233:
words “forno” (“oven”) and its cognate “fornaia” (“woman baker”) etc. metaphorically indicate the female sexual organ and the woman prostitute. We must understand “what” the
Fornarina represents as opposed to “who she is”, and Pisani advanced the hypothesis that Raphael, drawing his inspiration from Marsilio Ficino and Pietro Bembo, portrays in the “Fornarina” the celestial Venus, namely the type of love that raises the soul toward the search for truth by means of the “celestial” beauty. This Venus differs from the other Venus, the “terrestrial” Venus, namely the generating power of nature, who is connected with the terrestrial beauty and has procreation as her goal (the same interpretation for Titian, L’amor sacro e l’amor profane, Rome, Galleria Borghese). From this viewpoint, the “Fornarina” is interconnected with the “Velata”, whom Pisani identifies as the terrestrial Venus, the bride, the mother.
242:
42:
1803:
1791:
158:, he was unable to dedicate himself properly to his work due to his infatuation - until she was allowed to come to live at his side. Again according to Vasari, it was Raphael's immoderate indulgence in "amorous pleasures", one day taken to excess, that brought on the fever which led to the young artist's death in 1520. Although in the
283:
on the third finger of her left hand. She wears a ribbon with the artist's name; the ring may hint at betrothal and the depth of their bond. The latter work is identified by Vasari as a portrait of
Raphael's mistress, "whom he loved until he died, and of whom he made a most beautiful portrait, which
232:
showed that the title “Fornarina” (first used by engraver
Domenico Cunego in 1772) is rooted in a linguistic tradition, documented, among others, by the Greek poet Anacreon in the 6th century BCE and found in numerous literary texts from antiquity to the modern period. In this tradition, the italian
1522:
472:
1530:
2929:
468:
1358:
175:
350:
to have invented the legend of
Raphael. The "Raphael-Fornarina myth" has been reimagined ever since "to fit the expectations of contemporary generations". In Comolli's 1790
1425:
339:
In addition, in his later years in Rome
Raphael was one of the first Italian artists to consistently draw female figures from female models rather than the usual
191:. In a letter of 1806, Melchior Missirini recounted the tale of their first meeting, of how Raphael fell in love after watching her as she bathed her feet in the
1157:
1132:
945:
142:, Raphael was a "very amorous man and affectionate towards the ladies". He is said to have painted portraits of his mistress and to have assigned the
2815:
2018:
965:
Giuliano Pisani, Le Veneri di
Raffaello (tra Anacreonte e il Magnifico, il Sodoma e Tiziano, Ediart. Studi di Storia dell'Arte 26, 2015, pp. 97-122
2990:
976:
1031:
3108:
802:
3100:
1001:
578:
60:) adorning her hair may allude to the name of Raphael's mistress and model; her stray curl exemplifies the "studied carelessness" or
1435:
360:
3124:
2948:
2823:
2543:
2487:
332:
theme of ideal love is prominent; in one, perhaps apocryphal, there is an accompanying drawing sometimes identified as being of
2308:
2194:
2134:
1771:
1616:
1526:
1506:
1342:
1283:
1112:
756:
682:
166:, Raphael had long delayed his marriage; on his deathbed he sent his mistress away "with the means to live an honest life".
3247:
2792:
1980:
314:
3514:
3504:
3499:
3494:
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1807:
1359:"Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia"
1218:
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2104:
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1835:
1585:
891:
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1888:
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185:: "portrait of Margarita, Raphael's mistress ... Margarita". By the mid-eighteenth century she was referred to as
3361:
2906:
2807:
1904:
1467:
1179:
3017:
2119:
2033:
2003:
924:
263:. The former was already the subject of several early testimonies before featuring in a 1642 inventory of the
3047:
2914:
2513:
1334:
464:
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or young male assistants, and Luti probably modelled for many of the hundreds of his drawings that survive.
