messages about the need for vigilance, too, as in 3078:, making the subject divisive; in addition, the film industry was in crisis, and the army did not wish to assist in making anti-war films. 6513: 8620: 4188: 9277: 6955: 6451: 5190:

with "stomach-churning detail" bizarrely paired with crude artwork, giving it the look of a "Saturday morning Warner Brothers cartoon".

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series (1942–1945) won the 1942 Academy Award for best documentary, though it was designed to "influence opinion in the U.S. military".

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What I knew in advance was what presumably every member of our culture would know about World War II combat films—that they contained a

8811: 7095:"Movie Review: Moscow Strikes Back (1942) 'Moscow Strikes Back,' Front-Line Camera Men's Story of Russian Attack, Is Seen at the Globe" 5845: 5228: 5214: 4168: 11267: 8535: 6569: 5171: 12055: 4569:, ostensibly simply for information, were made in both Allied and Axis countries, and were often dramatised. More recently, in the 4429:(1943) depicted two stereotypical Soviet soldiers, a quiet Russian and an extrovert southerner from Odessa, singing in his dugout. 2408: 1013: 9074: 3544: 10101: 8568: 3539: 2859: 1440: 5782: 11454: 5360:, where combat scenes were interleaved with commentary about how he waged war, showing good and bad sides to a command. It and 4555: 3102:(1979). With the shift in American politics to the right in the 1980s, military success could again be shown in films such as 2715: 2561: 8262: 4392:

that "embodies the best of popular Indonesian cinema". It was the first Indonesian film to become well known internationally.

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accurately depicted the historical events of Hitler's final days in his Berlin bunker, and he considers the 1965 French film

6820: 2886:, follows a British communist through the war to reveal the painful contradictions within the anti-fascist Republican side. 12755: 10915: 10704: 10113: 7666: 6235: 5186:(1983) portrays the bombing of Hiroshima through the eyes of a child, but reviewers consider it a less well made film than 3612:

during the war. The actual siege ended with the surrender of the town; in the film, the French generals abandon the siege.

2434: 49: 5101: 6685: 3417: 3148: 1796: 89: 8236: 6772: 6717: 12502: 11272: 7392:"The Cruel Sea (1953) The Screen in Review; Monsarrat's 'The Cruel Sea', a Graphic Record of Valor, Opens at Fine Arts" 6046: 3635: 1991: 1769: 384: 7350: 4132:, which were filmed on Air Force bases; Air Force personnel appeared in many roles. Critics have argued that the film 4100:

Many war films have been produced with the cooperation of a nation's military forces. Since the Second World War, the

3032:(1954–1956). It was shot on location as an Italo-Algerian co-production. It had the black and white newsreel style of 10085: 10066: 10007: 9988: 9718: 9521: 9498: 9468: 8452: 7775: 7689: 7271: 7246: 7191: 7134: 6540: 6349:"Punaisten ja valkoisten perintöä vaalitaan yhä – Suomalaiset lähettivät yli 400 muistoa vuoden 1918 sisällissodasta" 6283: 6257: 6208: 4472: 3781: 1445: 4639:. By April 1939 the film had been seen by 23,000,000 people. In 1941 the director and three others were awarded the 4060:

said "goes about as far as a movie can go in depicting modern warfare as a stomach-turning form of mass slaughter".

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British cinema in the Second World War marked the evacuation of children from London with social comedies such as

11619: 10699: 5414: 4230: 4211:(2009). Chinese directors have repeatedly attempted to cover the atrocities committed by the Japanese during the 3942: 3449: 2775: 2539: 1868: 1506: 1293: 138: 12482: 10828: 10639: 8313: 4496: 4323: 4069: 3156:, 1979) gives an "unnerving and compelling .. subjective-camera-eye-view" of life under helicopter fire in the 3141: 2802: 2587: 2577: 1632: 31: 7795: 3420:. Towards the end of the war popular books provided higher quality and more serious stories for films such as 2913:(1950–1953). The critic Guy Westwell notes that it questioned the conduct of the war, as did later films like 12238: 11965: 11582: 10890: 10434: 10257: 8128: 7207: 2957:(1998) showed the destructive impact of American military presence on village life. The violent action films 2855: 2527: 2049: 1496: 4842:, which attempts to bring home the emotional and dramatic nature of conflict under the sea. For example, in 2195:

by saying that "a war film's objective, no matter how personal or emotional, is to make a viewer feel war."

12621: 11853: 11828: 10679: 10659: 9161: 5238: 5124: 5111: 4490: 4122: 3966: 3807:, focused more on the psychological battle between officers and egotism rather than events during the war. 3793: 3685: 3402: 3317: 2973: 2758: 2748: 2552: 2515: 2428: 2394:. Films that have the war as its main subject, or about a certain aspect of the war, include the 1989 film 1986: 690: 450: 5343:(1970), set in Korea, reflected the attitudes of an increasingly sceptical public during the Vietnam War. 3745:

became the most popular film in Britain in 1955, and remained a favourite as of 2015 with a 100% score on

12383: 11955: 11508: 11373: 11062: 10390: 4795: 4596: 4465: 3860: 3858:(1956) based on the capture of the German commander of Crete, inspired fictional adventure films such as 3854: 3815: 3769: 3391: 2947: 2595:

and John McDowell, combined documentary and propaganda, seeking to give the public an impression of what

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Merritt, Russell (1994). "Recharging "Alexander Nevsky": Tracking the Eisenstein-Prokofiev War Horse".

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Beneath the Crust of Culture: Psychoanalytic Anthropology and the Cultural Unconscious in American Life

6671: 5420: 4013: 4005:, was a major success in Japan. Its realistic-looking attack footage was reused in later films such as 3674: 3492:

between October 1941 and January 1942. It depicted civilians helping to defend the city, the parade in

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have their own particular meanings and conventions, concerned specifically with giving the effect of

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similarly made films during the Second World War, for propaganda and other purposes. In Germany, the

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Among these was a film shot on the Eastern Front by official war photographer to the Central Powers,

2450: 1570: 1078: 427: 301: 155: 17: 9701: 7593: 5204: 4905: 4326:(1945–1949). Two other films about the same period portray the Indonesian equivalent of the Chinese 3926:, achieving commercial success and Oscars. It was followed by large-scale but thoughtful films like 3818:

films in the 1950s and 1960s could display spectacular heroics or self-sacrifice, as in the popular

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focused on a single battle during the war, or even on a single incident, like the French short film

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spanned the entire breadth of the war. Some films deal with the human aspects of the war, such as

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The Embassy of the Russian Federation to the United Kingdom of Great Britain and Northern Ireland

6010: 4952: 4920: 4852:, the sound design works together with the hours-long film format to depict lengthy pursuit with 4623: 4610: 4514: 4438: 4363: 3884: 3630: 3600: 3580: 3070: 2868: 2811: 2700:, many Finnish filmmakers have taken up the subject, often basing their work on a book. In 1957, 2613:

depicted unglamorous elements of war: the protagonist loses his leg, and his friends are killed.

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Mikulak, Bill (Spring 1997). "Mickey Meets Mondrian: Cartoons Enter the Museum of Modern Art".

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states that she began with a preconception of what the war film genre would be, namely that:

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In America, documentaries were produced in various ways: General Marshall commissioned the

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Theisen, Earl (1967) . "The History of the Animated Cartoon". In Fielding, Raymond (ed.).

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Military Comedy Films: A Critical Survey and Filmography of Hollywood Releases Since 1918

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in an Oscar-winning performance. The "definitive" Oscar-winning prisoner of war film was

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deal with the occupation of the archipelago by the Japanese during the Second World War.

4138: 4042: 4025: 3932: 3906: 3561: 3476: 3455: 3179: 3059: 2882: 2850:(The Hunt, 1966) uses the metaphor of hunting to criticise the aggressiveness of Spanish 2719: 2474: 2341: 1672: 1657: 1533: 1420: 1398: 1373: 1333: 1243: 1053: 958: 908: 675: 665: 630: 422: 412: 182: 106: 8590:

German, Kathleen (1990). "Frank Capra's Why We Fight Series and the American Audience".

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The many Soviet films about the Second World War include both large-scale epics such as

3589:("Victory in the West", 1941). Other Nazi propaganda films had varied subjects, as with 2207: 12740: 12611: 12531: 12455: 12341: 12331: 12233: 12125: 12105: 12005: 11985: 11753: 11681: 11587: 11572: 11503: 11208: 11144: 11002: 10982: 10873: 10523: 10444: 10378: 10368: 10331: 9689: 9571: 9457: 9282: 9198: 8976: 8928: 8490: 8041:

Smorodinskaya, Tatiana; Evans-Romaine, Karen; Goscilo, Helena, eds. (28 October 2013).

7944: 7913: 6960: 6798: 6308:

David H. Mould, and Charles M. Berg, "Fact and Fantasy in the Films of World War One,"

6041: 5872: 5080: 4750: 4640: 4583:(Chronicles of Victory) television series combined front-line footage with commentary. 4389: 4354:, 1975). Each of these films interprets the past from the perspective of its own time. 4304: 4267: 4101: 4007: 4001: 3960: 3757: 3716: 3312: 3306: 3175: 3170: 3074:(1968). Critics such as Basinger explain that Hollywood avoided the subject because of 3044:. It was attacked by French critics and was for five years banned in France as well as 3033: 2837: 2614: 2503: 2311: 2281: 2226: 2099: 2006: 1861: 1781: 1702: 1647: 1622: 1543: 1489: 1455: 1386: 1303: 1213: 1118: 1063: 953: 918: 871: 746: 717: 670: 608: 583: 417: 231: 150: 7727: 5299:, and post-war film-makers merged comedy and anti-war sentiment in films as varied as 3316:

were made under the control of the Films Division of the Ministry of Information. The

3250: 2571: 12710: 12661: 12450: 12373: 12223: 12177: 12150: 12145: 12135: 12050: 12010: 11788: 11676: 11666: 11592: 11520: 11400: 11245: 11240: 11169: 11124: 11087: 11024: 11012: 10930: 10878: 10812: 10807: 10783: 10751: 10483: 10478: 10227: 10081: 10062: 10043: 10024: 10003: 9984: 9977: 9961: 9935: 9916: 9897: 9887: 9868: 9847: 9829: 9817: 9796: 9790: 9775: 9754: 9733: 9714: 9675: 9641: 9620: 9599: 9578: 9555: 9536: 9517: 9494: 9464: 9441: 9420: 9398: 9379: 9372: 9353: 9188: 9049: 8999: 8939: 8788: 8414: 8366: 8184: 8157: 8048: 7893: 7866: 7771: 7496: 7296: 7267: 7242: 7187: 7130: 6931: 6899: 6660: 6610: 6095: 6069: 5900: 5840: 5633: 5525: 5390: 5166: 4942: 4843: 4835: 4764: 4736: 4643:

for their contributions. The film features a musical score by the classical composer

4618: 4570: 4502: 4443: 4385: 4285: 4262: 3987: 3982: 3893: 3872: 3843: 3834: 3820: 3556: 3357: 3330: 3259: 3213: 3191: 3118: 2976:

were made by government film studios and had clear political messages. The first was

2929: 2793: 2785: 2701: 2685: 2669: 2619: 2440: 2396: 2354: 2336: 2306: 2178: 2142: 2042: 1951: 1898: 1801: 1791: 1786: 1756: 1739: 1734: 1707: 1652: 1353: 1343: 1338: 1328: 1248: 1238: 1233: 1208: 1178: 1068: 1038: 1033: 1023: 1018: 1008: 923: 876: 846: 685: 478: 455: 389: 11885: 8664: 3036:, and even-handedly depicts violence on both sides. It won various awards including 2502:. These non-combat films were accompanied by "reenactments" of fighting, such as of 2011: 12681: 12671: 12581: 12509: 12492: 12487: 12408: 12336: 12202: 12197: 12187: 12182: 12130: 12070: 12040: 11995: 11858: 11758: 11671: 11634: 11339: 11287: 11213: 11154: 11067: 10863: 10856: 10746: 10619: 10471: 10456: 10420: 10405: 10338: 10309: 10289: 10198: 9202: 8968: 8659: 8599: 8482: 8180:

Tensions of Empire: Japan and Southeast Asia in the Colonial and Postcolonial World

8156:. Wisconsin Studies in Film. Madison: University of Wisconsin Press. p. xxvi. 7464: 7071: 5763:"War films: Antony Beevor: the greatest war movie ever – and the ones I can't bear" 5357: 5275: 5075:(1941) offered "zany, irreverent, knockabout" comedy making fun of everything from 4644: 4636: 4628: 4524: 4377: 4212: 4092: 4047: 4037: 3978: 3937: 3927: 3913: 3849: 3625: 3489: 3481: 3468: 3336: 3301: 3005: 2995: 2905: 2807: 2753: 2706: 2689: 2665: 2660: 2641: 2547:, disastrous for the Austrians, with incidents reenacted using soldiers as extras. 2534: 2461: 2315: 2269: 2161:; and films set in specific domains of war, such as the infantry, the air, at sea, 2107: 2016: 1981: 1913: 1806: 1744: 1637: 1565: 1558: 1415: 1348: 1298: 1288: 1163: 1083: 1043: 1028: 995: 980: 851: 836: 789: 697: 655: 598: 593: 551: 374: 351: 258: 187: 116: 99: 9656: 8486: 6373: 12631: 12556: 12546: 12541: 12526: 12435: 12378: 12277: 12172: 12090: 12085: 12015: 11950: 11870: 11743: 11738: 11711: 11607: 11405: 11368: 11314: 11307: 11260: 11134: 11104: 11017: 10977: 10972: 10905: 10851: 10836: 10756: 10731: 10726: 10664: 10582: 10572: 10533: 10449: 10373: 10299: 10125: 10108: 10018: 9862: 9841: 9811: 9769: 9748: 9669: 9635: 9347: 9043: 9020: 8178: 7279: 7231: 6893: 6824: 6654: 5466: 5321: 5307: 5265: 5223: 5209: 5076: 5031: 5012: 4995: 4976: 4961: 4929: 4915: 4874: 4831: 4818: 4808: 4769: 4745: 4723: 4693: 4685: 4656: 4592: 4294: 3888: 3763: 3746: 3620: 3608: 3552: 3535: 3460: 3232: 3219: 3207: 3113: 3088: 3021: 3013: 2978: 2649: 2592: 2261: 2234: 2166: 2162: 2115: 1826: 1811: 1729: 1685: 1627: 1283: 1278: 1168: 1158: 1073: 1048: 990: 831: 761: 751: 603: 588: 511: 483: 283: 263: 111: 44: 12265: 9138: 8799:

stung by criticism of the schoolboyish tone of his original account ... Reid ...

7067: 6479:"Agreeing on History: Adaptation as Restorative Truth in Finnish Reconciliation" 5569:"Fury, film review: Brad Pitt stars as an unsympathetic hero in muted war movie" 5040:(1918) set a style for war films to come, and was the first comedy about war in 4813: 4648: 12616: 12586: 12566: 12428: 12413: 12358: 12316: 12155: 12110: 12100: 12075: 12030: 12020: 11798: 11778: 11748: 11733: 11691: 11656: 11614: 11602: 11597: 11390: 11361: 11250: 11235: 11179: 11034: 10992: 10503: 10319: 10210: 9321: 8903: 8895: 8766: 8684: 8153:

The Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931–1945

7264:

The Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931–1945

6183: 5812: 5478:

Further, two of the aircraft are still carrying their weapons after the attack.

5369: 5339: 5270: 5059: 4933: 4893: 4773: 4759: 4702: 4605: 4579: 4560:

The wartime authorities in both Britain and America produced a wide variety of

4346: 4314: 4246: 4111: 3923: 3799: 3751: 3591: 3585: 3567: 3297: 3128: 3108: 3098: 3083: 2982:(1949), on the liberation of Korea from the Japanese, presented as the work of 2945:(1994) dealt with leftists from the south who fought for the communists, while 2819: 2734: 2644:

as "maybe the greatest screenplay ever written for the motion-picture medium";

2609: 2601: 2596: 2255: 2001: 1749: 1173: 1133: 1111: 1098: 1088: 1058: 975: 928: 731: 722: 613: 566: 546: 536: 506: 473: 361: 318: 273: 145: 78: 55: 39: 12472: 12270: 11562: 9510: 9048:(2nd ed.). Jefferson, North Carolina: McFarland and Company. p. 60. 8603: 7796:"Stalingrad (1992) Film Review; In War's Horrors, Chaos May Rank With Carnage" 6000: 4608:(German) monks prepare the hanging of a Russian resistance leader. Still from 4254:'s novel, portrays the violent events through the eyes of a 13-year-old girl. 3488:, literally "The rout of the German troops near Moscow"), was made during the 3321: 2506:'s "Rough Riders" in action against the Spanish, staged in the United States. 12729: 12591: 12571: 12120: 12060: 12045: 11935: 11880: 11875: 11848: 11818: 11783: 11624: 11577: 11567: 11530: 11498: 11488: 11479: 11449: 11319: 11255: 11196: 11191: 11129: 11094: 11039: 10997: 10967: 10957: 10950: 10766: 10714: 10684: 10669: 10624: 10609: 10528: 10395: 10348: 10314: 10274: 10242: 10215: 9901: 9478: 8339: 7416: 7020: 7003: 6776: 5758: 5462: 5352: 5334: 5326: 5133: 5089: 5036: 5017: 4980: 4697: 4574: 4508: 4372: 4336: 4276: 4201:'s The Cradle (1979), while more recent large-scale commercial films include 3734: 3730: 3702: 3654: 3522: 3342: 3320:

began to combine documentary techniques with fictional stories in films like

3238: 2900: 2877: 2823: 2729: 2385: 2326: 2295: 2250: 2126: 1848: 1836: 1692: 1612: 1528: 1511: 1368: 1223: 1203: 886: 881: 861: 841: 756: 727: 702: 578: 556: 541: 516: 356: 278: 241: 236: 133: 11900: 7049: 6986: 5364:

became the two most profitable war/anti-war films made up to that time, and

5093:(1941) was successful in America, leading to many further wartime comedies. 3991:(1970) to depict what "really happened on December 7, 1941" in the surprise 3349: 2780: 12462: 12445: 12398: 12248: 12192: 11723: 11718: 11649: 11525: 11469: 11420: 11395: 11383: 11114: 10846: 10841: 10778: 10741: 10719: 10709: 10587: 10518: 10498: 10400: 10358: 10264: 10247: 8081:"See The War With Russian Eyes: Soviet And Russian Films About World War 2" 5963: 5767: 5450: 5442: 5316: 5312: 5119: 5106: 5041: 4984: 4957: 4947: 4937: 4853: 4782: 4680: 4425: 4420: 4331: 4271: 4178: 4116: 4087: 3640: 3427: 3413: 3396: 3375: 3293: 3187: 3157: 3103: 3029: 2959: 2841: 2739: 2331: 2301: 2246: 2238: 2111: 2095: 2035: 1961: 1941: 1936: 1831: 1776: 1410: 1405: 1228: 1143: 891: 625: 526: 323: 227: 9711:

When Hollywood Ruled the Skies: The Aviation Film Classics of World War II

8785:

The Colditz Myth British and Commonwealth Prisoners of War in Nazi Germany

8767:"British World War Two Films 1945–65: Catharsis or National Regeneration?" 6631: 6606:

Remembering the 'Forgotten War': The Korean War Through Literature and Art

6287: 6261: 6212: 4452:(1957) on the cruel effects of war; it won the 1958 Palme d'Or at Cannes. 3715:

was based on a bestselling novel, in this case the former naval commander

3198:. According to Topčić, the story is based on incidents from his own life. 2444:(1965), on the tragedy that the war inflicted on the civilian population. 2204:

fateful nature of battle scenes means that war films often end with them.

