Women photographers

1267: 841: 584: 867:(born c.1822–1828, died 1861) who closed her studio in New Orleans at the onset of the American Civil War to photograph confederates at Camp Moore, Louisiana. She died there of disease in November, 1861 and is buried there. After the huge advancement in culture after the roaring twenties, the number of women photographers increased drastically, estimated to be about 5,000. Despite there still being an apparent line of gender limitations, photography allowed females to bring forth their creativity. Along came many different opportunities including different publications such as "American Amateur Photographer" that allowed for women photographers to further showcase their skills. The emergence of women in photography can be attributed to the progressive era, where the roles of women in our everyday society were changed tremendously and reversed. During this time period, a vast number of women photographers were reportedly part of photography organizations. 1801: 1782: 1536: 557: 1585: 1180: 434: 479: 1551: 599: 611: 1251: 1934:

events and programs, as well as dignitaries and civil rights leaders who live and have visited the City of Atlanta, including but not limited to National Black Arts Festival, Atlanta Jazz Festival, Nelson Mandela, Ambassador Andrew Young, the past six African American Mayors (Maynard Jackson, Andrew Young, William "Bill" Campbell, Shirley Franklin, M. Kasim Reed and Keisha Lance Bottoms) of the City of Atlanta, and more. Since 1985, Sue has exhibited her work throughout Atlanta, including places such as Auburn Avenue Research Library on African American Culture & History, Hammonds House, Mason Murer Gallery, Micheal C. Carlos Museum, the Atlanta Life Building, and more.

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images, installation, and video. "...from the very beginning I've been interested in the idea of power and the consequences of power; relationships are made and articulated through power." When exploring the idea of power, Weems oftentimes uses herself as the subject of her work, not for her own admiration, but "as a vehicle for approaching the question of power..."

530:. Although her interest in photography did not begin until 1863 when she was 48 years old, she consciously set out to ensure photography became an acceptable art form, taking hundreds of portraits of children and celebrities. While her commitment to soft focus was frequently criticized as technically deficient during her lifetime, it later formed the basis for the 1957:, Lorna Simpson was considered a pioneer of conceptual photography well before the peak of her career. Through her work, Simpson aims to challenge the traditional views of gender, identity, culture, history, and memory as viewed by society. Her combination of large-scale photography with meaningful text work together to provide strong visual implications. 1679:

commercially were married to a photographer and up to 1890, any woman working on her own was considered to be daring. As the technical process of taking pictures became easier to handle, more amateurs emerged, many participating in photographic organizations. In the 20th century, it was still hard for women to become successful photographers.

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In the United States, women first photographed as amateurs, several producing fine work which they were able to exhibit at key exhibitions. They not only produced portraits of celebrities and Native Americans but also took landscapes, especially from the beginning of the 20th century. The involvement

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Simpson's friend, Walter Johnson, became one of her biggest mentors and guide as she expanded her knowledge in photography. She also studied Frank Stewart's process and developed a strong capacity for the history of photography. One of her biggest struggles was to differentiate her visual style from

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Sue Ross is the co-founder of Sistagraphy, a collective of women photographers, most of whom are based in Atlanta, Georgia, that has a passion for photography. In Atlanta, Sue is known as the PhotoGriot, sharing stories of the African American community through a photo lens. Sue has captured culture

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goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography,

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In his article "Coreen Simpson: An Interpretation", Rodger Birt describes looking at a photograph as being "let in on the workings of another human consciousness" allowing for the simultaneous opportunity to receive an authentic depiction of the physical world. Through her work, Simpson has created

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started her career as a published writer. Her interest in documenting experiences in writing grew into a love for the visual arts when she contacted Essence magazine about an article she wanted to write about a business trip to the Middle East. Although the article was never published, her interest

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started her career in 1973 when she received her first camera. Her initial interest in the arts started in 1965, when she met lifelong friend Tom Vinters and began participating in street theater and dance. Though noted as an accomplished photographer, Weems' work spans text, fabric, audio, digital

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established the first photography studio in the area, Maison Bonfils, in 1867. It is unknown how many of the photographs were taken by Lydie but it is thought that she took many of the portraits of women, as women photographers were preferred for modesty. Lydie ran the studio after Félix's death in

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women find employment and creative fulfillment as photographers. While lesbians have taken photographs since the medium was invented in 1839, many 19th and early 20th century work by lesbian photographers has been lost, destroyed, or never published because of social stigma against lesbian women.

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Scholars have argued that lesbian artists and activists during the 1970s and 1980s intentionally labeled their art as "lesbian art" in order to foster a sense of community that was distinct from the broader feminist movement. Jan Zita Grover argued that the lesbian identity depicted by this art

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photographer during WWII, where she took photographs of different structures on the home front, such as hydro dams and cement test samples. Edie processed the film in the lab for the Corps of Engineers. Photographs from her war work became highly acclaimed and were shown in an exhibition at the

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movement. They went on to take romantic, yet well composed portraits which were presented at influential exhibitions. In addition, Käsebier is remembered for her portraits of Native Americans, soon becoming one of the most widely recognized professional photographers in the United States. Other

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Peter E. Palmquist, who researched the history of women photographers in California and the American West from 1850 to 1950 , found that in the 19th century some 10% of all photographers in the US were women, while by 1910 the figure was up to about 20%. In the early days, most women working

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black culture. The participation of African-American women in photography began to receive widespread acknowledgment in the mid-20th century and with growing recognition came a shift in focus on social, economic, and political conditions. Some of the most prominent female African-American

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The contemporary works of women photographers are numerous. Women-only photography exhibits are controversial yet are argued to be essential to highlight the imbalance of male domination in the field throughout the history of photography, and are becoming increasingly more common.

2189:(1866–1952) took photos of her friends wearing men's clothing or participating in traditional masculine activities such as smoking. These images were predominantly not for commercial use, instead existing as personal mementos the photographers and models shared with one another. 1198:

The Library of Congress Prints and Photographs Division preserves millions of images that were created for publication in magazines and newspapers. The Library of Congress Prints and Photographs Online Catalog enables by-name search for images taken by women photojournalists.

1032:, dominating the society and fashion photography scene in the 1930s. In addition to their photographic role, Dora Kallmus' studios became fashionable meeting places for the intellectual elite. Other female photographers who embarked on successful careers in Vienna included 5526:

Impressed by Light: British Photographs from Paper Negatives, 1840 – 1860 ; [this Publication Accompanies the Exhibition ... Held at the Metropolitan Museum of Art, New York, September 24 - December 30, 2007 ... and the Musée D'Orsay, Paris, May 26 - September 7,

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Professional lesbian photographers may have also hidden their sexuality. While all women who worked as professional photographers were seen as defying gender norms, lesbians may have embraced the photography profession as a way to earn money without depending on men.

2296:'s work turns still photography into performance art to explore traditional and pop-cultural myths of femininity. Her work implicitly examines issues of identity and stereotype, representation and reality, the function of mass media, and the nature of portraiture. 34:

opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.

1028:(1881–1963). Known as Madame d'Ora, she became a member of the Vienna Photographic Society in 1905 and opened a studio there in 1907. After gaining success with the Austro-Hungarian aristocracy, she opened a second studio in Paris together with her colleague 1611:(1894–1954) from France is remembered for her highly staged self-portraits which she began taking in the 1920s. Cahun is known for her self portraiture that she used as a way to perform gender identity and playing with surrealism in her work. Croatian-born 2951:

Valokuvan taide : suomalainen valokuva 1842-1992 / /toim. / Jukka Kukkonen, Tuomo-Juhani Vuorenmaa, Jorma Hinkka. - Hki : Suomalaisen kirjallisuuden seura, 1992, s. 362-364. - (Suomalaisen kirjallisuuden seuran toimituksia, ISSN 0355-1768 ;

1436:, portraiture, and advertising as well as filmmaker. Her specialty was documenting from marginalized communities who were "away from mainstream society and toward its more interesting, often troubled fringes" She had 18 publications produced, most notably 2209:

inspired efforts to create a cohesive lesbian identity with dedicated cultural artifacts such as explicitly lesbian art, including lesbian photography. These images developed new artistic trends, including depictions of sexual activity and genitalia.

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Lesbians also took photos to experiment with self-expression. Lesbians took photos of themselves, their friends, and their lovers embracing each other in intimate settings which hinted at same-sex relationships without being explicitly erotic.

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home into a studio, filling it with props which can be seen in her photographs. She specialised in portraits, especially of her two eldest daughters clad in the costumes of the day. Her work earned her silver medals at the exhibitions of the

2094:, where Sontag argues that the proliferation of photographic images had begun to establish a "chronic voyeuristic relation" of the viewers to the subjects portrayed. On the other hand, other critics, such as American writer and photographer 1024:, probably more than in any other European city, photo studios managed by women, especially Jewish women, greatly outnumbered those run by men. In all, some 40 women had studios in the city but the most famous of them all was undoubtedly 1710:

from Chicago (c. 1886–1963) specialized in taking portraits of leading businessmen and prominent society women in their own homes at the beginning of the 20th century, becoming a member of the famous Paris Photo-Club in 1907.

840: 1646:(1928–1985) began producing surrealistic works in 1947, above all remarkable documentary images of the urban environment in the oppressive post-war years. Though not strictly a Surrealist, the notable Mexican photographer 1945:

began her career in fashion photography, taking pictures of people whose style she admired. Simpson was able to develop her skills and became a photojournalist who captured images in politics, culture, music, and sports.