3343:
2883:
2868:
2603:
1972:
1855:
748:
126:
624:"laquale Raffaello amĂł fino alla morte, & di quella fece un ritratto bellissimo, che pareva viva viva"
3055:
3032:
2270:
1957:
1608:
3132:
2762:
2626:
2384:
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1795:
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980:
500:
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1683:
213:. In 1897 a document was discovered indicating that Margherita, widowed daughter of Francesco Luti of
3324:
3009:
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2679:
2089:
1934:
1880:
1064:
845:
787:
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372:
302:
17:
276:
217:, retired to the Convent of Santa Apollonia four months after Raphael's death. A small residence in
3407:
2898:
2471:
2376:
2255:
1275:
272:
68:
199:, only to discover that "her mind was as beautiful as her body". Although this story is retold in
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2240:
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1757:
1385:
1035:
496:
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290:
200:
73:
2399:
1602:
1492:
1461:
1269:
1208:
839:
3140:
2649:
2411:
1828:
1575:
1328:
1098:
910:
742:
460:
440:
413:
1313:
3351:
3084:
2853:
2346:
2179:
2149:
1009:
883:
699:
8:
3423:
3285:
3116:
2724:
2404:
2361:
1942:
1735:
674:
384:, Raphael instead complains to the pope of the lack of blonde female models in Rome. For
308:
1731:
355:
3347:
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3239:
2611:
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1988:
1872:
1498:
1406:
807:
539:
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296:
35:
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329:
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147:
76:; height 82 centimetres (32 in), width 60.5 centimetres (23.8 in); at the
3509:
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3447:
3220:
3212:
3204:
3196:
3188:
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2754:
2232:
1896:
1821:
1687:
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1430:
1398:
1303:
1250:
1246:
915:
409:
222:
121:
101:
3452:
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3389:
3367:
2694:
2528:
2426:
2338:
1299:
873:
577:, their passion is sublimated in a love duet. As Fornarina, Margarita also has a
573:
523:
436:
401:
259:
229:
181:
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117:
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3431:
3384:
1763:
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783:
535:
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159:
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51:
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221:
is now identified as her former home, one of three possible sites examined by
56:
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3067:
2479:
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1309:
1234:
1184:
568:
549:
544:
511:
347:
285:
169:
Margarita is not mentioned by Vasari but is named twice in sixteenth-century
77:
1254:
241:
3439:
3357:
3318:
2963:
2573:
1069:
1065:"X-ray vision reveals how Old Master hid his love for the baker's daughter"
704:
492:
418:
366:
253:
187:
31:
1604:
The Artist, His Model, Her Image, His Gaze: Picasso's
Pursuit of the Model
1210:
Melancolia
Poetica: A Dual Language Anthology of Italian Poetry, 1160-1560
209:
1060:
561:
557:
476:
105:
62:
1657:
1410:
1383:
McVaugh, Robert E (1987). "Turner and Rome, Raphael and the
Fornarina".
130:, "Fornarina. She was a beautiful woman. That is all you need to know."
3297:
3278:
405:
389:
196:
170:
2838:
1402:
1104:
488:
459:
has
Raphael paint her as she lies unrobed in their bed. A drawing by
143:
113:
41:
2930:
Portrait of Doña Isabel de Requesens y EnrĂquez de Cardona-Anglesola
396:
while in Florence, styled his Venetian mistress Margherita Cogni as
1032:"Cosmetics Company Sponsors Beautification of Old Master Paintings"
597:"Fornarina. C’était une belle femme; inutile d’en savoir plus long"
288:
and in other religious works: her features have been traced in the
81:
1494:
The Invention of the Model: Artists and Models in Paris, 1830-1870
606:"Fu Rafaello persona molto amoroso, & affezzionata alle donne"
416:
over rivalry for her affections, perhaps inspired by the former's
1844:
788:"Le Vite de' piĂą eccellenti pittori, scultori, e architettori II"
538:' mistress. Margherita is also the focus of the first episode of
435:
In 1820, for the three hundredth anniversary of Raphael's death,
325:
257:, where she is naked from the waist up, and, rather more demure,
109:
284:
seems spirited and alive". She also served as his model for the
207:
and elsewhere, Missirini was known for his "pseudo-traditions";
1802:
1790:
841:
A Guidebook to the Poetic and Dramatic Works of Robert Browning
452:
251:
Two portraits by Raphael are identified as those of Margarita,
176:
Lives of the Most Excellent Painters, Sculptors, and Architects
744:
Bodies of Art: French Literary Realism and the Artist's Model
514:
included a series of sexually explicit images of Raphael and
268:
214:
192:
1362:
280:
275:
at the beginning of the twenty-first century, sponsored by
1813:
1633:"The Metropolitan Museum of Art (search term: Fornarina)"
1573:
1426:"Hero worship, with nerve in 'Raphael and the Fornarina'"
162:
he lies beside his fiancée Maria, daughter of his patron
1459:
615:"rittratto di Margarita donna di Rafaello ... Margarita"
974:
1577:
Dante Gabriel Rossetti: His Family Letters, A Memoir I
467:
painted five versions of their amour, including those
1600:
1553:"Quartier Latin. The Modern Raphael and La Fornarina"
1267:
1237:(1951). "The Legend of Raphael in Italy and France".
