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132: 124: 2615: 6988: 1899:(1930–1988) was an Irish poet born in Dublin on 8 April 1930. He was a celebrated literary critic from the late 1950s until his death in June 1988 in Cardiff, Wales, where he had participated in the Merriman Summer School. Jordan was also a short-story writer, literary editor, poet and broadcaster. His poetry collections include "Patrician Stations", "A Raft from Flotsam", "With Whom Did I Share the Crystal", "Collected Poems", and "Selected Poems". 27: 5370: 2722:, a part of the university's James Joyce Library, it has an archive of contemporary Irish poets. These include established and emerging poets in both the English and Irish languages, experimental and emigrant poets, as well as performance poets. It contains videos of poets reading their work, as well hand-written copies of the recorded poems, signed copies of their collections, and a growing collection of poets' archives. 140: 223:
monks. The new metres are the vehicle for monastic lyric poems inspired by love of Nature, love of solitude and love of the Divine which have been described as the finest Irish poetry of their age, and which could be extended to cover more personal concerns. An example is a long poem which is put into the mouth of Marbán the hermit, brother of Guaire, king of Connacht, and of which the following is an excerpt:
1366:(1810–1886). Ferguson once wrote that his ambition was "to raise the native elements of Irish history to a dignified level." To this end, he wrote many verse retellings of the Old Irish sagas. He also wrote a moving elegy to Thomas Davis. Ferguson, who believed that Ireland's political fate ultimately lay within the Union, brought a new scholarly exactitude to the study and translation of Irish texts. 1967:. Boland has written widely on specifically feminist themes and on the difficulties faced by women poets in a male-dominated literary world. Ní Chuilleanáin's poetry shows her interest variously in explorations of the sacred, women's experience, and Reformation history. She has also translated poetry from a number of languages. Higgins is an unconventional poet whose work confronts social injustices. 1052: 1571:(1896–1974). In the 1950s, Clarke, returning to poetry after a long absence, turned to a much more personal style and wrote many satires on Irish society and religious practices. Irish poetic Modernism took its lead not from Yeats but from Joyce. The 1930s saw the emergence of a generation of writers who engaged in experimental writing as a matter of course. The best-known of these is 1441:. However, the overtly cosmopolitan Wilde was not to have much influence on the future course of Irish writing. W. B. Yeats was much more influential in the long run. Yeats, too, was influenced by his French contemporaries but consciously focused on an identifiably Irish content. As such, he was partly responsible for the establishment of the literary movement known as the 1285:(Anthony Raftery) (1784–1835) is a recognized Irish-language folk poet of the pre-Famine period. But the tradition of literate composition persisted. The Kerry poet Tomás Rua Ó Súilleabháin (1785-1848) was a schoolmaster and dancing master; the Cork poet Mícheál Óg Ó Longáin (1766-1837) was a well-known copier of manuscripts. 2216:("The Song of the Mining"), which, "lays bare the hardships of a miner's life", was composed in Butte by Séamus Feiritéar (1897-1919), his brother Mícheál, and their childhood friend Seán Ruiséal. Other song transcribed in Ó Súilleabháin's papers was composed in 1910 by Séamus Ó Muircheartaigh, a Butte mine worker from 2598:
It has been argued that, since the Irish language depends for its continued existence on government patronage and the efforts of cultural activists, all poetry in the language is political to a certain extent: "It is an assertion of pride, an appeal for identity, a staking out of cultural territory".
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Paradoxically, as soon as English became the dominant language of Irish poetry, the poets began to mine the Irish-language heritage as a source of themes and techniques. J. J. Callanan (1795–1829) was born in Cork and died at a young age in Lisbon. Unlike many other more visibly nationalist poets who
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soe far from instructinge younge men in Morrall discipline, that they themselves doe more deserve to be sharplie decyplined; for they seldome use to chuse unto themselves the doinges of good men, for the ornamentes of theire poems, but whomesoever they finde to bee most lycentious of lief, most bolde
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The monastic poets borrowed from both native and Latin traditions to create elaborate syllabic verse forms, and used them for religious and nature poetry. The typical combination of end-rhyme, internal rhyme and alliteration came originally from the example of late Latin hymns, as elaborated by Irish
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The earliest surviving poems in Irish date back to the 6th century, while the first known poems in English from Ireland date to the 14th century. Although there has always been some cross-fertilization between the two language traditions, an English-language poetry that had absorbed themes and models
1188:, working songs, religious songs, laments, humorous and satirical songs, lullabies and children's songs. Songs of the supernatural (changelings, revenants, spirits) were also popular. Patriotic songs were rare. The poetic quality of the love songs in particular has been described as unusually high: 330:
anthology of naming legends of significant places in the Irish landscape and comprises about 176 poems in total. The earliest of these date from the 11th century, and were probably originally compiled on a provincial basis. As a national compilation, the Metrical Dindshenchas has come down to us in
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The Great Famine, with its material and sociological consequences, had a considerable effect on Irish music. The number of Irish speakers declined because of death or emigration. There was a radical shift in land use, with tillage giving way to pasture, which was less labour-intensive. Songs to do
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poetry, were extremely common in Ireland and Scotland throughout this period. Originally sung in verse and exactly on par with heroic epics from other cultures, they were written down and significantly altered by James Macpherson in the 18th century. Macpherson's treatment of them was said to have
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which had prevailed until then. These accentual metres, however, still featured a complex system of internal rhymes, and it is likely that they had been in use for some centuries previously. The poets themselves seldom had patrons to support them and supported themselves with such occupations as
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masters from the late 18th century on. These songs (some of which were parodies) often had a Latinate vocabulary. It has been said that they had a style "which, while capable of descending to the ridiculous, could also rise to the sublime". These songs and others often reproduced the metre and
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While Yeats and his followers wrote about an essentially aristocratic Gaelic Ireland, the reality was that the actual Ireland of the 1930s and 1940s was a society of small farmers and shopkeepers. From this environment emerged poets who rebelled against the example of Yeats, but who were not
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was to have serious consequences both for his own writings and for the future course of cultural development in Ireland. Spenser's relationship with Ireland was somewhat ambiguous. On the one hand, an idealised Munster landscape forms the backdrop for much of the action for his masterpiece,
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It has been said that the notion of an "Irish modernism" is challenged by the number of Irish writers who did not fully engage with modernist experiments, an apathy noted by Irish, continental and Anglo-American critics. There were still key experimental writers in Ireland during the 1930s
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The earliest Irish poetry was unrhymed, and has been described as follows: "It is alliterative syllabic verse, lyric in form and heroic in content, in praise of famous men, or in lament for the death of a hero". It survived as epic interludes in Irish sagas in the early Modern Period.
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The promotion of standard English in education gradually reduced the visibility and influence of such movements. In addition, the polarising effects of the politics of the use of English and Irish language traditions also limited academic and public interest until the studies of
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Apart from Yeats, much of the impetus for the Celtic Revival came from the work of scholarly translators who were aiding in the discovery of both the ancient sagas and Ossianic poetry and the more recent folk song tradition in Irish. One of the most significant of these was
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Literacy reached Ireland with Christianity in the fifth century. Monasteries were established, which by the seventh century were large, self-governing institutions and centres of scholarship. This was to have a profound effect on Irish-language literature, poetry included.
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that had been set up in Catholic Europe for the education of Irish Catholics, who were not permitted to found schools or universities at home. Much of the Irish poetry of the 17th century was therefore composed by Catholic clerics and Irish society fell increasingly under
2418:. The tension between religious beliefs, contemporary social mores, and the more transgressive elements of female desire is central to the best of her work from the 1940s and early 50s. Both her deference to traditional patterns of language and verse and her refusal of 452:. Although some 17th-century poets continued to enjoy a degree of patronage, many, if not most, of them were part-time writers who also worked on the land, as teachers, and anywhere that they could earn their keep. Their poetry also changed, with a move away from the 1209:
A mist of honey on a frosty day over the dark oak woods - I love you without concealment, fair-skinned girl of the bright breasts, your slender waist, your mouth, your soft and curly hair; my first love, don't leave me, since it is you who worsened the pain of love.
1575:(1906–1989), who won the Nobel Prize in Literature in 1969. Beckett's poetry, while not inconsiderable, is not what he is best known for. The most significant of the second generation of Modernist Irish poets who first published in the 1920s and 1930s include 1884:
In addition to these two loose groupings, a number of prominent Irish poets of the second half of the 20th century could be described as outsiders, although these poets could also be considered leaders of a mainstream tradition in the Republic. These include
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It has been remarked that the work of Beckett, Devlin and MacGreevy displays the prime characteristics of the avant-garde: the problem of a disintegrating subjectivity; a lack of unity between the self and the society; and self-conscious literary pastiche.
319:, could raise boils on the face of its target. However, much of their work would not strike the modern reader as being poetry at all, consisting as it does of extended genealogies and almost journalistic accounts of the deeds of their lords and ancestors. 1289:
would follow later, he knew Irish well, and several of his poems are loose versions of Irish originals. Although extremely close to Irish materials, he was also profoundly influenced by Byron and his peers; possibly his finest poem, the title work of
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he declared his intention to write only in Irish. A number of volumes in Irish followed but in 1989 he returned to English. Eoghan Ó Tuairisc, also bilingual, made no formal renunciation of either language but published in both in several genres.
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The folk tradition of poetry in Irish (usually expressed in song) retained its vigour in the 19th century, often combing assonance and alliteration to considerable effect. Songs of all sorts were common in Irish-speaking areas before Ireland's
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to articulate Ó Tuairisc's idea that the poet has a responsibility to intercede in the eternal struggle between love and violence through the unifying, healing, power of creative imagination. While everyone is culpable in the annihilation of
448:- that marked the end of their ancient influence. During the early 17th century a new Gaelic poetry took root, one that sought inspiration in the margins of a dispossessed Irish-speaking society. The language of this poetry is today called 1139:
Local cultural differences in areas such as north and east Ulster produced minor, and often only loosely associated, vernacular movements that do not readily fit into the categories of Irish or English literature. For example, the Ulster
3560:, by Patrick O'Donnell. John Deane was Founder of the National Poetry Society of Ireland and the 1998 Winner of the annual O'Shaughnessy Poetry Award by the Center for Irish Studies at the University of St. Thomas, St. Paul, Minnesota. 1167:
During the course of the 19th century, political and economic factors resulted in the decline of the Irish language and the concurrent rise of English as the main language of Ireland. This fact is reflected in the poetry of the period.
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came with his surrender to crown authority in 1603. In consequence, the system of education and patronage that underpinned the professional bardic schools came under pressure, and the hereditary poets eventually engaged in a spat - the
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and lawles in his doinges, most daungerous and desperate in all partes of disobedience and rebellious disposicon, him they sett up and glorifie in their rymes, him they prayse to the people, and to younge men make an example to followe.
2360:) from the existing resources of the language and mixed various dialectical usages throughout his work. Readers often found it difficult to follow these experiments... Some of his work would resonate with people today, he has a lot of 358:
associations and are full of ideas from the wider Western European Christian tradition. They also represent the early stages of the second tradition of Irish poetry, that of poetry in the English language, as they were written in
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two different recensions. Knowledge of the real or putative history of local places formed an important part of the education of the elite in ancient Ireland, so the Dindshenchas was probably a kind of textbook in origin.
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In the O'Sullivan Collection in the Butte-Silver Bow Archives, Ó Súilleabháin is also revealed to have been a highly talented poet who drew inspiration from poets such as Diarmuid Ó Sé, Máire Bhuidhe Ní Laoghaire, and
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has described Gógan's poetry, as "knotty", "undervalued", and sometimes extremely difficult to understand or to translate. While trying to translate Gógan into English, Wheatley has written that he often thought of
918:). Their poetry illuminates daily life and personalities of the period – landlord and tenant, the priest and the teacher, the poet and the craftsman, the marketplace, marriage and burial, music and folklore. 2037:í, Ó hÉigeartaigh drew upon that very tradition to express his grief and proved that it could still be used effectively by a 20th-century poet. Ó hÉigeartaigh's lament for his son has a permanent place in the 1635:
also came from a rural background but lived in Belfast and was amongst the first Irish poets to write of the sense of alienation that many at this time felt from both their original rural and new urban homes.
1415:(1798–1876), medical doctor, Virgil scholar and poet. His large body of work was completely overlooked until Christopher Ricks included him in two anthologies, and eventually edited a selection of his poetry. 1806:. Initially this was to publish their own work and that of some like-minded friends (including Paul Durcan, Michael Hartnett and Gerry Smyth), and later to promote the work of neglected Irish modernists like 2649:
line had long been considered "entirely unsuitable" for composing poetry in Irish. In his translations, Soinóid chose to closely reproduce Shakespeare's rhyme scheme and rhythms while rendering into Irish.
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In the Republic of Ireland, a post-modernist generation of poets and writers emerged from the late 1950s onwards. Prominent among these writers were the poets Antony Cronin, Pearse Hutchinson, John Jordan,
1400:(1864), a realist narrative which wittily and movingly deals with the land agitation in Ireland during the period. He was also known for his work as a collector of folk ballads in both Ireland and England. 840:(1670–1726), a bridge between the old world in which he was educated and the new one in which the professional poet had no place. He wrote in the new metres but preserved the attitudes of a previous age. 1083:, Swift's poetry evinces the same tone of savage satire, and horror of the human body and its functions that characterises much of his prose. Swift also published translations of poems from the Irish. 1619:
and others) whose work was marked by aesthetic self-consciousness and self-reflexiveness, but it could also be argued that much Irish writing was part of an international reaction against modernism.
