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200:, whose early meetings were often a sort of open floor to any Fellow to exhibit the findings his curiosities led him to. However purely educational or investigative these exhibitions may sound, it is important to note that the Fellows in this period supported the idea of "learned entertainment," or the alignment of learning with entertainment. This was not unusual, as the Royal Society had an earlier history of a love of the marvellous. This love was often exploited by eighteenth-century natural philosophers to secure the attention of their audience during their exhibitions.
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976:(1811–1859) was an early American pioneer of reconstructive plastic surgery. His specialty was repairing congenital anomalies, cleft lip and palates, and club foot. He also collected medical oddities, tumors, anatomical and pathological specimens, wet and dry preparations, wax models, plaster casts, and illustrations of medical deformities. This collection began as a teaching tool for young physicians. Just prior to Mütter's death in 1859, he donated 1,344 items to the
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954:, who depicts the Royal Society as "an Assembly of many honorable Gentlemen, who meete inoffensively together under his Majesty's Royal Cognizance; and to entertaine themselves ingenously, whilst their other domestique avocations or publique business deprives them of being always in the company of learned men and that they cannot dwell forever in the Universities."
717:, installed in the former "Kings Library" room in 2003 to celebrate the 250th anniversary of the museum, aims to recreate the abundance and diversity that still characterized museums in the mid-eighteenth century, mixing shells, rock samples and botanical specimens with a great variety of artworks and other man-made objects from all over the world.
244:). It serves to authenticate its author's credibility as a source of natural history information, by showing his open bookcases (at the right), in which many volumes are stored lying down and stacked, in the medieval fashion, or with their spines upward, to protect the pages from dust. Some of the volumes doubtless represent his
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piece of the True Cross, and a vial of blood that rained in the Isle of Wight). By the 1630s, the
Tradescants displayed their eclectic collection at their residence in South Lambeth. Tradescant's Ark, as it came to be known, was the earliest major cabinet of curiosity in England and open to the public for a small entrance fee.
563:'s analysis (Bredekamp 1995), encouraged comparisons, finding analogies and parallels and favoured the cultural change from a world viewed as static to a dynamic view of endlessly transforming natural history and a historical perspective that led in the seventeenth century to the germs of a scientific view of reality.
812:, published in 1707 and 1725. Sloane returned to England in 1689 with over eight hundred specimens of plants, which were live or mounted on heavy paper in an eight-volume herbarium. He also attempted to bring back live animals (e.g., snakes, an alligator, and an iguana) but they all died before reaching England.
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from
Mauritius, the upper jaw of a walrus, and armadillos), artificial curiosities (e.g., wampum belts, portraits, lathe turned ivory, weapons, costumes, Oriental footwear and carved alabaster panels) and rarities (e.g., a mermaid's hand, a dragon's egg, two feathers of a phoenix's tail, a
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offered Sloane a position as personal physician to the West Indies fleet at
Jamaica. He accepted and spent fifteen months collecting and cataloguing the native plants, animals, and artificial curiosities (e.g. cultural artifacts of native and enslaved African populations) of Jamaica. This became the
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magazine is a quarterly magazine that juxtaposes apparently unrelated cultural artifacts and phenomena to show their interconnectedness in ways that encourage curiosity about the world. The
Italian cultural association Wunderkamern uses the theme of historical cabinets of curiosities to explore how
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and
Interregum ." This move to politeness put bars on how one should behave and interact socially, which enabled the distinguishing of the polite from the supposed common or more vulgar members of society. Exhibitions of curiosities (as they were typically odd and foreign marvels) attracted a wide,
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with a range of built-in cabinets whose fronts can be unlocked and let down to reveal intricately fitted nests of pigeonholes forming architectural units, filled with small mineral specimens. Above them, stuffed birds stand against panels inlaid with square polished stone samples, doubtless marbles
