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Kemençe of the Black Sea

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443:. It is the upper part of the instrument. In the "kifal", the tuning keys are wedged, the "otia" (ears), which are T-shaped (usually) and the strings are tied to them, which, after crossing the whole instrument, end up in the tailpiece ("palikar"), a wooden component in the shape of an elongated inverted triangle, located at the bottom, on which the lower ends of the strings are attached. The three strings are attached to the bridge ("donkey"), a component that carries three incisions - notches to keep the strings stable. Inside the lyre, a piece of wood, the soundpost, is wedged. The sides of the instrument are flat and are called "magla" (cheeks). The neck ("goula") is the point at which the lyre player holds the instrument. The sound comes from two curved or straight soundholes, the "rothonia" (nostrils), and through holes in their ends, on the lid and on the side. A typical lyre has: two holes on each side, four holes in the soundboard (two at the top and two at the bottom) and one at each end of the soundholes. 1913: 1887: 218: 31: 1901: 435:
The most common material for the construction of the body, the pegbox and the neck of the instrument is the one-piece plum wood, as well as mulberry, walnut, cedar, acacia, etc., while the soundboard is made of pine or fir wood. Traditionally, plum wood is considered the best. According to tradition,
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The three single strings of the Pontian lyre until 1920 were made of silk and produced a nice melodic but low sound. Alternatively, the two highest were made of silk and the third was made of gut. The two highest strings were thinner than the third. Today the strings are metal, either two strings of
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The bow is a separate tool and necessary for the use of the instrument. Its name comes from the arc created by its fibers. It is a long wooden instrument, about 50 to 60 cm long, that has two sides, the front side has a bundle of fibers that end at its ends. The fibers passing from one end end
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When using the instrument, the Pontian lyre player "plays" the lyre either standing or sitting. It is played in the downright position, either by resting it on the knee when sitting, or held in front of the player when standing.The lyre always has a slight tilt to the left. Although in the
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traditional musical instrument. It belongs to the category of stringed bowed musical instruments. It has three strings, usually tuned to perfect fourths, usually tuned B-E-A. It is the pre-eminent musical folk instrument of the Greeks of Pontus. It seems to have been invented during the
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The Pontian lyre seems to have been created between the 11th and 12th centuries, when Pontus was part of the Byzantine Empire, while the name "Kemenche" first appeared in the 10th century. According to Pavlos Hairopoulos, it was created by the Greeks of Pontus themselves.
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the growth rings of the soundboard wood, if they are dense, perform the fine frequencies better, while if they are dilute the lower ones. Usually, the densest rings are placed on the highest string.
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Notes from a speech by V. Architektonidis, Founder and Director of the Palladium Conservatory of Athens, on: "The importance of the Pontian lyre in our cultural heritage" Argyroupoli 2005.
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pear-shaped lyre of Crete, the Dodecanese, and Thrace the strings are pressed with the nail, in the bottle-shaped Pontian Lyre they are pressed with the core of the fingers, as in the
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The Kemenche is distinguished by the uniqueness of its bottle-shaped form with a long neck and an oblong body. The pegbox is teardrop-shaped and is called "kifal" (Head) in the
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at the other where they are tied there with leather. This point, which is cylindrical, is held with the dominant hand of the player and pressed with the middle finger
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which basically means horse tail violin. Similar and variant types were probably disseminated along east–west trading routes from Asia into the Middle East, and the
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During Jean, At ‘Ayan Robert, Spector Johanna, Qassim Hassan Scheherazade, Morris R. Conway, «Kamancheh», Grove Music Online – Oxford Music Online
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Margaret J. Kartomi: On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology, University of Chicago Press, 1990
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Margaret J. Kartomi: On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology,
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The lowest string is named "kapan" and the highest one "zil", and so do the respective types of the instrument.
177:. Might be an instrument of Scythians. Also Circassian people of Caucasus region has the same instrument named 1850: 1529: 1313: 776: 1834: 1917: 903: 557: 188:
The direct ancestor of all European bowed instruments (Perhaps including the Kemençe, too) is the
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equal thickness and one thinner, or two strings of equal thickness and one covered with wire.