572:(1649–53), and the destruction of the old Irish landed classes, many poets wrote mourning the fallen order or lamenting the destruction and repression of the Cromwellian conquest. The anonymous poem 2310:, similar to those found in other European countries, needed to be developed. Gógan believed that the basis for the new standard Irish should be in older forms of the language and particularly in 1501:
Modernism, with its emphasis on technical and intellectual innovation, was to influence early 20th-century Irish poets writing both in English and Irish. Among them were those associated with the
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tradition. It has been variously interpreted as a lament for the death of Irish village life under British rule and a protest at the effects of agricultural reform on the English rural landscape.
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The eighteenth century saw the flourishing of highly literate, technically adept poets in the Irish language. This period saw the triumph of popular accentual metres, as opposed to the elaborate
391: 4600: 2102: 3085:, An Gúm, or the "Publication Scheme", was in progress under the Department of Education, founded officially under the authority of the Department of Finance on the 6th day of March, 1925. 460:
metres, reflecting the oral poetry of the bardic period. A good deal of the poetry of this period deals with political and historical themes that reflect the poets' sense of a world lost.
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Working-class or popular in nature, remaining examples are mostly limited to publication in self-published privately subscribed limited print runs, newspapers, and journals of the time.
3572:, by Patrick O'Donnell. Louis de Paor was the 2000 Winner of the annual O'Shaughnessy Poetry Award by the Center for Irish Studies at the University of St. Thomas, St. Paul, Minnesota. 2661:, Sionóid wrote, "From Slaneyside to Avonside, from a land of bards to the greatest Bard of all; and long life and happiness to the guardians of the world’s most precious treasure." 3578:, by Patrick O'Donnell. Moya Canon was the 2001 Winner of the annual O'Shaughnessy Poetry Award by the Center for Irish Studies at the University of St. Thomas, St. Paul, Minnesota. 3566:, by Patrick O'Donnell. Peter Sirr was the 1999 Winner of the annual O'Shaughnessy Poetry Award by the Center for Irish Studies at the University of St. Thomas, St. Paul, Minnesota. 3083:
Cuireadh "An Gúm" nó an Scéim Foillsiúcháin atá ar siubhal faoi Roinn an Oideachais, cuireadh sin ar bun go hoifigeamhail fá ughdarás na Roinne Airgid ar an 6adh lá de Mhárta, 1925.
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There was already an Irish tradition of songs in English. This included English songs, Lowland Scottish songs and ballads which were printed in England and sold in Ireland, such as
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tradition as opposed to the epic nature of the sagas. The Fionn poems form one of the three key sagas of Celtic culture: The Ulster saga, Fionn mac Cumhaill saga, and those of the
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from the 1950s onwards. Further impetus was given by more generalised exploration of non-"Irish" and non-"English" cultural identities in the latter decades of the 20th century.
2105:(Sean "Irish" O'Sullivan) (1882-1957). Ó Súilleabháin, whom literary scholar Ciara Ryan has dubbed "Butte's Irish Bard", was born into a family of Irish-speaking fishermen upon 1711:
in 1949. Greacen was born in Derry, lived in Belfast in his youth and then in London during the 1950s, 1960s and 1970s. He won the Irish Times Prize for Poetry in 1995 for his
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or traditional lament, a genre dominated by women and typically characterised by improvisation and passion. Countless numbers were composed; one of the few to have survived is
3059: 3038: 3017: 2141:, however, he learned for the first time to read and write in his native language, married, and raised a family. Ó Súilleabháin remained a very influential figure in Butte's 3317: 915: 256:
The professional secular poets continued to praise and lament famous men, but adopted the new verse forms, which in time would be codified in classical form under the name
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Towards the last quarter of the 20th century, modern Irish poetry tended to a wide range of diversity, from the poets of the Northern school to writers influenced by the
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In an article about his translations, Sionóid wrote that Irish poetic forms are completely different from those of other languages and that both the sonnet form and the
2349: 3881: 2021:("My Sorrow, Dhonncha!"), a lament for the drowning of his six-year old son on 22 August 1905, appeared in Pearse's magazine in 1906. Although the early authors of the 854:
and the circle of writers they gathered around them. Seán wrote both in Irish and English, but Irish was his primary language and he wrote poems in it of many kinds –
4972: 4724: 1463: 1304:(1779–1852), although he had no knowledge of, and little respect for, the Irish language. He attended Trinity College Dublin at the same time as the revolutionary 5806: 3335: 1411:(1860–1949), but this narrative of Irish poetry which leads to the Revival as culmination can also be deceptive and occlude important poetry, such as the work of 6903: 5826: 1312:, was popular with English readers. They contain stereotyped images but helped in the development of a distinctive English-language poetic tradition in Ireland. 907: 664:
tried to recover their position by supporting James II. Dáibhi Ó Bruadair wrote many poems in praise of the Jacobite war effort and in particular of his hero,
5923: 903: 2456:, Ó Tuairisc and other writers of their generation, "challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the 861:
In 1728 Tadhg wrote a poem in which there is a description of the members of the Ó Neachtain literary circle: twenty-six people are mentioned, mostly from
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Derek Mahon was born in Belfast and worked as a journalist, editor, and screenwriter while publishing his first books. He published comparatively little.
926: 4965: 1889:(born 1928), whose early work was influenced by Auden. Kinsella's later work exhibits the influence of Pound in its looser metrical structure and use of 2232:("Bring My Blessings with You, Nellie") was composed while Ó Muircheartaigh's wife, Nellie, and their son, Oisín, were on an extended visit to Ireland. 6908: 3876: 925:, where poets would similarly come together to compete for primacy. They included a handful of women, including Máire (or Mailligh) Nic a Liondain and 3257:"By the early 1970s the new generation of poets were wide open to the world and experimenting with influences from across the Atlantic": David Cooke, 1905:(1923) was born in Dublin on June 23, 1923. His published work amounts to three slim volumes, and numerous inclusions in anthologies of Irish poetry. 5919: 2356:, has said of Gógan, "He was a moderniser, he was trying to develop the language. He employed old words and forms, he coined new words (particularly 2344: 1666:
and John Montague, most of whom were based in Dublin in the 1960s and 1970s. In Dublin a number of new literary magazines were founded in the 1960s:
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with ploughing, reaping and sowing could no longer be sustained. There were, however, contemporary songs in Irish about the Famine itself, such as
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However, it was to be Yeats' earlier Celtic mode that was to be most influential. Amongst the most prominent followers of the early Yeats were
2249:("The Project"), a Government-sponsored publisher, created an outlet both for original works in Irish and for translations into the language. 1696:, some believe that the culture of Northern Ireland differs form that on the rest of the island and this has had an effect on its literature. 5985: 2212:
Seán Ó Súilleabháin's papers also include transcriptions of the verse of other local Irish-language poets. One prominent example is the poem
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in 1923, it became official government policy to promote and protect the Irish language. Despite its failures, this policy did further the
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The poets adapted to the new English-dominated order in several ways. Some of them continued to find patronage among the Gaelic Irish and
6104: 5528: 5440: 1603:(1982) are perhaps his most important works; the latter deals with the theme of nuclear apocalypse through motifs from Greek mythology. 6951: 2165:
poetry to more recent political struggles. For this reason, Ó Súilleabháin's surviving Aisling poems are inspired by the events of the
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Caitilín Dubh (fl. 1624), whose patrons were also the O’Brien dynasty, wrote for them a series of laments in the new accentual metres.
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British Library Manuscript, Harley 913, is a group of poems written in Ireland in the early 14th century. They are usually called the
5872: 5750: 2472: 2094:. It wouldn't be, according to De Paor, until the 1940s that Irish language poetry began to recover from the loss of Patrick Pearse. 1258:, together with political ballads of Irish origin. After the Famine and with the loss of Irish speakers, such songs became dominant. 6770: 5406: 1488:, who served as his personal secretary for a time. Through Pound, Yeats also became familiar with the work of a range of prominent 2453: 6942: 5966: 5755: 3507: 1320: 3300: 1548:. After years of fighting as he believed for the rights of small nations like his own, Ledwidge was "blown to bits" by a German 6116: 6000: 5660: 3806: 3603: 2306:
Unlike most other Irish language poets, who choose to compose in particular regional dialects, Gógan believed that a standard
6918: 5949: 3191: 1658:, for example. MacNeice's poetry was informed by his immediate interests and surroundings and is more social than political. 408:
Given that the bards depended on aristocratic support to survive, and that the balance of power was shifting towards the new
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whose job it was to praise their employers and damn those who crossed them. It was believed that a well-aimed bardic satire,
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and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists."
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in London, writing on any subject that would pay enough to keep his creditors at bay. He came to belong to the circle of
750:(1675–1729). Ó Rathaille belongs as much to the 18th as the 17th century and his work, including the introduction of the 63: 962:. In the poem, the women of Ireland sue the men for refusing to marry and father children, before the judgement seat of 786:, a witty and elegant reply in classical metre to a verse letter sent to her on behalf of Cú Chonnacht Óg Mág Uidhir by 6923: 6687: 6590: 6084: 5995: 5770: 5573: 5533: 5521: 5516: 5504: 5432: 4570: 3332: 3286: 1727:(born 1924), was born in Belfast, but lived in America during his youth. In the 1960s, and coincident with the rise of 425: 4615: 3532: 2602:
Bilingualism has been a consistent feature of contemporary Irish poetic practice. Among the more notable examples was
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The interactive relationship between Irish and English is evident in the songs composed in English by Irish-speaking
110: 2383:(1922-2021). Their poetry, though retaining a sense of the tradition, continued the legacy of Pearse by introducing 2335:'s famous quip about the literary use of previously unknown Irish language terms, "I don't think those words are in 937: 181:. The complex interplay between the two main traditions, and between both of them and other poetries in English and 70: 6946: 5970: 5602: 5545: 5485: 3923: 2606:(1941–1999), who was fluent in both Irish and English. He won praise for his work in English, but in his 1975 book 1494: 472: 4575: 2888:
Gearoid Ó hAllmhuráin, "The Great Famine: A Catalyst in Irish Traditional Music Making" in Gribben, Arthur (ed.).
1063:(1667–1745), Irish literature in English found its first notable writer. Although best known for prose works like 6583: 6210: 5656: 4707: 4676: 4620: 4610: 4605: 3786: 2252:
The most important poet of the era between the death of Pearse and the literary revolution of the late 1940s was
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onwards his work, while not entirely meriting the label modernist, became much more hard-edged than it had been.
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influences. By mid-century, the subordination of the native Catholic upper classes in Ireland boiled over in the
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was a centre of Irish-language poetry in the first half of the eighteenth century, due to the presence there of
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https://drgearoid.files.wordpress.com/2014/11/the-great-famine-a-catalyst-in-irish-traditional-music-making.pdf
2736: 1845:(born 1956). Many of these poets, along with younger experimentalists, have performed their work at the annual 1359:, who threw himself into the role of bard, and even included translations of bardic poems in his publications. 48: 4311: 3836: 2513:
Mac an Tsaoi, Ó Direáin, and Ó Tuairisc were the precursors of an even more radical group of poets, including
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The first part of the seventeenth century saw three notable female poets (all born in the previous century).
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Ferguson's research opened the way for many of the achievements of the Celtic Revival, especially those of
1329: 847: 492:. Many Irish language poets wrote highly politicised poetry in support of the Irish Catholics organised in 3811: 3776: 958: 189:
from Irish did not finally emerge until the 19th century. This culminated in the work of the poets of the
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The best-known Irish poet to draw upon Irish themes in the first half of the 19th century was probably
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Francis Hutton-Williams, "Against Irish Modernism: Towards an Analysis of Experimental Irish Poetry,"
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acting under the judge's personal command. It is considered to be an outstanding example of the type.
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As officials of the court of king or chieftain, they performed a number of official roles. They were
6618: 4590: 3913: 2557: 2549: 1627:(1904–1967), who came from a small farm, wrote about the narrowness and frustrations of rural life. 739: 6845: 5975: 5589: 4397: 3826: 3791: 3761: 2588: 2288: 2209:. Ó Súilleabháin took de Valera's advice and won both first prize and the Gold Medal for the poem. 1762:
in 1995, and served as Boylston Professor of Rhetoric and Oratory and Emerson Poet in Residence at
1641: 884:– "courts of poetry" or local gatherings for the purpose of contests between poets, similar to the 326:, or Lore of Places, is probably the major surviving monument of Irish bardic verse. It is a great 3693: 2954: 2592: 2268:, "a prodigious knowledge of all the spoken dialects of Irish and the Gaelic literary tradition." 1699:
In addition to John Hewitt, mentioned above, other important poets from Northern Ireland include
944:
by reputation. His verse was highly finished and intensely musical, and he was best known for his
131: 6913: 6862: 6578: 6330: 6079: 5939: 5745: 5690: 5680: 5647: 5480: 5392: 5018: 4548: 3897: 3671: 2446: 2082:. This is because Pearce's surviving poetry was radically innovative and shows the influences of 1553: 595:
This was the war that finished Ireland and put thousands begging, plague and famine ran together
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Sound of the wind in a branching wood, grey cloud; river-falls, cry of a swan – beautiful music.