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notes, there could be "the princely cabinet, serving a largely representational function, and dominated by aesthetic concerns and a marked predilection for the exotic," or the less grandiose, "the more modest collection of the humanist scholar or virtuoso, which served more practical and scientific
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According to its constitution, "This Club shall be called THE HOBBY CLUB. The object of the Club shall be to encourage the collection of literary, artistic and scientific works; to aid in the development of literary, artistic and scientific matters; to promote social and literary intercourse among
540:. These were cabinets in the sense of pieces of furniture, made from all imaginable exotic and expensive materials and filled with contents and ornamental details intended to reflect the entire cosmos on a miniature scale. The best preserved example is the one given by the city of Augsburg to King
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Sloane acquired approximately three hundred and fifty artificial curiosities from North
American Indians, Eskimos, South America, Lapland, Siberia, East Indies, and the West Indies, including nine items from Jamaica. "These ethnological artifacts were important because they established a field of
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By the early decades of the eighteenth century, curiosities and wondrous specimens began to lose their influence among
European natural philosophers. As Enlightenment thinkers placed growing emphasis on patterns and systems within nature, anomalies and rarities came to be regarded as potentially
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A subject was considered less suitable for polite discourse if the curiosity being displayed was accompanied by too much other material evidence, as it allowed for less conjecture and exploration of ideas regarding the displayed curiosity. Because of this, many displays simply included a concise
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gave him four volumes of plants from
Boerhaave's gardens at Leiden. William Charleton, in a bequest in 1702, gave Sloane numerous books of birds, fish, flowers, and shells and his miscellaneous museum consisting of curiosities, miniatures, insects, medals, animals, minerals, precious stones and
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Fine Art BA programme hosted a show called "Wunder Kammer", the culmination of research and practice from students, which allowed viewers to encounter work from across all disciplines, ranging from intimate installation to thought-provoking video and highly skilled drawing, punctuated by live
929:, a catalogue of the Ark collection in 1656. Ashmole, a collector in his own right, acquired the Tradescant Ark in 1659 and added it to his collection of astrological, medical, and historical manuscripts. In 1675, he donated his library and collection and the Tradescant collection to the
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that three types of items were indispensable in forming a "Kunstkammer" or art collection: firstly sculptures and paintings; secondly "curious items from home or abroad"; and thirdly "antlers, horns, claws, feathers and other things belonging to strange and curious animals". When
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Several internet bloggers describe their sites as "wunderkammern" either because they are primarily links to interesting things, or inspire wonder similarly to the original wunderkammern (see
External Links, below). Researcher Robert Gehl describes such internet video sites as
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at Prague, was unrivalled north of the Alps; it provided solace and retreat for contemplation that also served to demonstrate his imperial magnificence and power in the symbolic arrangement of their display, ceremoniously presented to visiting diplomats and magnates.
890:(circa 1570s–1638) was a gardener, naturalist, and botanist in the employ of the Duke of Buckingham. He collected plants, bulbs, flowers, vines, berries, and fruit trees from Russia, the Levant, Algiers, France, Bermuda, the Caribbean, and the East Indies. His son,
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on five floors in New York, "perpetuating into the 1860s the
Wunderkammer tradition of curiosities for gullible, often slow-moving throngs—Barnum's famously sly but effective method of crowd control was to post a sign, 'THIS WAY TO THE EGRESS!' at the exit door".
2289:. Museum in Waco, TX with a Cabinets of Curiosities Room named for John K. Strecker, who was curator for 30 years, the museum was established in 1893 and was the oldest museum in Texas when it closed in 2003 to be incorporated into the Mayborn Museum Complex.
