Cabinet of curiosities

411: 171: 774: 45: 343: 200:, whose early meetings were often a sort of open floor to any Fellow to exhibit the findings his curiosities led him to. However purely educational or investigative these exhibitions may sound, it is important to note that the Fellows in this period supported the idea of "learned entertainment," or the alignment of learning with entertainment. This was not unusual, as the Royal Society had an earlier history of a love of the marvellous. This love was often exploited by eighteenth-century natural philosophers to secure the attention of their audience during their exhibitions. 737: 816: 880: 257: 572: 209: 1187: 976:(1811–1859) was an early American pioneer of reconstructive plastic surgery. His specialty was repairing congenital anomalies, cleft lip and palates, and club foot. He also collected medical oddities, tumors, anatomical and pathological specimens, wet and dry preparations, wax models, plaster casts, and illustrations of medical deformities. This collection began as a teaching tool for young physicians. Just prior to Mütter's death in 1859, he donated 1,344 items to the 65: 623: 954:, who depicts the Royal Society as "an Assembly of many honorable Gentlemen, who meete inoffensively together under his Majesty's Royal Cognizance; and to entertaine themselves ingenously, whilst their other domestique avocations or publique business deprives them of being always in the company of learned men and that they cannot dwell forever in the Universities." 717:, installed in the former "Kings Library" room in 2003 to celebrate the 250th anniversary of the museum, aims to recreate the abundance and diversity that still characterized museums in the mid-eighteenth century, mixing shells, rock samples and botanical specimens with a great variety of artworks and other man-made objects from all over the world. 244:). It serves to authenticate its author's credibility as a source of natural history information, by showing his open bookcases (at the right), in which many volumes are stored lying down and stacked, in the medieval fashion, or with their spines upward, to protect the pages from dust. Some of the volumes doubtless represent his 907:

piece of the True Cross, and a vial of blood that rained in the Isle of Wight). By the 1630s, the Tradescants displayed their eclectic collection at their residence in South Lambeth. Tradescant's Ark, as it came to be known, was the earliest major cabinet of curiosity in England and open to the public for a small entrance fee.

563:'s analysis (Bredekamp 1995), encouraged comparisons, finding analogies and parallels and favoured the cultural change from a world viewed as static to a dynamic view of endlessly transforming natural history and a historical perspective that led in the seventeenth century to the germs of a scientific view of reality. 812:, published in 1707 and 1725. Sloane returned to England in 1689 with over eight hundred specimens of plants, which were live or mounted on heavy paper in an eight-volume herbarium. He also attempted to bring back live animals (e.g., snakes, an alligator, and an iguana) but they all died before reaching England. 906:

from Mauritius, the upper jaw of a walrus, and armadillos), artificial curiosities (e.g., wampum belts, portraits, lathe turned ivory, weapons, costumes, Oriental footwear and carved alabaster panels) and rarities (e.g., a mermaid's hand, a dragon's egg, two feathers of a phoenix's tail, a

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offered Sloane a position as personal physician to the West Indies fleet at Jamaica. He accepted and spent fifteen months collecting and cataloguing the native plants, animals, and artificial curiosities (e.g. cultural artifacts of native and enslaved African populations) of Jamaica. This became the

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magazine is a quarterly magazine that juxtaposes apparently unrelated cultural artifacts and phenomena to show their interconnectedness in ways that encourage curiosity about the world. The Italian cultural association Wunderkamern uses the theme of historical cabinets of curiosities to explore how

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and Interregum ." This move to politeness put bars on how one should behave and interact socially, which enabled the distinguishing of the polite from the supposed common or more vulgar members of society. Exhibitions of curiosities (as they were typically odd and foreign marvels) attracted a wide,

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with a range of built-in cabinets whose fronts can be unlocked and let down to reveal intricately fitted nests of pigeonholes forming architectural units, filled with small mineral specimens. Above them, stuffed birds stand against panels inlaid with square polished stone samples, doubtless marbles

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notes, there could be "the princely cabinet, serving a largely representational function, and dominated by aesthetic concerns and a marked predilection for the exotic," or the less grandiose, "the more modest collection of the humanist scholar or virtuoso, which served more practical and scientific

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According to its constitution, "This Club shall be called THE HOBBY CLUB. The object of the Club shall be to encourage the collection of literary, artistic and scientific works; to aid in the development of literary, artistic and scientific matters; to promote social and literary intercourse among

540:. These were cabinets in the sense of pieces of furniture, made from all imaginable exotic and expensive materials and filled with contents and ornamental details intended to reflect the entire cosmos on a miniature scale. The best preserved example is the one given by the city of Augsburg to King 863:

Sloane acquired approximately three hundred and fifty artificial curiosities from North American Indians, Eskimos, South America, Lapland, Siberia, East Indies, and the West Indies, including nine items from Jamaica. "These ethnological artifacts were important because they established a field of

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By the early decades of the eighteenth century, curiosities and wondrous specimens began to lose their influence among European natural philosophers. As Enlightenment thinkers placed growing emphasis on patterns and systems within nature, anomalies and rarities came to be regarded as potentially

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A subject was considered less suitable for polite discourse if the curiosity being displayed was accompanied by too much other material evidence, as it allowed for less conjecture and exploration of ideas regarding the displayed curiosity. Because of this, many displays simply included a concise

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gave him four volumes of plants from Boerhaave's gardens at Leiden. William Charleton, in a bequest in 1702, gave Sloane numerous books of birds, fish, flowers, and shells and his miscellaneous museum consisting of curiosities, miniatures, insects, medals, animals, minerals, precious stones and

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Fine Art BA programme hosted a show called "Wunder Kammer", the culmination of research and practice from students, which allowed viewers to encounter work from across all disciplines, ranging from intimate installation to thought-provoking video and highly skilled drawing, punctuated by live

929:, a catalogue of the Ark collection in 1656. Ashmole, a collector in his own right, acquired the Tradescant Ark in 1659 and added it to his collection of astrological, medical, and historical manuscripts. In 1675, he donated his library and collection and the Tradescant collection to the 276:

that three types of items were indispensable in forming a "Kunstkammer" or art collection: firstly sculptures and paintings; secondly "curious items from home or abroad"; and thirdly "antlers, horns, claws, feathers and other things belonging to strange and curious animals". When

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Several internet bloggers describe their sites as "wunderkammern" either because they are primarily links to interesting things, or inspire wonder similarly to the original wunderkammern (see External Links, below). Researcher Robert Gehl describes such internet video sites as

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at Prague, was unrivalled north of the Alps; it provided solace and retreat for contemplation that also served to demonstrate his imperial magnificence and power in the symbolic arrangement of their display, ceremoniously presented to visiting diplomats and magnates.