37: 4652: 3796: 3145: 2414:, when she committed herself to writing poetry in Irish following her discovery of the works of 1423:
Probably the most significant poetic movement of the second half of the 19th century was French
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Another poet who supported the Young Irelanders, although not directly connected with them, was
6933: 6810: 6436: 5956: 5811: 5700: 5651: 4585: 4502: 4362: 4296: 3949: 3928: 3846: 3676: 1640:(1907–1963), another poet from Northern Ireland, was associated with the left-wing politics of 1389: 1173: 1107: 837: 747: 532: 468: 370:, two of the most significant English poets of the time saw service in the Irish colonies. Sir 190: 4181: 4166: 4020: 3483: 3318:
Aistriú na Soinéad go Gaeilge: Saothar Grá! Translating the Sonnets to Irish: A Labour of Love
3181: 2673: 2548:, who, though long resident in Paris, has continued to publish in Irish. This is also true of 2522: 2380: 1345:
is still popular among Irish Nationalists. However, the most significant poet associated with
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tradition and those facing questions posed by an increasingly urban and cosmopolitan society.
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William Wall, "Riding Against the Lizard - Towards a Poetics of Anger" (Three Monkeys Online)
2415: 2327: 2323: 1838: 1437:, he also wrote poetry in a symbolist vein and was the first Irish writer to experiment with 1350: 1145: 1113: 1065: 892: 829: 464: 323: 4286: 3861: 2567:
Modern Irish-language poetry is notable for the growing number of women poets. They include
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might be read as a reaction to the social, moral, and cultural upheaval of a world at war."
1935:
The second half of the century also saw the emergence of a number of women poets including
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to agitate for reform of British rule. The group of politicians and writers associated with
7022: 6965: 6732: 6503: 6480: 6265: 6151: 6005: 5980: 5849: 5670: 5642: 5130: 5008: 4903: 4826: 4790: 4683: 4669: 4452: 4392: 4326: 4236: 4206: 4106: 3771: 3375: 2980: 2677: 1993: 1908: 1857: 1789: 1777: 1767: 1736: 1568: 1510: 1458: 1393: 1119: 1075:, Swift was a poet of considerable talent. Technically close to his English contemporaries 872:
that the status and craft of Irish-language poetry were best maintained. Sometimes a local
775: 771: 531:('Gather your courage oh Ireland') in 1647 encouraged the Irish Catholic war effort in the 389:. On the other, he condemned Ireland and everything Irish as barbaric in his prose polemic 4331: 4276: 3541: 2426: 2097:
One of the most talented 20th-century Irish-language poets and folklore collectors in the
1372:(1824–1889) was another important Unionist figure in Irish poetry. Born and bred in 851: 656:
After this period, the poets lost most of their patrons and protectors. In the subsequent
280:
of highly trained, learned poets. The bards were steeped in the history and traditions of
123: 84: 8: 6840: 6742: 6638: 6526: 6371: 6061: 6051: 5961: 5637: 5494: 5475: 5429: 5305: 5053: 4866: 4757: 4736: 4462: 4050: 3990: 3666: 3557: 3518: 3411: 2933:"Ceó meala lá seaca," in de Brún, Pádraig; Ó Buachalla, Breandán; Ó Concheanainn, Tomás, 2658: 2627: 2576: 2545: 2337: 2261: 2146: 1316: 1016: 992: 787: 779: 757: 708: 704: 493: 485: 271: 158: 6667: 4457: 3918: 3821: 3746: 3363: 2979:"Seeds of Gravity, an Anthology of Contemporary Surrealist Poetry from Ireland." Ed. by 2526: 2514: 1814:. Both Joyce and Smith have published considerable bodies of poetry in their own right. 743: 620:
The first thing a man expects is execution, the last that costs be awarded against him
185:, has produced a body of work that is both rich in variety and difficult to categorise. 6867: 6800: 6795: 6722: 6705: 6623: 6310: 6305: 6238: 5867: 5735: 5685: 5622: 5597: 5593: 5511: 5455: 5295: 5225: 5220: 5140: 4859: 4821: 4261: 4176: 4146: 4030: 4015: 3969: 3387: 2681: 2518: 2419: 2411: 2399: 2332: 2272: 1896: 1763: 1704: 1628: 1412: 1156: 794: 793:
Fionnghuala Ní Bhriain (Inghean Dhomhnaill Uí Bhriain) (c. 1557-1657), a member of the
774:(Brighid Chill Dara) (c. 1589-1682) was the wife of Rudhraighe Ó Domhnaill, one of the 5165: 4402: 3856: 3351: 3072:
Dáil Éireann - Volume 42 - 28 June, 1932, Ceisteanna—Questions. Oral Answers. - An Gúm
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Poetry in Irish saw a revolution beginning in the end of the 1940s with the poetry of
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Lawrence O'Shaughnessy Collection of Irish Poetry: O'Shaughnessy Poetry Award Winners
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Julie Henigan, "For Want of Education: The origins of the Hedge Schoolmaster songs,"
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because of their association with that county. Both poems and manuscript have strong
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http://columbiajournal.org/a-talkative-corpse-the-joys-of-writing-poetry-in-irish-3/
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Eccentric poetry of Ireland's 'first civil servant' given new life at Imram festival
2718:(IPRA) is building into a comprehensive web-based library of Irish poets. Hosted by 2623: 284:
and country, as well as in the technical requirements of a verse technique that was
6757: 6737: 6558: 6513: 5887: 5568: 5550: 5437: 5240: 5230: 5210: 5078: 5063: 5058: 4946: 4896: 4881: 4447: 4301: 4246: 4171: 4141: 4126: 4091: 4086: 3964: 3871: 3866: 3816: 3636: 2922: 2731: 2603: 2502: 2384: 2315: 2236: 2087: 2075: 2026: 1964: 1818: 1802: 1632: 1624: 1584: 1537: 1533: 1514: 1489: 1424: 1338: 1232: 1127:. The last of these may be the first and best poem by an Irish poet in the English 1086: 967: 941: 301: 258: 162: 143: 4377: 3369: 2530: 2029:
once common to the Bards of both Ireland and Scotland and felt only scorn for the
603:
Another poem by Éamonn an Dúna is a strange mixture of Irish, French and English,
6857: 6785: 6780: 6610: 6488: 6415: 6056: 5740: 5715: 5175: 5160: 5155: 5120: 5095: 5068: 5043: 5028: 5013: 4992: 4701: 4487: 4387: 4316: 4231: 4211: 4131: 4081: 4045: 4000: 3536: 3339: 3078: 2691: 2584: 2572: 2110: 2091: 2050: 1956: 1886: 1865: 1740: 1663: 1655: 1616: 1588: 1549: 1518: 1363: 1102: 1071: 996: 978: 911: 810: 805:, wrote a lament (her only surviving poem) for her husband, Uaithne Ó Lochlainn, 802: 457: 3661: 3554:- Center for Irish Studies at the University of St. Thomas, St. Paul, Minnesota. 1735:
poets began to receive critical and public notice. Prominent amongst these were
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Audrey Deng (2011), "A talkative corpse: the joys of writing poetry in Irish,"
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Leabhar na hAthghabhála: Poems of Repossession: Irish-English Bilingual Edition
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was reportedly so impressed that he urged Ó Súilleabháin to submit the poem to
2198: 2142: 2134: 2130: 2098: 2079: 2060: 2046: 2042: 2038: 2022: 1988: 1976: 1861: 1842: 1834: 1830: 1826: 1780:. In 1999 he was also elected Professor of Poetry at the University of Oxford. 1700: 1668: 1637: 1572: 1506: 1442: 1381: 1377: 1094: 1076: 1060: 1020: 953: 453: 379: 371: 360: 285: 166: 5115: 3575: 3569: 3563: 3227:
Leabhar na hAthgabhála: Poems of Repossession: Irish-English Bilingual Edition
3211:
Leabhar na hAthgabhála: Poems of Repossession: Irish-English Bilingual Edition
2299:, which found its way into his poetry. Gógan was also the first poet to write 500:("Arise my Country with God") in support of the rebellion, which advised that 7006: 6543: 6376: 6250: 5725: 5710: 5374: 5330: 5315: 5310: 5255: 5245: 5215: 5195: 5180: 5135: 5105: 5023: 5003: 4831: 4816: 4806: 4437: 4432: 4422: 4417: 4382: 4221: 4201: 4101: 4096: 4025: 3651: 3262: 3222: 3206: 3160: 3133: 3117: 3098: 2996: 2695: 2686: 2669: 2534: 2498: 2438: 2391: 2357: 2296: 2280: 2276: 2265: 2257: 2206: 2166: 2071: 2056: 2014: 1984: 1822: 1748: 1724: 1693: 1564: 1560: 1502: 971: 557: 536: 480: 351: 178: 170: 4625: 880:
landlord acted as their patron, but in other places responsibility lay with
6697: 6633: 6628: 6521: 6346: 6285: 5775: 5760: 5355: 5325: 5185: 5125: 5110: 4811: 4764: 4730: 4482: 4442: 4427: 4412: 4321: 4306: 4241: 4226: 4196: 4121: 4116: 4010: 3985: 3681: 2719: 2703: 2510:, the poet, the word-priest, bears a particular burden of responsibility." 2491: 2487: 2243:
which had started around 1900. In particular, the establishment in 1925 of
2221: 2126: 2106: 2083: 2067: 2064: 2006: 1960: 1952: 1948: 1944: 1936: 1833:. Younger poets who write what might be called experimental poetry include 1811: 1807: 1793: 1752: 1728: 1720: 1580: 1576: 1541: 1529: 1454: 1438: 1408: 1380:, he spent most of his working life in England and was associated with the 1373: 1305: 1301: 1262: 1141: 1098: 1000: 885: 855: 814: 374:
had little impact on the course of Irish literature, but the time spent in
297: 3529: 2533:(1941-1982) also belonged to that group. Other younger poets of note were 6834: 6747: 6446: 6390: 6351: 5612: 5345: 5335: 5200: 4407: 4346: 4291: 4271: 4266: 4216: 4071: 4055: 3641: 3357: 3301:
Shakespeare’s work has been translated into Irish - and it sounds amazing
3238: 3051: 3030: 3009: 2434: 2361: 2114: 2030: 1902: 1869: 1744: 1651: 1545: 1522: 1481: 1428: 1404: 1341:. The magazine published verse, including work by Duffy and Davis, whose 1090: 1080: 1032: 877: 479:. Other members of hereditary bardic families sent their sons to the new 467:
aristocracy. Some of the English landowners settled in Ireland after the
439:, despite his alliance with the Spanish, and the ultimate victory in the 416:
over the new elite may well have contributed to their demise as a caste.
409: 1293:(1829), was written in Spenserian stanzas that were clearly inspired by 977:
Alongside the work of the literate poets there flourished a traditional
412:
landlords, Spenser's condemnation of the Bards' preference for outlawed
6928: 6451: 6361: 6325: 6315: 6121: 4040: 3412:
A checklist of New Writers' Press publications compiled by Trevor Joyce
2699: 2568: 2442: 2158: 1873: 1853: 1631:(1907–1987), whom many consider to be the founding father of poetry in 1485: 1008: 888: 661: 355: 293: 6572: 2137:. Following his arrival, Ó Súilleabháin never returned to Ireland. In 1715:, after he returned to live in Dublin when he was elected a member of 1431:(1845–1900). Although Wilde is best known for his plays, fiction, and 1036: 6960: 6681: 6465: 6320: 6295: 6270: 5695: 4836: 4372: 3393: 2507: 2457: 2311: 2194: 2034: 1224: 327: 308: 289: 197: 6646: 6366: 3687: 2295:. Gógan had, according to De Paor, an encyclopedic knowledge of the 2245: 26: 6872: 6805: 6470: 6356: 6300: 5705: 3519:
Then Go Beyond the Reach of Road: An Evening with Poet Peter Fallon
2322:
once taught in the Bardic schools of both Ireland and the Scottish
2228:("The Farmhand"). The poem, which has eight stanzas and is titled, 1525:
in outlook, but their work is of considerable historical interest.
1240: 1128: 1028: 1024: 991:. This was mostly composed by a noblewoman from the Roman Catholic 862: 636: 3525:
http://bill.celt.dias.ie/vol4/browseatsources.php?letter=A#ATS7714
1051: 895:
which trained professional poets down to the seventeenth century.
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Muldoon is Howard G. B. Clark '21 Professor in the Humanities at
945: 933: 869: 752: 375: 154: 5369: 3656: 3495: 2715: 974:, has been demoted from goddess to being the local fairy queen. 139: 6660: 6653: 6498: 6431: 6290: 4988: 3581: 2955:
https://www.euppublishing.com/doi/pdfplus/10.3366/iur.2016.0198
2631: 2561: 2407: 2300: 2013:. Ó hÉigeartaigh also wrote poetry for the same publication in 2009:, worked in the clothing business and lived with his family in 1732: 1692:
With large Protestant minority and enduring political links to
1427:. This movement inevitably influenced Irish writers, not least 1185: 963: 922: 843: 335: 312: 4987: 3501: 3422: 2347:, who set out to re-popularize Gógan's poetry during the 2017 1817:
Among the other poets published by the New Writers Press were
1758:
Heaney was probably the best-known of these poets. He won the
1198:
is grá gan cheilt atá agam dhuit, a bháinchnis na ngealchíoch,
535:. It expressed the opinion that Catholics should not tolerate 519:
All Irishmen from one person to all people must unite or fall
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Ireland and the Jacobite Cause, 1685-1766: A fatal attachment
3056:
North American Gaels: Speech, Song, and Story in the Diaspora
3035:
North American Gaels: Speech, Song, and Story in the Diaspora
3014:
North American Gaels: Speech, Song, and Story in the Diaspora
2553: 2395: 2365: 2292: 1890: 277: 3416: 3342:
A selection of many of the better contemporary practitioners
2394:, "Máire Mhac an tSaoi spent two years studying in post-war 3478:
Rhyming Weavers: And Other Country Poets of Antrim and Down
2122: 1983:, generally about the hardships faced by immigrants to the 1277:
And sent for transportation from the hills of Mullaghbawn.
