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Clarinet

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1768: 1780: 1075: 1718: 1878:, and saxophones need only twelve notes before overblowing. Since clarinets with few keys cannot play chromatically, they are limited to playing in closely related keys. For example, an eighteenth-century clarinet in C could play music in F, C, and G (and their relative minors) with good intonation, but with progressive difficulty and poorer intonation as the key moved away from this range. With the advent of airtight pads and improved key technology, more keys were added to woodwinds and the need for clarinets in multiple keys was reduced. The use of instruments in C, B 1699: 1830: 1439: 1343: 1730: 1120:, are created. Harmonics are caused by factors including the imperfect wobbling and shaking of the reed, the reed sealing the mouthpiece opening for part of the wave cycle (which creates a flattened section of the sound wave), and imperfections (bumps and holes) in the bore. A wide variety of compression waves are created, but only some (primarily the odd harmonics) are reinforced. This in combination with the cut-off frequency (where a significant drop in resonance occurs) results in the characteristic tone of the clarinet. 1366:. The reed is on the underside of the mouthpiece, pressing against the player's lower lip, while the top teeth normally contact the top of the mouthpiece (some players roll the upper lip under the top teeth to form what is called a 'double-lip' embouchure). Adjustments in the strength and shape of the embouchure change the tone and intonation. Players sometimes relieve the pressure on the upper teeth and inner lower lip by attaching a pad to the top of the mouthpiece or putting temporary cushioning on the lower teeth. 2044: 1459: 1749: 1792: 2852: 2778: 1811: 2810: 2688: 2478: 2739: 2709: 2565: 2522: 2658: 2637: 2596: 1331: 1221: 2241: 1451: 2383: 111: 38: 2898: 1518:(or possibly his son Jacob Denner) equipped a chalumeau in the alto register with two keys, one of which enabled access to a higher register. This second register did not begin an octave above the first, as with other woodwind instruments, but started an octave and a perfect fifth higher than the first. A second key, at the top, extended the range of the first register to A 1321:
Most players buy manufactured reeds, although many make adjustments to these reeds, and some make their own reeds from cane "blanks". Reeds come in varying degrees of hardness, generally indicated on a scale from one (soft) through five (hard). This numbering system is not standardized—reeds with the
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The lip position and pressure, shaping of the vocal tract, choice of reed and mouthpiece, amount of air pressure created, and evenness of the airflow account for most of the player's ability to control the tone of a clarinet. Their vocal tract will be shaped to resonate at frequencies associated with
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at the octave. The clarinet differs, since it acts as a closed-pipe system. The low chalumeau register plays fundamentals, but the clarion (second) register plays the third harmonics, a perfect twelfth higher than the fundamentals. The clarinet is therefore said to overblow at the twelfth. The first
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The reed stays pressed against the mouthpiece until either the springiness of the reed forces it to open or a returning pressure wave 'bumps' into the reed and opens it. Each time the reed opens, a puff of air goes through the gap, after which the reed swings shut again. When played loudly, the reed
2585:, many composers began to prefer the mellower lower-pitched instruments, and the timbre of the C instrument may have been considered too bright. To avoid having to carry an extra instrument that required another reed and mouthpiece, orchestral players preferred to play parts for this instrument on B 1957:
While technical improvements and an equal-tempered scale reduced the need for two clarinets, the technical difficulty of playing in remote keys persisted, and the A has remained a standard orchestral instrument. By the late 19th century the orchestral clarinet repertoire contained so much music for
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The lower-pitched clarinets sound "mellower" (less bright), and the C clarinet—the highest and brightest sounding of these three—fell out of favor as the other two could cover its range and their sound was considered better. While the clarinet in C began to fall out of general use around 1850, some
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remedied this by countersinking the tone holes for the keys and covering the pads with soft leather. These leather pads sealed the holes better than felt, making it possible to equip the instrument with considerably more keys. In 1812 MĂĽller presented a clarinet with seven finger holes and thirteen
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The mouthpiece and reed are surrounded by the player's lips, which put light, even pressure on the reed and form an airtight seal. Air is blown past the reed and down the instrument. In the same way a flag flaps in the breeze, the air rushing past the reed causes it to vibrate. As air pressure from
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was one of the best known performers in this genre. The clarinet's place in the jazz ensemble was usurped by the saxophone, which projects a more powerful sound and uses a less complicated fingering system. The clarinet did not entirely disappear from jazz—prominent players since the 1950s include
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and A has to do partly with the history of the instrument and partly with acoustics, aesthetics, and economics. Before about 1800, due to the lack of airtight pads, practical woodwinds could have only a few keys to control accidentals (notes outside their diatonic home scales). The low (chalumeau)
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The rarefaction is reflected off the sloping end wall of the clarinet mouthpiece. The opening between the reed and the mouthpiece makes very little difference to the reflection of the rarefaction wave. This is because the opening is very small compared to the size of the tube, so almost the entire
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When the rarefaction wave reaches the other (open) end of the tube, air rushes in to fill the slight vacuum. A little more than a 'neutral' amount of air enters the tube and causes a compression wave to travel back up the tube (image 4). Once the compression wave reaches the mouthpiece end of the
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shape, with the thinnest part below the junction between the upper and lower joint. This hourglass shape, although invisible to the naked eye, helps to correct the pitch and responsiveness of the instrument. The diameter of the bore affects the instrument's sound characteristics. The bell at the
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the bottom edge of tone holes inside the bore. Acoustically, this makes the tone hole function as if it were larger, but its main function is to allow the air column to follow the curve up through the tone hole (surface tension) instead of "blowing past" it under the increasingly directional
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Below the main body is a flared end known as the bell. The bell does not amplify the sound but improves the uniformity of the instrument's tone for the lowest notes in each register. For the other notes, the sound is produced almost entirely at the tone holes, and the bell is irrelevant. On
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The cluster of keys at the bottom of the upper joint (protruding slightly beyond the cork of the joint) are known as the trill keys and are operated by the right hand. The entire weight of the smaller clarinets is supported by the right thumb behind the lower joint on what is called the
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Most woodwind instruments have a second register that begins an octave above the first (with notes at twice the frequency of the lower notes). With the aid of an 'octave' or 'register' key, the notes sound an octave higher as the fingering pattern repeats. These instruments are said to
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noted that "French clarinets have a flat, nasal tone, while German ones approximate the singing voice". Among modern instruments the difference is smaller, although intonation differences persist. The use of Oehler clarinets has continued in German and Austrian orchestras.
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several notes of the altissimo (third) range, aided by the register key and venting with the first left-hand hole, play the fifth harmonics, a perfect twelfth plus a major sixth above the fundamentals. The fifth and seventh harmonics are also available, sounding a further
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Sometimes referred to as the tenor clarinet in Europe, the alto clarinet is used in military and concert bands and occasionally, if rarely, in orchestras. The alto clarinet in F was used in military bands during the early 19th century and was a favorite instrument of
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Similar in appearance to the alto, the basset horn is instead pitched in F, with a narrower bore on most models. Mozart's Clarinet Concerto was originally sketched out as a concerto for basset horn in G. Little material for this instrument has been published.
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Today the Boehm system is standard everywhere except in Germany and Austria, where the Oehler clarinet is still used. Some contemporary Dixieland players continue to use Albert system clarinets. The Reform Boehm system is also popular in the Netherlands.
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The mouthpiece attaches to the barrel. Tuning can be adjusted by using barrels of varying lengths or by pulling out the barrel to increase the instrument's length. On basset horns and lower clarinets, there is a curved metal neck instead of a barrel.
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register of the clarinet spans a twelfth (an octave plus a perfect fifth) before overblowing, so the clarinet needs keys/holes to produce all nineteen notes in this range. This involves more keywork than on instruments that "overblow" at the octave—
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and rollers to improve little-finger movement. After 1861, a "patent C sharp" key developed by Joseph Tyler was added to other clarinet models. Improved versions of Albert clarinets were built in Belgium and France for export to the UK and the US.
2188:: This ensemble contains many clarinets playing together, usually including several members of the clarinet family. The homogeneity of tone across the different members of the clarinet family produces an effect with some similarities to a human 1109:'tube', it is reflected again back down the pipe. However at this point, either because the compression wave 'bumped' the reed or because of the natural vibration cycle of the reed, the gap opens and another 'puff' of air is sent down the pipe. 1767: 1285:
Metal soprano clarinets were popular in the late 19th century, particularly for military use. Metal is still used for the bodies of some contra-alto and contrabass clarinets and the necks and bells of nearly all alto and larger clarinets.
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The main body of most clarinets has an upper joint, whose mechanism is mostly operated by the left hand, and a lower joint, mostly operated by the right hand. Some clarinets have a one-piece body. The modern soprano clarinet has numerous
1620:, although Böhm was not involved in its development and the system differed from the one used on the flute. Other key systems have been developed, many built around modifications to the basic Boehm system, including the Full Boehm, 1094:(at around 3% greater pressure than the surrounding air) travels down the cylindrical tube and escapes at the point where the tube opens out. This is either at the closest open hole or at the end of the tube (see diagram: image 1). 1651:
and instrument maker Georg Ottensteiner developed the patented Baermann/Ottensteiner clarinet. This instrument had new connecting levers, allowing multiple fingering options to operate some of the pads. The Brahms clarinetist
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keys, which he called "clarinet omnitonic" since it was capable of playing in all keys. It was no longer necessary to use differently tuned clarinets for a different keys. MĂĽller is also considered the inventor of the metal
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bottom of the clarinet flares out to improve the tone and tuning of the lowest notes. The fixed reed and fairly uniform diameter of the clarinet result in an acoustical performance approximating that of a cylindrical
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The three registers have characteristically different sounds—the chalumeau is rich and dark, the clarion is brighter and sweet, like a trumpet heard from afar, and the altissimo can be piercing and sometimes shrill.
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The original compression wave, now greatly reinforced by the second 'puff' of air, sets off on another two trips down the pipe (travelling four pipe lengths in total) before the cycle is repeated again.
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The basset clarinet is a clarinet in A with keywork that extends to a written low C. There are some examples of instruments with a low B. It is used primarily to play Classical-era music. Mozart's
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enabling them to play the E below middle C as their lowest written note. The concert pitch that sounds depends on the individual instrument's transposition (this low E sounds as a concert
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All clarinets have approximately the same written range. The sounding pitch depends on what key the instrument is in. Low clarinets generally have extra keys to extend the range downward.
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The subcontrabass clarinet is a largely experimental instrument with little repertoire. Three versions in EEEâ™­ (an octave below the contra-alto clarinet) were made, and a version in BBB
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clarinet or German clarinet, while the Böhm clarinet has since been called the French clarinet. The French clarinet differs from the German not only in fingering but also in sound.
723:, an earlier single-reed instrument. Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the 2053: 1322:
same number often vary in hardness across manufacturers and models. Reed and mouthpiece characteristics work together to determine ease of playability and tonal characteristics.