12714: 12676: 12656: 12651: 12636: 12626: 12606: 12536: 12514: 12440: 12346: 12287: 12282: 12140: 11945: 11925: 11890: 11639: 11535: 11292: 11277: 11218: 11184: 10962: 10935: 10900: 10771: 10761: 10634: 10594: 10562: 10513: 10429: 10410: 10383: 10279: 10237: 10188: 6632:"South Korean Films About the Korean War (1950–53): A Tool for Reference" 5808: 5458: 5446: 5434: 5251: 5243: 5129: 4889: 4675: 4561: 4289: 4241: 4222: 4079: 3996: 3738: 3650: 3576: 3517: 3381: 3195: 3065: 3037: 2983: 2815: 2743: 2711: 2637: 2230: 2199:

identified four narrative elements of the war film within the context of

2154: 2150: 2138: 1946: 1697: 1662: 1501: 1188: 1153: 866: 809: 712: 496: 217: 212: 9109: 8772:. University of Central Lancashire (PhD Thesis). pp. 57 and passim. 7568: 5836:"Gettysburg: Ted Turner, a cast of thousands and the ghosts of the past" 5628:

Kane, Kathryn. "The World War II Combat Film". In: Wes D. Gehring (ed.)

4910: 4730: 12666: 12646: 12596: 12576: 12561: 12551: 12467: 12418: 12228: 12035: 11975: 11793: 11686: 11629: 11557: 11515: 11346: 11164: 11149: 11119: 11077: 11046: 10736: 10599: 10363: 10304: 10284: 10174: 10118:, Documentary on the U.S. film effort during the First World War (2017) 8980: 8494: 8436:"Alexander Nevsky – Sergei Prokofiev | 100 Greatest Scores of All Time" 6514:"Franco, Fascists, and Freedom Fighters: The Spanish Civil War on Film" 6130: 5915: 5438: 5007: 4966: 4839: 4327: 4251: 3825: 3775: 3501: 3493: 3325: 3270: 3255: 3123: 2910: 2624: 2211: 2192: 2188: 2134: 2066: 1903: 1873: 1595: 964: 2742:'s novel. Perhaps the most famous film about the Finnish Civil War is 12477: 12423: 12321: 12260: 12253: 12095: 11990: 11940: 11661: 11547: 11410: 11356: 11159: 11082: 11072: 10945: 10940: 10555: 10550: 10540: 10466: 10439: 10415: 10353: 10326: 10269: 8363:

Surviving Images: Cinema, War, and Cultural Memory in the Middle East

7425:. Adelaide: National Library of Australia. 9 January 1954. p. 50 5301: 4989: 4865: 4861: 4566: 4226: 3902: 3879: 3437: 2863: 2520:

History of the United Kingdom during the First World War § Media

2445: 2078: 1893: 1717: 1667: 1617: 1607: 1602: 1467: 1258: 1253: 1218: 660: 346: 313: 202: 11139: 8972: 8317: 4400: 3394:

made films with propaganda messages about America's allies, such as

2358:, set in Vietnam, "the greatest war movie ever made". The 1966 film 2310:(1990) among the war films he discusses in detail; it is set in the 30:

This article is about the genre of film. For films named "War", see

12363: 12025: 11920: 11706: 11644: 11334: 10793: 10545: 10222: 10131:

Michael Wilmington & Dann Gire: World on War: A Film Discussion

9884:

The Screenwriters Taxonomy: a Roadmap to Collaborative Storytelling

9813:

Guts & Glory: The Making of the American Military Image in Film

5330: 4848: 4823: 4790: 4632: 4534: 4381: 4202: 3839: 3690: 3604: 3202: 3183: 2797: 2091: 1908: 1516: 1148: 1123: 741: 296: 170: 9956:

Castellan, James W.; van Dopperen, Ron; Graham, Cooper C. (2014).

9730:

The Great Combat Pictures: Twentieth-Century Warfare on the Screen

9657:"World War II as Trauma, Memory and Fantasy in Japanese Animation" 2575:

Staged scene of British troops advancing through barbed wire from

2524:

United States home front during World War I § Motion pictures

12686: 12368: 12311: 11329: 9045:

Doing Their Bit: Wartime American Animated Short Films, 1939–1945

8080: 6074:. MBRS, Library of Congress. New York : Motion Picture News. 6005: 5164:

films from the 1960s onwards addressed national memories of war.

5071: 4869: 4768:(1943) was not simply a romance between the characters played by 4755: 4198: 4106: 3876:(1968). These used the war as a backdrop for spectacular action. 3662: 3596: 2851: 2846: 2833: 2697: 2286: 2103: 1918: 1878: 1642: 1476: 1472: 819: 804: 680: 341: 336: 306: 245: 207: 10136:

British Film Institute: 10 great battleship and war-at-sea films

7157:"Translating War: The Combat Film Genre and Saving Private Ryan" 4670: 3901:

with a wall of fire instead of explosions, using planes such as

12641: 11838: 11763: 11415: 11351: 11324: 10987: 10800: 10654: 10115:

Mobilizing Movies! The U.S. Signal Corps Goes to War, 1917-1919

8237:"Japanese Pic 'Eternal Zero' Wins Italy's Udine Audience Prize" 7351:"Why are we so obsessed with films about the second world war?" 6164:

Oldfield, Barney (1991). "'WINGS' A Movie and an Inspiration".

5296: 4928:

A popular subgenre of war films in the 1950s and 1960s was the

4706: 3548: 3497: 2934: 2417: 2379:

List of films and television shows about the American Civil War

2130: 2087: 1425: 826: 643: 379: 10140: 4651:

the best ever written for cinema. Russell Merritt, writing in

4388:. Deanne Schultz considered it "a valuable interpretation" of 4376:(1979) looks at Indonesia's struggle for independence through 2241:

as a conflict between "good" and "evil" as represented by the

12326: 11459: 11437: 11430: 11230: 9792:

Russian Popular Culture: Entertainment and Society Since 1900

8648:"Sound effects as a genre-defining factor in submarine films" 6131:"Why was the Battle of the Somme film bigger than Star Wars?" 5161: 5132:

First World War film. At 12 minutes long, it was the longest

4857: 3797:(which won the Academy Award for Best Picture that year) and 2490:

of 1898. Short "actualities"—documentary film-clips—included

901: 437: 432: 9257: 7969: 7967: 7628: 7626: 4187:(1938). The Chinese Civil War, too, attracted films such as 4104:

has provided ships and technical guidance for films such as

3661:

unbeatable. Heroes were typically low-ranking officers, not

3400:(1942), which portrayed a British family on the home front; 2987:

South Korea invaded the North once, they would do so again.

2141:. There are similarly subgenres of the war film in specific 11378: 10171: 9437:

Tennessee Williams and Company: His Essential Screen Actors

9114: 7521: 6753: 6743: 6741: 6739: 6737: 6735: 5054: 4993:(1953), while the brief but powerful prison camp scenes of 4777: 4631:'s defeat of the attempted invasion of the Russian city of 3791:, and the highly successful, critically acclaimed pictures 3464: 3353: 3334:(1942)—"the most successful British film of the war years"— 2814:, portrays the fated romance between an American played by 2762:

trilogy; it describing the civil war from the losing side,

2634: 2277: 2183:

The war film genre is not necessarily tightly defined: the

2082: 2074: 197: 192: 8061: 7638: 7613: 7611: 7550: 7548: 6426:"Raja 1918-elokuva eurooppalaisilla elokuvafestivaaleilla" 4601: 3076:

opposition to United States involvement in the Vietnam War

2318:

identifies war films as one of eleven super-genres in his

9071:"Japanese Animation, the Pacific War and the Atomic Bomb" 8930:

A Technological History of Motion Pictures and Television

8456: 7964: 7830: 7828: 7623: 6584: 5967: 5703: 5679: 5667: 5287:

s story of an innocent "unstrung by the horrors of war".

4999:(1978) lend an air of tragedy to the whole of that film. 4384:(1825–1830), though the colonial enemy was the same, the 4197:(1952). A more humanistic film set in the same period is 4090:

of the British Army Film Unit on the editing of the film

2455: 2070: 70: 9302: 9118:. Issei Miyazaki, Catherine Battistone, Yoshie Shimamura 8858: 8542: 8129:"Through Japanese Eyes: World War II in Japanese Cinema" 7813: 7293:

Overcoming Modernity: Cultural Identity in Wartime Japan

7031: 6732: 5691: 5586: 4215:(1937–1938), with films such as the political melodrama 9840:

Tam, King-fai; Tsu, Timothy Y.; Wilson, Sandra (2014).

8006: 7608: 7545: 2604:

called "one of the most successful films of all time".

10000:

Visions of War: Hollywood Combat Films of World War II

9750:

The Naval War Film: Genre, History and National Cinema

9209: 9089: 7914:"The story behind Chinese war epic The Flowers of War" 7825: 7373: 7371: 6898:. Cambridge University Press. pp. viii, 150–173. 6773:"The Abandoned Field-Free Fire Zone (Canh dong hoang)" 6428:(in Finnish). Embassy of Finland, Kiev. Archived from 6067: 5655: 5603: 5601: 5498: 5496: 5494: 3230:

since 2001 was depicted in various movies, among them

9958:

American Cinematographers in the Great War, 1914–1918

9912:

Children's Films: History, Ideology, Pedagogy, Theory

9322:"The 43rd Academy Awards (1971) Nominees and Winners" 8870: 8314:"German Wartime Newsreels (Die Deutsche Wochenschau)" 7745: 7581:

the slender Zero. 25 of these bogus Zeroes were built

6844: 6842: 6145: 5981: 5715: 5643: 10102:

Imperial War Museum: First World War Film Collection

8615: 8613: 8183:. Athens, Ohio: Ohio University Press. p. 273. 7840: 7707: 7533: 7509: 6868: 5180:(1988) is elegiac on the effect of war on children. 5069:(1942) the English countryside is thick with spies. 3205:

served as the background story of U.S. movies, like

2969:(2000) presented North Korea in a favourable light. 2568:

as "a really good war story, which is exceptional".