700:"Art sleuth uncovers clue to secret Raphael marriage"
837:
1206:
1093:
30:"Fornarina" redirects here. For the painting, see
2816:Portrait of Andrea Navagero and Agostino Beazzano
1382:
1330:The Sublime Artist's Studio: Nabokov and Painting
3486:
1326:
1298:
1177:
697:
1755:
1423:
782:
1732:"Raphael: Musical scenes from the Renaissance"
1233:
1100:Bodyscape: Art, Modernity and the Ideal Figure
942:"Identificazione Ottocentesca del Personaggio"
740:
412:suggests there was a feud between Raphael and
1829:
1490:
868:
803:"In Raphael Exhibition, Women Do the Talking"
668:
388:, hers were "the affections of a courtesan".
1158:Ministero per i Beni e le AttivitĂ Culturali
1133:Ministero per i Beni e le AttivitĂ Culturali
1089:
1087:
1059:
946:Ministero per i Beni e le AttivitĂ Culturali
800:
120:", yet little is known of her life. Of her,
3321:(1507–1520) (continued by other architects)
3109:The Expulsion of Heliodorus from the Temple
1455:
1453:
1836:
1822:
936:
934:
790:(in Italian). Giunti. pp. 82, 87, 78.
112:. The story of their love has become "the
3033:Portrait of Pope Leo X with Two Cardinals
1684:"Walerian Borowczyk's Heroines of Desire"
1681:
1084:
975:Schumacher, Mary Louise (25 March 2010).
905:
903:
1450:
1213:. Troubador Publishing. pp. 305ff.
778:
776:
774:
772:
770:
768:
736:
734:
732:
730:
728:
726:
724:
722:
664:
662:
240:
40:
3125:The Meeting of Leo the Great and Attila
2544:Portrait of Cardinal Alessandro Farnese
1055:
1053:
931:
833:
831:
829:
827:
825:
463:shows the artist expiring in her arms.
14:
3487:
1729:
977:"Raphael's masterpiece on view at MAM"
911:"Passavant's Life of Raphael (Review)"
900:
508:, the Modern Raphael and his Fornarina
404:wrote a sonnet in which Raphael tells
2309:Portrait of Guidobaldo da Montefeltro
2135:Portrait of Emilia Pia da Montefeltro
1817:
1527:Pennsylvania Academy of the Fine Arts
1271:Shelley and His Circle, 1773-1822 VII
1180:"Il mistero dell'amante di Raffaello"
765:
719:
659:
361:Splendeurs et misères des courtisanes
27:Italian mistress and model of Raphael
2793:Christ Falling on the Way to Calvary
1050:
822:
2442:Portrait of a Young Woman (La Muta)
2279:Madonna with Beardless Saint Joseph
1268:Fischer, Doucet Devon, ed. (1986).
24:
2778:Portrait of Baldassare Castiglione
1574:Rossetti, William Michael (1895).
875:Raphael; his life, works and times
475:, and identified himself with the
354:, she is blamed for his death. In
195:in the garden beside his house in
100:, "the baker's daughter") was the
25:
3526:
3093:Disputation of the Holy Sacrament
1783:
1460:Holloway, Memory Jockish (2006).
801:Riding, Alan (29 December 2001).
698:McMahon, Barbara (18 June 2005).
3101:Cardinal and Theological Virtues
1801:
1789:
1463:Making Time: Picasso's Suite 347
1424:Smee, Sebastian (12 June 2012).
1178:Rendina, Claudio (28 May 2007).
179:, beside the passage describing
3362:Antonio da Sangallo the Younger
2907:Saint Michael Vanquishing Satan
1905:Madonna and Child with the Book
1749:
1723:
1701:
1675:
1650:
1625:
1594:
1567:
1545:
1515:
1484:
1417:
1376:
1351:
1320:
1292:
1261:
1227:
1200:
1171:
1154:"L'ispirazione della Fornarina"
1146:
1121:
1024:
994:
968:
959:
862:
618:
609:
328:attributed to the painter, the
3435:Multi-Purpose Logistics Module
3221:Saint Paul Preaching in Athens
2120:Portrait of Elisabetta Gonzaga
1601:Kleinfelder, Karen L. (1993).