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are generally made of hard rubber, although some inexpensive mouthpieces may be made of plastic. Other materials such as glass, wood, ivory, and metal have also been used.
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fastens the reed to the mouthpiece. When air is blown through the opening between the reed and the mouthpiece facing, the reed vibrates and produces the clarinet's sound.
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This clarinet was very common in the instrument's earliest period but its use dwindled, and by the end of the 1920s it had become practically obsolete. From the time of
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in 1848. This model was based on the MĂĽller clarinet with some changes to keywork, and was also known as the "simple system". It included a "spectacle key" patented by
1829: 972:. Defining the top end of a clarinet's range is difficult, since many advanced players can produce notes well above the highest notes commonly found in method books. G 2773:. The bass clarinet in A, which had a vogue among certain composers from the mid-19th to the mid-20th centuries, is now so rare as to usually be considered obsolete. 1514:. At this time, contrary to modern practice, the reed was placed in contact with the upper lip. Around the beginning of the 18th century the German instrument maker 2248:
The clarinet was a central instrument in jazz, beginning with early jazz players in the 1910s. It remained a signature instrument of the genre through much of the
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presented a clarinet using similar fingerings to the Baermann instrument, with significantly more toneholes than the Böhm model. The new clarinet was called the
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Oehler clarinet with a cover on the middle tone hole of the lower joint, dev. 1905 by Oscar Oehler, and with bell mechanism added later to improve deep E and F
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The clarinet is widely used as a solo instrument. The clarinet evolved later than other orchestral woodwind instruments, leaving solo repertoire from the
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clarinet has a characteristic "hard and biting" tone and is used in the orchestra when a brighter, or sometimes more comical, sound is called for.
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clarinets have nearly the same bore and nearly identical tonal quality, although the A typically has a slightly warmer sound. The tone of the
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Groups of clarinets playing together have become increasingly popular among clarinet enthusiasts in recent years. Common forms are:
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are often made of metal and tightened using one or more adjustment screws; other materials include plastic, string, or fabric.
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for most of the tube with an inner bore diameter between 0.575 and 0.585 inches (14.6 and 14.9 mm), but there is a subtle
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Developed in the late 18th century, the bass clarinet began featuring in orchestral music in the 1830s after its redesign by
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Intravaia, Lawrence J; Robert S. Resnick (Spring 1968). "A research study of a technique for adjusting clarinet reeds".
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Clarinet parameter cartography: automatic mapping of the sound produced as a function of blowing pressure and reed force
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frequencies of the upper registers. Covering or uncovering the tone holes varies the length of the pipe, changing the
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Barthet, M.; Guillemain, P.; Kronland-Martinet, R.; Ystad, S. (2010). "From clarinet control to timbre perception".
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Horvath, Janet (September 2001). "An orchestra musician's perspective on 20 years of performing arts medicine".
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This instrument is rare, although it was once frequently used in wind ensembles, especially in Spain and Italy.
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being used for the instrument dates to a 1710 order placed by the Duke of Gronsfeld for two instruments made by
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when the thumb/register hole is pinched open, while the clarinet, with its cylindrical bore, overblows at the
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clarinet. While a few early pieces were written for it, its repertoire is now very limited in Western music.
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Beginning in the 1940s, the clarinet faded from its prominent position in jazz. By that time, an interest in
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wave is reflected back down the tube even if the reed is completely open at the time the wave hits (image 3).
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Cockshott, Gerald; D. K. Dent; Morrison C. Boyd; E. J. Moeran (October 1941). "English composer goes west".
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that was about 18 centimetres (7.1 in) longer, made first by Theodor Lotz. In 1791 Mozart composed the
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for the flute. This key system was first used on the clarinet between 1839 and 1843 by French clarinetist
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The A clarinet is frequently used in orchestral and chamber music, especially of the nineteenth century.
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to match the range of the A clarinet. Bass clarinets have keywork extending the low range to a written E
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and an A clarinet, and clarinet parts commonly alternate between the instruments. In the 20th century,
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Page, Janet K.; Gourlay, K. A.; Blench, Roger; Shackleton, Nicholas; Rice, Albert (2015). "Clarinet".
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clarinet is the most common type. Usually, the term "clarinet" on its own refers to this instrument.
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Clarinet bodies have been made from a variety of materials including wood, plastic, hard rubber or
5242:"Rock 'n' roll clarinets?! The Beatles' use of clarinets on Sgt. Pepper's Lonely Hearts Club Band" 1097:
More than a 'neutral' amount of air escapes from the instrument, which creates a slight vacuum or
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clarinet, alto clarinet, bass clarinet, and contra-alto/contrabass clarinet are commonly used in
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the mouth increases, the amount the reed vibrates increases until the reed hits the mouthpiece.
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Rees-Davies, Jo (1995). "The development of the clarinet repertoire". In Lawson, Colin (ed.).
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of resin and the African blackwood powder left over from the manufacture of wooden clarinets.
1270:(ABS). One of the first such blends of plastic was Resonite, a term originally trademarked by 6744: 6630: 6512: 6378: 6368: 4382: 3894: 2621: 1893: 1590: 1355: 1289: 1214: 42: 4741:"The Structure of the Clarinet [Experiment], The Boehm system and the Oehler system" 976:
is usually the highest note encountered in classical repertoire, but fingerings as high as A
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Benade, Arthur H.; Keefe, Douglas H. (March 1996). "The physics of a new clarinet design".
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From the Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740–1860
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Starr, S. Frederick (2021). "The clarinet in vernacular music". In Ellsworth, Jane (ed.).
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music, which employs a distinctive style of playing. The popular Brazilian music style of
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is the most common type, and is the instrument usually indicated by the word "clarinet".
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Shackleton, Nicholas (1995). "The development of the clarinet". In Lawson, Colin (ed.).
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Kennedy, Joyce; Kennedy, Michael; Rutherford-Johnson, Tim, eds. (2013). "Wind quintet".
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contrabass is used in clarinet ensembles, concert bands, and sometimes in orchestras.
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Seay, Albert E. (September–October 1948). "Modern composers and the wind ensemble".
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and larger clarinets, the bell curves up and forward and is usually made of metal.
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register, consisting of the notes above the written C two octaves above middle C (C
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is generally credited with inventing the clarinet sometime around 1700 by adding a
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Brandl, Rudolf (1996). "The 'Yiftoi' and the music of Greece: role and function".
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Almeida, A; Lemare, J; Sheahan, M; Judge, J; Auvray, R; Dang, K; Wolfe, J (2010).
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The orchestra frequently includes two clarinetists, each usually equipped with a B
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and facilitate fingerings and the chalumeau fell into disuse. The clarinet of the
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Tuthill, Burnet C. (1972). "Sonatas for clarinet and piano: annotated listings".
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Gibson, Lee (1968). "Fundamentals of acoustical design of the soprano clarinet".
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Exploring the Clarinet: A Guide to Clarinet Technique and Finnish Clarinet Music
3378:"Upper altissimo register – Alternate fingering chart for Boehm-system clarinet" 2805:
This instrument is used in wind ensembles and occasionally in cinematic scores.
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has used a Baermann-Ottensteiner instrument for playing compositions by Brahms.
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Backus, J (1961). "Vibrations of the reed and the air column in the clarinet".
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in the clarinet tube. This rarefaction wave travels back up the tube (image 2).
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The number of keys was limited because their felt pads did not seal tightly.
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register, which spans just over an octave (from a written B above middle C (B
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Brown, John Robert (1995). "The clarinet in jazz". In Lawson, Colin (ed.).
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Heaton, Roger (1995). "The contemporary clarinet". In Lawson, Colin (ed.).
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Lawson, Colin (1995a). "Single reeds before 1750". In Lawson, Colin (ed.).
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PĂ mies-VilĂ , Montserrat; Hofmann, Alex; Chatziioannou, Vasileios (2020).
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were all prominent early jazz clarinet players. Swing performers such as
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clarinet) a considerable role in jazz, especially through jazz musician
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by Eugène Albert, intermediate between the Müller and Oehler clarinets.
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Harris, Paul (1995b). "Teaching the clarinet". In Lawson, Colin (ed.).
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Tschaikov, Basil (1995). "The high clarinets". In Lawson, Colin (ed.).
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Harris, Michael (1995a). "The bass clarinet". In Lawson, Colin (ed.).
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Lawson, Colin (1995b). "The clarinet family". In Lawson, Colin (ed.).
5317: 4842: 4566: 4421: 4355: 4297:
Karp, Cary (1986). "The early history of the clarinet and chalumeau".
4206: 3547: 3292: 1723:
Iwan MĂĽller clarinet with 13 keys and leather pads, developed in 1809.
1330: 1220: 6749: 6729: 6688: 6363: 4031: 2317: 2284: 2240: 1797:
French Clarinet (Original Boehm with 17 keys and 6 rings). Developed
1663:
In the early 20th century, the German clarinetist and clarinet maker
1491: 1450: 1375: 1160: 1132: 1117: 1053: 993: 724: 720: 605: 580: 545: 529: 498: 438: 256: 221: 131: 94: 6841: 5899:
Dobrée, Georgina (1995). "The basset horn". In Lawson, Colin (ed.).
5132: 5097: 5029: 5006: 4971: 4089: 3616: 3247: 3232:
Reed, Alfred (September 1961). "The composer and the college band".
1116:
In addition to this primary compression wave, other waves, known as
6789: 6739: 5309: 4834: 4558: 4519: 4504:
Rice, Albert (March 1984). "Clarinet Fingering Charts, 1732–1816".
4413: 4347: 4198: 3284: 2382: 2249: 2098:
have been written to showcase the instrument, for example those by
1422:. Larger clarinets are supported with a neck strap or a floor peg. 1255: 1185: 1128: 870:
is brighter and can be heard through loud orchestral textures. The
784:, a type of trumpet, the name of which derives from the same root. 673: 513: 473: 448: 393: 383: 281: 176: 22: 5643:
Fine-Tuning the Clarinet Section: A Handbook for the Band Director
2328:, and others playing in both traditional and contemporary styles. 6883: 6815: 6734: 6703: 6683: 5853:
Lawson, Colin (1995c). "The C clarinet". In Lawson, Colin (ed.).
4183:
Ridley, E.A.K. (September 1986). "Birth of the 'Böhm' clarinet".
2391: 2167:
or, in more contemporary music, a configuration of five clarinets
1875: 1407: 1239: 1202: 1164: 736: 518: 483: 458: 453: 408: 403: 368: 286: 216: 181: 110: 37: 5294:
Slobin, Mark (1984). "Klezmer music: an American ethnic genre".