8536:"Why We Fight: Frank Capra's WWII Propaganda Films" 7368: 7325: 7313: 5598: 5491: 4470:Japanese directors have made popular films such as 4063: 9976: 9843:Chinese and Japanese Films on the Second World War 9570: 9509: 9456: 9371: 9183:Smith, Jeff (2014). "Reading the Hollywood Reds". 9073:. Impact, University of Nottingham. Archived from 8927: 8787:. Oxford University Press. p. 20 and passim. 8288:"The Art of Wartime Newsreels – 1940 through 1946" 8034: 7230: 6839: 6684: 5898:Entinger, Rosemary, ”The Great Locomotive Chase”, 4884:(1958), both based on novels by naval commanders. 4721:(1942) or the avoidance of "careless talk", as in 3559:in 1935. The studio made propaganda films such as 2796:has attracted directors from different countries. 2696:remained a controversial topic a century later in 2454:is the most-watched documentary in the history of 9932:Russian War Films: On the Cinema Front, 1914–2005 8610: 8565:"World War II Movies – Propaganda and Patriotism" 8453:"Watch It for the Soundtrack: 'Alexander Nevsky'" 8122: 8120: 8118: 8087:. The Ministry of Foreign Affairs of Russia. 2012 6324:"Pääkirjoitus: Kansalaissota on arka muistettava" 4705:and Clark agreed on a story about survivors of a 3406:(1943) showed Norwegian resistance fighters, and 2633:(1962), shot in the then unfamiliar and exciting 12727: 10078:The Vietnam War in History, Literature, and Film 9349:World War II Combat Film: The Anatomy of a Genre 6895:The British Documentary Film Movement, 1926–1946 6452:"Lehti: Käsky-elokuvassa miesten välistä seksiä" 6037:"Movies: The Battle and Fall of Przemysl (1915)" 5732: 5730: 4838:. A distinctive element in this subgenre is the 4780:and glorified resistance to them. Frank Capra's 4155:The first Chinese war films were newsreels like 3981:, set up an American–Japanese co-production for 3832:visually authentic, but found Lewis Milestone's 3629:(1939) for instance, shot on location in China, 9185:Film Criticism, the Cold War, and the Blacklist 8408: 8342:. British Universities Film & Video Council 7163:(October 1998). American Historical Association 7150: 7148: 7146: 6203: 6201: 5524:. Fairleigh Dickinson Univ Press. p. 200. 4956:(1963). They told stories of real escapes from 3729:(1954), with its exciting tale of the inventor 3284:List of Allied propaganda films of World War II 9816:(2nd ed.). University Press of Kentucky. 8837: 8835: 8833: 8737: 8735: 8733: 8731: 8729: 8316:. International Historic Films. Archived from 8234: 8115: 7865:. Rowman & Littlefield. pp. 168–169. 7728:"'Pearl Harbor': War Is Hell, but Very Pretty" 7687: 7596:. Turner Classic Movies, A Time Warner Company 6930:. Greenwood Publishing Group. pp. 86–87. 6919: 6917: 6915: 6532: 5753: 5751: 5749: 5747: 5745: 5632:. New York: Greenwood Press, 1988, pp. 90–91, 5388:Clarke's list of "notable Civil War films" is 4684:series, depicting lies being broadcast by the 2648:'s satirical anti-war musical comedy based on 2114:. Critics have noted similarities between the 10156: 9908: 9573:Indonesian Cinema: National Culture on Screen 9269: 8044:Encyclopaedia of Contemporary Russian Culture 7527: 6848: 6718:"The Battle of Algiers: Bombs and Boomerangs" 5727: 5513: 5511: 5143:produced 400,000 feet of war propaganda films 5053:(1942) where the evacuees go to stay with an 4647:, considered by artists such as the composer 4361:(Freedom) trilogy (2009–2011), starting with 3068:actually depicted combat; exceptions include 2627:'s "colossal epic", both war film and biopic 2125:Subgenres, not necessarily distinct, include 2043: 9839: 9395:Film Style and the World War II Combat Genre 8105: 7934: 7892:. Transaction Publishers. pp. 204–223. 7656: 7488: 7143: 6950: 6927:Historical Dictionary of American Propaganda 6887: 6885: 6883: 6516:. Harvard Film Archive. 2015. Archived from 6198: 6031: 5172:atomic destruction of Hiroshima and Nagasaki 4827:(1981), recreated in the Bavaria film studio 4667:among the world's 100 best motion pictures. 4234:, and the "contrived Sino–Japanese romance" 3617:undeclared war and invasion of China in 1937 2928:In 1955, after the fighting, the successful 10059:Culture and Entertainment in Wartime Russia 9979:Reel Patriotism: the Movies and World War I 8934:. University of California Press. pp. 8830: 8764: 8726: 8411:Kremlevskij Kinoteatr. 1928–1953: Dokumenty 8206:"Eternal Zero tops Japan B.O. for 8th week" 7889:Japanese War Crimes: The Search for Justice 7482: 6912: 6088:The Battle of the Somme (DVD viewing guide) 5892: 5742: 5174:to apocalyptic visions of global conflict; 4817:The cramped, equipment-filled setting of a 2481: 2090:, survival and escape, camaraderie between 10163: 10149: 9929: 9240: 9162:"The American Film Industry & Vietnam" 9042:Shull, Michael S.; Wilt, David E. (2005). 8340:"Wartime Newsreel British News Now Online" 8126: 8024: 7852: 7757: 7295:. Columbia University Press. p. 174. 7266:. Madison: University of Wisconsin Press. 6851:"The 10 Best Post 9/11 War Movies, Ranked" 6596: 6508: 6506: 6504: 6397: 6094:(2nd rev. ed.). Imperial War Museum. 5508: 5141:, working with the American armed forces, 4344:, literally "Blood and Prayer", 1950) and 3916:produced the 178 minute documentary drama 3064:Few films before the late 1970s about the 2784:Soviet poster for an exhibition about the 2050: 2036: 9068: 9041: 9018: 8782: 8765:O'Neill, Esther Margaret (October 2006). 8663: 7344: 7342: 7340: 7290: 7181: 6880: 6849:Schwerdtfeger, Conner (19 January 2016). 6813: 6652: 6629: 4906:Prisoner of war § In popular culture 3463:Russian ski infantry ride into battle on 3277: 2426:(1956). Others like the 1993 miniseries 54:, featuring acclaimed special effects by 9881: 9860: 9549: 9530: 9507: 9345: 9263: 9215: 8909: 8706: 8365:. Oxford University Press. p. 213. 8360: 8203: 7154: 6759: 6715: 6590: 6286:. British Film Institute. Archived from 6260:. British Film Institute. Archived from 6211:. British Film Institute. Archived from 6163: 5987: 5860: 5736: 5685: 5673: 5661: 5203: 5100: 5006: 4909: 4860:, and threatening sounds such as of the 4812: 4729: 4669: 4600: 4399: 4261: 4073: 3940:all-star epics filmed in Europe such as 3878: 3678: 3543: 3448: 3348: 3249: 2779: 2570: 2460: 2206: 1014:List of military strategies and concepts 38: 9864:War Cinema: Hollywood on the Front Line 9767: 9637:British Cinema and the Second World War 9487:Japan in War and Peace: Selected Essays 9275: 9012: 8967:(3). University of Texas Press: 56–72. 8958: 8925: 8888: 8639: 8592:Western Journal of Speech Communication 8559: 8557: 8472: 8012: 7862:Historical Dictionary of Chinese Cinema 7086: 6923: 6501: 6321: 6084: 5940:. Turner Classic Movies. Archived from 5739:, Chapter 2 Movie Types and Supergenres 5517: 3540:Japanese propaganda during World War II 2860:16th Berlin International Film Festival 2714:'s play and novel, was screened at the 2289:, equipment, and iconography of battle. 14: 12728: 9788: 9746: 9727: 9708: 9674:. Psychology Press. pp. 117–124. 9654: 9633: 9612: 9568: 9411: 9392: 9366: 9107: 9095: 8889:Strauss, Theodore (14 February 1941). 8876: 8864: 8841: 8741: 8645: 8623:. Harvard Film Archive. Archived from 8589: 8548: 8533: 8067: 7985: 7973: 7834: 7793: 7751: 7644: 7632: 7566: 7515: 7348: 7337: 7228: 7118: 7037: 6874: 6602: 6538: 6476: 5833: 5757: 5721: 5709: 5649: 5592: 5566: 5521:Film Study: An Analytical Bibliography 4556:List of World War II documentary films 4145: 3922:(1962), based on the first day of the 3529: 2716:7th Berlin International Film Festival 10144: 10017:Lim, Song Hwee; Ward, Julian (2011). 9667: 9661:The Asia-Pacific Journal: Japan Focus 9591: 9477: 9454: 9433: 9182: 9159: 8993: 7988:"Review: Red and White (Merah Putih)" 7858: 7763: 7725: 7713: 7539: 7492:The Dam Busters: A British Film Guide 7389: 7377: 7331: 7319: 6891: 6747: 5697: 5607: 5502: 4872:. Classic films in the genre include 2372: 9809: 9308: 8554: 8433: 8385: 8176: 8149: 7846: 7819: 7617: 7554: 7261: 7092: 6682: 6233: 6184:"The 1st Academy Awards : 1929" 6151: 5916:"The Red Badge of Courage: Synopsis" 5913: 5567:Macnab, Geoffrey (20 October 2014). 3603:to the invading French troops under 2769: 2679: 2591:, by two official cinematographers, 50:The War at Sea from Hawaii to Malaya 10040:Under Fire: a century of war movies 8260: 7879: 7688:Canby, Vincent (4 September 1970). 6686:"The Battle of Algiers, DVD review" 6541:"A short history of Spanish cinema" 5868:"An Occurrence at Owl Creek Bridge" 4932:film. The genre was popularised in 4023:(2008). The story was revisited in 3711:(1953). Like others of the period, 3245: 3149:The Abandoned Field: Free Fire Zone 3017: 2658:(1969); Spielberg's 2011 war drama 24: 12503:List of American independent films 9949: 9241:Ehrenstein, David (25 June 1989). 9187:. University of California Press. 9069:Singleton, Jack (23 August 2011). 8707:Crowther, Bosley (28 March 1958). 7690:"Movies: Tora! Tora! Tora! (1970)" 6603:West, Philip; Sŏ, Chi-mun (2001). 6236:"Lawrence of Arabia: 50 years ago" 6071:Motion Picture News (Mar–Apr 1916) 5027:Comedy film § Military comedy 4899: 3636:Legend of Tank Commander Nishizumi 3615:For Japan, the war began with the 3486:Разгром немецких войск под Москвой 2752:, based on the first two books of 2509: 2486:The first war films come from the 25: 12767: 10095: 9983:. University of Wisconsin Press. 9975:DeBauche, Leslie Midkiff (1997). 9397:. Cambridge Scholars Publishing. 8998:. Wallflower Press. p. 116. 8263:"Film Review: 'The Eternal Zero'" 7990:. The Film Review. Archived from 6716:Matthews, Peter (9 August 2011). 6128: 5807: 5145:between 1942 and 1945, including 4473:Submarine I-57 Will Not Surrender 3970:(1977). In Lawrence Suid's view, 3028:), 1966) portrayed events in the 2670:children's novel of the same name 2467:Die grosse Schlacht in Frankreich 2414:An Occurrence at Owl Creek Bridge 2280:, a group of mixed types , and a 12709: 12700: 12699: 9374:American Cinema/American Culture 9314: 9234: 9221: 9176: 9153: 9130: 9101: 9062: 9035: 9019:Churchill, Edward (March 1945). 8987: 8952: 8919: 8882: 8844:"10 great First World War films" 8804: 8776: 8758: 8744:"10 great prisoner-of-war films" 8742:Wigley, Samuel (18 April 2013). 8700: 8672: 8583: 8527: 8501: 8466: 8445: 8427: 8402: 8379: 8354: 8332: 8306: 8280: 8254: 8228: 8197: 8170: 8143: 8073: 7986:Parrot, John (9 February 2011). 7979: 7928: 7906: 7787: 7719: 7681: 7657:Ebert, Roger (12 October 1970). 7650: 7280:War Dramas in the China Incident 7186:. Hamish Hamilton. p. 281. 6823:. Cleveland Film. Archived from 6539:Pulver, Andrew (29 March 2011). 6398:Aro, Tuuve (November 29, 2007). 6001:"World War I: Siege Of Przemysl" 5630:Handbook of American Film Genres 5356:(1970), about real life General 5333:about the Second World War, and 5254:'s prisoner of war masterpiece 5105:First animated propaganda film: 4408:(left) directing the filming of 4064:Military–film industry relations 3977:Zanuck, by then an executive at 2496:Blanket-Tossing of a New Recruit 88: 10170: 10080:. University of Alabama Press. 9930:Youngblood, Denise J. (2010) . 9753:. Manchester University Press. 9440:. Hansen Publishing Group LLC. 9160:Paris, Michael (4 April 1987). 9136: 8996:Animation: Genre and Authorship 8842:Thrift, Matthew (1 July 2014). 8665:10.7146/mediekultur.v26i48.2117 8534:Silver, Charles (7 June 2011). 8434:Lysy, Craig (9 November 2015). 8261:Lee, Maggie (7 February 2014). 8131:. United States Naval Institute 7794:Holden, Stephen (24 May 1995). 7594:"The Longest Day (1962) Awards" 7586: 7560: 7457: 7437: 7409: 7383: 7349:Pulver, Andrew (17 July 2014). 7284: 7255: 7222: 7200: 7175: 7112: 7060: 7043: 7014: 6997: 6980: 6944: 6791: 6765: 6709: 6697:from the original on 2022-01-12 6676: 6646: 6623: 6566:"Berlinale 1966: Prize Winners" 6558: 6470: 6444: 6418: 6391: 6366: 6341: 6315: 6302: 6276: 6250: 6227: 6176: 6157: 6122: 6078: 6068:Quigley Publishing Co. (1916). 6061: 6025: 6013:from the original on 2021-11-10 5993: 5956: 5930: 5907: 5834:Jubera, Drew (9 October 1993). 5827: 5801: 5775: 5472: 5433:The other ten super-genres are 5427: 5382: 5290: 5285:All Quiet on the Western Front' 4231:Black Sun: The Nanking Massacre 4167:(1913). Still in films such as 3595:(1945), which depicts stubborn 3190:and his son living through the 2990: 2776:List of Spanish Civil War films 2540:The Battle and Fall of Przemysl 2364:is, he argues, a close second. 2325:The British military historian 2259:and "war-movie escapades" like 9934:. University Press of Kansas. 9795:. Cambridge University Press. 9598:. Greenwood Publishing Group. 9577:. University of Hawaii Press. 8538:. Museum of Modern Art (MoMA). 8204:Kevin Ma (February 13, 2014). 7885: 6659:. Jefferson, N.C.: McFarland. 6656:North Korean Cinema: A History 6258:"Oh! What a Lovely War (1969)" 6234:Fahy, Patrick (4 April 2014). 5622: 5613: 5560: 5538: 5346:Other genres were combined in 5234:All Quiet on the Western Front 5229:All Quiet on the Western Front 5215:All Quiet on the Western Front 4960:prisoner of war camps such as 4545: 4528:(2013) narrates the tale of a 4324:Indonesian war of independence 4070:Military-entertainment complex 3697:According to Andrew Pulver of 3304:and propaganda. Films such as 3300:and combined the functions of 3182:stories of a father living in 3053: 13: 1: 9728:Parish, James Robert (1990). 9483:"Japanese cinema goes to war" 9455:Dolan, Edward F. Jr. (1985). 9352:. Columbia University Press. 9108:Masaki, Mori (13 June 1992). 8812:"Charlie Chaplin goes to War" 8511:. Ruscico.com. Archived from 8487:10.1525/fq.1994.48.2.04a00050 8413:. Rospen Press. p. 539. 8235:Mark Schilling (3 May 2014). 7567:Goebel, Greg (1 March 2015). 6458:(in Finnish). August 13, 2008 5485: 4692:During the Second World War, 4586: 4461: 4257: 3803:were released. Some, such as 3163: 2889: 2856:Silver Bear for Best Director 2528:Home front during World War I 10061:. Indiana University Press. 9771:Filmography of World History 9531:Eberwein, Robert T. (2010). 9516:. Rutgers University Press. 9508:Eberwein, Robert T. (2005). 9434:DiLeo, John (October 2010). 9021:"Walt Disney's Animated War" 8709:"Run Silent Run Deep (1958)" 8646:Koldau, Linda Maria (2010). 8621:"The Fort Devens Collection" 8127:USNI Staff (14 April 2014). 7726:Scott, A. O. (25 May 2001). 7659:"Tora! Tora! Tora! (review)" 7495:. I.B. Tauris. p. 118. 7182:Herzstein, Robert E (1979). 6653:Schönherr, Johannes (2012). 6609:. M.E. Sharpe. p. 127. 6322:Haapala, Timo (2017-12-15). 6186:. Oscars.org. 8 October 2014 5785:. Silent Era. Archived from 5125:The Sinking of the Lusitania 5112:The Sinking of the Lusitania 4802: 4540: 3809:The Bridge on the River Kwai 3794:The Bridge on the River Kwai 2749:Here, Beneath the North Star 2516:Fiction based on World War I 2293:Further, Basinger considers 7: 12756:Documentary films about war 9909:Wojik-Andrews, Ian (2002). 