890:(circa 1570s–1638) was a gardener, naturalist, and botanist in the employ of the Duke of Buckingham. He collected plants, bulbs, flowers, vines, berries, and fruit trees from Russia, the Levant, Algiers, France, Bermuda, the Caribbean, and the East Indies. His son, 1015:

on five floors in New York, "perpetuating into the 1860s the Wunderkammer tradition of curiosities for gullible, often slow-moving throngs—Barnum's famously sly but effective method of crowd control was to post a sign, 'THIS WAY TO THE EGRESS!' at the exit door".

2289:. Museum in Waco, TX with a Cabinets of Curiosities Room named for John K. Strecker, who was curator for 30 years, the museum was established in 1893 and was the oldest museum in Texas when it closed in 2003 to be incorporated into the Mayborn Museum Complex. 248:. Every surface of the vaulted ceiling is occupied with preserved fishes, stuffed mammals and curious shells, with a stuffed crocodile suspended in the centre. Examples of corals stand on the bookcases. At the left, the room is fitted out like a 439:(1602–1680). These seventeenth-century cabinets were filled with preserved animals, horns, tusks, skeletons, minerals, as well as other interesting man-made objects: sculptures wondrously old, wondrously fine or wondrously small; clockwork 940:

Places of exhibitions of and places of new societies that promoted natural knowledge also seemed to culture the idea of perfect civility. Some scholars propose that this was "a reaction against the dogmatism and enthusiasm of the

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Cabinets of curiosities served not only as collections to reflect the particular interests of their curators but also as social devices to establish and uphold rank in society. There are said to be two main types of cabinets. As

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in Philadelphia, along with a $ 30,000 endowment for the maintenance and expansion of his museum. Mütter's collection was added to ninety-two pathological specimens collected by Doctor Isaac Parrish between 1849 and 1852. The

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purposes." Evans goes on to explain that "no clear distinction existed between the two categories: all collecting was marked by curiosity, shading into credulity, and by some sort of universal underlying design".

1027:; antiquities such as ancient armour; precious stones and geological items of interest. Annual formal dinners would be used to open the various collections up to inspection for the other members of the club. 950:

description of the phenomena and avoided any mention of explanation for the phenomena. Quentin Skinner describes the early Royal Society as "something much more like a gentleman's club," an idea supported by

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painting leaning against a flower-piece, coins and medals—presumably Greek and Roman—and Roman terracotta oil-lamps, a Chinese-style brass lock, curious flasks, and a blue-and-white Ming porcelain bowl.

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is presented as a hybrid between an automaton theater and a cabinet of curiosities and contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by

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In addition to cabinets of curiosity serving as an establisher of socioeconomic status for its curator, these cabinets served as entertainment, as particularly illustrated by the proceedings of the

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misleading objects of study. Curiosities, previously interpreted as divine messages and expressions of nature's variety, were increasingly seen as vulgar exceptions to nature's overall uniformity.

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as modern-day wunderkammern, although in danger of being refined into capitalist institutions "just as professionalized curators refined Wunderkammers into the modern museum in the 18th century."

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Some strands of the early universal collections, the bizarre or freakish biological specimens, whether genuine or fake, and the more exotic historical objects, could find a home in commercial

1249: 1654:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 20–42; Clark, Jack A. " Sir Hans Sloane and Abbé Jean Paul Bignon: Notes on Collection Building in the Eighteenth Century," in 1940: 823:

Sloane meticulously cataloged and created extensive records for most of the specimens and objects in his collection. He also began to acquire other collections by gift or purchase.

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or theater of the world, and a memory theater. The Kunstkammer conveyed symbolically the patron's control of the world through its indoor, microscopic reproduction." Of

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Elias Ashmole (1617–1692): His Autobiographical and Historical Notes, His Correspondence, and Other Contemporary Sources Relating to His Life and Work: Texts, 1661–1672

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were beginning to produce moveable cabinets with similar architectural interior fittings, which could be set upon a carpet-covered table or on a purpose-built stand.

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The Houston Museum of Natural Science houses a hands-on Cabinet of Curiosities, complete with taxidermied crocodile embedded in the ceiling a la Ferrante Imperato's

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Europe, yet to be defined. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term

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Cabinets of curiosities would often serve scientific advancement when images of their contents were published. The catalog of Worm's collection, published as the

2039: 2252: 1618: 663: 2313: 1023:, a dining club limited to 50 men, in order to showcase their "cabinets of wonder" and their selected collections. These included literary specimens and 833: 229: 213: 1829: 1352: 744: 2309:

The Renwick Gallery at the Smithsonian Institution includes a contemporary Cabinet of Curiosity entitled "Bureau of Bureaucracy" by Kim Schmahmann

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Augsburg Cabinet: 3-D model online interactive with high-resolution photography, description of subjects depicted, and mapping of exotic materials

155:. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of 762:

His whole house and garden is a paradise and Cabinet of rarities and that of the best collection, amongst Medails, books, Plants, natural things.

308:) shows paintings on the wall that range from landscapes, including a moonlit scene—a genre in itself—to a portrait and a religious picture (the 1395:

that figured just such fitted cabinets with feigned lattice doors and shelves filled with scientific instruments, books and small sculptures in

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with over 4,000 specimens of Carniolan and foreign plants, a smaller number of animal specimens, a natural history and medical library, and an

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and jaspers or fitted with pigeonhole compartments for specimens. Below them, a range of cupboards contain specimen boxes and covered jars.

