Ghalib - Knowledge

1196:. Having finished the work to his satisfaction, and believing that Mirza Asadullah Khan Ghalib was a person who would appreciate his labors, he approached the great Ghalib to write a taqriz (in the convention of the times, a laudatory foreword) for it. Ghalib obliged, but what he produced was a short Persian poem castigating the Ai’n-e Akbari and, by implication, the imperial, sumptuous, literate and learned Mughal culture of which it was a product. The least that could be said against it was that the book had little value even as an antique document. Ghalib practically reprimanded Khan for wasting his talents and time on dead things. Worse, he highly praised the "sahibs of England" who at that time held all the keys to all the a’ins in this world. 1207: 1547: 1033: 1239: 1290: 2213: 401: 662: 2085: 1251: 1278: 1892: 2240: 1269: 1260: 1230: 1004:, in most of Ghalib's verses, the identity and the gender of the beloved are indeterminate. The critic/poet/writer Shamsur Rahman Faruqui explains that the convention of having the "idea" of a lover or beloved instead of an actual lover/beloved freed the poet-protagonist-lover from the demands of realism. Love poetry in Urdu from the last quarter of the seventeenth century onwards consists mostly of "poems about love" and not "love poems" in the Western sense of the term. 4016: 1173:

situated in the Simla Market Area during his stay in Kolkata. He used to write his verses in Urdu but started writing his poetry in Persian after this visit. He realized that the literary circle of Calcutta was very different from his known world. During his stay in Kolkata, he attended many literary gatherings which were not courtly in nature unlike Delhi. These were far liberal and flexible in nature which is imperative for any individual with a creative bent of mind.

1353:, but where shall I find again the star of dawn I used to see on earth, and my crystal cup? Where in Paradise are the long walks of intoxicated friends in the night, or the drunken crowds shouting merrily? In that holy tavern, silent and still, how canst Thou introduce the sounds of the flute and the gay bustle of the taverns of this earth? Where shall I find, there, the intoxication of raining clouds? Where there is no autumn, how can spring exist? If the beautiful 1200:

would also have realized that Ghalib's reading of the situation, though not nuanced enough, was basically accurate. Khan may also have felt that he, being better informed about the English and the outside world, should have himself seen the change that now seemed to be just around the corner. Sir Khan never again wrote a word in praise of the Ai’n-e Akbari and in fact gave up taking an active interest in history and archaeology and became a social reformer.

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we would kiss her? Where will be, there, one who betrays us with false oaths of love? The beauties of Paradise will obey us and their lips will never say anything bitter; they will give us pleasure, but with a heart forever closed to the desire for pleasure. Will there be in Paradise oglings, the pleasure of coquettish glances from afar? Where will it be, in Paradise, the dear window in a well-known wall?.

2107:'s production, written by Mehdi Saheb. Mohd Ayub performed this role so many times that many theatre-goers used to call him Ghalib. The Sheila Bhatia production celebrated his famous ghazals which used to be presented one after another. Ghalib's character lacked subtlety and he was shown philandering with the courtesan, Chaudvin, famously played by Punjabi singer Madan Bala Sandhu. Later 1177:

Dair (Lamp of the Temple) and Bad-e Mukhalif (Adverse Winds). His letters bear a testimony of his tale of love with Calcutta. In a letter that he wrote to Mirza Ali Bakhsh Khan, he says how the city has stolen his heart and left him mesmerized. He referred to the city as a place which offered a remedy for everything except death and also praised the talented people of the city.

873:) from the Emperor, thus enabling him to add Mirza to his name. He was also an important courtier of the royal court of the Emperor. As the Emperor was himself a poet, Mirza Ghalib was appointed as his poet tutor in 1854. He was also appointed as a tutor of Prince Fakhr-ud Din Mirza, eldest son of Bahadur Shah II, (d. 10 July 1856). He was also appointed by the 46: 1438:) for questioning. He appeared in front of the colonel wearing a Central Asian Turkic style headdress. The colonel, bemused at his appearance, inquired in broken Urdu, "Well? You Muslim?", to which Ghalib replied sardonically, "Half?" The colonel asked, "What does that mean?" In response, Ghalib said, "I drink wine, but I don't eat pork." 769:. In one of his letters, he describes his marriage as the second imprisonment after the initial confinement that was life itself. The idea that life is one continuous painful struggle that can end only when life itself ends, is a recurring theme in his poetry. One of his couplets puts it in a nutshell: 1824:

This couplet has two meanings. On one hand, he says that there is loneliness all over the place, which is quite scary and makes him want to return to his secure and cosy home. On the other hand, a second meaning can be taken from this: there is this loneliness which resembles my home. My home is also

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The poem was unexpected, but it came at a time when Khan's thought and feelings were already inclining toward change. Ghalib seemed to be acutely aware of a European-sponsored change in world polity, especially Indian polity. Syed Ahmed Khan might well have been piqued at Ghalib's admonitions, but he

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Mirza Ghalib was a gifted letter writer. Not only Urdu poetry but prose is indebted to Mirza Ghalib. His letters gave foundation to easy and popular Urdu. Before Ghalib, letter writing in Urdu was highly ornamental. He made his letters "talk" by using words and sentences as if he were conversing with

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The word a’in can mean all or any of the following: character, convention, temperament, habit, rule, path, law (ecclesiastical or secular), creed, praxis, quality, intention, organization, management, system, decoration, beauty. (Lughat Nama-e Dehkhoda). There are about eighty meanings in all, which

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In another verse directed towards certain maulavis (clerics), he criticized them for their ignorance and arrogant certitude: "Look deeper, it is you alone who cannot hear the music of his secrets". In his letters, Ghalib frequently contrasted the narrow legalism of the Ulema with "its pre-occupation

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Mirza Ghalib’s journey to Kolkata, or erstwhile Calcutta made a huge difference in his literary journey. Mirza Ghalib came to the city of joy and fell in love. His love for Kolkata is depicted in one of his creations, Safar-e-Kalkattah where he talks about his stay in his humble abode, Haveli No 133

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are eternally in one's heart, what of the sweet thought of them? Where will be the sadness of separation and the joy of union? How could we be thankful to an unknown beauty? What will be the pleasure of a sure fruition of love, without waiting? Where shall we find, there, a girl who flees away when

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Mirza Ghalib’s sojourn in Calcutta widened the horizons of his literary journey. He established himself as one of the renowned poets in Calcutta and received both appreciation and criticism from the enlightened audience of the city. During this time, he penned two masnavis in Persian like Chiragh-e

2259:. The mural measuring 10 ft. x 42 ft. depicts Ghalibs life and his works. It also depicts the impact that Ghalib had on poetry and art in India. The mural is located outside a Municipal Garden near the Madanpura Area of Mumbai, which was once a hub for art, literature, writers and poets. 1023:

One of Ghalib's ambitions in life was to become the highest-ranking Ustaad for the royal Mughal Court. This position not only would prove his artistic mastership but also provide a salary of 400 rupees a month. Before becoming the official poet laureate of the court, Ghalib was paid a salary of 50

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Ghalib was not only a poet, he was also a prolific prose writer. His letters are a reflection of the political and social climate of the time. They also refer to many contemporaries like Mir Mehdi Majrooh, who himself was a good poet and Ghalib's lifelong acquaintance. The poems written by Ghalib

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Ghalib has been described as having been concerned about receiving pensions more so than building an estate or engaging in commerce. Ghalib was paid a monthly salary of 52 rupees and 8 annas from his uncle's government pension until 1827. He travelled to Calcutta and presented a petition to the

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Being a member of declining Mughal nobility and old landed aristocracy, he never worked for a livelihood, lived on either royal patronage of Mughal Emperors, credit, or the generosity of his friends. His fame came to him posthumously. He had himself remarked during his lifetime that he would be

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Ghalib’s poetry or shayari had smitten Mughal Badshah of Delhi, Bahadur Shah Zaffar. During the reign of the British, the badshah became a British pensioner. He was kept under strict supervision by the British along with his visitors including Ghalib as they grew suspicious of him. The shayari

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His letters were very informal; sometimes he would just write the name of the person and start the letter. He was very humorous and wrote very interesting letters. In a letter he wrote, "Main koshish karta hoon ke koi aisi baat likhoon jo padhe khush ho jaaye'" (I want to write lines such that

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Like many other Urdu poets, Ghalib was capable of writing profoundly religious poetry, yet was skeptical about some interpretations of the Islamic scriptures done by certain religious leaders. On the idea of paradise, he once wrote in his Persian masnavi (مثنوی), "Abr-i-Guhar Baar" :

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with teaching the baniyas and the brats, and wallowing in the problems of menstruation and menstrual bleeding" and real spirituality for which you had to "study the works of the mystics and take into one's heart the essential truth of God's reality and his expression in all things".

1635:, the then Mughal emperor with his seat in Delhi. There are some amusing anecdotes of the competition between Ghalib and Zauq and exchange of jibes between them. However, there was mutual respect for each other's talent. Both also admired and acknowledged the supremacy of 746:. He died in a battle in 1803 in Alwar and was buried at Rajgarh (Alwar, Rajasthan), when Ghalib was a little over 5 years old. He was then raised by his Uncle Mirza Nasrullah Baig Khan, but in 1806, Nasrullah fell off an elephant and died from related injuries. 2152:

are still being performed at various Indian cities. The name of play 'Main Gaya Waqt Nahin Hoon' was later changed to 'Anti-National Ghalib', which has had several successful shows in DelhiNCR. Now being produced under the banner of Aatrangi Pitaara Foundation.

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Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of

1092:(lanes) vanish. The havelis (mansions) of his friends were razed to the ground. Ghalib wrote that Delhi had become a desert. Water was scarce. Delhi was "a military camp". It was the end of the feudal elite to which Ghalib had belonged. He wrote: 1738:

In prose Ghalib brought a revolution in Urdu literature by developing an easy, simple and beautiful way of writing. Before Ghalib Urdu was a complex language, Ghalib introduced a simple style of prose in Urdu which is like a conversation.

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were tough to understand. He sometimes made the sentence syntax so complex that people had difficulty in understanding them. Once, Hakeem Agha Jaan Aish aka Aish Dehlvi, a poet of Ghalib's era, read a couplet in a Mushaira mocking Ghalib:

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in 1989, at the National School of Drama. This period also saw numerous college and university productions performed by students' groups. Writers whose scripts were popular during this period include Jameel Shaidai, Danish Iqbal and

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Ghalib held Persian in high regard, and his knowledge of the language was a point of pride for him. He believed his compositions in Persian were superior to those in Urdu, and hoped readers would evaluate him by the former:

2127:(Imprisonment of Life, 1983), written by Surendra Verma, talks about the personal life of the poet Ghalib, including his financial hardships and his tragic love for Katiba, a woman calligraphist, who was working on his 1618:

published a compilation of 11,337 poems by Ghalib titled "Kulliyat-e-Ghalib Farsi". A few years before his death, Ghalib had written over 11,000 Persian poems in Persian while also writing over 1,700 Urdu poems.