8290:. 1940s.org. Archived from 7291:Calichman, Richard (2008). 6924:Manning, Martin J. (2004). 6406:(in Finnish). Bonnier Group 6209:"Lawrence of Arabia (1962)" 5964:"The Filmmakers: Ken Burns" 5193: 5096: 4796:Face to Face with Communism 4597:World War I film propaganda 4466:Category:Japanese war films 4455: 4423:'s popular and "beautiful" 4270:in combat, in a scene from 3909:, and generating smoke 2008 3265:, playing the role of "HMS 2909:(1951) was made during the 2492:Burial of the Maine Victims 1507:Military–industrial complex 986:Operational manoeuvre group 10: 12772: 12394:Classical Hollywood cinema 11583:Commedia sexy all'italiana 10491:Exploitation film template 10435:Commedia sexy all'italiana 9810:Suid, Lawrence H. (2002). 9489:. NY: New Press. pp. 9346:Basinger, Jeanine (1986). 9339: 9245:. The Criterion Collection 8106:Tam, Tsu & Wilson 2014 8047:. Routledge. p. 205. 7859:Ye, Tan; Zhu, Yun (2012). 7454:, 29 December 1955, p. 12. 7155:Basinger, Jeanine (1998). 6799:"KVIFF programme – Remake" 5546:"Cinema and the Great War" 5197: 5024: 4979:of the colonel, played by 4903: 4806: 4590: 4549: 4459: 4150: 4067: 3828:. U.S. Marines considered 3675:List of World War II films 3672: 3668: 3607:. The propaganda minister 3533: 3292:war films made during the 3281: 3057: 2893: 2876:, 1995), loosely based on 2773: 2652:'s play of the same name, 2513: 2471:The Great Battle in France 2423:The Great Locomotive Chase 2376: 2367: 2176: 2102:. The stories told may be 29: 12695: 12298: 12216: 11961:German underground horror 11916:Documentary Film Movement 11824:American eccentric cinema 11809: 11055: 10181: 9998:Kane, Kathryn R. (1982). 9747:Rayner, Jonathan (2007). 9278:"Movies: Catch-22 (1970)" 8783:MacKenzie, S. P. (2004). 8604:10.1080/10570319009374338 8361:Rastegar, Kamran (2015). 7764:Stein, Howard F. (2004). 7569:"The Mitsubishi A6M Zero" 6483:Literature/Film Quarterly 5002: 4754:(1940) clearly satirised 4655:, describes it as a "war 4621:'s 1938 historical drama 4404:Russia's "cinema front": 4395: 3485: 3433:Thirty Seconds Over Tokyo 3366:Thirty Seconds Over Tokyo 3356:about to launch from the 2896:Category:Korean War films 2838:painting of the same name 2818:and a partisan played by 2550:The 1915 Australian film 2153:in the Second World War, 1571:Loss-of-strength gradient 428:Combat information center 43:Japanese film poster for 27:Film genre depicting wars 10057:Stites, Richard (1995). 10042:. Ian Allan Publishing. 9789:Stites, Richard (1992). 9768:Schultz, Deanne (2007). 9569:Heider, Karl G. (1991). 9485:. In Dower, John (ed.). 9280:. Movies & TV Dept. 9141:. T.H.E.M. Anime Reviews 8846:. British Film Institute 8814:. RRCHNM. Archived from 8746:. British Film Institute 8409:Anderson, Kyril (2005). 7942:. Movies & TV Dept. 7940:"Doea Tanda Mata (1986)" 7465:"The Dam Busters (1954)" 7390:A. W. (11 August 1953). 7119:Beevor, Antony (1999) . 6958:. Movies & TV Dept. 6355:(in Finnish). 2016-05-15 6238:. British Film Institute 6085:Smither, R.B.N. (2008). 6039:. Movies & TV Dept. 5870:. Movies & TV Dept. 5375: 4972:Bridge on the River Kwai 3387:The Battle of San Pietro 3135:The Vietnamese director 2840:to protest against war. 2558:Deeds that Won Gallipoli 2482:The Spanish–American War 2435:The Red Badge of Courage 2388:'s 1910 silent picture, 2172: 2149:of North Africa and the 1889:Military science fiction 1374:Technology and equipment 795:List of military tactics 11896:Cinema of Transgression 11030:Cinema of Transgression 10020:The Chinese Cinema Book 9882:Williams, Eric (2018). 9668:Neale, Stephen (2000). 9634:Murphy, Robert (2005). 9595:Guide to British Cinema 9393:Bender, Stuart (2013). 9276:Bozzola, Lucia (2013). 8177:Goto, Ken'ichi (2003). 8150:High, Peter B. (2003). 7184:The War that Hitler Won 7161:Perspectives on History 7093:T.S. (17 August 1942). 5518:Manchel, Frank (1990). 5011:First military comedy: 4740:(1943) vilified Nazism. 4515:The Truth about Nanjing 4310:Six Hours in Yogyakarta 4194:From Victory to Victory 3885:Commemorative Air Force 3601:Siege of Kolberg (1807) 2803:For Whom the Bell Tolls 2718:. Recent films include 2607:The 1925 American film 2588:The Battle of the Somme 2578:The Battle of the Somme 2500:Soldiers Washing Dishes 2320:screenwriters' taxonomy 2185:American Film Institute 1957:Wartime sexual violence 1713:Full-spectrum dominance 1524:Supply-chain management 52:(Hawai Mare oki kaisen) 11981:Hollywood on the Tiber 10023:. Palgrave Macmillan. 9861:Westwell, Guy (2006). 9709:Orriss, Bruce (1984). 9655:Napier, Susan (2005). 9613:Monaco, James (1992). 9550:Erickson, Hal (2012). 9533:The Hollywood War Film 9229:Aviation in the Cinema 7262:High, Peter B (2003). 7237:. Macmillan. pp. 7229:Leiser, Erwin (1974). 5876:. 2008. Archived from 5295:Comedy gave scope for 5219: 5200:List of anti-war films 5188:Grave of the Fireflies 5177:Grave of the Fireflies 5170:(1988) moves from the 5116: 5022: 4936:with major films like 4925: 4828: 4741: 4689: 4615: 4446:'s more psychological 4415: 4382:Java or Diponegoro War 4281: 4208:City of Life and Death 4097: 3995:. The film, panned by 3993:attack on Pearl Harbor 3910: 3905:converted to resemble 3899:attack on Pearl Harbor 3883:Supposed realism: the 3721:battle of the Atlantic 3694: 3683:Shooting a scene from 3659:Chocolate and Soldiers 3646:Chocolate and Soldiers 3572: 3471: 3370: 3278:Made by Western Allies 3274: 3025: 3010:La battaglia di Algeri 3009: 2916:The Bridges at Toko-Ri 2789: 2585:The 1916 British film 2582: 2543:(1915), depicting the 2478: 2291: 2221: 1869:Awards and decorations 1842:Peace through strength 1817:Low-intensity conflict 1451:Conscientious objector 1324:Area of responsibility 58: 11971:Grupo Cine Liberación 11911:Czechoslovak New Wave 11906:Commedia all'italiana 10253:Commedia all'italiana 10076:Taylor, Mark (2003). 9592:Mayer, Geoff (2003). 9459:Hollywood Goes to War 7770:. Rodopi. p. 6. 7489:John Ramsden (2003). 7068:"Moscow Strikes Back" 6956:"Mrs. Miniver (1942)" 6477:Larsen, Mads (2020). 5938:"Shenandoah: article" 5348:Franklin J. Schaffner 5207: 5198:Further information: 5104: 5025:Further information: 5010: 4913: 4904:Further information: 4816: 4733: 4673: 4604: 4591:Further information: 4550:Further information: 4449:The Cranes are Flying 4403: 4265: 4244:'s epic Chinese film 4129:A Gathering of Eagles 4123:Strategic Air Command 4086:confers with Captain 4077: 4029:(2001), described by 3955:The Battle of Neretva 3882: 3782:The One That Got Away 3741:, were true stories. 3682: 3673:Further information: 3547: 3534:Further information: 3467:cavalry tanks in the 3452: 3352: 3318:British film industry 3282:Further information: 3253: 3178:, tells the parallel 3058:Further information: 3001:The Battle of Algiers 2954:Spring in My Hometown 2942:The Taebaek Mountains 2812:book of the same name 2783: 2774:Further information: 2655:Oh! What a Lovely War 2574: 2564:was described by the 2514:Further information: 2465:1918 film poster for 2464: 2377:Further information: 2361:The Battle of Algiers 2274: 2210: 2177:Further information: 461:Torpedo data computer 451:Ship gun fire-control 42: 12498:Guerrilla filmmaking 12161:Kitchen sink realism 12116:Praška filmska škola 12046:New French Extremity 11956:German Expressionist 11864:Kitchen sink realism 11729:Contemporary Western 11509:Environmental issues 11040:New French Extremity 10998:New French Extremity 10823:Softcore pornography 10818:Hardcore pornography 10685:New French Extremity 10038:Slater, Jay (2009). 9031:(3): 50–51, 134–138. 8994:Wells, Paul (2002). 8459:. 10 February 2008. 8027:, pp. 234–235, 7125:. Penguin. pp. 7051:They Were Expendable 6892:Swann, Paul (1989). 6827:on 23 September 2015 6312:(1984) 14#3 pp 50–60 5050:Those Kids from Town 4886:Run Silent, Run Deep 4881:Run Silent, Run Deep 4552:Documentary war film 4084:US Army Signal Corps 3907:Mitsubishi A6M Zeros 3897:team simulating the 3861:The Guns of Navarone 3855:Ill Met by Moonlight 3848:(1952) based on the 3770:Ill Met by Moonlight 3737:and its distinctive 3510:Battle of Stalingrad 3443:They Were Expendable 3094:Francis Ford Coppola 3047:Jamila, the Algerian 3042:Venice Film Festival 2764:Finland's Red Guards 2759:Under the North Star 2646:Richard Attenborough 2488:Spanish–American War 1987:Military occupations 1822:Military engineering 1724:Unrestricted Warfare 1581:Force multiplication 479:Military manoeuvrers 32:War (disambiguation) 12234:Children and family 12208:Yugoslav Black Wave 12081:Nuevo Cine Mexicano 11966:Nigerian Golden Age 11931:European art cinema 11834:Australian New Wave 9828:(revised ed. 2015, 9774:. Greenwood Press. 9732:. Scarecrow Press. 9713:. Aero Associates. 9535:. Wiley-Blackwell. 9311:, pp. 260–277. 9290:on 10 November 2013 9266:, pp. 314–368. 9203:10.1525/j.ctt6wqb6x 9077:on 7 September 2019 8680:"Duel to the Death" 8571:on 21 February 2015 8070:, pp. 113–114. 7822:, pp. 161–209. 7647:, pp. 194–195. 7635:, pp. 411–412. 7620:, pp. 188–189. 7557:, pp. 116–135. 6762:, pp. 212–213. 6750:, pp. 121–124. 6683:de Wilde, Gervase. 5712:, pp. 227–237. 5700:, pp. 117–121. 5595:, pp. 165–171. 5421:Ride with the Devil 5274:(1957). The critic 5248:Hollywood blacklist 5154:Education for Death 5139:Walt Disney Company 5085:Abbott and Costello 5081:concentration camps 4776:, but vilified the 4734:The romantic drama 4485:Japan's Longest Day 4322:, 1983) covers the 4218:Massacre in Nanjing 4146:National traditions 4043:Saving Private Ryan 4014:The Final Countdown 3943:Battle of the Bulge 3693:, Netherlands, 1977 3562:Triumph des Willens 3530:Made by Axis powers 3477:Moscow Strikes Back 3456:Moscow Strikes Back 3254:Filming aboard the 3174:(2003), written by 3060:Vietnam War in film 3026:La Bataille d'Alger 2966:Joint Security Area 2883:Homage to Catalonia 2640:, and described by 2566:Motion Picture News 2409:La Rivière du Hibou 2268:The film historian 1673:Penal military unit 1658:Rules of engagement 1334:Command and control 959:Operations research 423:Director (military) 413:Fire-control system 183:Command and control 64:Part of a series on 12532:Major film studios 12126:Pure Film Movement 12106:Polish Film School 12006:Italian neorealist 11986:Hong Kong New Wave 11588:Mexican sex comedy 10645:German underground 10124:2015-06-27 at the 10107:2015-06-27 at the 9283:The New York Times 8688:. 26 December 1957 8438:. Movie Music UK. 8388:"Alexander Nevsky" 8210:Film Business Asia 7976:, pp. 99–107. 7945:The New York Times 7732:The New York Times 7694:The New York Times 7528:Wojik-Andrews 2002 7396:The New York Times 7099:The New York Times 7056:TCM Movie Database 7040:, pp. 93–100. 7027:TCM Movie Database 7010:TCM Movie Database 6993:TCM Movie Database 6968:on 23 October 2007 6961:The New York Times 6572:on 15 October 2013 6310:Film & History 6284:"War Horse (2011)" 6042:The New York Times 6009:. 29 August 2009. 5880:on 23 October 2008 5873:The New York Times 5848:on 8 December 2014 5262:The Grand Illusion 5257:La Grande Illusion 5239:Alice's Restaurant 5220: 5148:Der Fuehrer's Face 5117: 5066:Went the Day Well? 5023: 4926: 4829: 4751:The Great Dictator 4742: 4718:Went the Day Well? 4690: 4616: 4497:Fires on the Plain 4416: 4390:Indonesian history 4305:Enam Djam di Jogja 4282: 4268:Siliwangi Division 4237:Don't Cry, Nanking 4164:Battle of Shanghai 4102:United States Navy 4098: 4058:The New York Times 4031:The New York Times 4002:The New York Times 3936:(1962), and quasi- 3911: 3758:Count Five and Die 3717:Nicholas Monsarrat 3695: 3631:Kōzaburō Yoshimura 3599:resistance in the 3573: 3508:, defeated in the 3472: 3412:(1943) showed the 3371: 3313:Target for Tonight 3307:The Lion Has Wings 3288:The first popular 3275: 3228:War in Afghanistan 3034:Italian neorealism 2790: 2684:Although the 1918 2630:Lawrence of Arabia 2615:William A. Wellman 2583: 2504:Theodore Roosevelt 2479: 2373:American Civil War 2312:American Civil War 2282:military objective 2227:American Civil War 2222: 2118:and the war film. 2100:American Civil War 2073:, typically about 1782:Counter-insurgency 1703:Command of the sea 1648:Jewish laws on war 1623:Geneva Conventions 1159:Divide and conquer 954:Military operation 919:Tactical objective 418:Fire-control radar 395:Electronic-warfare 59: 12723: 12722: 12662:Socialist realist 12374:Behind-the-scenes 12151:Socialist realist 12146:Spaghetti Western 12136:Romanian New Wave 12011:Japanese New Wave 11677:Sword and sorcery 11593:Nazi exploitation 11175:Mumbai underworld 10931:Planetary romance 10049:978-0-7110-3385-6 10030:978-1-84457-580-0 9967:978-0-86196-717-9 9941:978-0-7006-1761-6 9922:978-1-135-57661-5 9893:978-1-315-10864-3 9874:978-1-904764-54-0 9853:978-1-317-65046-1 9834:978-0-813-15808-2 9823:978-0-8131-9018-1 9802:978-0-521-36986-2 9781:978-0-313-32681-3 9760:978-0-7190-7098-3 9739:978-0-8108-2315-0 9681:978-0-415-02606-2 9647:978-0-8264-7897-9 9640:. A&C Black. 9626:978-0-399-51780-8 9619:. Perigee Books. 9605:978-0-313-30307-4 9584:978-0-8248-1367-3 9561:978-0-7864-6290-2 9542:978-1-4051-7391-9 9447:978-1-60182-425-7 9426:978-0-7535-1094-0 9404:978-1-4438-4336-2 9385:978-0-07-004466-1 9359:978-0-231-05952-7 9194:978-0-520-95851-7 9055:978-0-7864-1555-7 9005:978-1-903364-20-8 8945:978-0-520-00411-5 8891:"At Loew's State" 8867:, pp. 34–35. 8794:978-0-19-926210-6 8551:, pp. 61–62. 8420:978-5-8243-0532-6 8372:978-0-19-939017-5 8190:978-0-89680-231-5 8163:978-0-299-18130-7 8054:978-1-136-78785-0 7899:978-1-4128-2683-9 7872:978-0-8108-6779-6 7663:Chicago Sun-Times 7502:978-1-86064-636-2 7302:978-0-231-14396-7 7022:Guadalcanal Diary 6937:978-0-313-29605-5 6905:978-0-521-33479-2 6666:978-0-7864-6526-2 6616:978-0-7656-0696-9 6593:, pp. 51–53. 6489:(1 (Winter 2020)) 6166:Air Power History 6154:, pp. 24–26. 6129:Stock, Francine. 6101:978-0-901627-94-0 5841:The Baltimore Sun 5688:, pp. 14–75. 5676:, pp. 30–31. 