848:'s virtual museum of approximately one hundred volumes of plants from Europe, North America, Africa, the Near East, India, and the Orient. 470:(1655), used the collection of artifacts as a starting point for Worm's speculations on philosophy, science, natural history, and more. 2348: 894:(1608–1662) traveled to Virginia in 1637 and collected flowers, plants, shells, an Indian deerskin mantle believed to have belonged to 1174: 463:, as most owners of these believed. The specimens displayed were often collected during exploring expeditions and trading voyages. 1961: 1738:

Tradescant's Rarities: Essays on the Foundation of the Ashmolean Museum 1683; with a Catalogue of the Surviving Early Collections

1569: 38: 1785: 2308: 1367: 2286: 326:) are represented, while on the table are ranged, among the exotic shells (including some tropical ones and a shark's tooth): 2139: 1005:'s jaw tumor. The Mütter Museum is an excellent example of a nineteenth-century grotesque cabinet of medical curiosities. 933:, provided that a suitable building be provided to house the collection. Ashmole's donation formed the foundation of the 679: 443:; ethnographic specimens from exotic locations. Often they would contain a mix of fact and fiction, including apparently 419: 1683:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 20–42; de Beer, G. R. "Sir Hans Sloane, F.R.S 1660–1753," in 1217:, can also be interpreted as a modern day curiosity cabinet, especially in the collection and display of automatons. In 832:'s collection in 1710. It consisted of twenty-three volumes with over 8,000 plants from Africa, India, Japan and China. 382:, which put special emphasis on paintings of people with interesting deformities, which remains largely intact as the 2338: 2186: 2124: 2102: 2084: 2071: 1873: 1459: 477:, in particular, developed large collections. A rather under-used example, stronger in art than other areas, was the 371: 2091:

Mr. Wilson's Cabinet Of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology

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Mr. Wilson's Cabinet Of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology

872:." Upon his death in 1753, Sloane bequeathed his sizable collection of 337 volumes to England for £20,000. In 1759, 650:) that was appreciated throughout Europe and was visited by the highest nobility, including the Holy Roman Emperor, 2358: 1614: 2145:

The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology

965:, and the Ashmolean Museum has a display of items from its disparate Ashmole and Tradescant founding collections. 773: 2278:

History and current items of the Wunderkammer that the Salvador family started in the 17th century in Barcelona.

836:, left him a twelve-volume herbarium from her gardens at Chelsea and Badminton upon her death in 1714. Reverend 977: 383: 993:'s sewing kit. In 1874 the museum acquired one hundred human skulls from Austrian anatomist and phrenologist, 485:, who added Worm's collection to his own after Worm's death, was another such monarch. A third example is the 170: 2269: 1233:

The idea of a cabinet of curiosities has also appeared in recent publications and performances. For example,

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in London, began sporadically collecting plants in England and France while studying medicine. In 1687, the

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anachronistically seeks to recreate the sense of wonder that the old cabinets of curiosity once aroused.

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A late example of the juxtaposition of natural materials with richly worked artifice is provided by the "

541: 318:, which is both precious and a natural curiosity. Sculptures both classical and secular (the sacrificing 1252:. In July 2021 a new Cabinet of Curiosities room was opened at The Whitaker Museum & Art Gallery in 997:(1810–1894); a nineteenth-century corpse, dubbed the "soap lady"; the conjoined liver and death cast of 925:, and botany. Ashmole was also a neighbor of the Tradescants in Lambeth. He financed the publication of 1666:. "Curiosities, Commodities, and Transplanted Bodies in Hans Sloane's "Natural History of Jamaica", in 873: 608: 595:

came to signify a collection of works of art, which might still also include an assembly of objects of

522: 414: 2368: 1919: 1693:, Vol. 18, No. 1, Sir Hans Sloane (March 1953), 20–23; and "The Sloane Collection of Manuscripts" in 1658:, Vol. 50, No. 4 (October 1980), 475–482; de Beer, G. R. "Sir Hans Sloane, F.R.S 1660–1753," in 1518:

Thomas DaCosta Kaufmann, "Remarks on the Collections of Rudolf II: The Kunstkammer as a Form of

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thought to be a plant/sheep fabulous creature. However he was also responsible for identifying the

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more general audience, which " them more suitable subjects of polite discourse at the Society."

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Cabinets of curiosities were limited to those who could afford to create and maintain them. Many

391: 261: 876:'s royal library was added to Sloane's collection to form the foundation of the British Museum. 864:

collection for the British Museum that was to increase greatly with the explorations of Captain

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The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe

1763:"Singular and the Making of Knowledge at the Royal Society of London in the Eighteenth Century" 1368:"Singular and the Making of Knowledge at the Royal Society of London in the Eighteenth Century" 1339:

The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe

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its members, and the discussion and consideration of various literary and economic subjects."

1218: 857: 310: 273: 1687:, Vol. 10, No. 2 (April 1953), 81–84; Gray, Basil. "Sloane and the Kaempfer Collection," in 852:

gave him plants from North America and the West Indies from an expedition funded by Sloane.

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Cabinets of Curiosity: What they were, why they disappeared, and why they’re so popular now

998: 990: 930: 902:. Father and son, in addition to botanical specimens, collected zoological (e.g., the 395: 314:) intermixed with preserved tropical marine fish and a string of carved beads, most likely 2197: 2192: 1991:

Gehl, Robert W. (2009). "Youtube As Archive: Who Will Curate This Digital Wunderkammer?".

736: 556:, as a modern single piece of furniture, is a version of the grander historical examples. 8: 2213: 1585: 1493: 1404: 1241: 1157: 1109: 815: 766:

Late in his life Browne parodied the rising trend of collecting curiosities in his tract

706: 124: 2295:. Web magazine issue dedicated to building a small, contemporary Cabinet of Curiosities. 2008: 1480: 1346: 1235: 1131: 973: 841: 695: 436: 327: 879: 2353: 2135: 2120: 2098: 2094: 2080: 2067: 2012: 1869: 1783: 1593: 1577: 1455: 1214: 942: 804: 537: 379: 301: 233: 175: 49: 2217: 278: 256: 2176: 2063: 2000: 1589: 1122: 1100: 1062: 1045: 1002: 934: 829: 824: 655: 631: 571: 494: 148: 982: 770:, an inventory of dubious, rumoured and non-existent books, pictures and objects. 113:), were encyclopedic collections of objects whose categorical boundaries were, in 2112: 1908: 1833: 1789: 1227: 962: 958: 788: 777: 767: 690: 643: 560: 502: 490: 265: 128: 104: 84: 1851: 208: 1313: 1148: 1071: 869: 800: 714: 189: 1888:

The American writer Lawrence Weschler, wrote an entire book about the museum:

1240:"amazement" is manifested within today's artistic discourse. In May 2008, the 1186: 427:

Two of the most famously described seventeenth-century cabinets were those of

2322: 2116: 2004: 1663: 1581: 1572:[Ljubljana's "Books of the World" – from the Auerspergs to Hacquet]. 1554:

Thomas, "Charles I of England: The tragedy of Absolutism", A.G. Dickens, ed.