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Hedwig Usbeck: "Türklerde Musıki Aletleri", Musıki Mecmuası, no. 235 - 243, 1968 - 1969.
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The Pontian lyre is tuned in perfect fourths. There are three different ways to play:
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The fibers of the bow are male horse tail hairs (Mare hairs tend to be worn by her
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The earliest stringed instruments were mostly plucked (for example, the Greek
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The tune is played on the lowest string, with the next being used as a drone.
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The tune is played on the highest string, with the next being used as a drone
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The stringed instruments of the Middle Ages, their evolution and development
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cultures of Central Asia, in forms closely resembling the modern-day
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An article about Pontic kemenche from famous virtuoso Th. Petrides
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Rauf Yekta: Türk Musikisi (çev: Orhan Nasuhioğlu), İstanbul, 1986.
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Laurence Picken: Folk Musical Instruments of Turkey, Londra, 1975.
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Asuman Onaran: Kemençe Seslerinin Armonik Analizi, İstanbul, 1959.
155:). Two-stringed, bowed instruments, played upright and strung and 1799: 1686: 1628: 1254: 1249: 1163: 1057: 1024: 982: 954: 926: 695:Η λύρα. Η εξέλιξη από την αρχαία εποχή ως σήμερα σ' όλο τον κόσμο 553:
The NPR Classical Music Companion: Terms and Concepts from A to Z
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Curt Sachs: The History of Musical Instruments, New York, 1940.
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The New Grove Dictionary of Musical Instruments: Londra, 1984.
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Traditional Pontic dances accompanied by the Pontic lyra
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Young Pontian kemenche player in Trabzon, 1910 postcard
765:. 2 Cilt (2 Volumes). Heyamola Yayıncılık. İstanbul. 143:. The instrument is made of different types of wood. 1408: 159:with horsehair, may have originated in the nomadic 528:The Silk Road: Connecting Cultures, Creating Trust 824:Archive of the Union of Pontians of Argyroupolis. 1931: 821:Folklore Museum of the Municipality of Elliniko. 750:Grillet, Laurent (1901). Schmid, Charles (ed.). 1528: 736:. Diss. Goldsmiths, University of London, 2007. 1514: 1394: 902: 888: 212: 712: 692: 1521: 1507: 1401: 1387: 895: 881: 201:by the 9th century and later the European 752:Les ancêtres du violon et du violoncelle 574: 497: 216: 761:(2005). Karadeniz: Ansiklopedik Sözlük 749: 663:. London: William Reeves. p. 434. 580: 549: 1932: 734:The Pontic lyra in contemporary Greece 728: 726: 724: 708: 706: 704: 1502: 1382: 917: 876: 655: 146: 721: 717:. Αθήνα: Μέλισσα. pp. 271–276. 