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playing his tawaif lover, Chaudvin. The film was released on 24 November 1961 and reached average status at the box-office, however, the music remains memorable in Pakistan to this day.

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Ghalib's life is the subject of hundreds of plays regularly performed in Northern India and Pakistan. These plays are based on his life and his personal and professional relationships.

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whoever reads them would enjoy them). Some scholars say that Ghalib would have the same place in Urdu literature based on his letters only. They have been translated into English by

1011:, written by Sarfaraz K. Niazi and published by Rupa & Co in India and Ferozsons in Pakistan. It contains complete Roman transliteration, explication, and an extensive lexicon. 1206: 1473:

of 101 verses in dedication to a Naʽat. Ghalib described himself as a sinner who should be silent before Muhammad as he was not worthy of addressing him, who was praised by God.

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How canst Thou burn with a fire-mark in Hell a heart that finds no rest even in a garden? And, in Paradise, it is true that I shall drink at dawn the pure wine mentioned in the

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Ghalib placed a greater emphasis on seeking of God rather than ritualistic religious practices; although he followed Shia theology and had said many verses in praise of

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maestro’s pension was suspended by the British. This made Ghalib take a long journey to Calcutta to make an appeal about his pension to the British Governor General.

3861: 3732: 5617: 2887: 2769: 2578: 2115:, supported many very costly productions. This was perhaps the golden period of plays celebrating Ghalib's life, including many other productions such as 3797: 3045: 2869: 626:(body of work) is at least five times longer than his Urdu Divan, his fame rests on his poetry in Urdu. Today, Ghalib remains popular not only in the 3912: 3933: 3654: 2798:

A Millennium of Classical Persian Poetry: A Guide to the Reading & Understanding of Persian Poetry from the Tenth to the Twentieth Century

2076:, aired on DD National in 1989; various ghazals by Ghalib were rendered in different musical styles by singers and musicians in each episode. 1238: 3772: 4062: 3068:

Hayat-i-Javed (A Biography of Sir Sayyid) by Altaf Husain Hali (1901), translated by David J. Matthews (New Delhi: Rupa and Company, 1994),

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explained that he wanted to show the character of Shaalu (played by Shweta Tripathi) as a person whose hobby is to read Hindi poetry and

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There are conflicting reports regarding his relationship with his wife. She was considered to be pious, conservative, and God-fearing.

2420: 6213: 560: 2518: 6198: 3822:"Hindi Kavita - Kuch ban jaate hain - Uday Prakash: Varun Grover in Hindi Studio with Manish Gupta". Hindi Kavita. 25 October 2015. 2401: 3599: 1146:), drawn from his given name, Asadullah Khan. At some point early in his poetic career he also decided to adopt the pen-name of 3442: 855:'star of the state'). The conferment of these titles was symbolic of Mirza Ghalib's incorporation into the nobility of 989:

was primarily an expression of anguished love; but Ghalib expressed philosophy, the travails, and mysteries of life and wrote

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had a distinctly lyrical flavour, was also a famous contemporary of Ghalib. One of the towering figures in Urdu literature

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He did edit another two historical texts over the next few years, but neither of them was anything like the Ai’n-e Akbari.

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was released in 1961. The film was directed and produced by Ataullah Hashmi for S.K. Pictures. The music was composed by

2255:) was inaugurated on 21 January 2019 at the Mirza Ghalib Road (formerly known as Clare Road) in the Nagpada Locality of 6143: 3013: 6153: 3990: 3609: 3413: 3295: 3268: 3168: 2962: 2822: 2656: 2359: 2308: 1878: 1559:

See my Persian so that you may see colorful pictures of many hues. Pass over my Urdu collection; it’s only a sketch.

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In 1810, at the age of thirteen, Ghalib married Umrao Begum, daughter of Nawab Ilahi Bakhsh (brother of the Nawab of

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Although Ghalib valued Persian over Urdu, his fame rests on his writings in Urdu. Numerous commentaries on Ghalib's

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When Ghalib was 14 years old a newly converted Muslim tourist from Iran (Abdus Samad, originally named Hormuzd, a

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during the chaos of 1857. None of his seven children survived beyond infancy. After his marriage, he settled in

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seem to have developed over the centuries. Most were available to Abul Fazl; all were available to Ghalib.

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which is used to write modern Urdu, but often called his language "Hindi"; one of his works was titled

922: 734:, and then lived at the house of his father-in-law, Ghalib's grandfather. He was employed first by the 3651: 6208: 6188: 5263: 4190: 4134: 2289: 1589:, published in 1855, was a history of the universe from its creation to the death of Mughal Emperor 6218: 6158: 5763: 5706: 5647: 4721: 4544: 3124: 2378: 2303: 2120: 2041: 2026: 1411: 647: 608: 546: 509: 457: 421: 45: 3782: 6028: 5632: 5627: 5612: 5523: 5023: 2492: 1856: 1849: 1450:, poems in praise of Muhammad, which indicates that Ghalib was a devout Muslim. Ghalib wrote his 1084:

Ghalib was a chronicler of a turbulent period. One by one, Ghalib saw the bazaars – Khas Bazaar,

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kings. His paternal grandfather, Mirza Qoqan Baig, was a Seljuq Turk, and a descendant of Sultan

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Chapter 15: From Antiquary to Social Revolutionary: Sir Syed Ahmad Khan and Colonial Experience

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which has been staged more than three hundred times by Dr. Sayeed Alam. Danish Iqbal's play

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Mutaala-e-Ghalib, 2nd edition, Danish Mahal Aminuddaula park publisher Lakhnow, 1987, p. 9.

2997:"Calcutta changed Ghalib forever — from humiliation and grammar errors to his pension plea" 2472: 2294: 2224: 2217: 2112: 1976: 1428: 978: 757:). He soon moved to Delhi, along with his younger brother, Mirza Yousuf, who had developed 3601:

The best of the best places in the world : the 100 most awe-inspiring places on earth

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Ghalib is often famous for his unique and peculiar style of poetry. For example, he says

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a deserted place just like this one. That duality is something which Ghalib thrives on.

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in Persian. His first published work in the language was a collection of poems titled

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in Delhi on 5 October 1857, three weeks after the British troops had entered through

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which showed a special doodle on its Indian home page for him on 27 December 2017.

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contains various examples of poetry and shaayari by Ghalib, along with works by

2131:. Over the years, it has been directed by numerous theatre directors, including 909:, but Persian and Turkish were also spoken at home. He received an education in 6053: 6038: 6033: 6023: 5962: 5957: 5952: 5932: 5903: 5868: 5803: 5783: 5773: 5716: 5652: 5607: 5592: 5470: 5435: 5403: 5363: 5342: 5337: 5322: 5253: 5238: 5135: 4980: 4834: 4744: 4603: 4408: 3393: 2181: 2156:

The late Sheila Bhatia began this trend on productions about Ghalib, in Delhi.

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compilations have been written by Urdu scholars. The first such elucidation or

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And Muhammad is His Messenger – The Veneration of the Prophet in Islamic Piety

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And Muhammad is His Messenger – The Veneration of the Prophet in Islamic Piety

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on 15 February 1869. The house where he lived in Gali Qasim Jaan, Ballimaran,

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Mirza Abdullah Baig (Ghalib's father) married Izzat-ut-Nisa Begum, an ethnic

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Wall Mural of Mirza Ghalib at the junction of Mirza Ghalib Road in Nagpada,

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rupees a month to write histories on the history of the House of Taimur.

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Ghalib started composing poetry at the age of 11. His first language was

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Ghalib was commemorated on his 220th birth anniversary by Search Engine

2140:. Ghalib also inspired a chain of comedies. One such classic comedy is 21:"Mirza Ghalib" redirects here. For other pages with similar titles, see 6114: 5818: 5726: 5673: 5208: 4643: 4552: 4503: 4488: 4455: 4403: 4387: 4374: 4317: 4195: 2247:, India, depicting the life and times of Ghalib and his impact on India 2030: 1948: 1932: 1863: in this section. Unsourced material may be challenged and removed. 1163: 688: 303: 259: 4577: 3652:"Ghalib forgotten on his 214th birth anniversary amid political chaos" 1699:

Interesting is the situation when you speak and the others understand

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It is not praised if you are the only one to understand what you speak

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What's the relation between the Preacher and the door of the tavern,

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finished his scholarly, well-researched, and illustrated edition of

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GĀLİB MİRZA ESEDULLAH - an article published in İslâm Ansiklopedisi

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but believe me, Ghalib, I am sure I saw him slip in as I departed.

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and its aftermath. Ghalib's last significant work in Persian was

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India After Gandhi: The History of the World's Largest Democracy

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The first complete English translation of Ghalib's ghazals was

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who had immigrated to India from Samarkand during the reign of

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Anthology of Ghalib's Persian poetry released – ANDHRA PRADESH

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The majority of Ghalib's poetic compositions in Persian were

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Sir Abdul Qadir (1947). "Ghalib as a master of Urdu prose".

1020:

Governor-General to keep receiving money from this pension.

6110: 4829: 4726: 3578:"Sad Poetry in Urdu images [100+] for Broken Heart" 3457:. The Hindu (20 March 2009). Retrieved on 18 December 2018. 2547: 2103:

days, the first phase of his stage portrayal culminated in

1628: 1139: 906: 724: 676: 615: 299: 95: 3733:"'Anti-national' Mirza Ghalib defends himself in new play" 2794: 1497:

during the spring of 1827, Ghalib mused about the land of

993:

on many other subjects, vastly expanding the scope of the

889:

recognized by later generations. After the decline of the

657:

A special commemorative cover of Ghalib released in India.

2481:] (in Urdu). New Delhi: Ghalib Institute. p. 13. 2053:

played the role of Ghalib in the serial, and it featured

1755:. The side view of Mazar-e-Ghalib is shown in the image. 1581:, released in 1845. He also created prose works, such as 1567:

dedicated to numerous patron rulers. Ghalib also created

791:

The prison of life and the bondage of sorrow are the same

3678:برصغیر کے عظیم شاعر مرزا غالب کی زندگی پر بننے والی فلم 3484: 3468:"The Tribune, Chandigarh, India – The Tribune Lifestyle" 3040: 3038: 2674:"Mirza Ghalib: The "Godless" Lover by Byjameela Siddiqi" 2207: 2069:, enjoying a cult following in the Indian subcontinent. 1330:

The object of my worship lies beyond perception's reach;

1113:

An ocean of blood churns around me - Alas! Was this all?