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The combination of her admiration for Arbus's uniqueness, Weegee's hunt, DeMeyer's study of the composition, and Witkin's manipulation of the print work together in encompassing the personality of Coreen Simpson's work.

1723:(1884–1934) started out as an amateur pictorialist photographer but became a professional in 1918. In addition to portraits of prominent intellectuals, she documented the mountain peoples of the south, especially the 1666:, explored the relationship between the body and its surroundings often appearing partly hidden in her black-and-white prints. Noted for her experimental alternative-photography techniques and surrealistic imagery, 626:

The earliest documented photography studios operated by women in the English speaking world, were opened in the 1860s. Prior to that, there had been studies opened by women in France, Germany, Denmark and Sweden.

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While the work of the English and French gentlemen involved in developing and pioneering the process of photography is well documented, the part played by women in the early days tends to be given less attention.

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in 1976 and developed a long lasting friendship and professional relationship with the photographer. While on a work trip to Europe, Bey interviewed Weems in BOMB, a magazine focused on artists in conversation.

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Through different mediums, Weems has made it her mission to explore the family relationships, gender roles, the histories of racism, sexism, class and different types of political systems. She was introduced to

1781: 1565: 1734:(1894–1978) photographed many well-known artists and writers and became one of the few photographers to produce artistic portraits. Her photograph of a slender black women and her children was included in 1120:(1903–1993) is remembered for her portraits and her artistic contributions intended to preserve the culture of her country. Her works are featured in the collections of international museums including the 1800: 1535: 897:(1867–1935) who had turned to photography after studying fine art and were committed to developing artistic photography. Their association with Stieglitz led in 1902 to their becoming co-founders of the 583: 1584: 1266: 2159:(born 1942) from Mexico has had numerous exhibitions and international recognition since the 1970s for her black-and-white photos of Mexican women, often depicting scenes from indigenous communities. 881:

The use of photography as an art form had existed almost from the very beginning but it was towards the end of the 19th and the beginning of the 20th century that under the influence of the American

556: 1250: 139:, was possibly introduced to photography by his wife Emma Thomasina Talbot, a cousin of Constance and Henry Fox Talbot. She had shown an early interest in photography and did all his printing. 1550: 2153:. Her work "frequently explores the resilience of communities enduring the rapidly shifting landscapes of Namibia", and she has produced a trilogy of books on the art of African women. 1510:(1926–2009) took more than 150,000 photographs, mainly of people and street scenes in Chicago and New York during the 1950s and 1960s, but only became famous in the early 21st century. 2230:

movement was culturally specific to colonizer societies like the United States and the United Kingdom, and was thus not representative of indigenous systems of gender and sexuality.

157: 751:, in 1891, quickly becoming a leading photographer of royalty, fashionable women and children. At the height of her career, she employed 60 women and took up to 15 sittings a day. 1989:

visual narratives that aesthetically tell the stories of diverse groups of people. Not only is she able to evoke emotional responses through her storytelling, but through design,

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during the 1930s and 1940s, turned to photography in the 1960s. In her second career, she became known for her pictures of tribal life in southern Sudan through her books

1288:(1874–1902) was the first female photojournalist to report on a war. Though technically, women were banned from the war zone, she reported on the Spanish-American War for 1179: 1698:(1858–1935) gained international attention as an amateur photographer after she began producing fine portraits and flower studies. She soon became a member of London's 2088:

aesthetics" in these images, and elaborated her kind of criticism of the foreigner's view and interpretation of archaic African lifestyles in her collection of essays

2664: 598: 571: 5121:"Lesbians Seeing Lesbians: Building Community in Early Feminist Photography. A historical perspective on the Leslie/Lohman Museum of Gay and Lesbian Art exhibition" 5716: 1048:(1902–1985), who eventually emigrated to Australia, also embarked on her photographic career in Vienna. She is remembered for her scenes of the Jewish market in 795: 5292: 3999: 3071:

Tonna, Caroline (2018). "Women and early photography in Malta: Adelaide Conroy and Lucrezia Preziosi". In Abela, Joan; Buttigieg, Emanuel; Attard, Alex (eds.).

5669: 478: 186: 1342:(1906–1971) was the first foreigner to photograph Soviet industry as well as the first female war correspondent and the first woman photographer to work for 864: 3054: 3566: 178: 550:, became interested in photography in 1856, recording the signature moments of her life in hundreds of self-portraits, often wearing theatrical costumes. 407:

became Finland's first famous female photographer in the late 1860s. The Netherlands had its first professional female photographer the same decade, were

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Värmland förr och nu 1984. Karlstad framför kameran. Bromander, Carl Wilhelm: Från dagerrotypi till kamerakonst. Ett yrkes åttioårshistoria i Karlstad.

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in 1902. Zaida Ben-Yusuf was a woman who made a living independently despite the limited number of careers open to women in the twentieth century. The

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in 1852. After a slow start, business picked up and she ran the studio until 1885 when she transferred it to her nephew. In 1863, German photographer

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Villarreal, Ignacio. "Discover the Art of Cincinnati's Own Charley and Edie Harper at the Cincinnati Art Museum". artdaily.com. Retrieved 2017-03-11.

2796: 417: 108:, a botanist, was also introduced to photography by Fox Talbot, who explained his "photogenic drawing" technique to her as well as his camera-based 5049: 4970: 4705: 1164: 863:

There are several documented instances of women operating studios alone or with their husbands during and prior to the 1860s. One example is Mrs.

448: 147:, and the first person to photograph a snowman. Her images of nature and the domestic lives of women and children in 1840s and 1850s 19th century 5166: 1870:

things (Birt). As society has evolved, African-American photographers have been critical in the preservation of authentic portrayals of images

94:, one of the key players in the development of photography in the 1830s and 1840s, had herself experimented with the process as early as 1839. 5076:

Muzzarelli, Federica (2 October 2018). "Women Photographers and Female Identities: Annemarie Schwarzenbach, New Dandy and Lesbian Chic Icon".

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to photograph displaced farm families and migrant workers. Distributed free to newspapers, her images became icons of the times. The novelist

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opened their own photograph studio in St. Louis, Missouri, in 1903, with their photographs appearing frequently in local and national media.

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and Bertha Valerius belonging to the elite of their profession. In 1888, the first woman, Anna Hwass, became a member of the board of the

6426: 1101:(1898–1991) is best known for her black-and-white photography of New York City from 1929 to 1938. Much of the work was created under the 770:, of German and Algerian descent, emigrated from Britain to the United States in 1895. She established a portrait studio on New York' s 5875: 5711: 5619: 3458: 5745: 2038:, working in the last year of the war. She was one of the first women to achieve a photography career beyond the mere "camera girl". 2016:. Whether conceptually, methodically, or creatively, each of these photographers have contributed to her approach in different ways. 543: 493: 3355: 1362:

also photographed families affected by the Great Depression, especially in rural Mississippi, producing a remarkable body of work.

1211:(1870–1942) is credited with being America's earliest female photojournalist, photographing the Massachusetts state prison for the 6042: 2054:

found growing world-wide audiences, and some women photojournalists became famous through their work on exotic places and people.

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and others. Her vivid portraits from the early 1930s bring out the features of the face as if drawn by an artist. The American

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in New York City. In her own words: "If my photographs have any meaning, it's that they stand for a Mexico that once existed."

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a photography studio in Paris, specialising in photographic paper reproduction of masterpieces of religious paintings, such as

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New Exhibition Resurrects Legacy of Groundbreaking Photographer: Ben-Yusuf produced memorable portraits that captured an era

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texte, Cercle de la librairie (France) Auteur du; texte, Bibliothèque nationale (France) Auteur du (17 November 1855).

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Heather Waldroup, "Ethnographic Pictorialism: Caroline Gurrey’s Hawaiian Types at the Alaska–Yukon–Pacific Exposition"

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Landeshauptstadt Dresden. Der Oberbürgermeister, Gleichstellungsbeauftragte für Frau und Mann, Dresden 2005, page 32.

1715:(1875–1927) is remembered for her series on mixed-race children taken in Hawaii from 1904. Many were exhibited at the 1516: 196: 6836: 6706: 5492: 5342: 4805: 4507: 4385: 3624: 3257: 3104: 3080: 3032: 2028: 1097:, is remembered for her images of Native Americans and Southwestern landscapes, especially those taken in the 1930s. 4573: 1838: 673:

studio from 1867. After his death in 1871, she continued to run the business until shortly before she died in 1900.

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that have earned them renown for their aesthetically crafted images of the Dinka's ancient ways of cattle raising.

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captures arresting, usually posed, images of the famous and the unknown, publishing photographs for the covers of

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has been awarded to outstanding work in press photography since 1942. The first woman to receive the award was

2429: 1961: 1503: 1377: 1299: 1036:(1895–1990), who gained fame with a nude series of the dancer Claire Bauroff before moving on to New York, and 759: 720:

studio in 1884 when she was only 28, soon becoming Denmark's first female court photographer with portraits of

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in the late 1840s. After Disdéri left her for Paris in 1847, she continued to run the business alone. In 1855,

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and its people at the end of the 19th century. Rediscovered in the 1970s, they were published in book form as

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pioneered the use of photographic studios as fashionable meeting places for the Austro-Hungarian aristocracy.

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worked with her spouse in his studio from 1853, and managed it in her own name when she was widowed in 1863.

