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Single-reed instrument

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were depicted on the reliefs of seven tombs at Saqqarra, six tombs at Giza, and the pyramids of Queen Khentkaus. Most memets were double-clarinets, where two reed tubes were tied or glued together to form one instrument. Multiple pipes were used to reinforce sound or generate a strong beat-tone with slight variations in tuning among the pipes. One of the tubes usually functioned as a drone, but the design of these simple instruments varied endlessly. The entire reed entered the mouth, meaning that the player could not easily articulate so melodies were defined by quick movement of the fingers on the tone holes. These types of double-clarinets are still prevalent today, but also developed into simplified single-clarinets and hornpipes. Modern-day idioglots found in Egypt include the
163: 71: 685: 945:, the lower lip rests against, but not over, the teeth as in pronouncing the letter "V" and the corners of the lip are drawn in (similar to a drawstring bag). With the less common double-lip embouchure, the top lip is placed under (around) the top teeth. In both instances, the position of the tongue in the mouth plays a vital role in focusing and accelerating the air stream blown by the player. This results in a more mature and full sound, rich in 752: 719: 735: 702: 20: 59:), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the 648: 940:
muscles on the sides of the mouth. The top teeth rest on top of the mouthpiece. The manner in which the lower lip rests against the teeth differs between clarinet and saxophone embouchures. In clarinet playing, the lower lip is rolled over the teeth and corners of the mouth are drawn back, which has
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Most single-reed instruments are descended from single-reed idioglot instruments called 'memet', found in Egypt as early as 2700 BCE. Due to their fragility, no instruments from antiquity were preserved but iconographic evidence is prevalent. During the Old Kingdom in Egypt (2778–2723 BCE), memets
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to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much
78:: tubular single reeds in which the reed is still part of the reed stem. Reeds can be split from middle upward (kataglott, the reed hangs down) and from top downward (anaglott, the reed stands up). These particular reeds are drawn from those used in an 63:
caused by the shape of the corpus. E.g. the clarinet is only including the odd harmonics due to air column modes canceling out the even harmonics. This may be compared to the timbre of a
174:, and reed of a clarinet. These three components are present in many modern European Classical single-reed instruments and tend to be aesthetically and mechanically similar. 581:†The lowest possible pitch of each clarinet and saxophone is dependent on its manufacturer and model (the pitches used are typical of professional instruments). 348:
Note that if one was to compare clarinets to their saxophone counterparts while considering their approximate lowest (concert) pitch†, the order would shift:
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Although the clarinet and saxophone both have a single reed attached to their mouthpiece, the playing technique or embouchure is distinct from each other.
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the effect of drawing the upper lip around the mouthpiece to create a seal due to the angle at which the mouthpiece rests in the mouth. With the
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later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a
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The reeds of alto (left) and tenor saxophones (right) . They are of comparable dimensions to alto and bass clarinet reeds, respectively.
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422.3 Reedpipes with free reeds: The reed vibrates through a closely fitted frame, and there are fingerholes.
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422.2 Single reed instruments: The pipe has a single 'reed' consisting of a percussion lamella. These are the
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Musical Instruments: History, Technology, and Performance of Instruments of Western Music
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The following is a list of clarinets and saxophones, relative to their range and
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The standard embouchures for single reed woodwinds like the
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The Clarinet: Some notes upon its history and construction
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Donald Murray Campbell, Arnold Myers; et al. (2004).