5058: 2862:(also called octocontralto clarinet or octocontrabass clarinet) 1884:, and A persisted, with each used as specified by the composer. 6820: 6805: 6764: 6719: 6698: 3664: 2897: 1538:
After Denner's innovations, other makers added keys to improve
1314:. Reeds may also be manufactured from synthetic materials. The 1149: 835: 623: 600: 418: 358: 341: 251: 226: 3798: 1863:
The modern orchestral standard of using soprano clarinets in B
6867: 6825: 6779: 4400:
Hacker, Alan (April 1969). "Mozart and the basset clarinet".
2395: 2368:
reviewer termed a "Benny Goodman-flavored clarinet solo" in "
2336:
The clarinet is uncommon, but not unheard of, in rock music.
2189: 2113:
have been written for the clarinet. Common combinations are:
1263: 1259: 1243: 595: 503: 493: 398: 353: 336: 326: 316: 201: 4474: 2677:
was written for this instrument. Basset clarinets in C and B
1346:
Mouthpiece with conical ring ligature, made from hard rubber
6263: 6258: 4213: 3941: 3106: 1871: 1403: 1398:, which is used mostly in Germany and Austria. The related 1090:
can spend up to 50% of the time shut. The 'puff of air' or
1082:
The production of sound by a clarinet follows these steps:
983:
The range of a clarinet can be divided into three distinct
740: 468: 443: 413: 378: 291: 211: 6140:
The Clarinet: Some Notes Upon Its History and Construction
4941: 4939: 4573: 4075: 3850: 3348: 3346: 2123:: clarinet, piano, and another instrument (for example, a 1835:
Reform Boehm clarinet with 19 keys and 7 rings, developed
6769: 5378: 4116: 3832:
Jenkins, Martin; Oldfield, Sara; Aylett, Tiffany (2002).
3637: 3344: 3342: 3340: 3338: 3336: 3334: 3332: 3330: 3328: 3326: 3179: 3177: 3137: 2153:, and bass; and other possibilities such as the use of a 1785:
Standard German clarinet without cover or bell mechanism.
5563: 5324: 5084:
Weerts, Richard K. (Autumn 1964). "The clarinet choir".
4993:
Weerts, Richard K. (Autumn 1964). "The clarinet choir".
4926: 4924: 4892: 4890: 4888: 4886: 3815: 3813: 3213: 3201: 2999:
The American Heritage Dictionary of the English Language
2287:, a revival of traditional New Orleans jazz, had begun. 944:. Among the less common members of the clarinet family, 5551: 5479: 5477: 5444:
Shackleton, Nicholas; Rice, Albert. "Basset clarinet".
5402: 5152: 5150: 4936: 4790: 4619: 4585: 4544: 4526: 4362: 4104: 3917: 3905: 3836:(Report). Fauna & Flora International. p. 21. 3311: 3299: 2885:(an octave below the contrabass clarinet) was built by 1816:
Full Boehm clarinet with 21 keys and 7 rings developed
1761:, intermediate between the MĂĽller and Oehler clarinets. 1693:
Clarinets with different arrangements of keys and holes
5575: 5462: 4911: 4909: 4907: 4905: 4873: 4871: 4869: 4856: 4854: 4852: 4641:. National Music Museum. 10 March 2016. Archived from 3929: 3862: 3323: 3174: 1656:
used this clarinet, and the American clarinet soloist
1246:. The vast majority of wooden clarinets are made from 1163:
that improve intonation and sound. Undercutting means
5533:
Shackleton, Nicholas; Rice, Albert. "Bass clarinet".
5496:
Shackleton, Nicholas; Rice, Albert. "Alto clarinet".
5368: 5366: 5162: 4921: 4883: 4161: 4159: 4157: 4155: 4140: 3953: 3831: 3810: 3586: 3584: 3429: 3407: 3405: 3403: 3125: 1577:), the clarinet was a fixed member in the orchestra. 874:
has a characteristically deep, mellow sound, and the
755:
may have entered the English language via the French
5474: 5390: 5147: 4780: 4778: 4776: 4774: 4772: 4770: 4007: 3189: 2362:
album. A clarinet is prominently featured in what a
1562:
for this instrument, with passages ranging down to C
1213:
intervals. There have also been efforts to create a
6236:. Yehudi Menuhin Music Guides. Kahn & Averill. 6197:
Jazz in New Orleans: The Postwar Years Through 1970
5514: 4902: 4866: 4849: 4755: 4428: 4275: 4045: 3989: 3515: 3417: 3358: 2037:clarinet parts with two to three players per part. 940:
and some have additional keys to enable a written C
687:of instruments of differing sizes and pitches. The 6142:(Third ed.). W. W. Norton & Company Inc. 6097: 6015: 5992: 5969: 5946: 5923: 5900: 5877: 5854: 5831: 5808: 5785: 5762: 5600: 5363: 4152: 4128: 4057: 3977: 3965: 3728: 3581: 3400: 2538:This was largely replaced by the F and later the E 2031:clarinets; there are commonly three or even four B 1984:employed many different clarinets, including the E 4767: 1394:used on flutes. The other main key system is the 997:register, from the written low E to the written B 691:is the largest woodwind family, ranging from the 6906: 6022:. Cambridge University Press. pp. 184–198. 5999:. Cambridge University Press. pp. 163–183. 5976:. Cambridge University Press. pp. 123–133. 4019:The Journal of the Acoustical Society of America 3536:The Journal of the Acoustical Society of America 2794:(also called Contra-alto or Contralto clarinet) 878:sounds similar to the bass, though not as dark. 803:appears from 1784 until the early 20th century. 4710:"Collaboration with Boehm and Oehler clarinets" 4014:L.) used for the vibrating plate of a clarinet" 3718:"Teaching the clarinet to speak with his voice" 3474:. University of New South Wales. Archived from 799:is found as early as 1733, and the now-archaic 6041:Practical Hints on Playing the B-Flat Clarinet 5953:. Cambridge University Press. pp. 75–91. 5930:. Cambridge University Press. pp. 66–74. 5907:. Cambridge University Press. pp. 57–65. 5884:. Cambridge University Press. pp. 43–56. 5861:. Cambridge University Press. pp. 38–42. 5838:. Cambridge University Press. pp. 33–37. 5815:. Cambridge University Press. pp. 16–32. 3647:. International Symposium on Music Acoustics. 1560:Concerto for Clarinet and Orchestra in A major 1078:Sound wave propagation in the soprano clarinet 1029:, are sometimes treated as a separate register 6638: 6279: 5792:. Cambridge University Press. pp. 1–15. 4816:"Clarinet sonorities in early Romantic music" 1502:mouthpiece and a cylindrical bore. Lacking a 645: 6076: 5640: 4399: 4219: 3856: 3501:"Open vs closed pipes (flutes vs clarinets)" 3111:(Second ed.). Oxford University Press. 2841:calls for a contrabass clarinet in A in his 1888:composers continued to write C parts, e.g., 1858: 1804:by Hyacinthe KlosĂ© and Louis Auguste Buffet. 1442:Two-key clarinet with fingering chart, from 834:bore is the main reason for its distinctive 806:A person who plays the clarinet is called a 6652: 5944: 5535:The Grove Dictionary of Musical Instruments 5498:The Grove Dictionary of Musical Instruments 5446:The Grove Dictionary of Musical Instruments 4945: 4809: 4807: 4805: 4322: 4320: 3466: 3464: 3109:The Grove Dictionary of Musical Instruments 3059:(Third ed.). Oxford University Press. 1958:clarinet in A that it has remained in use. 6645: 6631: 6286: 6272: 5806: 5725:. Boydell & Brewer. pp. 255–289. 5659: 5621: 5532: 5495: 5443: 5384: 5265:"Closeup: Supertramp—Breakfast In America" 4703: 4701: 3462: 3460: 3458: 3456: 3454: 3452: 3450: 3448: 3446: 3444: 3352: 3219: 3207: 773:("oboe"), originating from the Latin root 652: 638: 6175: 5875: 5682: 5569: 5330: 4896: 4532: 4178: 4176: 4174: 4069: 3935: 3911: 3868: 3692: 3183: 3102: 3100: 3098: 3096: 3050: 2054:Tudor Tulok – Fragment from 'Late Spring' 1522:and, together with the register key, to B 1258:. Historically other woods, particularly 1172:of the enclosed air column and hence the 6118: 5741: 5557: 5408: 5034:Journal of the Royal Musical Association 4813: 4802: 4796: 4727: 4625: 4591: 4579: 4326: 4317: 3947: 3923: 3880: 3834:International Trade in African Blackwood 3819: 3804: 3780:The Clarinet of the Twenty-First Century 3495: 3493: 3317: 3305: 3131: 3094: 3092: 3090: 3088: 3086: 3084: 3082: 3080: 3078: 3076: 2901:Clarinets in A-flat, E-flat and B-flat, 2896: 2381: 2239: 2157:, especially in European classical works 1457: 1449: 1437: 1341: 1329: 1219: 1073: 1044:) to the C two octaves above middle C (C 6137: 6018:The Cambridge Companion to the Clarinet 5995:The Cambridge Companion to the Clarinet 5972:The Cambridge Companion to the Clarinet 5967: 5949:The Cambridge Companion to the Clarinet 5926:The Cambridge Companion to the Clarinet 5921: 5903:The Cambridge Companion to the Clarinet 5880:The Cambridge Companion to the Clarinet 5857:The Cambridge Companion to the Clarinet 5852: 5834:The Cambridge Companion to the Clarinet 5829: 5811:The Cambridge Companion to the Clarinet 5788:The Cambridge Companion to the Clarinet 5783: 5765:The Cambridge Companion to the Clarinet 5685:A Dictionary for the Modern Clarinetist 5423:"Basset clarinet and basset conversion" 5262: 4957: 4915: 4877: 4860: 4698: 4480: 4445: 4443: 4292: 4290: 4281: 4231: 3959: 3521: 3441: 3143: 2991: 2847:, but no such instrument ever existed. 