5638:978-0-313-24715-6 5531:978-0-8386-3186-7 5457:, slice of life, 5397:Gods and Generals 5325:(1970), based on 4950:'s American film 4943:The Colditz Story 4844:Wolfgang Petersen 4836:submarine warfare 4696:was widely used. 4619:Sergei Eisenstein 4479:Battle of Okinawa 4444:Mikhail Kalatozov 4250:(2011), based on 3988:Tora! Tora! Tora! 3983:Richard Fleischer 3949:Battle of Britain 3894:Tora! Tora! Tora! 3873:Where Eagles Dare 3830:Sands of Iwo Jima 3821:Sands of Iwo Jima 3581:army high command 3557:Universum Film AG 3506:German Sixth Army 3423:Guadalcanal Diary 3331:In Which We Serve 3192:Siege of Sarajevo 3119:Full Metal Jacket 2874:Tierra y Libertad 2806:(1943), based on 2794:Spanish Civil War 2786:Spanish Civil War 2770:Spanish Civil War 2686:Finnish Civil War 2680:Finnish Civil War 2545:Siege of Przemyśl 2477:in the background 2355:The 317th Platoon 2337:Christopher Nolan 2304:'s Oscar-winning 2179:List of war films 2159:Soviet–Afghan War 2060: 2059: 1952:Horses in warfare 1899:Anti-war movement 1802:Gunboat diplomacy 1792:Disaster response 1740:Philosophy of war 1735:Principles of war 1708:Deterrence theory 1653:Right of conquest 1576:Lanchester's laws 1344:Principles of war 1034:Counter-offensive 1019:Military campaign 924:Target saturation 847:Counterinsurgency 456:Gun data computer 390:Close air support 352:Aircraft carriers 16:(Redirected from 12763: 12751:Works about wars 12746:Military fiction 12713: 12703: 12702: 12682:Vulgar auteurism 12510:Interstitial art 12488:Hyperlink cinema 12203:Vulgar auteurism 12198:Toronto New Wave 12188:Telefoni Bianchi 12183:Sword-and-sandal 12001:Italian futurist 11996:Iranian New Wave 11859:British New Wave 11672:Sword-and-sandal 11553:Rape and revenge 11494:Mouth of Garbage 11340:Tentacle erotica 11288:Goona-goona epic 11268:Extraterrestrial 11155:Heroic bloodshed 10789:Occult detective 10620:Christmas horror 10472:Sword-and-sandal 10204:Hong Kong action 10199:Heroic bloodshed 10165: 10158: 10151: 10142: 10141: 10091: 10072: 10053: 10034: 10013: 10002:. UMI Research. 9994: 9982: 9971: 9945: 9926: 9905: 9878: 9857: 9827: 9806: 9785: 9764: 9743: 9724: 9705: 9699: 9695: 9693: 9685: 9664: 9651: 9630: 9609: 9588: 9576: 9565: 9546: 9527: 9515: 9504: 9474: 9462: 9451: 9430: 9419:. Virgin Books. 9408: 9389: 9377: 9363: 9334: 9333: 9331: 9329: 9324:. 4 October 2014 9318: 9312: 9306: 9300: 9299: 9297: 9295: 9286:. 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RogerEbert.com 5805: 5799: 5798: 5796: 5794: 5779: 5773: 5772: 5755: 5740: 5734: 5725: 5719: 5713: 5707: 5701: 5695: 5689: 5683: 5677: 5671: 5665: 5659: 5653: 5652:, pp. 9–10. 5647: 5641: 5626: 5620: 5617: 5611: 5605: 5596: 5590: 5584: 5583: 5581: 5579: 5564: 5558: 5557: 5555: 5553: 5542: 5536: 5535: 5515: 5506: 5500: 5479: 5476: 5470: 5431: 5425: 5386: 5358:George S. Patton 5276:David Ehrenstein 5077:barrage balloons 4953:The Great Escape 4921:The Great Escape 4918:used in filming 4674:Screenshot from 4665:Alexander Nevsky 4645:Sergei Prokofiev 4637:Teutonic Knights 4629:Prince Alexander 4624:Alexander Nevsky 4611:Alexander Nevsky 4525:The Eternal Zero 4491:The Burmese Harp 4439:Battle of Moscow 4378:historical drama 4357:The more recent 4286:Indonesian films 4213:Nanjing Massacre 4184:Protect Our Land 4096:in February 1944 4093:Tunisian Victory 4048:Joseph Vilsmaier 4038:Steven Spielberg 3979:20th Century Fox 3967:A Bridge Too Far 3933:Ivan's Childhood 3928:Andrei Tarkovsky 3914:Darryl F. Zanuck 3850:St. Nazaire Raid 3824:(1949) starring 3719:'s story of the 3686:A Bridge Too Far 3626:Mud and Soldiers 3490:Battle of Moscow 3487: 3469:Battle of Moscow 3461:Snow camouflaged 3453:Screenshot from 3403:Edge of Darkness 3337:Millions Like Us 3294:Second World War 3246:Second World War 3168:Dino Mustafić's 3145: 3071:The Green Berets 3019: 2996:Gillo Pontecorvo 2906:The Steel Helmet 2869:Land and Freedom 2808:Ernest Hemingway 2666:Michael Morpurgo 2642:Steven Spielberg 2553:Within Our Gates 2535:Albert K. Dawson 2316:Eric R. Williams 2270:Jeanine Basinger 2229:or the American 2108:historical drama 2096:Second World War 2052: 2045: 2038: 1807:Humanitarian aid 1745:Security dilemma 1566:Power projection 1349:Economy of force 1329:Chain of command 1044:Defence in depth 1029:Commerce raiding 852:Defeat in detail 188:Defense ministry 92: 83: 82: 73: 61: 60: 21: 12771: 12770: 12766: 12765: 12764: 12762: 12761: 12760: 12726: 12725: 12724: 12719: 12691: 12632:Semidocumentary 12557:Minimalist film 12547:Message picture 12542:Maximalist film 12436:Database cinema 12419:Computer screen 12379:Black-and-white 12304: 12302: 12300: 12294: 12212: 12168:Soviet parallel 12091:Parallel cinema 12086:Pan-Indian film 12016:Kammerspielfilm 11951:French New Wave 11871:Budapest school 11854:Brighton School 11829:New Objectivity 11811: 11805: 11774:Science fiction 11406:Bruceploitation 11315:Girls with guns 11261:Turksploitation 11135:Gentleman thief 11051: 10886:Science fiction 10732:Minimalist film 10727:Maximalist film 10705:Science fiction 10665:Japanese horror 10462:Social guidance 10177: 10169: 10126:Wayback Machine 10109:Wayback Machine 10098: 10088: 10075: 10069: 10056: 10050: 10037: 10031: 10016: 10010: 9997: 9991: 9974: 9968: 9955: 9952: 9950:Further reading 9942: 9923: 9894: 9875: 9854: 9824: 9803: 9782: 9761: 9740: 9721: 9697: 9696: 9687: 9686: 9682: 9648: 9627: 9616:The Movie Guide 9606: 9585: 9562: 9543: 9524: 9501: 9471: 9463:. Bison Books. 9448: 9427: 9405: 9386: 9378:. McGraw-Hill. 9360: 9342: 9337: 9327: 9325: 9320: 9319: 9315: 9307: 9303: 9293: 9291: 9274: 9270: 9262: 9258: 9248: 9246: 9239: 9235: 9227:Stephen Pendo, 9226: 9222: 9214: 9210: 9195: 9181: 9177: 9158: 9154: 9144: 9142: 9135: 9131: 9121: 9119: 9106: 9102: 9098:, pp. 1–3. 9094: 9090: 9080: 9078: 9067: 9063: 9056: 9040: 9036: 9017: 9013: 9006: 8992: 8988: 8973:10.2307/1225675 8957: 8953: 8946: 8924: 8920: 8908: 8904: 8887: 8883: 8875: 8871: 8863: 8859: 8849: 8847: 8840: 8831: 8821: 8819: 8810: 8809: 8805: 8795: 8781: 8777: 8769: 8763: 8759: 8749: 8747: 8740: 8727: 8717: 8715: 8705: 8701: 8691: 8689: 8678: 8677: 8673: 8644: 8640: 8630: 8628: 8619: 8618: 8611: 8588: 8584: 8574: 8572: 8563: 8562: 8555: 8547: 8543: 8532: 8528: 8518: 8516: 8509:"mindupper.com" 8507: 8506: 8502: 8471: 8467: 8451: 8450: 8446: 8432: 8428: 8421: 8407: 8403: 8393: 8391: 8384: 8380: 8373: 8359: 8355: 8345: 8343: 8338: 8337: 8333: 8323: 8321: 8312: 8311: 8307: 8297: 8295: 8294:on 2 April 2015 8286: 8285: 8281: 8271: 8269: 8259: 8255: 8245: 8243: 8233: 8229: 8219: 8217: 8202: 8198: 8191: 8175: 8171: 8164: 8148: 8144: 8134: 8132: 8125: 8116: 8108:, p. 108, 8104: 8100: 8090: 8088: 8079: 8078: 8074: 8066: 8062: 8055: 8039: 8035: 8025:Youngblood 2010 8023: 8019: 8011: 8007: 7997: 7995: 7994:on 23 June 2016 7984: 7980: 7972: 7965: 7955: 7953: 7952:on 3 April 2015 7933: 7929: 7919: 7917: 7912: 7911: 7907: 7900: 7884: 7880: 7873: 7857: 7853: 7845: 7841: 7837:, pp. 1–2. 7833: 7826: 7818: 7814: 7804: 7802: 7792: 7788: 7778: 7762: 7758: 7750: 7746: 7736: 7734: 7724: 7720: 7712: 7708: 7698: 7696: 7686: 7682: 7672: 7670: 7655: 7651: 7643: 7639: 7631: 7624: 7616: 7609: 7599: 7597: 7592: 7591: 7587: 7573: 7571: 7565: 7561: 7553: 7546: 7538: 7534: 7526: 7522: 7514: 7510: 7503: 7487: 7483: 7473: 7471: 7469:Rotten Tomatoes 7463: 7462: 7458: 7447: 7443: 7442: 7438: 7428: 7426: 7415: 7414: 7410: 7400: 7398: 7388: 7384: 7376: 7369: 7359: 7357: 7347: 7338: 7330: 7326: 7318: 7314: 7303: 7289: 7285: 7274: 7260: 7256: 7249: 7227: 7223: 7213: 7211: 7210:. FilmPortal.de 7206: 7205: 7201: 7194: 7180: 7176: 7166: 7164: 7153: 7144: 7137: 7117: 7113: 7103: 7101: 7091: 7087: 7077: 7075: 7066: 7065: 7061: 7048: 7044: 7036: 7032: 7019: 7015: 7002: 6998: 6985: 6981: 6971: 6969: 6949: 6945: 6938: 6922: 6913: 6906: 6890: 6881: 6873: 6869: 6859: 6857: 6847: 6840: 6830: 6828: 6819: 6818: 6814: 6804: 6802: 6797: 6796: 6792: 6782: 6780: 6771: 6770: 6766: 6758: 6754: 6746: 6733: 6723: 6721: 6714: 6710: 6700: 6698: 6681: 6677: 6667: 6651: 6647: 6637: 6635: 6630:Paquet, Darcy. 6628: 6624: 6617: 6601: 6597: 6589: 6585: 6575: 6573: 6564: 6563: 6559: 6549: 6547: 6537: 6533: 6523: 6521: 6512: 6511: 6502: 6492: 6490: 6475: 6471: 6461: 6459: 6450: 6449: 6445: 6435: 6433: 6424: 6423: 6419: 6409: 6407: 6396: 6392: 6382: 6380: 6372: 6371: 6367: 6358: 6356: 6347: 6346: 6342: 6333: 6331: 6320: 6316: 6307: 6303: 6293: 6291: 6282: 6281: 6277: 6267: 6265: 6264:on 12 July 2012 6256: 6255: 6251: 6241: 6239: 6232: 6228: 6218: 6216: 6215:on 12 July 2012 6207: 6206: 6199: 6189: 6187: 6182: 6181: 6177: 6162: 6158: 6150: 6146: 6136: 6134: 6127: 6123: 6114: 6112: 6108: 6102: 6091: 6083: 6079: 6066: 6062: 6052: 6050: 6030: 6026: 6016: 6014: 5999: 5998: 5994: 5986: 5982: 5972: 5970: 5962: 5961: 5957: 5947: 5945: 5944:on 23 June 2015 5936: 5935: 5931: 5921: 5919: 5914:Erickson, Hal. 5912: 5908: 5897: 5893: 5883: 5881: 5866: 5865: 5861: 5851: 5849: 5832: 5828: 5818: 5816: 5806: 5802: 5792: 5790: 5789:on 3 April 2015 5781: 5780: 5776: 5761:(29 May 2018). 5756: 5743: 5735: 5728: 5720: 5716: 5708: 5704: 5696: 5692: 5684: 5680: 5672: 5668: 5660: 5656: 5648: 5644: 5627: 5623: 5618: 5614: 5606: 5599: 5591: 5587: 5577: 5575: 5573:The Independent 5565: 5561: 5551: 5549: 5544: 5543: 5539: 5532: 5516: 5509: 5501: 5492: 5488: 5483: 5482: 5477: 5473: 5455:science fiction 5432: 5428: 5415:North and South 5387: 5383: 5378: 5331:satirical novel 5308:Dr. Strangelove 5293: 5266:Stanley Kubrick 5224:Lewis Milestone 5210:Lewis Milestone 5202: 5196: 5099: 5032:Charlie Chaplin 5029: 5013:Charlie Chaplin 5005: 4996:The Deer Hunter 4977:stiff upper lip 4962:Stalag Luft III 4930:prisoner of war 4916:Stalag Luft III 4908: 4902: 4900:Prisoner of war 4875:The Enemy Below 4832:Submarine films 4811: 4809:Submarine films 4805: 4770:Humphrey Bogart 4746:Charlie Chaplin 4724:The Next of Kin 4694:film propaganda 4686:Nazi propaganda 4657:propaganda film 4599: 4593:Propaganda film 4589: 4558: 4548: 4543: 4468: 4462:§ Animated 4458: 4398: 4295:Doea Tanda Mata 4260: 4174:Battle Exploits 4158:Battle of Wuhan 4153: 4148: 4082:(right) of the 4072: 4066: 3972:The Longest Day 3919:The Longest Day 3889:Gulf Coast Wing 3842:missions, like 3764:The Enemy Below 3747:Rotten Tomatoes 3743:The Dam Busters 3726:The Dam Busters 3723:. Others, like 3689:on location in 3677: 3671: 3621:Tomotaka Tasaka 3609:Joseph Goebbels 3542: 3536:Nazi propaganda 3532: 3418:Communist Party 3286: 3280: 3248: 3220:American Sniper 3217:from 2010, and 3208:The Hurt Locker 3166: 3154:Cánh đồng hoang 3139: 3137:Nguyễn Hồng Sến 3114:Stanley Kubrick 3089:The Deer Hunter 3062: 3056: 2993: 2979:My Home Village 2948:Silver Stallion 2898: 2892: 2778: 2772: 2682: 2650:Joan Littlewood 2593:Geoffrey Malins 2556:(also known as 2530: 2512: 2510:First World War 2484: 2429:North and South 2381: 2375: 2370: 2262:The Dirty Dozen 2217:The Longest Day 2181: 2175: 2167:prisoner of war 2069:concerned with 2056: 2027: 2026: 1977: 1967: 1966: 1932: 1924: 1923: 1864: 1854: 1853: 1827:Multilateralism 1812:Law enforcement 1772: 1762: 1761: 1730:Just war theory 1688: 1678: 1677: 1628:Geneva Protocol 1598: 1588: 1587: 1561: 1551: 1550: 1492: 1482: 1481: 1389: 1379: 1378: 1319: 1309: 1308: 1274: 1264: 1263: 1194:Network-centric 1114: 1104: 1103: 1011: 1001: 1000: 949: 939: 938: 887:Rapid dominance 792: 782: 781: 737:Electromagnetic 646: 636: 635: 622: 575: 523: 499: 489: 488: 484:Combat training 465: 442: 408:Combat systems: 404: 366: 362:Auxiliary ships 328: 288: 284:Military police 250: 173: 163: 162: 102: 76: 75: 74: 69: 45:Kajiro Yamamoto 35: 28: 23: 22: 15: 12: 11: 5: 12769: 12759: 12758: 12753: 12748: 12743: 12738: 12721: 12720: 12718: 12717: 12707: 12696: 12693: 12692: 12690: 12689: 12684: 12679: 12674: 12669: 12664: 12659: 12654: 12649: 12644: 12639: 12634: 12629: 12624: 12619: 12617:Reverse motion 12614: 12609: 12604: 12599: 12594: 12589: 12584: 12579: 12574: 12569: 12567:Modernist film 12564: 12559: 12554: 12549: 12544: 12539: 12534: 12529: 12524: 12523: 12522: 12512: 12507: 12506: 12505: 12500: 12490: 12485: 12480: 12475: 12470: 12465: 12460: 12459: 12458: 12448: 12443: 12438: 12433: 12432: 12431: 12429:midnight movie 12421: 12416: 12411: 12406: 12401: 12396: 12391: 12386: 12381: 12376: 12371: 12366: 12361: 12356: 12355: 12354: 12349: 12344: 12339: 12334: 12329: 12319: 12314: 12308: 12306: 12296: 12295: 12293: 12292: 12291: 12290: 12285: 12275: 12274: 12273: 12268: 12258: 12257: 12256: 12251: 12243: 12242: 12241: 12231: 12226: 12220: 12218: 12217:By demographic 12214: 12213: 12211: 12210: 12205: 12200: 12195: 12190: 12185: 12180: 12175: 12170: 12165: 12164: 12163: 12156:Social realist 12153: 12148: 12143: 12138: 12133: 12128: 12123: 12118: 12113: 12111:Poliziotteschi 12108: 12103: 12101:Poetic realist 12098: 12093: 12088: 12083: 12078: 12073: 12068: 12063: 12058: 12056:New generation 12053: 12048: 12043: 12038: 12033: 12031:Modernist film 12028: 12023: 12021:L.A. Rebellion 12018: 12013: 12008: 12003: 11998: 11993: 11988: 11983: 11978: 11973: 11968: 11963: 11958: 11953: 11948: 11943: 11938: 11933: 11928: 11923: 11918: 11913: 11908: 11903: 11898: 11893: 11888: 11886:Cinéma du look 11883: 11878: 11873: 11868: 11867: 11866: 11856: 11851: 11846: 11841: 11836: 11831: 11826: 11821: 11815: 11813: 11807: 11806: 11804: 11803: 11802: 11801: 11799:Zapata Western 11796: 11791: 11786: 11781: 11779:Singing cowboy 11776: 11771: 11766: 11761: 11756: 11751: 11746: 11741: 11736: 11734:Dacoit Western 11731: 11726: 11716: 11715: 11714: 11709: 11704: 11694: 11689: 11684: 11679: 11674: 11669: 11664: 11659: 11654: 11653: 11652: 11642: 11637: 11632: 11627: 11622: 11617: 11615:Shoshimin-eiga 11612: 11611: 11610: 11605: 11603:Nunsploitation 11600: 11598:Pornochanchada 11595: 11590: 11585: 11580: 11570: 11565: 11560: 11555: 11550: 11545: 11544: 11543: 11533: 11528: 11523: 11518: 11513: 11512: 11511: 11501: 11496: 11491: 11486: 11485: 11484: 11483: 11482: 11472: 11467: 11462: 11457: 11447: 11446: 11445: 11435: 11434: 11433: 11428: 11423: 11418: 11413: 11408: 11398: 11393: 11388: 11387: 11386: 11381: 11371: 11366: 11365: 11364: 11354: 11349: 11344: 11343: 11342: 11337: 11332: 11322: 11317: 11312: 11311: 11310: 11305: 11300: 11290: 11285: 11280: 11275: 11273:Food and drink 11270: 11265: 11264: 11263: 11258: 11253: 11251:Blaxploitation 11243: 11238: 11233: 11228: 11223: 11222: 11221: 11216: 11206: 11205: 11204: 11194: 11189: 11188: 11187: 11182: 11180:Poliziotteschi 11177: 11172: 11167: 11162: 11157: 11152: 11147: 11142: 11137: 11132: 11127: 11117: 11112: 11107: 11102: 11097: 11092: 11091: 11090: 11085: 11075: 11070: 11065: 11059: 11057: 11053: 11052: 11050: 11049: 11044: 11043: 11042: 11037: 11035:Extreme cinema 11032: 11022: 11021: 11020: 11015: 11010: 11005: 11000: 10995: 10990: 10985: 10980: 10975: 10965: 10960: 10955: 10954: 10953: 10948: 10943: 10938: 10933: 10928: 10923: 10918: 10913: 10908: 10903: 10898: 10893: 10883: 10882: 10881: 10876: 10871: 10866: 10861: 10860: 10859: 10844: 10839: 10834: 10833: 10832: 10825: 10820: 10810: 10805: 10804: 10803: 10798: 10797: 10796: 10791: 10776: 10775: 10774: 10769: 10764: 10759: 10754: 10749: 10739: 10734: 10729: 10724: 10723: 10722: 10717: 10712: 10707: 10702: 10697: 10692: 10687: 10682: 10677: 10672: 10667: 10662: 10657: 10652: 10647: 10642: 10637: 10632: 10627: 10622: 10617: 10615:Chinese horror 10612: 10607: 10602: 10592: 10591: 10590: 10585: 10580: 10575: 10570: 10560: 10559: 10558: 10553: 10548: 10538: 10537: 10536: 10531: 10526: 10521: 10516: 10511: 10506: 10496: 10495: 10494: 10481: 10476: 10475: 10474: 10464: 10459: 10454: 10453: 10452: 10447: 10442: 10437: 10427: 10426: 10425: 10424: 10423: 10413: 10408: 10403: 10398: 10388: 10387: 10386: 10381: 10376: 10371: 10366: 10361: 10356: 10351: 10346: 10336: 10335: 10334: 10324: 10323: 10322: 10317: 10312: 10307: 10302: 10297: 10292: 10287: 10282: 10277: 10272: 10267: 10262: 10261: 10260: 10250: 10245: 10235: 10230: 10225: 10220: 10219: 10218: 10208: 10207: 10206: 10201: 10196: 10185: 10183: 10179: 10178: 10168: 10167: 10160: 10153: 10145: 10139: 10138: 10133: 10128: 10119: 10111: 10097: 10096:External links 10094: 10093: 10092: 10086: 10073: 10067: 10054: 10048: 10035: 10029: 10014: 10008: 9995: 9989: 9972: 9966: 9960:. New Barnet. 