248:. Every surface of the vaulted ceiling is occupied with preserved fishes, stuffed mammals and curious shells, with a stuffed crocodile suspended in the centre. Examples of corals stand on the bookcases. At the left, the room is fitted out like a
439:(1602–1680). These seventeenth-century cabinets were filled with preserved animals, horns, tusks, skeletons, minerals, as well as other interesting man-made objects: sculptures wondrously old, wondrously fine or wondrously small; clockwork
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Places of exhibitions of and places of new societies that promoted natural knowledge also seemed to culture the idea of perfect civility. Some scholars propose that this was "a reaction against the dogmatism and enthusiasm of the
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Cabinets of curiosities served not only as collections to reflect the particular interests of their curators but also as social devices to establish and uphold rank in society. There are said to be two main types of cabinets. As
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in Philadelphia, along with a $ 30,000 endowment for the maintenance and expansion of his museum. MĂĽtter's collection was added to ninety-two pathological specimens collected by Doctor Isaac Parrish between 1849 and 1852. The
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purposes." Evans goes on to explain that "no clear distinction existed between the two categories: all collecting was marked by curiosity, shading into credulity, and by some sort of universal underlying design".
1027:; antiquities such as ancient armour; precious stones and geological items of interest. Annual formal dinners would be used to open the various collections up to inspection for the other members of the club.
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description of the phenomena and avoided any mention of explanation for the phenomena. Quentin Skinner describes the early Royal Society as "something much more like a gentleman's club," an idea supported by
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painting leaning against a flower-piece, coins and medals—presumably Greek and Roman—and Roman terracotta oil-lamps, a Chinese-style brass lock, curious flasks, and a blue-and-white Ming porcelain bowl.
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is presented as a hybrid between an automaton theater and a cabinet of curiosities and contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by
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In addition to cabinets of curiosity serving as an establisher of socioeconomic status for its curator, these cabinets served as entertainment, as particularly illustrated by the proceedings of the
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misleading objects of study. Curiosities, previously interpreted as divine messages and expressions of nature's variety, were increasingly seen as vulgar exceptions to nature's overall uniformity.
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as modern-day wunderkammern, although in danger of being refined into capitalist institutions "just as professionalized curators refined Wunderkammers into the modern museum in the 18th century."
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Some strands of the early universal collections, the bizarre or freakish biological specimens, whether genuine or fake, and the more exotic historical objects, could find a home in commercial
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1654:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 20–42; Clark, Jack A. " Sir Hans Sloane and Abbé Jean Paul Bignon: Notes on Collection Building in the Eighteenth Century," in
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Sloane meticulously cataloged and created extensive records for most of the specimens and objects in his collection. He also began to acquire other collections by gift or purchase.
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or theater of the world, and a memory theater. The Kunstkammer conveyed symbolically the patron's control of the world through its indoor, microscopic reproduction." Of
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Elias Ashmole (1617–1692): His Autobiographical and Historical Notes, His Correspondence, and Other Contemporary Sources Relating to His Life and Work: Texts, 1661–1672
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were beginning to produce moveable cabinets with similar architectural interior fittings, which could be set upon a carpet-covered table or on a purpose-built stand.
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The Houston Museum of Natural Science houses a hands-on Cabinet of Curiosities, complete with taxidermied crocodile embedded in the ceiling a la Ferrante Imperato's
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Europe, yet to be defined. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term
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Cabinets of curiosities would often serve scientific advancement when images of their contents were published. The catalog of Worm's collection, published as the
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The Renwick Gallery at the Smithsonian Institution includes a contemporary Cabinet of Curiosity entitled "Bureau of Bureaucracy" by Kim Schmahmann
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Augsburg Cabinet: 3-D model online interactive with high-resolution photography, description of subjects depicted, and mapping of exotic materials
155:. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of
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His whole house and garden is a paradise and Cabinet of rarities and that of the best collection, amongst Medails, books, Plants, natural things.
308:) shows paintings on the wall that range from landscapes, including a moonlit scene—a genre in itself—to a portrait and a religious picture (the
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that figured just such fitted cabinets with feigned lattice doors and shelves filled with scientific instruments, books and small sculptures in
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with over 4,000 specimens of Carniolan and foreign plants, a smaller number of animal specimens, a natural history and medical library, and an
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and jaspers or fitted with pigeonhole compartments for specimens. Below them, a range of cupboards contain specimen boxes and covered jars.
848:'s virtual museum of approximately one hundred volumes of plants from Europe, North America, Africa, the Near East, India, and the Orient.