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Surrealism continued to attract the interest of women photographers in the second half of the 20th century.

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in Paris before returning to New York. She created some of the most striking nude photographs of the times.

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in Stockholm became official photographer of the Royal Swedish court (later followed as such by her student

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Two British women are remembered for their early contributions to artistic photography. In the late 1850s,

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Pioneer Photographers from the Mississippi to the Continental Divide: A Biographical Dictionary, 1840–1865

2250:. Operating for two decades, until 2003, Format represented women photographers including Jackie Chapman, 5780: 4459: 2460: 1355: 681: 235:

of them in 1844. She was also professionally engaged in taking portraits from 1843. Some 20 years later,

1655: 910:(1857–1920) who experimented with printing techniques was like Käsebier elected a member of the British 6756: 6481: 6446: 4307: 4105: 3965: 2962:

Mike Merritt, "The Scottish aristocrat whose pioneering photography drew admiration from Lewis Carroll"

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which has preceded Photo-Secession in promoting photography as an art form. The German-born Canadian

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Defining eye: women photographers of the 20th century: selections from the Helen Kornblum collection

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in 1854 and went on to contribute architectural views of Kent with waxed-paper negatives. In Italy,

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taking pictures of family, friends and politicians from 1883 and doing all the developing herself.

1650:(1907–1993) displayed elements of Surrealism throughout her career, especially in her portraits of 1383: 1045: 510: 5167:"Art, photography & architecture: Wilmer, Val (12 of 13). Oral History of British Photography" 3889: 3702: 2303:

Some contemporary women photographers of note who were born in the 1950s and early 1960s include:

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in the 1880s before emigrating to the United States where she photographed Native Americans in

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began to take photographs. The earliest images were landscapes taken on the Hawarden estate in

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was probably Germany's first professional female photographer. In 1843, she opened a studio in

4471: 3945:"Visionary Artists at the Carnegie Arts Center :: AEQAI". aeqai.com. Retrieved 2017-03-11 3689: 2839: 2713: 2650: 1409:(1920–2002) was the first female national press photographer and the first woman to cover the 1109:. It has provided a historical chronicle of many now-destroyed buildings and neighborhoods of 424: 380:

from the beginning of the 1850s. She is however remembered above all for the fine portrait of

228: 6811: 6746: 6726: 6711: 6591: 6147: 6057: 5920: 5760: 5368: 4319: 3768: 3608: 3522: 2617: 1950: 1590: 1453: 1339: 1327: 801: 701: 535: 363: 323: 136: 6137: 5391: 1647: 1117: 949: 894: 263: 143:, John's younger sister (1816–1906) is considered to be the earliest female photographer in 6751: 6691: 6641: 6526: 5991: 5885: 5846: 5679: 5592: 2378: 2198: 2103: 2070: 1691: 1556: 1499: 1311: 1303: 1121: 748: 721: 385: 87: 5222: 4356: 3936:

Bauer, Marilyn (4 August 2002). "Cincinnati Modernists Reunited". The Cincinnati Enquirer.

2735: 2398: 1094: 930: 890: 517:, Ireland. After the family moved to London, in 1862 she converted the first floor of her 8: 6856: 6846: 6786: 6721: 6601: 6581: 6561: 6541: 6416: 6266: 6256: 6063: 5984: 5979: 5895: 5800: 5785: 5706: 5664: 4032: 2754:"Bibliographie de la France : ou Journal général de l'imprimerie et de la librairie" 2437: 1844: 1806: 1749: 1745: 1707: 1687: 1541: 1272: 1208: 1102: 1072: 562: 4408: 2813: 1670:(1951–1994) created a prolific body of work inspired by artists such as Jerry Uelsmann. 6866: 6731: 6606: 6506: 6471: 6251: 6241: 6047: 6006: 5861: 5841: 5644: 5101: 4653: 4615: 4528: 4234: 4004: 3829: 3692:", The Library of Congress, Prints and Photographs Reading Room. Retrieved 15 May 2013. 3640: 3583:

Martha A. Sandweiss, "Laura Gilpin and the Tradition of American Landscape Photography"

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Contemporary women photographers continue to break ground in the field of photography.

1772: 1695: 1667: 1401: 1290: 740: 725: 635: 231:(1817–1880) began to take daguerreotypes of Swiss scenic views around 1842, publishing 168: 4267: 4133: 6791: 6761: 6686: 6666: 6651: 6616: 6586: 6551: 6421: 6316: 6306: 6188: 6170: 6094: 6079: 6067: 6052: 6026: 5955: 5856: 5740: 5674: 5554: 5531: 5509: 5488: 5467: 5439: 5418: 5397: 5323: 5267: 5149: 5139: 5105: 5093: 5028: 5005: 4995: 4989: 4941: 4830: 4801: 4771: 4713: 4686: 4676: 4503: 4391: 4381: 4337: 4238: 4226: 3973: 3776: 3620: 3544: 3420: 3413: 3216: 3100: 3076: 3028: 2989: 2980:, Woman Photographers, UCR/California Museum of Photography. Retrieved 13 April 2013. 2845: 2623: 2551: 2517: 2332: 2156: 2076: 2009: 1969: 1740: 1659: 1631: 1414: 1323: 1033: 338:

was one of the first to use the new photographic technique in Gothenburg in 1851–52.

312: 271: 151:, pushing the boundaries of what could be considered as worthy photographic subjects. 3309:"PROJECT Elizabeth Beachbard: Pioneering Ambrotypist in the American Civil War 2018" 3196: 2312: 359: 6871: 6861: 6851: 6801: 6741: 6716: 6636: 6621: 6571: 6491: 6451: 6436: 6401: 6386: 6366: 6361: 6286: 6271: 6261: 6246: 6231: 6226: 6221: 6099: 6089: 5950: 5880: 5851: 5827: 5689: 5085: 4645: 4607: 4446: 4442: 4378:

Silent witnesses : representations of working-class women in the United States

4251: 4218: 3641:"Women Photojournalists (Prints and Photographs Reading Room, Library of Congress)" 2382: 2366: 2354: 2340: 2259: 1904: 1900: 1880: 1406: 1371: 1347: 1331: 1037: 882: 831: 666: 518: 91: 42: 5089: 4053: 3474: 3358:, Women Photographers, UCR/California Museum of Photography. Retrieved 8 May 2013. 2753: 2443:

In 2000, Marcia Reed (born 1948), the first female still photographer to join the

1643: 1615:(1907–1997) also developed her interest in Surrealism in France, associating with 1452:(1979), she lived for six weeks with the patients in the women's security ward of 685: 404: 246:

was an early professional in the photography business. Together with her husband,

6900: 6826: 6816: 6806: 6781: 6771: 6701: 6681: 6661: 6611: 6556: 6536: 6521: 6476: 6461: 6441: 6376: 6331: 6301: 6296: 6281: 6236: 6183: 6074: 5775: 5524: 5503: 5482: 5461: 5433: 5412: 5170: 4934:"Graciela Iturbide's Photos of Mexico Make 'Visible What, to Many, Is Invisible'" 4138: 4078: 3924: 3857: 3773:

An Encyclopedia of American Women at War: From the Home Front to the Battlefields

3570: 3386: 3022: 2996: 2899: 2545: 2511: 2304: 2271: 2206: 2146: 2111: 2061: 2035: 2005: 1787: 1735: 1731: 1712: 1703: 1699: 1458: 1429: 1425: 1343: 1226: 1185: 1098: 911: 898: 846: 767: 643: 392: 355: 351: 279: 251: 236: 95: 62: 46: 38: 5547: 3905: 2892: 1748:(1903–1940) was the first woman photographer active in Hollywood, where she ran 1616: 1603:

A number of women used photography as a medium for expressing their interest in

638:

operated in her name between 1864 and 1871 from 74, Strada della Marina, Isola (

469: 339: 292:

together with her husband and ran the business herself after his death in 1847.

6876: 6796: 6776: 6736: 6696: 6656: 6631: 6626: 6576: 6546: 6531: 6501: 6496: 6456: 6406: 6351: 6346: 6336: 6311: 6276: 6132: 6084: 5996: 5935: 5890: 3308: 2579:"Bodleian Library launches £2.2m bid to stop Fox Talbot archive going overseas" 2433: 2362: 2350: 2344: 2328: 2255: 2239: 2202: 2126: 2090: 1981: 1888: 1623:(1907–1977) combined her fashion photography with Surrealism, associating with 1522: 1476: 1470: 1351: 1136: 1076: 1071:

which she developed in a darkroom on a houseboat were exhibited in 2008 at the

1068: 1003: 755: 484: 373: 335: 275: 148: 1576:

Rio de Janeiro's waterfront and the Morro de Castello from the Ilha das Cobras

646:

was operating alongside her husband, James Conroy (mentor to the photographer

526:

in 1863 and 1864. Even more widely recognized for pioneering artistic work is

350:

also included photography among the arts she practiced in the 1860s. In 1864,

21: 6915: 6671: 6646: 6596: 6566: 6516: 6511: 6431: 6341: 6127: 6001: 5962: 5940: 5925: 5726: 5271: 5097: 4945: 4834: 4775: 4717: 4230: 4000:"Mary Ellen Mark, Photographer Who Documented Difficult Subjects, Dies at 75" 3977: 3850: 3616: 2394: 2386: 2370: 2358: 2336: 2293: 2286: 2211: 2134: 2119: 1942: 1884: 1757: 1752:'s portrait studio from 1925 to 1930, photographing numerous stars including 1624: 1487: 1464: 1389: 1285: 534:

movement at the beginning of the 20th century and is now widely appreciated.