1291: 1052: 986: 910: 853: 845: 792: 751: 619:, an account of the cabinets known to him with catalogues of their contents. 553: 498: 420:

The cabinet of a collector with paintings, shells, coins, fossils and flowers

387: 330:, gem-stones mounted with pearls in a curious quatrefoil box, a set of sepia 197: 2147:

Horst Bredekamp (Allison Brown, translator) (Princeton: Marcus Weiner) 1995.

2049: 684:. It included a number of minerals, including specimens of mercury from the 2032: 1286: 1166: 1008: 994: 849: 659: 518: 447:

creatures. Worm's collection contained, for example, what he thought was a

127:. Modern terminology would categorize the objects included as belonging to 1391:: the small retreats in the palaces of Urbino and Gubbio were inlaid with 840:

gave Sloane thirteen volumes of British plants. In 1716, Sloane purchased

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Collection, Laboratory, Theater. Scenes of Knowledge in the 17th Century

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Strange Blooms: The Curious Lives and Adventures of the John Tradescants

1308: 1257: 1020: 899: 865: 721: 335: 322:, a Roman fertility goddess) on the one hand and modern and religious ( 1437:

B. Gutfleish and J. Menzhausen, "How a Kunstkammer Should Be Formed",

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to display his chamber of wonders. The "Enlightenment Gallery" in the

1933:"A two-headed lamb and ancient dildos: the UK's strangest new museum" 1505:

This is the secretive aspect emphasised by R. J. W. Evans,

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The Viktor Wynd Museum of Curiosities, Fine Art & Natural History

1170: 1024: 918: 914: 784:, the lavish published catalogue of this Dutch merchant's collection. 635: 612: 444: 440: 375: 363: 286: 245: 219:(Naples 1599), the earliest illustration of a natural history cabinet 1801: 1421: 1392: 1091: 895: 725: 639: 603: 533: 506: 428: 180: 57: 2053: 597: 2029:

Under the Sign: John Bargrave as Collector, Traveler, and Witness

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It appears to represent a reduction of a well-known sculpture by

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Weblog modern equivalent of a Wunderkammer (Anthropology Essay)

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Cabinets for the curious: looking back at early English museums

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in 1636, reveals the range of connoisseurship of a Baroque-era

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of the art cabinet made for Duke August of Brunswick-Lüneburg.

1712:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 31. 1420:

Sixteenth-century cabinet-makers serving the luxury trades of

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began to collect antique medical equipment in 1871, including

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The earliest pictorial record of a natural history cabinet is

1747: 1740:, (Oxford: Oxford University Press, 1983); Potter, Jennifer. 1507:

Rudolf II and His World: A Study in Intellectual History

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Museum Exhibition:museum exhibition by museum display cases

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In seventeenth-century parlance, both French and English, a

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The highly characteristic range of interests represented in

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The John Tradescants: Gardeners to the Rose and Lily Queen

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The juxtaposition of such disparate objects, according to

30:'Kunstkammer' redirects here. For the Russian museum, see 2193:

Dutch influence on 'wunderkammer' or 'rariteitenkabinet'.

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in Oceania and Australia and the rapid expansion of the

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Similar collections on a smaller scale were the complex

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Ivins, Jr., William M. "The Tradescant Collection", in

1570:"Ljubljanske "knjige sveta" od Auerspergov do Hacqueta" 883:

Italian Baroque-era cabinet of curiosities, circa 1635.

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Image rich German site of Kunstkammer and Wunderkammer

1728:, Vol. 20, No. 8 (August 1925), 194–197; Josten, C.H. 2272:

A history of science website devoted to Wunderkammern

1699:, Vol. 18, No. 1, Sir Hans Sloane (March 1953), 6–10. 1670:, Third Series, Vol. 57, No. 1 (January 2000), 35–78. 1454:, Metropolitan Museum of Art/Princeton, 1971, nos 48. 1852:

