328:
fully formed and proportional breast, accompanied by healthy-looking skin and an unremarkable nipple upon a normal-looking areola. The viewer is given a better look at the left breast due to her positioning and thus can identify more problematic aspects that might not appear in the right breast. With the side view of the left breast, a viewer can see that it is enlarged and deformed by an indentation on the lower rim of the breast; the indentation begins where a possible mass ends. The mass extends from the woman’s armpit medially along the lower half of her breast, and is seen to reach its apex at the spot just above her right index finger. Further evidence to a possible cancer is the sickly-blue hue to the skin of the left breast in relation to the healthy, pink undertones of the right one; the coloring is most prominent on the indentation and suspected tumor, but extends slightly above and below this area to the rest of the breast. Another possible indication of a cancerous tumor is that her left arm is swollen as a result of a lymph node in her armpit being enlarged. Enlarged lymph nodes and swelling are possible signs of a cancer diagnosis once metastasized.
379:
smile, almost in a "come hither" look. The placement of her slightly open righthand on her left breast shows her nipple and a good amount of her breast; she seems to be teasing the viewer in order to entice them to come closer. The softer facial expression gives an air of familiarity between the subject and the viewer; she is not blank and staring into the eyes of the viewer like portraits of wealthy women, but rather is looking towards the viewer with a half smile like a passing acquaintance. The subject is wearing a yellow scarf across her head that during the
Renaissance implied that the woman was a sex worker. Yellow scarves were a requirement for "dishonest women" to wear, these women were ones who willingly took off their clothing for artists which resulted in inspiration for much of the nude art pieces during the Renaissance. If a woman was wearing a yellow scarf across her head, she could show her naked body without prosecution. Courtesans were widely used in European culture beginning during the Renaissance; their existence and their depiction was a way for people to explore sexual relationships based on the ideals of classical writings on the subject.
244:
inventories (1626 and 1682), the art work is attributed to
Raphael. It is, however, a copy after the famous portrait entitled La Fornarina, now in the Galleria Barberini in Rome." The other copy is "attributed to Giulio Romano, came to the Galleria Borghese with the fidei-commissum of 1833. This work of art has been recently ascribed to Raffaellino del Colle. The picture was likely within the painter’s studio at his death in 1520, which was adjusted and sold by his assistant Giulio Romano. In the 16th century, the picture was within the house of the Countess of Santafiora, a Roman noblewoman, and in this way got to be the property of Duke Boncompagni and then of the Galleria Nazionale, which still has it." This second copy is almost the same as the original painting in the Galleria Barberini except that there is no ring on her left, fourth finger.
52:
262:
simply as a nude woman (prostitute) or a "half Venus, nude". Both descriptions imply a sense of beauty; if she were an unknown nude prostitute, she was beautiful enough to catch
Raphael's eye and inspire him to create an entire portrait of her. If she is a “half Venus, nude,” she is a representation of the most beautiful goddess to ever exist; she is the embodiment of love, beauty, desire and ultimately, sex. During the Renaissance, beauty was equated to nakedness and the nude, for if a woman was naked she was captivating and sexually exciting to the artist and ultimately, the viewer. She is posed in a way that is reminiscent of the
308:, went looking for Fornarina in order to get rid of her. Pope Leo X believed that Raphael was just infatuated with the woman and not actually in love, so if they were rid of her, Raphael would return to his art once he heard she was gone. The Pope offered her money to disappear and she accepted; later, Raphael asked Chigi for help, promising to focus on his painting while he looked. Chigi returned without the woman and a fake letter saying that she would return to Raphael once the Chigi portrait was finished. Experts are divided on the veracity of this story.
187:
317:
1013:
198:
The painting depicts a nude woman wearing a thin veil to cover her lower abdomen and is seen half covering her left breast. She wears a blue and yellow turban over her dark hair; a thicker red cloth covers her legs and genital region. The figure appears healthy with smooth skin, full proportions and
327:
Positioned a quarter of the way away from the viewer, it has been suggested by professor Carlos Hugo
Espinel that the right hand over the left breast reveals a cancerous breast tumor. Even with the positioning, one can identify differences between her two breasts. The right breast is perceived as a
378:
Another theory is that
Fornarina was in fact a sex worker and not Raphael's lover. However, Raphael's "signature" on the figure's armband could imply that he did have love for the figure, and possibly felt ownership of the woman. In the painting, the figure is half nude and is wearing a suggestive
369:
analyzes witch craft as neither good or evil, the women who practiced magic did so to support themselves by providing potions and spells for her patrons' desires. The physical features of
Fornarina are completely unlike other painted women of the time; she was more healthy-looking with ample body
261:
theme, describing it as a representation of idealistic beauty. With this interpretation, it is more likely that a viewer could assume that this is not
Raphael’s lover, but instead a prostitute or simply his personal representation of beauty. With this chosen theme, the figure should be described
243:
in the
Borghese Gallery in Rome. "La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini’s two
340:
provides the theory that La
Fornarina represents a witch. According to the author, during the time period that this painting was made, “the baker’s daughter” did not indicate that a woman's father was in fact a baker, but a term used for a malevolent goddess. The goddess, referenced in
292:. Margherita supposedly refused to marry Raphael every time he asked. She was his muse and appeared as the subject in many of his paintings. She is shown wearing items associated with wealth and her assumed romantic relations to the painter. Her golden armband signed
279:
in which the goddess is nude, but keeps her breasts and genitalia covered with either a hand or thin drape. Raphael makes the woman more risqué by enlarging her breasts, hardening her nipples, and giving her a possible flirty yet shy glance towards the viewer.