1853: 1612:in collaboration with instrument maker 1486:. The modern clarinet developed from a 6907: 6259:The International Clarinet Association 6057: 5990: 5898: 5603:Woodwind Instruments and Their History 5598: 5581: 5468: 5433:from the original on 23 December 2018. 5342: 5293: 5195:from the original on 30 September 2009 5180: 5086:Journal of Research in Music Education 5083: 5077: 5027: 4995:Journal of Research in Music Education 4992: 4960:Journal of Research in Music Education 4930: 4707: 4393: 4258: 4234:Medical Problems of Performing Artists 4182: 4171: 4165: 4078:Journal of Research in Music Education 4008:Obataya E; Norimoto M. (August 1999). 3734: 3602: 3533: 3435: 3155: 3022: 2280:rose to prominence in the late 1930s. 2173:: flute, oboe, clarinet, bassoon, and 2086:period onward, but few works from the 1600:In the late 1830s, German flute maker 1584:clarinetist and master clarinet maker 1224:Fritz SchĂĽller's quarter-tone clarinet 1159:Most modern clarinets have "undercut" 838:, which varies between the three main 6626: 6267: 6194: 6038: 6013: 5720: 5624:Essential Dictionary of Orchestration 5372: 5239: 5183:"John Carter's case for the clarinet" 5168: 4986: 4784: 4677: 4380: 4329:"A three-key clarinet by J.C. Denner" 4051: 3881:Saunders, Scott J. (1 January 1952). 3786:from the original on 11 December 2012 3490: 3388:from the original on 18 November 2016 3364: 3073: 2554:clarinets in his instrumentation for 2532:(Sopranino or piccolo clarinet in D) 2359:Sgt. Pepper's Lonely Hearts Club Band 2252:era into the 1940s. American players 1444:Museum musicum theoreticalo practicum 6607:Category:Clarinetists by nationality 6225:Ancient European Musical Instruments 6156: 6095: 5520: 5483: 5396: 5213: 5156: 5118: 4761: 4503: 4449: 4440: 4434: 4368: 4296: 4287: 4146: 4134: 4122: 4110: 4063: 3995: 3983: 3971: 3773: 3715: 3590: 3423: 3411: 3231: 3195: 3160:. Taylor & Francis. p. 74. 3156:Jacobs, Arthur (2017). "clarionet". 3002:(Fifth ed.). Houghton Mifflin. 2398:uses the clarinet, as does Albanian 1474:The clarinet has its roots in early 919:lower than the written note). Some B 4649: 2820:(also called double-bass clarinet) 2494:(Sopranino or piccolo clarinet in E 1624:, McIntyre, the Benade NX, and the 1494:. This instrument was similar to a 1250:(grenadilla), or, more uncommonly, 13: 6215: 5283:from the original on 10 July 2020. 3755:from the original on 14 April 2016 3746: 3740: 3654:from the original on 3 March 2011. 3563:Acta Acustica United with Acustica 2968:International Clarinet Association 2591:clarinets, transposing up a tone. 2417: 2225:bass clarinet, or sometimes four B 2042: 1961: 825: 777:("clear"). The word is related to 676:family, with a nearly cylindrical 109: 14: 6936: 6252: 6100:The Clarinet and Clarinet Playing 4381:Fastl, Christian (21 June 2021). 3057:Oxford Dictionary of Word Origins 2390:Clarinets feature prominently in 2352:included a trio of clarinets in " 2195:Clarinet quartet: usually three B 2025:, which generally have multiple B 886:Clarinets have the largest pitch 787:The earliest mention of the word 5622:Black, Dave; Gerou, Tom (2005). 5591: 5526: 5489: 5437: 5414: 5336: 5287: 5263:Farrell, David (31 March 1979). 5256: 5233: 5207: 5174: 4708:Harrie, Jessica (4 March 2021). 4010:"Acoustic properties of a reed ( 2929:, bass clarinet range to low C, 2073:Problems playing this file? See 2058: 1828: 1809: 1790: 1778: 1766: 1747: 1728: 1716: 1697: 1390:, but it is not the same as the 890:of common woodwinds. Nearly all 822:), or simply a clarinet player. 731:and is used in classical music, 36: 5662:Creating Global Music in Turkey 5420: 5112: 5052: 5021: 4951: 4733: 4720: 4671: 4655: 4631: 4597: 4538: 4497: 4450:Bray, Erin (16 November 2004). 4374: 4252: 4225: 4001: 3874: 3825: 3767: 3709: 3658: 3631: 3596: 3554: 3527: 3503:. University of New South Wales 3370: 3262: 3225: 2331: 1268:acrylonitrile butadiene styrene 1228: 1144:use a tapered internal bore to 84:Hornbostel–Sachs classification 18:Single-reed woodwind instrument 6223:Bessaraboff, Nicholas (1941). 5769:. Cambridge University Press. 5297:Yearbook for Traditional Music 5181:Palmer, Robert (5 July 1981). 5061:The Oxford Dictionary of Music 4485:. Northern Illinois University 3716:Blum, David (16 August 1992). 3149: 3051:Cresswell, Julia, ed. (2021). 3044: 3016: 2985: 1: 6138:Rendall, Geoffrey F. (1971). 5702:Ellsworth, Jane, ed. (2021). 4483:"Development of the Clarinet" 3685:10.1080/09298215.2019.1708412 3672:Journal of New Music Research 2992:Pickett, Joseph, ed. (2018). 2973: 1836: 1817: 1798: 1755: 1736: 1705: 1571: 1325: 948:may have keywork to written D 6293: 5687:. Rowman & Littlefield. 5645:. Rowman & Littlefield. 5641:Coppenbarger, Brent (2015). 5214:Bass, Dale (3 August 2018). 5030:"The clarinet and its music" 4387:Austrian Music Encyclopaedia 3382:The Woodwind Fingering Guide 2978: 2004:20th-century classical music 1704:Early Clarinet with 4 keys ( 1233: 1069: 759:(the feminine diminutive of 746: 7: 6227:. Harvard University Press. 6161:. Oxford University Press. 6081:. Hal Leonard Corporation. 6077:Pinksterboer, Hugo (2001). 5761:Lawson, Colin, ed. (1995). 5216:"Founding the Family Stone" 4716:. Vol. 48, no. 2. 4259:Corley, Paula (June 2020). 3472:"Acoustics of the clarinet" 3030:Online Etymology Dictionary 2940: 2372:", the title song from the 1304:The clarinet uses a single 925:clarinets go to a written E 10: 6941: 6176:Shahriari, Andrew (2015). 6060:Contemporary Orchestration 5660:DeÄźirmenci, Koray (2013). 4680:"Mirakel klassische Musik" 4547:The Galpin Society Journal 4507:The Galpin Society Journal 4336:The Galpin Society Journal 4186:The Galpin Society Journal 2421: 1647:Around 1860, clarinettist 1433: 1023:tones, from written G to B 672:musical instrument in the 20: 6876: 6855: 6834: 6798: 6712: 6661: 6594: 6536: 6433: 6392: 6301: 5746:. Yale University Press. 5240:Reeks, John (June 2018). 5028:Street, Oscar W. (1915). 4607:. University of Edinburgh 4481:Barrett, Gregory (1999). 4327:Hoeprich, T Eric (1981). 3158:A New Dictionary of Music 2844:Five Pieces for Orchestra 2548:included both the D and E 1859:Use of multiple clarinets 1735:Albert clarinet designed 1274:. The Greenline model by 1201:the tone being produced. 127: 120: 108: 101: 82: 70: 63: 35: 6493:Jupiter Band Instruments 6157:Rice, Albert R. (2009). 6119:Raasakka, Mikko (2010). 5706:. Boydell & Brewer. 5683:Ellsworth, Jane (2015). 5599:Baines, Anthony (1991). 4678:GrĂĽnefeld, Hans Dieter. 3023:Harper, Douglas (2017). 2647:(Soprano clarinet in A) 2575:(Soprano clarinet in C) 2342:Sly and the Family Stone 1990:or D soprano clarinets, 1606:ring and axle key system 1554:, which resulted in the 1470:since 1789 and a replica 881: 711:German instrument maker 21:Not to be confused with 6463:Johann Christoph Denner 6448:Backun Musical Services 6195:Suhor, Charles (2001). 