Annals of the Hobby Club of New York City, 1912–1920

398:'s collection, Peter Thomas states succinctly, "The 293:, some large fish fins and a wooden weapon from the 1732:, (Oxford: Clarendon, 1967); Leith-Ross, Prudence. 2253:Website with photos of remaining Germanic cabinets 497:in 1714. Many items were bought in Amsterdam from 1736:, (London: Peter Owen, 2006); MacGregor, Arthur. 1710:Museum Masters: Their Museums and Their Influence 1681:Museum Masters: Their Museums and Their Influence 1652:Museum Masters: Their Museums and Their Influence 856:gave him twelve volumes of plants grown from the 532:produced in the early seventeenth century by the 2320: 1962:"The community that wouldn't let its museum die" 1685:Notes and Records of the Royal Society of London 1660:Notes and Records of the Royal Society of London 1538:Francesaco Fiorani, reviewing Bredecamp 1995 in 1213:, the house and museum of Alex Jordan, known as 913:(1617–1692) was a lawyer, chemist, antiquarian, 791:(1660–1753) an English physician, member of the 607:would find intellectually stimulating. In 1714, 390:in Austria. "The Kunstkammer was regarded as a 2237:Presentation and very large and detailed image 834:Mary Somerset, Duchess of Beaufort (1630–1715) 630:In the second half of the eighteenth century, 1615:"Enlightenment Gallery at the British Museum" 1086:Chamber of Art and Curiosities, Ambras Castle 459:'s tusk as coming from a whale rather than a 346:Celestial globe with clockwork, made for the 285:in 1521, apart from artworks he sent back to 1351:: CS1 maint: multiple names: authors list ( 1336: 957:Cabinets of Curiosities can now be found at 662:, as well as by famous naturalists, such as 94: 1760: 1365: 1298:Guillermo del Toro's Cabinet of Curiosities 163:formed collections that were precursors to 2260:High resolution images of two Wunderkammer 2183:, pictures, full descriptions and history. 1930: 1864:Daston, Lorraine; Park, Katherine (1998). 1863: 1802:"James G. Mundie's Cabinet of Curiosities" 1720: 1718: 1662:, Vol. 10, No. 2 (April 1953), 81–84; and 1576:(in Slovenian and English). 19=70: 23–33. 1260:, curated by artist Bob Frith, founder of 1181: 481:, the first Medici Grand-Duke of Tuscany. 374:, also had a collection, organized by his 123:originally described a room rather than a 1993:International Journal of Cultural Studies 1019:In 1908, New York businessmen formed the 566: 1567: 1561: 1185: 878: 814: 772: 735: 621: 570: 409: 341: 255: 207: 169: 63: 43: 1726:The Metropolitan Museum of Art Bulletin 1715: 1341:. Oxford University Press. p. 737. 1190:Modern interpretation of a Wunderkammer 1040:Notable collections started in this way 828:curiosities in amber. Sloane purchased 509:Imperial collection included important 39:Cabinet of curiosities (disambiguation) 14: 2321: 1248:The concept has been reinterpreted at 1030: 431:, known as Olaus Wormius (1588–1654) ( 372:Ferdinand II, Archduke of Austria 1968:. arts industry.co.uk. 23 July 2021. 1439:Journal of the History of Collections 76:horn, was a common piece in cabinets. 2206:, Royal Picture Gallery, The Hague: 2097:, 1996, trade paperback, 192 pages, 1990: 272:In 1587 Gabriel Kaltemarckt advised 575:An early eighteenth-century German 214:engraving from Ferrante Imperato's 24: 2052:, 2015, retrieved: March 8, 2021 ( 2022: 1972:from the original on 2 August 2021 1496:than even portraits or landscapes. 1337:Impey, MacGregor, Oliver, Arthur. 1001:, the Siamese twins; and in 1893, 402:itself was a form of propaganda." 360:Rudolf II, Holy Roman Emperor 260:The richly decorated vault of the 174:A corner of a cabinet, painted by 25: 2380: 2349:Historical scientific instruments 2158: 2119:, Warner Books, 2003, paperback, 1931:Wainwright, Oliver (2014-10-28). 1088:in Austria remains largely intact 844:'s volume of Japanese plants and 536:merchant, diplomat and collector 362:(ruled 1576–1612), housed in the 289:various animal horns, a piece of 2189:, about the Uppsala art cabinet. 1868:. Zone Books. pp. 350–360. 1545:.1 (Spring 1998:268-270) p 268. 968: 1984: 1954: 1943:from the original on 2015-10-04 1924: 1913: 1895: 1882: 1866:Wonders and the Order of Nature 1857: 1843: 1819: 1808:from the original on 2013-06-06 1794: 1777: 1765:. Cambridge Scholars Publishing 1702: 1673: 1644: 1641:, entry dated 17th October 1671 1632: 1621:from the original on 2015-09-23 1607: 1548: 1532: 1512: 1499: 1370:. Cambridge Scholars Publishing 808:basis for his two volume work, 405: 48:"Musei Wormiani Historia", the 2218:Collecting for the Kunstkammer 2066:, 2001, paperback, 431 pages, 1668:The William and Mary Quarterly 1486: 1473: 1464: 1444: 1431: 1414: 1382: 1359: 1330: 978:American College of Physicians 579:with a traditional display of 544:in 1632, which is kept in the 384:Chamber of Art and Curiosities 13: 1: 2130:Helmar Schramm et al. (ed.). 2079:, Ken Arnold, Ashgate, 2006, 2050:Institute of European History 2046:EGO - European History Online 1804:. MundieArt.com. 2013-03-17. 