794:
691:
637:
600:
591:
13:
1:
3334:
3331:Palazzo Branconio dell'Aquila
3290:
3252:
3145:
3037:
3022:
2995:
2976:
2953:
2949:Saint Margaret and the Dragon
2938:
2919:
2888:
2873:
2858:
2843:
2828:
2824:Portrait of Cardinal Bibbiena
2797:
2782:
2767:
2744:
2729:
2714:
2699:
2684:
2669:
2654:
2639:
2616:
2593:
2578:
2563:
2548:
2533:
2518:
2514:Portrait of Tommaso Inghirami
2492:
2488:Saint Catherine of Alexandria
2461:
2446:
2431:
2416:
2389:
2366:
2351:
2328:
2313:
2298:
2283:
2260:
2245:
2214:
2199:
2184:
2169:
2154:
2139:
2124:
2109:
2094:
2068:
2053:
2038:
2023:
2008:
1993:
1962:
1947:
1924:
1909:
1756:Debener, Thomas, ed. (2003).
1523:"Raffaelle and the Fornarina"
1335:Northwestern University Press
846:Houghton, Mifflin and company
838:Cooke, George Willis (1891).
631:
556:who fatally poisons Raphael.
522:, as a tribute to Ingres. In
300:, the kneeling figure in the
173:to the second edition of his
116:artist–model relationship of
3173:Miraculous Draught of Fishes
2884:Madonna with the Blue Diadem
2869:The Ecstasy of Saint Cecilia
1759:Encyclopedia of Rose Science
1207:Cirigliano, Marc A. (2007).
749:University of Nebraska Press
548:, in which she is played by
210:se non è vero, è ben trovato
127:Dictionary of Received Ideas
7:
3404:(disciple and collaborator)
3205:Conversion of the Proconsul
3056:Self-Portrait with a Friend
2195:Saint George and the Dragon
1843:
1609:University of Chicago Press
485:Raffaelle and the Fornarina
146:il Baviera to serve as her
10:
3531:
3505:16th-century Italian women
3500:15th-century Italian women
3495:Italian Renaissance people
3360:(1518–1525) (completed by
3346:(1509–1575) (completed by
3248:Adoration of the Shepherds
3133:Deliverance of Saint Peter
2763:Portrait of Bindo Altoviti
2627:Portrait of Pope Julius II
2403:(1507–1508) (completed by
2385:Madonna of the Baldacchino
2324:Portrait of Maddalena Doni
1981:The Marriage of the Virgin
1637:Metropolitan Museum of Art
1305:The dream: and other poems
530:, Margherita is played by
501:Pre-Raphaelite Brotherhood
445:it:Roma vista dal Vaticano
29:
3461:
3377:
3344:Sant'Eligio degli Orefici
3325:Palazzo Jacopo da Brescia
3311:
3265:
3231:
3162:
3066:
2991:Portrait of a Young Woman
2680:Madonna of the Candelabra
2505:
2081:
1864:
1851:
1327:Shapiro, Gavriel (2009).
647:. Polo Museale Fiorentino
581:of 1862 named after her.
279:, revealed a ring with a
3409:Raphael and La Fornarina
3181:Christ's Charge to Peter
2899:Holy Family of Francis I
2472:Niccolini-Cowper Madonna
2256:Young Woman with Unicorn
2105:Portrait of Pietro Bembo
1276:Harvard University Press
671:Raphael: La donna velata
584:
495:. Among the drawings of
69:The Book of the Courtier
3515:Italian artists' models
3385:Giovanni Santi (father)
3189:Healing of the Lame Man
2740:Portrait of a Young Man
2294:Portrait of Agnolo Doni
2210:Young Man with an Apple
1662:Internet Movie Database
1255:10.1179/its.1958.13.1.2
741:Lathers, Marie (2001).
382:Raphaël et la Fornarine
150:. When commissioned by
133:
3302:Raffaello da Montelupo
2710:Madonna dell'Impannata
2665:Madonna della Seggiola
2559:Portrait of a Cardinal
2241:Madonna del Cardellino
1889:Resurrection of Christ
1711:. Carl Zeller-Webseite
1555:. The Rossetti Archive
1491:Waller, Susan (2006).
1386:Studies in Romanticism
1036:ArtWatch International
669:Locker, Jesse (2009).
567:premiered in 1879. In
497:Dante Gabriel Rossetti
408:that she is his eyes.