2839: 1180: 1115:

The future will show what more remains for me to see."

1062:

From a thousand miles, talk with the tongue of the pen,

3014:"THE AIN I AKBARI OF ABUL FAZL 'ALLAMI (5-VOLUME SET)" 2004:(1954). The musical score of the film was composed by 1725:

I don't need appreciation neither do I need any return

3035: 3400:, University of California Press, pp. 167–168, 2266: 2223:

A statue of Ghalib was inaugurated in early 2000 in

1783:

for my heart is left with no feeling besides blood.

1164:

A journey that changed Mirza Ghalib’s course of life

205: 173: 3887:"Mirza Ghalib: Legendary poet of the Urdu language" 3263:. University of North Carolina Press. p. 115. 3201:

The Last Mughal: The Fall of a Dynasty, Delhi, 1857

727:, UP, India. He had four sons and three daughters. 3925: 3290:. University of North Carolina Press. p. 81. 3283: 3256: 1433: 917:at a young age. During Ghalib's period, the words 3798:"Secret Love: How Hindi poetry has become 'cool'" 3311:Ralph Russell; Khurshidul Islam (1994). "Ch. 7". 3197: 1727:Let not be if there is no meaning in my couplets 1000:In keeping with the conventions of the classical 6130: 3337: 2447:"No memorial for Ghalib at his birthplace, Agra" 1982: 1735:This style was the definition of his uniqueness 1371:He staunchly disdained the practices of certain 607:and finally deposed following the defeat of the 4111:Inscription of Xerxes the Great in Van Fortress 3697:"Movie on Ghalib's life elicits mixed response" 3625:Tiwari, Piyush; Rao, Jyoti (22 December 2017). 3531: 3479: 3477: 2714: 2573: 2571: 2418: 1622: 1537:Who holds the reins of the Final Catastrophe?'. 1446:A large part of Ghalib's poetry focuses on the 793:Why should man be free of sorrow before dying? 3445:, Publications of Ghalib Institute, New Delhi. 3227:, "Ghalib: The Poet and His Age" (1997), p.81. 3103:Indian Ocean World Centre Working Paper Series 2994: 2967:Recasting Classics 》 From ghazal to film music 2933:. Calcutta: Writers Workshop. pp. 83–84. 2741: 2349: 2234: 4056: 2671: 2399: 599:. During his lifetime, the already declining 554: 3474: 3193: 3191: 3189: 3187: 3185: 3183: 3181: 3179: 3050:Sir Syed Ahmed Khan : Memorial Lectures 3030:"Ain-E Akbari, 1855, Urdu by Sir Syed Ahmed" 2568: 2373: 2371: 2025:. The film starred Pakistani film superstar 2012:are likely to remain everlasting favorites. 1781:The happiness of the world is nothing for me 3983:Urdu letters of Mirza Asaduʼllāh Khan Galib 3759:"Ghalib has been called back to the court!" 3252: 3250: 3248: 2894:. Archived from the original on 7 June 2011 2314:Persian language in the Indian subcontinent 2159: 1388:پر اتنا جانتے ہیں کل وہ جاتا تھا کہ ہم نکلے 1384:کہاں مے خانہ کا دروازہ غالبؔ اور کہاں واعظ، 1366:, In his Persian masnavi, Abr-i-Guhar baar 4116:Achaemenid inscription in the Kharg Island 4063: 4049: 3677: 2926: 2885: 2855:with English translation of uncommon words 1811: 1801: 1523:Father and son are at each other's throat; 1387: 1383: 1321: 1317: 1104: 1100: 1053: 1049: 1036:A page from Ghalib's letters( in his hand) 869: 844: 823: 781: 777: 561: 547: 194: 162: 62: 60: 44: 6117:and one of the two official languages of 3624: 3176: 3158: 2368: 1879:Learn how and when to remove this message 1014: 778:قید حیات و بند غم ، اصل میں دونوں ایک ہیں 3985:, tr. by Daud Rahbar. SUNY Press, 1987. 3970:(in Urdu). New Delhi: Ghalib Institute. 3245: 2995:AFSHAN FAROOQI, MEHR (24 January 2021). 2516: 2354:. New Delhi: Penguin Books. p. 86. 2238: 2211: 2083: 2079: 2008:and his compositions of Ghalib's famous 1890: 1757: 1689:مزا کہنے کا جب ہے اک کہے اور دوسرا سمجھے 1687:اگر اپنا کہا تم آپ ہی سمجھے تو کیا سمجھے 1545: 1031: 957: 813:bestowed upon Mirza Ghalib the title of 660: 652: 641: 611:; these are described through his work. 3963: 3795: 3715:"Mirza Ghalib: The Playful Muse (1989)" 2960: 2345: 2343: 2341: 2339: 1550:Cover Page of Ghalib's Qaat'i-e Burhaan 1521:Have all departed from this sorry land. 1513:(Who knew the secrets of whirling Time) 1244:Inscription in Mirza Ghalib's Mausoleum 6131: 4070: 4003:Encyclopaedia Iranica, Vol. X, Fasc. 3 3996: 3548: 3367: 2467: 1611:, a controversial Persian dictionary. 782:موت سے پہلے آدمی غم سے نجات پائے کیوں؟ 5077: 4248: 4132: 4082: 4044: 3931: 3485:"- The best platform for urdu poetry" 3387: 3385: 3363: 3361: 3338:Ramachandra Guha (2011). "Prologue". 3096: 2965:Indian Literature and Popular Cinema: 2954: 2863: 2861: 2748:. Penguin Books India. pp. 96–. 2644: 2640: 2638: 2612: 2608: 2606: 2604: 2602: 2600: 2285:Ghalib Study Centre, Ibn Sina Academy 2208:Statue in Jamia Millia Islamia, Delhi 1717:گر نہیں ہیں مرے اشعار میں معنی نہ سہی 1616:Maulana Azad National Urdu University 1476: 675:Mirza Ghalib was born in Kala Mahal, 3796:Lakhani, Somya (11 September 2016). 3391: 2867: 2801:. Ibex Publishers, Inc. p. 98. 2548:Mirza Asadullah Khan Ghalib (2000). 2520:Mirza Ghalib and the Mirs of Gujarat 2336: 1861:adding citations to reliable sources 1832: 1765: 1709: 1707:Ghalib felt bad for this and wrote: 1681: 1533:Why does not the Last Trumpet sound? 1527:Unity and Federation are undermined. 1377: 1311: 1295:Front gate of Ghalib's Tomb compound 1181:Mirza Ghalib and Sir Syed Ahmad Khan 1094: 1043: 981:of Hyderabad during the rule of the 771: 3833:Pal, Sanchari (14 September 2016). 3832: 3392:Alam, Muzaffar (31 December 2019), 2795:Wheeler McIntosh Thackston (1994). 2119:'s play which was performed by the 1812: 1802: 1660: 1593:. Another such historical work was 1509:Said I one night to a pristine seer 1490: 1459: 1441: 1423: 938: 868: 843: 822: 193: 161: 13: 3964:Tijarwi, Mohammad Mushtaq (2019). 3957: 3932:Jyoti, Punwani (29 January 2019). 3859: 3628:Delhi's Changing Built Environment 3382: 3358: 3314:Ghalib 1797–1869: Life and Letters 2858: 2635: 2597: 2453:. 27 December 2013. Archived from 1920:is now a museum dedicated to him. 1300: 1105:آتا ہے ابھی دیکھیے کیا کیا مرے آگے 1050:ہزار کوس سے بہ زبانِ قلم باتیں کرو 900: 715:, was awarded the sub-district of 603:was eclipsed and displaced by the 14: 6230: 6149:19th-century Mughal Empire people 4151:Counsels of Adurbad-e Mahrspandan 4010: 3781:. 11 January 2008. Archived from 3317:. Oxford University Press India. 2823:"Shamsur Rahman Faruqui explains" 2699:Genealogy of the Nawabs of Loharu 2309:List of Persian poets and authors 1771:مزے جہان کے اپنی نظر میں خاک نہیں 1742: 1322:قبلے کو اہل نظر قبلہ نما کہتے ہیں 1041:the reader. According to Ghalib: 761:at a young age and later died in 6214:Indian people of Turkish descent 5078: 4033: 3097:Sabri, Zahra (3 December 2016). 2419:Ras H. Siddiqui (27 July 2003). 2269: 2195: 1837: 1773:سواے خون جگر سو جگر میں خاک نہیں 1715:نہ ستائش کی تمنّا نہ صلے کی پروا 1627:Ghalib's closest rival was poet 1541: 1288: 1276: 1267: 1258: 1249: 1237: 1228: 1205: 859:. He also received the title of 804: 584:. He was popularly known by the 399: 138:Mazar-e-Mirza Ghalib Tomb Near, 6199:Indian Persian-language writers 6080:Mohammad Ebrahim Bastani Parizi 5511:Mohammad Hanif (Iranian writer) 3905: 3879: 3853: 3826: 3815: 3789: 3765: 3751: 3725: 3707: 3689: 3668: 3645: 3618: 3592: 3570: 3525: 3511: 3502: 3460: 3448: 3436: 3331: 3304: 3277: 3230: 3218: 3142: 3117: 3090: 3081: 3071: 3062: 3023: 3007: 2988: 2920: 2879: 2846: 2832: 2815: 2788: 2762: 2735: 2708: 2692: 2665: 2517:Imam, Mir Jaffar; Imam (2003). 