1324: 1204:Museum of Jurassic Technology 642:, a natural history cabinet ( 483:Frederick III of Denmark 223: 27:Collection of notable objects 1825:Barrymore Laurence Scherer, 1696:The British Museum Quarterly 1690:The British Museum Quarterly 1492:Still life was considered a 1403:has been reassembled at the 479:Studiolo of Francesco I 262:Studiolo of Francesco I 7: 2041:Chambers of Art and Wonders 1470:Her base is inscribed LIBER 1275: 892:John Tradescant the Younger 797:Royal College of Physicians 634:(c. 1735–1815) operated in 542:Gustavus Adolphus of Sweden 523:Museum of Ethnology, Vienna 10: 2385: 2109:The Cabinet of Curiosities 1761:Fontes da Costa, Palmira. 1744:, (London: Atlantic, 2006) 1568:Jezernik, Božidar (2009). 1366:Fontes da Costa, Palmira. 810:Natural History of Jamaica 731: 609:Michael Bernhard Valentini 601:or curiosities, such as a 415:Frans Francken the Younger 274:Christian I of Saxony 203: 147:, works of art (including 143:, religious or historical 60:'s cabinet of curiosities. 36: 29: 2247:Crocodiles on the Ceiling 888:John Tradescant the Elder 799:, and the founder of the 654:, the Russian grand duke 513:artifacts, including the 433:illustration, above right 334:or drawings, and a small 2339:History of Earth science 2187:The Augsburg Art Cabinet 2134:, Berlin/New York 2005, 2105:(see website link above) 2005:10.1177/1367877908098854 1827:"Catalog of Curiosities" 1399:perspective. The Gubbio 1262:Horse and Bamboo Theatre 1082:'s and other collections 1013:Barnum's American Museum 782:Wondertooneel der natuur 754:(1605–82), the courtier 2359:Natural history museums 2287:Cabinets of Curiosities 2243:Smithsonian Institution 2062:, ed. Oliver Impey and 1529:.1 (Autumn 1978:22–28). 1211:Spring Green, Wisconsin 1182:In contemporary culture 927:Musaeum Tradescantianum 750:In 1671, when visiting 350:of Rudolf II, 1579 81:Cabinets of curiosities 2303:Johann Dieter Wassmann 2299:MuseumZeitraum Leipzig 2198:The King's Kunstkammer 1788:March 4, 2011, at the 1196:Dell'Historia Naturale 1191: 884: 820: 785: 764: 747: 741:Cabinet of Curiosities 675:Franz Benedikt Hermann 647: 638:, then the capital of 627: 588: 567:18th century and after 424: 351: 269: 238:Dell'Historia Naturale 220: 216:Dell'Historia Naturale 184: 108: 95: 88: 77: 61: 2233:Rijksmuseum Amsterdam 1708:Alexander, Edward P. 1679:Alexander, Edward P. 1656:The Library Quarterly 1650:Alexander, Edward P. 1617:. Britishmuseum.org. 1540:Renaissance Quarterly 1219:Bristol, Rhode Island 1189: 989:'s medical chest and 882: 858:Chelsea Physic Garden 818: 776: 760: 739: 626:A Dutch cabinet, 1756 625: 574: 413: 345: 311:Adoration of the Magi 304:'s painting of 1636 ( 259: 211: 173: 67: 47: 2293:A Small Wunderkammer 2258:Wunderkammer Theorie 2168:J. Paul Getty Museum 1639:Diary of John Evelyn 1556:The Courts of Europe 1441:, 1989 Vol I: p. 11. 1175:XIIIth Earl of Derby 999:Chang and Eng Bunker 991:Florence Nightingale 931:University of Oxford 819:German cabinet, 1745 396:Charles I of England 332:chiaroscuro woodcuts 324:Christ at the Column 37:For other uses, see 2214:Metropolitan Museum 1838:Wall Street Journal 1405:Metropolitan Museum 1242:University of Leeds 1223:Musée Patamécanique 1158:Museo Poldi Pezzoli 1031:Declining influence 780:, 1715, plate from 707:Augustus the Strong 664:Francesco Griselini 611:published an early 328:portrait miniatures 306:illustration, above 131:(sometimes faked), 72:, whose tusk, as a 2364:Museum collections 2344:History of museums 2329:History of biology 2282:Modern "cabinets" 2163:Historic cabinets 2038:Beßler, Gabriele, 1907:2008-03-25 at the 1840:. January 1, 2013. 1832:2017-06-21 at the 1558:(London) 1977:201. 1481:Alessandro Algardi 1192: 1132:Pitt Rivers Museum 974:Thomas Dent Mutter 885: 842:Engelbert Kaempfer 821: 786: 748: 696:anatomical theatre 628: 589: 546:Museum Gustavianum 515:feather head-dress 437:Athanasius Kircher 425: 352: 270: 221: 185: 125:piece of furniture 78: 62: 2270:Idols of the Cave 2181:Powhatan's Mantle 2140:978-3-11-017736-7 2095:Lawrence Weschler 1452:Prints and People 1215:House on the Rock 1202:, the modern-day 1142:) — Ex-Ashmolean 1009:P. T. Barnum 943:English Civil War 805:Duke of Albemarle 648:Naturalienkabinet 585:Naturkundenmuseum 538:Philipp Hainhofer 380:Leopold Heyperger 302:Frans II Francken 234:Ferrante Imperato 176:Frans II Francken 149:cabinet paintings 99:), also known as 16:(Redirected from 2376: 2369:Types of museums 2227:Museum Showcases 2177:Ashmolean Museum 2064:Arthur MacGregor 2035:, Michigan, 1995 2017: 2016: 1988: 1982: 1981: 1979: 1977: 1958: 1952: 1951: 1949: 1948: 1928: 1922: 1920:wunder-kamer.com 1917: 1911: 1899: 1893: 1886: 1880: 1879: 1861: 1855: 1847: 1841: 1823: 1817: 1816: 1814: 1813: 1798: 1792: 1781: 1775: 1774: 1772: 1770: 1758: 1745: 1722: 1713: 1706: 1700: 1677: 1671: 1648: 1642: 1636: 1630: 1629: 1627: 1626: 1611: 1605: 1604: 1602: 1601: 1592:. Archived from 1565: 1559: 1552: 1546: 1536: 1530: 1516: 1510: 1503: 1497: 1490: 1484: 1477: 1471: 