315:Ecstasy of St. Cecilia
291:Madonna della seggiola
248:
236:
84:
74:Baldassare Castiglione
50:(c. 1516); the pearl (
34:. For the singer, see
3141:The Fire in the Borgo
2808:Creation of the World
2650:Madonna with the Fish
2412:Canigiani Holy Family
1658:"La fornarina (1944)"
1580:. Ellis. p. 98.
461:Fulchran-Jean Harriet
414:Sebastiano del Piombo
324:. In the five or six
244:
44:
3398:(mistress and model)
3392:(mistress and model)
3364:and other disciples)
3352:Bastiano da Sangallo
3296:–1524) (executed by
3277:(1520) (executed by
3151:–1517) (executed by
3085:The School of Athens
2347:Madonna of the Pinks
2180:Madonna del Granduca
2150:Small Cowper Madonna
2004:Portrait of Perugino
1810:at Wikimedia Commons
1798:at Wikimedia Commons
491:of the same name by
265:Barberini collection
228:In a recent article
219:Via di Santa Dorotea
3466:Also attributed to
3213:Sacrifice at Lystra
3117:The Mass at Bolsena
3048:Madonna of the Rose
2725:Madonna della Tenda
2405:Ridolfo Ghirlandaio
2400:La belle jardinière
2362:Bridgewater Madonna
1943:Conestabile Madonna
1736:Stanford University
1129:"La modella amante"
675:Portland Art Museum
545:Les héroïnes du mal
425:Portrait of a Woman
309:Stanze di Raffaello
3348:Baldassare Peruzzi
2612:Madonna of Foligno
2604:The Prophet Isaiah
2165:Terranuova Madonna
2019:Colonna Altarpiece
1989:Diotallevi Madonna
1973:Vision of a Knight
1873:Baronci Altarpiece
1808:Fornarina portrait
1499:Ashgate Publishing
1470:. pp. 140–3.
1438:on 18 January 2013
1095:Mirzoeff, Nicholas
880:Chapman & Hall
848:. pp. 227ff.
808:The New York Times
645:"N. Cat. 00160382"
540:Walerian Borowczyk
447:) of Raphael with
346:Vasari is said by
297:Madonna di Foligno
249:
85:
36:Fornarina (singer)
3482:
3481:
3164:Tapestry cartoons
3018:Madonna de Bogota
2972:Small Holy Family
2589:Madonna of Loreto
2457:Esterhazy Madonna
2271:Madonna del Prato
2082:Florentine period
1958:Portrait of a Man
1856:List of paintings
1806:Media related to
1794:Media related to
1773:978-0-122-27620-0
1618:978-0-226-43983-9
1533:on 19 August 2014
1508:978-0-7546-3484-3
1395:Boston University
1344:978-0-8101-2559-9
1285:978-0-674-80613-9
1114:978-0-415-09801-4
1107:. pp. 95ff.
1063:(29 April 2001).
1006:Galleria Borghese
758:978-0-8032-2941-9
751:. pp. 60ff.
684:978-1-883-12430-4
499:, founder of the
422:and the latter's
118:Western tradition
16:(Redirected from
3522:
3475:
3470:
3468:Lorenzo di Credi
3448:Raphael (crater)
3339:
3336:
3295:
3292:
3257:
3254:
3197:Death of Ananias
3150:
3147:
3042:
3039:
3027:
3024:
3000:
2997:
2981:
2978:
2958:
2955:
2943:
2940:
2924:
2921:
2915:Ezekiel's Vision
2893:
2890:
2878:
2875:
2863:
2860:
2848:
2845:
2833:
2830:
2802:
2799:
2787:
2784:
2772:
2769:
2749:
2746:
2734:
2731:
2719:
2716:
2704:
2701:
2689:
2686:
2674:
2671:
2659:
2656:
2644:
2641:
2621:
2618:
2598:
2595:
2583:
2580:
2568:
2565:
2553:
2550:
2538:
2535:
2523:
2520:
2497:
2494:
2466:
2463:
2451:
2448:
2436:
2433:
2421:
2418:
2394:
2391:
2371:
2368:
2356:
2353:
2333:
2330:
2318:
2315:
2303:
2300:
2288:
2285:
2265:
2262:
2250:
2247:
2233:La donna gravida
2219:
2216:
2204:
2201:
2189:
2186:
2174:
2171:
2159:
2156:
2144:
2141:
2129:
2126:
2114:
2111:
2099:
2096:
2073:
2070:
2058:
2055:
2043:
2040:
2028:
2025:
2013:
2010:
1998:
1995:
1967:
1964:
1952:
1949:
1929:
1926:
1914:
1911:
1897:Mond Crucifixion
1838:
1831:
1824:
1815:
1814:
1805:
1793:
1778:
1777:
1753:
1747:
1746:
1744:
1742:
1727:
1721:
1720:
1718:
1716:
1705:
1699:
1698:
1696:
1694:
1688:Senses of Cinema
1679:
1673:
1672:
1670:
1668:
1654:
1648:
1647:
1645:
1643:
1629:
1623:
1622:
1598:
1592:
1591:
1571:
1565:
1564:
1562:
1560:
1549:
1543:
1542:
1540:
1538:
1529:. Archived from
1519:
1513:
1512:
1488:
1482:
1481:
1457:
1448:
1447:
1445:
1443:
1434:. Archived from
1431:The Boston Globe
1421:
1415:
1414:
1403:10.2307/25600666
1380:
1374:
1373:
1371:
1369:
1355:
1349:
1348:
1337:. pp. 56f.