9951: 9948: 9947: 9946: 9940: 9927: 9921: 9906: 9892: 9879: 9873: 9867:. Wallflower. 9858: 9852: 9837: 9822: 9807: 9801: 9786: 9780: 9765: 9759: 9744: 9738: 9725: 9719: 9706: 9680: 9665: 9652: 9646: 9631: 9625: 9610: 9604: 9589: 9583: 9566: 9560: 9547: 9541: 9528: 9522: 9505: 9499: 9475: 9469: 9452: 9446: 9431: 9425: 9409: 9403: 9390: 9384: 9364: 9358: 9341: 9338: 9336: 9335: 9313: 9301: 9268: 9256: 9233: 9231:(1985) p. 107. 9220: 9208: 9193: 9175: 9152: 9139:"Barefoot Gen" 9137:See, Raphael. 9129: 9110:"Barefoot Gen" 9100: 9088: 9061: 9054: 9034: 9011: 9004: 8986: 8961:Cinema Journal 8951: 8944: 8918: 8902: 8896:New York Times 8881: 8869: 8857: 8829: 8803: 8793: 8775: 8757: 8725: 8713:New York Times 8699: 8685:New York Times 8671: 8638: 8609: 8582: 8553: 8541: 8526: 8500: 8475:Film Quarterly 8465: 8444: 8426: 8419: 8401: 8378: 8371: 8353: 8331: 8305: 8279: 8253: 8227: 8196: 8189: 8169: 8162: 8142: 8114: 8098: 8072: 8060: 8053: 8033: 8017: 8015:, p. 133. 8005: 7978: 7963: 7927: 7905: 7898: 7878: 7871: 7851: 7849:, p. 609. 7839: 7824: 7812: 7800:New York Times 7786: 7776: 7756: 7744: 7718: 7706: 7680: 7649: 7637: 7622: 7607: 7585: 7559: 7544: 7542:, p. 196. 7532: 7520: 7508: 7501: 7481: 7456: 7436: 7408: 7382: 7367: 7336: 7324: 7312: 7301: 7283: 7272: 7254: 7247: 7221: 7199: 7192: 7174: 7142: 7135: 7111: 7085: 7059: 7042: 7030: 7013: 7005:The North Star 6996: 6979: 6943: 6936: 6911: 6904: 6879: 6867: 6838: 6812: 6790: 6764: 6752: 6731: 6708: 6675: 6665: 6645: 6622: 6615: 6595: 6583: 6557: 6531: 6500: 6469: 6443: 6417: 6390: 6365: 6340: 6314: 6301: 6275: 6249: 6226: 6197: 6175: 6156: 6144: 6121: 6100: 6077: 6060: 6024: 5992: 5980: 5955: 5929: 5906: 5891: 5859: 5826: 5800: 5783:"The Fugitive" 5774: 5759:Beevor, Antony 5741: 5726: 5724:, p. 236. 5714: 5702: 5690: 5678: 5666: 5654: 5642: 5621: 5612: 5610:, p. 118. 5597: 5585: 5559: 5537: 5530: 5507: 5505:, p. 117. 5489: 5487: 5484: 5481: 5480: 5471: 5426: 5380: 5379: 5377: 5374: 5370:Academy Awards 5313:Black comedies 5292: 5289: 5280:Paths of Glory 5271:Paths of Glory 5195: 5192: 5098: 5095: 5060:Cottage to Let 5004: 5001: 4901: 4898: 4894:Burt Lancaster 4856:, the ping of 4819:submarine film 4807:Main article: 4804: 4801: 4774:Ingrid Bergman 4760:Michael Curtiz 4703:Michael Powell 4653:Film Quarterly 4606:Teutonic Order 4588: 4585: 4580:Ravayat-e Fath 4547: 4544: 4542: 4539: 4457: 4454: 4397: 4394: 4347:Mereka Kembali 4342:The Long March 4320:Attack at Dawn 4315:Serangan Fajar 4259: 4256: 4247:Flowers of War 4152: 4149: 4147: 4144: 4114:assisted with 4112:U.S. Air Force 4065: 4062: 4056:(1993), which 3924:D-Day landings 3845:The Gift Horse 3805:Bitter Victory 3800:Paths of Glory 3788:Seven Thunders 3752:Bitter Victory 3733:'s unorthodox 3670: 3667: 3586:Sieg im Westen 3531: 3528: 3409:The North Star 3279: 3276: 3247: 3244: 3165: 3162: 3129:Hamburger Hill 3099:Apocalypse Now 3084:Michael Cimino 3055: 3052: 2992: 2989: 2922:Pork Chop Hill 2891: 2888: 2820:Ingrid Bergman 2771: 2768: 2735:Tears of April 2720:Lauri Törhönen 2681: 2678: 2610:The Big Parade 2602:Francine Stock 2597:trench warfare 2511: 2508: 2483: 2480: 2374: 2371: 2369: 2366: 2256:The Wild Bunch 2174: 2171: 2147:Western Desert 2058: 2057: 2055: 2054: 2047: 2040: 2032: 2029: 2028: 2025: 2024: 2019: 2014: 2009: 2004: 1999: 1994: 1992:Military terms 1989: 1984: 1978: 1973: 1972: 1969: 1968: 1965: 1964: 1959: 1954: 1949: 1944: 1939: 1933: 1930: 1929: 1926: 1925: 1922: 1921: 1916: 1911: 1906: 1901: 1896: 1891: 1886: 1881: 1876: 1871: 1865: 1860: 1859: 1856: 1855: 1852: 1851: 1846: 1845: 1844: 1839: 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1784: 1779: 1773: 1768: 1767: 1764: 1763: 1760: 1759: 1754: 1753: 1752: 1750:Tripwire force 1742: 1737: 1732: 1727: 1720: 1715: 1710: 1705: 1700: 1695: 1689: 1684: 1683: 1680: 1679: 1676: 1675: 1670: 1665: 1660: 1655: 1650: 1645: 1640: 1635: 1630: 1625: 1620: 1615: 1610: 1605: 1599: 1594: 1593: 1590: 1589: 1586: 1585: 1584: 1583: 1573: 1568: 1562: 1557: 1556: 1553: 1552: 1549: 1548: 1547: 1546: 1541: 1536: 1526: 1521: 1520: 1519: 1514: 1504: 1499: 1493: 1488: 1487: 1484: 1483: 1480: 1479: 1470: 1465: 1464: 1463: 1453: 1448: 1443: 1438: 1433: 1428: 1423: 1418: 1413: 1408: 1403: 1402: 1401: 1390: 1385: 1384: 1381: 1380: 1377: 1376: 1371: 1366: 1361: 1356: 1351: 1346: 1341: 1336: 1331: 1326: 1320: 1315: 1314: 1311: 1310: 1307: 1306: 1301: 1296: 1291: 1286: 1281: 1275: 1272:Administrative 1270: 1269: 1266: 1265: 1262: 1261: 1256: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1199:New generation 1196: 1191: 1186: 1181: 1176: 1174:Fleet in being 1171: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1131: 1126: 1121: 1115: 1112:Grand strategy 1110: 1109: 1106: 1105: 1102: 1101: 1099:Scorched earth 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1061: 1056: 1051: 1046: 1041: 1036: 1031: 1026: 1021: 1012: 1007: 1006: 1003: 1002: 999: 998: 993: 988: 983: 978: 976:Deep operation 973: 968: 961: 956: 950: 945: 944: 941: 940: 937: 936: 931: 926: 921: 916: 911: 906: 905: 904: 894: 889: 884: 879: 874: 869: 864: 859: 854: 849: 844: 839: 834: 829: 824: 823: 822: 817: 812: 802: 793: 788: 787: 784: 783: 780: 779: 777:Unconventional 774: 769: 764: 759: 754: 749: 744: 739: 734: 725: 723:Disinformation 720: 715: 710: 705: 700: 695: 694: 693: 688: 678: 673: 668: 663: 658: 653: 647: 642: 641: 638: 637: 634: 633: 628: 621: 620: 619: 618: 617: 616: 606: 601: 596: 591: 586: 574: 573: 572: 571: 570: 569: 559: 554: 549: 544: 539: 534: 522: 521: 520: 519: 514: 509: 500: 495: 494: 491: 490: 487: 486: 481: 476: 474:Basic training 471: 464: 463: 458: 453: 448: 441: 440: 435: 430: 425: 420: 415: 410: 403: 402: 400:Reconnaissance 397: 392: 387: 382: 377: 372: 365: 364: 359: 354: 349: 344: 339: 334: 327: 326: 321: 319:Special forces 316: 311: 310: 309: 299: 294: 287: 286: 281: 276: 274:Reconnaissance 271: 266: 261: 256: 249: 248: 239: 234: 225: 220: 215: 210: 205: 200: 195: 190: 185: 180: 174: 169: 168: 165: 164: 161: 160: 159: 158: 153: 143: 142: 141: 136: 126: 125: 124: 117:Post-classical 114: 109: 103: 98: 97: 94: 93: 85: 84: 66: 65: 56:Eiji Tsuburaya 26: 9: 6: 4: 3: 2: 12768: 12757: 12754: 12752: 12749: 12747: 12744: 12742: 12739: 12737: 12734: 12733: 12731: 12716: 12712: 12708: 12706: 12698: 12697: 12694: 12688: 12685: 12683: 12680: 12678: 12675: 12673: 12670: 12668: 12665: 12663: 12660: 12658: 12655: 12653: 12650: 12648: 12645: 12643: 12640: 12638: 12635: 12633: 12630: 12628: 12625: 12623: 12620: 12618: 12615: 12613: 12612:Postmodernist 12610: 12608: 12605: 12603: 12602:Participatory 12600: 12598: 12595: 12593: 12590: 12588: 12585: 12583: 12580: 12578: 12575: 12573: 12572:Musical short 12570: 12568: 12565: 12563: 12560: 12558: 12555: 12553: 12550: 12548: 12545: 12543: 12540: 12538: 12535: 12533: 12530: 12528: 12525: 12521: 12518: 12517: 12516: 12513: 12511: 12508: 12504: 12501: 12499: 12496: 12495: 12494: 12491: 12489: 12486: 12484: 12483:Found footage 12481: 12479: 12476: 12474: 12471: 12469: 12466: 12464: 12461: 12457: 12454: 12453: 12452: 12449: 12447: 12444: 12442: 12439: 12437: 12434: 12430: 12427: 12426: 12425: 12422: 12420: 12417: 12415: 12412: 12410: 12407: 12405: 12402: 12400: 12397: 12395: 12392: 12390: 12389:Cinéma vérité 12387: 12385: 12382: 12380: 12377: 12375: 12372: 12370: 12367: 12365: 12362: 12360: 12357: 12353: 12350: 12348: 12345: 12343: 12340: 12338: 12335: 12333: 12330: 12328: 12325: 12324: 12323: 12320: 12318: 12315: 12313: 12310: 12309: 12307: 12305:or production 12297: 12289: 12286: 12284: 12281: 12280: 12279: 12276: 12272: 12269: 12267: 12264: 12263: 12262: 12259: 12255: 12252: 12250: 12247: 12246: 12244: 12240: 12237: 12236: 12235: 12232: 12230: 12227: 12225: 12222: 12221: 12219: 12215: 12209: 12206: 12204: 12201: 12199: 12196: 12194: 12191: 12189: 12186: 12184: 12181: 12179: 12176: 12174: 12171: 12169: 12166: 12162: 12159: 12158: 12157: 12154: 12152: 12149: 12147: 12144: 12142: 12139: 12137: 12134: 12132: 12129: 12127: 12124: 12122: 12121:Prussian film 12119: 12117: 12114: 12112: 12109: 12107: 12104: 12102: 12099: 12097: 12094: 12092: 12089: 12087: 12084: 12082: 12079: 12077: 12074: 12072: 12069: 12067: 12066:New Nollywood 12064: 12062: 12061:New Hollywood 12059: 12057: 12054: 12052: 12049: 12047: 12044: 12042: 12039: 12037: 12034: 12032: 12029: 12027: 12024: 12022: 12019: 12017: 12014: 12012: 12009: 12007: 12004: 12002: 11999: 11997: 11994: 11992: 11989: 11987: 11984: 11982: 11979: 11977: 11974: 11972: 11969: 11967: 11964: 11962: 11959: 11957: 11954: 11952: 11949: 11947: 11944: 11942: 11939: 11937: 11934: 11932: 11929: 11927: 11924: 11922: 11919: 11917: 11914: 11912: 11909: 11907: 11904: 11902: 11899: 11897: 11894: 11892: 11889: 11887: 11884: 11882: 11881:Cannibal boom 11879: 11877: 11876:Calligrafismo 11874: 11872: 11869: 11865: 11862: 11861: 11860: 11857: 11855: 11852: 11850: 11847: 11845: 11844:Berlin School 11842: 11840: 11837: 11835: 11832: 11830: 11827: 11825: 11822: 11820: 11817: 11816: 11814: 11808: 11800: 11797: 11795: 11794:Weird Western 11792: 11790: 11787: 11785: 11782: 11780: 11777: 11775: 11772: 11770: 11767: 11765: 11762: 11760: 11757: 11755: 11752: 11750: 11747: 11745: 11742: 11740: 11737: 11735: 11732: 11730: 11727: 11725: 11722: 11721: 11720: 11717: 11713: 11710: 11708: 11705: 11703: 11700: 11699: 11698: 11695: 11693: 11690: 11688: 11685: 11683: 11680: 11678: 11675: 11673: 11670: 11668: 11665: 11663: 11660: 11658: 11655: 11651: 11648: 11647: 11646: 11643: 11641: 11638: 11636: 11633: 11631: 11628: 11626: 11625:Slice of life 11623: 11621: 11618: 11616: 11613: 11609: 11606: 11604: 11601: 11599: 11596: 11594: 11591: 11589: 11586: 11584: 11581: 11579: 11578:Bavarian porn 11576: 11575: 11574: 11573:Sexploitation 11571: 11569: 11566: 11564: 11561: 11559: 11556: 11554: 11551: 11549: 11546: 11542: 11539: 11538: 11537: 11534: 11532: 11531:Partisan film 11529: 11527: 11524: 11522: 11519: 11517: 11514: 11510: 11507: 11506: 11505: 11502: 11500: 11499:Muslim social 11497: 11495: 11492: 11490: 11487: 11481: 11480:Zombie comedy 11478: 11477: 11476: 11473: 11471: 11468: 11466: 11463: 11461: 11458: 11456: 11455:Giant monster 11453: 11452: 11451: 11448: 11444: 11441: 11440: 11439: 11436: 11432: 11429: 11427: 11424: 11422: 11419: 11417: 11414: 11412: 11409: 11407: 11404: 11403: 11402: 11399: 11397: 11394: 11392: 11389: 11385: 11382: 11380: 11377: 11376: 11375: 11372: 11370: 11367: 11363: 11360: 11359: 11358: 11355: 11353: 11350: 11348: 11345: 11341: 11338: 11336: 11333: 11331: 11328: 11327: 11326: 11323: 11321: 11318: 11316: 11313: 11309: 11306: 11304: 11301: 11299: 11296: 11295: 11294: 11291: 11289: 11286: 11284: 11281: 11279: 11276: 11274: 11271: 11269: 11266: 11262: 11259: 11257: 11256:Mexploitation 11254: 11252: 11249: 11248: 11247: 11244: 11242: 11239: 11237: 11234: 11232: 11229: 11227: 11224: 11220: 11217: 11215: 11212: 11211: 11210: 11207: 11203: 11200: 11199: 11198: 11195: 11193: 11190: 11186: 11183: 11181: 11178: 11176: 11173: 11171: 11168: 11166: 11163: 11161: 11158: 11156: 11153: 11151: 11148: 11146: 11143: 11141: 11138: 11136: 11133: 11131: 11128: 11126: 11123: 11122: 11121: 11118: 11116: 11113: 11111: 11110:Coming-of-age 11108: 11106: 11103: 11101: 11098: 11096: 11093: 11089: 11086: 11084: 11081: 11080: 11079: 11076: 11074: 11071: 11069: 11066: 11064: 11061: 11060: 11058: 11054: 11048: 11045: 11041: 11038: 11036: 11033: 11031: 11028: 11027: 11026: 11025:Transgressive 11023: 11019: 11016: 11014: 11011: 11009: 11008:Psychological 11006: 11004: 11001: 10999: 10996: 10994: 10991: 10989: 10986: 10984: 10981: 10979: 10976: 10974: 10971: 10970: 10969: 10966: 10964: 10961: 10959: 10958:Slice of life 10956: 10952: 10949: 10947: 10944: 10942: 10939: 10937: 10934: 10932: 10929: 10927: 10924: 10922: 10919: 10917: 10914: 10912: 10909: 10907: 10904: 10902: 10899: 10897: 10894: 10892: 10889: 10888: 10887: 10884: 10880: 10877: 10875: 10872: 10870: 10867: 10865: 10862: 10858: 10855: 10854: 10853: 10850: 10849: 10848: 10845: 10843: 10840: 10838: 10835: 10830: 10826: 10824: 10821: 10819: 10816: 10815: 10814: 10811: 10809: 10806: 10802: 10799: 10795: 10792: 10790: 10787: 10786: 10785: 10782: 10781: 10780: 10777: 10773: 10770: 10768: 10765: 10763: 10760: 10758: 10755: 10753: 10750: 10748: 10745: 10744: 10743: 10740: 10738: 10735: 10733: 10730: 10728: 10725: 10721: 10718: 10716: 10713: 10711: 10708: 10706: 10703: 10701: 10698: 10696: 10695:Psychological 10693: 10691: 10688: 10686: 10683: 10681: 10678: 10676: 10673: 10671: 10670:Korean horror 10668: 10666: 10663: 10661: 10658: 10656: 10653: 10651: 10648: 10646: 10643: 10641: 10640:Found footage 10638: 10636: 10633: 10631: 10628: 10626: 10623: 10621: 10618: 10616: 10613: 10611: 10608: 10606: 10603: 10601: 10598: 10597: 10596: 10593: 10589: 10586: 10584: 10581: 10579: 10576: 10574: 10571: 10569: 10566: 10565: 10564: 10561: 10557: 10554: 10552: 10549: 10547: 10544: 10543: 10542: 10539: 10535: 10532: 10530: 10529:Magic realism 10527: 10525: 10522: 10520: 10517: 10515: 10512: 10510: 10507: 10505: 10502: 10501: 10500: 10497: 10493: 10492: 10487: 10486: 10485: 10482: 10480: 10477: 10473: 10470: 10469: 10468: 10465: 10463: 10460: 10458: 10455: 10451: 10448: 10446: 10445:Sexploitation 10443: 10441: 10438: 10436: 10433: 10432: 10431: 10428: 10422: 10419: 10418: 10417: 10414: 10412: 10409: 10407: 10404: 10402: 10399: 10397: 10396:Calligrafismo 10394: 10393: 10392: 10389: 10385: 10382: 10380: 10377: 10375: 10372: 10370: 10367: 10365: 10362: 10360: 10357: 10355: 10352: 10350: 10349:City symphony 10347: 10345: 10342: 10341: 10340: 10337: 10333: 10330: 10329: 10328: 10325: 10321: 10318: 10316: 10313: 10311: 10308: 10306: 10303: 10301: 10298: 10296: 10293: 10291: 10288: 10286: 10283: 10281: 10278: 10276: 10273: 10271: 10268: 10266: 10263: 10259: 10256: 10255: 10254: 10251: 10249: 10246: 10244: 10241: 10240: 10239: 10236: 10234: 10231: 10229: 10226: 10224: 10221: 10217: 10214: 10213: 10212: 10209: 10205: 10202: 10200: 10197: 10195: 10192: 10191: 10190: 10187: 10186: 10184: 10180: 10176: 10173: 10166: 10161: 10159: 10154: 10152: 10147: 10146: 10143: 10137: 10134: 10132: 10129: 10127: 10123: 10120: 10117: 10116: 10112: 10110: 10106: 10103: 10100: 10099: 10089: 10087:0-8173-1401-6 10083: 10079: 10074: 10070: 10068:0-253-35403-X 10064: 10060: 10055: 10051: 10045: 10041: 10036: 10032: 10026: 10022: 10021: 10015: 10011: 10009:0-8357-1286-9 10005: 10001: 9996: 9992: 9990:0-299-15400-9 9986: 9981: 9980: 9973: 9969: 9963: 9959: 9954: 9953: 9943: 9937: 9933: 9928: 9924: 9918: 9915:. Routledge. 