5742:Hoeprich, Eric (2008). 5121:Music Educators Journal 4311:10.1093/earlyj/14.4.545 4246:10.21091/mppa.2001.3018 3883:"Music-making plastics" 3605:Music Educators Journal 3235:Music Educators Journal 2958:List of clarinet makers 2408:Bulgarian wedding music 2235: 1516:Johann Christoph Denner 1476:single-reed instruments 1299: 713:Johann Christoph Denner 56:Oehler fingering system 6925:Orchestral instruments 6513:Schwenk & Seggelke 6058:Miller, R. J. (2015). 6039:Lowry, Robert (1985). 4452:"The clarinet history" 3807:, pp. 4, 65, 293. 3774:Richards, E. Michael. 3749:"The clarinet history" 3220:Black & Gerou 2005 3208:Black & Gerou 2005 2937: 2860:Subcontrabass clarinet 2612:(Soprano clarinet in B 2456:(Piccolo clarinet in A 2387: 2377:album of the same name 2245: 2219:alto clarinet, and a B 2047: 1929:Op. 46, No. 1 (1878), 1850: 1490:instrument called the 1471: 1455: 1447: 1347: 1339: 1334:The construction of a 1308:made from the cane of 1225: 1079: 812:North American English 114: 6574:Clarinet-violin-piano 6369:Quarter tone clarinet 6232:Brymer, Jack (1976). 6043:. Alfred Publishing. 5427:Stephen Fox Clarinets 4814:Longyear, RM (1983). 4658:"MĂĽhlfeld's Clarinet" 4125:, pp. 21, 54–59. 2900: 2385: 2243: 2046: 1690: 1461: 1453: 1441: 1386:after flute designer 1345: 1333: 1223: 1215:quarter tone clarinet 1077: 968:generally go to low C 683:Clarinets comprise a 113: 6679:Heckelphone-clarinet 6584:Clarinet-cello-piano 6579:Clarinet-viola-piano 6359:Contrabass clarinets 6354:Contra-alto clarinet 6096:Pino, David (1998). 5046:10.1093/jrma/42.1.89 2953:List of clarinetists 2931:contra alto clarinet 2370:Breakfast in America 2304:(on bass clarinet), 2163:: a clarinet plus a 1854:Usage and repertoire 1614:Louis Auguste Buffet 1170:resonant frequencies 946:contrabass clarinets 915:soprano clarinet, a 743:, and other styles. 142:Heckelphone-clarinet 6483:Leitner & Kraus 6468:Benedikt Eppelsheim 6199:. Scarecrow Press. 6178:Popular World Music 6123:. Fennica Gehrman. 5537:(Second ed.). 5500:(Second ed.). 5448:(Second ed.). 4605:"The Simple System" 4456:The Clarinet Family 4371:, pp. 198–199. 4113:, pp. 153–156. 3950:, pp. 293–294. 3893:(1): 22–23, 48–51. 3478:on 19 February 2011 3146:, pp. 1–2, 69. 2935:contrabass clarinet 2818:Contrabass clarinet 2792:contrabass clarinet 2354:When I'm Sixty-Four 2340:played clarinet on 2000:contrabass clarinet 1935:Symphony No. 4 1754:Baermann clarinet, 1626:Reform Boehm system 1354:is attached to the 795:. The English form 680:and a flared bell. 576:Electronic keyboard 161:Musical instruments 155:Part of a series on 122:Related instruments 65:Woodwind instrument 32: 6775:Reclam de xeremies 6528:Yamaha Corporation 6379:Clarinette d'amour 5345:The World of Music 5220:Kamloops This Week 5188:The New York Times 5063:(Sixth ed.). 4582:, pp. 5, 211. 4462:on 2 February 2003 3722:The New York Times 3575:10.3813/AAA.918322 2938: 2557:The Rite of Spring 2412:Turkish folk music 2388: 2346:Dance to the Music 2246: 2201:sopranos and one B 2117:Clarinet and piano 2092:clarinet concertos 2048: 1911:The Bartered Bride 1472: 1456: 1448: 1348: 1340: 1226: 1080: 305:String instruments 115: 30: 6902: 6901: 6620: 6619: 6549:Clarinet concerto 6523:Herbert Wurlitzer 6488:Howarth of London 6393:Fingering systems 6243:978-0-3560-8414-5 6206:978-1-4616-6002-6 6187:978-1-3173-4538-1 6168:978-0-19-971117-8 6149:978-0-393-02164-6 6130:978-952-5489-09-5 6111:978-0-486-40270-3 6088:978-90-761-9246-8 6079:Tipbook: Clarinet 6069:978-1-3178-0625-7 6050:978-0-7692-2409-1 6029:978-0-521-47668-3 6006:978-0-521-47668-3 5983:978-0-521-47668-3 5960:978-0-521-47668-3 5937:978-0-521-47668-3 5914:978-0-521-47668-3 5891:978-0-521-47668-3 5868:978-0-521-47668-3 5845:978-0-521-47668-3 5822:978-0-521-47668-3 5799:978-0-521-47668-3 5776:978-0-521-47668-3 5753:978-0-300-10282-6 5732:978-1-6482-5017-0 5713:978-1-6482-5017-0 5694:978-0-8108-8648-3 5675:978-0-7391-7546-0 5652:978-1-4758-2077-5 5633:978-1-4574-1299-8 5614:978-0-486268-85-9 5544:978-0-1997-4340-7 5070:978-0-1917-4451-8 4829:(1682): 224–226. 4823:The Musical Times 4408:(1514): 359–362. 4402:The Musical Times 4220:Pinksterboer 2001 4149:, pp. 39–41. 3857:Coppenbarger 2015 3751:. JL Publishing. 3548:10.1121/1.1908803 3279:(1184): 376–378. 3272:The Musical Times 3198:, pp. 26–28. 3167:978-1-351-53488-8 3118:978-0-1997-4340-7 3066:978-0-1988-6875-0 3009:978-1-328-84169-8 2948:clarinet concerti 2895: 2894: 2839:Arnold Schoenberg 2675:Clarinet Concerto 2125:string instrument 2063: 1951:Der Rosenkavalier 1635:was developed by 1566:. By the time of 1252:Honduran rosewood 1248:African blackwood 1207:Richard Stoltzman 1003:above middle C (B 896:piccolo clarinets 662: 661: 240:Brass instruments 150: 149: 6932: 6920:Jazz instruments 6647: 6640: 6633: 6624: 6623: 6564:Clarinet quartet 6559:Clarinet quintet 6478:Heinrich Grenser 6338: 6337: 6327: 6326: 6316: 6315: 6288: 6281: 6274: 6265: 6264: 6247: 6228: 6210: 6191: 6172: 6153: 6134: 6115: 6103: 6092: 6073: 6054: 6033: 6021: 6010: 5998: 5987: 5975: 5964: 5952: 5941: 5929: 5918: 5906: 5895: 5883: 5872: 5860: 5849: 5837: 5826: 5814: 5803: 5791: 5780: 5768: 5757: 5736: 5717: 5698: 5679: 5656: 5637: 5626:. Alfred Music. 5618: 5606: 5585: 5579: 5573: 5567: 5561: 5555: 5549: 5548: 5530: 5524: 5518: 5512: 5511: 5493: 5487: 5481: 5472: 5466: 5460: 5459: 5441: 5435: 5434: 5418: 5412: 5406: 5400: 5394: 5388: 5382: 5376: 5370: 5361: 5360: 5340: 5334: 5328: 5322: 5321: 5291: 5285: 5284: 5282: 5269: 5260: 5254: 5253: 5237: 5231: 5230: 5228: 5226: 5211: 5205: 5204: 5202: 5200: 5178: 5172: 5166: 5160: 5154: 5145: 5144: 5116: 5110: 5109: 5081: 5075: 5074: 5056: 5050: 5049: 5025: 5019: 5018: 4990: 4984: 4983: 4955: 4949: 4946:Rees-Davies 1995 4943: 4934: 4928: 4919: 4913: 4900: 4894: 4881: 4875: 4864: 4858: 4847: 4846: 4820: 4811: 4800: 4794: 4788: 4782: 4765: 4759: 4753: 4752: 4750: 4748: 4737: 4731: 4724: 4718: 4717: 4705: 4696: 4695: 4693: 4691: 4675: 4669: 4668: 4666: 4664: 4653: 4647: 4646: 4635: 4629: 4623: 4617: 4616: 4614: 4612: 4601: 4595: 4589: 4583: 4577: 4571: 4570: 4542: 4536: 4530: 4524: 4523: 4501: 4495: 4494: 4492: 4490: 4478: 4472: 4471: 4469: 4467: 4458:. Archived from 4447: 4438: 4432: 4426: 4425: 4397: 4391: 4390: 4378: 4372: 4366: 4360: 4359: 4333: 4324: 4315: 4314: 4294: 4285: 4279: 4273: 4272: 4256: 4250: 4249: 4229: 4223: 4217: 4211: 4210: 4180: 4169: 4163: 4150: 4144: 4138: 4132: 4126: 4120: 4114: 4108: 4102: 4101: 4073: 4067: 4061: 4055: 4049: 4043: 4042: 4040: 4038: 4032:10.1121/1.427118 4026:(2): 1106–1110. 4005: 3999: 3993: 3987: 3981: 3975: 3969: 3963: 3957: 3951: 3945: 3939: 3933: 3927: 3921: 3915: 3909: 3903: 3902: 3878: 3872: 3866: 3860: 3854: 3848: 3847: 3829: 3823: 3817: 3808: 3802: 3796: 3795: 3793: 3791: 3771: 3765: 3764: 3762: 3760: 3744: 3738: 3732: 3726: 3725: 3713: 3707: 3706: 3696: 3662: 3656: 3655: 3653: 3646: 3635: 3629: 3628: 3600: 3594: 3588: 3579: 3578: 3558: 3552: 3551: 3531: 3525: 3519: 3513: 3512: 3510: 3508: 3497: 3488: 3487: 3485: 3483: 3468: 3439: 3433: 3427: 3421: 3415: 3409: 3398: 3397: 3395: 3393: 3374: 3368: 3362: 3356: 3350: 3321: 3315: 3309: 3303: 3297: 3296: 3266: 3260: 3259: 3229: 3223: 3217: 3211: 3205: 3199: 3193: 3187: 3181: 3172: 3171: 3153: 3147: 3141: 3135: 3129: 3123: 3122: 3104: 3071: 3070: 3048: 3042: 3041: 3039: 3037: 3020: 3014: 3013: 2989: 2928: 2927: 2914: 2913: 2884: 2883: 2876: 2875: 2870: 2869: 2836: 2835: 2828: 2827: 2802: 2801: 2791: 2790: 2768: 2767: 2756: 2755: 2726: 2725: 2682: 2681: 2631: 2630: 2617: 2616: 2609: 2608: 2590: 2589: 2553: 2552: 2543: 2542: 2516: 2515: 2508: 2507: 2499: 2498: 2491: 2490: 2470: 2469: 2461: 2460: 2453: 2452: 2428: 2427: 2406:folk music, and 2386:Turkish clarinet 2230: 2229: 2224: 2223: 2218: 2217: 2212: 2211: 2206: 2205: 2200: 2199: 2161:Clarinet quintet 2148: 2147: 2138: 2137: 2131:Clarinet quartet 2096:clarinet sonatas 2065: 2064: 2045: 2036: 2035: 2030: 2029: 2020: 2019: 2014: 2013: 1989: 1988: 1971: 1970: 1883: 1882: 1868: 1867: 1841: 1838: 1832: 1822: 1819: 1813: 1803: 1800: 1794: 1782: 1770: 1760: 1757: 1751: 1741: 1738: 1732: 1720: 1710: 1707: 1701: 1673: 1654:Richard MĂĽhlfeld 1576: 1575: 1780–1820 1573: 1544:Classical period 1527: 1526: 1402:is used by some 1382:by its designer 1092:compression wave 1028: 1027: 1008: 1007: 1002: 1001: 939: 938: 930: 929: 924: 923: 914: 913: 867: 866: 859: 858: 706:soprano clarinet 704: 703: 654: 647: 640: 152: 151: 48: 47: 40: 33: 29: 6940: 6939: 6935: 6934: 6933: 6931: 6930: 6929: 6905: 6904: 6903: 6898: 6877:Southeast Asian 6872: 6851: 6830: 6811:Double clarinet 6794: 6708: 6657: 6651: 6621: 6616: 6590: 6554:Clarinet sonata 6532: 6435:Clarinet makers 6429: 6388: 6374:Basset clarinet 6335: 6334: 6324: 6323: 6313: 6312: 6303:Clarinet family 6297: 6292: 6255: 6250: 6244: 6231: 6222: 6218: 6216:Further reading 6213: 6207: 6188: 6169: 6150: 6131: 6112: 6104:. Dover Books. 