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1173:. Many art programs in Christian institutions consider nudity in any form to be in conflict with their beliefs, and therefore hire only clothed models for art classes. None of the Protestant Evangelical colleges in the United States were found to include nude models in their arts and graphic design programs, citing it as an immodest practice; yet similar institutions in Australia held life drawing classes. At Louisiana State University, there are rare objections to nudity by religious or conservative students, but the faculty assert that drawing the body is necessary training for art in general and to understand the structure underneath clothing. Models at LSU are full-time students who learn about modeling from other students or artists.
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models' energy level is highest. Specific exercises or lesson plans may require a particular type of pose, but more often the model is expected to do a series of poses with little direction. The more a model knows about the types of exercises used to teach art, the better they become at posing. Occasionally a pose will cause unexpected problems, such as constricting blood flow that could result in a model passing out. While the first time posing may cause anxiety, most continue due to the relatively high pay. The most significant characteristic of the job mentioned by models is the physical exertion required.
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undressing in another room, or not wearing a robe during breaks. In addition, silence is no longer necessary if the artist is comfortable working and conversing with the model. A more collegial relationship may develop where artist and model feel that they are collaborating. However, in a private studio environment, with an artist on a deadline or with commission guidelines, stricter work standards may apply regarding punctuality and holding longer, more demanding poses, but also higher rates of pay. However, private studio work is rare outside of major cities.
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and behaviors that support this understanding included models being naked only while posing, quickly disrobing/robing and not interacting with others while naked. This understanding is less strict when student artists are also models, either in classes or posing for each other outside of class. The other aspect of sex in the arts is gender, including feminist critiques of the performance of gender in the classroom and representations of gender in figurative works.
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202:. However, in art schools drawing from life remained part of the training needed for a complete visual arts education. In recent years, art modeling has expanded from educational settings to non-traditional art spaces and sometimes bars, blurring the line between art and entertainment. With the increasing presence of sexual imagery in popular culture, effort is required to maintain the desexualized context of nude modeling in studio classes.
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schools were publicly funded, so decisions were under the scrutiny of non-artists. Modeling was not respectable, and even less so for women. During the same period, the French art atelier system allowed any art student to work from life in a less formal atmosphere, and also admitted women as students. In
England, the life class became well established as a central element in art education only with the approach of the 20th century.
1119:. This shift to virtual spaces created new, global communities and increased access to artists who were able to join sessions from their homes. Although remote sessions suffer from some difficulties, such as the flattening and distortion of the camera and the lack of direct communications, there has been an expansion of the community willing and able to participate, both as models and artists.
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1149:, sexualization and art modeling with some promoting wider participation in life drawing, including at a younger age, to provide an experience of real nude people as an alternative to social media representations of idealized bodies. The social benefits of life drawing had been suggested by David B. Manzella in the 1970s while director of the
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according to Wendy
Steiner there has been a revival in the importance of the figure as a source of beauty in contemporary art. Some established living artists work from models, but more work from photographs, or their imagination. Yet privately held open drawing sessions with a live model remain as popular as ever.
1305:, "Let nature be your model, not an artist", directing his attention to the crowd instead of to his own work, also suggests a use of models which the many portrait statues of Greek and Roman times show to have been not unknown. The names of some of these models of the era are themselves known, such as the beautiful
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social interactions, if for different reasons. Attitudes toward male nudity, issues of homosexuality when male artists work with male models, and some bias in favor of the female form in art may lead to less opportunity for male models. Works of art that include male nudity are much less marketable. However,
1153:. Nude models were introduced to the young people's classes with the permission of parents. Models often cite acceptance of their bodies as one of the benefits of modeling. While younger women continue to be the typical model, men and older models are welcomed in cities with an active arts community such as
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Strict rules of conduct are observed to maintain decorum and emphasize the serious intent of figure studies. Some schools have lists of guidelines, while others have extensive manuals that describe policies regarding both in-class and outside interaction by models, students, and faculty; with special
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A common experience for young first-time participants in a figure class, both models and students, is overcoming anxiety for the initial session due to preconceptions regarding public nudity. Occasionally the class is the first time a student has seen someone of the opposite sex entirely nude in real
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The most creative aspect of modeling is being able to think of an endless variety of new and interesting poses. One typical short-pose session may require five two-minute gestures, followed by two 5-, two 10-, and five 25-minute poses separated by five-minute breaks. When modeling for the same group,
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characterized many of these images as sexualizing children regardless of artistic merit. Mann's response to this criticism has been that the images were spontaneous and natural, having no sexual connotations other than those supplied by the viewer. Less well-known photographers have been charged, but
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that concern themselves with the competence, conduct and reliability of their members. An example is the
Register of Artists' Models (RAM) in the United Kingdom. Some basic training is offered to beginners and membership is by audition – to test competence, not to discriminate on grounds of physical
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by Eakins, for example). In 1886, Thomas Eakins was famously dismissed from the
Pennsylvania Academy of Fine Art for removing the loincloth from a male model in a mixed classroom. European arts academies did not allow women to study the nude at all until the end of the nineteenth century. Even today
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While otherwise similar to art school modeling, groups variously called "open studios" or "drop-in sessions" lack instruction. They may be sponsored by arts organizations or galleries, or meet in an artist's private studio or home. Generally the attendees are experienced artists who want to continue
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Admission to and visibility of the area where a nude model is posing is tightly controlled. Disrobing is done discreetly, and the model wears a robe when not posing. Models may not be accompanied by non-class members. It is generally prohibited for anyone (including the instructor) to touch a model.
472:; however, current students at the Eskenazi School of Art, Architecture + Design may not pose nude, but only clothed, while students in other departments may be nude. At other institutions students cannot be models, even if they are not art students, to avoid any possibility of conflict of interest.
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Poses fall into three basic categories: standing, seated and reclining. Within each of these, there are varying levels of difficulty, so one kind is not always easier than another. Artists and life drawing instructors will often prefer poses in which the body is being exerted, for a more dynamic and
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Usually an individual who is having their own portrait painted or sculpted is called a "sitter" rather than a model; when they are not being paid to pose, it is the artist who is being paid to create a likeness. Modern portraits are done from photographs at least in part, although artists prefer to
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Models who work for individual artists in a private studio tend to observe art school norms in order to maintain the definition of modeling as serious artistic work. However, there are no longer strict rules, so a more informal working relationship may be established over time. This may include not
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Sexuality is an issue in an art studio where naked models are present, and has become more so with the sexualization of the body in contemporary cultures. The traditional definition of the situation in art studios has been that the nudity of models is understood as functional, not sexual. The norms
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Models usually pose on a raised platform called the model stand or dais. When artists are working standing at easels, a model stand is essential to avoid a distorted perspective. If the model is posed standing on the floor, the artist should draw while seated. In sculpture studios this platform may
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There has been controversy regarding the status of photography as a fine-arts medium that is reflected in the unwillingness of some models to also pose nude for photography as they would for drawing or painting. The experience of nude modeling for an amateur photographer is different from that of
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methods. Some models may promote their services based upon having interesting or varied costumes. Clothing is required in public venues, such as Dr
Sketchy's Anti-Art School, but occurs in more traditional settings as well, such as the fund-raising marathons sponsored by the Bay Area Models Guild.
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Any of these policies may vary in different parts of the world. In Europe and South
America attitudes are more relaxed than in the United States, while in China, Taiwan and Korea attitudes are more repressed. A figure class held in Singapore is conducted as it would be in other parts of the world.
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Job descriptions posted by art schools list requirements that are generally limited to being willing to pose nude or clothed, able to hold poses for the requested time (from minutes to hours), and to follow cues from the instructor. These basic requirements hold true at both large universities and
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of c. 1510. Venetian painters made relatively little use of drawings, and it has been thought that these works did not involve much use of live models, but this view has recently been challenged. The first
Italian artist to regularly use female models for studies is usually thought to have been
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exercises or warm-ups, with the model taking strenuous or precarious positions that could not be sustained for a longer pose. Sessions proceed through groups of poses increasing in duration. Active, gestural, or challenging standing poses are often scheduled at the beginning of a session when the
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attitudes took hold in
England, studies with a live model became more restrictive than they had been in the prior century, limited to advanced classes of students that had already proved their worthiness by copying old master paintings and drawing from plaster casts. This is in part because many
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In many locations there may be few opportunities for figure drawing, and also few that are willing to model. Those that do so seek an additional source of income, but also find validation in being able to hold poses and contributing to the artistic process. However, they are more likely to avoid
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Experienced models work for many employers, gaining a wider knowledge of methods and practices than most individual artists or art teachers. Many models are visual artists themselves, and come to think of modeling as part of their visual arts practice, or as a creative activity in its own right.
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Gender roles and stereotypes in society are reflected in different experiences for male and female art models, and different responses when those not in the arts learn that someone is a nude model. However, both male and female models tend to keep their modeling careers distinct from their other
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In the postmodern era, the nude has returned to gain some acceptance in the art world, but not necessarily the art model. Figure drawing is offered in most art schools, but may not be required for a fine art degree. Peter
Steinhart says that in trendy galleries, the nude has become passé, while
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Art modeling as an occupation appeared in the late
Renaissance when the establishment of schools for the study of the human figure created a regular demand, and since that time the remuneration offered ensured a continual supply. However, academy models were usually only men until the late 19th
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as a sub-culture, with norms of behavior and a definition of the situation that ideally support models' being proud of their work. However, stereotypes and prejudices of the larger culture may threaten these norms and definitions. Pride in being a model comes from identification with fine arts
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be built to rotate periodically through the session to allow for a 360° view for every artist. Long poses are generally required for painting (hours) and sculpture (perhaps days). To aid in resuming a long pose after a break, chalk marks and/or masking tape are often placed on the model stand.