360:
magic. Segal states that La
Fornarina was more fond of black cats than children, which at the time was not common because the main goal of most was to get married and procreate. Segal's interpretation differs from the
163:, Raphael's Roman lover who refused to marry him, though this identification has been questioned. An alternative view sees the work not as a portrait of a specific woman, but rather as Raphael's interpretation of a
2139:
288:
Another interpretation of the woman's identity assumes her to be Raphael's lover named Margherita; the figure's father was a baker and thus earned her the nickname of La Fornarina. According to
370:
parts (full lips, large breasts, wide hips, etc). Segal says the reason for this was because Raphael hated the wraith-like bodies that were the subjects of other artist’s paintings.
352:, is said to have been a cannibal owl-goddess. The owl-goddess is not specified in the play, but supposedly originates from hell; during this time, witches were seen as servants of
2714:
520:
This painting of a courtesan may well be an image of a type rather than a portrait of a specific individual - that is, an early example of the genre of alluring
2025:
1228:
227:, goddess of love and passion. An overpainted ruby ring on the sitter's third left finger has caused speculation on whether there might have been a
2200:
165:
148:
It is probable that the picture was in the painter's studio at his death in 1520, and that it was modified and then sold by his assistant
2318:
2310:
989:
613:
418:
300:. However, she did end up leaving him. When she left him, it is said that Raphael fell into despair and could no longer paint, so
2334:
2158:
2033:
1753:
1697:
1518:
1404:
1344:
2457:
2002:
1190:
997:
961:
1651:
1488:
1017:
134:
98:
1987:
1314:
199:
a faint pink tint in her cheeks. Her eyes are looking towards the left, and she wears a small, possibly amused smile.
2302:
1949:
1419:
1045:
944:
919:
730:
702:
545:
2540:
1768:
1098:
2571:
2116:
2017:
1114:
296:, and the appearance of a ring on her left, fourth finger can be seen as Raphael’s indication of La Fornarina as
268:
pose, enticing the viewer to look upon her naked body and imagine what she is hiding behind her thin drape. The
2227:
1329:
1243:
1213:
2709:
2257:
2124:
1723:
2553:
2093:
2078:
1813:
1182:
1065:
388:
2719:
2265:
2242:
1480:
1167:
2342:
1972:
1836:
1594:
1533:
2534:
2219:
1919:
1889:
1299:
1144:
1090:
697:. The United States of America: The Press Syndicate Of The University of Cambridge. pp. 63–85.
2734:
2617:
2108:
1681:
1586:
1465:
1005:
51:
2704:
2611:
2362:
2212:
2193:
2144:
1503:
1434:
1273:
365:
theme in that she believes the figure herself is a witch and not a general depiction of witches.
2729:
2511:
1874:
1450:
1258:
794:
1609:
2350:
1859:
1621:
1038:
2561:
2294:
2063:
1556:
1389:
1359:
610:
415:
8:
2633:
2495:
2326:
1934:
1614:
1571:
1152:
342:
24:
2557:
2483:
2449:
1821:
1374:
1198:
1082:
889:
850:
775:
675:
667:
590:
511:
503:
464:
28:
838:
763:
578:
452:
2724:
2181:
1844:
1798:
1666:
940:
915:
842:
767:
726:
698:
679:
582:
541:
515:
456:
276:
224:
216:
138:
2677:
2657:
2430:
2422:
2414:
2406:
2398:
2390:
2382:
2373:
1964:
1442:
1106:
1031:
881:
854:
834:
779:
759:
659:
594:
574:
495:
468:
448:
366:
126:
962:"Raphael's Lover, Sex Work and Cross-Dressing in Renaissance Rome: Art Pickings 1"
2662:
2625:
2599:
2577:
1904:
1738:
1636:
1548:
617:
422:
228:
822:
747:
562:
436:
2641:
2605:
2594:
648:"Cindy Sherman's Reworking of Raphael's "Fornarina" and Caravaggio's "Bacchus""
484:"Cindy Sherman's Reworking of Raphael's "Fornarina" and Caravaggio's "Bacchus""
305:
289:
160:
20:
663:
499:
2698:
2286:
2277:
1689:
1129:
149:
186:
2649:
2567:
2528:
1783:
846:
771:
586:
460:
264:
239:
According to an explanation on the museum website, there are two copies of
80:
671:
647:
507:
483:
2507:
2488:
893:
869:
301:
90:
85 cm Ă— 60 cm (33 in Ă— 24 in)
19:
This article is about the painting. For the woman whom it depicts, see
2048:
394:
316:
170:
2140:
Portrait of Doña Isabel de Requesens y EnrĂquez de Cardona-Anglesola
885:
357:
203:
is also wearing an armband engraved with the painter's signature, "
215:
X-ray analyses have shown that in the background was originally a
1054:
524:
greatly sought after by sixteenth-century princes and patricians.
345:
257:
Joanna Woods-Marsden has chosen to view the painting through the
173:. Still another interpretation identifies the figure as a witch.