1324:
1318:
1317:
1300:Norton, Caroline
1296:
1290:
1289:
1265:
1259:
1258:
1247:Maney Publishing
1231:
1225:
1224:
1204:
1198:
1197:
1195:
1193:
1175:
1169:
1168:
1166:
1164:
1150:
1144:
1143:
1141:
1139:
1125:
1119:
1118:
1091:
1082:
1081:
1079:
1077:
1057:
1048:
1047:
1045:
1043:
1028:
1022:
1021:
1019:
1017:
1008:. Archived from
998:
992:
991:
989:
987:
981:Journal Sentinel
972:
966:
963:
957:
956:
954:
952:
938:
929:
928:
916:Quarterly Review
907:
898:
897:
866:
860:
859:
835:
820:
819:
817:
815:
798:
792:
791:
780:
763:
762:
738:
717:
716:
714:
712:
695:
689:
688:
666:
657:
656:
654:
652:
641:
625:
622:
616:
613:
607:
604:
598:
595:
428:, also known as
273:restoration work
271:analysis during
154:to decorate the
21:
3530:
3529:
3525:
3524:
3523:
3521:
3520:
3519:
3485:
3484:
3483:
3478:
3473:
3465:
3457:
3453:Vatican loggias
3411:(1813 painting)
3390:Imperia Cognati
3373:
3368:Villa Farnesina
3337:
3307:
3293:
3261:
3255:
3227:
3158:
3148:
3062:
3040:
3025:
3010:Transfiguration
2998:
2979:
2956:
2941:
2922:
2891:
2876:
2861:
2846:
2831:
2800:
2785:
2770:
2747:
2732:
2717:
2702:
2695:Sistine Madonna
2687:
2672:
2657:
2642:
2619:
2596:
2581:
2566:
2551:
2536:
2529:Garvagh Madonna
2521:
2501:
2495:
2464:
2449:
2434:
2427:Colonna Madonna
2419:
2392:
2369:
2354:
2339:Ansidei Madonna
2331:
2316:
2301:
2286:
2263:
2248:
2217:
2202:
2187:
2172:
2157:
2142:
2127:
2112:
2097:
2090:Christ Blessing
2077:
2071:
2056:
2041:
2026:
2011:
1996:
1965:
1950:
1927:
1912:
1881:Saint Sebastian
1860:
1847:
1842:
1786:
1781:
1774:
1754:
1750:
1740:
1738:
1728:
1724:
1714:
1712:
1709:"Die Fornarina"
1707:
1706:
1702:
1692:
1690:
1682:Murray, Scott.
1680:
1676:
1666:
1664:
1656:
1655:
1651:
1641:
1639:
1631:
1630:
1626:
1619:
1611:. p. 244.
1599:
1595:
1588:
1572:
1568:
1558:
1556:
1551:
1550:
1546:
1536:
1534:
1521:
1520:
1516:
1509:
1501:. p. 146.
1489:
1485:
1478:
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1451:
1441:
1439:
1422:
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1381:
1377:
1367:
1365:
1357:
1356:
1352:
1345:
1325:
1321:
1297:
1293:
1286:
1278:. p. 198.