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While posing, a model is expected to remain essentially motionless, and return to the same pose after a break. While posing for a class models do not talk, and should not be spoken to by students, maintaining the serious atmosphere of the studio. Poses can range in length from seconds to many
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by more prudish successors. The Protestant Reformation went even further, destroying many artworks. From being a possibly glamorous occupation celebrating beauty, being a nude model was at other times equivalent to prostitution, practiced by persons without the means to gain more respectable
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recognized that "biological urges" were never absent even in the most chaste nude, nor should they be unless all life is drained from the work. Most models maintain that posing nude need not be any more sexual than any other coed social situation as long as all participants maintain a mature
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Very close examinations are only made with the permission of the model. Some institutions allow only the instructor to speak directly with a model. Experienced models avoid any sexually suggestive poses. Art instructors and institutions may consider the incident of a male model gaining an
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apologized in 2017 when several women accused him of making inappropriate comments when they came to his studio to pose, but initially denied any wrongdoing. Following his death in 2021, it was revealed that Close suffered from a form of dementia, which could account for his behavior.
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The status of nude models has fluctuated with the value and acceptance of nudity in art. Maintaining the classical ideals of Greece and Rome into the Christian Era, nudity was prominent in the decoration of Catholic churches in the Renaissance, only to be covered up with draperies or
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in general have at times been the subject to social disapproval, at least by some elements in society. When the nude in art was most popular, the models that made these artworks possible might be of low status and poorly paid. The stereotype of the female art model was part of
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Models for art classes usually pose nude, though visually non-obstructive personal items such as small jewelry and eyeglasses may be worn. In a job advertisement seeking nude models, this may be referred to as being "undraped" or "disrobed." Art models who pose in the nude for
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characteristics. RAM also acts as an important employment exchange for models and publishes the 'RAM Guidelines', which are widely referred to by models and employers. A similar organization in the United States, the Bay Area Models Guild in California, was founded in 1946 by
1277:, had far less need of professional models than the moderns; but it is scarcely likely that they could have attained the high level reached by their works without constant study from nature. It was probably in Ancient Greece that models were first used. The story told of
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are difficult to sustain accurately for any amount of time, although it is often surprising what a skilled model can do. The model's level of experience and skill may be taken into account in determining the length of the posing session and the difficulty of the poses.
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attitude. However, decorum is not always maintained when either a model or the students are not familiar with the often unspoken rules. Models may be apprehensive about posing for incoming freshmen who, having never encountered classroom nudity, respond immaturely.
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As the 20th century progressed, models gained more recognition and status, including forming the first organizations with some of the functions of labor unions thus becoming a professional occupation. It became possible for individuals to gain notoriety, such as
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Figure on Diversity is an organization that seeks to diversify the field of figurative representation in art education by leading workshops for models and artists. Founded in Boston in 2018, it has since moved to Florida, but has an increasing presence online.
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not only maintains the need for nude figure studies as part of a complete classical art education, but sees the use of models clad in swimwear or other revealing garments as placing the activity in the context of advertisement and sexual exploitation.
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Painting classes, and artists doing historical themed works often require clothed or costumed models who take poses that may be sustained until the work is completed. This creates some demand for clothed models in those schools that continue to teach
365:. Those that try modeling on a whim and find it to be rewarding then seek to learn more about the job. Some may have previously taken an art class and seen other models, but others rely upon fine-art museums and books for suggestions on how to pose.
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held in 1893 was a costume ball featuring nude models among the crowd, blurring the distinction between the idealized images in works of art and the real people who posed for them. This was symbolic of other social changes that marked the
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Other institutions view the absence of figure studies as bringing into question the completeness of the art education offered. Some recognize that an appreciation of the beauty of the human body is compatible with a Christian education.
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new poses are expected at each session. Most models learn on the job, but many have experience in the performing arts, athletics, or yoga that provide a basis for posing, such as strength, flexibility, and a well-developed sense of
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Beginning with the Renaissance, drawing the human figure has been considered the most effective way to develop the skills of drawing. In the modern era it became established that it is best to draw from life, rather than from
1975:
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In non-academic settings, models may pose as requested by artists within the limits of the law and their own comfort, including work that requires physical contact with other models, the artist, or the public. French artist
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voices an alternative to classical "dispassionate" figure study by stating that the nude is never devoid of erotic meaning, and it is a fiction to pretend otherwise. Even the staunch advocate of classical aesthetics
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or copying two dimensional images such as photographs. In addition, an artist has an emotional or empathic connection to drawing another human being that cannot exist with any other subject. What is called the
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have at least some hours of live sitting at the beginning to better capture the personality, and at the end for final touches. In some cases, the sitter may reject a portrait as unflattering, and destroy it.
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records his use, in both Rome and Paris, of servant girls as model, mistress and maid. However, when he broke with one he had difficulty in finding another model, and was forced to rehire her just to pose.
219:. Groups also exist in Australia and Sweden. These groups may also attempt to establish minimum rates of pay and working conditions, but only rarely have models been sufficiently organized to go on strike.
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1157:. Figure On Diversity is one initiative which aims to increase representation in studio art and studio art education by creating resources in support of models who hold visible marginalized identities.
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offers instruction once each month. The models for these sessions tend to be middle age or older, and the artists are generally experienced drawing nude models with only the occasional new participant.
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in the late 19th and early 20th century Europe. The combination of nakedness and the exchange of money led others to associate nude modeling with prostitution, particularly in the United States.
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or by informal groups of artists that gather to share the expense of a model. Models are also employed privately by professional artists. Although commercial motives dominate over aesthetics in
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are thought to use princesses or other court figures as models for the Virgin Mary; these are sometimes called "disguised portraits". The most notorious of these is the portrayal as the
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756:, first wife of Claude Monet also posed for paintings by Pierre-Auguste Renoir and Édouard Manet. Hortense Fiquet, companion and later wife of Cézanne is rarely mentioned in art history.
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guidelines specifically state that students are discouraged from forming any amorous relationship with models, and must report any existing relationship to avoid possible conflicts.
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Acceptance of the erotic is apparent in the work and behavior of some artists. For example, Picasso was also famous for having a series of model/muse/mistresses through his life:
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employment. The costumed models used to create historical paintings may not have been a distinct group, since nude studies were done in preparation for any figure painting.
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included two nude models, male and female, standing in a narrow doorway through which visitors passed, replicating a work performed by the artist and a partner in 1977.
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are generally excluded from modeling nude for classes. The minimum age can vary, but is often 15 to 18. Despite being nonsexual in nature, this may be influenced by the
88:, and models may be vulnerable to stigmatization or exploitation. Artists may also have family and friends pose for them, in particular for works with costumed figures.
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The role of art models has changed through different eras as the meaning and importance of the human figure in art and society has changed. Nude modeling, nude art and
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if modeling is to be a major source of income. Paid art models are usually anonymous and unacknowledged subjects of the work. Models are most frequently employed by
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All of the above is based upon a moderate position regarding the value of figure studies and nudity in art. There are also schools or studios that may be more
247:, modeling in an art school classroom is for the purpose of teaching students of art how to draw humans of all physical types, genders, ages, and ethnicities.
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education and creativity as having social value, and is dependent on the quality of teaching, which models experience first-hand in a myriad of settings.
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there remain some schools where the employment of nude models is limited (male models wearing jockstraps) or prohibited, usually for religious reasons.
1084:. The hourly rate of pay for models posing for fine-art photography is much higher than for other media, although less than for commercial photography.
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in 1979 sold at auction in 2012 for $ 37,000. Although largely a result of her fame, the model does not share in this increased value of the artwork.
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While there have been a number of films that exploited the artist/model stereotype, a few have more accurately portrayed the working relationship.
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2089:(2012) — Set during WWII, an elderly sculptor is prompted to resume working by the arrival of a beautiful Spanish refugee who is willing to pose.
1232:, which asserts that nudes are inherently voyeuristic, with the viewer in the place of the powerful male gazing upon the passive female subject.
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was the subject of several portrait sculptures by Auguste Rodin and his companion for 53 years, but his wife only in the final year of her life.
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Posing nude is physically and emotionally challenging, but models find the effort worthwhile and appreciate having a role in the creative arts.
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2113:(1991) — An aging artist is coaxed out of retirement by an aspiring young artist's suggestion that his girlfriend pose nude for a new painting.
3447:"Part-time Position Descriptions: Careers/Opportunities: About: Eskenazi School of Art, Architecture + Design: Indiana University Bloomington"
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in India for whom posing for classes is their only income do not have the online option, but have been supported by donations from artists.
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of art modeling with fashion modeling or erotic performances, and representations of art models in popular media. One of the perennial
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The nude almost disappeared from Western art during the Middle Ages, largely due to the attitude of the early Christians, although in
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103:, or sources of inspiration without whom the art would not exist. Another popular narrative is the female model as a male artist's
742:, "portraits" of historical figures using contemporary figures as models, including himself and his family, as in two versions of
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is listed in the human resources system as would any part-time temporary job for students seeking financial aid. It is similar at
257:(i.e. at or slightly below). Younger children are not good candidates for art modeling since they lack the ability to hold still.
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the practice of life drawing, and find an informal group easier and more economical, paying a fee for each session or a series.
72:' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting poses, and the '
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107:, some of whom become wives. None of these public perceptions include the professional model's own experience of modelling as
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Meskimmon, Marsha; Desmarais, Jane; Postle, Martin; Vaughan, William; Vaughan, Martin; West, Shearer; Barringer, Tim (2006).