858:, love poems, drinking songs, satires and religious poems. 281: 3521:
Poetry reading at Boston University, video, March 30, 2009
3345: 1202:
is a chéadsearc, ná tréig mé is gur mhéadaigh tú m'aicíd.
6398: 2840:, Dáithí Ó hUaithne (ed.). Preas Dolmen, 1974 (reprint). 898:
The best-known members of this network of poets included
496:. For instance, the cleric poet Pádraigín Haicéad wrote, 2892:. University of Massachusetts Press, 1999: pp. 104-127. 2117:. In 1905, Ó Súilleabháin sailed aboard the ocean liner 1308:, who was executed in 1803. Moore's most enduring work, 1275:
Since without hesitation we are charged with combination
334:
Verse tales of Fionn and the Fianna, sometimes known as
5827:
List of World Heritage Sites in the Republic of Ireland
3471:
Anthology of Twentieth-Century British and Irish Poetry
2283:
of 1916, Gógan had been dismissed from his post in the
1480:
In the 1910s, Yeats became acquainted with the work of
648:
Transport transplant, is what I remember of English...
1517:(1878–1916), were noted poets. Much of their verse is 1134: 1271:
Now to end my lamentation we are all in consternation
5557:
United Kingdom of Great Britain and Northern Ireland
3504:, premier publisher of Irish poetry in North America 2937:, Institiúid Ardléinn Bhaile Átha Cliath 1975: p. 83 2874:
p594ff (Edinburgh: Edinburgh University Press, 1997)
2823:
Williams, J.E. Caerwyn, & Ní Mhuiríosa, Máirín,
1200:
do chom seang, do bhéal is do chúilín a bhí cas mín,
703:
The Jacobites' defeat in the War, and in particular
419: 568:Following the defeat of the Irish Catholics in the 51:. Unsourced material may be challenged and removed. 3498:, a comprehensive web-based library of Irish poets 2471:, Ó Tuairisc included a long poem inspired by the 5920:List of national parks of the Republic of Ireland 1723:(1921–1999), a friend for many years of Greacen. 921:The craft of poetry was also cultivated in south 756:genre, marks something of a transition to a post- 721:lena leathbhróg ghallda is a leathbhróg Ghaelach 7004: 3296: 3294: 2966:"Quotes from Bernstein, Perloff and Goldsmith", 2923:https://www.mustrad.org.uk/articles/hedg_sch.htm 2441:who had served as a commissioned officer in the 1872:. Their style has been described as "tangential 1821:(born 1942), whose early work was influenced by 6766:Association football in the Republic of Ireland 3445:New ed. (Oxford: Oxford University Press, 2003) 2709: 2001:(1871-1936). Ó hÉigeartaigh, an immigrant from 1970: 948:. This genre, and the Munster tradition of the 3259:Leabhar na hAthghabhála, Poems of Repossession 3130:Leabhar na hAthghabhála, Poems of Repossession 3114:Leabhar na hAthghabhála, Poems of Repossession 3095:Leabhar na hAthghabhála, Poems of Repossession 2993:Leabhar na hAthghabhála, Poems of Repossession 2205:("O'Growney's Irish Language Competition") in 1384:movement, and a close friend of Tennyson. His 1273:For want of education, I now must end my song, 1089:(1730?–1774) started his literary career as a 999:, who continued to rule over their tenants in 676:You Popish rogue", ni leomhaid a labhairt sinn 633:Transport transplant, mo mheabhair ar Bhéarla' 5400: 4973: 3597: 3291: 3241:, "Twentieth Century Irish-Language Poetry": 3186:. Field Day Publications. 2005. p. 224. 3109: 3107: 2045:and has been translated into English by both 1893:but is deeply personal in manner and matter. 1719:. Other poets of note from this time include 1505:of 1916. Three of the Republican leadership, 730:with his one shoe English and one shoe Irish 711:, gave rise to the following derisive verse, 276:Irish bards formed a professional hereditary 3271:http://www.themanchesterreview.co.uk/?p=6607 3247:http://www.archipelago.org/vol7-3/dorgan.htm 1396:. His most important work is the long poem, 1105:. His reputation depends mainly on a novel, 678:acht "Cromwellian dog" is focal faire againn 556:The religion of Christ with the religion of 5529:United Kingdom of Great Britain and Ireland 3333:The Irish domain of poetryinternational.org 2872:The Edinburgh History of the Scots Language 1930: 1196:Ceo meala lá seaca ar choillte dubha daraí, 6952:Public holidays in the Republic of Ireland 5407: 5393: 4980: 4966: 4921:Cúirt International Festival of Literature 3604: 3590: 3104: 1788:In the late 1960s, two young Irish poets, 1595:(1879–1967). Coffey's two late long poems 891:. These could be seen as offshoots of the 868:Outside Dublin, it was in the province of 471:also patronised Irish poets, for instance 399:, he describes the Irish bards as being: 3473:(New York: Oxford University Press, 2001) 2799:, Volume 4. NYU Press, 2002: pp. 395-405. 2773: 2771: 2473:Atomic bombings of Hiroshima and Nagasaki 1979:, a regular Irish-language column titled 547:Creideamh Chríost le creideamh Lúiteir... 193:in the late 19th and early 20th century. 111:Learn how and when to remove this message 6771:Association football in Northern Ireland 3877:Maol Sheachluinn na n-Uirsgéal Ó hÚigínn 2884: 2882: 2880: 2797:The Field Day Anthology of Irish Writing 2757: 2755: 2753: 2751: 2613: 2256:(1891-1979). Gógan, a Dublin-born poet, 1860:(born 1943) and younger poets including 1650:but was much less political a poet than 1291:The Recluse of Inchidony and Other Poems 1184:, songs about the ancient heroes of the 1050: 265: 138: 130: 122: 5967:Demographics of the Republic of Ireland 3570:Interview with Irish Poet Louis de Paor 3558:Interview with Irish Poet John F. Deane 3530:http://www.podcasts.ie/featured-writers 3265:(Bloodaxe Books)" (review), July 2016, 2913: 2911: 2909: 2819: 2817: 2815: 2813: 2811: 2809: 2807: 2805: 2791: 2789: 2787: 1528:An individual from these groups is the 1035:judge, hunted down, and shot dead by a 952:– "courts of poetry", were parodied by 940:, schoolmaster, sailor, soldier, and a 682:"Mise Tadhg" geadh teinn an t-agallamh 613:costas buinte na chuine ag an ndeanach 135:Irish-language poet Nuala Ní Dhomhnaill 7005: 2945: 2943: 2827:. An Clóchomhar Tta, 1979: pp. 273-304 2781:. Cardinal, London, 1973: pp. 185-190. 2768: 2765:. Cardinal, London, 1973: pp. 219-291. 2479:("Mass for the Dead"). The poem is an 2368:, others are in a household setting." 1800:publishing house and a journal called 1687: 1475: 1046: 738:The main poets of this period include 693:"Who goes there" does not provoke fear 691:but "Cromwellian dog" is our watchword 680:no " cia sud thall" go teann gan eagla 586:s do chuir na milte ag iarri dearca... 392:A View of the Present State of Ireland 6236: 6026: 5847: 5453: 5388: 4961: 3585: 3546:Windharp, Poems of Ireland since 1916 3452:(Dublin, Geography Publications 1999) 2877: 2777:Dillon, Myles, & Chadwick, Nora, 2761:Dillon, Myles, & Chadwick, Nora, 2748: 2490:, "with the significant omission of ' 1418: 865:but with others from every province. 203: 4566:Timna Cathaír Máir Caithréim Cellaig 3576:Interview with Irish Poet Moya Canon 3564:Interview with Irish Poet Peter Sirr 2906: 2861:. An Clóchomhar Tta. 1979 (reprint). 2802: 2784: 2626:published a complete translation of 2241:revival in Irish-language literature 2181:, and the highly popular 1919 poem 1852:Some of the Irish poets develop the 1190: 713: 670: 641:a rogue, a thief a priest, a papist 627: 605: 584:Ag so an cogadh do chriochnaigh Éire 578: 541: 502: 225: 49:adding citations to reliable sources 20: 3514:SHOP contemporary poetry publishers 3459:(Cork: Cork University Press, 2000) 2940: 2398:(1945-47) before joining the Irish 2193:'s 1919 visit to Butte. The future 2109:, a now-uninhabited island off the 1470: 1266:internal rhymes of songs in Irish: 1162: 1135:Weaver Poets and vernacular writing 1027:for refusing to sell his pedigreed 823: 13: 5996:Tourism in the Republic of Ireland 5771:Economy of the Republic of Ireland 5569:Irish Free State (1922–1937) 5414: 3934:Séafraidh Ó Donnchadha an Ghleanna 3435: 2983:. SurVision Books, 2020; pp. 5, 6. 2364:, other works would portray urban 2149:circles for the rest of his life. 2059:has alleged that the execution of 1796:(born 1947) founded in Dublin the 1509:(1879–1916) (who wrote in Irish), 1176:of the 1840s - love songs such as 932:Among the most prominent names in 695:"I am Tadhg" is the answer given 611:Le execution bhíos súil an cheidir 588:Do rith plaig is gorta in aonacht 14: 7039: 5781:Post-2008 Irish economic downturn 3807:Gilla Cómáin mac Gilla Samthainde 3508:Poetry Forum for Northern Ireland 3489: 3466:(Dublin: Four Courts Press, 2004) 3443:Making Ireland British, 1580-1650 3346:Early poetry in Irish and English 2890:The Great Famine and the Diaspora 2230:Beir mo Bheannacht leat, a Nellie 1707:, edited an important anthology, 836:A salient figure at this time is 420:Gaelic poetry in the 17th century 6986: 5950:Tallest buildings and structures 5368: 4993:different cultures and languages 3924:Donnchadh Mac an Caoilfhiaclaigh 3611: 3480:(Belfast: Blackstaff Press,2004) 3429:General biographical information 2653:In a copy that he gifted to the 2560:, for a long time the editor of 2501:, "The poem also draws on early 1766:, and as Professor of Poetry at 1495:Responsibilities and Other Poems 778:who left Ireland as part of the 728:James the shit who lost Ireland, 707:'s ignominious flight after the 689:"You Popish rogue" is not spoken 153:is poetry written by poets from 25: 4708:The Wind That Shakes the Barley 4621:Dia libh a laochruidh Gaoidhiol 4616:Cóir Connacht ar chath Laighean 3548:, a 2016 Irish poetry anthology 3311: 3275: 3251: 3232: 3216: 3200: 3174: 3154: 3139: 3123: 3088: 3065: 3044: 3023: 3002: 2986: 2973: 2959: 2927: 2402:, and was working at the Irish 2074:of 1916, was a catastrophe for 1856:trend in Irish poetry, notably 1353:(1803–1849). Mangan was a true 763: 570:Cromwellian conquest of Ireland 441:Elizabethan conquest of Ireland 165:today. It is mainly written in 36:needs additional citations for 5786:Post-2008 Irish banking crisis 4611:An sluagh sidhe so i nEamhuin? 