2088:Ghalib on a 1969 stamp of India 1848:needs additional citations for 1818:dasht ko dekh ke ghar yaad aayā 1597:, an eyewitness account of the 1585:, initially published in 1849. 1318:ہے پرے سرحد ادراک سے اپنا مسجود 1101:ہے موجزن اک قلزم خوں کاش یہی ہو 605:British East India Company rule 361: 5151:Mahmoud Mosharraf Azad Tehrani 4171:Karnamak-i Artaxshir-i Papakan 3999:"ḠĀLEB, Mīrzā ASAD-ALLĀH Khan" 3519:"Divan-e Ghalib: Ghazal index" 3370:"ḠĀLEB, Mīrzā ASAD-ALLĀH Khan" 3125:"Mirza Ghalib: A Liberal Poet" 3044:Shamsur Rahman Faruqi (2006). 2930:Creations & Transcreations 2772:. Megajoin.com. Archived from 2581:. Megajoin.com. Archived from 2554:. Pen Productions. p. 7. 2551:Persian poetry of Mirza Ghalib 2541: 2510: 2485: 2461: 2439: 2412: 2393: 2074:Mirza Ghalib: The Playful Muse 665:The statue of Mirza Ghalib in 444:(father of Urdu literature) - 1: 5259:Mohammad-Reza Shafiei Kadkani 4499:Abu'l Hasan Mihyar al-Daylami 4249: 3535:Famous Urdu poets and writers 2868:Naim, C.M. (September 2001). 2493:"Aḥmad Shah | Mughal emperor" 2400:Nicole Dastur (12 May 2007). 2379:"Mīrzā Asadullāh Khān Ghālib" 2329: 2111:, wife of the late President 1983:Films and TV serial on Ghalib 1769: 1713: 1685: 1435:Kamānḍing Āfīsar Karnal Brāūn 1381: 1315: 1098: 1047: 948:'Perfume of Hindi'). 775: 637: 327: 23:Mirza Ghalib (disambiguation) 3398:Literary Cultures in History 2961:Pauwels, Heidi R.M. (2007). 2527:, India: Rupa Publications. 1998:lover, Chaudvin in the film 1623:Contemporaries and disciples 1336:is a compass, nothing more. 691:) after the downfall of the 646:Clothes of Mirza Ghalib, at 597:Dabir-ul-Mulk, Najm-ud-Daula 377:Izzat-ut-Nisa Begum (mother) 375:Mirza Abdullah Baig (father) 7: 6179:19th-century Indian Muslims 4962:Mohammad Qoli Salim Tehrani 4032:(public domain audiobooks) 3284:Annemarie Schimmel (1985). 3257:Annemarie Schimmel (1985). 3236:Altaf Hussain Haali (1897) 2676:. Sufism.ru. Archived from 2645:Berkı, Kamıl Eşfak (1996). 2479:The Autobiography of Ghalib 2319:List of Urdu language poets 2262: 2235:Wall mural in Mumbai, India 1762:Side view of Mazar-e-Ghalib 1529:Despite these ominous signs 1434: 1123: 1054:ہجر میں وصال کے مزے لیا کرو 576:(1797–1869), also known as 206: 174: 10: 6235: 5040:Mirza Mohammad Taqi Sepehr 4133: 3631:. Routledge. p. 268. 3198:William Dalrymple (2009). 2402:"Remembering 1857 in 2007" 2352:Ghalib, The Man, The Times 1813:دشت کو دیکھ کے گھر یاد آیا 1531:Why has not Doomsday come? 1027: 448:(father of Urdu poetry) - 20: 6144:19th-century Indian poets 6106: 6062: 6016: 5922: 5748: 5666: 5557: 5448: 5428: 5412: 5356: 5310: 5294: 5264:Mohammad-Hossein Shahriar 5101: 5088: 5084: 5073: 5008: 4973: 4904: 4872: 4807: 4800:Emad al-Din Faqih Kermani 4763: 4636: 4517: 4367: 4275: 4259: 4255: 4244: 4191:Shahrestanha-ye Eranshahr 4141: 4128: 4091: 4078: 3773:"Ghalib and his troubles" 3406:10.1525/9780520926738-007 2912:: CS1 maint: unfit URL ( 2886:Ali Asghar (6 May 2003). 2290:Ghalib Academy, New Delhi 2146:Main Gaya Waqt Nahin Hoon 2072:Another television show, 2029:playing Ghalib and Madam 1828: 1808:koī vīrānī sī vīrānī hai 1283:Tombstone of Mirza Ghalib 1212:Mirza Ghalib's tomb near 979:Ali Haider Nazm Tabatabai 723:) and finally settled in 542: 523: 508: 503: 492: 487: 472: 467: 440: 435: 420: 413: 392: 385: 371: 348: 336: 323: 313: 295: 269: 255: 241: 224: 149: 134: 105: 79: 61: 55: 43: 36: 6154:Poets from British India 5679:Mirza Fatali Akhundzadeh 4722:Zartosht Bahram e Pazhdo 4545:Shahab al-Din Suhrawardi 4441:Fakhruddin As'ad Gurgani 4101:Old Persian inscriptions 4017:Works by or about Ghalib 3997:Rahman, Munibur (2000). 3657:22 February 2014 at the 3368:Rahman, Munibur (2000). 2715:Omkar Nath Koul (2008). 2613:Spear, Percival (1972). 2304:Ghalib Museum, New Delhi 2160:Ghalib's poetry in films 2121:National School of Drama 1803:کوئی ویرانی سی ویرانی ہے 1517:That goodness and faith, 1424:کمانڈنگ آفیسر کرنل براؤن 703:(1748–54). He worked in 648:Ghalib Museum, New Delhi 609:Indian Rebellion of 1857 574:Mirza Asadullah Beg Khan 510:Anjuman-i Taraqqi-i Urdu 83:Mirza Asadullah Beg Khan 25:. For other people, see 6029:Houshang Moradi Kermani 5633:Houshang Moradi Kermani 5628:Jaafar Modarres-Sadeghi 5613:Mohammad-Ali Jamalzadeh 5524:Zeyn al-Abedin Maraghei 5024:Zayn al-Abidin Shirvani 4998:Abbas Foroughi Bastami 4083: 3661:, Zaib Azkaar Hussain, 2840:"Dr. Sarfaraz K. Niazi" 2742:Pavan K. Varma (2008). 2721:. Dunwoody. p. 3. 2497:Encyclopædia Britannica 2350:Pavan K. Varma (1989). 2015:A Pakistani film named 1979:have sung his ghazals. 1792:Unique Style of writing 1525:Brother fights brother. 1515:'Sir you well perceive, 983:last Nizam of Hyderabad 622:. Although his Persian 18:Indian poet (1797–1869) 6184:Persian-language poets 5481:Ghassem Hashemi Nezhad 5032:Reza-Qoli Khan Hedayat 4653:Shams al-Din Qays Razi 4396:Khwaja Abdullah Ansari 3839:www.thebetterindia.com 3663:The International News 2853:Roman transliterations 2828:. Columbia University. 2423:. Dawn. Archived from 2421:"Ghalib in California" 2248: 2220: 2089: 2039:produced a TV serial, 1899: 1822: 1779: 1763: 1723: 1695: 1561: 1551: 1539: 1412:anti-British Rebellion 1394: 1369: 1328: 1111: 1060: 1037: 1015:Pensions and Patronage 1009:Love Sonnets of Ghalib 966: 923:Hindi–Urdu controversy 789: 672: 658: 650: 6017:Children's literature 5874:Rasoul Mollagholipour 5764:Rakhshan Bani-E'temad 5707:Gholam-Hossein Sa'edi 5702:Alireza Koushk Jalali 5648:Gholam-Hossein Sa'edi 5534:Shahriyar Mandanipour 4776:Shah Ni'matullah Wali 4620:Kamal al-Din Esfahani 4461:Ayn-al-Quzat Hamadani 4232:Shikand-gumanig Vizar 4215:Anthology of Zadspram 3375:Encyclopaedia Iranica 3160:10.7312/ghal18206-008 2703:Queensland University 2242: 2216:Ghalib Statue at the 2215: 2087: 2080:Stage plays on Ghalib 2057:sung and composed by 1973:Nusrat Fateh Ali Khan 1923:Ghazal maestros like 1894: 1798: 1761: 1747:Ghalib was buried in 1557: 1549: 1507: 1347: 1332:For men who see, the 1035: 985:. Before Ghalib, the 961: 664: 656: 645: 5914:Sohrab Shahid-Saless 5779:Pouran Derakhshandeh 5759:Mohammad Reza Aslani 5697:Amir Reza Koohestani 5456:Ali Mohammad Afghani 5126:Mohammad Reza Aslani 5055:Mahmud Saba Kashani 4791:Fazlallah Astarabadi 4667:Afdal al-Din Kashani 4662:Nasīr al-Dīn al-Tūsī 4612:Fakhr al-Din al-Razi 4494:Afdal al-Din Kashani 4308:Abu Tahir Khosrovani 4096:Behistun Inscription 2718:Modern Hindi Grammar 2295:Mirza Ghalib College 2225:Jamia Millia Islamia 2218:Jamia Millia Islamia 2113:Fakhruddin Ali Ahmed 2045:(1988), telecast on 1977:Rahat Fateh Ali Khan 1857:improve this article 1481:In his Persian poem 893:and the rise of the 6164:Urdu-language poets 5839:Varuzh Karim-Masihi 5578:Abolhassan Etessami 5496:Mahmoud Dowlatabadi 5348:Abdul Ali Mustaghni 5333:Khalilullah Khalili 5273:Manouchehr Sheybani 5249:Tahereh Saffarzadeh 5156:Mohammad-Taqi Bahar 5113:Mehdi Akhavan-Sales 4755:Zu'l-Fiqar Shirvani 4600:Faramarz-e Khodadad 4186:Shabuhragan of Mani 4005:. pp. 258–259. 3921:. 20 February 2019. 3785:on 16 January 2008. 3703:. 25 December 2011. 3665:, 18 December 2011. 3541:. New Book Society. 2927:G. S. Amur (1992). 2672:Byjameela Siddiqi. 