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aesthetically interesting subject. Common poses such as standing twists, slouched seated poses and especially the classical
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has been holding a weekly session for as long as anyone can remember. Otherwise a typical open session, a professor at the
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Other than costumes, the work requirements and conditions of clothed models for art are identical to that of nude models.
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1891:. Four studio models were convicted of public indecency, which was followed by protests of censorship by students of the
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Cooper, Craig (1995). "Hyperides and the trial of Phryne". Phoenix. 49 (4): 303–318. doi:10.2307/1088883. JSTOR 1088883.
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does not allow nude models, describing their policy as self-censorship within the context of the school's honor code.
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Much of the public perception of art models and their role in the production of artworks is based upon mythology, the
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76:' of maintaining a socially ambiguous role. While the role of nude models is well-established as a necessary part of
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from the 1490s, which were ahead of Italian practice. The production of female nudes suddenly became important in
282:, which led to an FBI investigation when a photo-lab employee reported the images; however, no charges were made.
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In the United States, Victorian modesty sometimes required the female model to pose nude with her face draped (
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Through history, artists use family members as models, both nude and otherwise, in creating their works. The
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4347:"Faith–Learning Interaction in Graphic Design Courses in Protestant Evangelical Colleges and Universities"
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The relationship between male photographers and their wives as models is studied in Arthur Ollman's book,
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in 1963 when she was 14. However, she now looks back upon posing for her father as a positive experience.
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only allowed female models, clothed, from 1759, and in London the students at the female branch of the
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hours—with appropriate breaks—but the shortest is usually one minute. Short dynamic poses are used for
4274:"Baring it all: Student models in nude modeling program at Lamar Dodd discuss art and body positivity"
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1648:(c. 1500) may or may not have used a female model, but if it did this was not his normal practice.
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2836:"Photo Lab Sets Off FBI Probe : Art: Jock Sturges' photographs of nude families are at issue"
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were only allowed to draw suits of armour to practise their figures until the later 19th century.
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Possibly the first images of nude women done from the life are a number of drawings and prints by
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of 1435; as remained usual until the end of the century, he seems only to mean using male models.
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discourages students making comments on a model's appearance. Photography is generally forbidden.
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and the rediscovery of classical antiquity, when painters initially used their male apprentices (
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applied paint to models' bodies which were then pressed into or dragged across canvas both as
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became a painter herself after posing for several works, including two of the most infamous:
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may make a young amateur model willing to pose for a well-known photographer, examples being
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Although artists may also rely on friends and family to pose, art models are most often paid
69:
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4645:
One or more of the preceding sentences incorporates text from a publication now in the
4101:
1768:
1316:'s famous distinction "naked" figures were still required for some subjects, especially the
310:
140:
in all the different shapes, ages and ethnicity, anyone who can hold a pose may be a model.
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6387:
6287:
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2792:
Framing Innocence: A Mother's Photographs, a Prosecutor's Zeal, and a Small Town's Response
1753:
1257:, who was the model or inspiration for more than 15 statues in New York City in the 1910s.
760:
painted many of his 14 children, sometimes nude; the most controversial being his daughter
606:
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428:
270:
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2001:
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posing for figure drawing/painting. Traditional media create a single image that is not a
37:
8:
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From Van Eyck to Bruegel: Early Netherlandish Paintings in the Metropolitan Museum of Art
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31:
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letting it be known that they model, given the negative associations toward nudity. The
488:
while posing cause for termination, or grounds for not hiring him again. Guidelines at
274:
not convicted, for suspected child abuse for similar photographs of their own children.
191:
employed his friends and neighbors as models for both his commercial and fine-art work.
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6267:
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5896:
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5325:
4943:
4924:"The Social Construction and Deconstruction of the Female Model in 19th-Century France"
4751:
4686:"The Nude in the Middle Ages and the Renaissance, In Heilbrunn Timeline of Art History"
4374:
3184:
2765:
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2196:
2158:
1899:
1604:
1459:
868:
469:
454:
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is that in addition to providing a subject for an artwork, models may be thought of as
96:
4844:
Renaissance Portraits, European Portrait-Painting in the 14th, 15th and 16th Centuries
3233:
2281:
Modelling Subjectivities: Life Drawing, Popular Culture and Contemporary Art Education
1214:
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In social science terms, an art model is recognized as having a valuable role in the
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in 1541, perhaps the earliest record of what long remained an option for artists.
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4842:
4153:"Clothing Not Optional: Fine Art Models Find New Ways To Sketch A Virtual Future"
3935:
2464:
2409:
2146:
2142:
2102:
1874:
1848:
1832:
1795:
1670:
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1366:
1328:) as models, for figures of both genders, as is often clear from their drawings.
1298:
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1100:
808:
804:
772:
698:
693:
536:
514:
335:
188:
73:
42:
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3854:
Hidden in the Shadow of the Master: The Model-Wives of CĂ©zanne, Monet, and Rodin
2360:
Modeling Life: Art Models Speak about Nudity, Sexuality and the Creative Process
6663:
6603:
6223:
5772:
5762:
5659:
5541:
5376:
5239:
Alias Olympia: A Woman's Search for Manet's Notorious Model and Her Own Desires
2247:
2202:
1674:
1656:
1525:
1270:
1115:, life drawing classes began to appear on online platforms, most frequently on
951:
903:
844:
by Rembrandt van Rijn portrays two people identified as Rembrandt and his wife
816:
812:
362:
254:
244:
199:
160:
20:
19:
For models employed to display, advertise and promote commercial products, see
4984:
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6721:
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6583:
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6370:
6360:
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6295:
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5911:
5800:
5790:
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5551:
5546:
5445:
4969:"The Art of Posing Nude: Models, Moralists, and the 1893 Bal Des Quat'z-Arts"
4939:
4747:
4651:
4646:
4470:
4370:
4190:
4113:
3988:
3806:
3266:
2761:
2187:
2153:
2098:
2041:
1985:
1946:
1927:
1818:
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1687:
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1313:
1290:
1258:
1254:
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908:
873:
792:
788:
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674:
198:
reduced the need for models by professional artists except for the remaining
156:
57:
24:
4968:
4346:
3379:"University of Utah Jobs - Art Model in Salt Lake City, Utah, United States"
2597:
194:
In the second half of the 20th century, the dominance of abstraction in the
6593:
6588:
6578:
6495:
6425:
6392:
5795:
5477:
5401:
4135:"The Imperfect but Invaluable Experience of Virtual Figure-Drawing Classes"
2130:
1810:
1704:
1661:
1639:
1040:
967:
928:
757:
408:
344:
318:
275:
184:
168:
137:
116:
5033:
4724:"The Female Model and the Renaissance Nude: DĂĽrer, Giorgione, and Raphael"
3206:
2891:
6490:
6245:
6118:
5906:
5785:
5707:
5671:
5654:
5644:
5487:
5460:
5455:
5416:
5411:
5348:
2938:"Figure on Diversity spotlights excluded identities in the art community"
2916:"This Organization Is Trying To Diversify Boston's Figure Modeling World"
2166:
2076:(1915), the second non-pornographic American film containing nude scenes.
2037:
1870:
1789:
In 19th-century Paris, a number of models earned a place in art history.
1569:
1507:
1469:
1321:
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1218:
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800:
761:
749:
735:
578:
554:
125:
65:
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4947:
4664:. Vol. 18 (11th ed.). Cambridge University Press. p. 640.
2769:
2734:
1443:
was a French artists' model and the second wife of the Italian composer
1273:, who had the naked body constantly before them in the exercises of the
6726:
6631:
6485:
6468:
6430:
6342:
6315:
6272:
6250:
5945:
5840:
5695:
5683:
5649:
5604:
5594:
5497:
5492:
4923:
4755:
4622:
American Venus: The Extraordinary Life of Audrey Munson, Model and Muse
2749:
2122:
1588:
1334:
1146:
689:
532:
432:
260:
180:
172:
121:
92:
77:
30:"Life model" redirects here. For the album by the Blue Aeroplanes, see
4723:
2532:
2121:(2000) — The film opens with New York painter and sculptor Lyle Maze (
6382:
6332:
6310:
5614:
5504:
5421:
5352:
4298:
2725:
Gordon, Mary (1996). "Sexualizing Children: Thoughts on Sally Mann".
1710:
Raphael's relationship was probably somewhat untypical, although the
1666:
1638:, whose drawings of the female nude clearly do not use teenage boys.
1624:
1229:
1210:
1145:
In recent years, a connection has been made between social issues of
1036:
378:
195:
129:
4739:
3572:"Policy for the Study of Nude Models in SIUE Figure Drawing Classes"
2553:
1099:. A signed print of one of the nude photographs of Madonna taken by
6402:
6337:
6320:
5845:
5742:
5482:
5467:
5438:
5391:
5259:
Model and Supermodel: The Artists' Model in British Art and Culture
4619:
1821:
1761:
1362:
1302:
1294:
1088:
932:
485:
279:
171:
with skill and experience. Rarely employed full-time, they must be
5300:
The Invention of the Model: Artists and Models in Paris, 1830–1870
5000:
Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque
6305:
6240:
6201:
5599:
5509:
5386:
5371:
3674:"Naked art: Take a peek inside a nude drawing class in Singapore"
3289:"Events and Announcements - The Art Department is seeking models"
2033:
1652:
1635:
1358:
1286:
133:
5072:
Venus in Exile: The Rejection of Beauty in Twentieth-century Art
1510:, a Jamaican-born British art model known for her work with the
441:
At many public universities in the United States, including the
6160:
5567:
5519:
5514:
5433:
5256:
3769:"Chuck Close Apologizes After Accusations of Sexual Harassment"
1828:
1724:
1306:
1241:
1134:
81:
53:
1677:
as minor figures into religious narrative scenes, and several
6228:
5428:
4815:
Bodies of Art: French Literary Realism and the Artist's Model
3905:"New Book Gives A Rare Glimpse Into The Life of Lucian Freud"
2512:
2249:
Nude in a Classroom: The Contemporary World of Life Modelling
1385:
Draughtsman Making a Perspective Drawing of a Reclining Woman
211:
100:
4561:
Eaton, E.W. (September 2008). "Feminist philosophy of art".