1468: 1462: 1448: 1442: 1435: 1429: 1418: 1412: 1411:remains in situ. 1386: 1380: 1379: 1377: 1375: 1363: 1357: 1356: 1350: 1342: 1334: 1314:Medical oddities 1123:Saint Petersburg 1101:Fondation Calvet 1063:Boerhaave Museum 1046:Ashmolean Museum 1003:Grover Cleveland 935:Ashmolean Museum 830:Leonard Plukenet 825:Herman Boerhaave 683: 672: 632:Belsazar Hacquet 495:Saint Petersburg 468:Museum Wormianum 370:Rudolf's uncle, 98: 54:Museum Wormianum 21: 2384: 2383: 2379: 2378: 2377: 2375: 2374: 2373: 2319: 2318: 2161: 2150:Steven Lubar, " 2113:Douglas Preston 2025: 2023:Further reading 2020: 1989: 1985: 1975: 1973: 1960: 1959: 1955: 1946: 1944: 1929: 1925: 1918: 1914: 1909:Wayback Machine 1900: 1896: 1887: 1883: 1876: 1862: 1858: 1848: 1844: 1834:Wayback Machine 1824: 1820: 1811: 1809: 1800: 1799: 1795: 1790:Wayback Machine 1782: 1778: 1768: 1766: 1759: 1748: 1723: 1716: 1707: 1703: 1678: 1674: 1649: 1645: 1637: 1633: 1624: 1622: 1613: 1612: 1608: 1599: 1597: 1566: 1562: 1553: 1549: 1537: 1533: 1517: 1513: 1504: 1500: 1491: 1487: 1478: 1474: 1469: 1465: 1450:A Hyatt Mayor, 1449: 1445: 1436: 1432: 1419: 1415: 1387: 1383: 1373: 1371: 1364: 1360: 1344: 1343: 1335: 1331: 1327: 1278: 1184: 1042: 1033: 971: 963:Wallington Hall 959:Snowshill Manor 789:Sir Hans Sloane 778:Levinus Vincent 768:Musaeum Clausum 734: 691:herbarium vivum 677: 666: 617:Museum Museorum 569: 561:Horst Bredekamp 505:. The fabulous 503:Frederik Ruysch 491:Peter the Great 408: 266:Palazzo Vecchio 240:(Naples 1599) ( 226: 206: 129:natural history 42: 35: 28: 23: 22: 15: 12: 11: 5: 2382: 2372: 2371: 2366: 2361: 2356: 2351: 2346: 2341: 2336: 2331: 2317: 2316: 2311: 2306: 2296: 2290: 2280: 2279: 2273: 2267: 2261: 2255: 2250: 2240: 2230: 2221: 2211: 2201: 2195: 2190: 2184: 2174: 2160: 2159:External links 2157: 2156: 2155: 2148: 2142: 2128: 2106: 2088: 2074: 2057: 2036: 2024: 2021: 2019: 2018: 1983: 1953: 1923: 1912: 1894: 1881: 1874: 1856: 1842: 1818: 1793: 1776: 1746: 1714: 1701: 1672: 1664:Kriz, Kay Dian 1643: 1631: 1606: 1560: 1547: 1531: 1511: 1509:(Oxford) 1973. 1498: 1485: 1472: 1463: 1443: 1430: 1413: 1381: 1358: 1328: 1326: 1323: 1322: 1321: 1316: 1311: 1306: 1301: 1294: 1289: 1284: 1277: 1274: 1245:performances. 1183: 1180: 1179: 1178: 1164: 1155: 1149:Teylers Museum 1146: 1129: 1116: 1110:Grünes Gewölbe 1107: 1098: 1089: 1083: 1072:British Museum 1069: 1060: 1041: 1038: 1032: 1029: 970: 967: 870:British Empire 801:British Museum 745:Domenico Remps 733: 730: 715:British Museum 568: 565: 407: 404: 279:Albrecht Dürer 225: 222: 205: 202: 190:R. 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Evans 26: 9: 6: 4: 3: 2: 2381: 2370: 2367: 2365: 2362: 2360: 2357: 2355: 2352: 2350: 2347: 2345: 2342: 2340: 2337: 2335: 2332: 2330: 2327: 2326: 2324: 2315: 2312: 2310: 2307: 2304: 2300: 2297: 2294: 2291: 2288: 2285: 2284: 2283: 2277: 2274: 2271: 2268: 2265: 2262: 2259: 2256: 2254: 2251: 2248: 2244: 2241: 2238: 2234: 2231: 2228: 2225: 2222: 2219: 2215: 2212: 2209: 2205: 2202: 2199: 2196: 2194: 2191: 2188: 2185: 2182: 2178: 2175: 2172: 2169: 2166: 2165: 2164: 2153: 2149: 2146: 2143: 2141: 2137: 2133: 2129: 2126: 2125:0-446-61123-9 2122: 2118: 2117:Lincoln Child 2114: 2110: 2107: 2104: 2103:0-679-76489-5 2100: 2096: 2092: 2089: 2086: 2085:0-7546-0506-X 2082: 2078: 2075: 2073: 2072:1-84232-132-3 2069: 2065: 2061: 2058: 2055: 2051: 2047: 2043: 2042: 2037: 2034: 2030: 2027: 2026: 2014: 2010: 2006: 2002: 1998: 1994: 1987: 1971: 1967: 1963: 1957: 1942: 1938: 1934: 1927: 1921: 1916: 1910: 1906: 1903: 1902:Wunderkammern 1898: 1891: 1885: 1877: 1875:9780942299915 1871: 1867: 1860: 1853: 1846: 1839: 1835: 1831: 1828: 1822: 1807: 1803: 1797: 1791: 1787: 1784: 1780: 1764: 1757: 1755: 1753: 1751: 1743: 1739: 1735: 1731: 1727: 1721: 1719: 1711: 1705: 1698: 1697: 1692: 1691: 1686: 1682: 1676: 1669: 1665: 1661: 1657: 1653: 1647: 1640: 1635: 1620: 1616: 1610: 1596:on 2017-08-18 1595: 1591: 1587: 1583: 1579: 1575: 1571: 1564: 1557: 1551: 1544: 1541: 1535: 1528: 1525: 1521: 1520:Representatio 1515: 1508: 1502: 1495: 1489: 1482: 1476: 1467: 1461: 1460:0-691-00326-2 1457: 1453: 1447: 1440: 1434: 1427: 1423: 1417: 1410: 1407:; the Urbino 1406: 1402: 1398: 1397:trompe-l'oeil 1394: 1390: 1385: 1369: 1362: 1354: 1348: 1340: 1333: 1329: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1299: 1295: 1293: 1292:Found objects 1290: 1288: 1285: 1283: 1280: 1279: 1273: 1271: 1265: 1263: 1259: 1255: 1251: 1246: 1243: 1238: 1237: 1231: 1229: 1224: 1220: 1216: 1212: 1207: 1205: 1201: 1197: 1188: 1176: 1172: 1168: 1165: 1163: 1159: 1156: 1154: 1150: 1147: 1145: 1141: 1137: 1133: 1130: 1128: 1124: 1120: 1117: 1115: 1111: 1108: 1106: 1102: 1099: 1097: 1093: 1090: 1087: 1084: 1081: 1077: 1073: 1070: 1068: 1064: 1061: 1058: 1054: 1050: 1047: 1044: 1043: 1037: 1028: 1026: 1022: 1017: 1014: 1010: 1006: 1004: 1000: 996: 992: 988: 987:Benjamin Rush 984: 983:Mütter Museum 979: 975: 969:United States 966: 964: 960: 955: 953: 947: 944: 938: 936: 932: 928: 924: 920: 916: 912: 911:Elias Ashmole 