4601:A aonmhic Dé do céasadh thrínn 3832:Muireadhach Albanach Ó Dálaigh 3732:Baothghalach Mór Mac Aodhagáin 2999:(Bloodaxe Books). Pages 29-31. 2864: 2851: 2830: 2737:Literature of Northern Ireland 2583:, and younger writers such as 2571:(widow of Eoghan Ó Tuairisc), 2552:, an Irish writer resident in 1398:Laurence Bloomfield in Ireland 1252:Captain Wedderburn’s Courtship 981:. One of its products was the 790:, a notable poet of the time. 719:Séamus an chaca a chaill Éire, 639:, hack him, hang him, a rebel, 426:History of Ireland (1536–1691) 1: 5848: 4942:Patrick Kavanagh Poetry Award 4576:Is acher in gaíth in-nocht... 4571:Le dís cuirthear clú Laighean 3542:Windharp - a failed anthology 3448:John Flood & Phil Flood, 3050:Edited by Natasha Sumner and 3029:Edited by Natasha Sumner and 3008:Edited by Natasha Sumner and 2825:Traidisiún Liteartha na nGael 2642:("The Great Wheel of Love"). 1783: 1731:in the province, a number of 782:. Her sole surviving work is 529:Muscail do mhisneach a Banbha 512:gliec na timcheall no tuitim 6851:Northern Ireland flags issue 6027: 5802:List of conflicts in Ireland 5546:Southern Ireland (1921–1922) 4648:Bean Torrach, fa Tuar Broide 3842:Máeleoin Bódur Ó Maolconaire 3737:Giolla Brighde Mac Con Midhe 3502:Wake Forest University Press 3496:Irish Poetry Reading Archive 3457:Confederate Catholics at War 3378:, irishcultureandcustoms.com 2716:Irish Poetry Reading Archive 2710:Irish Poetry Reading Archive 2655:Shakespeare Birthplace Trust 2556:. Another published poet is 2425:Also of that generation was 2070:following the defeat of the 1971:Contemporary poetry in Irish 1879: 784:A Mhacaoimh Dhealbhas an Dán 549:ladgadh gris i sneachta sud 424:For historical context, see 16:Poetry by poets from Ireland 7: 6237: 5822:Gaelic clothing and fashion 5454: 3136:(Bloodaxe Books). Page 502. 2859:Caoineadh Airt Uí Laoghaire 2725: 2235:With the foundation of the 2129:and settled in the heavily 1536:, who was pressured by the 988:Caoineadh Airt Uí Laoghaire 527:Another of Haicéad's poems 10: 7044: 4677:Suantraí dá Mhac Tabhartha 4606:A theachtaire tig ón Róimh 3787:Tadhg Olltach Ó an Cháinte 3722:Muircheartach Ó Cobhthaigh 3431:, irishwriters-online.com. 3326: 3120:(Bloodaxe Books). Page 40. 3101:(Bloodaxe Books). Page 17. 2921:, No 40 (1994): pp 27-38: 2285:National Museum of Ireland 2271:After refusing to take an 2011:Springfield, Massachusetts 1623:Modernist by inclination. 1492:poets. From his 1916 book 1484:, and worked closely with 1434:The Ballad of Reading Gaol 1295:Childe Harold's Pilgrimage 956:in his lengthy comic poem 560:is like ashes in the snow 508:Caithfidh fir Éireann uile 435:in 1601 saw the defeat of 423: 269: 207: 6982: 6881: 6819: 6756: 6696: 6609: 6557: 6512: 6479: 6424: 6389: 6339: 6258: 6249: 6245: 6232: 6167: 6070: 6039: 6035: 6022: 5932: 5860: 5856: 5843: 5794: 5582: 5466: 5462: 5449: 5425: 5364: 4999: 4934: 4913: 4851: 4799: 4778: 4716: 4693: 4661: 4558: 4540: 4531:Faber Book of Irish Verse 4522: 4515: 4355: 4064: 3978: 3942: 3906: 3890: 3852:Cú Choigcríche Ó Cléirigh 3777:Eoghan Carrach Ó Siadhail 3767:Mathghamhain Ó hIfearnáin 3709: 3702: 3619: 3060:McGill-Queen's University 3039:McGill-Queen's University 3018:McGill-Queen's University 2387:into the Irish language. 2203:Féile Craobh Uí Gramnaigh 2171:Irish War of Independence 1760:Nobel Prize in Literature 1709:Contemporary Irish Poetry 1447:Nobel Prize in Literature 938:Eoghan Rua Ó Súilleabháin 658:Williamite War in Ireland 3742:Gofraidh Fionn Ó Dálaigh 3727:Gilla Mo Dutu Úa Caiside 3402:, josephmaryplunkett.com 3183:Field Day Review 4, 2008 2742: 2698:traditionally spoken in 2289:Frongoch internment camp 2179:Bánta Mín Éirinn Glas Óg 2145:literary, cultural, and 1931:Women poets (in English) 1921:Elegies & Epiphanies 1337:came to be known as the 1194: 1013:Eibhlín Dubh Ní Chonaill 717: 674: 631: 609: 582: 545: 510:o haicme go haonduine... 506: 498:Éirigh mo Dhúiche le Dia 229: 6943:Prostitution (Republic) 4642:The Prophecy of Berchán 4581:Is trúag in ces i mbiam 4549:The Wanderings of Oisin 3802:Tarlach Rua Mac Dónaill 3752:Donnchadh Mór Ó Dálaigh 3672:Contention of the bards 2951:Irish University Review 2454:Diarmaid Ó Súilleabháin 2433:poet and novelist from 2303:in the Irish language. 2155:Pádraig Phiarais Cúndún 2041:of Irish poetry in the 1554:Battle of Passchendaele 1229:Amhrán na bPrátaí Dubha 490:Irish Rebellion of 1641 446:Contention of the bards 5812:List of Irish kingdoms 4725:Love Songs of Connacht 4591:An Díbirt go Connachta 4586:Sen dollotar Ulaid ... 4312:Eiléan Ní Chuilleanáin 4137:Mary Devenport O'Neill 3882:Philip Ó Duibhgeannain 3847:Diarmaid Mac an Bhaird 3837:Cearbhall Óg Ó Dálaigh 3782:Fear Feasa Ó'n Cháinte 3677:Irish Literary Revival 3662:Chief Ollam of Ireland 3338:23 August 2007 at the 2795:Bourke, Angela (ed.). 2619: 2558:Pádraig Mac Fhearghusa 1999:Pádraig Ó hÉigeartaigh 1941:Eiléan Ní Chuilleanáin 1703:(1920–2008) who, with 1593:Mary Devenport O'Neill 1540:into enlisting in the 1464:Love Songs of Connacht 1390:Dante Gabriel Rossetti 1280: 1207: 1117:, and two long poems, 1108:The Vicar of Wakefield 1056: 1019:), after her husband, 726: 687: 646: 618: 593: 554: 533:Irish Confederate Wars 517: 469:Plantations of Ireland 406: 368:Elizabethan reconquest 246: 191:Irish Literary Revival 147: 136: 128: 6919:Mass media (Republic) 6863:National coat of arms 5751:IRA Northern Campaign 4890:Poetry Ireland Review 4842:Cork University Press 4596:Foraire Uladh ar Aodh 3996:James Clarence Mangan 3757:Lochlann Óg Ó Dálaigh 3717:Mael Ísu Ua Brolcháin 3647:Irish syllabic poetry 3642:Metrical Dindshenchas 3544:, critical review of 3390:, poetry-archive.com. 3267:The Manchester Review 3041:Press. Pages 238-240. 3020:Press. Pages 228-249. 2935:Nua-Dhuanaire: Cuid 1 2857:Ó Tuama, Seán (ed.). 2720:UCD’s Digital Library 2678:literary translations 2617: 2608:A Farewell to English 2593:Ailbhe Ní Ghearbhuigh 2416:Federico Garcia Lorca 2324:Highlands and Islands 1987:, was contributed to 1351:James Clarence Mangan 1268: 1114:She Stoops to Conquer 1054: 908:Liam Ruadh Mac Coitir 833:farming or teaching. 401: 324:Metrical Dindshenchas 266:Medieval/early modern 142: 134: 126: 6841:County coats of arms 6733:List of Irish people 5807:List of Irish tribes 5657:Cromwellian conquest 5643:Plantation of Ulster 5574:Ireland (since 1922) 4904:The Honest Ulsterman 4827:Lapwing Publications 4791:Seamus Heaney Centre 4653:Tuireamh na hÉireann 4187:Micheál Mac Liammóir 3812:Tadhg Dall Ó hÚigínn 3797:Proinsias Ó Doibhlin 3772:Cormac Mac Con Midhe 3535:19 June 2010 at the 3372:, theotherpages.org. 3370:More Goldsmith poems 3358:Cuirt an Mheán Oíche 2981:Anatoly Kudryavitsky 2953:46.1 (2016): 20–37: 2838:Cúirt an Mheán Oíche 2544:Other poets include 2420:traditional morality 2264:, had, according to 2260:, and member of the 2224:, who was nicknamed 2133:mining community of 2090:, and of the French 1994:An Claidheamh Soluis 1778:Princeton University 1680:, and in the 1970s, 1511:Joseph Mary Plunkett 1467:was widely admired. 1459:President of Ireland 1394:John Everett Millais 1327:(1816–1866) founded 1125:The Deserted Village 959:Cúirt An Mheán Oíche 950:cúirteanna filíochta 882:cúirteanna filíochta 772:Brighid Nic Gearailt 169:, though some is in 45:improve this article 6956:in Northern Ireland 6947:in Northern Ireland 6688:Legendary creatures 6601:Traditional singing 6437:Saint Patrick's Day 6072:Republic of Ireland 6001:Tourist attractions 5986:ROI–UK border 5971:of Northern Ireland 5924:in Northern Ireland 5756:IRA Border Campaign 5731:War of Independence 5701:Second Great Famine 5686:Act of Union (1800) 5638:Flight of the Earls 5495:Lordship of Ireland 5430:Republic of Ireland 4867:The Dublin Magazine 4758:Prayer Before Birth 4737:Meeting The British 4297:Nora Tynan O'Mahony 4182:Nuala Ní Dhomhnaill 4167:Máire Mhac an tSaoi 4021:Antoine Ó Raifteiri 3991:Charles Gavan Duffy 3827:Cináed ua hArtacáin 3792:Eochaidh Ó hÉoghusa 3762:Fear Flatha Ó Gnímh 3667:Irish bardic poetry 3425:, poetryireland.ie. 2674:Máire Mhac an tSaoi 2659:Stratford Upon Avon 2628:William Shakespeare 2589:Doireann Ní Ghríofa 2523:Nuala Ní Dhomhnaill 2381:Máire Mhac an tSaoi 2262:Irish civil service 2103:Seán Ó Súilleabháin 1688:The Northern School 1476:Yeats and modernism 1388:was illustrated by 1386:Day and Night Songs 1343:A Nation Once Again 1323:, (1814–1845), and 1317:Charles Gavan Duffy 1283:Antoine Ó Raifteiri 1047:Swift and Goldsmith 916:Seán na Ráithíneach 904:Aindrias Mac Craith 788:Eochaidh Ó hEoghusa 780:Flight of the Earls 758:Battle of the Boyne 709:Battle of the Boyne 494:Confederate Ireland 486:Counter-Reformation 272:Irish bardic poetry 159:Republic of Ireland 6993:Ireland portal 6311:Skirts and kidneys 5817:List of High Kings 5736:Anglo-Irish Treaty 5676:First Great Famine 5661:Settlement of 1652 5633:Tyrone's Rebellion 5623:Desmond Rebellions 5512:Kingdom of Ireland 4822:HardPressed Poetry 4478:Caitriona O'Reilly 4468:Bernard O'Donoghue 4287:Cathal Ó Searcaigh 4177:Gabriel Rosenstock 4031:Robert Dwyer Joyce 3898:Tomás Ó Cobhthaigh 3862:Óengus of Tallaght 3476:John Hewitt (ed), 3462:Eamonn o Cairdha, 3320:by Muiris Sionóid. 3077:2012-04-02 at the 2714:The newly created 2690:from the original 2682:Rainer Maria Rilke 2620: 2575:(a nom de plume), 2539:Cathal Ó Searcaigh 2519:Gabriel Rosenstock 2467:poetry collection 2400:diplomatic service 2333:Myles na gCopaleen 2287:and imprisoned at 2273:oath of allegiance 2157:, who adapted the 1705:Valentin Iremonger 1457:, later the first 1419:The Celtic revival 1066:Gulliver's Travels 1057: 966:, a member of the 799:Chiefs of the Name 574:an Siogai Romanach 456:of the schools to 450:Early Modern Irish 204:Early Irish poetry 157:, politically the 148: 137: 129: 7028:Poetry by country 7000: 6999: 6978: 6977: 6974: 6973: 6385: 6384: 6276:Bacon and cabbage 6228: 6227: 6224: 6223: 6095:Foreign relations 6018: 6017: 6014: 6013: 5945:Notable buildings 5839: 5838: 5835: 5834: 5382: 5381: 5375:Poetry portal 4955: 4954: 4926:SoundEye Festival 4875:Icarus (magazine) 4774: 4773: 4511: 4510: 4473:Conor O'Callaghan 4327:Dennis O'Driscoll 4277:Eoghan Ó Tuairisc 4157:Máirtín Ó Direáin 4006:William Allingham 3950:Aogán Ó Rathaille 3929:Aogán Ó Rathaille 3914:Dáibhí Ó Bruadair 3891:15th/16th century 3455:Padraig Lenihan, 3450:Kilcash:1190-1801 3419:, artscouncil.ie. 3193:978-0-946755-38-7 2836:Merriman, Brian. 