1285:, who had five of the most beautiful virgins of the city of
111:, the performance of which has little to do with sexuality.
2675:
Finding Human Form: Artists' Models in Studio and Classroom
1814:
1043:
the "Queen of Bohemia", who also posed nude for Modigliani.
68:. As an occupation, modeling requires the often strenuous '
4324:"Christian Colleges Struggle with Their Fine Art Programs"
4102:"Covid Has Created a Virtual Renaissance for Life Drawing"
4060:"Lucian Freud portrait worth millions destroyed by sitter"
1943:
Two Boys Boxing at the Art Students League of Philadelphia
1528:, an Italian girl from Capri, became the favorite muse of
726:
6129:
5027:. Binghamton: State University of New York at Binghamton.
5025:
Strictly Academic: Life Drawing in the Nineteenth Century
4870:"Intentional Alterations of Early Netherlandish Painting"
269:, in which 13 of the 65 images are of her children nude.
5225:"The Body Behind the Art: Figure Models Discuss the Job"
4211:"Body Image and Mental Health: Leading a Life Art Class"
4179:"City artists pitch in to help lockdown-hit nude models"
2492:"A Day in the Life of Norman Rockwell Model Chuck Marsh"
3339:"Careers at UA - Jobs - Job Details - Art Model (Nude)"
2964:"Art models disrobe to help immortalize the human form"
2141:(1969) — One of Miss Brodie's teenage students, Sandy (
1495:, (right), was a model who regularly worked with Manet.
3499:"Classified Staff, Management and Other Opportunities"
1841:
and is rumored to be the model for Courbet's painting
4498:
Why Art Cannot Be Taught: A Handbook for Art Students
3831:
Enchanting the Eye, Dutch Paintings of the Golden Age
3795:"Chuck Close, Artist of Outsized Reality, Dies at 81"
2577:
2301:
5194:
5147:
4228:
Manzella, David B. (1973). "Nude in the Classroom".
2440:
Drawing the Human Form: A Guide to Drawing from Life
2177:
187:, its artwork commonly employs models. For example,
4620:Rozas, Diana & Gottehrer Bourne, Anita (1999).
4428:. Associated Students of Olivet Nazarene University
3857:. New Haven, United States: Yale University Press.
3234:"Artist Model - Job Descriptions - Human Resources"
1988:, a popular American chorus girl and artists' model
1076:of the individual model, but photographs require a
476:consideration for issues of sexual harassment. The
4894:, p. 192, 2009, Metropolitan Museum of Art, 2009.
4530:
3833:, pp. 49-52, Royal Collection Publications, 2004,
2357:
525:
402:Young artists studying sculpture in Tel Aviv, 1946
5347:
4836:
4834:
4717:
4715:
4713:
4711:
4709:
4707:
4705:
4703:
3793:Johnson, Ken; Pogrebin, Robin (August 19, 2021).
2782:
2437:
2382:
1468:(1847) was a French courtesan, artists' muse and
1087:Occasionally the distinction of participating in
6785:
4501:. Urbana: University of Illinois Press. p.
4012:
3072:
2863:
2214:Compilation of photos of artist and models from
2145:), poses nude for the art instructor Mr. Lloyd (
2129:, drawing from a model. Later a friend, Callie (
1645:Study of a Kneeling Nude Girl for The Entombment
64:, providing a reference for the human body in a
5825:Timeline of 20th century printmaking in America
5172:
4861:
4683:
3792:
3521:
3519:
2165:and the first actress in the films of his son,
1784:
1673:". There was also a tradition of incorporating
1309:who modeled for many paintings and sculptures.
1261:began a thirty-year career as a model in 1942.
5279:The Real Thing: the Model in the Mirror of Art
5275:
5235:
4831:
4812:
4700:
4528:
4057:
3766:
3525:
3077:. Fayetteville: University of Arkansas Press.
2672:
2284:(PhD). Sydney, Australia: University of Sydney
1428:. She was the subject of several works of art.
132:setting, where the purpose is to learn how to
124:became an essential part of the curriculum at
6145:
5333:
5296:
5063:
4966:
4928:Mosaic: An Interdisciplinary Critical Journal
4915:
4533:The Nude – A Study in Ideal Form: Chapter 1.
4397:
4132:
3883:
3747:
3696:
3451:Eskenazi School of Art, Architecture + Design
3042:
1809:(c. 1843 – after 1903) was an
1623:in the decade after 1500, with works such as
1293:, proves their occasional use. The remark of
1264:
876:(née: Leenhoff)) by Édouard Manet (1859–1861)
718:in his studio with his mother as model (1952)
4817:. University of Nebraska Press. p. 60.
4594:
4321:
3516:
3045:"Yes--They Do Use Nude Models For Art Class"
2859:
2857:
2855:
2853:
2851:
2849:
2833:
2788:
2489:
4876:. New York: The Metropolitan Museum of Art.
4426:"Nudity in art is professional, not sexual"
4176:
3959:
3957:
2469:(2nd ed.). Faber & Faber Limited.
2353:
2351:
2349:
2347:
2345:
2343:
1835:. She is the model for Whistler's painting
1750:Académie royale de peinture et de sculpture
1723:records payments to prostitutes to pose in
968:Portrait of Madame Matisse (The green line)
6152:
6138:
5340:
5326:
5094:
4688:. New York: The Metropolitan Museum of Art
3902:
2747:
2668:
2666:
2664:
2662:
2660:
2578:"KYO – Konstmodellernas yrkesorganisation"
2341:
2339:
2337:
2335:
2333:
2331:
2329:
2327:
2325:
2323:
539:and as painting technique. In 2010 at the
5202:"A Forger's Impressions of Impressionism"
4867:
4721:
4633:
4631:
4590:
4588:
4586:
4584:
4540:. Princeton: Princeton University Press.
4471:"Policy on the Use of Nude Models in Art"
3576:Southern Illinois University Edwardsville
3068:
3066:
3064:
2846:
2697:
2414:. New York: Watson-Guptill Publications.
2376:
2241:
2239:
2237:
2235:
2233:
2231:
1289:offered him as models for his picture of
771:. It focuses on the photographers Baron
210:In some countries there are figure model
205:
4840:
4650:
4597:The Artist's Model: from Etty to Spencer
4524:
4522:
4227:
3954:
3471:"Opportunity for Contract Figure Models"
2462:
2273:
2271:
2269:
2267:
2065:
1838:Symphony in White, No. 1: The White Girl
1767:
1729:
1487:(left), known as the favourite model of
1332:recommends drawing from the nude in his
1133:
1129:
1030:
1022:
397:
309:
284:
226:
222:
147:
36:
5155:"Festival de Cannes: La Belle Noiseuse"
4921:
4806:
4774:
4271:
4248:"London's Life Models: The Naked Truth"
3123:
2750:"An Exchange on "Sexualizing Children""
2657:
2433:
2431:
2320:
2245:
727:Family members, wives and life partners
390:life, but they quickly get used to it.
6786:
5044:
4997:
4628:
4581:
4494:
4240:
3933:
3850:
3098:Rocha, Kimberlina (February 2, 2005).
3061:
3038:
3036:
3034:
3015:"Models 'expose' students to nude art"
2986:
2935:
2724:
2442:. New York: Van Nortrand Reinhold Co.
2407:
2277:
2228:
2016:Fountain of the Setting Sun (1915) by
6133:
5321:
5222:
5069:
5022:
4868:Ainsworth, Maryan W. (January 2008).
4560:
4519:
4423:
4344:
3625:"RAM Guidelines – Contentious Issues"
3106:. California State University, Fresno
3097:
2961:
2698:Mann, Sally; Price, Reynolds (1992).
2401:
2264:
2056:
1124:Government College of Art & Craft
305:
6180:Prehistory of nakedness and clothing
3903:Cunningham, Erin (22 October 2013).
3767:Robin Pogrebin (December 20, 2017).
3075:Live Nude Girl: My Life as an Object
2428:
2295:
2105:working in their studio with models.
1873:. She was the mother of the painter
1603:Portrait study of the Haitian model
1160:
1027:Artist working from a costumed model
422:
393:
143:
16:Person who poses for a visual artist
4039:. Merriam-Webster Online Dictionary
3697:Zack Stoycoff (February 20, 2019).
3031:
1776:in the 19th century. Women artists
1748:century, as were the students. The
1607:by Théodore Géricault, c. 1818–1819
1018:
602:Arrangement in Grey and Black No. 1
13:
5924:Index of painting-related articles
5216:
4775:Lathers, Marie (15 October 2013).
4398:Katelyn Johns (October 19, 2012).
4081:"Christie's: Nude (Madonna), 1979"
3965:"Life-modelling: the art of poise"
3884:Geordie Greig (October 17, 2013).
3604:Columbus College of Art and Design
3550:Ringling College of Art and Design
2748:Mann, Sally; Gordon, Mary (1997).
2729:(111). Skidmore College: 144–145.
2306:. New York: Harry N. Abrams, Inc.