9914: 9913: 9907: 9903: 9899: 9895: 9889: 9886:. Routledge. 9885: 9880: 9876: 9870: 9866: 9865: 9859: 9855: 9849: 9846:. Routledge. 9845: 9844: 9838: 9835: 9831: 9825: 9819: 9815: 9814: 9808: 9804: 9798: 9794: 9793: 9787: 9783: 9777: 9773: 9772: 9766: 9762: 9756: 9752: 9751: 9745: 9741: 9735: 9731: 9726: 9722: 9720:0-9613088-0-X 9716: 9712: 9707: 9703: 9691: 9683: 9677: 9673: 9672: 9666: 9662: 9658: 9653: 9649: 9643: 9639: 9638: 9632: 9628: 9622: 9618: 9617: 9611: 9607: 9601: 9597: 9596: 9590: 9586: 9580: 9575: 9574: 9567: 9563: 9557: 9554:. McFarland. 9553: 9548: 9544: 9538: 9534: 9529: 9525: 9523:0-8135-3496-8 9519: 9514: 9513: 9506: 9502: 9500:1-56584-067-4 9496: 9492: 9488: 9484: 9480: 9476: 9472: 9470:0-86124-229-7 9466: 9461: 9460: 9453: 9449: 9443: 9439: 9438: 9432: 9428: 9422: 9418: 9414: 9413:Clarke, James 9410: 9406: 9400: 9396: 9391: 9387: 9381: 9376: 9375: 9369: 9365: 9361: 9355: 9351: 9350: 9344: 9343: 9323: 9317: 9310: 9305: 9289: 9285: 9284: 9279: 9272: 9265: 9264:Erickson 2012 9260: 9244: 9237: 9230: 9224: 9217: 9216:Eberwein 2005 9212: 9204: 9200: 9196: 9190: 9186: 9179: 9171: 9167: 9166:History Today 9163: 9156: 9140: 9133: 9117: 9116: 9111: 9104: 9097: 9092: 9076: 9072: 9065: 9057: 9051: 9047: 9046: 9038: 9030: 9026: 9022: 9015: 9007: 9001: 8997: 8990: 8982: 8978: 8974: 8970: 8966: 8962: 8955: 8947: 8941: 8937: 8932: 8931: 8922: 8915: 8911: 8910:Erickson 2012 8906: 8898: 8897: 8892: 8885: 8879:, p. 41. 8878: 8873: 8866: 8861: 8845: 8838: 8836: 8834: 8818:on 2015-03-16 8817: 8813: 8807: 8800: 8796: 8790: 8786: 8779: 8768: 8761: 8745: 8738: 8736: 8734: 8732: 8730: 8714: 8710: 8703: 8687: 8686: 8681: 8675: 8666: 8661: 8658:(48): 18–30. 8657: 8653: 8649: 8642: 8627:on 2015-03-07 8626: 8622: 8616: 8614: 8605: 8601: 8598:(2): 237–48. 8597: 8593: 8586: 8570: 8566: 8560: 8558: 8550: 8545: 8537: 8530: 8515:on 2017-04-19 8514: 8510: 8504: 8496: 8492: 8488: 8484: 8480: 8476: 8469: 8462: 8458: 8454: 8448: 8441: 8437: 8430: 8422: 8416: 8412: 8405: 8389: 8386:Hoberman, J. 8382: 8374: 8368: 8364: 8357: 8341: 8335: 8320:on 2015-04-02 8319: 8315: 8309: 8293: 8289: 8283: 8268: 8264: 8257: 8242: 8238: 8231: 8216:on 2014-02-21 8215: 8211: 8207: 8200: 8192: 8186: 8182: 8181: 8173: 8165: 8159: 8155: 8154: 8146: 8130: 8123: 8121: 8119: 8111: 8107: 8102: 8086: 8082: 8076: 8069: 8064: 8056: 8050: 8046: 8045: 8037: 8030: 8026: 8021: 8014: 8009: 7993: 7989: 7982: 7975: 7970: 7968: 7951: 7947: 7946: 7941: 7937: 7931: 7915: 7909: 7901: 7895: 7891: 7890: 7882: 7874: 7868: 7864: 7863: 7855: 7848: 7843: 7836: 7831: 7829: 7821: 7816: 7801: 7797: 7790: 7783: 7779: 7777:90-420-0818-0 7773: 7769: 7768: 7760: 7754:, p. ix. 7753: 7748: 7733: 7729: 7722: 7716:, p. 87. 7715: 7710: 7695: 7691: 7684: 7668: 7664: 7660: 7653: 7646: 7641: 7634: 7629: 7627: 7619: 7614: 7612: 7595: 7589: 7582: 7570: 7563: 7556: 7551: 7549: 7541: 7536: 7530:, p. 76. 7529: 7524: 7518:, p. 96. 7517: 7512: 7504: 7498: 7494: 7493: 7485: 7470: 7466: 7460: 7453: 7440: 7424: 7423: 7418: 7417:"From London" 7412: 7397: 7393: 7386: 7380:, p. 83. 7379: 7374: 7372: 7356: 7352: 7345: 7343: 7341: 7334:, p. 49. 7333: 7328: 7322:, p. 48. 7321: 7316: 7309: 7304: 7298: 7294: 7287: 7281: 7275: 7273:0-299-18130-8 7269: 7265: 7258: 7250: 7248:0-02-570230-0 7244: 7240: 7235: 7234: 7225: 7209: 7203: 7195: 7193:0-399-11845-4 7189: 7185: 7178: 7162: 7158: 7151: 7149: 7147: 7138: 7136:0-14-024985-0 7132: 7128: 7124: 7123: 7115: 7100: 7096: 7089: 7073: 7069: 7063: 7057: 7053: 7052: 7046: 7039: 7034: 7028: 7024: 7023: 7017: 7011: 7007: 7006: 7000: 6994: 6990: 6989: 6983: 6967: 6963: 6962: 6957: 6953: 6947: 6939: 6933: 6929: 6928: 6920: 6918: 6916: 6907: 6901: 6897: 6896: 6888: 6886: 6884: 6877:, p. 64. 6876: 6871: 6856: 6852: 6845: 6843: 6826: 6822: 6816: 6800: 6794: 6779:on 2015-04-02 6778: 6774: 6768: 6761: 6760:Basinger 1986 6756: 6749: 6744: 6742: 6740: 6738: 6736: 6719: 6712: 6696: 6692: 6691:The Telegraph 6687: 6679: 6673: 6668: 6662: 6658: 6657: 6649: 6633: 6626: 6618: 6612: 6608: 6607: 6599: 6592: 6591:Westwell 2006 6587: 6571: 6567: 6561: 6546: 6542: 6535: 6520:on 2015-03-07 6519: 6515: 6509: 6507: 6505: 6488: 6484: 6480: 6473: 6457: 6453: 6447: 6431: 6427: 6421: 6405: 6401: 6394: 6379: 6378:Film Affinity 6375: 6369: 6354: 6350: 6344: 6329: 6325: 6318: 6311: 6305: 6289: 6285: 6279: 6263: 6259: 6253: 6237: 6230: 6214: 6210: 6204: 6202: 6185: 6179: 6171: 6167: 6160: 6153: 6148: 6132: 6125: 6111:on 2011-08-01 6107: 6103: 6097: 6090: 6089: 6081: 6073: 6072: 6064: 6049:on 2015-04-02 6048: 6044: 6043: 6038: 6034: 6028: 6012: 6008: 6007: 6002: 5996: 5989: 5988:Eberwein 2010 5984: 5969: 5965: 5959: 5943: 5939: 5933: 5917: 5910: 5903: 5902: 5895: 5879: 5875: 5874: 5869: 5863: 5847: 5843: 5842: 5837: 5830: 5814: 5810: 5804: 5788: 5784: 5778: 5770: 5769: 5764: 5760: 5754: 5752: 5750: 5748: 5746: 5738: 5737:Williams 2018 5733: 5731: 5723: 5718: 5711: 5706: 5699: 5694: 5687: 5686:Basinger 1986 5682: 5675: 5674:Eberwein 2005 5670: 5664:, p. 23. 5663: 5662:Basinger 1986 5658: 5651: 5646: 5639: 5635: 5631: 5625: 5616: 5609: 5604: 5602: 5594: 5589: 5574: 5570: 5563: 5547: 5541: 5533: 5527: 5523: 5522: 5514: 5512: 5504: 5499: 5497: 5495: 5490: 5475: 5468: 5464: 5460: 5456: 5452: 5448: 5444: 5440: 5436: 5430: 5423: 5422: 5417: 5416: 5411: 5410: 5405: 5404: 5403:Andersonville 5399: 5398: 5393: 5392: 5385: 5381: 5373: 5371: 5367: 5363: 5359: 5355: 5354: 5349: 5344: 5342: 5341: 5336: 5335:Robert Altman 5332: 5328: 5327:Joseph Heller 5324: 5323: 5318: 5314: 5310: 5309: 5304: 5303: 5298: 5288: 5286: 5281: 5277: 5273: 5272: 5267: 5263: 5259: 5258: 5253: 5249: 5245: 5241: 5240: 5235: 5231: 5230: 5225: 5217: 5216: 5211: 5206: 5201: 5191: 5189: 5185: 5184: 5179: 5178: 5173: 5169: 5168: 5163: 5158: 5156: 5155: 5150: 5149: 5144: 5140: 5135: 5134:animated film 5131: 5128:(1918) was a 5127: 5126: 5121: 5114: 5113: 5108: 5103: 5094: 5092: 5091: 5090:Buck Privates 5086: 5082: 5078: 5074: 5073: 5068: 5067: 5062: 5061: 5056: 5052: 5051: 5045: 5043: 5039: 5038: 5037:Shoulder Arms 5033: 5028: 5020: 5019: 5018:Shoulder Arms 5014: 5009: 5000: 4998: 4997: 4992: 4991: 4986: 4982: 4981:Alec Guinness 4978: 4974: 4973: 4968: 4963: 4959: 4955: 4954: 4949: 4945: 4944: 4939: 4935: 4931: 4923: 4922: 4917: 4912: 4907: 4897: 4895: 4891: 4887: 4883: 4882: 4877: 4876: 4871: 4867: 4863: 4859: 4855: 4854:depth charges 4851: 4850: 4845: 4841: 4837: 4833: 4826: 4825: 4820: 4815: 4810: 4800: 4798: 4797: 4792: 4787: 4785: 4784: 4779: 4775: 4771: 4767: 4766: 4761: 4757: 4753: 4752: 4747: 4739: 4738: 4732: 4728: 4726: 4725: 4720: 4719: 4714: 4713: 4712:49th Parallel 4708: 4704: 4699: 4698:Kenneth Clark 4695: 4687: 4683: 4682: 4677: 4672: 4668: 4666: 4662: 4658: 4654: 4650: 4646: 4642: 4638: 4634: 4630: 4626: 4625: 4620: 4613: 4612: 4607: 4603: 4598: 4594: 4584: 4582: 4581: 4576: 4575:Morteza Avini 4572: 4571:Iran–Iraq War 4568: 4563: 4557: 4553: 4538: 4536: 4531: 4527: 4526: 4521: 4517: 4516: 4511: 4510: 4509:Merdeka 17805 4505: 4504: 4499: 4498: 4493: 4492: 4487: 4486: 4481: 4480: 4475: 4474: 4467: 4463: 4453: 4451: 4450: 4445: 4441: 4440: 4435: 4430: 4428: 4427: 4422: 4413: 4412: 4407: 4402: 4393: 4391: 4387: 4383: 4379: 4375: 4374: 4373:November 1828 4368: 4366: 4365: 4360: 4355: 4353: 4349: 4348: 4343: 4339: 4338: 4337:Darah dan Doa 4333: 4329: 4325: 4321: 4317: 4316: 4311: 4307: 4306: 4301: 4297: 4296: 4291: 4287: 4279: 4278: 4277:Darah dan Doa 4273: 4269: 4264: 4255: 4253: 4249: 4248: 4243: 4239: 4238: 4233: 4232: 4228: 4224: 4220: 4219: 4214: 4210: 4209: 4204: 4200: 4196: 4195: 4190: 4186: 4185: 4180: 4176: 4175: 4170: 4166: 4165: 4160: 4159: 4143: 4141: 4140: 4135: 4131: 4130: 4125: 4124: 4119: 4118: 4113: 4109: 4108: 4103: 4095: 4094: 4089: 4085: 4081: 4076: 4071: 4061: 4059: 4055: 4054: 4049: 4045: 4044: 4039: 4035: 4032: 4028: 4027: 4022: 4021: 4016: 4015: 4010: 4009: 4004: 4003: 3998: 3994: 3990: 3989: 3984: 3980: 3975: 3973: 3969: 3968: 3963: 3962: 3957: 3956: 3951: 3950: 3945: 3944: 3939: 3935: 3934: 3929: 3925: 3921: 3920: 3915: 3908: 3904: 3900: 3896: 3895: 3890: 3886: 3881: 3877: 3875: 3874: 3869: 3868: 3863: 3862: 3857: 3856: 3851: 3847: 3846: 3841: 3837: 3836: 3831: 3827: 3823: 3822: 3817: 3813: 3810: 3806: 3802: 3801: 3796: 3795: 3790: 3789: 3784: 3783: 3778: 3777: 3772: 3771: 3766: 3765: 3760: 3759: 3754: 3753: 3748: 3744: 3740: 3736: 3735:bouncing bomb 3732: 3731:Barnes Wallis 3728: 3727: 3722: 3718: 3714: 3713:The Cruel Sea 3710: 3709: 3708:The Cruel Sea 3704: 3703:Charles Frend 3700: 3692: 3688: 3687: 3681: 3676: 3666: 3664: 3660: 3656: 3652: 3648: 3647: 3642: 3638: 3637: 3632: 3628: 3627: 3622: 3618: 3613: 3610: 3606: 3602: 3598: 3594: 3593: 3588: 3587: 3582: 3578: 3570: 3569: 3564: 3563: 3558: 3554: 3550: 3546: 3541: 3537: 3527: 3525: 3524: 3519: 3513: 3511: 3507: 3503: 3499: 3495: 3491: 3483: 3479: 3478: 3470: 3466: 3462: 3458: 3457: 3451: 3447: 3445: 3444: 3439: 3435: 3434: 3429: 3425: 3424: 3419: 3415: 3411: 3410: 3405: 3404: 3399: 3398: 3393: 3389: 3388: 3383: 3378: 3377: 3368: 3367: 3362: 3361: 3355: 3351: 3347: 3345: 3344: 3343:The Way Ahead 3339: 3338: 3333: 3332: 3327: 3323: 3319: 3315: 3314: 3309: 3308: 3303: 3299: 3295: 3291: 3285: 3272: 3268: 3264: 3263: 3257: 3252: 3243: 3241: 3240: 3239:Lone Survivor 3235: 3234: 3229: 3224: 3222: 3221: 3216: 3215: 3210: 3209: 3204: 3199: 3197: 3193: 3189: 3185: 3181: 3180:coming-of-age 3177: 3176:Zlatko Topčić 3173: 3172: 3161: 3159: 3155: 3151: 3150: 3143: 3138: 3133: 3131: 3130: 3125: 3121: 3120: 3115: 3111: 3110: 3105: 3101: 3100: 3095: 3091: 3090: 3085: 3079: 3077: 3073: 3072: 3067: 3061: 3051: 3049: 3048: 3043: 3039: 3035: 3031: 3027: 3023: 3018:معركة الجزائر 3015: 3011: 3007: 3003: 3002: 2997: 2988: 2985: 2981: 2980: 2975: 2970: 2968: 2967: 2962: 2961: 2956: 2955: 2950: 2949: 2944: 2943: 2937: 2936: 2931: 2926: 2924: 2923: 2918: 2917: 2912: 2908: 2907: 2902: 2901:Samuel Fuller 2897: 2887: 2885: 2884: 2879: 2878:George Orwell 2875: 2871: 2870: 2865: 2861: 2857: 2854:. It won the 2853: 2849: 2848: 2843: 2839: 2835: 2831: 2830: 2825: 2824:Alain Resnais 2821: 2817: 2813: 2809: 2805: 2804: 2799: 2795: 2787: 2782: 2777: 2767: 2765: 2761: 2760: 2755: 2751: 2750: 2745: 2741: 2737: 2736: 2731: 2730:Aku Louhimies 2727: 2726: 2721: 2717: 2713: 2709: 2708: 2703: 2699: 2695: 2691: 2687: 2677: 2673: 2671: 2667: 2664:was based on 2663: 2662: 2657: 2656: 2651: 2647: 2643: 2639: 2636: 2632: 2631: 2626: 2622: 2621: 2616: 2612: 2611: 2605: 2603: 2598: 2594: 2590: 2589: 2580: 2579: 2573: 2569: 2567: 2563: 2559: 2555: 2554: 2548: 2546: 2542: 2541: 2536: 2529: 2525: 2521: 2517: 2507: 2505: 2501: 2497: 2493: 2489: 2476: 2472: 2468: 2463: 2459: 2457: 2453: 2452: 2451:The Civil War 2447: 2443: 2442: 2437: 2436: 2431: 2430: 2425: 2424: 2419: 2415: 2411: 2410: 2405: 2404: 2399: 2398: 2393: 2392: 2387: 2386:D.W. Griffith 2380: 2365: 2363: 2362: 2357: 2356: 2351: 2350: 2344: 2343: 2339:'s 2017 film 2338: 2334: 2333: 2328: 2327:Antony Beevor 2323: 2321: 2317: 2313: 2309: 2308: 2303: 2298: 2297: 2290: 2288: 2283: 2279: 2273: 2271: 2266: 2264: 2263: 2258: 2257: 2252: 2251:Sam Peckinpah 2248: 2244: 2243:Allied forces 2240: 2236: 2232: 2228: 2219: 2218: 2213: 2209: 2205: 2202: 2198: 2194: 2190: 2186: 2180: 2170: 2168: 2164: 2163:in submarines 2160: 2156: 2152: 2148: 2144: 2140: 2136: 2132: 2128: 2123: 2119: 2117: 2113: 2109: 2105: 2101: 2097: 2093: 2089: 2084: 2080: 2076: 2072: 2068: 2064: 2053: 2048: 2046: 2041: 2039: 2034: 2033: 2031: 2030: 2023: 2020: 2018: 2015: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1979: 1976: 1971: 1970: 1963: 1960: 1958: 1955: 1953: 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1934: 1928: 1927: 1920: 1917: 1915: 1912: 1910: 1907: 1905: 1902: 1900: 1897: 1895: 1892: 1890: 1887: 1885: 1882: 1880: 1879:Warrior caste 1877: 1875: 1872: 1870: 1867: 1866: 1863: 1858: 1857: 1850: 1849:Show of force 1847: 1843: 1840: 1838: 1837:Peacebuilding 1835: 1834: 1833: 1830: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 1785: 1783: 1780: 1778: 1775: 1774: 1771: 1766: 1765: 1758: 1755: 1751: 1748: 1747: 1746: 1743: 1741: 1738: 1736: 1733: 1731: 1728: 1726: 1725: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1693:Air supremacy 1691: 1690: 1687: 1682: 1681: 1674: 1671: 1669: 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1633:Islamic rules 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1613:Court-martial 1611: 1609: 1606: 1604: 1601: 1600: 1597: 1592: 1591: 1582: 1579: 1578: 1577: 1574: 1572: 1569: 1567: 1564: 1563: 1560: 1555: 1554: 1545: 1542: 1540: 1537: 1535: 1532: 1531: 1530: 1527: 1525: 1522: 1518: 1515: 1513: 1512:Arms industry 1510: 1509: 1508: 1505: 1503: 1500: 1498: 1495: 1494: 1491: 1486: 1485: 1478: 1474: 1471: 1469: 1466: 1462: 1459: 1458: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1400: 1397: 1396: 1395: 1392: 1391: 1388: 1383: 1382: 1375: 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1327: 1325: 1322: 1321: 1318: 1313: 1312: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1276: 1273: 1268: 1267: 1260: 1257: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1172: 1170: 1167: 1165: 1162: 1160: 1157: 1155: 1152: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1129:Broken-backed 1127: 1125: 1122: 1120: 1117: 1116: 1113: 1108: 1107: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1016: 1015: 1010: 1005: 1004: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 971:Expeditionary 969: 967: 966: 962: 960: 957: 955: 952: 951: 948: 943: 942: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 903: 900: 899: 898: 895: 893: 890: 888: 885: 883: 880: 878: 875: 873: 870: 868: 865: 863: 860: 858: 855: 853: 850: 848: 845: 843: 842:Counterattack 840: 838: 835: 833: 830: 828: 825: 821: 818: 816: 813: 811: 808: 807: 806: 803: 801: 798: 797: 796: 791: 786: 785: 778: 775: 773: 770: 768: 767:Psychological 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 704: 703:Combined arms 701: 699: 696: 692: 689: 687: 684: 683: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 648: 645: 640: 639: 632: 629: 627: 624: 623: 615: 612: 611: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 581: 580: 577: 576: 568: 565: 564: 563: 560: 558: 555: 553: 550: 548: 545: 543: 542:Fortification 540: 538: 535: 533: 530: 529: 528: 525: 524: 518: 515: 513: 510: 508: 505: 504: 502: 501: 498: 493: 492: 485: 482: 480: 477: 475: 472: 470: 467: 466: 462: 459: 457: 454: 452: 449: 447: 444: 443: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 405: 401: 398: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 367: 363: 360: 358: 357:Landing craft 355: 353: 350: 348: 345: 343: 340: 338: 335: 333: 330: 329: 325: 322: 320: 317: 315: 312: 308: 305: 304: 303: 300: 298: 295: 293: 290: 289: 285: 282: 280: 277: 275: 272: 270: 267: 265: 262: 260: 257: 255: 252: 251: 247: 243: 242:Standing army 240: 238: 235: 233: 229: 226: 224: 221: 219: 216: 214: 211: 209: 206: 204: 201: 199: 196: 194: 191: 189: 186: 184: 181: 179: 176: 175: 172: 167: 166: 157: 154: 152: 149: 148: 147: 144: 140: 137: 135: 134:pike and shot 132: 131: 130: 127: 123: 120: 119: 118: 115: 113: 110: 108: 105: 104: 101: 96: 95: 91: 87: 86: 80: 72: 68: 67: 63: 62: 57: 53: 51: 46: 41: 37: 33: 19: 12451:Experimental 12446:Ethnofiction 12193:Third Cinema 12096:Persian Film 11839:Auteur films 11810:By movement 11696: 11667:Swashbuckler 11526:Ozploitation 11521:Outlaw biker 11401:Martial arts 11396:Magical girl 11246:Exploitation 11241:Ethnographic 11170:Mafia comedy 10813:Pornographic 10690:Psycho-biddy 10675:Lovecraftian 10509:Contemporary 10490: 10484:Exploitation 10479:Experimental 10359:Mockumentary 10228:Biographical 10114: 10077: 10058: 10039: 10019: 9999: 9978: 9957: 9931: 9911: 9883: 9863: 9842: 9812: 9791: 9770: 9749: 9729: 9710: 9670: 9660: 9636: 9615: 9594: 9572: 9551: 9532: 9512:The War Film 9511: 9486: 9458: 9436: 9416: 9394: 9373: 9368:Belton, John 9348: 9326:. Retrieved 9316: 9304: 9292:. Retrieved 9288:the original 9281: 9271: 9259: 9247:. Retrieved 9236: 9228: 9223: 9218:, p. 4. 