200: 912: 585: 1911: 1036:. United States: Diagram Visual Information Ltd. 1008:Foster, Caxton C. and Soloway, Elliott (1981). 1386: 1104: 1081:. New York, NY: Taplinger Publishing Company. 936:and is supported by the chin muscles and the 1118: 1393: 1379: 1111: 1097: 966: 964: 962: 178:Single reed instruments fall under three 1066:. New York, NY: W.W. Norton and Company. 1051:. New York, NY: Oxford University Press. 970: 646: 161: 69: 18: 1061: 1031: 975:. New Haven, CT: Yale University Press. 959: 1912: 1055: 1025: 1374: 1092: 1076: 979: 154:. See links to other examples below. 1070: 1046: 1400: 1040: 193:including clarinets and saxophones. 13: 201:Comparing clarinets and saxophones 14: 1931: 157: 47:of some sort. By contrast, in a 1034:Musical Instruments of the World 913:Playing a single reed instrument 750: 733: 717: 700: 683: 586:List of single-reed instruments 1002: 669: 1: 952: 642: 16:Class of woodwind instruments 7: 10: 1936: 209:from the opposite family: 1876: 1712: 1676: 1667: 1622: 1546: 1537: 1455: 1417: 1408: 1342: 1321: 1300: 1264: 1178: 1127: 1014:, p.165. Addison-Wesley. 590: 1032:Midgley, R, ed. (1976). 51:instrument (such as the 1920:Single-reed instruments 1062:Rendall, G.F. (1971). 654: 175: 131: 29:single-reed instrument 24: 1011:Real Time Programming 930:single lip embouchure 650: 165: 73: 22: 1640:Heckelphone-clarinet 1145:Heckelphone-clarinet 1049:The Baroque Clarinet 971:Hoeprich, E (2008). 943:saxophone embouchure 928:are variants of the 612:Heckelphone-clarinet 207:key of transposition 1047:Rice, A.R. (1992). 38:that uses only one 1599:Reclam de xeremies 1241:Reclam de xeremies 991:, p.53-5. Oxford. 655: 186:412.13 Free reeds. 176: 132: 120:reclam de xeremies 25: 1907: 1906: 1872: 1871: 1772:Gourd mouth organ 1663: 1662: 1533: 1532: 1368: 1367: 1077:Kroll, O (1968). 578: 577: 346: 345: 142:Examples include 139:and the zummara. 1927: 1837:Orthotonophonium 1832:Indian harmonium 1674: 1673: 1547:Cylindrical bore 1544: 1543: 1419:Cylindrical bore 1415: 1414: 1395: 1388: 1381: 1372: 1371: 1113: 1106: 1099: 1090: 1089: 1083: 1082: 1074: 1068: 1067: 1059: 1053: 1052: 1044: 1038: 1037: 1029: 1023: 1006: 1000: 983: 977: 976: 968: 754: 737: 721: 704: 687: 572: 571: 561: 560: 549: 548: 537: 536: 526: 525: 514: 513: 502: 501: 491: 490: 479: 478: 467: 466: 456: 455: 444: 443: 432: 431: 421: 420: 409: 408: 397: 396: 386: 385: 374: 373: 351: 350: 329: 328: 306: 305: 283: 282: 260: 259: 237: 236: 212: 211: 191:percussion reeds 180:Hornbostel–Sachs 1935: 1934: 1930: 1929: 1928: 1926: 1925: 1924: 1910: 1909: 1908: 1903: 1868: 1708: 1659: 1618: 1529: 1451: 1404: 1402:Reed aerophones 1399: 1369: 1364: 1343:Southeast Asian 1338: 1317: 1296: 1277:Double clarinet 1260: 1174: 1123: 1117: 1087: 1086: 1075: 1071: 1060: 1056: 1045: 1041: 1030: 1026: 1007: 1003: 984: 980: 969: 960: 955: 915: 886:Southeast Asian 858:Double clarinet 767: 766: 765: 764: 763: 755: 