2779:The Celtic Realms 2763:The Celtic Realms 2647:iambic pentameter 2640:Rotha Mór an Ghrá 2550:Tomás Mac Síomóin 2494:' and 'Gloria.'" 2477:Aifreann na marbh 2427:Eoghan Ó Tuairisc 2373:Máirtín Ó Direáin 2354:literary festival 2320:literary language 2308:literary language 2214:Amhrán na Mianach 2033:of the surviving 2027:literary language 2019:Ochón! a Dhonncha 1925:Empire of Shadows 1913:Cities of Mirrors 1858:Ciaran O'Driscoll 1847:SoundEye Festival 1798:New Writers Press 1591:(1880–1959), and 1567:(1896–1941), and 1370:William Allingham 1325:John Blake Dillon 1216: 1215: 838:Aogán Ó Rathaille 807:Chief of the Name 776:O'Donnell dynasty 748:Aogán Ó Rathaille 746:(1600?–1653) and 740:Dáibhí Ó Bruadair 736: 735: 701: 700: 666:Patrick Sarsfield 654: 653: 626: 625: 601: 600: 566: 565: 525: 524: 433:Battle of Kinsale 386:The Faerie Queene 345:Arthurian legends 254: 253: 233:fri fid flescach, 121: 120: 113: 95: 7035: 7018:Irish literature 6991: 6990: 6989: 6668:Tuatha Dé Danann 6256: 6255: 6247: 6246: 6234: 6233: 6169:Northern Ireland 6147: 6137: 6127: 6037: 6036: 6024: 6023: 5858: 5857: 5845: 5844: 5721:Home Rule crisis 5551:Northern Ireland 5464: 5463: 5451: 5450: 5438:Northern Ireland 5409: 5402: 5395: 5386: 5385: 5373: 5372: 4982: 4975: 4968: 4959: 4958: 4947:Poetry Now Award 4897:The Stinging Fly 4882:The Lace Curtain 4520: 4519: 4458:Sinéad Morrissey 4448:Brendan Kennelly 4302:Rita Ann Higgins 4247:Geoffrey Squires 4172:Michael Hartnett 4142:Patrick Kavanagh 4127:Thomas MacGreevy 4092:Francis Ledwidge 4087:Thomas MacDonagh 3965:Oliver Goldsmith 3919:Piaras Feiritéar 3867:Sedulius Scottus 3822:Colmán of Cloyne 3747:Flann mac Lonáin 3707: 3706: 3694:Táin Bó Cúailnge 3606: 3599: 3592: 3583: 3582: 3441:Nicholas Canny, 3417:The Arts Council 3360:, showhouse.com. 3321: 3315: 3309: 3298: 3289: 3283:Columbia Journal 3279: 3273: 3255: 3249: 3236: 3230: 3229:. 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Daly 4388:Patrick Chapman 4363:Thomas McCarthy 4351: 4317:Medbh McGuckian 4232:Thomas Kinsella 4212:Michael Longley 4162:Seán Ó Ríordáin 4132:Blanaid Salkeld 4082:Joseph Plunkett 4060: 4046:Katharine Tynan 4001:Samuel Ferguson 3974: 3938: 3902: 3886: 3857:Dallán Forgaill 3698: 3615: 3610: 3537:Wayback Machine 3492: 3438: 3436:Further reading 3408:, soundeye.org. 3364:Goldsmith poems 3340:Wayback Machine 3329: 3324: 3316: 3312: 3308:March 14, 2018. 3299: 3292: 3280: 3276: 3256: 3252: 3237: 3233: 3221: 3217: 3205: 3201: 3194: 3180: 3179: 3175: 3159: 3155: 3144: 3140: 3128: 3124: 3112: 3105: 3093: 3089: 3079:Wayback Machine 3070: 3066: 3049: 3045: 3028: 3024: 3007: 3003: 2991: 2987: 2978: 2974: 2965: 2964: 2960: 2948: 2941: 2932: 2928: 2919:Ulster Folklife 2916: 2907: 2887: 2878: 2870:Charles Jones, 2869: 2865: 2856: 2852: 2835: 2831: 2822: 2803: 2794: 2785: 2776: 2769: 2760: 2749: 2745: 2728: 2712: 2581:Bríd Ní Mhóráin 2573:Biddy Jenkinson 2412:Franco's regime 2377:Seán Ó Ríordáin 2345:Colm Breathnach 2191:Éamon de Valera 2111:Beara Peninsula 2051:Thomas Kinsella 1981:Ón dhomhan diar 1973: 1957:Medbh McGuckian 1933: 1887:Thomas Kinsella 1882: 1866:Medbh McGuckian 1786: 1741:Michael Longley 1713:Collected Poems 1690: 1664:Thomas Kinsella 1656:Stephen Spender 1642:Michael Roberts 1617:Elizabeth Bowen 1601:Death of Hektor 1589:Blanaid Salkeld 1550:artillery shell 1532:"peasant poet" 1478: 1473: 1421: 1364:Samuel Ferguson 1279: 1276: 1274: 1272: 1212: 1204: 1201: 1199: 1197: 1165: 1137: 1103:Joshua Reynolds 1072:A Tale of a Tub 1049: 1011:. The poet was 997:Derrynane House 979:oral literature 927:Peig Ní Chuarta 912:Seamus McMurphy 830:syllabic metres 826: 797:, who had been 795:O'Brien dynasty 766: 732: 729: 723: 720: 697: 694: 692: 690: 684: 681: 679: 677: 650: 643: 640: 634: 622: 615: 612: 597: 590: 587: 585: 562: 551: 548: 521: 514: 511: 509: 429: 422: 339:ushered in the 274: 268: 250: 243: 240: 238: 236: 234: 232: 212: 206: 183:Scottish Gaelic 175:Scottish Gaelic 117: 106: 100: 97: 54: 52: 42: 30: 17: 12: 11: 5: 7041: 7031: 7030: 7025: 7020: 7015: 6998: 6997: 6983: 6980: 6979: 6976: 6975: 6972: 6971: 6969: 6968: 6963: 6958: 6949: 6940: 6931: 6926: 6921: 6916: 6911: 6906: 6904:Heritage Sites 6901: 6896: 6891: 6885: 6883: 6879: 6878: 6876: 6875: 6870: 6865: 6860: 6855: 6854: 6853: 6843: 6838: 6831: 6825: 6823: 6817: 6816: 6814: 6813: 6808: 6803: 6798: 6793: 6788: 6783: 6778: 6773: 6768: 6762: 6760: 6754: 6753: 6751: 6750: 6745: 6740: 6735: 6730: 6728:Irish diaspora 6725: 6720: 6719: 6718: 6716:Gaelic Ireland 6708: 6702: 6700: 6694: 6693: 6691: 6690: 6685: 6678: 6671: 6664: 6657: 6650: 6643: 6642: 6641: 6636: 6631: 6626: 6615: 6613: 6607: 6606: 6604: 6603: 6598: 6593: 6588: 6587: 6586: 6576: 6569: 6563: 6561: 6555: 6554: 6552: 6551: 6546: 6541: 6536: 6529: 6524: 6518: 6516: 6510: 6509: 6507: 6506: 6501: 6496: 6491: 6485: 6483: 6477: 6476: 6474: 6473: 6468: 6459: 6457:Rose of Tralee 6454: 6449: 6444: 6439: 6434: 6428: 6426: 6422: 6421: 6419: 6418: 6413: 6408: 6401: 6395: 6393: 6387: 6386: 6383: 6382: 6380: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6343: 6341: 6337: 6336: 6334: 6333: 6328: 6323: 6318: 6313: 6308: 6303: 6298: 6293: 6288: 6283: 6278: 6273: 6268: 6266:List of dishes 6262: 6260: 6253: 6243: 6242: 6230: 6229: 6226: 6225: 6222: 6221: 6219: 6218: 6213: 6208: 6207: 6206: 6196: 6191: 6186: 6185: 6184: 6182:D'Hondt method 6173: 6171: 6165: 6164: 6162: 6161: 6156: 6155: 6154: 6149: 6143:Seanad Éireann 6139: 6119: 6114: 6109: 6108: 6107: 6097: 6092: 6087: 6082: 6076: 6074: 6068: 6067: 6065: 6064: 6059: 6054: 6049: 6043: 6041: 6033: 6032: 6020: 6019: 6016: 6015: 6012: 6011: 6009: 6008: 6003: 5998: 5993: 5988: 5983: 5978: 5973: 5964: 5959: 5954: 5953: 5952: 5947: 5936: 5934: 5930: 5929: 5927: 5926: 5917: 5916: 5915: 5905: 5900: 5895: 5890: 5885: 5883:Extreme points 5880: 5875: 5873:Climate change 5870: 5864: 5862: 5854: 5853: 5841: 5840: 5837: 5836: 5833: 5832: 5830: 5829: 5824: 5819: 5814: 5809: 5804: 5798: 5796: 5792: 5791: 5789: 5788: 5783: 5778: 5773: 5768: 5763: 5758: 5753: 5748: 5743: 5738: 5733: 5728: 5723: 5718: 5713: 5708: 5703: 5698: 5693: 5691:1803 Rebellion 5688: 5683: 5681:1798 Rebellion 5678: 5673: 5668: 5666:Williamite War 5663: 5654: 5648:1641 Rebellion 5645: 5640: 5635: 5630: 5628:Spanish Armada 5625: 5620: 5618:Tudor conquest 5615: 5610: 5608:Bruce campaign 5605: 5600: 5586: 5584: 5580: 5579: 5577: 5576: 5571: 5566: 5565: 5564: 5554: 5553:(1921–present) 5548: 5543: 5541:Irish Republic 5538: 5537: 5536: 5526: 5525: 5524: 5519: 5509: 5508: 5507: 5502: 5500:800–1169 5491:Gaelic Ireland 5488: 5483: 5478: 5472: 5470: 5460: 5459: 5447: 5446: 5444: 5443: 5435: 5426: 5423: 5422: 5412: 5411: 5404: 5397: 5389: 5380: 5379: 5365: 5362: 5361: 5359: 5358: 5353: 5348: 5343: 5338: 5333: 5328: 5323: 5318: 5313: 5308: 5303: 5298: 5293: 5292: 5291: 5286: 5278: 5273: 5268: 5263: 5258: 5253: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5191:Latin American 5188: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5088: 5083: 5082: 5081: 5071: 5066: 5061: 5056: 5051: 5046: 5041: 5036: 5031: 5026: 5021: 5016: 5011: 5006: 5000: 4997: 4996: 4985: 4984: 4977: 4970: 4962: 4953: 4952: 4950: 4949: 4944: 4938: 4936: 4932: 4931: 4929: 4928: 4923: 4917: 4915: 4911: 4910: 4908: 4907: 4900: 4893: 4886: 4878: 4871: 4863: 4855: 4853: 4849: 4848: 4846: 4845: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4803: 4801: 4797: 4796: 4794: 4793: 4788: 4786:Poetry Ireland 4782: 4780: 4776: 4775: 4772: 4771: 4769: 4768: 4761: 4754: 4751:Sweeney Astray 4747: 4740: 4733: 4728: 4720: 4718: 4714: 4713: 4711: 4710: 4705: 4697: 4695: 4691: 4690: 4688: 4687: 4680: 4673: 4665: 4663: 4659: 4658: 4656: 4655: 4650: 4645: 4638: 4636:Buile Shuibhne 4633: 4628: 4623: 4618: 4613: 4608: 4603: 4598: 4593: 4588: 4583: 4578: 4573: 4568: 4562: 4560: 4556: 4555: 4553: 4552: 4544: 4542: 4538: 4537: 4535: 4534: 4526: 4524: 4517: 4513: 4512: 4509: 4508: 4506: 4505: 4500: 4495: 4493:Maurice Scully 4490: 4485: 4480: 4475: 4470: 4465: 4460: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4400: 4395: 4390: 4385: 4380: 4375: 4370: 4365: 4359: 4357: 4353: 4352: 4350: 4349: 4344: 4342:W. F. Marshall 4339: 4337:Anthony Cronin 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 4294: 4289: 4284: 4282:Patrick Galvin 4279: 4274: 4269: 4264: 4259: 4257:Randolph Healy 4254: 4252:Augustus Young 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4199: 4194: 4192:Robert Greacen 4189: 4184: 4179: 4174: 4169: 4164: 4159: 4154: 4152:Louis MacNeice 4149: 4144: 4139: 4134: 4129: 4124: 4119: 4114: 4112:Samuel Beckett 4109: 4104: 4099: 4094: 4089: 4084: 4079: 4077:Patrick Pearse 4074: 4068: 4066: 4062: 4061: 4059: 4058: 4053: 4048: 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3988: 3982: 3980: 3976: 3975: 3973: 3972: 3967: 3962: 3960:Jonathan Swift 3957: 3955:Brian Merriman 3952: 3946: 3944: 3940: 3939: 3937: 3936: 3931: 3926: 3921: 3916: 3910: 3908: 3904: 3903: 3901: 3900: 3894: 3892: 3888: 3887: 3885: 3884: 3879: 3874: 3869: 3864: 3859: 3854: 3849: 3844: 3839: 3834: 3829: 3824: 3819: 3814: 3809: 3804: 3799: 3794: 3789: 3784: 3779: 3774: 3769: 3764: 3759: 3754: 3749: 3744: 3739: 3734: 3729: 3724: 3719: 3713: 3711: 3704: 3700: 3699: 3697: 3696: 3691: 3684: 3679: 3674: 3669: 3664: 3659: 3654: 3649: 3644: 3639: 3634: 