2469:Faruqi, Nisar Ahmed 2142:Ghalib in New Delhi 1187:Sir Syed Ahmed Khan 927:Perso-Arabic script 925:). Ghalib wrote in 921:were synonyms (see 632:Hindustani diaspora 630:but also among the 628:Indian subcontinent 185:'Dominant') 100:Maratha Confederacy 6194:Writers from Delhi 5983:Ebrahim Pourdavoud 5968:Ahmad Kamyabi Mask 5938:Najaf Daryabandari 5799:Behrouz Gharibpour 5643:Shahrnush Parsipur 5618:Aboutorab Khosravi 5520:Aboutorab Khosravi 5384:Gulrukhsor Safieva 5302:Edward Haghverdian 4966:Rasa Salim Tehrani 4685:Abu'l Majd Tabrizi 4672:Fakhr-al-Din Iraqi 4328:Abusaeid Abolkheir 4267:Muhammad ibn Wasif 4222:Zand-i Wahman yasn 4181:Dana-i Menog Khrat 4166:Book of Arda Viraf 4072:Persian literature 3967:G̲h̲ālib aur Alvar 3918:The Times of India 3893:. 27 December 2017 3866:The Indian Express 3841:. The Better India 3802:The Indian Express 3737:The Indian Express 2888:"Ghalib's letters" 2776:on 3 November 2012 2585:on 3 November 2012 2457:on 1 January 2014. 2427:on 4 February 2009 2406:The Times of India 2249: 2221: 2148:and Sayeed's play 2101:Hindustani Theatre 2095:Starting from the 2090: 1900: 1764: 1649:Altaf Hussain Hali 1633:Bahadur Shah Zafar 1552: 1477:Views on Hindustan 1038: 967: 811:Bahadur Shah Zafar 740:Nizam of Hyderabad 673: 659: 651: 634:around the world. 595:His honorific was 6204:People from Delhi 6126: 6125: 6102: 6101: 6098: 6097: 6049:Farhad Hasanzadeh 5988:Hamid Samandarian 5929:Amrollah Abjadian 5894:Fereydoun Rahnema 5859:Mohsen Makhmalbaf 5844:Samuel Khachikian 5829:Ebrahim Hatamikia 5740:Mohammad Yaghoubi 5736:Mirza Aqa Tabrizi 5603:Houshang Golshiri 5516:Houshang Golshiri 5476:Mahshid Amirshahi 5461:Ghazaleh Alizadeh 5444: 5443: 5379:Abolqasem Lahouti 5374:Iskandar Khatloni 5287:Fereydoon Moshiri 5234:Mohammad Mokhtari 5194:Forugh Farrokhzad 5146:Manouchehr Atashi 5069: 5068: 5065: 5064: 5058: 5052: 5044: 5036: 5028: 5020: 5001: 4990: 4953: 4949:Abdul-Qādir Bēdil 4942: 4929: 4921: 4892: 4888:Muhtasham Kashani 4884: 4860: 4852: 4844: 4740:Nozhat al-Majales 4736: 4694: 4681: 4677:Mahmud Shabistari 4644:Abu Tahir Tarsusi 4629: 4616: 4608: 4597: 4589: 4581: 4549: 4530:Suzani Samarqandi 4474:Abu-al-Faraj Runi 4465: 4437: 4429: 4425:Masud Sa'd Salman 4421: 4413: 4400: 4392: 4384: 4340: 4332: 4303:Abu Shakur Balkhi 4240: 4239: 4176:Cube of Zoroaster 4146:Ayadgar-i Zariran 4124: 4123: 3761:. 20 August 2022. 3638:978-1-317-44136-6 3351:978-0-330-54020-9 3344:. Pan Macmillan. 3324:978-0-19-563506-5 3211:978-1-4088-0092-8 3032:,"Sir Syed Today" 2981:978-11-34-06255-3 2808:978-0-936347-50-9 2755:978-0-14306-481-7 2728:978-1-931546-06-5 2561:978-81-87581-00-0 2534:978-81-291-0057-3 2251:A wall mural (or 2150:Ghalib Ke Khutoot 2109:Begum Abida Ahmed 1990:plays Ghalib and 1889: 1888: 1881: 1789: 1788: 1753:Nizamuddin Auliya 1751:near the tomb of 1749:Hazrat Nizamuddin 1733: 1732: 1705: 1704: 1672:Yaadgaar-e-Ghalib 1669: 1519:Fidelity and love 1468: 1432: 1404: 1403: 1342: 1341: 1309:. Ghalib states: 1307:Alī ibn Abī Ṭālib 1121: 1120: 1079:The Oxford Ghalib 1070: 1069: 947: 919:"Hindi" and Urdu" 854: 833: 809:In 1850, Emperor 799: 798: 679:into a family of 614:He wrote in both 571: 570: 527:Literature Portal 381: 380: 324:Years active 314:Literary movement 216: 204: 184: 172: 140:Nizamuddin Dargah 115:Gali Qasim Jaan, 6226: 6209:Poets from Delhi 6189:People from Agra 6070:Aydin Aghdashloo 5899:Rasul Sadr Ameli 5889:Kambuzia Partovi 5849:Abbas Kiarostami 5834:Abdolreza Kahani 5814:Ebrahim Golestan 5794:Farrokh Ghaffari 5789:Bahman Farmanara 5722:Abbas Nalbandian 5598:Ebrahim Golestan 5565:Jalal Al-e-Ahmad 5501:Soudabeh Fazaeli 5399:Mirzo Tursunzoda 5394:Payrav Sulaymoni 5229:Shams Langeroodi 5185:Parviz Eslampour 5141:Aminollah Rezaei 5108:Ahmadreza Ahmadi 5099: 5098: 5086: 5085: 5075: 5074: 5056: 5050: 5042: 5034: 5026: 5018: 4999: 4988: 4957:Naw'i Khabushani 4951: 4940: 4927: 4919: 4890: 4882: 4858: 4850: 4842: 4786:Abu Ali Qalandar 4734: 4692: 4679: 4627: 4614: 4606: 4595: 4587: 4575: 4568:Najm al-Din Razi 4547: 4463: 4435: 4427: 4419: 4411: 4398: 4390: 4382: 4338: 4330: 4257: 4256: 4246: 4245: 4211:Dadestan-i Denig 4130: 4129: 4080: 4079: 4065: 4058: 4051: 4042: 4041: 4037: 4036: 4021:Internet Archive 4006: 3979: 3951: 3950: 3948: 3946: 3929: 3923: 3922: 3909: 3903: 3902: 3900: 3898: 3883: 3877: 3876: 3874: 3872: 3857: 3851: 3850: 3848: 3846: 3830: 3824: 3823: 3819: 3813: 3812: 3810: 3808: 3793: 3787: 3786: 3769: 3763: 3762: 3755: 3749: 3748: 3746: 3744: 3729: 3723: 3722: 3711: 3705: 3704: 3693: 3687: 3686: 3682: 3672: 3666: 3649: 3643: 3642: 3622: 3616: 3615: 3596: 3590: 3589: 3587: 3585: 3574: 3568: 3567: 3565: 3563: 3552: 3546: 3542: 3540: 3529: 3523: 3522: 3515: 3509: 3506: 3500: 3499: 3497: 3495: 3481: 3472: 3471: 3464: 3458: 3452: 3446: 3440: 3434: 3433: 3432: 3430: 3389: 3380: 3379: 3365: 3356: 3355: 3335: 3329: 3328: 3308: 3302: 3301: 3281: 3275: 3274: 3254: 3243: 3239:Yaadgaar e Haali 3234: 3228: 3222: 3216: 3215: 3195: 3174: 3173: 3162: 3146: 3140: 3139: 3137: 3135: 3121: 3115: 3114: 3094: 3088: 3085: 3079: 3075: 3069: 3066: 3060: 3042: 3033: 3027: 3021: 3011: 3005: 3004: 2992: 2986: 2985: 2958: 2952: 2951: 2949: 2947: 2924: 2918: 2917: 2911: 2903: 2901: 2899: 2883: 2877: 2876: 2874: 2865: 2856: 2850: 2844: 2843: 2836: 2830: 2829: 2827: 2819: 2813: 2812: 2792: 2786: 2785: 2783: 2781: 2766: 2760: 2759: 2739: 2733: 2732: 2712: 2706: 2696: 2690: 2689: 2687: 2685: 2669: 2663: 2662: 2642: 2633: 2632: 2630: 2628: 2619: 2615:"Ghalib's Delhi" 2610: 2595: 2594: 2592: 2590: 2575: 2566: 2565: 2545: 2539: 2538: 2514: 2508: 2507: 2505: 2503: 2489: 2483: 2482: 2465: 2459: 2458: 2443: 2437: 2436: 2434: 2432: 2416: 2410: 2409: 2397: 2391: 2390: 2388: 2386: 2375: 2366: 2365: 2347: 2279: 2274: 2273: 2170:Akbar Allahabadi 2051:Naseeruddin Shah 2023:Tassaduq Hussain 1917:Ghalib ki Haveli 1896:Ghalib ki Haveli 1884: 1877: 1873: 1870: 1864: 1841: 1833: 1815: 1814: 1805: 1804: 1766: 1710: 1682: 1664: 1662: 1608:Burhaan-e-Qaat'i 1605:, a critique of 1603:Qaat'i-e Burhaan 1579:May-ḵāna-ye ārzū 1501:(India) and how 1492: 1463: 1461: 1442:Naʽats of Ghalib 1437: 1427: 1425: 1389: 1385: 1378: 1367: 1323: 1319: 1312: 1292: 1280: 1271: 1262: 1253: 1241: 1232: 1209: 1106: 1102: 1095: 1055: 1051: 1044: 942: 940: 872: 871: 849: 847: 846: 828: 826: 825: 783: 779: 772: 751:Ferozepur Jhirka 736:Nawab of Lucknow 668:Ghalib ki Haveli 580:, was an Indian 563: 556: 549: 460:(Baba-e-Urdu) - 403: 383: 382: 365: 363: 332: 331: 1808–1869 329: 211: 209: 199: 197: 196: 179: 177: 167: 165: 164: 112: 109:15 February 1869 92:27 December 1797 91: 89: 74: 66: 65: 64: 48: 34: 33: 6234: 6233: 6229: 6228: 6227: 6225: 6224: 6223: 6219:Kashmiri people 6159:Mughal nobility 6129: 6128: 6127: 6122: 6094: 6085:Ehsan Yarshater 6058: 6044:Poopak NikTalab 6012: 6003:Ahmad Tafazzoli 5918: 5909:Parviz Shahbazi 5864:Dariush Mehrjui 5824:Abolfazl Jalili 5744: 5662: 5623:Mostafa Mastoor 5588:Simin Daneshvar 5553: 5549:Iraj Pezeshkzad 5544:Mansour Koushan 5491:Simin Daneshvar 5440: 5424: 5408: 5352: 5306: 5290: 5281:She'r-e Nimaa'i 5244:Yadollah Royaee 5219:Siavash Kasraie 5199:Hossein Monzavi 5189:Parvin E'tesami 5176:Hushang Ebtehaj 5166:Simin Behbahani 5121:Qeysar Aminpour 5097: 5080: 5061: 5004: 4994:Neshat Esfahani 4969: 4925:Asir-e Esfahani 4900: 4868: 4803: 4759: 4712:Bahram-e-Pazhdo 4649:Awhadi Maraghai 4632: 4558:Falaki Shirvani 4535:Hassan Ghaznavi 4513: 4509:Mahsati Ganjavi 4469:Uthman Mukhtari 4363: 4271: 4251: 4236: 4227:Drakht-i Asurig 4137: 4120: 4087: 4074: 4069: 4034: 4026:Works by Ghalib 4013: 3960: 3958:Further reading 3955: 3954: 3944: 3942: 3930: 3926: 3911: 3910: 3906: 3896: 3894: 3885: 3884: 3880: 3870: 3868: 3860:Grover, Varun. 