130:
62:
870:"The Owl and the Baker's Daughter: A Note on Hamlet IV.v. 42-43"
1012:
349:
220:
353:
123:
155:
Art-history tradition or legend identifies the woman as the
142:
102:
1023:
823:"The portrait of breast cancer and Raphael's La Fornarina"
748:"The portrait of breast cancer and Raphael's La Fornarina"
563:"The portrait of breast cancer and Raphael's La Fornarina"
437:"The portrait of breast cancer and Raphael's La Fornarina"
2715:Collection of the Galleria Nazionale d'Arte Antica
2026:Portrait of Andrea Navagero and Agostino Beazzano
2696:
1039:
645:
481:
398:, another Raphael painting of the same sitter
304:and one of Raphael’s most prominent patrons,
937:The Civilization of the Renaissance in Italy
23:. For the 1944 biographical drama film, see
2531:(1507–1520) (continued by other architects)
2319:The Expulsion of Heliodorus from the Temple
914:. New York: Stein and Day. pp. 36–42.
912:Painted Ladies: Models of the Great Artists
725:. New York: Stein and Day. pp. 36–42.
723:Painted Ladies: Models of the Great Artists
540:. New York: Stein and Day. pp. 36–42.
538:Painted Ladies: Models of the Great Artists
133:, made between 1518 and 1519. It is in the
1046:
1032:
331:
181:
50:
2243:Portrait of Pope Leo X with Two Cardinals
247:
939:. S.I.: Pub One Info. pp. 524–525.
315:
185:
2335:The Meeting of Leo the Great and Attila
1754:Portrait of Cardinal Alessandro Farnese
820:
792:
745:
560:
434:
2697:
934:
905:
903:
816:
814:
716:
714:
692:
1519:Portrait of Guidobaldo da Montefeltro
1345:Portrait of Emilia Pia da Montefeltro
1027:
959:
909:
867:
720:
641:
639:
535:
275:is inspired by ancient sculptures of
210:
2003:Christ Falling on the Way to Calvary
606:
604:
252:
1652:Portrait of a Young Woman (La Muta)
1489:Madonna with Beardless Saint Joseph
900:
811:
739:
711:
652:Source: Notes in the History of Art
631:Michelangelo and the Pope's Ceiling
488:Source: Notes in the History of Art
13:
1988:Portrait of Baldassare Castiglione
1008:(in English, Spanish, and Italian)
953:
636:
554:
283:
14:
2746:
2303:Disputation of the Holy Sacrament
983:
601:
529:
475:
428:
2311:Cardinal and Theological Virtues
1011:
311:
159:("baker" or "baker's daughter")
135:Galleria Nazionale d'Arte Antica
99:Galleria Nazionale d'Arte Antica
2572:Antonio da Sangallo the Younger
2117:Saint Michael Vanquishing Satan
1115:Madonna and Child with the Book
928:
861:
786:
2645:Multi-Purpose Logistics Module
2431:Saint Paul Preaching in Athens
1330:Portrait of Elisabetta Gonzaga
686:
646:Woods-Marsden, Joanna (2009).
623:
482:Woods-Marsden, Joanna (2009).
409:
176:
1:
2544:
2541:Palazzo Branconio dell'Aquila
2500:
2462:
2355:
2247:
2232:
2205:
2186:
2163:
2159:Saint Margaret and the Dragon
2148:
2129:
2098:
2083:
2068:
2053:
2038:
2034:Portrait of Cardinal Bibbiena
2007:
1992:
1977:
1954:
1939:
1924:
1909:
1894:
1879:
1864:
1849:
1826:
1803:
1788:
1773:
1758:
1743:
1728:
1724:Portrait of Tommaso Inghirami
1702:
1698:Saint Catherine of Alexandria
1671:
1656:
1641:
1626:
1599:
1576:
1561:
1538:
1523:
1508:
1493:
1470:
1455:
1424:
1409:
1394:
1379:
1364:
1349:
1334:
1319:
1304:
1278:
1263:
1248:
1233:
1218:
1203:
1172:
1157:
1134:
1119:
839:10.1016/S0140-6736(02)11997-0
821:Espinel, Carlos Hugo (2002).
764:10.1016/S0140-6736(02)11997-0
746:Espinel, Carlos Hugo (2002).
579:10.1016/S0140-6736(02)11997-0
561:Espinel, Carlos Hugo (2002).
453:10.1016/S0140-6736(02)11997-0
435:Espinel, Carlos Hugo (2002).
402:
2383:Miraculous Draught of Fishes
2094:Madonna with the Blue Diadem
2079:The Ecstasy of Saint Cecilia
960:Burke, Jill (June 5, 2019).
389:List of paintings by Raphael
7:
2614:(disciple and collaborator)
2415:Conversion of the Proconsul
2266:Self-Portrait with a Friend
1405:Saint George and the Dragon
1053:
793:Fineman, Mia (2005-02-03).
382:
373:
169:genre and a depiction of a
10:
2751:
2570:(1518–1525) (completed by
2556:(1509–1575) (completed by
2458:Adoration of the Shepherds
2343:Deliverance of Saint Peter
1973:Portrait of Bindo Altoviti
1837:Portrait of Pope Julius II
1613:(1507–1508) (completed by
1595:Madonna of the Baldacchino
1534:Portrait of Maddalena Doni
1191:The Marriage of the Virgin
857:– via ScienceDirect.
782:– via ScienceDirect.
695:Titian's "Venus of Urbino"
597:– via ScienceDirect.
471:– via ScienceDirect.