746: 745: 744: 738: 729: 728: 727: 722: 713: 712: 711: 705: 696: 695: 694: 690:Treble/soprano 688: 679: 678: 672: 645: 593: 588: 569: 568: 558: 557: 552: 546: 545: 534: 533: 523: 522: 517: 511: 510: 499: 498: 488: 487: 482: 476: 475: 464: 463: 453: 452: 447: 441: 440: 429: 428: 418: 417: 412: 406: 405: 394: 393: 383: 382: 377: 371: 370: 326: 325: 303: 302: 280: 279: 257: 256: 234: 233: 203: 160: 61:harmonic series 17: 12: 11: 5: 1933: 1923: 1922: 1905: 1904: 1902: 1901: 1896: 1891: 1889:Quadruple reed 1886: 1880: 1878: 1874: 1873: 1870: 1869: 1867: 1866: 1861: 1856: 1851: 1846: 1841: 1840: 1839: 1834: 1829: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1784: 1779: 1774: 1769: 1768: 1767: 1762: 1757: 1752: 1742: 1737: 1732: 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908: 905: 903: 900: 898: 895: 893: 890: 889: 885: 884: 881: 878: 877: 874:Central Asian 873: 872: 869: 866: 864: 861: 859: 856: 854: 851: 850: 846: 845: 842: 839: 837: 834: 832: 829: 827: 824: 822: 819: 817: 814: 812: 809: 807: 804: 802: 799: 797: 794: 792: 789: 787: 784: 782: 779: 777: 774: 773: 769: 768: 762: 759: 753: 743: 736: 726: 720: 710: 703: 693: 686: 665: 662: 660: 657: 656: 653: 649: 638: 637:Bass Clarinet 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 594: 580: 579: 574: 565: 563: 554: 543: 542: 539: 530: 528: 519: 508: 507: 504: 495: 493: 484: 473: 472: 469: 460: 458: 449: 438: 437: 434: 425: 423: 414: 403: 402: 399: 390: 388: 379: 368: 367: 364: 361: 359: 356: 354:Lowest Pitch 353: 352: 349: 342: 339: 337: 334: 332: 323: 322: 319: 316: 314: 311: 309: 300: 299: 296: 293: 291: 288: 286: 277: 276: 273: 270: 268: 265: 263: 254: 253: 250: 247: 245: 242: 240: 231: 230: 227: 224: 222: 219: 217: 214: 213: 210: 208: 195: 192: 188: 185: 184: 183: 181: 173: 169: 164: 155: 153: 149: 145: 140: 138: 129: 125: 121: 117: 113: 109: 105: 101: 97: 93: 89: 85: 81: 77: 72: 68: 66: 62: 58: 54: 50: 46: 41: 37: 34: 30: 21: 1735:Couesnophone 1623:Conical bore 1538: 1500:Oboe d'amore 1475:English horn 1457:Conical bore 1221:Mock trumpet 1119: 1079:The Clarinet 1078: 1072: 1063: 1057: 1048: 1042: 1033: 1027: 1009: 1004: 986: 981: 973:The Clarinet 972: 929: 919: 916: 816:Mock trumpet 659:Mock Trumpet 347: 204: 190: 177: 141: 133: 75: 74:Drawings of 28: 26: 1827:Guide-chant 1802:Martinshorn 1539:Single reed 1525:Taepyeongso 1410:Double reed 1355:Sarune Etek 1322:South Asian 1313:Dili tuiduk 1122:instruments 1120:Single reed 897:Sarune Etek 677:Traditional 670:Traditional 527:Contra-alto 313:Contra-alto 150:, and some 92:dili tuiduk 65:square wave 49:double reed 1844:Saenghwang 1822:Pump organ 1777:Hornophone 1730:Concertina 1699:Pitch pipe 1694:Party horn 1689:Bullroarer 1630:Aulochrome 953:References 938:buccinator 643:Historical 597:Aulochrome 573:Contrabass 562:Contrabass 336:Contrabass 172:mouthpiece 148:saxophones 100:chalumeaus 45:mouthpiece 36:instrument 1899:Tone hole 1812:Organetto 