1266:
1262:
1239:Italian Studies
1232:
1228:
1221:
1220:978-1905886-821
1205:
1201:
1191:
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894:
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813:
811:
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784:Vasari, Giorgio
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619:
614:
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601:
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592:
587:
524:Enrico Guazzoni
457:Achille Devéria
402:Caroline Norton
394:La donna velata
352:Life of Raphael
303:Transfiguration
260:La donna velata
239:
230:Giuliano Pisani
205:Life of Raphael
182:La donna velata
164:Bernardo Dovizi
156:Villa Farnesina
136:
92:Margherita Luti
47:La donna velata
39:
28:
23:
22:
15:
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3405:
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3396:Margarita Luti
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2502:
2500:
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2396:
2381:
2377:The Deposition
2373:
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2320:
2305:
2290:
2275:
2267:
2252:
2237:
2229:
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2116:
2101:
2085:
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2079:
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2015:
2000:
1985:
1977:
1969:
1954:
1939:
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1826:
1818:
1812:
1811:
1799:
1785:
1784:External links
1782:
1780:
1779:
1772:
1764:Academic Press
1748:
1722:
1700:
1674:
1649:
1624:
1617:
1593:
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1566:
1544:
1514:
1507:
1483:
1477:978-0820450469
1476:
1449:
1416:
1375:
1350:
1343:
1319:
1291:
1284:
1260:
1235:Blunt, Anthony
1226:
1219:
1199:
1170:
1156:(in Italian).
1145:
1131:(in Italian).
1120:
1113:
1083:
1049:
1023:
1012:on 19 May 2012
1004:(in Italian).
1002:"La Fornarina"
993:
967:
958:
944:(in Italian).
930:
899:
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861:
854:
821:
793:
764:
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718:
690:
683:
658:
635:
633:
630:
627:
626:
617:
608:
599:
589:
588:
586:
583:
571:'s 1894 opera
506:Quartier Latin
380:'s 1854 novel
238:
235:
152:Agostino Chigi
135:
132:
124:wrote, in his
88:Margarita Luti
72:by his friend
66:celebrated in
26:
9:
6:
4:
3:
2:
3527:
3516:
3513:
3511:
3508:
3506:
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3426:
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3406:
3403:
3402:Giulio Romano
3400:
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3153:Giulio Romano
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3077:The Parnassus
3074:
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3068:Raphael Rooms
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3050:
3049:
3045:
3035:
3034:
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3003:Giulio Romano
3001:–1519) (with
2993:
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2988:
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2984:Giulio Romano
2982:–1519) (with
2974:
2973:
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2935:Giulio Romano
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2794:
2790:
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2775:
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2737:
2727:
2726:
2722:
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2681:
2677:
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2629:
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2481:
2480:Tempi Madonna
2477:
2474:
2473:
2469:
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2429:
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2230:
2227:
2226:
2225:Self-portrait
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2212:
2211:
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2197:
2196:
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2177:
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2121:
2117:
2107:
2106:
2102:
2092:
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2064:Saint Michael
2061:
2051:
2050:
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2031:
2021:
2020:
2016:
2006:
2005:
2001:
1991:
1990:
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1974:
1970:
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1959:
1955:
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1944:
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1937:
1936:
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1920:Solly Madonna
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1899:
1898:
1894:
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1587:9781417970254
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1310:Henry Colburn
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1038:. 30 May 2002
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870:Müntz, Eugène
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579:rose cultivar
576:
575:
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566:
565:Die Fornarina
563:
559:
555:
551:
550:Marina Pierro
547:
546:
542:'s 1979 film
541:
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526:'s 1944 film
525:
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364:, she is the
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3425:La Fornarina
3424:
3419:(1894 opera)
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3370:(decoration)
3358:Villa Madama
3319:Chigi Chapel
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1941:
1933:
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1751:
1739:. Retrieved
1730:Kryukov, A.
1725:
1713:. Retrieved
1703:
1691:. Retrieved
1677:
1665:. Retrieved
1652:
1640:. Retrieved
1627:
1603:
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1557:. Retrieved
1547:
1535:. Retrieved
1531:the original
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1436:the original
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1190:. Retrieved
1188:(in Italian)
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1148:
1136:. Retrieved
1123:
1099:
1074:. Retrieved
1070:The Observer
1068:
1061:Burke, Jason
1040:. Retrieved
1026:
1014:. Retrieved
1010:the original
996:
984:. Retrieved
970:
961:
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806:
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705:The Guardian
703:
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649:. Retrieved
639:
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611:
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572:
564:
554:femme fatale
553:
543:
532:LĂda Baarová
528:La fornarina
527:
519:
516:La Fornarina
515:
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493:John Sartain
484:
449:La Fornarina
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430:La Fornarina
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398:La Fornarina
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367:femme fatale
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32:La Fornarina
3427:(1944 film)
3338: 1520
3327:(1515–1519)
3294: 1520
3256: 1508
3224:(1514–1516)
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3208:(1514–1516)
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3149: 1514
3128:(1513–1514)
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2607:(1511–1512)
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2522: 1509
2496: 1507
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2342:(1505–1507)
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2027: 1503
2012: 1504
1997: 1504
1976:(1503–1504)
1966: 1503
1951: 1502
1938:(1502–1504)
1928: 1500
1913: 1503
1900:(1502–1503)
1892:(1499–1502)
1884:(1501–1502)
1876:(1500–1501)
1865:Early works
1397:: 365–398.