327: 301: 293: 259: 117: 5153: 4690: 4433:

Goodman, Helen (Winter 1995). "Elizabeth Buehrmann, American Pictorialist".

4395: 3917: 3582: 3380:"'I shall be glad to see them': Gertrude Käsebier's Show Indian Photographs" 1920: 1338:, known for its dedication to the sharp-focus rendition of simple subjects. 754:

One of the first female photographers to open a studio in New York City was

5945: 5750: 5589:

What Was It Like to Be a Woman Photographer in the 19th and 20th Centuries?

5188: 5054: 5009: 4110: 2418: 2390: 2374: 2251: 2186: 2130: 2095: 2081: 2065: 2046:

During the second half of the 20the century, illustrated magazines such as

2032: 1825: 1720: 1635: 1608: 1507: 1359: 1298:(1875–1937) was an explorer whose expedition photographs were published in 1257: 1170: 1090: 1029: 1025: 968: 903: 886: 876: 816: 771: 744: 662: 650:), from 1872 until around 1880 from premises at 56 and 134 Strada Stretta, 547: 531: 347: 255: 202: 140: 99: 54: 50: 5293:"'Women in Photography' explores diverse possibilities of familiar medium" 4205: 2932:

Tove Hansen, "Kvinders fotografi Kvindelige fotografer i Danmark før 1900"

2915: 658: 630:

In the 1860s and 1870s, women ran independent studios in two locations in

5414:

Illuminations: Women Writing on Photography from the 1850s to the Present

4222: 3326: 2320: 2219: 2178: 2115: 2001: 1990: 1753: 1651: 1428:(20 March 1940 – 25 May 2015) was an American photographer known for her 1410: 1307: 1213: 915: 907: 902:

prominent pictorialists included Käsebier's assistant Alice Boughton and

408: 322:

In Sweden too, women entered the photography business at an early stage.

232: 163: 105: 66: 4532: 2483:

The book, with text by Elizabeth McCausland, was republished in 1973 as

2316: 4657: 4619: 2343:. Younger contemporary photographers (born in the early 1970s) include 2324: 2308: 2247: 2223: 2150: 2051: 1913: 1724: 1620: 1604: 1335: 1151: 1060: 786: 717: 713: 377: 376:, one of Denmark's earliest women photographers, probably practiced in 65:

also had its beginnings in the early 1900s but slowly picked up during

5393:

The Positive Image: Women Photographers in Turn-Of-The-Century America

2181:(1830–1919) is thought to be the earliest known lesbian photographer. 1334:, and industrial landscapes. She was a member of the California-based 766:

becoming one of the city's most distinguished portrait photographers.

239:(1841–1926) became one of the first women professional photographers. 4547: 4483: 4058: 2214:(b. 1944) published the first photo anthology of lesbians portraits, 1612: 1110: 889:, became widely recognized. Among Stieglitz' closest associates were 577:

Clementina Hawarden: Clementina Maude in a dramatic posture (c. 1862)

316: 121: 113: 5120: 4649: 4611: 3055:

Giovanni Bonello, "More notes for a history of photography in Malta"

2041: 1085:

Photographing Montana 1894–1928: The Life and Work of Evelyn Cameron

1049: 5694: 5597: 5050:"Artists Attack! Ten Lesbian Photographers You Should Know (About)" 4380:. Bowling Green, OH: Bowling Green State University Popular Press. 3021:

Munhall, Edgar; Whistler, James McNeill; Collection, Frick (1995).

1559:: Signing of the Treaty of Versailles in the Hall of Mirrors (1919) 1241: 1079:(1868–1928) took an extensive series of remarkably clear images of 670: 651: 331: 109: 25:

An early woman amateur photographer. Kodak advertisement from 1918.

4706:"MEDIA: Magazines; Rise of the Visual Puts Words on the Defensive" 3459:"Vienna’s Shooting Girls — Jewish Women Photographers from Vienna" 3449:, Canadian Women Artists History Initiative. Retrieved 8 May 2013. 3379: 343: 98:

attributes to her a hazy image of a short verse by the Irish poet

5320:

Women Photographers: From Julia Margaret Cameron to Cindy Sherman

4738: 4636:

Birt, Rodger (Autumn 1997). "Coreen Simpson: An Interpretation".

4074:"Mary Ellen Mark: Renowned documentary photographer dies aged 75" 2173: 2085: 1663: 1593:: Aerial photo of the inner city of the destroyed Wurzburg (1945) 1080: 729: 709: 705: 697: 639: 403:

both opened their studios in 1859, followed by four others until

297: 289: 4882:""Dinka: Legendary cattle keepers of Sudan". African ceremonies" 3665: 2246:

was set up in 1983, from an idea conceived by Maggie Murray and

1256:

Weeding beans on a Dutch truck farm outside Winnipeg, Manitoba (

918:(1861–1943) was also an early female member of the Linked Ring. 789:: Queen Victoria with Princess Beatrice at Windsor Castle (1895) 5765: 5136:

The Contest of meaning : critical histories of photography

3541:

Wild Beauty: Photographs of the Columbia River Gorge, 1867–1957

2107: 2013: 1639: 1064: 1021: 677: 396: 102:, which would make her the earliest known female photographer. 3595:"Changing New York: Photographs by Berenice Abbott, 1935–1938" 2080:("The Nuba People of Kau"). While American photography critic 1498:, the 2014 Lifetime Achievement in Photography Award from the 132:, said to be the first book with photographic illustrations. 5699: 5654: 4028:"Beloved Documentary Photographer Mary Ellen Mark Dies at 75" 3370:, National Museum of Women in the Arts. Retrieved 8 May 2013. 2258:, Sheila Gray, Paula Glassman, Judy Harrison, Pam Isherwood, 1792:

Portrait of a Japanese-Hawaiian and a Portuguese-Hawaiian Boy

858: 733: 631: 565:: Her costumed daughters Clementina Maude and Isabella (1861) 400: 305: 144: 125: 5569:

Women photographers: the other observers 1900 to the present

4296:

Krzysztof Fijałkowski, "Emila Medková: The Magic of Despair"

3585:, Women Artists of the American West. Retrieved 15 May 2013. 3298:

published 2 May 2008, www.america.gov. Retrieved 7 May 2013.

1502:

and the Outstanding Contribution Photography Award from the

3927:, Associated Press, 25 January 2002. Retrieved 15 May 2013. 2883:

Dahlman, Eva: Kvinnliga pionjärer, osynliga i fotohistorien

2290:, representing a broad survey of American popular culture. 2133:

in southern Sudan and other African ethnic groups like the

1960:

Her work can be found in museums across the country at the

1041: 704:(1839–1913), who had learnt photography with her family in 86:

Women were however involved in photography from the start.

5223:"Ultimate Format | Format Women Photographers 1983 – 2003" 4598:

Birt, Rodger (1987). "Coreen Simpson: An Interpretation".

4488:. Seattle: University of Washington Press. pp. 21–40. 4411:, Massachusetts Historical Society. Retrieved 14 May 2013. 4334:

Enchanted Realities: The Photography of Merry Moor Winnett

2451:

Lifetime Achievement Award for Still Photography in 2000.

1544:: William Howard Taft at the St. Louis World's Fair (1904) 1105:; a selection was first published in book form in 1939 as 346:

in 1860, opening a studio there the following year, while

49:

movement which he founded in 1902 in support of so-called

3020: 2218:

in 1979. Other influential lesbian photographers include

604:

Julia Margaret Cameron: Portrait of Charles Darwin (1868)

4474:, University of Oregon Libraries. Retrieved 15 May 2013. 3906:"Women Come to the Front: Marvin Breckinridge Patterson" 1852: 1202: 616:

Julia Margaret Cameron: "Blackberry Gathering" (c. 1869)

3813: 3236:

Aase Bak, "Benedicte Wrensted", in Sys Hartmann (ed.),

2999:, San Francisco Museum of Art. Retrieved 13 April 2013. 2000:

The four greatest influences of Simpson's work include

1642:

in the south of France. From the late 1940s, The Czech

1193: 308:

in Holland and opened her studio E. Kirchner & Co.

5670:

Gender representation on corporate boards of directors

5574:"Finding Aid to the Joan E. Biren Papers, 1944–2011." 3808:"Helen Johns Kirtland (1890–1979): Biographical Essay" 3346:, Minneapolis Institute of Arts. Retrieved 8 May 2013. 2831: 1369:(1905–2002) published her world travel photographs in 315:(1802–1886) is reported to have made daguerrotypes in 41:, which promoted artistic photography from the 1880s, 4932:

Nieves, Evelyn; Iturbide, Graciela (8 January 2019).