223:bush, which was sacred to
219:landscape in place of the
18:
2671:
2587:
2554:Sant'Eligio degli Orefici
2535:Palazzo Jacopo da Brescia
2521:
2475:
2441:
2372:
2276:
2201:Portrait of a Young Woman
1890:Madonna of the Candelabra
1715:
1291:
1074:
1061:
664:10.1086/sou.28.3.23208539
500:10.1086/sou.28.3.23208539
234:
113:Portrait of a Young Woman
94:
86:
76:
68:
58:
49:
41:
37:Portrait of a Young Woman
36:
2619:Raphael and La Fornarina
2391:Christ's Charge to Peter
2109:Holy Family of Francis I
1682:Niccolini-Cowper Madonna
1466:Young Woman with Unicorn
1315:Portrait of Pietro Bembo
1006:Page at borghese.gallery
993:(in Italian and English)
2595:Giovanni Santi (father)
2399:Healing of the Lame Man
1950:Portrait of a Young Man
1504:Portrait of Agnolo Doni
1420:Young Man with an Apple
795:"Raphael's other woman"
332:La Fornarina as a witch
182:Description of painting
122:) is a painting by the
2512:Raffaello da Montelupo
1920:Madonna dell'Impannata
1875:Madonna della Seggiola
1769:Portrait of a Cardinal
1451:Madonna del Cardellino
1099:Resurrection of Christ
910:Segal, Muriel (1972).
868:Tracy, Robert (1966).
721:Segal, Muriel (1972).
633:(Penguin 2003), p. 309
536:Segal, Muriel (1972).
348:character in the play
324:
248:Identity of the figure
195:
27:. For the singer, see
2351:The Fire in the Borgo
2018:Creation of the World
1860:Madonna with the Fish
1622:Canigiani Holy Family
990:Official website page
874:Shakespeare Quarterly
693:Goffen, Rona (1997).
319:
189:
2710:Portraits by Raphael
2608:(mistress and model)
2602:(mistress and model)
2574:and other disciples)
2562:Bastiano da Sangallo
2506:–1524) (executed by
2487:(1520) (executed by
2361:–1517) (executed by
2295:The School of Athens
1557:Madonna of the Pinks
1390:Madonna del Granduca
1360:Small Cowper Madonna
1214:Portrait of Perugino
1020:at Wikimedia Commons
998:Page at artonline.it
336:Muriel Segal's book
2676:Also attributed to
2423:Sacrifice at Lystra
2327:The Mass at Bolsena
2258:Madonna of the Rose
1935:Madonna della Tenda
1615:Ridolfo Ghirlandaio
1610:La belle jardinière
1572:Bridgewater Madonna
1153:Conestabile Madonna
966:Rensearch Wordpress
935:Burckhardt, Jacob.
833:(9350): 2061–2063.
758:(9350): 2061–2063.
573:(9350): 2061–2063.
518:– via JSTOR.
447:(9350): 2061–2063.
25:La Fornarina (film)
16:Painting by Raphael
2720:Portraits of women
2558:Baldassare Peruzzi
1822:Madonna of Foligno
1814:The Prophet Isaiah
1375:Terranuova Madonna
1229:Colonna Altarpiece
1199:Diotallevi Madonna
1183:Vision of a Knight
1083:Baronci Altarpiece
1018:Fornarina portrait
896:– via JSTOR.
682:– via JSTOR.
616:2012-05-19 at the
421:2012-05-19 at the
325:
217:Leonardesque-style
211:Technical analysis
196:
29:Fornarina (singer)
2692:
2691:
2374:Tapestry cartoons
2228:Madonna de Bogota
2182:Small Holy Family
1799:Madonna of Loreto
1667:Esterhazy Madonna
1481:Madonna del Prato
1292:Florentine period
1168:Portrait of a Man
1066:List of paintings
1016:Media related to
611:Galleria Borghese
416:Galleria Borghese
253:Belle donne theme
139:Palazzo Barberini
108:
107:
2742:
2685:
2680:
2678:Lorenzo di Credi
2658:Raphael (crater)
2549:
2546:
2505:
2502:
2467:
2464:
2407:Death of Ananias
2360:
2357:
2252:
2249:
2237:
2234:
2210:
2207:
2191:
2188:
2168:
2165:
2153:
2150:
2134:
2131:
2125:Ezekiel's Vision
2103:
2100:
2088:
2085:
2073:
2070:
2058:
2055:
2043:
2040:
2012:
2009:
1997:
1994:
1982:
1979:
1959:
1956:
1944:
1941:
1929:
1926:
1914:
1911:
1899:
1896:
1884:
1881:
1869:
1866:
1854:
1851:
1831:
1828:
1808:
1805:
1793:
1790:
1778:
1775:
1763:
1760:
1748:
1745:
1733:
1730:
1707:
1704:
1676:
1673:
1661:
1658:
1646:
1643:
1631:
1628:
1604:
1601:
1581:
1578:
1566:
1563:
1543:
1540:
1528:
1525:
1513:
1510:
1498:
1495:
1475:
1472:
1460:
1457:
1443:La donna gravida
1429:
1426:
1414:
1411:
1399:
1396:
1384:
1381:
1369:
1366:
1354:
1351:
1339:
1336:
1324:
1321:
1309:
1306:
1283:
1280:
1268:
1265:
1253:
1250:
1238:
1235:
1223:
1220:
1208:
1205:
1177:
1174:
1162:
1159:
1139:
1136:
1124:
1121:
1107:Mond Crucifixion
1048:
1041:
1034:
1025:
1024:
1015:
1002:
994:
977:
976:
974:
972:
957:
951:
950:
932:
926:
925:
907:
898:
897:
865:
859:
858:
818:
809:
808:
806:
805:
790:
784:
783:
743:
737:
736:
718:
709:
708:
690:
684:
683:
643:
634:
627:
621:
608:
599:
598:
558:
552:
551:
533:
527:
526:
479:
473:
472:
432:
426:
413:
367:Jacob Burckhardt
127:High Renaissance
54:
34:
33:
2750:
2749:
2745:
2744:
2743:
2741:
2740:
2739:
2735:1510s paintings
2695:
2694:
2693:
2688:
2683:
2675:
2667:
2663:Vatican loggias
2621:(1813 painting)
2600:Imperia Cognati
2583:
2578:Villa Farnesina
2547:
2517:
2503:
2471:
2465:
2437:
2368:
2358:
2272:
2250:
2235:
2220:Transfiguration
2208:
2189:
2166:
2151:
2132:
2101:
2086:
2071:
2056:
2041:
2010:
1995:
1980:
1957:
1942:
1927:
1912:
1905:Sistine Madonna
1897:
1882:
1867:
1852:
1829:
1806:
1791:
1776:
1761:
1746:
1739:Garvagh Madonna
1731:
1711:
1705:
1674:
1659:
1644:
1637:Colonna Madonna
1629:
1602:
1579:
1564:
1549:Ansidei Madonna
1541:
1526:
1511:
1496:
1473:
1458:
1427:
1412:
1397:
1382:
1367:
1352:
1337:
1322:
1307:
1300:Christ Blessing
1287:
1281:
1266:
1251:
1236:
1221:
1206:
1175:
1160:
1137:
1122:
1091:Saint Sebastian
1070:
1057:
1052:
1000:
992:
986:
981:
980:
970:
968:
958:
954:
947:
933:
929:
922:
908:
901:
886:10.2307/2867610
866:
862:
819:
812:
803:
801:
791:
787:
744:
740:
733:
719:
712:
705:
691:
687:
644:
637:
628:
624:
618:Wayback Machine
609:
602:
559:
555:
548:
534:
530:
480:
476:
433:
429:
423:Wayback Machine
414:
410:
405:
385:
376:
334:
314:
294:Raphael Vrbinas
286:
284:Raphael's lover
255:
250:
237:
229:secret marriage
213:
205:Raphael Vrbinas
184:
179:
161:Margherita Luti
116:(also known as
32:
17:
12:
11:
5:
2748:
2738:
2737:
2732:
2727:
2722:
2717:
2712:
2707:
2705:1519 paintings
2690:
2689:
2687:
2686:
2681:
2672:
2669:
2668:
2666:
2665:
2660:
2655:
2647:
2639:
2631:
2623:
2615:
2609:
2606:Margarita Luti
2603:
2597:
2591:
2589:
2585:
2584:
2582:
2581:
2575:
2565:
2551:
2538:
2532:
2525:
2523:
2519:
2518:
2516:
2515:
2492:
2479:
2477:
2473:
2472:
2470:
2469:
2454:
2445:
2443:
2439:
2438:
2436:
2435:
2427:
2419:
2411:
2403:
2395:
2387:
2378:
2376:
2370:
2369:
2367:
2366:
2347:
2339:
2331:
2323:
2315:
2307:
2299:
2291:
2282:
2280:
2274:
2273:
2271:
2270:
2262:
2254:
2239:
2224:
2216:
2197:
2178:
2170:
2155:
2136:
2121:
2113:
2105:
2090:
2075:
2060:
2045:
2030:
2022:
2014:
1999:
1984:
1969:
1961:
1946:
1931:
1916:
1901:
1886:
1871:
1856:
1841:
1833:
1818:
1810:
1795:
1780:
1765:
1750:
1735:
1719:
1717:
1713:
1712:
1710:
1709:
1694:
1686:
1678:
1663:
1648:
1633:
1618:
1606:
1591:
1587:The Deposition
1583:
1568:
1553:
1545:
1530:
1515:
1500:
1485:
1477:
1462:
1447:
1439:
1431:
1416:
1401:
1386:
1371:
1356:
1341:
1326:
1311:
1295:
1293:
1289:
1288:
1286:
1285:
1270:
1255:
1240:
1225:
1210:
1195:
1187:
1179:
1164:
1149:
1141:
1126:
1111:
1103:
1095:
1087:
1078:
1076:
1072:
1071:
1069:
1068:
1062:
1059:
1058:
1051:
1050:
1043:
1036:
1028:
1022:
1021:
1009:
1003:
995:
985:
984:External links
982:
979:
978:
952:
945:
927:
920:
899:
860:
810:
799:Slate Magazine
785:
738:
731:
710:
703:
685:
635:
622:
600:
553:
546:
528:
474:
427:
407:
406:
404:
401:
400:
399:
391:
384:
381:
375:
372:
356:who practiced
338:Painted Ladies
333:
330:
313:
310:
306:Agostino Chigi
290:Giorgio Vasari
285:
282:
254:
251:
249:
246:
236:
233:
231:with Raphael.