6089: 6070: 6051: 6030: 6007: 5984: 5961: 5938: 5915: 5892: 5869: 5846: 5823: 5800: 5777: 5760: 5754: 5733: 5714: 5701: 5695: 5676: 5666:Lexington Books 5653: 5634: 5615: 5607:. Dover Books. 5594: 5589: 5588: 5580: 5576: 5568: 5564: 5556: 5552: 5545: 5531: 5527: 5519: 5515: 5508: 5494: 5490: 5482: 5475: 5467: 5463: 5456: 5442: 5438: 5419: 5415: 5407: 5403: 5395: 5391: 5385:DeÄźirmenci 2013 5383: 5379: 5371: 5364: 5341: 5337: 5329: 5325: 5292: 5288: 5280: 5276:. p. 166. 5267: 5261: 5257: 5238: 5234: 5224: 5222: 5212: 5208: 5198: 5196: 5179: 5175: 5167: 5163: 5155: 5148: 5133:10.2307/3386973 5117: 5113: 5098:10.2307/3343790 5082: 5078: 5071: 5057: 5053: 5026: 5022: 5007:10.2307/3343790 4991: 4987: 4972:10.2307/3343885 4956: 4952: 4944: 4937: 4929: 4922: 4914: 4903: 4895: 4884: 4876: 4867: 4859: 4850: 4818: 4812: 4803: 4795: 4791: 4783: 4768: 4760: 4756: 4746: 4744: 4739: 4738: 4734: 4725: 4721: 4706: 4699: 4689: 4687: 4676: 4672: 4662: 4660: 4654: 4650: 4645:on 9 July 2021. 4637: 4636: 4632: 4624: 4620: 4610: 4608: 4603: 4602: 4598: 4590: 4586: 4578: 4574: 4543: 4539: 4531: 4527: 4502: 4498: 4488: 4486: 4479: 4475: 4465: 4463: 4448: 4441: 4433: 4429: 4398: 4394: 4379: 4375: 4367: 4363: 4331: 4325: 4318: 4295: 4288: 4280: 4276: 4257: 4253: 4230: 4226: 4222:, pp. 5–6. 4218: 4214: 4181: 4172: 4164: 4153: 4145: 4141: 4133: 4129: 4121: 4117: 4109: 4105: 4090:10.2307/3344436 4074: 4070: 4062: 4058: 4050: 4046: 4036: 4034: 4006: 4002: 3994: 3990: 3982: 3978: 3970: 3966: 3958: 3954: 3946: 3942: 3934: 3930: 3922: 3918: 3910: 3906: 3879: 3875: 3867: 3863: 3855: 3851: 3844: 3830: 3826: 3818: 3811: 3803: 3799: 3789: 3787: 3776:"Single sounds" 3772: 3768: 3758: 3756: 3745: 3741: 3733: 3729: 3714: 3710: 3663: 3659: 3651: 3644: 3636: 3632: 3617:10.2307/3391282 3601: 3597: 3589: 3582: 3559: 3555: 3532: 3528: 3520: 3516: 3506: 3504: 3499: 3498: 3491: 3481: 3479: 3470: 3469: 3442: 3434: 3430: 3422: 3418: 3410: 3401: 3391: 3389: 3376: 3375: 3371: 3363: 3359: 3353:Shackleton 1995 3351: 3324: 3316: 3312: 3304: 3300: 3267: 3263: 3248:10.2307/3389717 3230: 3226: 3218: 3214: 3206: 3202: 3194: 3190: 3182: 3175: 3168: 3154: 3150: 3142: 3138: 3130: 3126: 3119: 3105: 3074: 3067: 3049: 3045: 3035: 3033: 3021: 3017: 3010: 2990: 2986: 2981: 2976: 2963:Double clarinet 2943: 2925: 2924: 2911: 2910: 2903:basset clarinet 2881: 2880: 2873: 2872: 2867: 2866: 2854: 2853: 2833: 2832: 2825: 2824: 2812: 2811: 2799: 2798: 2788: 2787: 2780: 2779: 2765: 2764: 2753: 2752: 2741: 2740: 2723: 2722: 2711: 2710: 2690: 2689: 2679: 2678: 2666:Basset clarinet 2660: 2659: 2639: 2638: 2628: 2627: 2614: 2613: 2606: 2605: 2598: 2597: 2587: 2586: 2567: 2566: 2550: 2549: 2540: 2539: 2524: 2523: 2513: 2512: 2505: 2504: 2496: 2495: 2488: 2487: 2480: 2479: 2467: 2466: 2458: 2457: 2450: 2449: 2441: 2426: 2424:Clarinet family 2420: 2418:Clarinet family 2334: 2294:Stan HasselgĂĄrd 2238: 2227: 2226: 2221: 2220: 2215: 2214: 2209: 2208: 2203: 2202: 2197: 2196: 2145: 2144: 2135: 2134: 2080: 2079: 2071: 2069: 2068: 2067: 2066: 2059: 2056: 2049: 2043: 2033: 2032: 2027: 2026: 2017: 2016: 2011: 2010: 1986: 1985: 1978:Richard Strauss 1974:Igor Stravinsky 1968: 1967: 1964: 1962:Classical music 1908:'s overture to 1880: 1879: 1865: 1864: 1861: 1856: 1851: 1847: 1844:Fritz Wurlitzer 1839: 1833: 1824: 1820: 1814: 1805: 1801: 1795: 1786: 1783: 1774: 1771: 1762: 1758: 1752: 1743: 1739: 1733: 1724: 1721: 1712: 1708: 1702: 1680:Richard Strauss 1667: 1658:Charles Neidich 1633:Albert clarinet 1610:Hyacinthe KlosĂ© 1574: 1565: 1556:basset clarinet 1553: 1534: 1530: 1524: 1523: 1521: 1513: 1509: 1464:basset clarinet 1454:Denner clarinet 1436: 1384:Hyacinthe KlosĂ© 1328: 1302: 1278:is made from a 1236: 1231: 1088: 1072: 1060: 1047: 1043: 1025: 1024: 1011: 1005: 1004: 999: 998: 979: 975: 971: 962:basset clarinet 959: 955: 951: 943: 936: 935: 933: 927: 926: 921: 920: 911: 910: 907: 884: 864: 863: 856: 855: 830:The clarinet's 828: 826:Characteristics 820:British English 749: 701: 700: 689:clarinet family 658: 629: 628: 619: 611: 610: 561: 551: 550: 521:aka Kettledrums 434: 424: 423: 307: 297: 296: 242: 232: 231: 172: 146: 89: 59: 45: 44: 26: 19: 12: 11: 5: 6938: 6928: 6927: 6922: 6917: 6900: 6899: 6897: 6896: 6891: 6886: 6880: 6878: 6874: 6873: 6871: 6870: 6865: 6859: 6857: 6853: 6852: 6850: 6849: 6844: 6838: 6836: 6832: 6831: 6829: 6828: 6823: 6818: 6813: 6808: 6802: 6800: 6799:Middle Eastern 6796: 6795: 6793: 6792: 6787: 6785:Stock-and-horn 6782: 6777: 6772: 6767: 6762: 6757: 6752: 6747: 6742: 6737: 6732: 6727: 6722: 6716: 6714: 6710: 6709: 6707: 6706: 6701: 6696: 6691: 6686: 6681: 6676: 6674:Heckel-clarina 6671: 6665: 6663: 6659: 6658: 6650: 6649: 6642: 6635: 6627: 6618: 6617: 6615: 6614: 6609: 6604: 6598: 6596: 6592: 6591: 6589: 6588: 6587: 6586: 6581: 6576: 6566: 6561: 6556: 6551: 6546: 6544:Clarinet choir 6540: 6538: 6534: 6533: 6531: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6495: 6490: 6485: 6480: 6475: 6470: 6465: 6460: 6458:Buffet Crampon 6455: 6453:E. K. Blessing 6450: 6445: 6439: 6437: 6431: 6430: 6428: 6427: 6422: 6417: 6412: 6407: 6402: 6396: 6394: 6390: 6389: 6387: 6386: 6381: 6376: 6371: 6366: 6361: 6356: 6351: 6346: 6341: 6330: 6319: 6307: 6305: 6299: 6298: 6291: 6290: 6283: 6276: 6268: 6262: 6261: 6254: 6253:External links 6251: 6249: 6248: 6242: 6229: 6219: 6217: 6214: 6212: 6211: 6205: 6192: 6186: 6173: 6167: 6154: 6148: 6135: 6129: 6116: 6110: 6093: 6087: 6074: 6068: 6055: 6049: 6036: 6035: 6034: 6028: 6011: 6005: 5988: 5982: 5965: 5959: 5942: 5936: 5919: 5913: 5896: 5890: 5873: 5867: 5850: 5844: 5827: 5821: 5804: 5798: 5775: 5758: 5752: 5739: 5738: 5737: 5731: 5712: 5699: 5693: 5680: 5674: 5657: 5651: 5638: 5632: 5619: 5613: 5595: 5593: 5590: 5587: 5586: 5584:, p. 131. 5574: 5570:Ellsworth 2015 5562: 5550: 5543: 5525: 5513: 5506: 5488: 5486:, p. 219. 5473: 5471:, p. 129. 5461: 5454: 5436: 5421:Fox, Stephen. 5413: 5401: 5399:, p. 218. 5389: 5377: 5362: 5335: 5331:Shahriari 2015 5323: 5310:10.2307/768201 5286: 5255: 5232: 5206: 5173: 5171:, p. 150. 5161: 5159:, p. 222. 5146: 5111: 5092:(3): 227–230. 5076: 5069: 5051: 5020: 5001:(3): 227–230. 4985: 4966:(3): 308–328. 4950: 4935: 4933:, p. 385. 4920: 4901: 4897:Tschaikov 1995 4882: 4865: 4848: 4835:10.2307/962035 4801: 4799:, p. 211. 4789: 4766: 4764:, p. 212. 4754: 4732: 4719: 4697: 4670: 4656:Fox, Stephen. 4648: 4630: 4628:, p. 184. 4618: 4596: 4594:, p. 183. 4584: 4572: 4559:10.2307/842396 4537: 4533:Ellsworth 2015 4525: 4520:10.2307/841137 4496: 4473: 4439: 4437:, p. 204. 4427: 4414:10.2307/951470 4392: 4383:"Theodor Lotz" 4373: 4361: 4348:10.2307/841468 4316: 4305:(4): 545–551. 