2252:(PhD). City University of New York
1491:, was an artist in her own right.
1106:
499:
478:Columbus College of Art and Design
14:
6825:
5111:"The Artist and the Model (2012)"
4874:Heilbrunn Timeline of Art History
4177:Bishwabijoy, Mitra (2021-03-31).
3528:"UVSC drafts nude-modeling rules"
3526:Amy K. Stewart (March 26, 2008).
3012:
2942:The Independent Florida Alligator
2490:Denny, Diana (16 November 2012).
2208:
1817:who was romantically linked with
543:, a retrospective of the work of
372:
355:
6767:
6758:
6757:
5223:Fogel, Aly (February 21, 2020).
5125:
5103:
5088:
5038:
5016:
4991:
4960:
4880:
4684:Sorabella, Jean (January 2008).
4638:
4575:10.1111/j.1747-9991.2008.00154.x
4400:"Honor Code and the visual arts"
3915:from the original on 8 July 2018
3748:Randy Kennedy (March 19, 2010).
2180:
2025:
2009:
1993:
1974:
1935:
1916:
1778:were excluded from the life room
1596:
1581:
1562:
1537:
1518:
1500:
1477:
1452:
1433:
1414:
1377:
1351:
1080:in order to protect the model's
996:
977:
959:
940:
921:
896:
881:
860:
832:
707:
682:
663:
642:
623:
594:
571:
328:
289:Man as life model in Netherlands
278:photographed entire families of
153:Portrait d'Olga dans un fauteuil
5282:. University of Chicago Press.
5261:. Manchester University Press.
4797:
4783:. Routledge. pp. 315–316.
4779:. In Jiminez, Jill Berk (ed.).
4768:
4677:
4668:
4613:
4595:Postle, M.; Vaughn, W. (1999).
4554:
4488:
4463:
4439:
4417:
4391:
4338:
4315:
4291:
4280:. University of Georgia, Athens
4265:
4230:American Journal of Art Therapy
4221:
4203:
4170:
4145:
4126:
4094:
4073:
4051:
4029:
4006:
3981:
3927:
3896:
3877:
3844:
3820:
3786:
3760:
3741:
3715:
3690:
3666:
3638:
3617:
3589:
3564:
3534:
3491:
3463:
3439:
3415:
3391:
3371:
3351:
3331:
3307:
3281:
3254:
3226:
3199:
3172:
3142:
3126:"Attention: Will Strip for Art"
3117:
3091:
3043:Ben Bourgeois (March 5, 2010).
3005:
2980:
2955:
2929:
2908:
2884:
2827:
2809:
2741:
2718:
2691:
2636:
2615:
2590:
2570:
2546:
2525:
2505:
2387:. Boston: Houghton Mifflin Co.
2000:Photograph of Evelyn Nesbit by
1399:
912:, girlfriend and later wife of
655:Portrait of the Artist's Mother
526:Modeling for individual artists
4998:Kerley, Lela F. (2017-06-07).
4424:White, Jenny (March 1, 2012).
4345:Bower, Lorraine (2009-12-29).
4272:Holland, Maggie (2018-01-26).
4133:Angelica Frey (May 26, 2020).
3124:Jenkins, Audrey (2014-03-21).
2867:The Undressed Art: Why We Draw
2483:
2456:
2302:Annette and Luc Vizin (2003).
1851:, also a painter, modeled for
1651:The story of the love between
1060:
891:CĂ©zanne by Paul CĂ©zanne (1877)
841:The Prodigal Son in the Tavern
696:, as the Farmer's daughter in
1:
6669:Nudity in American television
5097:"Nothing Like the Real Thing"
4781:Dictionary of Artists' Models
4722:Bernstein, Joanne G. (1992).
4624:. Los Angeles: Balcony Press.
4599:. London: Merrell Holberton.
3723:"Yves Klein, Anthropometries"
3427:Western Washington University
3264:. Student Employment Office.
2987:Nesich, Hannah (2013-03-21).
2936:Sheets, Brenna (2021-06-03).
2892:"About | Figure On Diversity"
2870:. New York: Alfred A. Knopf.
2834:Harold Maass (July 5, 1990).
2623:"Italian Model's Strike 2008"
2513:"Register of Artists' Models"
2221:
2138:The Prime of Miss Jean Brodie
1825:James Abbott McNeill Whistler
1699:(died 1450), the mistress of
1669:artist-model relationship of
1151:Rhode Island School of Design
849:
463:Western Washington University
438:small liberal arts colleges.
5863:Museum collection management
5786:Art history (academic study)
5665:alternative exhibition space
5242:. Cornell University Press.
4967:Felter-Kerley, Lela (2010).
4299:"Home | Figure On Diversity"
3212:Bridgewater State University
2989:"Baring It All For Fine Art"
2968:Chattanooga Times Free Press
2157:(2012) — Tells the story of
1785:Late modern and contemporary
1424:was a favourite mistress of
298:this has not been the case.
295:
7:
6717:Imagery of nude celebrities
6441:Social nudity organizations
6024:Colossal sculptures in situ
5728:Artist-in-residence program
4447:"Art Policy on Nude Models"
4322:Daniel Grant (2011-07-18).
2962:Leber, Holly (2012-02-24).
2644:"Paris Model's Strike 2008"
2358:Phillips, Sarah R. (2006).
2173:
1780:until late in that century.
1572:, Modern Dance pioneer, by
931:portrait of his young wife
443:City University of New York
10:
6830:
6652:Nudity in live performance
6159:
6034:Contemporary art galleries
5929:Outline of the visual arts
4351:Christian Higher Education
2463:Borzello, Frances (2010).
2438:Berry, William A. (1977).
2383:Nicolaides, Kimon (1975).
2020:, modeled by Audrey Munson
1512:Pre-Raphaelite Brotherhood
1265:Ancient and Post-classical
1235:
1064:
426:
163:in an Armchair, 1917–1918)
29:
18:
6755:
6709:
6622:
6569:
6514:
6459:
6451:Timeline of social nudity
6401:
6351:
6286:
6185:Nakedness and colonialism
6167:
6104:
5964:
5833:
5771:
5635:
5560:
5359:
5095:Gail Gregg (2010-12-01).
5049:. Yale University Press.
4985:10.1215/00161071-2009-021
4973:French Historical Studies
4847:. Yale University Press.
4363:10.1080/15363750902973477
3750:"Who's Afraid of Marina?"
3542:"Figure Model Guidelines"
3478:Art Academy of Cincinnati
3158:Kansas City Art Institute
3073:Rooney, Kathleen (2009).
2864:Steinhart, Peter (2004).
2411:Drawing with an Open Mind
2408:Jacobs, Ted Seth (1986).
2278:Mayhew, Margaret (2010).
2246:Bharali, Kannaki (2019).
1867:Pierre Puvis de Chavannes
1863:Henri de Toulouse-Lautrec
1772:Male model posing at the
1465:Woman Bitten by a Serpent
671:The Artist and His Family
563:Family members of artists
459:Western Oregon University
6506:Clothing-optional events
6278:Clothing laws by country
6088:Most expensive paintings
5875:Conservation-restoration
5677:Contemporary art gallery
5133:"Camille Claudel (1988)"
4841:Campbell, Lorne (1990).
4215:Mental Health Foundation
3423:"Students Financial Aid"
3240:University of New Mexico
2817:"Jock Sturges Biography"
2677:. Ashville: R.S. Press.
2604:. Trove. 28 October 1941
2533:"Bay Area Models' Guild"
2086:The Artist and the Model
2061:
2018:Adolph Alexander Weinman
1343:Renaissance life drawing
1320:. This changed with the
1175:Brigham Young University
824:Artist's wives as models
745:The Banquet of Cleopatra
733:Dutch Golden Age painter
637:) by Claude Monet (1886)
631:The Woman with a Parasol
583:The Banquet of Cleopatra
451:University of California
41:Model (1914) drawing by
6799:Visual arts occupations
6571:Social nudity advocates
6353:Issues in social nudity
6219:Breastfeeding in public
6096:works by living artists
5858:Classificatory disputes
5303:. Burlington: Ashgate.
5276:Steiner, Wendy (2010).
5236:Lipton, Eunice (1992).
5070:Wendy, Steiner (2001).
5045:Sewell, Darrel (2001).
4922:Lathers, Marie (1996).
4813:Lathers, Marie (2001).
4661:Encyclopædia Britannica
4529:Clark, Kenneth (1956).
4058:Pierce, Andrew (2008).
3934:Ollman, Arthur (1999).
3503:Coast Community College
2673:Bullock, Linda (2005).
2385:The Natural Way to Draw
2133:), also poses for Maze.
1984:'s c. 1901 portrait of
1802:Le déjeuner sur l'herbe
1655:and his mistress-model
1228:A feminist view is the
511:Philbrook Museum of Art
315:Model writing postcards
217:Florence Wysinger Allen
177:independent contractors
6674:Nudity in music videos
6647:Nude photography (art)
6366:Sexual objectification
6168:Nakedness and clothing
5297:Waller, Susan (2006).
5023:Boime, Albert (1974).
4888:Ainsworth, Maryan Wynn
4535:The Naked and the Nude
4495:Elkins, James (2001).
4013:Rachel Kramer Bussel.
2944:. Gainesville, Florida
2362:. Albany: SUNY Press.
2077:
1982:James Carroll Beckwith
1781:
1744:
1142:
1067:Nude photography (art)
1044:
1028:
616:James McNeill Whistler
403:
322:
290:
240:
233:Ringling Museum of Art
206:Training and selection
164:
45:
6684:Nudity in advertising
6679:Nudity in print media
6479:Nude swimming classes
5733:Artist-run initiative
5620:Visual arts education
3851:Butler, Ruth (2008).