212:
209:
183:
180:
178:
175:
106:
105:
96:
92:
91:
88:
84:
83:
78:
74:
73:
70:
66:
65:
60:
56:
55:
47:
46:
39:
38:
21:Margarita Luti
15:
9:
6:
4:
3:
2:
2747:
2736:
2733:
2731:
2730:Raphael rooms
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2702:
2700:
2682:
2679:
2674:
2673:
2670:
2664:
2661:
2659:
2656:
2654:
2653:
2648:
2646:
2644:
2640:
2638:
2636:
2632:
2630:
2628:
2624:
2622:
2620:
2616:
2613:
2612:Giulio Romano
2610:
2607:
2604:
2601:
2598:
2596:
2593:
2592:
2590:
2586:
2579:
2576:
2573:
2569:
2566:
2563:
2559:
2555:
2552:
2542:
2539:
2536:
2533:
2530:
2527:
2526:
2524:
2520:
2513:
2509:
2498:
2497:
2493:
2490:
2486:
2485:
2481:
2480:
2478:
2474:
2460:
2459:
2455:
2452:
2451:
2447:
2446:
2444:
2440:
2433:
2432:
2428:
2425:
2424:
2420:
2417:
2416:
2412:
2409:
2408:
2404:
2401:
2400:
2396:
2393:
2392:
2388:
2385:
2384:
2380:
2379:
2377:
2375:
2371:
2364:
2363:Giulio Romano
2353:
2352:
2348:
2345:
2344:
2340:
2337:
2336:
2332:
2329:
2328:
2324:
2321:
2320:
2316:
2313:
2312:
2308:
2305:
2304:
2300:
2297:
2296:
2292:
2289:
2288:
2287:The Parnassus
2284:
2283:
2281:
2279:
2278:Raphael Rooms
2275:
2268:
2267:
2263:
2260:
2259:
2255:
2245:
2244:
2240:
2230:
2229:
2225:
2222:
2221:
2217:
2214:
2213:Giulio Romano
2211:–1519) (with
2203:
2202:
2198:
2195:
2194:Giulio Romano
2192:–1519) (with
2184:
2183:
2179:
2176:
2175:
2171:
2161:
2160:
2156:
2146:
2145:Giulio Romano
2142:
2141:
2137:
2127:
2126:
2122:
2119:
2118:
2114:
2111:
2110:
2106:
2096:
2095:
2091:
2081:
2080:
2076:
2066:
2065:
2061:
2051:
2050:
2046:
2036:
2035:
2031:
2028:
2027:
2023:
2020:
2019:
2015:
2005:
2004:
2000:
1990:
1989:
1985:
1975:
1974:
1970:
1967:
1966:
1962:
1952:
1951:
1947:
1937:
1936:
1932:
1922:
1921:
1917:
1907:
1906:
1902:
1892:
1891:
1887:
1877:
1876:
1872:
1862:
1861:
1857:
1847:
1846:
1842:
1839:
1838:
1834:
1824:
1823:
1819:
1816:
1815:
1811:
1801:
1800:
1796:
1786:
1785:
1781:
1771:
1770:
1766:
1756:
1755:
1751:
1741:
1740:
1736:
1726:
1725:
1721:
1720:
1718:
1714:
1700:
1699:
1695:
1692:
1691:
1690:Tempi Madonna
1687:
1684:
1683:
1679:
1669:
1668:
1664:
1654:
1653:
1649:
1639:
1638:
1634:
1624:
1623:
1619:
1616:
1612:
1611:
1607:
1597:
1596:
1592:
1589:
1588:
1584:
1574:
1573:
1569:
1559:
1558:
1554:
1551:
1550:
1546:
1536:
1535:
1531:
1521:
1520:
1516:
1506:
1505:
1501:
1491:
1490:
1486:
1483:
1482:
1478:
1468:
1467:
1463:
1453:
1452:
1448:
1445:
1444:
1440:
1437:
1436:
1435:Self-portrait
1432:
1422:
1421:
1417:
1407:
1406:
1402:
1392:
1391:
1387:
1377:
1376:
1372:
1362:
1361:
1357:
1347:
1346:
1342:
1332:
1331:
1327:
1317:
1316:
1312:
1302:
1301:
1297:
1296:
1294:
1290:
1276:
1275:
1274:Saint Michael
1271:
1261:
1260:
1256:
1246:
1245:
1241:
1231:
1230:
1226:
1216:
1215:
1211:
1201:
1200:
1196:
1193:
1192:
1188:
1185:
1184:
1180:
1170:
1169:
1165:
1155:
1154:
1150:
1147:
1146:
1142:
1132:
1131:
1130:Solly Madonna
1127:
1117:
1116:
1112:
1109:
1108:
1104:
1101:
1100:
1096:
1093:
1092:
1088:
1085:
1084:
1080:
1079:
1077:
1073:
1067:
1064:
1063:
1060:
1056:
1049:
1044:
1042:
1037:
1035:
1030:
1029:
1026:
1019:
1014:
1010:
1007:
1004:
999:
996:
991:
988:
987:
967:
963:
956:
948:
946:2-8199-3742-X
942:
938:
931:
923:
921:9780812814729
917:
913:
906:
904:
895:
891:
887:
883:
879:
875:
871:
864:
856:
852:
848:
844:
840:
836:
832:
828:
824:
817:
815:
800:
796:
789:
781:
777:
773:
769:
765:
761:
757:
753:
749:
742:
734:
732:9780812814729
728:
724:
717:
715:
706:
704:0-521-44448-9
700:
696:
689:
681:
677:
673:
669:
665:
661:
657:
653:
649:
642:
640:
632:
626:
619:
615:
612:
607:
605:
596:
592:
588:
584:
580:
576:
572:
568:
564:
557:
549:
547:9780812814729
543:
539:
532:
525:
523:
517:
513:
509:
505:
501:
497:
493:
489:
485:
478:
470:
466:
462:
458:
454:
450:
446:
442:
438:
431:
424:
420:
417:
412:
408:
397:
396:
392:
390:
387:
386:
380:
371:
368:
364:
359:
355:
351:
347:
344:
343:Shakespeare’s
339:
329:
323:
318:
312:Breast cancer
309:
307:
303:
299:
295:
291:
281:
278:
274:
271:
267:
266:
260:
245:
242:
232:
230:
226:
222:
218:
208:
206:
202:
193:
188:
174:
172:
168:
167:
162:
158:
153:
151:
150:Giulio Romano
146:
144:
140:
136:
132:
128:
125:
121:
120:
115:
114:
104:
100:
97:
93:
89:
85:
82:
79:
75:
71:
67:
64:
61:
57:
53:
48:
45:
40:
35:
30:
26:
22:
2651:
2642:
2635:La Fornarina
2634:
2629:(1894 opera)
2626:
2618:
2580:(decoration)
2568:Villa Madama
2529:Chigi Chapel
2494:
2482:
2456:
2448:
2429:
2421:
2413:
2405:
2397:
2389:
2381:
2349:
2341:
2333:
2325:
2317:
2309:
2301:
2293:
2285:
2264:
2256:
2241:
2226:
2218:
2199:
2180:
2174:La Fornarina
2173:
2172:
2157:
2138:
2123:
2115:
2107:
2092:
2077:
2062:
2047:
2032:
2024:
2016:
2001:
1986:
1971:
1963:
1948:
1933:
1918:
1903:
1888:
1873:
1858:
1843:
1840:(1511, 1512)
1835:
1820:
1812:
1797:
1784:Alba Madonna
1782:
1767:
1752:
1737:
1722:
1716:Roman period
1696:
1688:
1680:
1665:
1650:
1635:
1620:
1608:
1593:
1585:
1570:
1555:
1547:
1532:
1517:
1502:
1487:
1479:
1464:
1449:
1441:
1433:
1418:
1403:
1388:
1373:
1358:
1343:
1328:
1313:
1298:
1272:
1259:Three Graces
1257:
1244:Saint George
1242:
1227:
1212:
1197:
1189:
1181:
1166:
1151:
1143:
1128:
1113:
1105:
1097:
1089:
1081:
1001:(in Italian)
969:. Retrieved
965:
955:
936:
930:
911:
880:(1): 83–86.
877:
873:
863:
830:
826:
802:. Retrieved
798:
788:
755:
751:
741:
722:
694:
688:
658:(3): 29–39.
655:
651:
630:
625:
570:
566:
556:
537:
531:
521:
519:
494:(3): 29–39.
491:
487:
477:
444:
440:
430:
411:
393:
377:
362:
337:
335:
326:
322:La Fornarina
321:
297:
293:
287:
272:
269:
265:Venus pudica
263:
258:
256:
241:La Fornarina
240:
238:
214:
204:
201:La Fornarina
200:
197:
192:La Fornarina
191:
164:
156:
154:
147:
119:La fornarina
118:
117:
112:
111:
109:
44:La fornarina
43:
2637:(1944 film)
2548: 1520
2537:(1515–1519)
2504: 1520
2466: 1508
2434:(1514–1516)
2426:(1514–1516)
2418:(1514–1516)
2410:(1514–1516)
2402:(1514–1516)
2394:(1514–1516)
2386:(1514–1516)
2359: 1514
2338:(1513–1514)
2330:(1512–1514)
2322:(1511–1512)
2306:(1510–1511)
2298:(1509–1511)
2290:(1509–1511)
2269:(1518–1520)
2261:(1518–1520)
2251: 1518
2236: 1517
2223:(1516–1520)
2209: 1518
2190: 1518
2177:(1518–1519)
2167: 1518
2152: 1518
2133: 1518
2102: 1510
2087: 1514
2072: 1517
2057: 1516
2042: 1516
2011: 1514
1996: 1514
1981: 1512
1958: 1513
1943: 1513
1928: 1513
1913: 1513
1898: 1513
1883: 1513
1868: 1512
1853: 1512
1830: 1511
1817:(1511–1512)
1807: 1511
1792: 1511
1777: 1510
1762: 1509
1747: 1509
1732: 1509
1706: 1507
1675: 1508
1660: 1507
1645: 1507
1630: 1507
1603: 1506
1580: 1507
1565: 1506
1552:(1505–1507)
1542: 1506
1527: 1506
1512: 1506
1497: 1506
1474: 1505
1459: 1505
1446:(1505–1506)
1438:(1504–1506)
1428: 1505
1413: 1505
1398: 1505
1383: 1504
1368: 1504
1353: 1504
1338: 1504
1323: 1504
1308: 1502
1282: 1504
1267: 1503
1252: 1503
1237: 1503
1222: 1504
1207: 1504
1186:(1503–1504)
1176: 1503
1161: 1502
1148:(1502–1504)
1138: 1500
1123: 1503
1110:(1502–1503)
1102:(1499–1502)
1094:(1501–1502)
1086:(1500–1501)
1075:Early works
971:October 29,
629:Ross King:
522:belle donne
363:belle donne
273:pudica pose
259:belle donne
177:Description
166:belle donne
81:Oil on wood
2699:Categories
2684:Attributed
2508:Lorenzetto
2489:Lorenzetto
2476:Sculptures