3858: 3854: 3844: 3842: 3831: 3827: 3821: 3820: 3816: 3806: 3804: 3794: 3790: 3771: 3770: 3766: 3757: 3756: 3752: 3742: 3740: 3731: 3730: 3726: 3713: 3712: 3708: 3695: 3694: 3690: 3685:. 9 March 2021. 3674: 3673: 3669: 3659:Wayback Machine 3650: 3646: 3639: 3623: 3619: 3612: 3598: 3597: 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2413: 2398: 2394: 2384: 2382: 2377: 2376: 2369: 2362: 2348: 2337: 2332: 2275: 2268: 2265: 2237: 2210: 2198: 2162: 2133:Ram Gopal Bajaj 2082: 2006:Ghulam Mohammed 1985: 1969:Lata Mangeshkar 1885: 1874: 1868: 1865: 1854: 1842: 1831: 1821: 1816: 1810: 1806: 1785: 1782: 1776: 1774: 1772: 1745: 1729: 1726: 1720: 1718: 1716: 1701: 1698: 1692: 1690: 1688: 1675: 1625: 1544: 1534: 1532: 1530: 1528: 1526: 1524: 1522: 1520: 1518: 1516: 1514: 1510: 1479: 1452:Abr-i gauharbar 1444: 1400: 1397: 1391: 1386: 1368: 1362: 1338: 1331: 1325: 1320: 1303: 1301:Religious views 1296: 1293: 1284: 1281: 1272: 1263: 1254: 1245: 1242: 1233: 1224: 1214:Chausath Khamba 1210: 1183: 1166: 1152:all conquering, 1126: 1117: 1114: 1108: 1103: 1066: 1063: 1057: 1052: 1030: 1017: 977:was written by 962:Ghalib poem in 903: 901:Literary career 807: 795: 792: 786: 784: 780: 721:Bulandshahr, UP 687:(in modern-day 640: 567: 537:Pakistan Portal 534: 529: 525: 524:Related Portals 518:Literary Prizes 516: 512: 428: 424: 415:Urdu literature 409: 408: 407: 406: 405: 404: 387: 386:Urdu literature 376: 367: 364: 1810) 359: 355: 330: 262: 237: 220: 217:'Lion') 114: 110: 93: 87: 85: 84: 75: 68: 51: 39: 30: 19: 12: 11: 5: 6232: 6222: 6221: 6216: 6211: 6206: 6201: 6196: 6191: 6186: 6181: 6176: 6171: 6166: 6161: 6156: 6151: 6146: 6141: 6124: 6123: 6107: 6104: 6103: 6100: 6099: 6096: 6095: 6093: 6092: 6087: 6082: 6077: 6072: 6066: 6064: 6060: 6059: 6057: 6056: 6054:Ramak NikTalab 6051: 6046: 6041: 6039:Hengameh Mofid 6036: 6034:Babak NikTalab 6031: 6026: 6024:Samad Behrangi 6020: 6018: 6014: 6013: 6011: 6010: 6005: 6000: 5995: 5990: 5985: 5980: 5975: 5970: 5965: 5963:Saleh Hosseini 5960: 5958:Ramak NikTalab 5955: 5953:Sadegh Hedayat 5950: 5945: 5943:Mohammad Ghazi 5940: 5935: 5933:Jaleh Amouzgar 5930: 5926: 5924: 5920: 5919: 5917: 5916: 5911: 5906: 5904:Mohammad Sadri 5901: 5896: 5891: 5886: 5881: 5876: 5871: 5869:Reza Mirkarimi 5866: 5861: 5856: 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5804:Bahman Ghobadi 5801: 5796: 5791: 5786: 5784:Asghar Farhadi 5781: 5776: 5774:Hajir Darioush 5771: 5766: 5761: 5756: 5752: 5750: 5746: 5745: 5743: 5742: 5737: 5734: 5729: 5724: 5719: 5717:Hengameh Mofid 5714: 5709: 5704: 5699: 5694: 5689: 5684: 5683:Mohsen Yalfani 5681: 5676: 5670: 5668: 5664: 5663: 5661: 5660: 5655: 5653:Bahram Sadeghi 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5608:Sadegh Hedayat 5605: 5600: 5595: 5593:Nader Ebrahimi 5590: 5585: 5580: 5575: 5570: 5567: 5561: 5559: 5555: 5554: 5552: 5551: 5546: 5541: 5536: 5531: 5526: 5521: 5518: 5513: 5508: 5503: 5498: 5493: 5488: 5483: 5478: 5473: 5471:Reza Amirkhani 5468: 5463: 5458: 5452: 5450: 5446: 5445: 5442: 5441: 5439: 5438: 5436:Muhammad Iqbal 5432: 5430: 5426: 5425: 5423: 5422: 5416: 5414: 5410: 5409: 5407: 5406: 5404:Satim Ulugzade 5401: 5396: 5391: 5386: 5381: 5376: 5371: 5366: 5364:Sadriddin Ayni 5360: 5358: 5354: 5353: 5351: 5350: 5345: 5343:Massoud Nawabi 5340: 5338:Youssof Kohzad 5335: 5330: 5325: 5323:Wasef Bakhtari 5320: 5314: 5312: 5308: 5307: 5305: 5304: 5298: 5296: 5292: 5291: 5289: 5284: 5274: 5271: 5266: 5261: 5256: 5254:Sohrab Sepehri 5251: 5246: 5241: 5239:Nosrat Rahmani 5236: 5231: 5226: 5221: 5216: 5211: 5206: 5201: 5196: 5191: 5186: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5136:Ahmad NikTalab 5133: 5128: 5123: 5118: 5117:Hormoz Alipour 5115: 5110: 5105: 5103: 5096: 5095: 5092: 5090: 5082: 5081: 5071: 5070: 5067: 5066: 5063: 5062: 5060: 5059: 5053: 5045: 5037: 5029: 5021: 5012: 5010: 5006: 5005: 5003: 5002: 4996: 4991: 4983: 4981:Hatef Esfahani 4977: 4975: 4971: 4970: 4968: 4967: 4964: 4959: 4954: 4946: 4943: 4935: 4930: 4928:(c. 1620–1648) 4922: 4914: 4908: 4906: 4902: 4901: 4899: 4898: 4893: 4885: 4876: 4874: 4870: 4869: 4867: 4866: 4861: 4853: 4845: 4837: 4835:Kamal Khujandi 4832: 4827: 4822: 4817: 4811: 4809: 4805: 4804: 4802: 4801: 4798: 4793: 4788: 4783: 4778: 4773: 4767: 4765: 4761: 4760: 4758: 4757: 4752: 4747: 4745:Khwaju Kermani 4742: 4737: 4729: 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Bloomsbury. 3175: 3169: 3141: 3116: 3089: 3080: 3070: 3061: 3052:. Viva Books. 3034: 3022: 3006: 2987: 2980: 2953: 2939: 2919: 2878: 2857: 2845: 2831: 2814: 2807: 2787: 2770:"Mirza Ghalib" 2761: 2754: 2734: 2727: 2707: 2691: 2680:on 18 May 2013 2664: 2657: 2634: 2596: 2579:"Mirza Ghalib" 2567: 2560: 2540: 2533: 2509: 2484: 2471:, ed. (1997). 2460: 2438: 2411: 2392: 2367: 2360: 2334: 2333: 2331: 2328: 2327: 2326: 2321: 2316: 2311: 2306: 2301: 2292: 2287: 2281: 2280: 2264: 2261: 2236: 2233: 2209: 2206: 2197: 2194: 2182:Dushyant Kumar 2164:The 2015 film 2161: 2158: 2138:Devender Singh 2117:Surendra Verma 2081: 2078: 1988:Bharat Bhushan 1984: 1981: 1887: 1886: 1845: 1843: 1836: 1830: 1827: 1799: 1787: 1786: 1777: 1744: 1743:Ghalib's grave 1741: 1731: 1730: 1721: 1703: 1702: 1693: 1637:Meer Taqi Meer 1624: 1621: 1543: 1540: 1483:Chiragh-i-Dair 1478: 1475: 1443: 1440: 1402: 1401: 1392: 1360: 1340: 1339: 1326: 1302: 1299: 1298: 1297: 1294: 1287: 1285: 1282: 1275: 1273: 1266: 1264: 1257: 1255: 1248: 1246: 1243: 1236: 1234: 1227: 1225: 1211: 1204: 1182: 1179: 1165: 1162: 1158:most excellent 1125: 1122: 1119: 1118: 1109: 1068: 1067: 1058: 1029: 1026: 1016: 1013: 902: 899: 806: 803: 797: 796: 787: 639: 636: 569: 568: 566: 565: 558: 551: 543: 540: 539: 521: 520: 506: 505: 501: 500: 490: 489: 485: 484: 470: 469: 465: 464: 462:Muhammad Iqbal 438: 437: 433: 432: 418: 417: 411: 410: 398: 397: 396: 395: 394: 393: 390: 389: 388:ادبیاتِ اُردُو 379: 378: 373: 369: 368: 357: 353: 352: 350: 346: 345: 342:Diwan-e-Ghalib 338: 334: 333: 325: 321: 320: 315: 311: 310: 297: 293: 292: 271: 267: 266: 257: 253: 252: 243: 239: 238: 236: 235: 232: 228: 226: 222: 221: 219: 218: 186: 153: 151: 147: 146: 136: 132: 131: 113:(aged 71) 107: 103: 102: 81: 77: 76: 59: 57: 53: 52: 50:Ghalib in 1868 49: 41: 40: 37: 17: 9: 6: 4: 3: 2: 6231: 6220: 6217: 6215: 6212: 6210: 6207: 6205: 6202: 6200: 6197: 6195: 6192: 6190: 6187: 6185: 6182: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6162: 6160: 6157: 6155: 6152: 6150: 6147: 6145: 6142: 6140: 6137: 6136: 6134: 6120: 6116: 6112: 6105: 6091: 6090:Ahmad Kasravi 6088: 6086: 6083: 6081: 6078: 6076: 6075:Ali Latifiyan 6073: 6071: 6068: 6067: 6065: 6061: 6055: 6052: 6050: 6047: 6045: 6042: 6040: 6037: 6035: 6032: 6030: 6027: 6025: 6022: 6021: 6019: 6015: 6009: 6006: 6004: 6001: 5999: 5998:Jafar Shahidi 5996: 5994: 5993:Jalal Sattari 5991: 5989: 5986: 5984: 5981: 5979: 5978:Mohammad Moin 5976: 5974: 5973:Ahmad Shamlou 5971: 5969: 5966: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5948:Lili Golestan 5946: 5944: 5941: 5939: 5936: 5934: 5931: 5928: 5927: 5925: 5921: 5915: 5912: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5865: 5862: 5860: 5857: 5855: 5852: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5830: 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5810: 5809:Fereydun Gole 5807: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5770: 5769:Bahram Beyzai 5767: 5765: 5762: 5760: 