3359:"Art Model * | UCnet"
2789:Powell, Lynn (2010).
2598:"Model's Strike 1941"
2558:Lifemodelssociety.org
2554:"Life Models Society"
2304:The 20th Century Muse
2163:Pierre-Auguste Renoir
2069:
1853:Pierre-Auguste Renoir
1771:
1733:
1701:Charles VII of France
1555:Pierre-Auguste Renoir
1426:Charles VII of France
1330:Leon Battista Alberti
1137:
1130:Nudity and body image
1034:
1026:
914:Pierre-Auguste Renoir
889:Marie-Hortense Fiquet
612:Anna McNeill Whistler
401:
313:
288:
230:
223:Appearance/age/gender
151:
40:
23:. For model art, see
6747:Softcore pornography
6624:Depictions of nudity
6388:Wardrobe malfunction
6288:Nudity and sexuality
6029:Contemporary artists
5892:Destination painting
5689:Single-artist museum
5578:Conservator-restorer
5182:. rottentomatoes.com
4728:Artibus et Historiae
2993:The New Paltz Oracle
2756:(114/115): 228–232.
2161:, the last model of
1908:19th-century America
1893:École des Beaux-Arts
1774:École des Beaux-Arts
1754:Royal Academy of Art
1203:Marie-Thérèse Walter
541:Museum of Modern Art
447:University of Alaska
429:Depictions of nudity
6694:Glamour photography
6642:Nude modeling (art)
6599:Henry S. Huntington
6019:Art reference books
5813:History of painting
5397:Fine-art photograph
5159:festival-cannes.com
4017:. The Village Voice
3886:"A Daughter's Tale"
3019:The Daily Collegian
2896:Figure on diversity
1882:Bal des Quat'z'Arts
1813:artists' model and
1736:The Art of Painting
1530:John Singer Sargent
909:La Baigneuse blonde
738:specialized in the
519:University of Tulsa
263:published the book
245:commercial modeling
32:The Blue Aeroplanes
6742:Nude psychotherapy
6699:Erotic photography
6614:Richard Ungewitter
6609:Elton Raymond Shaw
6446:Anarchist naturism
6436:Naturist magazines
6416:Christian naturism
6268:Nudity and protest
6207:Nudity in religion
6114:Visual arts portal
6044:National galleries
5897:Eclecticism in art
5852:Catalogue raisonné
5723:Artist cooperative
5206:The New York Times
5074:. The Free Press.
4909:2021-05-10 at the
4563:Philosophy Compass
4404:The Daily Universe
4183:The Times of India
3799:The New York Times
3773:THe New York Times
3754:The New York Times
3729:. January 17, 2013
3646:"Modeling Q&A"
3185:Kishwaukee College
2466:The Artist's Model
2197:The Helga Pictures
2159:Catherine Hessling
2078:
2057:In popular culture
1966:Early 20th century
1844:L'Origine du monde
1782:
1745:
1460:Apollonie Sabatier
1143:
1045:
1029:
869:The Startled Nymph
604:, better known as
470:Indiana University
455:University of Utah
404:
323:
306:Working as a model
291:
241:
231:Life class at the
200:figurative artists
165:
46:
6781:
6780:
6378:Indecent exposure
6326:Feminist stripper
6127:
6126:
5718:Artist collective
5532:Site-specific art
5382:Cultural artifact
5310:978-0-7546-3484-3
5268:978-0-7190-6662-7
5249:978-0-8014-8609-8
5081:978-0-684-85781-7
5009:978-0-8071-6634-5
4824:978-0-8032-2941-9
4606:978-1-85894-084-7
4547:978-0-691-01788-4
4512:978-0-252-06950-5
4326:. Huffington Post
4303:Figureondiversity
4278:The Red and Black
4217:. April 26, 2019.
4159:. NPR. 2020-09-15
3940:. Little, Brown.
3864:978-0-300-14953-1
3827:Christopher Lloyd
3262:"MOA: Life Model"
3150:"Artist Model Ad"
3100:"Art in the Nude"
3084:978-1-55728-891-2
2877:978-1-4000-4184-8
2840:Los Angeles Times
2823:on July 17, 2018.
2795:. The New Press.
2684:978-0-9613949-9-8
2449:978-0-442-20717-5
2421:978-0-8230-1464-4
2394:978-0-395-20548-8
2369:978-0-7914-6908-8
2127:Tourette syndrome
2110:La Belle Noiseuse
2097:(1988) — Depicts
2070:Audrey Munson in
2002:Gertrude Käsebier
1858:Dance at Bougival
1855:(most notably in
1791:Victorine Meurent
1716:Benvenuto Cellini
1671:Western tradition
1621:Venetian painting
1550:Dance at Bougival
1485:Victorine Meurent
1445:Gioachino Rossini
1406:Models in History
1161:Alternative views
1155:Glasgow, Scotland
1140:William Mortensen
1113:COVID-19 pandemic
1050:academic painting
1035:1917 portrait by
989:Amedeo Modigliani
748:(1652 and 1669).
740:portrait historié
607:Whistler's Mother
423:Academic modeling
394:Types of modeling
237:Sarasota, Florida
144:Role of the model
78:artistic practice
6821:
6771:
6761:
6760:
6732:Nudity in combat
6689:Nude photography
6421:Freikörperkultur
6192:Childhood nudity
6154:
6147:
6140:
6131:
6130:
6083:Stolen paintings
5951:Sociology of art
5902:Economics of art
5753:Sculpture garden
5738:Artist-run space
5537:Social sculpture
5407:Installation art
5342:
5335:
5328:
5319:
5318:
5314:
5293:
5272:
5253:
5232:
5210:
5209:
5208:. 23 March 2013.
5198:
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4672:
4666:
4665:
4656:Models, Artists'
4644:
4642:
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4033:
4027:
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4024:
4022:
4015:"Model Behavior"
4010:
4004:
4003:
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3999:
3985:
3979:
3978:
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3758:
3757:
3745:
3739:
3738:
3736:
3734:
3719:
3713:
3712:
3710:
3709:
3699:"For art's sake"
3694:
3688:
3687:
3685:
3684:
3670:
3664:
3663:
3661:
3659:
3653:St. Olaf College
3650:
3642:
3636:
3635:
3633:
3631:
3621:
3615:
3614:
3612:
3610:
3601:
3597:"Model Handbook"
3593:
3587:
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3412:
3410:
3409:
3403:Art & Design
3395:
3389:
3388:
3386:
3385:
3375:
3369:
3368:
3366:
3365:
3355:
3349:
3348:
3346:
3345:
3335:
3329:
3328:
3326:
3325:
3319:
3315:"CUNY Art Model"
3311:
3305:
3304:
3302:
3301:
3294:Williams College
3285:
3279:
3278:
3276:
3275:
3258:
3252:
3251:
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3224:
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2844:
2843:
2831:
2825:
2824:
2819:. Archived from
2813:
2807:
2806:
2786:
2780:
2779:
2777:
2776:
2745:
2739:
2738:
2722:
2716:
2715:
2701:Immediate Family
2695:
2689:
2688:
2670:
2655:
2654:
2652:
2651:
2646:. Bloomberg News
2640:
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2257:
2243:
2190:
2185:
2184:
2183:
2040:with the artist
2029:
2013:
1997:
1978:
1939:
1920:
1807:Joanna Hiffernan
1741:Johannes Vermeer
1703:, in a panel by
1681:compositions by
1679:Virgin and Child
1600:
1585:
1574:Toulouse-Lautrec
1566:
1541:
1522:
1504:
1481:
1462:, here shown in
1456:
1441:Olympe PĂ©lissier
1437:
1418:
1381:
1355:
1283:Valerius Maximus
1223:Rachel Feinstein
1207:Fernande Olivier
1093:Vanessa Williams
1082:right to privacy
1019:Clothed modeling
1008:Georgia O'Keeffe
1004:Alfred Stieglitz
1000:
985:Jeanne HĂ©buterne
981:
963:
944:
925:
900:
885:
864:
854:
851:
836:
785:Georgia O'Keeffe
783:(whose wife was
781:Alfred Stieglitz
775:(whose wife was
754:Camille Doncieux
711:
686:
667:
658:, (October 1888)
650:Vincent van Gogh
646:
635:Suzanne Hoschedé
627:
610:, a portrait of
598:
587:Royal Collection
575:
545:Marina Abramović
490:St. Olaf College
411:are also called
266:Immediate Family
62:creative process
6829:
6828:
6824:
6823:
6822:
6820:
6819:
6818:
6814:Art occupations
6794:Artists' models
6784:
6783:
6782:
6777:
6751:
6705:
6618:
6565:
6510:
6461:Nude recreation
6455:
6411:Naturist resort
6397:
6347:
6282:
6197:Sex segregation
6163:
6158:
6128:
6123:
6109:Painting portal
6100:
6007:sculpture parks
5960:
5919:Elements of art
5887:Cultural policy
5829:
5781:Timeline of art
5767:
5758:Sculpture trail
5637:
5631:
5556:
5473:Performance art
5355:
5346:
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5290:
5269:
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5219:
5217:Further reading
5214:
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4920:
4916:
4911:Wayback Machine
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4654:, ed. (1911). "
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3969:Herald Scotland
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3918:
3916:
3909:The Daily Beast
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3535:
3530:. Deseret News.