470:(1655), used the collection of artifacts as a starting point for Worm's speculations on philosophy, science, natural history, and more.
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894:(1608–1662) traveled to Virginia in 1637 and collected flowers, plants, shells, an Indian deerskin mantle believed to have belonged to
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463:, as most owners of these believed. The specimens displayed were often collected during exploring expeditions and trading voyages.
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Tradescant's Rarities: Essays on the Foundation of the Ashmolean Museum 1683; with a Catalogue of the Surviving Early Collections
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326:) are represented, while on the table are ranged, among the exotic shells (including some tropical ones and a shark's tooth):
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1005:'s jaw tumor. The MĂĽtter Museum is an excellent example of a nineteenth-century grotesque cabinet of medical curiosities.
933:, provided that a suitable building be provided to house the collection. Ashmole's donation formed the foundation of the
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443:; ethnographic specimens from exotic locations. Often they would contain a mix of fact and fiction, including apparently
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1683:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 20–42; de Beer, G. R. "Sir Hans Sloane, F.R.S 1660–1753," in
1217:, can also be interpreted as a modern day curiosity cabinet, especially in the collection and display of automatons. In
832:'s collection in 1710. It consisted of twenty-three volumes with over 8,000 plants from Africa, India, Japan and China.
382:, which put special emphasis on paintings of people with interesting deformities, which remains largely intact as the
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Mr. Wilson's Cabinet Of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology
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Mr. Wilson's Cabinet Of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology
872:." Upon his death in 1753, Sloane bequeathed his sizable collection of 337 volumes to England for ÂŁ20,000. In 1759,
650:) that was appreciated throughout Europe and was visited by the highest nobility, including the Holy Roman Emperor,
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The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology
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History and current items of the Wunderkammer that the Salvador family started in the 17th century in Barcelona.
836:, left him a twelve-volume herbarium from her gardens at Chelsea and Badminton upon her death in 1714. Reverend
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993:'s sewing kit. In 1874 the museum acquired one hundred human skulls from Austrian anatomist and phrenologist,
485:, who added Worm's collection to his own after Worm's death, was another such monarch. A third example is the
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The idea of a cabinet of curiosities has also appeared in recent publications and performances. For example,
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in London, began sporadically collecting plants in England and France while studying medicine. In 1687, the
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anachronistically seeks to recreate the sense of wonder that the old cabinets of curiosity once aroused.
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A late example of the juxtaposition of natural materials with richly worked artifice is provided by the "
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318:, which is both precious and a natural curiosity. Sculptures both classical and secular (the sacrificing
1252:. In July 2021 a new Cabinet of Curiosities room was opened at The Whitaker Museum & Art Gallery in
997:(1810–1894); a nineteenth-century corpse, dubbed the "soap lady"; the conjoined liver and death cast of
925:, and botany. Ashmole was also a neighbor of the Tradescants in Lambeth. He financed the publication of
1666:. "Curiosities, Commodities, and Transplanted Bodies in Hans Sloane's "Natural History of Jamaica", in
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came to signify a collection of works of art, which might still also include an assembly of objects of
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1693:, Vol. 18, No. 1, Sir Hans Sloane (March 1953), 20–23; and "The Sloane Collection of Manuscripts" in
1658:, Vol. 50, No. 4 (October 1980), 475–482; de Beer, G. R. "Sir Hans Sloane, F.R.S 1660–1753," in
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Thomas DaCosta Kaufmann, "Remarks on the Collections of Rudolf II: The Kunstkammer as a Form of
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thought to be a plant/sheep fabulous creature. However he was also responsible for identifying the
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more general audience, which " them more suitable subjects of polite discourse at the Society."
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Cabinets of curiosities were limited to those who could afford to create and maintain them. Many
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876:'s royal library was added to Sloane's collection to form the foundation of the British Museum.
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collection for the British Museum that was to increase greatly with the explorations of Captain
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The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe
1763:"Singular and the Making of Knowledge at the Royal Society of London in the Eighteenth Century"
1368:"Singular and the Making of Knowledge at the Royal Society of London in the Eighteenth Century"
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The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe
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its members, and the discussion and consideration of various literary and economic subjects."