3629: 3623: 3621: 3617: 3616: 3609: 3608: 3601: 3594: 3586: 3580: 3579: 3573: 3567: 3561: 3555: 3549: 3539: 3527: 3522: 3516: 3511: 3505: 3499: 3491: 3490:External links 3488: 3487: 3486: 3481: 3474: 3467: 3460: 3453: 3446: 3437: 3434: 3433: 3432: 3426: 3423:Poetry Ireland 3420: 3414: 3409: 3403: 3397: 3391: 3385: 3379: 3373: 3367: 3361: 3355: 3349: 3343: 3328: 3325: 3323: 3322: 3310: 3305:The Irish Post 3290: 3274: 3250: 3231: 3215: 3199: 3192: 3173: 3169:Bloodaxe Books 3153: 3138: 3122: 3103: 3087: 3064: 3043: 3022: 3001: 2985: 2972: 2958: 2939: 2926: 2905: 2876: 2863: 2850: 2829: 2801: 2783: 2767: 2746: 2744: 2741: 2740: 2739: 2734: 2727: 2724: 2711: 2708: 2636:Connacht Irish 2624:Muiris Sionóid 2622:In 2009, poet 2577:Áine Ní Ghlinn 2485:Roman Catholic 2431:Irish-language 2358:compound words 2328:David Wheatley 2279:following the 2218:Corca Dhuibhne 2199:Irish Republic 2175:Cois na Tuinne 2143:Irish-American 2135:Butte, Montana 2131:Irish-American 2099:Irish diaspora 2080:Irish language 2061:Patrick Pearse 2047:Patrick Pearse 2043:Irish language 2039:literary canon 2025:preferred the 2023:Gaelic revival 1989:Patrick Pearse 1977:Gaelic revival 1972: 1969: 1932: 1929: 1917:Pieces of Time 1881: 1878: 1862:John W. Sexton 1843:Randolph Healy 1835:Maurice Scully 1831:Bertolt Brecht 1827:Augustus Young 1785: 1782: 1701:Robert Greacen 1689: 1686: 1669:Poetry Ireland 1647:New Signatures 1638:Louis MacNeice 1573:Samuel Beckett 1507:Pádraig Pearse 1477: 1474: 1472: 1469: 1443:Celtic Revival 1420: 1417: 1382:Pre-Raphaelite 1378:County Donegal 1310:Irish Melodies 1269: 1237:Johnny Seoighe 1214: 1213: 1205: 1164: 1161: 1136: 1133: 1095:Samuel Johnson 1061:Jonathan Swift 1048: 1045: 954:Brian Merriman 825: 822: 765: 762: 742:(1625?–1698), 734: 733: 724: 699: 698: 685: 652: 651: 644: 624: 623: 616: 599: 598: 591: 564: 563: 552: 523: 522: 515: 481:Irish Colleges 454:syllabic verse 421: 418: 380:Edmund Spenser 372:Walter Raleigh 361:Middle English 270:Main article: 267: 264: 252: 251: 244: 205: 202: 177:and others in 127:Jonathan Swift 119: 118: 60:"Irish poetry" 33: 31: 24: 15: 9: 6: 4: 3: 2: 7040: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7010: 7008: 6995: 6994: 6981: 6967: 6964: 6962: 6961:Public houses 6959: 6957: 6953: 6950: 6948: 6944: 6941: 6939: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6895: 6892: 6890: 6887: 6886: 6884: 6880: 6874: 6871: 6869: 6866: 6864: 6861: 6859: 6856: 6852: 6849: 6848: 6847: 6844: 6842: 6839: 6837: 6836: 6832: 6830: 6827: 6826: 6824: 6822: 6818: 6812: 6809: 6807: 6804: 6802: 6799: 6797: 6794: 6792: 6789: 6787: 6784: 6782: 6779: 6777: 6774: 6772: 6769: 6767: 6764: 6763: 6761: 6759: 6755: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6717: 6714: 6713: 6712: 6709: 6707: 6704: 6703: 6701: 6699: 6695: 6689: 6686: 6684: 6683: 6679: 6677: 6676: 6672: 6670: 6669: 6665: 6663: 6662: 6658: 6656: 6655: 6651: 6649: 6648: 6644: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6621: 6620: 6617: 6616: 6614: 6612: 6608: 6602: 6599: 6597: 6594: 6592: 6589: 6585: 6582: 6581: 6580: 6577: 6575: 6574: 6570: 6568: 6565: 6564: 6562: 6560: 6556: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6534: 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6088: 6086: 6083: 6081: 6078: 6077: 6075: 6073: 6069: 6063: 6060: 6058: 6055: 6053: 6052:Republicanism 6050: 6048: 6045: 6044: 6042: 6038: 6034: 6030: 6025: 6021: 6007: 6004: 6002: 5999: 5997: 5994: 5992: 5989: 5987: 5984: 5982: 5979: 5977: 5974: 5972: 5968: 5965: 5963: 5960: 5958: 5955: 5951: 5948: 5946: 5943: 5942: 5941: 5938: 5937: 5935: 5931: 5925: 5921: 5918: 5914: 5911: 5910: 5909: 5906: 5904: 5901: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5865: 5863: 5859: 5855: 5851: 5846: 5842: 5828: 5825: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5799: 5797: 5793: 5787: 5784: 5782: 5779: 5777: 5774: 5772: 5769: 5767: 5766:Peace process 5764: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5746:The Emergency 5744: 5742: 5739: 5737: 5734: 5732: 5729: 5727: 5726:Easter Rising 5724: 5722: 5719: 5717: 5714: 5712: 5711:Fenian Rising 5709: 5707: 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5662: 5658: 5655: 5653: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5595: 5591: 5588: 5587: 5585: 5581: 5575: 5572: 5570: 5567: 5563: 5560: 5559: 5558: 5555: 5552: 5549: 5547: 5544: 5542: 5539: 5535: 5532: 5531: 5530: 5527: 5523: 5520: 5518: 5515: 5514: 5513: 5510: 5506: 5503: 5501: 5498: 5497: 5496: 5492: 5489: 5487: 5486:Early history 5484: 5482: 5479: 5477: 5474: 5473: 5471: 5469: 5465: 5461: 5457: 5452: 5448: 5442: 5439: 5436: 5434: 5431: 5428: 5427: 5424: 5420: 5417: 5410: 5405: 5403: 5398: 5396: 5391: 5390: 5387: 5377: 5376: 5371: 5363: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5302: 5299: 5297: 5294: 5290: 5287: 5285: 5282: 5281: 5279: 5277: 5274: 5272: 5269: 5267: 5264: 5262: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 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4779:Organisations 4777: 4767: 4766: 4762: 4760: 4759: 4755: 4753: 4752: 4748: 4746: 4745: 4741: 4739: 4738: 4734: 4732: 4729: 4727: 4726: 4722: 4721: 4719: 4715: 4709: 4706: 4704: 4703: 4699: 4698: 4696: 4692: 4686: 4685: 4681: 4679: 4678: 4674: 4672: 4671: 4670:The Traveller 4667: 4666: 4664: 4660: 4654: 4651: 4649: 4646: 4644: 4643: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4602: 4599: 4597: 4594: 4592: 4589: 4587: 4584: 4582: 4579: 4577: 4574: 4572: 4569: 4567: 4564: 4563: 4561: 4557: 4551: 4550: 4546: 4545: 4543: 4539: 4533: 4532: 4528: 4527: 4525: 4521: 4518: 4514: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4469: 4466: 4464: 4461: 4459: 4456: 4454: 4453:Hugh McFadden 4451: 4449: 4446: 4444: 4441: 4439: 4438:Pat Ingoldsby 4436: 4434: 4433:Seamus Heaney 4431: 4429: 4426: 4424: 4423:Eamon Grennan 4421: 4419: 4418:Leontia Flynn 4416: 4414: 4411: 4409: 4406: 4404: 4401: 4399: 4396: 4394: 4393:Harry Clifton 4391: 4389: 4386: 4384: 4383:Ciarán Carson 4381: 4379: 4378:Mairéad Byrne 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4360: 4358: 4354: 4348: 4345: 4343: 4340: 4338: 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4288: 4285: 4283: 4280: 4278: 4275: 4273: 4270: 4268: 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4237:Michael Smith 4235: 4233: 4230: 4228: 4225: 4223: 4222:Seamus Heaney 4220: 4218: 4215: 4213: 4210: 4208: 4207:John Montague 4205: 4203: 4202:Padraic Fiacc 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4107:Austin Clarke 4105: 4103: 4102:F. R. Higgins 4100: 4098: 4097:Padraic Colum 4095: 4093: 4090: 4088: 4085: 4083: 4080: 4078: 4075: 4073: 4070: 4069: 4067: 4063: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4026:Aeneas Coffey 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3989: 3987: 3984: 3983: 3981: 3977: 3971: 3968: 3966: 3963: 3961: 3958: 3956: 3953: 3951: 3948: 3947: 3945: 3941: 3935: 3932: 3930: 3927: 3925: 3922: 3920: 3917: 3915: 3912: 3911: 3909: 3905: 3899: 3896: 3895: 3893: 3889: 3883: 3880: 3878: 3875: 3873: 3870: 3868: 3865: 3863: 3860: 3858: 3855: 3853: 3850: 3848: 3845: 3843: 3840: 3838: 3835: 3833: 3830: 3828: 3825: 3823: 3820: 3818: 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3793: 3790: 3788: 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3720: 3718: 3715: 3714: 3712: 3708: 3705: 3701: 3695: 3692: 3690: 3689: 3685: 3683: 3680: 3678: 3675: 3673: 3670: 3668: 3665: 3663: 3660: 3658: 3655: 3653: 3652:Kildare Poems 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3630: 3628: 3625: 3624: 3622: 3618: 3614: 3607: 3602: 3600: 3595: 3593: 3588: 3587: 3584: 3577: 3574: 3571: 3568: 3565: 3562: 3559: 3556: 3553: 3550: 3547: 3543: 3540: 3538: 3534: 3531: 3528: 3526: 3523: 3520: 3517: 3515: 3512: 3509: 3506: 3503: 3500: 3497: 3494: 3493: 3485: 3482: 3479: 3475: 3472: 3468: 3465: 3461: 3458: 3454: 3451: 3447: 3444: 3440: 3439: 3430: 3427: 3424: 3421: 3418: 3415: 3413: 3410: 3407: 3404: 3401: 3398: 3395: 3392: 3389: 3386: 3383: 3380: 3377: 3374: 3371: 3368: 3365: 3362: 3359: 3356: 3353: 3350: 3347: 3344: 3341: 3337: 3334: 3331: 3330: 3319: 3314: 3307: 3306: 3302: 3297: 3295: 3288: 3284: 3278: 3272: 3268: 3264: 3263:Louis de Paor 3260: 3254: 3248: 3244: 3240: 3235: 3228: 3224: 3223:Louis De Paor 3219: 3212: 3208: 3207:Louis De Paor 3203: 3195: 3189: 3185: 3184: 3177: 3170: 3166: 3162: 3161:Louis De Paor 3157: 3150: 3147: 3142: 3135: 3134:Louis de Paor 3131: 3126: 3119: 3118:Louis de Paor 3115: 3110: 3108: 3100: 3099:Louis de Paor 3096: 3091: 3084: 3080: 3076: 3073: 3068: 3061: 3057: 3053: 3047: 3040: 3036: 3032: 3026: 3019: 3015: 3011: 3005: 2998: 2997:Louis de Paor 2994: 2989: 2982: 2976: 2969: 2962: 2956: 2952: 2946: 2944: 2936: 2930: 2924: 2920: 2914: 2912: 2910: 2903: 2899: 2898:1-55849-172-4 2895: 2891: 2885: 2883: 2881: 2873: 2867: 2860: 2854: 2847: 2846:0-85105-002-6 2843: 2839: 2833: 2826: 2820: 2818: 2816: 2814: 2812: 2810: 2808: 2806: 2798: 2792: 2790: 2788: 2780: 2774: 2772: 2764: 2758: 2756: 2754: 2752: 2747: 2738: 2735: 2733: 2730: 2729: 2723: 2721: 2717: 2707: 2705: 2701: 2697: 2696:Munster Irish 2693: 2689: 2688: 2687:Duino Elegies 2683: 2679: 2675: 2671: 2670:Leabhar Breac 2667: 2662: 2660: 2656: 2651: 2648: 2643: 2641: 2637: 2633: 2629: 2625: 2616: 2612: 2609: 2605: 2600: 2596: 2594: 2590: 2586: 2582: 2578: 2574: 2570: 2565: 2563: 2559: 2555: 2551: 2547: 2542: 2540: 2536: 2535:Louis de Paor 2532: 2531:Caitlín Maude 2528: 2524: 2520: 2517:(1950-2018), 2516: 2511: 2509: 2504: 2500: 2499:Louis De Paor 2497:According to 2495: 2493: 2489: 2486: 2482: 2478: 2474: 2470: 2466: 2461: 2459: 2455: 2450: 2448: 2447:The Emergency 2444: 2440: 2439:County Galway 2436: 2432: 2428: 2423: 2421: 2417: 2413: 2409: 2405: 2401: 2397: 2393: 2392:Louis De Paor 2390:According to 2388: 2386: 2382: 2378: 2375:(1910-1988), 2374: 2369: 2367: 2363: 2359: 2355: 2352: 2351: 2346: 2342: 2340: 2339: 2334: 2329: 2325: 2321: 2317: 2313: 2309: 2304: 2302: 2298: 2297:Western canon 2294: 2290: 2286: 2282: 2281:Easter Rising 2278: 2277:King George V 2274: 2269: 2267: 2266:Louis De Paor 2263: 2259: 2258:lexicographer 2255: 2250: 2248: 2247: 2242: 2238: 2233: 2231: 2227: 2223: 2219: 2215: 2210: 2208: 2207:San Francisco 2204: 2200: 2196: 2192: 2189:aloud during 2188: 2184: 2180: 2176: 2172: 2168: 2167:Easter Rising 2164: 2161:tradition of 2160: 2156: 2150: 2148: 2144: 2140: 2136: 2132: 2128: 2124: 2120: 2116: 2112: 2108: 2104: 2100: 2095: 2093: 2089: 2085: 2081: 2077: 2073: 2072:Easter Rising 2069: 2066: 2062: 2058: 2057:Louis De Paor 2054: 2052: 2048: 2044: 2040: 2036: 2032: 2028: 2024: 2020: 2016: 2015:Munster Irish 2012: 2008: 2004: 2000: 1996: 1995: 1990: 1986: 1985:United States 1982: 1978: 1968: 1966: 1962: 1958: 1954: 1950: 1946: 1943:(born 1942), 1942: 1939:(born 1944), 1938: 1928: 1926: 1922: 1918: 1914: 1910: 1909:Hugh McFadden 1906: 1904: 1900: 1898: 1894: 1892: 1888: 1877: 1875: 1871: 1867: 1864:(born 1958), 1863: 1859: 1855: 1850: 1848: 1844: 1840: 1837:(born 1952), 1836: 1832: 1828: 1824: 1823:Charles Olson 1820: 1815: 1813: 1809: 1805: 1804: 1799: 1795: 1791: 1790:Michael Smith 1781: 1779: 1774: 1771: 1769: 1765: 1761: 1756: 1755:(born 1951). 