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291:. Critics of the time wrote that she supplemented her a weak voice with good modulation and "exquisite low notes". She died at the height of her fame, at the age of 31 and is buried in
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singer whose short career –barely 15 years– nevertheless brought her fame throughout Spain and Europe. Among her admirers were
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242:. Her grand entrance on the international scene was at the Parisian "Apollo Théatre" in 1907. It is in Paris that she meets
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Coloured portrait by Antoni
Esplugas, from the Centro de Documentación y Museu de las Artes Escénicas (MAE) in Barcelona.
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256:) (1909) that would become her greatest success. With this song she trod the boards of London's
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around 1900. She apparently owed her nickname, "La
Fornarina" (the baker girl) to the
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162:(Madrid, 28 May 1884- Madrid 17 July 1915) was an early twentieth-century
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223:. From 1904, she became associated with the lyricist José Juan Cadenas.
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Ortíz-Osés, Andrés (2005). Ortiz-Osés, Andrés; Lanceros, Patxi (eds.).
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journalist Javier Betegón. She already appeared under the name at the
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and the
Zarzuela in Madrid as well as the Príncipe Real theatre in
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Claves de
Hermeneutica: Para la filosofía, la culturay la sociedad
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in Madrid and her presence is also documented in the capital's
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403:"Restauración y limpieza de la sepultura de 'La Fornarina'"
283:(the last cuplé) (a theme that would inspire the 1957 film
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En
Biografías y Vidas, la enciclopedia biográfica en línea
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In 1914, a year before her premature death, she premiered
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Her appearances abroad can be traced to 1905, in Lisbon's
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Her first notable appearances were as chorus girl in the
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148: and the second or maternal family name is
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272:presided over one of her appearances at the
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431:[Biography of La Bella Chelito].
427:Fernández, Tomás; Tamaro, Elena (2004).
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215:in Madrid, the Teatro Nuevo Retiro in
382:"Consuelito y otras bellas del cuplé"
298:Other notable "Queens of cuplé" were
230:. Soon, she became the star of the
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473:20th-century Spanish women singers
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287:, starring another Spanish diva,
264:in Paris or the Palais Soleil in
429:"Biografia de La Bella Chelito"
192:Laureano Vello Álvarez and the
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156:María del Consuelo Vello Cano
478:20th-century Spanish singers
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219:and the Salon Novedades in
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407:Cementerio de San Isidro
196:Benita Cano Rodríguez.
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38:Background information
270:Alfonso XIII of Spain
246:, author of the song
201:Teatro de la Zarzuela
327:biografiasyvidas.com
274:Teatro de la Comedia
228:Coliseu dos Recreios
468:Singers from Madrid
285:The Last Torch Song
48:Consuelo Vello Cano
236:Salón de Novedades
254:Little Carnations
172:and the brothers
170:Jacinto Benavente
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385:. Retrieved
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323:"Biografías"
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289:Sara Montiel
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213:Teatro Romea
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160:La Fornarina
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138:Spanish name
91:(1915-07-17)
73:May 28, 1884
58:La Fornarina
20:La Fornarina
483:Cupletistas
463:1915 deaths
458:1884 births
232:Teatro Lara
190:Civil Guard
158:, known as
452:Categories
438:2022-09-25
412:9 December
387:9 December
366:9 December
332:9 December
310:References
300:La Chelito
266:Montecarlo
249:Clavelitos
116:Occupation
69:1884-05-28
44:Birth name
217:Barcelona
194:laundress
184:Biography
127:Gramófono
221:Valencia
209:La Época
136:In this
262:Olympia
174:Antonio
142:surname
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260:, the
240:Oporto
234:, the
124:Labels
119:Singer
106:Genres
96:Madrid
76:Madrid
165:Cuplé
146:Vello
110:Cuplé
100:Spain
80:Spain
414:2017
389:2017
368:2017
355:ISBN
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302:and
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150:Cano
86:Died
63:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