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3320:. July 10, 2017
3317:
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2265:
2255:
2253:
2244:
2229:
2224:
2211:
2186:
2181:
2179:
2176:
2147:Robert Stephens
2143:Pamela Franklin
2103:Camille Claudel
2094:Camille Claudel
2064:
2059:
2050:
2049:
2048:
2045:
2030:
2021:
2014:
2005:
1998:
1989:
1979:
1968:
1967:
1954:
1953:
1952:
1949:
1940:
1931:
1921:
1910:
1909:
1875:Maurice Utrillo
1849:Suzanne Valadon
1833:Gustave Courbet
1796:Manet's Olympia
1787:
1675:donor portraits
1613:
1612:
1611:
1608:
1601:
1592:
1586:
1577:
1567:
1558:
1545:Suzanne Valadon
1542:
1533:
1523:
1514:
1505:
1496:
1482:
1473:
1472:in 1850s Paris.
1457:
1448:
1438:
1429:
1419:
1408:
1407:
1402:
1397:
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1395:
1392:
1382:
1373:
1367:Villa Farnesina
1356:
1345:
1344:
1267:
1238:
1215:Françoise Gilot
1163:
1132:
1109:
1107:Online modeling
1101:Lee Friedlander
1069:
1063:
1021:
1016:
1015:
1014:
1011:
1001:
992:
982:
973:
964:
955:
945:
936:
926:
917:
901:
892:
886:
877:
865:
856:
852:
837:
826:
825:
809:Masahisa Fukase
805:Lee Friedlander
773:Adolph de Meyer
729:
724:
723:
722:
719:
712:
703:
699:American Gothic
694:Nan Wood Graham
687:
678:
668:
659:
647:
638:
628:
619:
599:
590:
576:
565:
564:
537:performance art
528:
515:Tulsa, Oklahoma
502:
500:Artist's groups
435:
425:
396:
375:
358:
336:gesture drawing
331:
308:
225:
208:
189:Norman Rockwell
146:
60:as part of the
43:Boris Kustodiev
35:
28:
17:
12:
11:
5:
6827:
6817:
6816:
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6806:
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6707:
6706:
6704:
6703:
6702:
6701:
6696:
6686:
6681:
6676:
6671:
6666:
6664:Nudity in film
6661:
6656:
6655:
6654:
6649:
6644:
6639:
6628:
6626:
6620:
6619:
6617:
6616:
6611:
6606:
6604:Heinrich Pudor
6601:
6596:
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6407:
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6275:
6270:
6265:
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6258:
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6243:
6238:
6237:
6236:
6226:
6224:Public bathing
6221:
6216:
6215:
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6204:
6199:
6194:
6189:
6188:
6187:
6182:
6171:
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6105:
6102:
6101:
6099:
6098:
6085:
6080:
6079:
6078:
6068:
6063:
6062:
6061:
6059:by nationality
6056:
6046:
6041:
6039:Modern artists
6036:
6031:
6026:
6021:
6016:
6015:
6014:
6009:
6004:
5999:
5989:
5984:
5982:Art techniques
5979:
5974:
5968:
5966:
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5961:
5959:
5958:
5953:
5948:
5943:
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5941:
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5916:
5915:
5914:
5909:
5899:
5894:
5889:
5884:
5883:
5882:
5872:
5871:
5870:
5868:deaccessioning
5860:
5855:
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5843:
5837:
5835:
5831:
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5828:
5827:
5822:
5821:
5820:
5810:
5809:
5808:
5798:
5793:
5788:
5783:
5777:
5775:
5773:History of art
5769:
5768:
5766:
5765:
5763:Virtual museum
5760:
5755:
5750:
5745:
5740:
5735:
5730:
5725:
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5715:
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5704:
5703:
5693:
5692:
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5681:
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5660:Art exhibition
5657:
5652:
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5641:
5639:
5633:
5632:
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5628:
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5617:
5612:
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5585:
5575:
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5564:
5562:
5558:
5557:
5555:
5554:
5549:
5544:
5542:Soft sculpture
5539:
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5529:
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5527:
5522:
5517:
5512:
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5490:
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5426:
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5409:
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5399:
5394:
5389:
5384:
5379:
5377:Conceptual art
5374:
5369:
5363:
5361:
5357:
5356:
5345:
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5337:
5330:
5322:
5316:
5315:
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5294:
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5273:
5267:
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5233:
5229:Oberlin Review
5218:
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5212:
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5193:
5171:
5146:
5124:
5102:
5087:
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5015:
5008:
4990:
4959:
4914:
4879:
4860:
4853:
4830:
4823:
4805:
4803:Dunkerton, 186
4796:
4789:
4767:
4699:
4676:
4667:
4652:Chisholm, Hugh
4627:
4612:
4605:
4580:
4569:(5): 873–893.
4553:
4546:
4518:
4511:
4487:
4475:Gordon College
4462:
4438:
4416:
4390:
4337:
4314:
4290:
4264:
4239:
4220:
4202:
4169:
4144:
4125:
4093:
4072:
4050:
4028:
4005:
3993:Atelier Kanawa
3989:"Kimono Model"
3980:
3953:
3946:
3937:The Model Wife
3926:
3895:
3876:
3863:
3843:
3819:
3785:
3759:
3740:
3714:
3689:
3665:
3637:
3616:
3588:
3563:
3533:
3515:
3490:
3462:
3438:
3414:
3390:
3370:
3350:
3330:
3306:
3280:
3253:
3225:
3198:
3171:
3141:
3116:
3090:
3083:
3060:
3030:
3013:Baker, Laura.
3004:
2979:
2954:
2928:
2907:
2883:
2876:
2845:
2826:
2808:
2802:978-1595585516
2801:
2781:
2740:
2717:
2711:978-0893815233
2710:
2690:
2683:
2656:
2635:
2614:
2589:
2569:
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2524:
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2319:
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2226:
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2209:External links
2207:
2206:
2205:
2203:Russell Nesbit
2200:
2192:
2191:
2175:
2172:
2171:
2170:
2150:
2134:
2114:
2106:
2090:
2063:
2060:
2058:
2055:
2047:
2046:
2031:
2024:
2022:
2015:
2008:
2006:
1999:
1992:
1990:
1980:
1973:
1970:
1969:
1965:
1964:
1963:
1951:
1950:
1941:
1934:
1932:
1922:
1915:
1912:
1911:
1907:
1906:
1905:
1786:
1783:
1691:(or just post-
1683:court painters
1657:Margarita Luti
1617:Albrecht DĂĽrer
1610:
1609:
1602:
1595:
1593:
1587:
1580:
1578:
1568:
1561:
1559:
1543:
1536:
1534:
1526:Rosina Ferrara
1524:
1517:
1515:
1506:
1499:
1497:
1483:
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1458:
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1449:
1439:
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1420:
1413:
1410:
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1405:
1404:
1403:
1401:
1398:
1394:
1393:
1389:Albrecht DĂĽrer
1383:
1376:
1374:
1365:study for the
1357:
1350:
1347:
1346:
1342:
1341:
1340:
1301:, who advised
1266:
1263:
1237:
1234:
1217:. The painter
1183:Gordon College
1162:
1159:
1138:Nude study by
1131:
1128:
1122:Models at the
1108:
1105:
1065:Main article:
1062:
1059:
1020:
1017:
1013:
1012:
1002:
995:
993:
983:
976:
974:
965:
958:
956:
954:'s wife (1900)
952:Pierre Bonnard
946:
939:
937:
927:
920:
918:
904:Aline Charigot
902:
895:
893:
887:
880:
878:
866:
859:
857:
838:
831:
828:
827:
823:
822:
821:
817:Nicholas Nixon
813:Seiichi Furuya
797:Harry Callahan
769:The Model Wife
728:
725:
721:
720:
713:
706:
704:
688:
681:
679:
669:
662:
660:
648:
641:
639:
629:
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566:
562:
561:
560:
527:
524:
501:
498:
424:
421:
395:
392:
374:
373:Emotional work
371:
357:
356:Aesthetic work
354:
330:
327:
307:
304:
255:age of consent
224:
221:
207:
204:
161:Olga Khokhlova
145:
142:
74:emotional work
58:visual artists
21:Model (person)
15:
9:
6:
4:
3:
2:
6826:
6815:
6812:
6810:
6807:
6805:
6802:
6800:
6797:
6795:
6792:
6791:
6789:
6776:
6775:
6770:
6766:
6765:
6754:
6748:
6745:
6743:
6740:
6738:
6737:Nudity clause
6735:
6733:
6730:
6728:
6725:
6723:
6722:Nude calendar
6720:
6718:
6715:
6714:
6712:
6708:
6700:
6697:
6695:
6692:
6691:
6690:
6687:
6685:
6682:
6680:
6677:
6675:
6672:
6670:
6667:
6665:
6662:
6660:
6659:Body painting
6657:
6653:
6650:
6648:
6645:
6643:
6640:
6638:
6635:
6634:
6633:
6630:
6629:
6627:
6625:
6621:
6615:
6612:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
6592:
6590:
6587:
6585:
6584:Lee Baxandall
6582:
6580:
6577:
6576:
6574:
6572:
6568:
6562:
6561:South America
6559:
6557:
6554:
6550:
6547:
6545:
6544:San Francisco
6542:
6541:
6540:
6539:North America
6537:
6535:
6532:
6530:
6527:
6525:
6522:
6521:
6519:
6517:
6513:
6507:
6504:
6502:
6499:
6497:
6494:
6492:
6489:
6487:
6484:
6480:
6477:
6476:
6475:
6474:Nude swimming
6472:
6470:
6467:
6466:
6464:
6462:
6458:
6452:
6449:
6447:
6444:
6442:
6439:
6437:
6434:
6432:
6429:
6427:
6424:
6422:
6419:
6417:
6414:
6412:
6409:
6408:
6406:
6404:
6400:
6394:
6391:
6389:
6386:
6384:
6381:
6379:
6376:
6372:
6371:Pornification
6369:
6367:
6364:
6363:
6362:
6361:Sexualization
6359:
6358:
6356:
6354:
6350:
6344:
6341:
6339:
6336:
6334:
6331:
6327:
6324:
6322:
6319:
6317:
6314:
6312:
6309:
6307:
6304:
6303:
6302:
6301:Exhibitionism
6299:
6297:
6296:Intimate part
6294:
6293:
6291:
6289:
6285:
6279:
6276:
6274:
6271:
6269:
6266:
6262:
6261:United States
6259:
6257:
6254:
6253:
6252:
6249:
6247:
6244:
6242:
6239:
6235:
6234:Finnish sauna
6232:
6231:
6230:
6227:
6225:
6222:
6220:
6217:
6213:
6210:
6209:
6208:
6205:
6203:
6200:
6198:
6195:
6193:
6190:
6186:
6183:
6181:
6178:
6177:
6176:
6173:
6172:
6170:
6166:
6162:
6155:
6150:
6148:
6143:
6141:
6136:
6135:
6132:
6120:
6117:
6115:
6112:
6110:
6107:
6106:
6103:
6097:
6093:
6089:
6086:
6084:
6081:
6077:
6074:
6073:
6072:
6069:
6067:
6066:Photographers
6064:
6060:
6057:
6055:
6052:
6051:
6050:
6047:
6045:
6042:
6040:
6037:
6035:
6032:
6030:
6027:
6025:
6022:
6020:
6017:
6013:
6012:single artist
6010:
6008:
6005:
6003:
6000:
5998:
5995:
5994:
5993:
5990:
5988:
5987:Art movements
5985:
5983:
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1318:Last Judgment
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1314:Kenneth Clark
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790:
789:Edward Weston
786:
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777:Olga de Meyer
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675:Lovis Corinth
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417:figure models
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169:professionals
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157:Pablo Picasso
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136:or paint the
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117:plaster casts
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86:transgressive
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70:physical work
67:
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52:poses, often
51:
44:
39:
33:
26:
25:Miniature art
22:
6772:
6762:
6641:
6594:Ilsley Boone
6589:Paul Bindrim
6579:Kurt Barthel
6501:Nude beaches
6496:Nude wedding
6426:Gay naturism
6393:Strip search
6002:most visited
5850:
5609:
5478:Plastic arts
5402:Found object
5299:
5278:
5258:
5238:
5228:
5205:
5196:
5186:November 29,
5184:. Retrieved
5174:
5162:. Retrieved
5158:
5149:
5137:. Retrieved
5127:
5115:. Retrieved
5105:
5090:
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5046:
5040:
5024:
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4999:
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4979:(1): 69–97.