9211: 9184: 9178: 9169: 9165: 9155: 9143:. Retrieved 9132: 9120:. Retrieved 9113: 9103: 9091: 9079:. Retrieved 9075:the original 9064: 9044: 9037: 9028: 9024: 9014: 8995: 8989: 8964: 8960: 8954: 8929: 8921: 8913: 8905: 8894: 8884: 8872: 8860: 8848:. Retrieved 8820:. Retrieved 8816:the original 8806: 8798: 8784: 8778: 8760: 8748:. Retrieved 8716:. Retrieved 8712: 8702: 8690:. Retrieved 8683: 8674: 8655: 8651: 8641: 8629:. Retrieved 8625:the original 8595: 8591: 8585: 8573:. Retrieved 8569:the original 8544: 8529: 8517:. Retrieved 8513:the original 8503: 8481:(2): 34–47. 8478: 8474: 8468: 8460: 8447: 8439: 8429: 8410: 8404: 8392:. Retrieved 8381: 8362: 8356: 8344:. Retrieved 8334: 8322:. Retrieved 8318:the original 8308: 8296:. Retrieved 8292:the original 8282: 8270:. Retrieved 8266: 8256: 8244:. Retrieved 8240: 8230: 8220:February 13, 8218:. Retrieved 8214:the original 8209: 8199: 8179: 8172: 8152: 8145: 8133:. Retrieved 8109: 8101: 8089:. Retrieved 8084: 8075: 8063: 8043: 8036: 8028: 8020: 8013:Schultz 2007 8008: 7996:. Retrieved 7992:the original 7981: 7954:. Retrieved 7950:the original 7943: 7936:Hal Erickson 7930: 7918:. Retrieved 7908: 7888: 7881: 7861: 7854: 7842: 7815: 7803:. Retrieved 7799: 7789: 7781: 7766: 7759: 7747: 7735:. Retrieved 7731: 7721: 7709: 7697:. Retrieved 7693: 7683: 7671:. Retrieved 7667:the original 7662: 7652: 7640: 7598:. Retrieved 7588: 7579: 7572:. Retrieved 7562: 7535: 7523: 7511: 7491: 7484: 7472:. Retrieved 7468: 7459: 7451: 7439: 7427:. Retrieved 7420: 7411: 7399:. Retrieved 7395: 7385: 7358:. Retrieved 7355:The Guardian 7354: 7327: 7315: 7306: 7292: 7286: 7263: 7257: 7232: 7224: 7212:. Retrieved 7202: 7183: 7177: 7165:. Retrieved 7160: 7121: 7114: 7102:. Retrieved 7098: 7088: 7076:. Retrieved 7062: 7050: 7045: 7033: 7021: 7016: 7004: 6999: 6987: 6982: 6970:. 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Retrieved 5540: 5520: 5474: 5429: 5419: 5418:(1985), and 5413: 5409:The Beguiled 5407: 5401: 5395: 5389: 5384: 5365: 5361: 5351: 5345: 5338: 5320: 5317:Mike Nichols 5306: 5300: 5294: 5291:Mixed genres 5284: 5279: 5278:writes that 5269: 5261: 5255: 5237: 5233: 5227: 5221: 5213: 5187: 5183:Barefoot Gen 5181: 5175: 5165: 5159: 5152: 5146: 5123: 5120:Winsor McCay 5118: 5110: 5107:Winsor McCay 5088: 5070: 5064: 5058: 5048: 5046: 5042:film history 5035: 5030: 5016: 4994: 4988: 4985:Billy Wilder 4970: 4951: 4948:John Sturges 4941: 4938:Guy Hamilton 4927: 4919: 4885: 4879: 4873: 4847: 4830: 4822: 4794: 4788: 4783:Why We Fight 4781: 4763: 4749: 4744:In America, 4743: 4735: 4722: 4716: 4710: 4691: 4681:Why We Fight 4679: 4664: 4663:poll placed 4652: 4649:André Previn 4641:Stalin Prize 4622: 4617: 4609: 4578: 4565:propaganda. 4559: 4530:Zero fighter 4523: 4513: 4512:(2001), and 4507: 4501: 4495: 4489: 4483: 4477: 4471: 4469: 4447: 4437: 4431: 4426:Two Warriors 4424: 4421:Leonid Lukov 4417: 4409: 4371: 4369: 4362: 4358: 4356: 4351: 4345: 4341: 4335: 4332:Usmar Ismail 4319: 4313: 4312:, 1951) and 4309: 4303: 4299: 4293: 4283: 4275: 4272:Usmar Ismail 4245: 4235: 4229: 4216: 4206: 4192: 4182: 4179:Shi Dongshan 4172: 4162: 4156: 4154: 4139:Crimson Tide 4137: 4134:Pearl Harbor 4133: 4127: 4121: 4117:The Big Lift 4115: 4105: 4099: 4091: 4088:Roy Boulting 4057: 4051: 4041: 4036: 4030: 4026:Pearl Harbor 4024: 4018: 4017:(1980), and 4012: 4006: 4000: 3986: 3976: 3971: 3965: 3964:(1976), and 3959: 3953: 3947: 3941: 3931: 3917: 3912: 3892: 3871: 3870:(1964), and 3865: 3859: 3853: 3844: 3833: 3829: 3819: 3814: 3808: 3804: 3798: 3792: 3786: 3780: 3774: 3768: 3762: 3756: 3750: 3742: 3724: 3712: 3706: 3699:The Guardian 3698: 3696: 3684: 3658: 3644: 3641:Sato Takeshi 3634: 3624: 3614: 3590: 3584: 3583:brought out 3574: 3566: 3560: 3521: 3514: 3475: 3473: 3454: 3441: 3436:(1944), and 3431: 3428:Mervyn LeRoy 3421: 3414:Soviet Union 3407: 3401: 3397:Mrs. Miniver 3395: 3385: 3376:Why We Fight 3374: 3372: 3364: 3359: 3341: 3340:(1943), and 3335: 3329: 3311: 3305: 3287: 3266: 3261: 3237: 3236:in 2010 and 3231: 3225: 3218: 3212: 3206: 3200: 3188:World War II 3169: 3167: 3158:Mekong Delta 3153: 3147: 3134: 3127: 3117: 3107: 3104:Oliver Stone 3097: 3092:(1978), and 3087: 3080: 3069: 3063: 3045: 3030:Algerian War 2999: 2998:'s dramatic 2994: 2991:Algerian War 2977: 2971: 2964: 2958: 2952: 2946: 2940: 2933: 2932:action film 2930:South Korean 2927: 2920: 2914: 2904: 2899: 2881: 2873: 2867: 2845: 2842:Carlos Saura 2832:(1950) uses 2827: 2801: 2791: 2757: 2747: 2740:Leena Lander 2733: 2723: 2705: 2702:Toivo Särkkä 2683: 2674: 2659: 2653: 2628: 2618: 2608: 2606: 2586: 2584: 2576: 2565: 2562:Frank Harvey 2557: 2551: 2549: 2538: 2531: 2499: 2495: 2491: 2485: 2470: 2466: 2449: 2439: 2433: 2427: 2421: 2413: 2407: 2401: 2395: 2391:The Fugitive 2389: 2382: 2359: 2353: 2347: 2340: 2330: 2324: 2305: 2302:Edward Zwick 2294: 2292: 2275: 2267: 2260: 2254: 2247:Nazi Germany 2239:World War II 2223: 2215: 2191:defined the 2182: 2145:such as the 2124: 2120: 2112:biographical 2062: 2061: 1962:Fifth column 1942:War resister 1937:Women in war 1883: 1832:Peacekeeping 1777:Arms control 1722: 1411:Mobilization 1406:Conscription 1364:Intelligence 1317:Organization 963: 892:Encirclement 772:Radiological 708:Conventional 562:Subterranean 469:Development: 468: 445: 407: 369: 332:Naval units: 331: 324:Signal corps 291: 269:Intelligence 254:Specialties: 253: 178:Organization 129:Early modern 48: 36: 12736:Film genres 12677:Video nasty 12672:Underground 12657:Slow cinema 12627:Sceneggiata 12515:Live action 12493:Independent 12473:Film à clef 12441:Docufiction 12409:Compilation 12384:Blockbuster 12352:Traditional 12347:Stop-motion 12283:Chick flick 12141:Slow cinema 12131:Remodernist 11946:Free Cinema 11926:Erra Cinema 11891:Cinema Novo 11769:Revisionist 11278:Gendai-geki 11214:Psychedelic 11202:Apocalyptic 11068:Beach party 10963:Slow cinema 10936:Space opera 10901:Fantastique 10772:Sceneggiata 10762:Musicarello 10635:Fantastique 10514:Fantastique 10457:Educational 10384:Video essay 10339:Documentary 9698:|work= 9479:Dower, John 9096:Napier 2005 8912:, pp. 8877:Murphy 2005 8865:Murphy 2005 8652:MedieKultur 8549:Murphy 2005 8390:. Criterion 8068:Stites 1992 7974:Heider 1991 7886:Li, Peter. 7835:Rayner 2007 7752:Bender 2013 7645:Orriss 1984 7633:Parish 1990 7516:Monaco 1992 7278:esp. Ch. 5 7233:Nazi Cinema 7038:Orriss 1984 6875:Murphy 2005 6855:CinemaBlend 6720:. Criterion 6400:"Raja 1918" 6353:Yle Uutiset 6172:(1): 55–58. 5722:Clarke 2006 5710:Clarke 2006 5650:Clarke 2006 5619:Kane, 1982. 5593:Belton 1994 5305:(1953) and 5252:Jean Renoir 5244:McCarthyism 5151:(1943) and 5063:(1941) and 5057:, while in 4946:(1955) and 4890:Clark Gable 4878:(1957) and 4789:During the 4701:character. 4678:'s wartime 4676:Frank Capra 4562:documentary 4546:Documentary 4520:revisionism 4494:(1956) and 4482:(1971) and 4442:(1985) and 4434:Yury Ozerov 4406:Yury Ozerov 4364:Merah Putih 4352:They Return 4290:Teguh Karya 4242:Zhang Yimou 4223:Mou Tun Fei 4161:(1911) and 4080:Frank Capra 3997:Roger Ebert 3938:documentary 3739:theme music 3651:Pacific War 3577:Axis powers 3565:(1935) and 3518:Tay Garnett 3382:John Huston 3322:Noël Coward 3302:documentary 3242:from 2013. 3223:from 2014. 3211:from 2008, 3196:Bosnian War 3194:during the 3140: [ 3122:(1987) and 3066:Vietnam War 3054:Vietnam War 3038:Golden Lion 2984:Kim Il Sung 2974:North Korea 2963:(1999) and 2951:(1991) and 2919:(1954) and 2816:Gary Cooper 2754:Väinö Linna 2744:Edvin Laine 2738:, based on 2712:Jarl Hemmer 2710:, based on 2638:Technicolor 2438:(1951), or 2231:Indian Wars 2197:John Belton 2139:documentary 1947:War studies 1770:Non-warfare 1698:Appeasement 1663:Martial law 1502:War economy 1441:Transgender 1394:Recruitment 1154:Containment 1039:Culminating 947:Operational 867:Envelopment 810:Air assault 691:Air cavalry 651:Air defence 631:Information 532:Cold-region 497:Battlespace 446:Historical: 292:Land units: 218:Space force 213:Coast guard 146:Late modern 107:Prehistoric 12730:Categories 12597:Paracinema 12582:Neorealist 12577:Mythopoeia 12562:Mockbuster 12527:Low-budget 12468:Featurette 12301:technique, 12299:By format, 12178:Surrealist 12173:Structural 12051:New German 12041:Neorealist 12036:Mumblecore 11976:Heimatfilm 11936:Film d'art 11901:Cinéma pur 11635:South Seas 11608:Sex report 10874:Paranormal 10837:Propaganda 10737:Mumblecore 10524:Historical 10406:Historical 10295:Remarriage 10285:Mo lei tau 9122:1 November 7714:Dolan 1985 7540:DiLeo 2010 7378:Mayer 2003 7332:Dower 1993 7320:Dower 1993 7122:Stalingrad 6748:Neale 2000 6359:2022-10-29 6334:2022-10-29 6115:2016-06-29 5918:. AllMovie 5904:, May 1956 5698:Neale 2000 5608:Neale 2000 5503:Neale 2000 5486:References 5391:Shenandoah 5368:won seven 5283:"classic" 5208:Anti-war: 4967:David Lean 4866:destroyers 4862:propellers 4840:soundtrack 4765:Casablanca 4737:Casablanca 4659:". A 1978 4587:Propaganda 4460:See also: 4411:Stalingrad 4380:about the 4328:Long March 4258:Indonesian 4252:Geling Yan 4068:See also: 4053:Stalingrad 3903:T-6 Texans 3835:Battle Cry 3826:John Wayne 3776:Men in War 3655:John Dower 3502:Stalingrad 3494:Red Square 3326:David Lean 3296:came from 3273:film, 1943 3271:propaganda 3258:submarine 3256:Royal Navy 3214:Green Zone 3164:Later wars 3124:John Irvin 2911:Korean War 2894:See also: 2890:Korean War 2725:The Border 2625:David Lean 2475:Hindenburg 2441:Shenandoah 2403:Gettysburg 2212:John Wayne 2189:Sam Fuller 2135:propaganda 2067:film genre 2007:War crimes 1997:Operations 1904:Foot drill 1874:Battle cry 1787:deterrence 1446:Harassment 1421:Specialism 1244:Technology 1239:Succession 1184:Liberation 1119:Asymmetric 1054:Empty fort 965:Blitzkrieg 934:Withdrawal 897:Investment 676:Camouflage 671:Biological 609:Underwater 584:Amphibious 503:Aerospace 370:Air units: 347:Submarines 156:fourth-gen 151:industrial 139:napoleonic 12741:War films 12587:No-budget 12552:Meta-film 12520:animation 12478:Film-poem 12414:Composite 12359:Anthology 12322:Animation 12317:Actuality 12303:approach, 12071:New Queer 11991:Indiewood 11941:Film gris 11812:or period 11789:Spaghetti 11712:Submarine 11692:Vigilante 11657:Superhero 11411:Chopsocky 11357:Jidaigeki 11226:Dystopian 11125:Detective 11083:Buddy cop 11073:Body swap 11003:Political 10983:Financial 10946:Tokusatsu 10941:Steampunk 10857:Bromantic 10829:Malayalam 10808:Crossover 10784:Detective 10752:Backstage 10700:Religious 10556:Tech noir 10551:Pulp noir 10541:Film noir 10416:Melodrama 10354:Docudrama 10327:Cyberpunk 10320:Slapstick 10310:Screwball 10270:Gross out 10233:Christian 10211:Adventure 9902:993983488 9700:ignored ( 9690:cite book 9671:War Films 9417:War Films 9309:Suid 2002 7847:Suid 2002 7820:Suid 2002 7618:Suid 2002 7555:Suid 2002 7452:The Times 7208:"Kolberg" 6860:5 January 6831:26 August 6805:25 August 6152:Suid 2002 5302:Stalag 17 5160:Japanese 4990:Stalag 17 4914:Model of 4870:torpedoes 4864:of enemy 4803:Submarine 4661:Mondadori 4567:Newsreels 4541:Subgenres 4227:docudrama 4189:Cheng Yin 4020:Australia 3867:The Train 3816:Hollywood 3555:visiting 3438:John Ford 3392:Hollywood 3358:USS 3260:HMS 2972:Films in 2864:Ken Loach 2862:in 1966. 2661:War Horse 2446:Ken Burns 2201:Hollywood 2157:, or the 1894:War novel 1797:Grey-zone 1757:War games 1718:Overmatch 1668:War crime 1618:Desertion 1608:Ceasefire 1603:Armistice 1490:Logistics 1468:Mercenary 1456:Volunteer 1387:Personnel 1359:Engineers 1304:Sociology 1259:World war 1254:Total war 1234:Strategic 1224:Religious 1209:Political 1204:Perpetual 1179:Irregular 1094:Offensive 1069:Defensive 1064:Deception 1024:Attrition 877:Guerrilla 872:Formation 815:Airbridge 747:Loitering 661:Artillery 314:Artillery 264:Engineers 232:Irregular 203:Air force 18:War movie 12705:Category 12592:One-shot 12456:Abstract 12342:Computer 12026:Lettrist 11921:Dogme 95 11849:Bourekas 11819:Absolute 11759:Northern 11754:Meat pie 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6011:Archived 5463:thriller 5424:(1999). 5412:(1971), 5406:(1966), 5400:(2003), 5394:(1965), 5322:Catch-22 5311:(1964). 5246:and the 5194:Anti-war 5157:(1943). 5097:Animated 4849:Das Boot 4846:'s 1981 4824:Das Boot 4791:Cold War 4727:(1942). 4633:Novgorod 4627:depicts 4537:pilots. 4535:kamikaze 4506:(1998), 4476:(1959), 4456:Japanese 4370:Karya's 4300:Mementos 4203:Lu Chuan 4169:Xu Xinfu 4078:Colonel 4011:(1976), 3958:(1969), 3952:(1969), 3946:(1965), 3864:(1961), 3840:commando 3691:Deventer 3605:Napoleon 3597:Prussian 3553:Goebbels 3459:(1942). 3446:(1945). 3426:(1943), 3416:and its 3346:(1944). 3233:Restrepo 3203:Iraq War 3184:Sarajevo 3132:(1987). 3112:(1986), 3050:(1958). 2836:'s 1937 2829:Guernica 2798:Sam Wood 2746:'s 1968 2732:'s 2008 2722:'s 2007 2688:between 2473:), with 2349:Downfall 2287:uniforms 2143:theatres 2127:anti-war 2098:and the 2092:soldiers 2063:War film 1909:War song 1884:War film 1517:Materiel 1436:Children 1416:Training 1354:Medicine 1339:Doctrine 1294:Training 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