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1687:, Vol. 10, No. 2 (April 1953), 81–84; Gray, Basil. "Sloane and the Kaempfer Collection," in
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gave him plants from North America and the West Indies from an expedition funded by Sloane.
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Cabinets of Curiosity: What they were, why they disappeared, and why they’re so popular now
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902:. Father and son, in addition to botanical specimens, collected zoological (e.g., the
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314:) intermixed with preserved tropical marine fish and a string of carved beads, most likely
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Gehl, Robert W. (2009). "Youtube As Archive: Who Will Curate This Digital Wunderkammer?".
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Late in his life Browne parodied the rising trend of collecting curiosities in his tract
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2295:. Web magazine issue dedicated to building a small, contemporary Cabinet of Curiosities.
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The American writer Lawrence Weschler, wrote an entire book about the museum:
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Two of the most famously described seventeenth-century cabinets were those of
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1572:[Ljubljana's "Books of the World" – from the Auerspergs to Hacquet].
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Thomas, "Charles I of England: The tragedy of Absolutism", A.G. Dickens, ed.
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The cabinet of a collector with paintings, shells, coins, fossils and flowers
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Horst Bredekamp (Allison Brown, translator) (Princeton: Marcus Weiner) 1995.
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684:. It included a number of minerals, including specimens of mercury from the
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creatures. Worm's collection contained, for example, what he thought was a
127:. Modern terminology would categorize the objects included as belonging to
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gave Sloane thirteen volumes of British plants. In 1716, Sloane purchased
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Collection, Laboratory, Theater. Scenes of Knowledge in the 17th Century
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Strange Blooms: The Curious Lives and Adventures of the John Tradescants
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B. Gutfleish and J. Menzhausen, "How a Kunstkammer Should Be Formed",
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to display his chamber of wonders. The "Enlightenment Gallery" in the
1933:"A two-headed lamb and ancient dildos: the UK's strangest new museum"
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This is the secretive aspect emphasised by R. J. W. Evans,
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The Viktor Wynd Museum of Curiosities, Fine Art & Natural History
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Under the Sign: John Bargrave as Collector, Traveler, and Witness
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It appears to represent a reduction of a well-known sculpture by
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Weblog modern equivalent of a Wunderkammer (Anthropology Essay)
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Cabinets for the curious: looking back at early English museums
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in 1636, reveals the range of connoisseurship of a Baroque-era
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of the art cabinet made for Duke August of Brunswick-LĂĽneburg.
1712:, (Walnut Creek, London, New Delhi: AltaMira Press, 1995), 31.
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Sixteenth-century cabinet-makers serving the luxury trades of
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began to collect antique medical equipment in 1871, including
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The earliest pictorial record of a natural history cabinet is
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Rudolf II and His World: A Study in Intellectual History
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Museum Exhibition:museum exhibition by museum display cases
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In seventeenth-century parlance, both French and English, a
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The highly characteristic range of interests represented in
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2301:. Work and collections of the pioneering German modernist
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The John Tradescants: Gardeners to the Rose and Lily Queen
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The juxtaposition of such disparate objects, according to
30:'Kunstkammer' redirects here. For the Russian museum, see
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Dutch influence on 'wunderkammer' or 'rariteitenkabinet'.
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in Oceania and Australia and the rapid expansion of the
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Similar collections on a smaller scale were the complex
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Ivins, Jr., William M. "The Tradescant Collection", in
1570:"Ljubljanske "knjige sveta" od Auerspergov do Hacqueta"
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Italian Baroque-era cabinet of curiosities, circa 1635.
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Image rich German site of Kunstkammer and Wunderkammer
1728:, Vol. 20, No. 8 (August 1925), 194–197; Josten, C.H.
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A history of science website devoted to Wunderkammern
1699:, Vol. 18, No. 1, Sir Hans Sloane (March 1953), 6–10.