4739:"Behind The Lens With Prizewinning 'Women Of Vision'" 4500:

Ruth Harriet Louise and Hollywood Glamour Photography

4125: 4019: 1040:(1904–1942) who died in a Nazi concentration camp in 172:, in the young state; and in fruit" (cyanotype, 1843) 5463:

The History of Photography: from 1839 to the present

4994:(First ed.). Washington, D.C.: Glad Hag Books. 4162:"The Best Street Photographer You've Never Heard Of" 4094: 3150:"Bonfils and the early photography of the Near East" 2513:

The history of photography: from 1839 to the present

2102:

positively. Riefenstahl later also photographed the

1055: 3798:, Yahoo News, 30 April 2012. Retrieved 15 May 2013. 3024:

Whistler and Montesquiou: the butterfly and the bat

2487:; in 1997 a much larger selection was published as 130:

Photographs of British Algae: Cyanotype Impressions

5956:Film directors, cinematographers and screenwriters 5546: 5435:Seizing the Light: A Social History of Photography 5322:. London: Prestel Publishing Ltd. pp. 8–226. 4423:, The J. Paul Getty Museum. Retrieved 15 May 2013. 4204: 4054:Long, Andrew. "Brilliant Careers: Mary Ellen Mark" 3752:Eaman, Ross (2009). "Benjamin, Anna (1874-1902)". 3412: 3277:. Brookhaven and South Haven Hamlets. 23 June 1943 2838:Palmquist, Peter E.; Kailbourn, Thomas R. (2005). 2837: 2413:(1872–1938) was the first woman to be awarded the 2125:Among 14 books published by American photographer 1673: 1067:at the end of the 19th century. Her images of the 1063:(1860–1927) began taking landscape photographs in 1015: 689:1885 until her evacuation to Cairo in 1914 on the 621: 5576:Five College Archive and Manuscripts Collections. 5260:"Female Artists Are (Finally) Getting Their Turn" 4375: 3597:, New York Public Library. Retrieved 17 May 2013. 3411:Homer, William Innes; Johnson, Catherine (2002). 3401:, The J. Paul Getty Museum. Retrieved 8 May 2013. 2369:. Some recent contemporary photographers include 2042:International women photographers after the 1950s 1972:(Minneapolis), and many others around the world. 1506:, she received many other awards of recognition. 665:opened a studio in Tokyo, Japan. In New Zealand, 6913: 5886:Science, technology, engineering and mathematics 4670: 4065: 3523:Helen Ennis, "Michaelis, Margarethe (1902–1985)" 1456:. Her photos can be found in major magazines in 758:who had studied both art and photography at the 135:Another botanist and keen amateur photographer, 4523:Bey, Dawoud (Summer 2009). "Carrie Mae Weems". 3260:, UCL Bloomsbury project. Retrieved 8 May 2013. 2916:Wilhelmina Stålberg, P. G. Berg, "Sofia Ahlbom" 2162: 4931: 4484:Barbara Head Millstein and Susan Lowe (1992). 4310:, Manchester Galleries. Retrieved 26 May 2013. 4298:, Tate, 1 October 2005. Retrieved 26 May 2013. 3991: 3135:Encyclopedia of Nineteenth-Century Photography 2978:"Artistic Portraiture: Julia Margaret Cameron" 1949:Receiving her education in photography at the 499:Thora Hallager: Hans Christian Andersen (1869) 5613: 5410: 3908:, Library of Congress. Retrieved 15 May 2013. 3810:, Library of Congress. Retrieved 15 May 2013. 3177:British Library Endangered Archives Programme 3099:, Rutland, Vermont: Charles E. Tuttle, 2006. 2879: 2877: 2653:, Michael Pritchard. Retrieved 11 April 2013. 1928: 669:assisted her husband George with work in his 5358:, Washingtonpost.com. Retrieved 26 May 2013. 4673:Viewfinders : black women photographers 4462:, Mixed Race Studies. Retrieved 14 May 2013. 3543:. Corvallis: Oregon State University Press. 3410: 3075:. Malta: Kite Publishing. pp. 259–271. 2918:, "Anteckningar om svenska qvinnor" (1864). 2844:. Stanford University Press. pp. 366–. 2780:Straßennamen in Dresden – Reine Männersache? 2689:(in German). fotostiftung.ch. Archived from 2662: 1662:(1958–1981), influenced by André Breton and 1422:Cincinnati Contemporary Art Center in 1961. 774:in 1897 where she photographed celebrities. 700:women were quick to open their own studios. 4100: 3963: 3538: 2968:, 7 February 2013. Retrieved 13 April 2013. 2711: 2679: 2585:, 9 December 2012. Retrieved 11 April 2013. 2547:Fox Talbot and the invention of photography 2537: 2127:Carol Beckwith and Australian Angela Fisher 2074:(translated as "The Last of the Nuba") and 906:(1869–1950) with her images of nude women. 691:Ottoman Empire entering the First World War 5620: 5606: 5317: 5075: 4134:"In Memoriam: Mary Ellen Mark (1940–2015)" 3890:T.A. Frail, "Eudora Welty as Photographer" 3251: 2874: 2751: 2622:. Laurence King Publishing. pp. 35–. 2503: 1690:(1843–1885) was one of America's earliest 1486:. In 1977 to 1998, she became a member of 859:History of Female Photographers in America 804:with a client in her Aalborg studio (1910) 222: 5480: 5452:Lahs-Gonzales, Olivia, and Lucy Lippard. 5356:"Pulitzer Pictures: Capturing the Moment" 5249:, Infoplease. Retrieved 14 December 2015. 5237:, Infoplease. Retrieved 14 December 2015. 5203:""Format Photographers Agency 1983–2003"" 5118: 5025:The Queer Encyclopedia of the Visual Arts 4905: 4486:Consuelo Kanaga, An American Photographer 4252:Donald Goddard, "Dora Maar: Photographer" 3819: 3775:. Bloomsbury Publishing USA. p. 71. 3666:"Prints & Photographs Online Catalog" 3230: 2609: 1173:: Mission Church at Rancho de Taos (1930) 5501: 4331: 4308:"Artist Biographies: Lola Alvarez Bravo" 4280:"Henriette Grindat or the nonconformist" 4193:, 6 January 2008. Retrieved 26 May 2013. 3820:Blaustein, Jonathan (11 December 2014). 3137:. New York: Routledge. pp. 173–174. 2543: 1919: 1638:, with whom she published images of the 388:opened her studio in the 1850s as well. 20: 5459: 5048:Bernard, Marie Lyn (27 February 2012). 5047: 5022: 4968: 4964: 4962: 4675:. New York: Writers & Readers Pub. 4502:, University of California Press 2002; 4432: 4371: 4369: 4131: 3633: 3573:, Visit Montana. Retrieved 15 May 2013. 3484: 3415:Stieglitz and the Photo-Secession, 1902 3170: 3132: 2509: 2447:also became the first women to win the 1052:taken in the 1930s. Lotte Meitner-Graf 762:. In 1890, she opened a studio on East 457:: The Wehnert-Beckmann studio (c. 1850) 217:Mary Dillwyn, The Snowman No. 2 c. 1853 6914: 5553:. Knopf, distributed by Random House. 5544: 5522: 5431: 5369:"PAST SOC LIFETIME ACHIEVEMENT AWARDS" 5133: 4856:"BIOGRAPHY: Leni Riefenstahl Lifetime" 4795: 4631: 4629: 4518: 4516: 4206:"Claude Cahun: an experimental biopic" 4202: 4025: 3997: 3766: 3760: 3011:, Luminous Lint. Retrieved 7 May 2013. 2771: 2705: 2615: 2597: 2201:movement in the United States and the 1980:Making her mark as a photojournalist, 1188:: Blossom Restaurant, New York (1935) 342:became a professional photographer in 6205: 5601: 5389: 5119:Eloit, Ilana; Katz, Jonathan (2011). 4987: 4971:"Photography: Lesbian, Pre-Stonewall" 4820: 4800:. London: Penguin Books. p. 11. 4591: 4159: 4047: 3769:"Benjamin, Anna Northend (1874-1902)" 3751: 3613:In Real Life: Six Women Photographers 3606: 3147: 3070: 1853:African-American women in photography 1203:Pioneers - late 1800s and early 1900s 538:and her two sisters exhibited at the 504: 72: 45:encouraged several women to join the 6153:Gender representation in video games 5627: 4959: 4906:Goldblatt, David (6 February 2018). 