701: 467:The first two strings play the tune 13: 283:Place for hand (same as the body) 197:(ربابة), which developed into the 14: 1971: 831: 763:Black Sea Encyclopedic Dictionary 677: 1960:Pontic Greek musical instruments 1912: 1911: 1899: 1885: 1410:Pontic Greek musical instruments 29: 743: 56:Hornbostel–Sachs classification 1945:Turkish folk music instruments 686: 649: 622: 595: 586: 543: 521: 1: 827:Pavlou D. Hairopoulos "Lyra". 715:Ελληνικά Λαϊκά Μουσικά Όργανα 713:Ανωγειανάκης, Φοίβος (1991). 514: 19:For homonym instruments, see 693:Χαιρόπουλος, Παύλος (1994). 7: 1851:Turkish musical instruments 1530:Turkish musical instruments 777:University of Chicago Press 630:"Lira | musical instrument" 10: 1976: 493: 446: 253:holder (same as the body) 213:Construction and mechanics 119: 100: 18: 1879: 1843: 1760: 1660: 1536: 1463: 1437: 1416: 1340: 1301: 1275: 1268: 1217: 1197: 1141: 1105: 1098: 1091: 1070: 1033: 1005: 968: 935: 910: 904:Greek musical instruments 558:Houghton Mifflin Harcourt 455: 108: 85: 54: 44: 37: 28: 1940:Bowed string instruments 732:Tsahourides, Matthaios. 323:Ses delikleri, Rothonia 70:Kemençe of the Black Sea 1950:Laz musical instruments 1861:Ottoman classical music 863:Lyra (kemenche) Lessons 635:Encyclopedia Britannica 608:Encyclopedia Britannica 550:Hoffman, Miles (1997). 16:Bowed string instrument 1418:Percussion instruments 503: 477: 432: 326:Sound holes, Nostrals 77: 1866:Ottoman military band 540:(accessed 2008-09-26) 501: 220: 1771:Auxiliary percussion 294:Bed, Slabbering bib 1575:Plucked instruments 853:Kemenche Components 359:Stalward Young Man 135:years, between the 78:Karadeniz kemençesi 1856:Turkish folk music 1648:Struck instruments 1566:Rebab/Kabak kemane 1465:String instruments 794:2012-04-03 at the 536:2008-10-13 at the 504: 433: 147:Origin and history 1927: 1926: 1892:Turkey portal 1556:Classical kemençe 1551:Karadeniz kemençe 1547:Bowed instruments 1496: 1495: 1376: 1375: 1336: 1335: 1332: 1331: 1213: 1212: 1066: 1065: 1001: 1000: 431: 430: 66: 65: 62:(Necked box lute) 39:String instrument 1967: 1915: 1914: 1906:Music portal 1904: 1903: 1902: 1890: 1889: 1888: 1820:Turkish crescent 1523: 1516: 1509: 1500: 1499: 1439:Wind instruments 1403: 1396: 1389: 1380: 1379: 1353:Greek folk music 1273: 1272: 1103: 1102: 1096: 1095: 933: 932: 915: 914: 897: 890: 883: 874: 873: 755: 737: 730: 719: 718: 710: 699: 698: 690: 684: 681: 675: 674: 653: 647: 646: 644: 642: 626: 620: 619: 617: 615: 599: 593: 590: 584: 578: 572: 571: 547: 541: 525: 224: 183:Byzantine Empire 121: 110: 102: 87: 33: 26: 25: 1975: 1974: 1970: 1969: 1968: 1966: 1965: 1964: 1930: 1929: 1928: 1923: 1900: 1898: 1886: 1884: 1875: 1871:Music of Turkey 1839: 1763: 1756: 1663: 1656: 1539: 1532: 1527: 1497: 1492: 1459: 1433: 1412: 1407: 1377: 1372: 1358:Byzantine music 1348:Music of Greece 1328: 1297: 1264: 1209: 1193: 1137: 1128:Macedonian lyra 1087: 1062: 1029: 997: 964: 931: 906: 901: 834: 796:Wayback Machine 789:"Pontian Music" 782:Petrides, Th. 