1670:, Third Series, Vol. 57, No. 1 (January 2000), 35–78.
1454:, Metropolitan Museum of Art/Princeton, 1971, nos 48.
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Annals of the Hobby Club of New York City, 1912–1920
398:'s collection, Peter Thomas states succinctly, "The
293:, some large fish fins and a wooden weapon from the
1732:, (Oxford: Clarendon, 1967); Leith-Ross, Prudence.
2253:Website with photos of remaining Germanic cabinets
497:in 1714. Many items were bought in Amsterdam from
1736:, (London: Peter Owen, 2006); MacGregor, Arthur.
1710:Museum Masters: Their Museums and Their Influence
1681:Museum Masters: Their Museums and Their Influence
1652:Museum Masters: Their Museums and Their Influence
856:gave him twelve volumes of plants grown from the
532:produced in the early seventeenth century by the
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1962:"The community that wouldn't let its museum die"
1685:Notes and Records of the Royal Society of London
1660:Notes and Records of the Royal Society of London
1538:Francesaco Fiorani, reviewing Bredecamp 1995 in
1213:, the house and museum of Alex Jordan, known as
913:(1617–1692) was a lawyer, chemist, antiquarian,
791:(1660–1753) an English physician, member of the
607:would find intellectually stimulating. In 1714,
390:in Austria. "The Kunstkammer was regarded as a
2237:Presentation and very large and detailed image
834:Mary Somerset, Duchess of Beaufort (1630–1715)
630:In the second half of the eighteenth century,
1615:"Enlightenment Gallery at the British Museum"
1086:Chamber of Art and Curiosities, Ambras Castle
459:'s tusk as coming from a whale rather than a
346:Celestial globe with clockwork, made for the
285:in 1521, apart from artworks he sent back to
1351:: CS1 maint: multiple names: authors list (
1336:
957:Cabinets of Curiosities can now be found at
662:, as well as by famous naturalists, such as
94:
1760:
1365:
1298:Guillermo del Toro's Cabinet of Curiosities
163:formed collections that were precursors to
2260:High resolution images of two Wunderkammer
2183:, pictures, full descriptions and history.
1930:
1864:Daston, Lorraine; Park, Katherine (1998).
1863:
1802:"James G. Mundie's Cabinet of Curiosities"
1720:
1718:
1662:, Vol. 10, No. 2 (April 1953), 81–84; and
1576:(in Slovenian and English). 19=70: 23–33.
1260:, curated by artist Bob Frith, founder of
1181:
481:, the first Medici Grand-Duke of Tuscany.
374:, also had a collection, organized by his
123:originally described a room rather than a
1993:International Journal of Cultural Studies
1019:In 1908, New York businessmen formed the
566:
1567:
1561:
1185:
878:
814:
772:
735:
621:
570:
409:
341:
255:
207:
169:
63:
43:
1726:The Metropolitan Museum of Art Bulletin
1715:
1341:. Oxford University Press. p. 737.
1190:Modern interpretation of a Wunderkammer
1040:Notable collections started in this way
828:curiosities in amber. Sloane purchased
509:Imperial collection included important
39:Cabinet of curiosities (disambiguation)
14:
2321:
1248:The concept has been reinterpreted at
1030:
431:, known as Olaus Wormius (1588–1654) (
372:Ferdinand II, Archduke of Austria
1968:. arts industry.co.uk. 23 July 2021.
1439:Journal of the History of Collections
76:horn, was a common piece in cabinets.
2206:, Royal Picture Gallery, The Hague:
2097:, 1996, trade paperback, 192 pages,
1990:
272:In 1587 Gabriel Kaltemarckt advised
575:An early eighteenth-century German
214:engraving from Ferrante Imperato's
24:
2052:, 2015, retrieved: March 8, 2021 (
2022:
1972:from the original on 2 August 2021
1496:than even portraits or landscapes.
1337:Impey, MacGregor, Oliver, Arthur.
1001:, the Siamese twins; and in 1893,
402:itself was a form of propaganda."