2064:Visitation
1145:Oddi Altar
827:The Lancet
804:2020-11-16
752:The Lancet
567:The Lancet
441:The Lancet
403:References
320:Detail of
194:with frame
87:Dimensions
2652:Raffaello
2643:Raffaello
2522:Buildings
2049:La velata
680:193095278
516:193095278
395:La velata
171:courtesan
157:fornarina
72:1518–1519
42:Italian:
2725:Nude art
2450:Lucretia
2442:Drawings
1348: (
1333: (
1217: (
847:12504417
772:12504417
672:23208539
614:Archived
587:12504417
508:23208539
461:12504417
419:Archived
383:See also
374:Sex work
302:Pope Leo
190:View of
95:Location
2627:Raphael
2588:Related
2453:(1500s)
1845:Galatea
1055:Raphael
894:2867610
855:8229503
780:8229503
595:8229503
469:8229503
358:satanic
346:Ophelia
131:Raphael
129:master
124:Italian
63:Raphael
2496:Elijah
2346:(1514)
2314:(1511)
2253:–1520)
2238:–1520)
2143:(with
2120:(1518)
2112:(1518)
2104:–1518)
2089:–1517)
2029:(1516)
2021:(1516)
2013:–1516)
1998:–1515)
1983:–1515)
1968:(1514)
1965:Sibyls
1960:–1514)
1945:–1514)
1930:–1514)
1915:–1514)
1900:–1514)
1885:–1514)
1870:–1514)
1832:–1512)
1779:–1511)
1764:–1511)
1749:–1510)
1708:–1509)
1693:(1508)
1685:(1508)
1662:–1508)
1647:–1508)
1632:–1508)
1605:–1508)
1590:(1507)
1582:–1508)
1567:–1507)
1484:(1506)
1476:–1506)
1461:–1506)
1385:–1505)
1370:–1505)
1355:–1505)
1340:–1505)
1310:–1504)
1284:–1505)
1269:–1505)
1254:–1505)
1239:–1505)
1194:(1504)
1178:–1504)
1163:–1504)
1140:–1504)
943:
918:
892:
853:
845:
778:
770:
729:
701:
678:
670:
593:
585:
544:
514:
506:
467:
459:
350:Hamlet
235:Copies
221:myrtle
77:Medium
59:Artist
2484:Jonah
890:JSTOR
851:S2CID
776:S2CID
676:S2CID
668:JSTOR
591:S2CID
512:S2CID
504:JSTOR
465:S2CID
354:Satan
277:Venus
270:Venus
225:Venus
2560:and
2510:and
973:2020
941:ISBN
916:ISBN
843:PMID
768:PMID
727:ISBN
699:ISBN
583:PMID
542:ISBN
457:PMID
143:Rome
110:The
103:Rome
69:Year
2650:SS
2147:) (
882:doi
835:doi
831:360
760:doi
756:360
660:doi
575:doi
571:360
496:doi
449:doi
445:360
298:his
207:".
152:.
137:in
2701::
2545:c.
2501:c.
2463:c.
2356:c.
2248:c.
2233:c.
2206:c.
2187:c.
2164:c.
2149:c.
2130:c.
2099:c.
2084:c.
2069:c.
2054:c.
2039:c.
2008:c.
1993:c.
1978:c.
1955:c.
1940:c.
1925:c.
1910:c.
1895:c.
1880:c.
1865:c.
1850:c.
1827:c.
1804:c.
1789:c.
1774:c.
1759:c.
1744:c.
1729:c.
1703:c.
1672:c.
1657:c.
1642:c.
1627:c.
1600:c.
1577:c.
1562:c.
1539:c.
1524:c.
1509:c.
1494:c.
1471:c.
1456:c.
1425:c.
1410:c.
1395:c.
1380:c.
1365:c.
1350:c.
1335:c.
1320:c.
1305:c.
1279:c.
1264:c.
1249:c.
1234:c.
1219:c.
1204:c.
1173:c.
1158:c.
1135:c.
1120:c.
964:.
902:^
888:.
878:17
876:.
872:.
849:.
841:.
829:.
825:.
813:^
797:.
774:.
766:.
754:.
750:.
713:^
674:.
666:.
656:28
654:.
650:.
638:^
603:^
589:.
581:.
569:.
565:.
510:.
502:.
492:28
490:.
486:.
463:.
455:.
443:.
439:.
145:.
141:,
101:,
2564:)
2550:)
2543:(
2514:)
2499:(
2491:)
2468:)
2461:(
2365:)
2354:(
2246:(
2231:(
2215:)
2204:(
2196:)
2185:(
2169:)
2162:(
2154:)
2135:)
2128:(
2097:(
2082:(
2074:)
2067:(
2059:)
2052:(
2044:)
2037:(
2006:(
1991:(
1976:(
1953:(
1938:(
1923:(
1908:(
1893:(
1878:(
1863:(
1855:)
1848:(
1825:(
1809:)
1802:(
1794:)
1787:(
1772:(
1757:(
1742:(
1734:)
1727:(
1701:(
1677:)
1670:(
1655:(
1640:(
1625:(
1617:)
1598:(
1575:(
1560:(
1544:)
1537:(
1529:)
1522:(
1514:)
1507:(
1499:)
1492:(
1469:(
1454:(
1430:)
1423:(
1415:)
1408:(
1400:)
1393:(
1378:(
1363:(
1325:)
1318:(
1303:(
1277:(
1262:(
1247:(
1232:(
1224:)
1209:)
1202:(
1171:(
1156:(
1133:(
1125:)
1118:(
1047:e
1040:t
1033:v
975:.
949:.
924:.
884::
837::
807:.
762::
735:.
707:.
662::
620:.
577::
550:.
498::
451::
425:.
31:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