4286: 4274: 4251: 4224: 4212: 4199:10.2307/842134 4170: 4151: 4139: 4127: 4115: 4103: 4068: 4056: 4044: 4000: 3998:, p. 154. 3988: 3976: 3964: 3952: 3940: 3936:Ellsworth 2015 3928: 3926:, p. 368. 3916: 3912:Ellsworth 2015 3904: 3873: 3869:Ellsworth 2015 3861: 3849: 3842: 3824: 3809: 3797: 3766: 3739: 3727: 3708: 3679:(2): 126–135. 3657: 3630: 3611:(6): 113–115. 3595: 3580: 3569:(4): 678–689. 3553: 3542:(6): 806–809. 3526: 3514: 3489: 3440: 3438:, p. 176. 3428: 3426:, p. 200. 3416: 3399: 3369: 3357: 3322: 3320:, p. 279. 3310: 3308:, p. 278. 3298: 3285:10.2307/922164 3261: 3224: 3212: 3200: 3188: 3184:Ellsworth 2015 3173: 3166: 3148: 3136: 3124: 3117: 3072: 3065: 3043: 3015: 3008: 2983: 2982: 2980: 2977: 2975: 2972: 2971: 2970: 2965: 2960: 2955: 2950: 2942: 2939: 2923:range to low E 2909:range to low E 2893: 2892: 2890: 2877: 2863: 2856: 2855: 2850: 2848: 2829: 2821: 2814: 2813: 2808: 2806: 2803: 2795: 2782: 2781: 2776: 2774: 2757: 2749: 2743: 2742: 2737: 2735: 2727: 2719: 2713: 2712: 2707: 2705: 2701: 2698: 2692: 2691: 2686: 2684: 2671: 2668: 2662: 2661: 2656: 2654: 2651: 2648: 2641: 2640: 2635: 2633: 2624: 2619: 2600: 2599: 2594: 2592: 2579: 2576: 2569: 2568: 2563: 2561: 2536: 2533: 2526: 2525: 2520: 2518: 2509: 2501: 2482: 2481: 2476: 2474: 2471: 2463: 2444: 2443: 2438: 2435: 2432: 2422:Main article: 2419: 2416: 2344:'s 1968 hit, " 2333: 2330: 2306:Perry Robinson 2254:Alphonse Picou 2237: 2234: 2233: 2232: 2207:bass, or two B 2193: 2186:Clarinet choir 2179: 2178: 2168: 2165:string quartet 2158: 2139:clarinets and 2128: 2118: 2109:Many works of 2070: 2057: 2052: 2051: 2050: 2041: 2040: 2039: 1963: 1960: 1942:Symphony No. 6 1926:Slavonic Dance 1902:Symphony No. 2 1860: 1857: 1855: 1852: 1849: 1848: 1834: 1827: 1825: 1815: 1808: 1806: 1796: 1789: 1787: 1784: 1777: 1775: 1772: 1765: 1763: 1753: 1746: 1744: 1734: 1727: 1725: 1722: 1715: 1713: 1703: 1696: 1694: 1689: 1618:Boehm clarinet 1563: 1551: 1532: 1528: 1519: 1511: 1507: 1480:Ancient Greece 1462:Sketch of the 1435: 1432: 1412:Mueller system 1388:Theobald Boehm 1327: 1324: 1301: 1298: 1276:Buffet Crampon 1235: 1232: 1230: 1227: 1114: 1113: 1110: 1106: 1102: 1095: 1071: 1068: 1063: 1062: 1058: 1049: 1045: 1041: 1033: 1032: 1031: 1030: 1014: 1013: 1009: 977: 973: 969: 957: 953: 949: 941: 931: 905: 883: 880: 854:). The A and B 827: 824: 779:Middle English 748: 745: 733:military bands 693:BBâ™­ contrabass 660: 659: 657: 656: 649: 642: 634: 631: 630: 627: 626: 620: 617: 616: 613: 612: 609: 608: 603: 598: 593: 588: 583: 578: 573: 571:Clavicytherium 568: 562: 557: 556: 553: 552: 549: 548: 543: 538: 532: 527: 522: 516: 511: 506: 501: 496: 491: 486: 481: 476: 471: 466: 461: 456: 451: 446: 441: 435: 430: 429: 426: 425: 422: 421: 416: 411: 406: 401: 396: 391: 386: 381: 376: 371: 366: 361: 356: 345: 344: 339: 334: 329: 324: 319: 308: 303: 302: 299: 298: 295: 294: 289: 284: 279: 274: 269: 264: 259: 254: 249: 243: 238: 237: 234: 233: 230: 229: 224: 219: 214: 209: 204: 199: 194: 189: 184: 179: 173: 168: 167: 164: 163: 157: 156: 148: 147: 145: 144: 139: 134: 128: 125: 124: 118: 117: 106: 105: 99: 98: 86: 80: 79: 74: 72:Classification 68: 67: 61: 60: 41: 17: 9: 6: 4: 3: 2: 6937: 6926: 6923: 6921: 6918: 6916: 6913: 6912: 6910: 6895: 6892: 6890: 6887: 6885: 6882: 6881: 6879: 6875: 6869: 6866: 6864: 6861: 6860: 6858: 6854: 6848: 6845: 6843: 6840: 6839: 6837: 6835:Central Asian 6833: 6827: 6824: 6822: 6819: 6817: 6814: 6812: 6809: 6807: 6804: 6803: 6801: 6797: 6791: 6788: 6786: 6783: 6781: 6778: 6776: 6773: 6771: 6768: 6766: 6763: 6761: 6758: 6756: 6753: 6751: 6748: 6746: 6743: 6741: 6738: 6736: 6733: 6731: 6728: 6726: 6723: 6721: 6718: 6717: 6715: 6711: 6705: 6702: 6700: 6697: 6695: 6692: 6690: 6687: 6685: 6682: 6680: 6677: 6675: 6672: 6670: 6667: 6666: 6664: 6660: 6655: 6648: 6643: 6641: 6636: 6634: 6629: 6628: 6625: 6613: 6610: 6608: 6605: 6603: 6602:Benny Goodman 6600: 6599: 6597: 6593: 6585: 6582: 6580: 6577: 6575: 6572: 6571: 6570: 6569:Clarinet trio 6567: 6565: 6562: 6560: 6557: 6555: 6552: 6550: 6547: 6545: 6542: 6541: 6539: 6535: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6511: 6509: 6506: 6504: 6501: 6499: 6496: 6494: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6474: 6471: 6469: 6466: 6464: 6461: 6459: 6456: 6454: 6451: 6449: 6446: 6444: 6441: 6440: 6438: 6436: 6432: 6426: 6423: 6421: 6418: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6397: 6395: 6391: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6349:Bass clarinet 6347: 6345: 6344:Alto clarinet 6342: 6340: 6331: 6329: 6320: 6318: 6309: 6308: 6306: 6304: 6300: 6296: 6289: 6284: 6282: 6277: 6275: 6270: 6269: 6266: 6260: 6257: 6256: 6245: 6239: 6235: 6230: 6226: 6221: 6220: 6208: 6202: 6198: 6193: 6189: 6183: 6180:. Routledge. 6179: 6174: 6170: 6164: 6160: 6155: 6151: 6145: 6141: 6136: 6132: 6126: 6122: 6117: 6113: 6107: 6102: 6101: 6094: 6090: 6084: 6080: 6075: 6071: 6065: 6062:. Routledge. 6061: 6056: 6052: 6046: 6042: 6037: 6031: 6025: 6020: 6019: 6012: 6008: 6002: 5997: 5996: 5989: 5985: 5979: 5974: 5973: 5966: 5962: 5956: 5951: 5950: 5943: 5939: 5933: 5928: 5927: 5920: 5916: 5910: 5905: 5904: 5897: 5893: 5887: 5882: 5881: 5874: 5870: 5864: 5859: 5858: 5851: 5847: 5841: 5836: 5835: 5828: 5824: 5818: 5813: 5812: 5805: 5801: 5795: 5790: 5789: 5782: 5781: 5778: 5772: 5767: 5766: 5759: 5755: 5749: 5745: 5740: 5734: 5728: 5724: 5719: 5718: 5715: 5709: 5705: 5700: 5696: 5690: 5686: 5681: 5677: 5671: 5667: 5663: 5658: 5654: 5648: 5644: 5639: 5635: 5629: 5625: 5620: 5616: 5610: 5605: 5604: 5597: 5596: 5592:Cited sources 5583: 5578: 5572:, p. 79. 5571: 5566: 5560:, p. 82. 5559: 5558:Raasakka 2010 5554: 5546: 5540: 5536: 5529: 5523:, p. 84. 5522: 5517: 5509: 5507:9780199743407 5503: 5499: 5492: 5485: 5480: 5478: 5470: 5465: 5457: 5455:9780199743407 5451: 5447: 5440: 5432: 5428: 5424: 5417: 5411:, p. 53. 5410: 5409:Raasakka 2010 5405: 5398: 5393: 5387:, p. 76. 5386: 5381: 5374: 5369: 5367: 5358: 5354: 5350: 5346: 5339: 5333:, p. 89. 5332: 5327: 5319: 5315: 5311: 5307: 5303: 5299: 5298: 5290: 5279: 5275: 5274: 5266: 5259: 5251: 5247: 5243: 5236: 5221: 5217: 5210: 5194: 5190: 5189: 5184: 5177: 5170: 5165: 5158: 5153: 5151: 5142: 5138: 5134: 5130: 5126: 5122: 5115: 5107: 5103: 5099: 5095: 5091: 5087: 5080: 5072: 5066: 5062: 5055: 5047: 5043: 5040:(1): 89–115. 5039: 5035: 5031: 5024: 5016: 5012: 5008: 5004: 5000: 4996: 4989: 4981: 4977: 4973: 4969: 4965: 4961: 4954: 4947: 4942: 4940: 4932: 4927: 4925: 4917: 4912: 4910: 4908: 4906: 4898: 4893: 4891: 4889: 4887: 4879: 4874: 4872: 4870: 4862: 4857: 4855: 4853: 4844: 4840: 4836: 4832: 4828: 4824: 4817: 4810: 4808: 4806: 4798: 4797:Hoeprich 2008 4793: 4786: 4781: 4779: 4777: 4775: 4773: 4771: 4763: 4758: 4742: 4736: 4729: 4728:Hoeprich 2008 4723: 4715: 4711: 4704: 4702: 4685: 4681: 4674: 4659: 4652: 4644: 4640: 4634: 4627: 4626:Hoeprich 2008 4622: 4606: 4600: 4593: 4592:Hoeprich 2008 4588: 4581: 4580:Hoeprich 2008 4576: 4568: 4564: 4560: 4556: 4552: 4548: 4541: 4535:, p. 68. 4534: 4529: 4521: 4517: 4513: 4509: 4508: 4500: 4484: 4477: 4461: 4457: 4453: 4446: 4444: 4436: 4431: 4423: 4419: 4415: 4411: 4407: 4403: 4396: 4388: 4384: 4377: 4370: 4365: 4357: 4353: 4349: 4345: 4341: 4337: 4330: 4323: 4321: 4312: 4308: 4304: 4300: 4293: 4291: 4283: 4278: 4270: 4266: 4262: 4255: 4247: 4243: 4239: 4235: 4228: 4221: 4216: 4208: 4204: 4200: 4196: 4192: 4188: 4187: 4179: 4177: 4175: 4167: 4162: 4160: 4158: 4156: 4148: 4143: 4137:, p. 38. 4136: 4131: 4124: 4119: 4112: 4107: 4099: 4095: 4091: 4087: 4083: 4079: 4072: 4066:, p. 19. 4065: 4060: 4054:, p. 30. 4053: 4048: 4033: 4029: 4025: 4021: 4020: 4015: 4013: 4004: 3997: 3992: 3986:, p. 21. 3985: 3980: 3974:, p. 10. 3973: 3968: 3962:, p. 74. 3961: 3956: 3949: 3948:Hoeprich 2008 3944: 3937: 3932: 3925: 3924:Hoeprich 2008 3920: 3914:, p. 94. 