360:Rudolf II, Holy Roman Emperor
260:The richly decorated vault of the
174:A corner of a cabinet, painted by
25:
2380:
2349:Historical scientific instruments
2158:
2119:, Warner Books, 2003, paperback,
1931:Wainwright, Oliver (2014-10-28).
1088:in Austria remains largely intact
844:'s volume of Japanese plants and
536:merchant, diplomat and collector
362:(ruled 1576–1612), housed in the
289:various animal horns, a piece of
2189:, about the Uppsala art cabinet.
1868:. Zone Books. pp. 350–360.
1545:.1 (Spring 1998:268-270) p 268.
968:
1984:
1954:
1943:from the original on 2015-10-04
1924:
1913:
1895:
1882:
1866:Wonders and the Order of Nature
1857:
1843:
1819:
1808:from the original on 2013-06-06
1794:
1777:
1765:. Cambridge Scholars Publishing
1702:
1673:
1644:
1641:, entry dated 17th October 1671
1632:
1621:from the original on 2015-09-23
1607:
1548:
1532:
1512:
1499:
1370:. Cambridge Scholars Publishing
808:basis for his two volume work,
405:
48:"Musei Wormiani Historia", the
2218:Collecting for the Kunstkammer
2066:, 2001, paperback, 431 pages,
1668:The William and Mary Quarterly
1486:
1473:
1464:
1444:
1431:
1414:
1382:
1359:
1330:
978:American College of Physicians
579:with a traditional display of
544:in 1632, which is kept in the
384:Chamber of Art and Curiosities
13:
1:
2130:Helmar Schramm et al. (ed.).
2079:, Ken Arnold, Ashgate, 2006,
2050:Institute of European History
2046:EGO - European History Online
1804:. MundieArt.com. 2013-03-17.
1324:
1204:Museum of Jurassic Technology
642:, a natural history cabinet (
483:Frederick III of Denmark
223:
27:Collection of notable objects
1825:Barrymore Laurence Scherer,
1696:The British Museum Quarterly
1690:The British Museum Quarterly
1492:Still life was considered a
1403:has been reassembled at the
479:Studiolo of Francesco I
262:Studiolo of Francesco I
7:
2041:Chambers of Art and Wonders
1470:Her base is inscribed LIBER
1275:
892:John Tradescant the Younger
797:Royal College of Physicians
634:(c. 1735–1815) operated in
542:Gustavus Adolphus of Sweden
523:Museum of Ethnology, Vienna
10:
2385:
2109:The Cabinet of Curiosities
1761:Fontes da Costa, Palmira.
1744:, (London: Atlantic, 2006)
1568:Jezernik, BoĹľidar (2009).
1366:Fontes da Costa, Palmira.
810:Natural History of Jamaica
731:
609:Michael Bernhard Valentini
601:or curiosities, such as a
415:Frans Francken the Younger
274:Christian I of Saxony
203:
147:, works of art (including
143:, religious or historical
60:'s cabinet of curiosities.
36:
29:
2247:Crocodiles on the Ceiling
888:John Tradescant the Elder
799:, and the founder of the
654:, the Russian grand duke
513:artifacts, including the
433:illustration, above right
334:or drawings, and a small
2339:History of Earth science
2187:The Augsburg Art Cabinet
2134:, Berlin/New York 2005,
2105:(see website link above)
2005:10.1177/1367877908098854
1827:"Catalog of Curiosities"
1399:perspective. The Gubbio
1262:Horse and Bamboo Theatre
1082:'s and other collections
1013:Barnum's American Museum
782:Wondertooneel der natuur
754:(1605–82), the courtier
2359:Natural history museums
2287:Cabinets of Curiosities
2243:Smithsonian Institution
2062:, ed. Oliver Impey and
1529:.1 (Autumn 1978:22–28).