1750:Chromatic 1745:Harmonica 1740:Harmoneon 1720:Accordion 1669:Free reed 1650:Saxophone 1584:Launeddas 1569:Chalumeau 1216:Launeddas 1196:Chalumeau 1155:Saxophone 947:overtones 926:saxophone 806:Launeddas 786:Chalumeau 761:Launeddas 758:Sardinian 740:Egyptian 664:Chalumeau 652:Chalumeau 622:Saxophone 363:Saxophone 226:Saxophone 182:classes: 144:clarinets 108:launeddas 1914:Category 1807:Melodica 1797:Mangtong 1755:Diatonic 1725:Claviola 1655:TárogatĂł 1614:Zhaleika 1574:Clarinet 1432:Chirimia 1256:Zhaleika 1211:Hornpipe 1206:Ganurags 1179:European 1160:TárogatĂł 1135:Clarinet 922:clarinet 841:Zhaleika 801:Hornpipe 796:Ganurags 770:European 725:Zhaleika 627:TárogatĂł 602:Clarinet 570:♭ 559:♭ 547:♭ 535:♭ 524:♭ 512:♭ 503:Baritone 500:♭ 489:♭ 477:♭ 465:♭ 454:♭ 442:♭ 430:♭ 419:♭ 407:♭ 395:♭ 384:♭ 372:♭ 358:Clarinet 327:♭ 318:Baritone 308:Baritone 304:♭ 281:♭ 258:♭ 235:♭ 221:Clarinet 168:ligature 152:bagpipes 98:, early 33:woodwind 1792:Lusheng 1765:Tremolo 1645:Octavin 1609:Xaphoon 1594:Pibgorn 1579:Diplica 1470:Bombard 1465:Bassoon 1427:Balaban 1350:Pey pok 1282:Dozaleh 1226:Pibgorn 1201:Diplica 1191:BirbynÄ— 1170:Xaphoon 1150:Octavin 892:Pey pok 821:Pibgorn 791:Diplica 781:BirbynÄ— 707:Bamboo 692:birbynÄ— 632:Xaphoon 617:Octavin 422:Soprano 398:Soprano 387:Soprano 249:Soprano 244:Soprano 239:Soprano 128:zummara 96:dozaleh 88:diplica 57:bassoon 1859:Triola 1782:Hulusi 1677:Single 1589:Mijwiz 1564:BĂĽlban 1559:Arghul 1554:Alboka 1520:Sopila 1510:Rhaita 1505:Piston 1480:Gralla 1360:Toleat 1308:BĂĽlban 1287:Mijwiz 1272:Arghul 1231:Pilili 1186:Alboka 1165:Venova 1128:Modern 1018:  995:  907:Toleat 880:BĂĽlban 863:Mijwiz 853:Arghul 811:Pilili 776:Alboka 742:mijwiz 591:Modern 137:arghul 126:, and 116:pilili 112:mijwiz 84:bĂĽlban 80:arghul 1877:Other 1849:Sheng 1787:Khene 1704:Sneng 1604:Sipsi 1515:Shawm 1437:Duduk 1334:Pungi 1292:Sipsi 1246:Sipsi 934:teeth 902:Sneng 868:Sipsi 831:Sipsi 709:sipsi 468:Tenor 295:Tenor 285:Tenor 216:Range 124:sipsi 104:cifte 31:is a 1894:Reed 1884:Bore 1713:Sets 1684:Bawu 1495:Oboe 1447:Piri 1442:Guan 1329:Pepa 1016:ISBN 993:ISBN 924:and 538:Bass 492:Bass 457:Alto 433:Alto 341:Bass 331:Bass 290:Bass 272:Alto 267:Alto 262:Alto 166:The 55:and 53:oboe 40:reed 1854:ShĹŤ 1490:Kèn 1485:Hne 1236:Pku 826:Pku 1916:: 1864:Yu 961:^ 949:. 544:~B 509:~A 474:~B 439:~A 404:~D 369:~A 170:, 146:, 122:, 118:, 114:, 110:, 106:, 102:, 94:, 90:, 86:, 67:. 27:A 1394:e 1387:t 1380:v 1112:e 1105:t 1098:v 999:. 567:E 556:B 551:0 532:B 521:E 516:1 497:E 486:B 481:1 462:B 451:E 446:2 427:E 416:B 411:3 392:B 381:E 376:3 324:B 301:E 278:B 255:E 232:B 130:.

Index


woodwind
instrument
reed
mouthpiece
double reed
oboe
bassoon
harmonic series
square wave

arghul
bĂĽlban
diplica
dili tuiduk
dozaleh
chalumeaus
cifte
launeddas
mijwiz
pilili
reclam de xeremies
sipsi
zummara
arghul
clarinets
saxophones
bagpipes

ligature

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