5757: 5755:Saeed Aghighi 5754: 5753: 5751: 5747: 5741: 5738: 5735: 5733: 5730: 5728: 5725: 5723: 5720: 5718: 5715: 5713: 5710: 5708: 5705: 5703: 5700: 5698: 5695: 5693: 5690: 5688: 5687:Bahram Beyzai 5685: 5682: 5680: 5677: 5675: 5672: 5671: 5669: 5665: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5568: 5566: 5563: 5562: 5560: 5558:Short stories 5556: 5550: 5547: 5545: 5542: 5540: 5539:Abbas Maroufi 5537: 5535: 5532: 5530: 5529:Ahmad Mahmoud 5527: 5525: 5522: 5519: 5517: 5514: 5512: 5509: 5507: 5506:Reza Ghassemi 5504: 5502: 5499: 5497: 5494: 5492: 5489: 5487: 5486:Reza Baraheni 5484: 5482: 5479: 5477: 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5453: 5451: 5447: 5437: 5434: 5433: 5431: 5427: 5421: 5418: 5417: 5415: 5411: 5405: 5402: 5400: 5397: 5395: 5392: 5390: 5389:Loiq Sher-Ali 5387: 5385: 5382: 5380: 5377: 5375: 5372: 5370: 5367: 5365: 5362: 5361: 5359: 5355: 5349: 5346: 5344: 5341: 5339: 5336: 5334: 5331: 5329: 5326: 5324: 5321: 5319: 5318:Nadia Anjuman 5316: 5315: 5313: 5309: 5303: 5300: 5299: 5297: 5293: 5288: 5285: 5282: 5278: 5275: 5272: 5270: 5269:Ahmad Shamlou 5267: 5265: 5262: 5260: 5257: 5255: 5252: 5250: 5247: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5210: 5207: 5205: 5204:Hushang Irani 5202: 5200: 5197: 5195: 5192: 5190: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5162: 5161:Reza Baraheni 5159: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5100: 5094: 5093: 5091: 5087: 5083: 5076: 5072: 5054: 5049: 5046: 5041: 5038: 5033: 5030: 5025: 5022: 5017: 5014: 5013: 5011: 5007: 4997: 4995: 4992: 4987: 4984: 4982: 4979: 4978: 4976: 4972: 4965: 4963: 4960: 4958: 4955: 4950: 4947: 4944: 4939: 4936: 4934: 4933:Kalim Kashani 4931: 4926: 4923: 4918: 4915: 4913: 4910: 4909: 4907: 4903: 4897: 4896:'Orfi Shirazi 4894: 4889: 4886: 4881: 4878: 4877: 4875: 4871: 4865: 4862: 4857: 4854: 4849: 4846: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4820:Salman Savaji 4818: 4816: 4813: 4812: 4810: 4806: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4782: 4779: 4777: 4774: 4772: 4769: 4768: 4766: 4762: 4756: 4753: 4751: 4750:Badr Shirvani 4748: 4746: 4743: 4741: 4738: 4733: 4732:Homam Tabrizi 4730: 4728: 4725: 4723: 4720: 4718: 4717:Pur-Baha Jami 4715: 4713: 4710: 4707: 4703: 4699: 4696: 4691: 4688: 4686: 4683: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4652: 4650: 4647: 4645: 4642: 4641: 4639: 4635: 4626: 4625:Shams Tabrizi 4623: 4621: 4618: 4613: 4610: 4605: 4602: 4599: 4594: 4591: 4586: 4583: 4579: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4546: 4543: 4541: 4540:Faramarz Nama 4538: 4536: 4533: 4531: 4528: 4526: 4523: 4522: 4520: 4516: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4475: 4472: 4470: 4467: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4446:Ahmad Ghazali 4444: 4442: 4439: 4434: 4431: 4426: 4423: 4418: 4417:Nizam al-Mulk 4415: 4410: 4407: 4405: 4402: 4397: 4394: 4389: 4386: 4381: 4380:Nasir Khusraw 4378: 4376: 4373: 4372: 4370: 4366: 4360: 4357: 4355: 4354:Kisai Marvazi 4352: 4350: 4347: 4345: 4342: 4337: 4334: 4329: 4326: 4324: 4321: 4319: 4316: 4314: 4313:Shahid Balkhi 4311: 4309: 4306: 4304: 4301: 4298: 4294: 4291: 4289: 4286: 4284: 4281: 4280: 4278: 4274: 4268: 4265: 4264: 4262: 4258: 4254: 4247: 4243: 4233: 4230: 4228: 4225: 4223: 4220: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4201:Menog-i Khrad 4199: 4197: 4194: 4192: 4189: 4187: 4184: 4182: 4179: 4177: 4174: 4172: 4169: 4167: 4164: 4162: 4159: 4157: 4154: 4152: 4149: 4147: 4144: 4143: 4140: 4136: 4131: 4127: 4117: 4114: 4112: 4109: 4107: 4104: 4102: 4099: 4097: 4094: 4093: 4090: 4086: 4081: 4077: 4073: 4066: 4061: 4059: 4054: 4052: 4047: 4046: 4043: 4031: 4027: 4024: 4022: 4018: 4015: 4014: 4004: 4000: 3995: 3992: 3991:0-88706-412-4 3988: 3984: 3981: 3977: 3973: 3969: 3968: 3962: 3961: 3941: 3940: 3939:Mumbai Mirror 3935: 3928: 3920: 3919: 3914: 3908: 3892: 3891:aljazeera.com 3888: 3882: 3867: 3863: 3856: 3840: 3836: 3829: 3818: 3803: 3799: 3792: 3784: 3780: 3779: 3774: 3768: 3760: 3754: 3739:. 26 May 2017 3738: 3734: 3728: 3720: 3719:Indiancine.ma 3716: 3710: 3702: 3698: 3692: 3684: 3681: 3671: 3664: 3660: 3656: 3653: 3648: 3640: 3634: 3630: 3629: 3621: 3613: 3611:9781780201580 3607: 3603: 3602: 3595: 3579: 3573: 3557: 3551: 3545: 3537: 3536: 3528: 3520: 3514: 3505: 3490: 3486: 3480: 3478: 3469: 3463: 3456: 3451: 3444: 3443:Serial No. 84 3439: 3425: 3421: 3417: 3415:9780520926738 3411: 3407: 3403: 3399: 3395: 3388: 3386: 3377: 3376: 3371: 3364: 3362: 3353: 3347: 3343: 3342: 3334: 3326: 3320: 3316: 3315: 3307: 3299: 3297:9780807841280 3293: 3289: 3288: 3280: 3272: 3270:9780807841280 3266: 3262: 3261: 3253: 3251: 3249: 3241: 3240: 3233: 3226: 3225:Ralph Russell 3221: 3213: 3207: 3203: 3202: 3194: 3192: 3190: 3188: 3186: 3184: 3182: 3180: 3172: 3170:9780231544009 3166: 3161: 3156: 3152: 3145: 3130: 3126: 3120: 3112: 3108: 3104: 3100: 3093: 3084: 3074: 3065: 3059: 3055: 3051: 3047: 3041: 3039: 3031: 3026: 3019: 3018:Gorgias Press 3015: 3010: 3002: 2998: 2991: 2983: 2977: 2973: 2969: 2968: 2966: 2957: 2942: 2936: 2932: 2931: 2923: 2915: 2909: 2893: 2889: 2882: 2871: 2864: 2862: 2854: 2849: 2841: 2835: 2824: 2818: 2810: 2804: 2800: 2799: 2791: 2775: 2771: 2765: 2757: 2751: 2747: 2746: 2738: 2730: 2724: 2720: 2719: 2711: 2705: 2704: 2700: 2695: 2679: 2675: 2668: 2660: 2658:9789753894401 2654: 2650: 2649: 2641: 2639: 2623: 2616: 2609: 2607: 2605: 2603: 2601: 2584: 2580: 2574: 2572: 2563: 2557: 2553: 2552: 2544: 2536: 2530: 2526: 2522: 2521: 2513: 2498: 2494: 2488: 2480: 2476: 2475: 2470: 2464: 2456: 2452: 2448: 2442: 2426: 2422: 2415: 2407: 2403: 2396: 2380: 2374: 2372: 2363: 2361:0-14-011664-8 2357: 2353: 2346: 2344: 2342: 2340: 2335: 2325: 2322: 2320: 2317: 2315: 2312: 2310: 2307: 2305: 2302: 2300: 2296: 2293: 2291: 2288: 2286: 2283: 2282: 2278: 2277:Poetry portal 2272: 2267: 2260: 2258: 2254: 2246: 2241: 2232: 2230: 2226: 2219: 2214: 2205: 2203: 2196:Google Doodle 2193: 2191: 2187: 2183: 2179: 2175: 2171: 2167: 2157: 2154: 2151: 2147: 2143: 2139: 2134: 2130: 2126: 2122: 2118: 2114: 2110: 2106: 2105:Sheila Bhatia 2102: 2098: 2097:Parsi Theatre 2093: 2086: 2077: 2075: 2070: 2068: 2064: 2060: 2056: 2052: 2048: 2044: 2043: 2038: 2034: 2032: 2028: 2024: 2020: 2019: 2013: 2011: 2007: 2003: 2002: 1997: 1993: 1989: 1980: 1978: 1974: 1970: 1966: 1962: 1958: 1954: 1953:Mohammed Rafi 1950: 1946: 1942: 1941:Farida Khanum 1938: 1937:Abida Parveen 1934: 1930: 1926: 1921: 1919: 1918: 1914:known as the 1913: 1909: 1908:Chandni Chowk 1905: 1897: 1893: 1883: 1880: 1872: 1862: 1858: 1852: 1851: 1846:This section 1844: 1840: 1835: 1834: 1826: 1820: 1819: 1809: 1797: 1794: 1793: 1784: 1778: 1775: 1768: 1767: 1760: 1756: 1754: 1750: 1740: 1736: 1728: 1722: 1719: 1712: 1711: 1708: 1700: 1694: 1691: 1684: 1683: 1680: 1676: 1673: 1667: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1630: 1620: 1617: 1612: 1610: 1609: 1604: 1600: 1596: 1592: 1588: 1587:Mehr-e nīmrūz 1584: 1580: 1576: 1575: 1570: 1566: 1560: 1556: 1548: 1542:Persian works 1538: 1535: 1511: 1506: 1504: 1500: 1496: 1488: 1484: 1474: 1472: 1466: 1457: 1453: 1449: 1439: 1436: 1430: 1421: 1417: 1416:Kashmiri Gate 1413: 1408: 1399: 1393: 1390: 1380: 1379: 1376: 1374: 1365: 1359: 1356: 1352: 1346: 1337: 1335: 1327: 1324: 1314: 1313: 1310: 1308: 1291: 1286: 1279: 1274: 1270: 1265: 1261: 1256: 1252: 1247: 1240: 1235: 1231: 1226: 