4764:"Fascinating Fascism | Susan Sontag" 4703: 4635: 4597: 4366: 4071: 3896:, April 2009. Retrieved 20 May 2013. 2790: 2593: 2591: 2445:International Cinematographers Guild 2233: 1775:: Young woman with lilies (c. 1900) 1440:that also became a documentary with 1302:. She served as a correspondent for 1194:Photojournalism and documentary work 870: 250:who is remembered for patenting the 128:. She published them in 1843 in her 120:, she was able to produce cyanotype 5456:. The Saint Louis Art Museum, 1997. 4626: 4522: 4513: 3822:"An In-Depth History of Group f.64" 3754:Historical Dictionary of Journalism 3344:"Get the Picture: Alfred Stieglitz" 3197:"Frederikke Federspiel (1839–1913)" 3121:Dictionary of New Zealand Biography 2489:Berenice Abbott: Changing New York. 2197:In the late twentieth century, the 1985:in photojournalism was heightened. 1955:University of California, San Diego 1894: 1492:Robert F. Kennedy Journalism Awards 13: 5411:Heron, Liz; Williams, Val (1996). 5383: 3527:Australian Dictionary of Biography 3289: 3240:, København: Rosinante 1994–2000. 2818:depthoffield.universiteitleiden.nl 2740:Oxford Companion to the Photograph 2216:Eye to Eye, Portraits of Lesbians, 2060:, a German filmmaker who had made 991:, portrait of Evelyn Nesbit (1903) 739:After studying photography at the 112:process. After learning about the 14: 6943: 5582: 4991:Eye to Eye: Portraits of Lesbians 4821:Welty, Eudora (1 December 1974). 4671:Moutoussamy-Ashe, Jeanne (1993). 4545: 4409:"Marian Hooper Adams Photographs" 4270:, V&A. Retrieved 26 May 2013. 4203:Thynne, Lizzie (1 January 2002). 3874:Corinna Wu, "American Eyewitness" 3771:. In Frank, Lisa Tendrich (ed.). 3507:"Claire Beck-Loos und Adolf Loos" 3171:Chemali, Yasmine (7 March 2014). 2942:Retrieved 12 April February 2013. 2814:"Depth of Field | Scherptediepte" 2588: 2192: 1975: 1314:(1890–1979) where she worked for 1280: 1139:: Alec Flower, her brother (1898) 1056:Landscapes and street photography 472:: Portrait of Ida Hultgren (1863) 81: 6894: 5814: 5484:A History of Women Photographers 5361: 5348: 5336: 5311: 5285: 5252: 5240: 5228: 5216: 5195: 5176: 5160: 5127: 5112: 5069: 5041: 5016: 4981: 4925: 4899: 4874: 4848: 4814: 4789: 4756: 4731: 4697: 4664: 4566: 4539: 4492: 4477: 4465: 4453: 4187:"Claude Cahun: The surreal deal" 4132:Laurent, Olivier (26 May 2015). 3690:"Jessie Tarbox Beals (1870–1942) 3609:"Lola Álvarez Bravo (1907-1993)" 3315:. PALMQUIST PHOTO RESEARCH FUND. 3027:. Frick Collection. p. 42. 2990:"Julia Margaret Cameron's Women" 2466:Timeline of women in photography 2242:the women's photographic agency 1937: 1837: 1818: 1799: 1780: 1765: 1583: 1564: 1549: 1534: 1515: 1354:(1895–1965) was employed by the 1265: 1249: 1234: 1178: 1163: 1144: 1129: 996: 980: 961: 942: 923: 851:Mrs. Fiske, 'Love finds the way' 839: 824: 809: 794: 779: 609: 597: 582: 570: 555: 492: 477: 462: 447: 442:: Cimetière de Plougastel (1856) 432: 416: 296:opened a daguerrotype studio in 210: 195: 177: 156: 5138:. Cambridge, Mass.: MIT Press. 4638:Black American Literature Forum 4600:Black American Literature Forum 4426: 4414: 4402: 4350: 4325: 4313: 4301: 4289: 4273: 4261: 4245: 4196: 4179: 4153: 3998:Grimes, William (26 May 2015). 3957: 3948: 3939: 3930: 3911: 3899: 3883: 3867: 3844: 3801: 3789: 3745: 3720: 3695: 3683: 3658: 3600: 3588: 3576: 3557: 3532: 3516: 3500: 3468: 3452: 3440: 3404: 3392: 3373: 3361: 3349: 3337: 3319: 3301: 3263: 3221:Dansk Kvindebiografisk Leksikon 3210: 3201:Dansk Kvindebiografisk Leksikon 3190: 3164: 3141: 3126: 3110: 3097:Photography in Japan: 1853–1912 3089: 3064: 3048: 3014: 3002: 2983: 2971: 2955: 2945: 2925: 2909: 2886: 2865: 2806: 2745: 2728: 2619:Photography: A Cultural History 2477: 2265: 2129:, there are photographs of the 1717:Alaska–Yukon–Pacific Exposition 1674:Evolving American participation 1496:National Endowment for the Arts 1217:in 1899. She was then hired by 1016:Women photographers from Vienna 885:its artistic potential, termed 747:(1857–1939) opened a studio in 728:(1859–1949) opened a studio in 622:Studio work in the 19th century 6206: 5530:. Metropolitan Museum of Art. 5487:. Abbeville Press Publishers. 4447:10.1080/03087298.1995.10443589 4332:Harrison, Cherl (April 2021). 4322:, Tate. Retrieved 26 May 2013. 4026:Dobnik, Verena (26 May 2015). 3918:"Remembering Marion Carpenter" 3756:. Scarecrow Press. p. 87. 3475:Lisa Silverman, "Madame d'Ora" 3173:"The Good Woman named Bonfils" 2656: 2643: 2571: 2449:Society of Operating Cameramen 2430:Pulitzer Prize for Photography 1504:World Photography Organisation 819:: Pauline Waldorf Astor (1904) 760:Pratt School of Art and Design 487:: Niels Frederik Larsen (1863) 16:Women working as photographers 1: 5134:Bolton, Richard, ed. (1989). 5090:10.1080/01973762.2018.1444129 4858:. 2 July 2014. Archived from 4823:"Africa And Paris And Russia" 4357:Peter E. Palmquist, "Preface" 4320:"Francesca Woodman 1958–1981" 4072:Saul, Heather (27 May 2015). 3964:O'Hagan, Sean (27 May 2015). 3271:"Obituary for Alice Boughton" 2736:"Geneviève Élisabeth Disdéri" 2496: 1598: 1494:, three fellowships from the 1367:Marvin Breckinridge Patterson 1326:(1883–1976) is known for her 1156:Early Morning above Vancouver 834:: Rewi Manga Maniapoto (1879) 384:she took in 1869. In Norway, 6121:Portrayal in American comics 5502:Sullivan, Constance (1990). 4908:"The Fragility of Existence" 4768:The New York Review of Books 4704:Carr, David (1 April 2002). 4361:Women in Photography Archive 3148:Gavin, Carney E. S. (1978). 2712:Marc Herren (8 April 2015). 2616:Marien, Mary Warner (2006). 2167: 2163:Lesbian women in photography 1682: 423:Thun Castle, daguerrotye by 248:André-Adolphe-Eugène Disdéri 7: 3539:Toedtemeier, Terry (2008). 2461:List of women photographers 2454: 1356:Resettlement Administration 540:London Photographic Society 440:Geneviève Élisabeth Disdéri 254:process, she established a 244:Geneviève Élisabeth Disdéri 116:process from its inventor, 10: 6948: 5460:Newhall, Beaumont (1982). 5318:Friedewald, Boris (2014). 4376:Ellis, Jacqueline (1998). 4284:Journal de la Photographie 4106:"Mary Ellen Mark obituary" 3966:"Mary Ellen Mark obituary" 3796:"8 Unsung Women Explorers" 3248:. Retrieved 30 April 2013. 3238:Weilbachs Kunstnerleksikon 2797:Rita Bake, "Emilie Bieber" 2742:. Retrieved 12 April 2013. 2510:Newhall, Beaumont (1982). 2415:Royal Photographic Society 2141:(born 1949) is a Namibian 1997:those of her inspiration. 1966:Museum of Contemporary Art 1857: 1244:(Gerhard Sisters, ca 1904) 874: 661:together with her husband 370:('Photographic Society'). 6889: 6212: 6201: 6163: 6108: 6022: 5904: 5823: 5812: 5637: 5633: 5481:Rosenblum, Naomi (2010). 4886:Google Arts & Culture 4498:Dance, R.; B. Robertson, 4472:"Doris Ulmann Collection" 4211:Journal of Media Practice 3767:Prieto, Laura R. (2013). 3479:Jewish Women Encyclopedia 3061:. Retrieved 8 March 2019. 2404: 1862:Photographs are pictures 1093:(1891–1979), mentored by 205:, probable self portrait 5746:Journalism and the media 5578:Retrieved 18 April 2019. 5466:. Museum of Modern Art. 5023:Summers, Claude (2004). 4969:Corinne, Tee A. (2015). 4363:. Retrieved 14 May 2013. 4286:. Retrieved 26 May 2013. 