927:: 25. 1840.
925:John Murray
562:comic opera
558:Carl Zeller
487:inspired a
477:Renaissance
378:Joseph MĂ©ry
373:belle juive
63:sprezzatura
3489:Categories
3474:Attributed
3298:Lorenzetto
3279:Lorenzetto
3266:Sculptures
2854:Visitation
1935:Oddi Altar
1468:Peter Lang
1312:. p.
882:. p.
632:References
441:a painting
439:exhibited
406:Pope Leo X
386:Baudelaire
330:Petrarchan
197:Trastevere
171:marginalia
114:archetypal
3442:Raffaello
3433:Raffaello
3312:Buildings
2839:La velata
1796:La Velata
1105:Routledge
520:347 Suite
489:mezzotint
318:, and in
201:Passavant
57:margarita
18:Fornarina
3240:Lucretia
3232:Drawings
2138: (
2123: (
2007: (
1715:1 August
1693:1 August
1667:1 August
1559:1 August
1537:1 August
1411:25600666
1302:(1840).
1249:: 2–20.
1097:(1995).
1042:3 August
872:(1882).
786:(1568).
536:Goebbels
481:Callcott
479:artist.
223:Lanciani
203:'s 1839
160:Pantheon
144:engraver
122:Flaubert
102:mistress
82:Florence
3510:Raphael
3417:Raphael
3378:Related
3243:(1500s)
2635:Galatea
1845:Raphael
1741:31 July
1642:31 July
1442:31 July
1368:27 July
1192:27 July
1163:27 July
1138:27 July
1076:27 July
1016:28 July
986:27 July
951:27 July
923:(131).
814:27 July
711:27 July
651:27 July
574:Raphael
569:Arensky
518:in his
512:Picasso
473:of 1840
469:of 1814
410:Nabokov
341:garzoni
326:sonnets
321:Galatea
110:Raphael
3286:Elijah
3136:(1514)
3104:(1511)
3043:–1520)
3028:–1520)
2933:(with
2910:(1518)
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2879:–1517)
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2811:(1516)
2803:–1516)
2788:–1515)
2773:–1515)
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2755:Sibyls
2750:–1514)
2735:–1514)
2720:–1514)
2705:–1514)
2690:–1514)
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2622:–1512)
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2422:–1508)
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2372:–1508)
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2266:–1506)
2251:–1506)
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2100:–1504)
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1984:(1504)
1968:–1504)
1953:–1504)
1930:–1504)
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465:Ingres
453:pastel
437:Turner
356:Balzac
312:, the
306:, the
294:, the
286:Virgin
140:Vasari
90:(also
3274:Jonah
1407:JSTOR
1393:(3).
585:Notes
552:as a
503:, is
390:Byron
376:. In
269:X-ray
215:Siena
193:Tiber
106:model
52:Latin
3350:and
3300:and
1768:ISBN
1743:2012
1717:2012
1695:2012
1669:2012
1644:2012
1613:ISBN
1582:ISBN
1561:2012
1539:2012
1503:ISBN
1472:ISBN
1444:2012
1370:2012
1363:Tate
1339:ISBN
1280:ISBN
1215:ISBN
1194:2012
1165:2012
1140:2012
1109:ISBN
1078:2012
1044:2012
1018:2012
988:2012
953:2012
888:ISBN
850:ISBN
816:2012
753:ISBN
713:2012
679:ISBN
653:2012
471:and
451:. A
281:ruby
148:page
134:Life
104:and
3440:SS
2937:) (
1399:doi
1314:285
1251:doi
884:490
560:'s
534:,
483:'s
455:by
370:or
358:'s
237:Art
108:of
94:or
80:in
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