1223: 1219: 1215: 1208: 1203: 1202: 1201: 1197: 1195: 1194:Ai’n-e Akbari 1192: 1188: 1178: 1174: 1170: 1161: 1159: 1156: 1153: 1149: 1145: 1141: 1137: 1133: 1132: 1128:His original 1116: 1110: 1107: 1097: 1096: 1093: 1091: 1087: 1082: 1080: 1076: 1075:Ralph Russell 1065: 1059: 1056: 1046: 1045: 1042: 1034: 1025: 1021: 1012: 1010: 1005: 1003: 998: 996: 992: 988: 984: 980: 976: 972: 965: 960: 956: 954: 949: 945: 936: 932: 928: 924: 920: 916: 912: 908: 898: 896: 892: 891:Mughal Empire 886: 884: 880: 877:as the royal 876: 866: 862: 858: 852: 841: 837: 836:Najm-ud-daula 831: 820: 816: 815:Dabir-ul-Mulk 812: 805:Mughal titles 802: 794: 788: 785: 774: 773: 770: 768: 764: 760: 759:schizophrenia 756: 752: 747: 745: 741: 738:and then the 737: 733: 728: 726: 722: 718: 714: 710: 706: 702: 698: 694: 690: 686: 683:who moved to 682: 678: 670: 669: 663: 655: 649: 644: 635: 633: 629: 625: 621: 617: 612: 610: 606: 602: 601:Mughal Empire 598: 594: 590: 587: 583: 579: 575: 564: 559: 557: 552: 550: 545: 544: 541: 538: 535: 533: 528: 522: 519: 515: 514:Urdu movement 511: 507: 502: 499: 495: 491: 486: 483: 479: 475: 471: 466: 463: 459: 455: 451: 447: 443: 439: 436:Major figures 434: 431: 427: 426:Urdu language 423: 419: 416: 412: 402: 391: 384: 374: 370: 351: 347: 344: 343: 339: 335: 326: 322: 319: 318:Urdu movement 316: 312: 309: 305: 301: 298: 294: 291: 287: 283: 279: 275: 272: 268: 265: 261: 258: 254: 251: 247: 244: 240: 233: 230: 229: 227: 223: 214: 208: 202: 191: 187: 182: 176: 170: 159: 155: 154: 152: 148: 145: 141: 137: 135:Resting place 133: 130: 129:British India 126: 122: 121:Chandni Chowk 118: 108: 104: 101: 97: 82: 78: 72: 58: 54: 47: 42: 35: 32: 28: 27:Ghalib (name) 24: 16: 6008:Abbas Zaryab 5884:Jafar Panahi 5854:Majid Majidi 5692:Bahman Forsi 5658:Goli Taraqqi 5583:Javad Mojabi 5573:Sadeq Chubak 5569:Shamim Bahar 5466:Bozorg Alavi 5420:Asad Gulzoda 5277:Nima Yooshij 5214:Bijan Jalali 5131:Aref Qazvini 5079:Contemporary 5016:Mirza Ghalib 5015: 4986:Azar Bigdeli 4945:Saba Kashani 4938:Hazin Lāhiji 4917:Saib Tabrizi 4880:Vahshi Bafqi 4864:Baba Faghani 4840:Ahli Shirazi 4815:Ubayd Zakani 4690:Amir Khusrau 4680:(1288–1320s) 4657:Sultan Walad 4484:Banu Goshasp 4433:Omar Khayyam 4323:Rabia Balkhi 4206:Jamasp Namag 4002: 3982: 3966: 3943:. 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Britannica 2351: 2250: 2222: 2199: 2186:Varun Grover 2174:Basheer Badr 2163: 2155: 2149: 2145: 2141: 2128: 2125:Qaid-e-Hayat 2124: 2100: 2096: 2094: 2091: 2073: 2071: 2063:Chitra Singh 2059:Jagjit Singh 2054: 2042:Mirza Ghalib 2040: 2035: 2016: 2014: 2009: 2001:Mirza Ghalib 1999: 1986: 1961:Begum Akhtar 1929:Mehdi Hassan 1925:Jagjit Singh 1922: 1915: 1901: 1875: 1866: 1855:Please help 1850:verification 1847: 1823: 1817: 1807: 1800: 1795: 1791: 1790: 1780: 1770: 1746: 1737: 1734: 1724: 1714: 1706: 1696: 1686: 1677: 1671: 1652: 1644: 1626: 1613: 1606: 1602: 1594: 1586: 1582: 1578: 1572: 1568: 1564: 1562: 1558: 1553: 1536: 1512: 1508: 1482: 1480: 1451: 1445: 1409: 1405: 1395: 1382: 1370: 1364:Mirza Ghalib 1348: 1343: 1329: 1316: 1304: 1198: 1184: 1175: 1171: 1167: 1157: 1154: 1151: 1147: 1143: 1129: 1127: 1112: 1099: 1083: 1078: 1071: 1061: 1048: 1039: 1022: 1018: 1008: 1006: 1001: 999: 994: 990: 986: 974: 970: 968: 950: 930: 904: 887: 860: 835: 814: 808: 800: 790: 776: 748: 729: 674: 666: 613: 596: 592: 588: 578:Mirza Ghalib 577: 573: 572: 532:India Portal 530: 504:Institutions 468:Urdu writers 453: 450:Mir Taqi Mir 446:Wali Dakhani 442:Amir Khusrau 340: 337:Notable work 111:(1869-02-15) 94:Kala Mahal, 38:Mirza Ghalib 31: 15: 6174:1869 deaths 6169:1797 births 6119:Afghanistan 5923:Translators 5879:Amir Naderi 5749:Screenplays 5732:Pari Saberi 5712:Bijan Mofid 5638:Bijan Najdi 5328:Raziq Faani 5311:Afghanistan 5224:Esmail Khoi 5181:Bijan Elahi 5057:(1813–1893) 5051:(1808–1854) 5043:(1801–1880) 5035:(1800–1871) 5027:(1779–1837) 5019:(1797–1869) 5000:(1798–1857) 4989:(1722–1781) 4952:(1642–1720) 4941:(1692–1766) 4920:(1607–1670) 4912:Taleb Amoli 4891:(1500–1588) 4883:(1523–1583) 4859:(1487–1524) 4851:(1483–1556) 4843:(1454–1535) 4735:(1238–1314) 4693:(1253–1325) 4615:(1149–1209) 4607:(1141–1209) 4596:(1126–1189) 4588:(1120–1190) 4548:(1155–1191) 4464:(1098–1131) 4436:(1048–1131) 4428:(1046–1121) 4420:(1018–1092) 4412:(1009–1072) 4399:(1006–1088) 4391:(1058–1111) 4383:(1004–1088) 4218:Warshtmansr 3897:27 December 3429:28 December 3134:17 November 3003:. theprint. 3001:theprint.in 2324:Urdu poetry 2067:magnum opus 2047:DD National 1957:Asha Bhosle 1902:He died in 1631:, tutor of 1599:1857 revolt 1460:ابر گہر بار 1410:During the 1191:Abul Fazl's 1086:Urdu Bazaar 953:Zoroastrian 931:Ode-e-Hindi 895:British Raj 861:Mirza Nosha 422:By category 354:Umrao Begum 264:British era 207:ʼAsad 56:Native name 6133:Categories 6115:Tajikistan 5819:Ali Hatami 5727:Akbar Radi 5674:Reza Abdoh 5413:Uzbekistan 5357:Tajikistan 5209:Iraj Mirza 4553:Adib Sabir 4489:Borzu-Nama 4456:Manuchehri 4404:Asadi Tusi 4388:Al-Ghazali 4375:Bābā Tāher 4339:(980–1037) 4331:(967–1049) 4196:Bundahishn 3976:1132238536 3058:9386385449 2940:8171893910 2627:25 October 2330:References 2031:Noor Jehan 1994:plays his 1965:Ghulam Ali 1949:Noor Jehan 1933:Iqbal Bano 1898:, interior 1869:April 2022 1583:Panj ahang 1218:Nizamuddin 845:نجم الدولہ 824:دبیر الملک 701:Ahmad Shah 689:Uzbekistan 638:Early life 304:philosophy 260:Mughal era 225:Occupation 117:Ballimaran 88:1797-12-27 63:مرزا غالب 6063:Essayists 4771:Ibn Yamin 4297:Shahnameh 4250:Classical 4106:Ganjnameh 3778:The Hindu 3424:226770775 3111:2371-5111 2972:Routledge 2892:The Hindu 2385:16 August 1945:Tina Sani 1912:Old Delhi 1614:In 2010, 1574:mathnawis 1499:Hindustan 1429:romanized 1155:superior, 1150:(meaning 1142:(meaning 1131:Takhallus 879:historian 870:مرزا نوشہ 697:Berkyaruq 685:Samarkand 586:pen names 478:Novelists 458:Abdul Haq 308:mysticism 201:romanized 169:romanized 5429:Pakistan 5171:Dehkhoda 4856:Ismail I 4706:Golestān 4628:(d.1248) 4525:Iranshah 4336:Avicenna 4293:Ferdowsi 4030:LibriVox 3945:22 April 3871:17 April 3845:17 April 3807:17 April 3655:Archived 3129:Pixstory 2908:cite web 2263:See also 2190:shaayari 2178:Chakbast 1947:, Madam 1643:, whose 1595:Dastanbu 1565:qasidahs 1491:چراغ دیر 1361:— 1136:pen-name 1124:Pen name 964:Nastaliq 939:عود هندی 732:Kashmiri 242:Language 156:Ghalib ( 150:Pen name 5369:Farzona 5295:Armenia 4585:Khaqani 4504:Mu'izzi 4451:Hujwiri 4318:Bal'ami 4156:Dēnkard 4019:at the 3584:11 June 3562:12 June 3544:archive 3494:11 June 3242:. p. 39 2525:Gujarat 2502:28 June 2451:IBNLive 2055:ghazals 2010:ghazals 1992:Suraiya 1668: 1653:shagird 1645:ghazals 1591:Humayun 1569:ghazals 1503:Qiyamah 1495:Benares 1467: 1431:: 1355:houries 1028:Letters 991:ghazals 946: 911:Persian 885:Court. 881:of the 875:Emperor 865:Persian 853: 840:Persian 832: 819:Persian 681:Mughals 620:Persian 498:Fiction 474:Writers 372:Parents 366: 358: 296:Subject 290:Marsiya 250:Persian 215: 203:: 183: 171:: 6139:Ghalib 5449:Novels 5089:Poetry 4848:Fuzuli 4825:Hatefi 4796:Nasimi 4702:Bustan 4593:Anvari 4578:c.1220 4576:(1142– 4359:Ayyuqi 4349:Asjadi 4344:Unsuri 4288:Daqiqi 4283:Rudaki 4135:Middle 3989: 3974: 3743:27 May 3635: 3608: 3422: 3412: 3348: 3321: 3294: 3267: 3208: 3167: 3151:Ghalib 3109: 3056: 2978: 2937: 2898:20 May 2805: 2780:20 May 2752: 2745:Ghalib 2725: 2684:20 May 2655: 2589:20 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