3913: 3908: 3900: 3896: 3892: 3888: 3887:Music Journal 3884: 3877: 3870: 3865: 3859:, p. 20. 3858: 3853: 3845: 3843:1-903703-05-0 3839: 3835: 3828: 3821: 3820:Hoeprich 2008 3816: 3814: 3806: 3805:Hoeprich 2008 3801: 3785: 3781: 3777: 3770: 3754: 3750: 3747:Zakian, Lee. 3743: 3736: 3731: 3723: 3719: 3712: 3704: 3700: 3695: 3690: 3686: 3682: 3678: 3674: 3673: 3668: 3661: 3650: 3643: 3642: 3634: 3626: 3622: 3618: 3614: 3610: 3606: 3599: 3593:, p. 24. 3592: 3587: 3585: 3576: 3572: 3568: 3564: 3557: 3549: 3545: 3541: 3537: 3530: 3523: 3518: 3502: 3496: 3494: 3477: 3473: 3467: 3465: 3463: 3461: 3459: 3457: 3455: 3453: 3451: 3449: 3447: 3445: 3437: 3432: 3425: 3420: 3414:, p. 29. 3413: 3408: 3406: 3404: 3387: 3383: 3379: 3373: 3367:, p. 29. 3366: 3361: 3354: 3349: 3347: 3345: 3343: 3341: 3339: 3337: 3335: 3333: 3331: 3329: 3327: 3319: 3318:Hoeprich 2008 3314: 3307: 3306:Hoeprich 2008 3302: 3294: 3290: 3286: 3282: 3278: 3274: 3273: 3265: 3257: 3253: 3249: 3245: 3241: 3237: 3236: 3228: 3222:, p. 50. 3221: 3216: 3210:, p. 66. 3209: 3204: 3197: 3192: 3186:, p. 28. 3185: 3180: 3178: 3169: 3163: 3159: 3152: 3145: 3140: 3134:, p. 21. 3133: 3132:Hoeprich 2008 3128: 3120: 3114: 3110: 3103: 3101: 3099: 3097: 3095: 3093: 3091: 3089: 3087: 3085: 3083: 3081: 3079: 3077: 3068: 3062: 3058: 3054: 3047: 3032: 3031: 3026: 3019: 3011: 3005: 3001: 3000: 2995: 2988: 2984: 2969: 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2945: 2944: 2936: 2932: 2922: 2921:bass clarinet 2918: 2908: 2907:alto clarinet 2904: 2899: 2891: 2888: 2878: 2864: 2861: 2858: 2857: 2849: 2846: 2845: 2840: 2830: 2822: 2819: 2816: 2815: 2807: 2804: 2796: 2793: 2784: 2783: 2775: 2772: 2762: 2758: 2750: 2748: 2747:Bass clarinet 2745: 2744: 2736: 2733: 2728: 2720: 2718: 2717:Alto clarinet 2715: 2714: 2706: 2702: 2699: 2697: 2694: 2693: 2685: 2676: 2672: 2669: 2667: 2664: 2663: 2655: 2652: 2649: 2646: 2643: 2642: 2634: 2625: 2623: 2620: 2611: 2602: 2601: 2593: 2584: 2580: 2577: 2574: 2571: 2570: 2562: 2559: 2558: 2547: 2537: 2534: 2531: 2528: 2527: 2519: 2510: 2502: 2493: 2484: 2483: 2475: 2472: 2464: 2455: 2446: 2445: 2439: 2436: 2433: 2430: 2429: 2425: 2415: 2413: 2409: 2405: 2401: 2397: 2393: 2384: 2380: 2378: 2375: 2371: 2367: 2366: 2361: 2360: 2356:" from their 2355: 2351: 2347: 2343: 2339: 2338:Jerry Martini 2329: 2327: 2326:Ken Peplowski 2323: 2322:Marty Ehrlich 2319: 2315: 2314:Eddie Daniels 2311: 2307: 2303: 2299: 2298:Jimmy Giuffre 2295: 2290: 2289:Pete Fountain 2286: 2281: 2279: 2275: 2274:Benny Goodman 2271: 2270:Sidney Bechet 2267: 2263: 2259: 2258:Larry Shields 2255: 2251: 2244:Pete Fountain 2242: 2194: 2191: 2187: 2184: 2183: 2182: 2176: 2172: 2169: 2166: 2162: 2159: 2156: 2152: 2151:alto clarinet 2142: 2141:bass clarinet 2132: 2129: 2126: 2122: 2121:Clarinet trio 2119: 2116: 2115: 2114: 2112: 2111:chamber music 2107: 2105: 2101: 2097: 2093: 2089: 2085: 2078: 2076: 2055: 2038: 2024: 2023:concert bands 2007: 2005: 2001: 1997: 1996:bass clarinet 1993: 1983: 1982:Gustav Mahler 1979: 1975: 1959: 1955: 1953: 1952: 1947: 1943: 1940: 1936: 1932: 1928: 1927: 1923: 1919: 1918: 1913: 1912: 1907: 1903: 1899: 1895: 1894:Symphony in C 1891: 1885: 1877: 1873: 1845: 1831: 1826: 1812: 1807: 1793: 1788: 1781: 1776: 1769: 1764: 1750: 1745: 1731: 1726: 1719: 1714: 1700: 1695: 1692: 1691: 1688: 1684: 1681: 1677: 1676:Oehler system 1671: 1666: 1661: 1659: 1655: 1650: 1649:Carl Baermann 1645: 1642: 1638: 1637:Eugène Albert 1634: 1629: 1627: 1623: 1619: 1615: 1611: 1607: 1603: 1602:Theobald Böhm 1598: 1596: 1592: 1587: 1583: 1582:Baltic-German 1578: 1569: 1561: 1557: 1549: 1546:, as used by 1545: 1541: 1536: 1517: 1505: 1501: 1498:, but with a 1497: 1493: 1489: 1485: 1484:Ancient Egypt 1481: 1477: 1469: 1468:Anton Stadler 1465: 1460: 1452: 1445: 1440: 1431: 1429: 1423: 1421: 1415: 1413: 1409: 1405: 1401: 1400:Albert system 1397: 1396:Oehler system 1393: 1389: 1385: 1381: 1377: 1371: 1367: 1365: 1361: 1357: 1353: 1344: 1337: 1332: 1323: 1319: 1317: 1313: 1312: 1307: 1297: 1295: 1291: 1287: 1283: 1281: 1277: 1273: 1269: 1265: 1261: 1257: 1253: 1249: 1245: 1242:, metal, and 1241: 1222: 1218: 1216: 1212: 1208: 1204: 1198: 1196: 1192: 1187: 1181: 1179: 1175: 1171: 1166: 1162: 1157: 1155: 1151: 1147: 1143: 1139: 1134: 1130: 1126: 1121: 1119: 1111: 1107: 1103: 1100: 1096: 1093: 1085: 1084: 1083: 1076: 1067: 1056: 1055: 1050: 1039: 1035: 1034: 1022: 1019:The bridging 1018: 1017: 1016: 1015: 996: 995: 990: 989: 988: 986: 981: 967: 963: 947: 918: 908: 901: 897: 893: 889: 879: 877: 876:alto clarinet 873: 872:bass clarinet 869: 853: 849: 845: 841: 837: 833: 823: 821: 817: 813: 809: 804: 802: 798: 794: 790: 785: 783: 780: 776: 772: 769: 765: 762: 758: 754: 744: 742: 738: 734: 730: 726: 722: 718: 714: 709: 707: 698: 694: 690: 686: 681: 679: 675: 671: 667: 655: 650: 648: 643: 641: 636: 635: 633: 632: 625: 622: 621: 615: 614: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 563: 560: 555: 554: 547: 544: 542: 539: 536: 535:Tubular bells 533: 531: 528: 526: 523: 520: 517: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 436: 433: 428: 427: 420: 417: 415: 412: 410: 407: 405: 402: 400: 397: 395: 392: 390: 387: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 360: 357: 355: 352: 351: 350: 349: 343: 340: 338: 335: 333: 330: 328: 325: 323: 320: 318: 315: 314: 313: 312: 306: 301: 300: 293: 290: 288: 285: 283: 280: 278: 275: 273: 270: 268: 265: 263: 260: 258: 255: 253: 250: 248: 247:Baritone horn 245: 244: 241: 236: 235: 228: 225: 223: 220: 218: 215: 213: 210: 208: 205: 203: 200: 198: 195: 193: 190: 188: 187:Contrabassoon 185: 183: 180: 178: 175: 174: 171: 166: 165: 162: 159: 158: 154: 153: 143: 140: 138: 135: 133: 130: 129: 126: 123: 119: 112: 107: 104: 103:Playing range 100: 96: 93: 92:Single-reeded 87: 85: 81: 78: 75: 73: 69: 66: 62: 57: 53: 49: 39: 34: 28: 24: 16: 6755:Mock trumpet 6668: 6612:Mezz Mezzrow 6595:Clarinetists 6410:Reform Boehm 6294: 6233: 6224: 6196: 6177: 6158: 6139: 6120: 6099: 6078: 6059: 6040: 6017: 5994: 5971: 5948: 5925: 5902: 5879: 5856: 5833: 5810: 5787: 5764: 5744:The Clarinet 5743: 5723:The Clarinet 5722: 5704:The Clarinet 5703: 5684: 5661: 5642: 5623: 5602: 5577: 5565: 5553: 5534: 5528: 5516: 5497: 5491: 5464: 5445: 5439: 5426: 5416: 5404: 5392: 5380: 5348: 5344: 5338: 5326: 5301: 5295: 5289: 5271: 5258: 5249: 5246:The Clarinet 5245: 5235: 5223:. Retrieved 5219: 5209: 5197:. Retrieved 5186: 5176: 5164: 5127:(1): 27–28. 5124: 5120: 5114: 5089: 5085: 5079: 5060: 5054: 5037: 5033: 5023: 4998: 4994: 4988: 4963: 4959: 4953: 4916:Harris 1995a 4878:Lawson 1995b 4861:Lawson 1995c 4826: 4822: 4792: 4757: 4745:. Retrieved 4735: 4722: 4714:The Clarinet 4713: 4688:. Retrieved 4683: 4673: 4661:. Retrieved 4651: 4643:the original 4633: 4621: 4609:. Retrieved 4599: 4587: 4575: 4550: 4546: 4540: 4528: 4511: 4505: 4499: 4487:. Retrieved 4476: 4464:. Retrieved 4460:the original 4455: 4430: 4405: 4401: 4395: 4386: 4376: 4364: 4339: 4335: 4302: 4298: 4282:Lawson 1995a 4277: 4268: 4265:The Clarinet 4264: 4254: 4237: 4233: 4227: 4215: 4190: 4184: 4142: 4130: 4118: 4106: 4084:(1): 45–58. 4081: 4077: 4071: 4059: 4047: 4035:. Retrieved 4023: 4017: 4012:Arundo donax 4011: 4003: 3991: 3979: 3967: 3960:Harris 1995a 3955: 3943: 3938:, p. 7. 3931: 3919: 3907: 3890: 3886: 3876: 3871:, p. 5. 3864: 3852: 3827: 3822:, p. 4. 3800: 3788:. 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Index

Clavinet

B
Boehm
Oehler fingering system
Woodwind instrument
Classification
Single-reed
Hornbostel–Sachs classification
Single-reeded
aerophone
Playing range

Related instruments
Chalumeau
Tárogató
Heckelphone-clarinet
Musical instruments
Woodwinds
Bagpipes
Bassoon
Contrabassoon
Cor anglais
Clarinet
Flute
Nadaswaram
Oboe
Piccolo
Saxophone
Tharai

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