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Nadaswaram

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flute, which also has a similar fingering. Unlike the flute where semi and quarter tones are produced by the partial opening and closing of the finger holes, in the nadasvaram they are produced by adjusting the pressure and strength of the air-flow into the pipe. Due to its intense volume and
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refers to an instrument called the "vangiyam". The structure of this instrument matches that of a nadasvaram. Since there are seven holes played with seven fingers, this was also called as the "eḻil". This instrument, too, is played in
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The nadasvaram has seven finger-holes, and five additional holes drilled at the bottom which can be stopped with wax to modify the tone. The nadasvaram has a range of two and a half octaves, similar to the Indian
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although nowadays bamboo, sandalwood, copper, brass, ebony, and ivory are also used. For wooden instruments, old wood is considered the best, and sometimes wood salvaged from demolished old houses is used.
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provided the nadasvaram music. Madurai Sethuraman and Ponnusamy brothers were employed for the nadasvaram playing duo characters Sivaji Ganesan and A.V.M. Rajan for the
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have performed and recorded with the instrument. The German saxophonist Roland Schaeffer also plays it, having studied from 1981 to 1985 with Karupaia Pillai.
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It is a double reed instrument with a conical bore which gradually enlarges toward the lower end. The top portion has a metal staple (
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In South Indian culture, the nadasvaram is considered to be very auspicious, and it is a key musical instrument played in almost all
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strength, it is largely an outdoor instrument, and much more suited for open spaces than for indoor concerts.
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have expressed admiration for the nadasvaram, and a few jazz musicians have taken up the instrument:
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weddings and temples of the South Indian tradition. It is part of the family of instruments known as
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Images from The Beede Gallery Shawms (Ottu and Nagaswaram), Southern India, ca. 1900-1940
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This instrument is "among the world's loudest non-brass acoustic instruments". It is a
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Variously spelled as nadaswaram, nadhaswaram, nagaswaram, nataswaram, and nathaswaram.
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Kudanthai Brothers Dr Srinivasan Kaliyamoorthy,Mr Shanmuganathan Kaliyamoorthy
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Dharumapuram S. Abiramisundaram Pillai and his son Dharumapuram A Govindarajan
2023: 1870: 1500: 1458: 1423: 1124: 38: 2003: 1795: 1770: 1636: 1443: 1232: 1144: 1064: 516: 502: 442: 1001: 166:; it can also be accompanied with a drone from a similar oboe, called the 2008: 1646: 1377: 1129: 1094: 1084: 1032: 637: 438: 128: 89: 82: 944: 909: 712: 419:
Kulikkarai Brothers K.M Daksaha Moorthi Pillai & K.M Ganeshan Pillai
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Traditionally the body of the nadasvaram is made out of a tree called
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University, Vijaya Ramaswamy, Jawaharlal Nehru (25 August 2017).
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The nadasvaram is referred to in many ancient Tamil texts. The
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Vijaya Ghose; Jaya Ramanathan; Renuka N. Khandekar (1992).
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Among the Tamil movies, two released in the 1960s, namely
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Some of the greatest early nadasvaram players include:
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body, and a large flaring bell made of wood or metal.
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Ian Carr; Digby Fairweather; Brian Priestley (2004).
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Jazz: The Essential Companion to Artists and Albums
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The story of Indian music: its growth and synthesis
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Dorn Publications. 1988. p. 46 452: 368:Madurai M.P.N. Sethuraman (1928–2000) 945:"The William Parker Sessionography" 567:Historical Dictionary of the Tamils 461:(1962) starring Gemini Ganesan and 13: 882:Sampath, Revathi (16 March 2008). 605:Venkatasubramanian, T. K. (2010). 305:Thirucherai Sivasubramanian Pillai 16:Indian double reed wind instrument 14: 2051: 979: 777:Nayagam, Xavier S. Thani (1964). 413:Sankarapandia Kambar, Tirunelveli 323:Andankoil A V Selvarathnam Pillai 203:A young man plays the Nadaswaram. 1900:Non-Membranous Percussion (Ghan) 1764:Membranous Percussion (Avanaddh) 854:B. Kolappan (15 December 2010). 822:. Scholarly Press. p. 156. 509: 495: 410:Kundala Kambar, Nagercoil (1965) 37: 937: 875: 843: 787: 481:dedicated this movie to legend 290:Thiruvengadu Subramania Pillai, 194: 2035:Single oboes with conical bore 916:. Rough Guides. pp. 99–. 770: 625: 598: 557: 542: 92:. It is used as a traditional 1: 816:O. Gosvami (1 January 1961). 608:Music as History in Tamilnadu 535: 471:Karukurichi Arunasalam Pillai 371:M.P.N. Ponnuswamy (1932–2023) 308:Thiruvarur S Latchappa Pillai 611:. Primus Books. p. 50. 416:Tiruvalaputtur T K Venupilla 7: 1987:Historical/possibly extinct 488: 429:American composers such as 317:M.S. Ponnuthayi (1928–2012) 251: 242: 236: 230: 221: 215: 209: 187:, and is popular among the 10: 2056: 2040:Indian musical instruments 2030:Carnatic music instruments 1532:Indian musical instruments 1085:Cor anglais (English horn) 1042:(also includes those with 996:University of South Dakota 377:Alaveddy N.K. Pathmanathan 281:Thirumarukal Nadesa Pillai 272: 173: 20: 1986: 1955: 1899: 1763: 1722: 1619: 1538: 1477: 1396: 1272: 1246: 1163: 1055: 1040: 398:Injikudi E.M. Subramaniam 255:(Tamil ஆச்சா; Hindi अंजन) 127:partially similar to the 61: 53: 48: 43:A Nadasvaram with seevali 36: 691:. CMC Ltd. p. 201. 389:Seshampatti T Sivalingam 137:but much longer, with a 1963:Bharatiya Sangeet Vadya 746:Dance Dialects Of India 483:Karukurichi Arunachalam 422:Pattamangalam, Selvaraj 363:Namagiripettai Krishnan 297:Karukurichi Arunachalam 285:T.N. Rajarathnam Pillai 1968:Indian classical music 1723:Bowed Stringed (Vitat) 1620:Plucked Stringed (Tat) 851:AV Selvarathnam Pillai 663:Theory of Indian music 407:U.E.Palanivel, Chennai 355:Sheik Mahaboob Subhani 327:Thiruvizha Jayashankar 320:Kizhvelur N.G. Ganesan 314:Kulikkarai Pichaiyappa 293:Vedaranyam Vedamoorthy 204: 992:National Music Museum 384:S. R. D. Vaidyanathan 380:Mambalan M.K.S. 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Index

Nadhaswaram (TV series)

Classification
Wind instruments
double reed
wind instrument
South India
classical
Tamil Nadu
Andhra Pradesh
Telangana
Karnataka
Kerala
Sri Lanka
wind instrument
North Indian
shehnai
hardwood
Hindu
thavil
ottu
Cilappatikaram
Tamil Nadu
Tamil diaspora

bansuri
T.N. Rajarathnam Pillai
Karukurichi Arunachalam
Thiruvizha Jayashankar
Rajanna

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