4258:. Retrieved 26 May 2013. 3923:29 November 2010 at the 3880:. Retrieved 15 May 2013. 3864:. Retrieved 15 May 2013. 3569:31 December 2013 at the 3529:. Retrieved 13 May 2013. 3481:. Retrieved 13 May 2013. 3465:. Retrieved 13 May 2013. 3227:Retrieved 30 April 2013. 3217:Tove Thage, "Mary Steen" 3207:Retrieved 30 April 2013. 3154:Harvard Library Bulletin 2922:Retrieved 12 April 2013. 2803:Retrieved 12 April 2013. 2787:Retrieved 12 April 2013. 2651:"Llewelyn, John Dillwyn" 2516:. Museum of Modern Art. 2485:New York in the Thirties 2471: 2143:documentary photographer 2139:Margaret Courtney-Clarke 2110:and published photos of 2029:Elizabeth "Tex" Williams 2024:Elizabeth "Tex" Williams 1658:. During her short life 1046:Margaret Michaelis-Sachs 973:Soul of the Blasted Pine 511:Lady Clementina Hawarden 268:Photographie catholique, 5712:Conservatives in the US 5685:Explorers and travelers 5432:Hirsch, Robert (2008). 4988:Biren, Joan E. (1979). 3851:"Margaret Bourke-White" 3389:. Retrieved 8 May 2013. 3123:. Retrieved 7 May 2013. 3009:"Caroline Emily Nevill" 2995:11 October 2015 at the 2906:Retrieved 12 April 2013 2716:(in German). foto-ch.ch 2544:Buckland, Gail (1980). 2205:movement following the 1434:documentary photography 1419:Army Corps of Engineers 455:Bertha Wehnert-Beckmann 382:Hans Christian Andersen 368:Fotografiska föreningen 286:Bertha Wehnert-Beckmann 223:The first professionals 6927:History of photography 6014:In Shakespeare's works 5523:Taylor, Roger (2007). 5184:"Raissa Page obituary" 5027:. Simon and Schuster. 4796:Sontag, Susan (1977). 4435:History of Photography 3615:. New York, New York: 3607:Sills, Leslie (2000). 3513:Retrieved 13 May 2013. 3497:Retrieved 13 May 2013. 3385:3 January 2015 at the 3133:Hannavy, John (2008). 2667:(in German). Speyer.de 1925: 1879:photographers include 1811:H. Adams & Marquis 1692:portrait photographers 1572:Harriet Chalmers Adams 1296:Harriet Chalmers Adams 1008:Two Women under a Tree 590:Julia Margaret Cameron 528:Julia Margaret Cameron 399:and Hedvig Keppler of 334:as early as 1845, and 311:In the United States, 26: 6932:Feminism and the arts 5771:Nobel Prize laureates 5571:. Virago Press, 1986. 5545:Tucker, Anne (1973). 5390:Gover, C. J. (1988). 4554:. Lisa Goodlin Design 3258:"Photographic Studio" 2665:"Franziska Möllinger" 2114:and celebreties like 2036:military photographer 1993:, and color as well. 1951:School of Visual Arts 1923: 1591:Margaret Bourke-White 1454:Oregon State Hospital 1340:Margaret Bourke-White 1328:botanical photography 802:Frederikke Federspiel 708:, opened a studio in 702:Frederikke Federspiel 536:Caroline Emily Nevill 364:Caroline von Knorring 324:Brita Sofia Hesselius 137:John Dillwyn Llewelyn 29:The participation of 24: 6837:United Arab Emirates 5867:in the United States 5680:Economic development 5593:J. Paul Getty Museum 5192:, 21 September 2011. 4578:Lorna Simpson Studio 4421:"Sarah Choate Sears" 4223:10.1386/jmpr.2.3.168 3894:Smithsonian magazine 3825:(Includes slideshow) 3491:"Fleischmann, Trude" 3368:"Eva Watson-Schütze" 2417:medal. It was for a 2379:Ilana Panich-Linsman 2199:second wave feminist 2006:Baron Adolph DeMeyer 1962:Museum of Modern Art 1953:in New York and the 1847:: Greta Garbo (1927) 1830:Southern Mountaineer 1744:exhibition in 1955. 1557:Helen Johns Kirtland 1500:George Eastman House 1490:. Besides receiving 1365:In the early 1930s, 1312:Helen Johns Kirtland 1219:The Buffalo Inquirer 1122:Museum of Modern Art 749:Gower Street, London 524:Photographic Society 386:Marie Magdalene Bull 187:Cystoseira granulata 88:Constance Fox Talbot 37:Following Britain's 31:women in photography 6922:Women photographers 6901:Feminism portal 6822:Trinidad and Tobago 6143:Speculative fiction 6038:Theological figures 5985:Feminist philosophy 5786:Reproductive rights 5717:heads of government 5665:Female entrepreneur 5505:Women Photographers 4770:. 6 February 1975. 4546:Weems, Carrie Mae. 4033:The Huffington Post 3856:15 May 2013 at the 3463:The Times of Israel 3356:"Gertrude Kasebier" 3327:"Camp Moore Deaths" 3313:palmquistgrants.com 3275:Long Island Advance 3117:"Pulman, Elizabeth" 3073:Parallel Existences 2898:7 June 2009 at the 2693:on 22 December 2015 2649:Michael Pritchard, 2438:Redding, California 2048:National Geographic 1968:(Chicago), and the 1845:Ruth Harriet Louise 1807:Marian Hooper Adams 1750:Metro-Goldwyn-Mayer 1746:Ruth Harriet Louise 1708:Elizabeth Buehrmann 1688:Marian Hooper Adams 1542:Jessie Tarbox Beals 1417:(1922–2010) was an 1378:National Geographic 1300:National Geographic 1273:Jessie Tarbox Beals 1103:Federal Art Project 1073:Portland Art Museum 987:Gertrude Käsebier: 865:Elizabeth Beachbard 682:Marie-Lydie Bonfils 563:Clementina Hawarden 425:Franziska Möllinger 233:lithographic copies 229:Franziska Möllinger 190:" (cyanotype, 1843) 6397:Dominican Republic 5796:Violence and abuse 5781:Positions of power 5375:. 6 December 2014. 5264:The New York Times 5182:Amanda Hopkinson, 4938:The New York Times 4827:The New York Times 4710:The New York Times 4548:"Carrie Mae Weems" 4256:New York Art World 4005:The New York Times 3830:The New York Times 3619:. pp. 31–39. 3509:, Café Marquardt. 2778:Nicole Schönherr, 2714:"Gossauer, Alwina" 2687:"Gossauer, Alwina" 2663:Hopstock, Katrin. 2598:Bohata, K (2018). 2104:1972 Olympic Games 1926: 1773:Sarah Choate Sears 1696:Sarah Choate Sears 1668:Merry Moor Winnett 1648:Lola Álvarez Bravo 1396:Town & Country 1118:Lola Álvarez Bravo 950:Eva Watson-Schütze 895:Eva Watson-Schütze 741:London Polytechnic 726:Benedicte Wrensted 722:Princess Alexandra 712:in the mid-1870s. 636:Sarah Ann Harrison 592:: "Sadness" (1864) 505:Pioneering artists 319:as early as 1848. 264:Madame Vaudé-Green 169:Dictyota dichotoma 73:Early participants 27: 6909: 6908: 6885: 6884: 6197: 6196: 6138:Fictional pirates 5951:Films about women 5931:Art history field 5591:- Q&A by the 5560:978-0-394-48678-9 5537:978-1-58839-225-1 5515:978-0-8109-3950-9 5473:978-0-87070-381-2 5445:978-0-07-337921-0 5424:978-1-86064-041-4 5403:978-1-4384-0457-8 5354:Frank Van Riper, 5329:978-3-7913-8466-5 5297:The Seattle Times 5266:. 29 March 2016. 5235:"Annie Leibovitz" 5034:978-1-57344-874-1 4343:978-0-9906948-1-6 4160:Kotlowitz, Alex. 3782:978-1-59884-444-3 3550:978-0-87071-418-4 3493:, Austria-Forum. 3426:978-0-670-03038-5 3419:. Viking Studio. 3399:"Anne W. Brigman" 3331:Camp Moore Deaths 2938:, Vol 29 (1990). 2936:Fund og Forskning 2851:978-0-8047-4057-9 2734:Kelly E. Wilder, 2629:978-1-85669-493-3 2557:978-0-87923-307-5 2523:978-0-87070-381-2 2399:Genevieve Cadieux 2333:Ellen von Unwerth 2234:UK women's agency 2157:Graciela Iturbide 2010:Joel Peter Witkin 1970:Walker Art Center 1660:Francesca Woodman 1632:Henriette Grindat 1324:Imogen Cunningham 1306:in Europe during 1304:Harper's Magazine 1107:Changing New York 1095:Gertrude Käsebier 1034:Trude Fleischmann 931:Gertrude Käsebier 891:Gertrude Käsebier 871:The pictorialists 313:Sarah Louise Judd 272:Peter Paul Rubens 6939: 6899: 6898: 6897: 6203: 6202: 6071: 5818: 5635: 5634: 5628:Women in society 5622: 5615: 5608: 5599: 5598: 5564: 5552: 5541: 5519: 5498: 5477: 5449: 5428: 5407: 5377: 5376: 5365: 5359: 5352: 5346: 5340: 5334: 5333: 5315: 5309: 5308: 5306: 5304: 5299:. 