4976:
4972:
4962:
4951:. Retrieved
4934:(2): 23–52.
4931:
4927:
4917:
4904:google books
4891:
4882:
4873:
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4843:
4814:
4808:
4799:
4780:
4770:
4759:. Retrieved
4731:
4727:
4690:. Retrieved
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4480:December 10,
4478:. Retrieved
4474:
4465:
4453:. Retrieved
4441:
4430:. Retrieved
4419:
4407:. Retrieved
4403:
4393:
4382:. Retrieved
4354:
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4340:
4328:. Retrieved
4317:
4306:. Retrieved
4302:
4293:
4282:. Retrieved
4277:
4267:
4256:. Retrieved
4254:. 2018-08-21
4251:
4242:
4233:
4229:
4223:
4214:
4205:
4194:. Retrieved
4182:
4172:
4161:. Retrieved
4156:
4147:
4138:
4128:
4117:. Retrieved
4105:
4096:
4084:. Retrieved
4075:
4065:November 29,
4063:. Retrieved
4053:
4043:November 29,
4041:. Retrieved
4031:
4019:. Retrieved
4008:
3996:. Retrieved
3992:
3983:
3972:. Retrieved
3968:
3936:
3929:
3917:. Retrieved
3908:
3898:
3889:
3879:
3868:. Retrieved
3853:
3846:
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3822:
3810:. Retrieved
3798:
3788:
3776:. Retrieved
3772:
3762:
3753:
3743:
3733:December 10,
3731:. Retrieved
3726:
3717:
3706:. Retrieved
3702:
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3668:
3656:. Retrieved
3652:
3640:
3628:. Retrieved
3619:
3607:. Retrieved
3603:
3591:
3579:. Retrieved
3575:
3566:
3554:. Retrieved
3548:
3536:
3508:December 10,
3506:. Retrieved
3502:
3493:
3483:December 10,
3481:. Retrieved
3477:
3465:
3454:. Retrieved
3450:
3441:
3430:. Retrieved
3426:
3417:
3406:. Retrieved
3402:
3399:"Make Money"
3393:
3382:. Retrieved
3373:
3362:. Retrieved
3353:
3342:. Retrieved
3333:
3322:. Retrieved
3309:
3298:. Retrieved
3292:
3283:
3272:. Retrieved
3270:. 2019-08-06
3265:
3256:
3245:. Retrieved
3243:. 2022-12-17
3237:
3228:
3217:. Retrieved
3210:
3201:
3189:. Retrieved
3183:
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3162:. Retrieved
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3133:. Retrieved
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3119:
3108:. Retrieved
3103:
3093:
3074:
3052:. Retrieved
3048:
3022:. Retrieved
3018:
3007:
2996:. Retrieved
2992:
2982:
2971:. Retrieved
2967:
2957:
2946:. Retrieved
2941:
2931:
2920:. Retrieved
2918:. 2019-07-26
2910:
2899:. Retrieved
2895:
2886:
2866:
2839:
2829:
2821:the original
2811:
2791:
2784:
2773:. Retrieved
2753:
2743:
2726:
2720:
2704:. Aperture.
2700:
2693:
2674:
2648:. Retrieved
2638:
2627:. Retrieved
2617:
2606:. Retrieved
2601:
2592:
2581:. Retrieved
2572:
2561:. Retrieved
2557:
2548:
2538:December 10,
2536:. Retrieved
2527:
2516:. Retrieved
2507:
2497:November 29,
2495:. Retrieved
2485:
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2248:
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2131:Laura Linney
2116:
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5655:Art commune
5645:Art auction
5488:Printmaking
5417:Mixed media
5412:Kinetic art
5349:Visual arts
4357:(1): 5–27.
3890:Vanity Fair
3778:October 30,
3727:Tate Modern
3703:Tulsa World
3207:"Art Model"
2256:December 5,
2167:Jean Renoir
2125:), who has
2073:Inspiration
2038:Sunita Devi
1958:Masked Nude
1924:Masked nude
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1871:Edgar Degas
1697:Agnès Sorel
1642:'s earlier
1570:Loie Fuller
1508:Fanny Eaton
1422:Agnès Sorel
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1247:bohemianism
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1111:During the
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801:Emmet Gowin
762:Annie Freud
750:Rose Beuret
736:Jan de Bray
579:Jan de Bray
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271:Mary Gordon
181:art schools
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6469:Nude beach
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5841:Art market
5748:Commission
5696:Art school
5684:Art museum
5650:Art colony
5638:and events
5498:street art
5493:Public art
5099:. ArtNews.
4953:2022-10-29
4761:2020-12-08
4692:25 October
4432:2013-02-28
4384:2021-03-21
4308:2021-09-15
4284:2021-11-26
4258:2021-11-26
4196:2021-11-26
4163:2021-11-26
4119:2021-09-15
4086:20 October
4021:10 October
3974:2021-11-26
3870:2021-07-08
3812:August 19,
3708:2021-11-26
3683:2024-03-07
3630:18 October
3456:2021-11-26
3432:2021-11-26
3408:2021-11-26
3384:2021-11-26
3364:2021-11-26
3344:2021-11-26
3324:2021-11-26
3300:2024-03-07
3274:2024-03-07
3247:2024-03-07
3219:2024-03-07
3135:2021-11-26
3110:2021-11-26
3054:2021-11-26
3024:2021-11-26
2998:2021-11-26
2973:2021-11-26
2948:2024-05-06
2922:2024-01-07
2901:2024-05-05
2775:2021-12-24
2754:Salmagundi
2727:Salmagundi
2650:2012-10-10
2629:2012-10-10
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2608:2012-10-10
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2563:2021-12-10
2518:2021-12-10
2288:2021-12-15
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427:See also:
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6383:Obscenity
6333:Voyeurism
6311:Streaking
6071:Sculptors
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5939:sculpture
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5801:Criticism
5583:paintings
5573:Collector
5505:Sculpture
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5034:935594325
4940:0027-1276
4748:0391-9064
4379:144153863
4371:1536-3759
4330:7 October
4252:Londonist
4191:0971-8257
4114:1059-1028
3807:0362-4331
3130:The Cento
2762:0036-3529
1900:Victorian
1743:, c. 1666
1625:Giorgione
1391:(c. 1600)
1372:(c. 1518)
1363:red chalk
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1230:male gaze
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1037:Roger Fry
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6338:Anasyrma
6321:Stripper
6049:Painters
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5846:The arts
5806:feminist
5743:Biennale
5483:Portrait
5468:Painting
5439:graffiti
5392:Fine art
5351:and the
5164:21 April
5139:March 6,
5117:March 6,
4948:44029745
4907:Archived
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4037:"sitter"
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1819:American
1303:Lysippos
1295:Eupompus
1089:Fine Art
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935:, (1893)
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702:, (1930)
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