1754: 1750: 1749:Séamus Heaney 1747:(born 1941), 1746: 1743:(born 1939), 1742: 1739:(born 1929), 1738: 1737:John Montague 1734: 1730: 1726: 1725:Padraic Fiacc 1722: 1718: 1714: 1710: 1706: 1702: 1697: 1695: 1694:Great Britain 1685: 1683: 1679: 1675: 1671: 1670: 1665: 1659: 1657: 1653: 1649: 1648: 1644:'s anthology 1643: 1639: 1634: 1630: 1626: 1620: 1618: 1614: 1608: 1604: 1602: 1598: 1594: 1590: 1587:(1893–1967), 1586: 1583:(1908–1959), 1582: 1579:(1905–1995), 1578: 1574: 1570: 1569:Austin Clarke 1566: 1565:F. R. Higgins 1563:(1881–1972), 1562: 1561:Pádraic Colum 1557: 1555: 1551: 1547: 1543: 1539: 1535: 1531: 1526: 1524: 1523:Nationalistic 1520: 1516: 1512: 1508: 1504: 1503:Easter Rising 1499: 1497: 1496: 1491: 1487: 1483: 1468: 1466: 1465: 1460: 1456: 1450: 1448: 1445:. He won the 1444: 1440: 1436: 1435: 1430: 1426: 1416: 1414: 1410: 1406: 1401: 1399: 1395: 1391: 1387: 1383: 1379: 1375: 1371: 1367: 1365: 1360: 1358: 1357: 1352: 1348: 1344: 1340: 1336: 1332: 1331: 1326: 1322: 1319:(1816–1903), 1318: 1313: 1311: 1307: 1303: 1298: 1296: 1292: 1286: 1284: 1278: 1267: 1264: 1259: 1257: 1256:Barbara Allen 1253: 1249: 1244: 1242: 1238: 1234: 1230: 1226: 1222: 1221:An Drochshaol 1211: 1206: 1203: 1193: 1192: 1189: 1187: 1183: 1179: 1175: 1169: 1160: 1158: 1152: 1149: 1147: 1143: 1132: 1130: 1126: 1122: 1121: 1120:The Traveller 1116: 1115: 1110: 1109: 1104: 1100: 1096: 1092: 1088: 1084: 1082: 1078: 1074: 1073: 1068: 1067: 1062: 1053: 1044: 1042: 1038: 1034: 1030: 1026: 1022: 1018: 1014: 1010: 1006: 1002: 998: 994: 990: 989: 984: 980: 975: 973: 972:Saint Patrick 969: 965: 961: 960: 955: 951: 947: 943: 939: 935: 930: 928: 924: 919: 917: 913: 909: 905: 901: 896: 894: 890: 887: 883: 879: 875: 871: 866: 864: 859: 857: 853: 849: 845: 841: 839: 834: 831: 821: 818: 816: 812: 808: 804: 800: 796: 791: 789: 785: 781: 777: 773: 769: 761: 759: 755: 754: 749: 745: 741: 731: 725: 722: 716: 715: 712: 710: 706: 696: 686: 683: 673: 672: 669: 667: 663: 659: 649: 645: 642: 638: 630: 629: 621: 617: 614: 608: 607: 604: 596: 592: 589: 581: 580: 577: 575: 571: 561: 559: 553: 550: 544: 543: 540: 538: 537:Protestantism 534: 530: 520: 516: 513: 505: 504: 501: 499: 495: 491: 487: 482: 478: 474: 470: 466: 461: 459: 455: 451: 447: 442: 438: 434: 427: 417: 415: 411: 405: 400: 398: 394: 393: 388: 387: 381: 377: 373: 369: 364: 362: 357: 353: 352:Kildare Poems 348: 346: 342: 337: 332: 329: 325: 320: 318: 314: 310: 305: 303: 299: 295: 291: 287: 283: 279: 273: 263: 261: 260: 249: 245: 242: 241:álainn céol. 235:forglas néol; 228: 227: 224: 220: 216: 211: 201: 199: 194: 192: 186: 184: 180: 179:Hiberno-Latin 176: 172: 168: 164: 160: 156: 152: 145: 141: 133: 125: 115: 112: 104: 101:February 2013 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: –  61: 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 7013:Irish poetry 6984: 6954: / 6945: / 6936: / 6914:Homelessness 6833: 6801:Road bowling 6796:Martial arts 6743:Ulster Scots 6680: 6673: 6666: 6659: 6652: 6645: 6624:Mythological 6571: 6538: 6531: 6504:Ulster Scots 6464: / 6403: 6331:Three-in-One 6142: 6133:Dáil Éireann 6132: 6122: 6080:Constitution 5969: / 5940:Architecture 5922: / 5795:Other topics 5776:Celtic Tiger 5761:The Troubles 5659: / 5650: / 5596: / 5592: / 5493: / 5481:Protohistory 5366: 5306:Serbian epic 5145: 4902: 4895: 4888: 4880: 4873: 4865: 4858: 4852:Publications 4812:Dolmen Press 4763: 4756: 4749: 4742: 4735: 4731:Hi Uncle Sam 4723: 4717:Contemporary 4702:Tone's Grave 4700: 4694:19th century 4682: 4675: 4668: 4662:18th century 4640: 4547: 4529: 4498:William Wall 4483:Justin Quinn 4463:Gerry Murphy 4443:Trevor Joyce 4428:Vona Groarke 4413:Greg Delanty 4356:21st century 4322:Paula Meehan 4307:Eavan Boland 4242:Trevor Joyce 4227:Paul Muldoon 4197:Roy McFadden 4122:Denis Devlin 4117:Brian Coffey 4065:20th century 4051:Edward Walsh 4036:Thomas Davis 4011:Douglas Hyde 3986:Thomas Moore 3979:19th century 3943:18th century 3907:17th century 3872:Saint Dungal 3686: 3682:Weaver Poets 3627:Irish poetry 3626: 3613:Irish poetry 3612: 3545: 3477: 3470: 3469:Keith Tuma, 3463: 3456: 3449: 3442: 3313: 3303: 3282: 3277: 3266: 3258: 3253: 3242: 3234: 3226: 3218: 3210: 3202: 3182: 3176: 3164: 3156: 3148: 3141: 3129: 3125: 3113: 3094: 3090: 3082: 3067: 3055: 3046: 3034: 3025: 3013: 3004: 2992: 2988: 2975: 2967: 2961: 2950: 2934: 2929: 2918: 2889: 2871: 2866: 2858: 2853: 2837: 2832: 2824: 2796: 2778: 2762: 2713: 2704:County Kerry 2685: 2663: 2652: 2644: 2639: 2621: 2607: 2601: 2597: 2566: 2543: 2512: 2496: 2488:Requiem Mass 2476: 2468: 2462: 2451: 2424: 2389: 2370: 2348: 2343: 2336: 2305: 2270: 2251: 2244: 2234: 2229: 2225: 2222:County Kerry 2213: 2211: 2202: 2187:Dáil Éireann 2186: 2183:Dáil Éireann 2182: 2178: 2174: 2151: 2127:Ellis Island 2118: 2107:Inishfarnard 2096: 2084:Walt Whitman 2068:firing squad 2065:British Army 2055: 2018: 2007:County Kerry 2003:Uíbh Ráthach 1992: 1980: 1974: 1961:Paula Meehan 1953:Kate Newmann 1949:Kerry Hardie 1945:Vona Groarke 1937:Eavan Boland 1934: 1924: 1920: 1916: 1912: 1907: 1901: 1895: 1883: 1851: 1839:William Wall 1816: 1812:Denis Devlin 1808:Brian Coffey 1801: 1794:Trevor Joyce 1787: 1775: 1772: 1757: 1753:Paul Muldoon 1729:the Troubles 1721:Roy McFadden 1716: 1712: 1708: 1698: 1691: 1681: 1677: 1673: 1667: 1660: 1645: 1621: 1613:Kate O’Brien 1609: 1605: 1600: 1596: 1581:Denis Devlin 1577:Brian Coffey 1558: 1542:British Army 1530:Boyne Valley 1527: 1500: 1493: 1479: 1462: 1455:Douglas Hyde 1451: 1439:prose poetry 1432: 1422: 1409:Douglas Hyde 1402: 1397: 1385: 1374:Ballyshannon 1368: 1361: 1356:poète maudit 1354: 1346: 1342: 1334: 1328: 1321:Thomas Davis 1314: 1309: 1306:Robert Emmet 1302:Thomas Moore 1299: 1294: 1290: 1287: 1281: 1270: 1263:hedge school 1260: 1255: 1251: 1247: 1245: 1236: 1228: 1220: 1217: 1208: 1195: 1181: 1177: 1174:Great Famine 1170: 1166: 1153: 1150: 1146:Ulster Scots 1144:wrote in an 1142:Weaver Poets 1138: 1124: 1118: 1112: 1106: 1099:Edmund Burke 1085: 1070: 1064: 1058: 1015:(an aunt of 1001:County Kerry 986: 982: 976: 957: 949: 946:vision poems 931: 920: 900:Seán Ó Tuama 897: 881: 867: 860: 856:Fenian poems 842: 835: 827: 819: 815:County Clare 809:and Lord of 792: 783: 770: 767: 764:Female poets 751: 737: 727: 718: 702: 688: 675: 655: 647: 632: 619: 610: 602: 594: 583: 573: 567: 555: 546: 539:in Ireland, 528: 526: 518: 507: 497: 473:George Carew 462: 430: 407: 402: 396: 390: 384: 365: 349: 333: 321: 316: 306: 298:alliteration 275: 257: 255: 247: 231:Fogur gaíthe 230: 221: 217: 213: 210:Ollamh Érenn 195: 187: 151:Irish poetry 150: 149: 107: 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 7023:Irish poems 6934:Place names 6811:Rugby union 6706:Anglo-Irish 6591:Instruments 6447:The Twelfth 6411:Set dancing 6211:LGBT rights 6117:LGBT rights 6047:Nationalism 5613:Black Death 5226:Old English 5221:New Zealand 5141:Indian epic 5116:Guernésiais 5019:Anglo-Welsh 4523:Anthologies 4408:Gerald Dawe 4398:Tony Curtis 4347:W. B. Yeats 4292:Bobby Sands 4272:Basil Payne 4267:Paul Durcan 4262:John Jordan 4217:Derek Mahon 4147:John Hewitt 4072:James Joyce 4056:Oscar Wilde 4016:James Henry 3970:John Hewitt 3817:Niníne Éces 3637:Dán Díreach 3243:archipelago 3239:Theo Dorgan 3213:. Page 164. 3149:The Journal 3052:Aidan Doyle 3031:Aidan Doyle 3010:Aidan Doyle 2475:, entitled 2469:Lux aeterna 2435:Ballinasloe 2362:love poetry 2226:An Spailpín 2115:County Cork 2031:oral poetry 2017:. His poem 1975:During the 1903:Basil Payne 1897:John Jordan 1870:Tony Bailie 1745:Derek Mahon 1652:W. H. Auden 1629:John Hewitt 1599:(1975) and 1552:during the 1546:World War I 1482:James Joyce 1429:Oscar Wilde 1413:James Henry 1405:W. B. Yeats 1157:John Hewitt 1091:hack writer 1033:Anglo-Irish 1031:to a local 1021:Art O'Leary 970:who, since 878:Anglo-Irish 477:Roger Boyle 465:Old English 414:Clan Chiefs 410:Anglo-Irish 366:During the 309:chroniclers 302:Dán Díreach 259:Dán Díreach 7007:Categories 6835:Cláirseach 6738:Travellers 6596:Rock music 6579:Folk music 6514:Literature 6316:Soda bread 6199:Government 6126:parliament 6123:Oireachtas 6100:Government 6040:Ideologies 5671:Penal Laws 5562:since 1922 5476:Prehistory 5351:Vietnamese 5271:Rajasthani 5261:Portuguese 5034:Australian 4800:Publishers 4626:Pangur Bán 4368:John Ennis 4332:Seán Dunne 3396:, ucc.i.e. 3245:(Vol. 3): 3171:. 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Michael Hartnett
Ireland
Republic of Ireland
Northern Ireland
Irish
English
Scottish Gaelic
Hiberno-Latin
Scottish Gaelic
Irish Literary Revival
modernist
Ollamh Érenn
Dán Díreach
Irish bardic poetry
caste
clan

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