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Retrieved 606: 597: 588: 583:, p. 29 581:Grillet 1901 576: 552: 545: 527: 523: 505: 485: 481: 473: 459: 450: 438: 434: 372:Gövde, Soma 261:Kulak, Otia 207: 192: 187: 150: 111: 92: 88: 69: 67: 1780:Cura nagara 1764:instruments 1747:Kargı Düdük 1742:Dilli düdük 1722:Dilli kaval 1707:Turkish ney 1664:instruments 1571:Sine kemanı 1540:instruments 1118:Pontic lyra 1113:Cretan lyra 1053:Water organ 848:kemence.com 402:Can direği 298:Fingerboard 264:Fist, Ears 179:Shikepshine 93:Pontic lyre 1934:Categories 1762:Percussion 1302:Idiophones 1283:Tambourine 1269:Percussion 1035:Percussion 515:References 409:Sound post 405:Life post 330:Soundholes 314:Soundboard 247:Top, Head 230:Part Name 168:Morin huur 161:equestrian 103:(ჭილილი), 1727:Dilli ney 1363:Nisiotika 1309:Koudounia 1288:Toubeleki 1235:Tsampouna 1184:Tambouras 1020:Pan flute 978:Epigonion 411:(inside) 363:Tailpiece 236:Function 165:Mongolian 133:Byzantine 1918:Category 1844:See also 1830:Castanet 1737:Tárogató 1662:Woodwind 1341:See also 1260:Souravli 1245:Karamuza 1240:Floghera 1205:Santouri 1189:Thaboura 1179:Psaltery 1169:Mandolin 1149:Bouzouki 1071:Medieval 1048:Crotalum 1043:Cochilia 993:Trigonon 960:Phorminx 945:Barbiton 792:Archived 659:(1939). 534:Archived 422:Strings 384:mulberry 356:Palikar 233:Meaning 170:and the 105:Armenian 50:stringed 21:Kemenche 1800:Naqareh 1795:Darbuka 1687:Dankiyo 1629:Shahrud 1619:Baglama 1319:Trigono 1293:Tympano 1255:Mantura 1250:Lalitsa 1164:Mandola 1142:Plucked 1083:Organon 1058:Sistrum 1025:Salpinx 988:Sambuca 983:Magadis 955:Kithara 927:Pandura 911:Ancient 868:kemence 641:6 April 614:6 April 603:"Rabab" 494:Playing 447:Strings 426:Strings 392:juniper 348:(pine) 128:Turkish 122:) is a 74:Turkish 60:321.322 1815:Nagara 1775:Bendir 1752:Miskal 1652:Santur 1599:Cümbüş 1538:String 1488:Violin 1483:Kemane 1456:Ghaval 1447:Zourna 1426:Daouli 1314:Stamna 1198:Struck 1174:Oudola 1159:Laouto 1154:Guitar 1099:String 1092:Modern 950:Chelys 919:String 779:, 1990 769:  667:  564:  509:violin 456:Tuning 388:walnut 378:Body ( 346:Bridge 310:Cover 307:Kapak 190:Arabic 172:Kazakh 116:Pontic 112:Qamani 109:քամանի 101:Çilili 1835:Spoon 1810:Kudüm 1790:Davul 1717:Sipsi 1712:Kaval 1697:Çifte 1692:Gaida 1682:Karkm 1677:Tulum 1672:Zurna 1644:Mugni 1639:Lavta 1624:Komuz 1604:Ahenk 1579:Kanun 1452:Tulum 1324:Zilia 1230:Gaida 1106:Bowed 1015:Aulos 488:urine 375:Body 280:Neck 203:rebec 194:rebab 175:Kobyz 157:bowed 124:Greek 82:Greek 1825:Zill 1614:Cura 1584:Çeng 1473:Lyra 1430:Masa 1218:Wind 1007:Wind 970:Harp 937:Lyre 767:ISBN 665:ISBN 643:2019 616:2019 562:ISBN 380:plum 268:Pegs 153:lyre 139:and 137:11th 126:and 120:lyra 68:The 1805:Kus 1785:Daf 1732:Mey 1702:Ney 1634:Rud 1609:Saz 1478:Oud 490:.) 478:Bow 416:11 399:10 251:Peg 97:Laz 91:or 1936:: 1594:Ud 723:^ 703:^ 632:. 605:. 560:. 556:. 511:. 394:) 390:, 386:, 382:, 369:9 353:8 336:7 320:6 304:5 288:4 274:3 258:2 241:1 227:# 205:. 185:. 118:: 114:, 107:: 99:: 95:, 84:: 80:, 76:: 1522:e 1515:t 1508:v 1402:e 1395:t 1388:v 896:e 889:t 882:v 673:. 645:. 618:. 570:. 72:( 23:.

Index

Kemenche

String instrument
Classification
Hornbostel–Sachs classification
Turkish
Greek
Laz
Armenian
Pontic
Greek
Turkish
Byzantine
11th
12th centuries
lyre
bowed
equestrian
Mongolian
Morin huur
Kazakh
Kobyz
Shikepshine
Byzantine Empire
Arabic
rebab
Byzantine lyra
rebec

Peg

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