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The
Cambridge Songs were long thought to be forty-nine in number, but a missing folio that contained twenty-seven more was discovered in Frankfurt and returned to the University Library in 1982. All these songs were copied in the same hand. Seven songs in a different hand, but occurring in the same
168:: vagabond clerics), or an anthology for private enjoyment. Classicist Keith Sidwell maintains that their purpose could have been "the repertoire of an entertainer who catered for the imperial court."
146:(after the first forty-nine) have since been identified as probably part of the collection. The total number of Cambridge Songs is now considered to be eighty-three. Some of the verses are
176:
All the songs in the
Cambridge codex (ff.432–44) are sometimes catalogued as "Lyrics in honour of the emperors of Germany in the first half of the XI century". Those songs from
597:
577:
158:). The purpose of the collection has also eluded scholars. It was probably either a book of instruction on Latin verse, a songbook for wandering
535:). Reprinted (1998) as Medieval & Renaissance texts & studies v. 192 (Tempe, AZ: Medieval & Renaissance Texts & Studies;
86:
scholar while travelling on the continent sometime after the last datable song (1039), and brought back with him to the church of
98:
was long kept. The original manuscript was possibly lost in a fire that struck Saint
Augustine's in 1168. The dialect of the few
17:
559:
457:
540:
532:
490:
130:. While most of the Cambridge Songs survive only in the Cambridge manuscript, a few are duplicated in a manuscript,
514:
and Gernot R. Wieland. "A Canterbury classbook of the mid-eleventh century (the 'Cambridge Songs' manuscript)."
592:
516:
87:
67:
150:
and it is assumed that the entire collection was to be sung. Four of the original forty-nine are called
79:
602:
123:
127:
578:"First performance in 1,000 years: 'lost' songs from the Middle Ages are brought back to life"
32:
573:
Paderborner
Repertorium der deutschsprachigen TextĂĽberlieferung des 8. bis 12. Jahrhunderts
453:
106:, suggesting that the Goliard or Goliards who composed them came from the north or middle
8:
468:
83:
554:
536:
528:
486:
164:
155:
527:. Garland Library of Medieval Literature, Series A vol. 66 (New York: Garland Pub.;
474:
Harrington, Karl
Pomeroy; Joseph Michael Pucci; and Allison Goddard Elliott (1997).
511:
103:
135:
102:
portions found in some of the songs is in the North Rheno-Franconian dialect of
185:
55:
572:
586:
471:. Reprinted: New York: AMS Press, 1973. Includes images from the manuscript.
564:
99:
91:
78:
The songs as they survive are copies made shortly before or after the
288:
Ecclesie
Trevirensis nomine scripti ad Popponem archiepiscopum versus
107:
413:
Argie lamentatio maritum polinicum a fratre interfectum in venientis
159:
465:
The
Cambridge Songs: A Goliard's Songbook of the Eleventh Century
115:
52:
119:
147:
122:. It has been suggested that some of the songs originated in
111:
454:
Scans available online from the
Bayerische Staatsbibliothek
452:. MGH Scriptores rerum Germanicarum 40. Berlin, 1926.
499:, Cambridge University Press, Cambridge, p. 244.
408:
Hipsipile
Archemorum puerum a serpente necatum plorat
268:
Cantilena in
Heinricum III anno 1028 regem coronatum
58:
poems found on ten leaves (ff. 432–41) of the
555:
https://cudl.lib.cam.ac.uk/view/MS-GG-00005-00035/1
283:Cantilena in Heribertum archiepiscopum Coloniensis
258:Nenia in funebrum pompam Heinrici II imperiatoris
584:
598:Manuscripts held by the University of Cambridge
478:. 2nd ed. Chicago: University of Chicago Press.
467:. Cambridge: Cambridge University Press, 1915.
525:The Cambridge songs (Carmina Cantabrigiensia)
469:Scans Available as PDF from Internet Archive
485:, Vol. I, pp. 58–59. Arlington: 2009,
263:Cantilena in Conradum II factum imperatorem
82:(1066). They may have been collected by an
31:
94:, where they were copied and where the
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585:
253:Nenia de mortuo Heinrico II imperatore
178:Nenia de mortuo Heinrico II imperatore
73:
393:De simphoniis et de littera Pithagore
273:Nenia de mortuo Conrado II imperatore
458:HTML text from Bibliotheca Augustana
24:
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278:Gratulatio regine a morbo recreate
184:directly praise the rulers of the
182:Gratulatio regine a morbo recreate
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233:De domo s. Cecilie Coloniensis
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1:
560:Text at Bibliotheca Augustana
238:De s. Victore carmen Xantense
27:Collection of Goliardic poems
110:, probably the area between
68:Cambridge University Library
7:
403:Umbram Hectoris videt Eneas
10:
619:
483:The Manuscripts of Statius
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198:Modus qui et Carelmanninc
523:Ziolkowski, Jan (1994).
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398:Diapente et diatesseron
308:De Lantfrido et Corbone
66:, MS Gg. 5.35), now in
49:Carmina Cantabrigiensia
18:Carmina Cantabrigiensia
497:Reading Medieval Latin
448:Strecker, Karl (ed.).
51:) are a collection of
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593:Medieval Latin poetry
450:Die Cambridger Lieder
348:Verna femine suspiria
193:Carmen Christo dictum
60:Codex Cantabrigiensis
38:Codex Cantabrigiensis
35:
435:Sidwell 2012, p. 244
388:De mensa philosophie
36:Folio 436v from the
517:Anglo-Saxon England
495:Sidwell, K. (2012)
463:Breul, Karl (ed.).
203:Laudes Christo acte
74:History and content
481:Anderson, Harald.
373:Lamentatio Neobule
154:(melodies, namely
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520:4 (1975): 113-30.
378:Admonitio iuvenum
368:In languore perio
363:Clericus et nonna
328:Sacerdos et lupus
323:De Iohanne abbate
303:De proterii filio
165:clerici vagabundi
16:(Redirected from
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603:Goliardic poetry
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208:Hymnus paschalis
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418:Nisus omnigenti
353:Invitatio amice
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104:Old High German
88:Saint Augustine
80:Norman Conquest
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45:Cambridge Songs
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172:List of songs
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136:WolfenbĂĽttel
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343:De luscinio
293:De Willelmo
243:De Heinrico
213:Resurrectio
587:Categories
100:vernacular
92:Canterbury
383:De musica
218:Ad Mariam
160:minstrels
156:sequences
108:Rhineland
53:Goliardic
442:Sources
318:HerigĂŞr
134:, from
116:Cologne
84:English
539:
531:
489:
333:Alfrâd
228:Rachel
148:neumed
124:France
120:Xanten
118:, and
424:Notes
162:(the
144:Codex
128:Italy
112:Trier
96:Codex
537:ISBN
529:ISBN
487:ISBN
152:modi
43:The
188:.
180:to
126:or
90:at
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132:W
64:C
62:(
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