1211:Spring Green, Wisconsin
1182:In contemporary culture
927:Musaeum Tradescantianum
750:In 1671, when visiting
350:of Rudolf II, 1579
81:Cabinets of curiosities
2303:Johann Dieter Wassmann
2299:MuseumZeitraum Leipzig
2198:The King's Kunstkammer
1788:March 4, 2011, at the
1196:Dell'Historia Naturale
1191:
884:
820:
785:
764:
747:
741:Cabinet of Curiosities
675:Franz Benedikt Hermann
647:
638:, then the capital of
627:
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567:18th century and after
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238:Dell'Historia Naturale
220:
216:Dell'Historia Naturale
184:
108:
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88:
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61:
2233:Rijksmuseum Amsterdam
1708:Alexander, Edward P.
1679:Alexander, Edward P.
1656:The Library Quarterly
1650:Alexander, Edward P.
1617:. Britishmuseum.org.
1540:Renaissance Quarterly
1219:Bristol, Rhode Island
1189:
989:'s medical chest and
882:
858:Chelsea Physic Garden
818:
776:
760:
739:
626:A Dutch cabinet, 1756
625:
574:
413:
345:
311:Adoration of the Magi
304:'s painting of 1636 (
259:
211:
173:
67:
47:
2293:A Small Wunderkammer
2258:Wunderkammer Theorie
2168:J. Paul Getty Museum
1639:Diary of John Evelyn
1556:The Courts of Europe
1441:, 1989 Vol I: p. 11.
1175:XIIIth Earl of Derby
999:Chang and Eng Bunker
991:Florence Nightingale
931:University of Oxford
819:German cabinet, 1745
396:Charles I of England
332:chiaroscuro woodcuts
324:Christ at the Column
37:For other uses, see
2214:Metropolitan Museum
1838:Wall Street Journal
1405:Metropolitan Museum
1242:University of Leeds
1223:Musée Patamécanique
1158:Museo Poldi Pezzoli
1031:Declining influence
780:, 1715, plate from
707:Augustus the Strong
664:Francesco Griselini
611:published an early
328:portrait miniatures
306:illustration, above
131:(sometimes faked),
72:, whose tusk, as a
2364:Museum collections
2344:History of museums
2329:History of biology
2282:Modern "cabinets"
2163:Historic cabinets
2038:BeĂźler, Gabriele,
1907:2008-03-25 at the
1840:. January 1, 2013.
1832:2017-06-21 at the
1558:(London) 1977:201.
1481:Alessandro Algardi
1192:
1132:Pitt Rivers Museum
974:Thomas Dent Mutter
885:
842:Engelbert Kaempfer
821:
786:
748:
696:anatomical theatre
628:
589:
546:Museum Gustavianum
515:feather head-dress
437:Athanasius Kircher
425:
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125:piece of furniture
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62:
2270:Idols of the Cave
2181:Powhatan's Mantle
2140:978-3-11-017736-7
2095:Lawrence Weschler
1452:Prints and People
1215:House on the Rock
1202:, the modern-day
1142:) — Ex-Ashmolean
1009:P. T. Barnum
943:English Civil War
805:Duke of Albemarle
648:Naturalienkabinet
585:Naturkundenmuseum
538:Philipp Hainhofer
380:Leopold Heyperger
302:Frans II Francken
234:Ferrante Imperato
176:Frans II Francken
149:cabinet paintings
99:), also known as
16:(Redirected from
2376:
2369:Types of museums
2227:Museum Showcases
2177:Ashmolean Museum
2064:Arthur MacGregor
2035:, Michigan, 1995
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1101:Fondation Calvet
1063:Boerhaave Museum
1046:Ashmolean Museum
1003:Grover Cleveland
935:Ashmolean Museum
830:Leonard Plukenet
825:Herman Boerhaave
683:
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495:Saint Petersburg
468:Museum Wormianum
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959:Snowshill Manor
789:Sir Hans Sloane
778:Levinus Vincent
768:Musaeum Clausum
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691:herbarium vivum
677:
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617:Museum Museorum
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505:. The fabulous
503:Frederik Ruysch
491:Peter the Great
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1769:9 December
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1600:2015-05-27
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1325:References
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1258:Lancashire
1177:collection
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