908: 905: 901: 897: 893: 889: 881: 877: 875: 871: 867: 861: 859: 855: 854:Philip Miller 851: 847: 846:James Petiver 843: 839: 835: 831: 826: 817: 813: 811: 806: 802: 798: 794: 793:Royal Society 790: 783: 779: 775: 771: 769: 763: 759: 757: 753: 752:Thomas Browne 746: 742: 738: 729: 727: 723: 718: 716: 712: 708: 704: 699: 697: 693: 692: 687: 681: 676: 670: 665: 661: 657: 653: 649: 645: 641: 637: 633: 624: 620: 618: 614: 610: 606: 605: 600: 599: 594: 586: 582: 578: 573: 564: 562: 557: 555: 554:curio cabinet 551: 547: 543: 539: 535: 531: 530:Kunstschränke 526: 524: 520: 516: 512: 508: 504: 500: 499:Albertus Seba 496: 492: 488: 484: 480: 476: 471: 469: 464: 462: 458: 454: 450: 449:Scythian Lamb 446: 442: 438: 434: 430: 422: 421: 416: 412: 403: 401: 400:Kunstkabinett 397: 393: 389: 388:Ambras Castle 385: 381: 377: 373: 368: 365: 361: 357: 349: 344: 340: 337: 333: 329: 325: 321: 317: 313: 312: 307: 303: 298: 296: 292: 288: 284: 280: 275: 267: 263: 258: 254: 251: 247: 243: 239: 235: 231: 230:the engraving 218: 217: 210: 201: 199: 198:Royal Society 194: 191: 183: 182: 177: 172: 168: 166: 162: 158: 154: 150: 146: 142: 138: 134: 130: 126: 122: 121: 116: 112: 111: 106: 102: 97: 96:Kunstkabinett 92: 91: 86: 82: 75: 71: 66: 59: 55: 51: 46: 40: 33: 19: 18:Wunderkammern 2305:(1841–1898). 2281: 2276:Salvadoriana 2216:, New York: 2208:Room for Art 2162: 2144: 2131: 2108: 2090: 2076: 2059: 2040: 2033:Stephen Bann 2028: 1999:(1): 43–60. 1996: 1992: 1986: 1974:. Retrieved 1965: 1956: 1945:. Retrieved 1937:The Guardian 1936: 1926: 1915: 1897: 1889: 1884: 1865: 1859: 1845: 1837: 1821: 1810:. Retrieved 1796: 1779: 1767:. Retrieved 1741: 1737: 1733: 1729: 1725: 1709: 1704: 1694: 1688: 1684: 1680: 1675: 1667: 1659: 1655: 1651: 1646: 1638: 1634: 1623:. Retrieved 1609: 1598:. Retrieved 1594:the original 1573: 1563: 1555: 1550: 1542: 1539: 1534: 1526: 1523: 1519: 1514: 1506: 1501: 1494:lesser genre 1488: 1475: 1466: 1451: 1446: 1438: 1433: 1416: 1408: 1400: 1396: 1388: 1384: 1372:. Retrieved 1361: 1338: 1332: 1296: 1287:Holophusikon 1266: 1247: 1234: 1232: 1208: 1195: 1193: 1167:World Museum 1034: 1018: 1011:established 1007: 995:Joseph Hyrtl 972: 956: 948: 939: 926: 909: 898:, father of 886: 862: 850:Mark Catesby 822: 809: 787: 781: 765: 761: 749: 740: 719: 705:" formed by 703:Green Vaults 700: 689: 660:Pope Pius VI 629: 616: 613:museological 602: 596: 592: 590: 584: 576: 558: 529: 527: 517:or crown of 472: 467: 465: 432: 426: 418: 406:17th century 399: 369: 355: 353: 347: 323: 319: 309: 305: 299: 281:visited the 271: 249: 242:illustration 241: 237: 227: 215: 195: 186: 179: 118: 110:Wunderkammer 109: 101:wonder-rooms 100: 89: 80: 79: 53: 50:frontispiece 2334:Western art 2264:Kunstkammer 2249:exhibition. 2220:exhibition. 2210:exhibition. 2204:Mauritshuis 1524:Art Journal 1304:Imaginarium 1282:Antiquarian 1254:Rawtenstall 1228:Pataphysics 1200:Los Angeles 1119:Kunstkamera 1080:Hans Sloane 1059:collections 952:John Evelyn 937:at Oxford. 838:Adam Buddle 756:John Evelyn 722:freak shows 678: [ 667: [ 521:now in the 489:founded by 487:Kunstkamera 451:, a woolly 356:Kunstkammer 348:Kunstkammer 295:East Indies 283:Netherlands 153:antiquities 141:archaeology 137:ethnography 115:Renaissance 90:Kunstkammer 32:Kunstkamera 2323:Categories 1947:2015-10-04 1812:2013-05-28 1769:9 December 1625:2011-12-22 1600:2015-05-27 1374:9 December 1325:References 1309:Maximalism 1258:Lancashire 1177:collection 1057:Tradescant 1025:incunabula 1021:Hobby Club 900:Pocahontas 866:James Cook 758:remarked, 336:still-life 268:, Florence 224:To c. 1600 56:depicting 2111:(novel), 2048:, Mainz: 2013:143673368 1582:0354-0316 1347:cite book 1171:Liverpool 919:astrology 915:Freemason 874:George II 743:, 1690s, 726:sideshows 652:Joseph II 636:Ljubljana 587:, Berlin) 519:Montezuma 392:microcosm 376:treasurer 364:Hradschin 287:Nuremberg 246:herbarium 212:Fold-out 52:from the 2354:Forteana 1976:2 August 1970:Archived 1966:TAITMAIL 1941:Archived 1905:Archived 1830:Archived 1806:Archived 1786:Archived 1619:Archived 1422:Florence 1409:studiolo 1401:studiolo 1393:intarsia 1389:Studiolo 1276:See also 1092:Deyrolle 896:Powhatan 795:and the 688:mine, a 640:Carniola 604:virtuoso 534:Augsburg 507:Habsburg 475:monarchs 445:mythical 441:automata 429:Ole Worm 250:studiolo 181:virtuoso 58:Ole Worm 1590:1242502 1574:Etnolog 1426:Antwerp 1270:YouTube 1236:Cabinet 1153:Haarlem 1140:England 1114:Dresden 1105:Avignon 1053:Ashmole 923:alchemy 732:England 711:Dresden 593:cabinet 577:Schrank 550:Uppsala 461:unicorn 457:narwhal 435:), and 204:History 165:museums 157:science 151:), and 133:geology 120:cabinet 74:Unicorn 70:Narwhal 68:A male 2138: 2123: 2101: 2083: 2070: 2011: 1892:(1996) 1872: 1588: 1586:COBISS 1580: 1458: 1319:Museum 1136:Oxford 1127:Russia 1078:— Sir 1076:London 1067:Leiden 1049:Oxford 686:Idrija 644:German 615:work, 581:corals 552:. The 423:, 1619 320:Libera 161:Europe 145:relics 105:German 85:German 2009:S2CID 1198:. 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