29 August 2017 5289: 5283: 5282: 5280: 5278: 5256: 5250: 5244: 5238: 5232: 5226: 5220: 5214: 5213: 5207: 5199: 5193: 5180: 5174: 5164: 5158: 5157: 5131: 5125: 5124: 5116: 5110: 5109: 5084:(3–4): 265–292. 5078:Visual Resources 5073: 5067: 5066: 5064: 5062: 5045: 5039: 5038: 5020: 5014: 5013: 4985: 4979: 4978: 4966: 4957: 4956: 4954: 4952: 4929: 4923: 4922: 4920: 4918: 4903: 4897: 4896: 4894: 4892: 4878: 4872: 4871: 4869: 4867: 4852: 4846: 4845: 4843: 4841: 4818: 4812: 4811: 4793: 4787: 4786: 4784: 4782: 4760: 4754: 4753: 4751: 4749: 4735: 4729: 4728: 4726: 4724: 4701: 4695: 4694: 4668: 4662: 4661: 4633: 4624: 4623: 4595: 4589: 4588: 4586: 4584: 4570: 4564: 4563: 4561: 4559: 4543: 4537: 4536: 4520: 4511: 4496: 4490: 4489: 4481: 4475: 4469: 4463: 4457: 4451: 4450: 4430: 4424: 4418: 4412: 4406: 4400: 4399: 4373: 4364: 4354: 4348: 4347: 4329: 4323: 4317: 4311: 4305: 4299: 4293: 4287: 4277: 4271: 4265: 4259: 4249: 4243: 4242: 4208: 4200: 4194: 4183: 4177: 4176: 4174: 4172: 4157: 4151: 4150: 4148: 4146: 4129: 4123: 4122: 4120: 4118: 4098: 4092: 4091: 4089: 4087: 4069: 4063: 4051: 4045: 4044: 4042: 4040: 4023: 4017: 4016: 4014: 4012: 3995: 3989: 3988: 3986: 3984: 3961: 3955: 3952: 3946: 3943: 3937: 3934: 3928: 3915: 3909: 3903: 3897: 3887: 3881: 3871: 3865: 3862:Women in History 3848: 3842: 3841: 3839: 3837: 3826: 3817: 3811: 3805: 3799: 3793: 3787: 3786: 3764: 3758: 3757: 3749: 3743: 3742: 3740: 3738: 3724: 3718: 3717: 3715: 3713: 3699: 3693: 3687: 3681: 3680: 3678: 3676: 3662: 3656: 3655: 3653: 3651: 3637: 3631: 3630: 3604: 3598: 3592: 3586: 3580: 3574: 3561: 3555: 3554: 3536: 3530: 3520: 3514: 3512: 3504: 3498: 3496: 3488: 3482: 3472: 3466: 3456: 3450: 3444: 3438: 3437: 3435: 3433: 3418: 3408: 3402: 3396: 3390: 3377: 3371: 3365: 3359: 3353: 3347: 3341: 3335: 3334: 3323: 3317: 3316: 3305: 3299: 3293: 3287: 3286: 3284: 3282: 3267: 3261: 3255: 3249: 3243: 3234: 3228: 3226: 3214: 3208: 3206: 3194: 3188: 3187: 3185: 3183: 3168: 3162: 3161: 3145: 3139: 3138: 3130: 3124: 3114: 3108: 3095:Bennett, Terry. 3093: 3087: 3086: 3068: 3062: 3052: 3046: 3045: 3043: 3041: 3018: 3012: 3006: 3000: 2987: 2981: 2975: 2969: 2959: 2953: 2949: 2943: 2941: 2929: 2923: 2921: 2913: 2907: 2905: 2902:, Malmö Museer. 2890: 2884: 2881: 2872: 2869: 2863: 2862: 2860: 2858: 2835: 2829: 2828: 2826: 2824: 2810: 2804: 2802: 2794: 2788: 2786: 2775: 2769: 2768: 2766: 2764: 2749: 2743: 2732: 2726: 2725: 2723: 2721: 2709: 2703: 2702: 2700: 2698: 2683: 2677: 2676: 2674: 2672: 2660: 2654: 2647: 2641: 2640: 2638: 2636: 2613: 2607: 2606: 2604: 2595: 2586: 2575: 2569: 2568: 2566: 2564: 2550:. D. R. Godine. 2541: 2535: 2534: 2532: 2530: 2507: 2491: 2481: 2383:Delphine Fawundu 2367:Shirana Shahbazi 2355:Hellen van Meene 2341:Carrie Mae Weems 2260:Roshini Kempadoo 2222:(1943–2006) and 2077:Die Nuba von Kau 2062:propaganda films 2058:Leni Riefenstahl 1964:(New York), the 1929:Susan "Sue" Ross 1905:Carrie Mae Weems 1901:Portland, Oregon 1895:Carrie Mae Weems 1881:Carrie Mae Weems 1841: 1822: 1803: 1784: 1769: 1587: 1568: 1553: 1538: 1519: 1407:Marion Carpenter 1348:Great Depression 1269: 1253: 1238: 1182: 1167: 1148: 1133: 1000: 984: 965: 946: 927: 893:(1852–1934) and 883:Alfred Stieglitz 843: 832:Elizabeth Pulman 828: 813: 798: 783: 684:and her husband 667:Elizabeth Pulman 613: 601: 586: 574: 559: 546:, a mistress of 544:Virginia Oldoini 519:South Kensington 496: 481: 466: 451: 436: 420: 227:In Switzerland, 214: 199: 181: 160: 92:Henry Fox Talbot 43:Alfred Stieglitz 6947: 6946: 6942: 6941: 6940: 6938: 6937: 6936: 6912: 6911: 6910: 6905: 6895: 6893: 6881: 6208: 6193: 6176:Football/soccer 6159: 6109:Popular culture 6104: 6061: 6031: 6018: 5973:Science fiction 5914: 5900: 5835: 5819: 5810: 5791:Venture capital 5756:Law enforcement 5660:Animal advocacy 5629: 5626: 5585: 5567:Williams, Val. 5561: 5549:The Woman's Eye 5538: 5516: 5495: 5474: 5446: 5438:. McGraw-Hill. 5425: 5404: 5386: 5384:Further reading 5381: 5380: 5367: 5366: 5362: 5353: 5349: 5343:"The Awakening" 5341: 5337: 5330: 5316: 5312: 5302: 5300: 5291: 5290: 5286: 5276: 5274: 5258: 5257: 5253: 5247:"Cindy Sherman" 5245: 5241: 5233: 5229: 5221: 5217: 5205: 5201: 5200: 5196: 5181: 5177: 5171:British Library 5165: 5161: 5146: 5132: 5128: 5117: 5113: 5074: 5070: 5060: 5058: 5046: 5042: 5035: 5021: 5017: 5002: 4986: 4982: 4967: 4960: 4950: 4948: 4930: 4926: 4916: 4914: 4904: 4900: 4890: 4888: 4880: 4879: 4875: 4865: 4863: 4854: 4853: 4849: 4839: 4837: 4819: 4815: 4808: 4794: 4790: 4780: 4778: 4762: 4761: 4757: 4747: 4745: 4737: 4736: 4732: 4722: 4720: 4702: 4698: 4683: 4669: 4665: 4650:10.2307/2904032 4634: 4627: 4612:10.2307/2904032 4596: 4592: 4582: 4580: 4574:"Lorna Simpson" 4572: 4571: 4567: 4557: 4555: 4544: 4540: 4521: 4514: 4497: 4493: 4482: 4478: 4470: 4466: 4458: 4454: 4431: 4427: 4419: 4415: 4407: 4403: 4388: 4374: 4367: 4355: 4351: 4344: 4330: 4326: 4318: 4314: 4306: 4302: 4294: 4290: 4278: 4274: 4266: 4262: 4250: 4246: 4201: 4197: 4184: 4180: 4170: 4168: 4158: 4154: 4144: 4142: 4130: 4126: 4116: 4114: 4104:(27 May 2015). 4099: 4095: 4085: 4083: 4079:The Independent 4070: 4066: 4062:, 28 March 2000 4052: 4048: 4038: 4036: 4024: 4020: 4010: 4008: 3996: 3992: 3982: 3980: 3962: 3958: 3953: 3949: 3944: 3940: 3935: 3931: 3925:Wayback Machine 3916: 3912: 3904: 3900: 3888: 3884: 3872: 3868: 3858:Wayback Machine 3849: 3845: 3835: 3833: 3824: 3818: 3814: 3806: 3802: 3794: 3790: 3783: 3765: 3761: 3750: 3746: 3736: 3734: 3726: 3725: 3721: 3711: 3709: 3701: 3700: 3696: 3688: 3684: 3674: 3672: 3664: 3663: 3659: 3649: 3647: 3639: 3638: 3634: 3627: 3605: 3601: 3593: 3589: 3581: 3577: 3571:Wayback Machine 3562: 3558: 3551: 3537: 3533: 3521: 3517: 3510: 3505: 3501: 3494: 3489: 3485: 3473: 3469: 3457: 3453: 3445: 3441: 3431: 3429: 3427: 3409: 3405: 3397: 3393: 3387:Wayback Machine 3378: 3374: 3366: 3362: 3354: 3350: 3342: 3338: 3325: 3324: 3320: 3307: 3306: 3302: 3294: 3290: 3280: 3278: 3269: 3268: 3264: 3256: 3252: 3241: 3235: 3231: 3224: 3215: 3211: 3204: 3195: 3191: 3181: 3179: 3169: 3165: 3146: 3142: 3131: 3127: 3115: 3111: 3094: 3090: 3083: 3069: 3065: 3053: 3049: 3039: 3037: 3035: 3019: 3015: 3007: 3003: 2997:Wayback Machine 2988: 2984: 2976: 2972: 2960: 2956: 2950: 2946: 2939: 2930: 2926: 2919: 2914: 2910: 2903: 2900:Wayback Machine 2891: 2887: 2882: 2875: 2870: 2866: 2856: 2854: 2852: 2836: 2832: 2822: 2820: 2812: 2811: 2807: 2800: 2795: 2791: 2784: 2776: 2772: 2762: 2760: 2750: 2746: 2733: 2729: 2719: 2717: 2710: 2706: 2696: 2694: 2685: 2684: 2680: 2670: 2668: 2661: 2657: 2648: 2644: 2634: 2632: 2630: 2614: 2610: 2602: 2596: 2589: 2576: 2572: 2562: 2560: 2558: 2542: 2538: 2528: 2526: 2524: 2508: 2504: 2499: 2494: 2482: 2478: 2474: 2457: 2407: 2305:Rineke Dijkstra 2272:Annie Leibovitz 2268: 2236: 2207:Stonewall riots 2195: 2170: 2165: 2147:photojournalist 2112:underwater life 2044: 1978: 1940: 1931: 1897: 1860: 1855: 1848: 1842: 1833: 1823: 1814: 1804: 1795: 1788:Caroline Gurrey 1785: 1776: 1770: 1736:Edward Steichen 1732:Consuelo Kanaga 1713:Caroline Gurrey 1704:Photo-Secession 1702:and New York's 1685: 1676: 1656:María Izquierdo 1601: 1594: 1588: 1579: 1569: 1560: 1554: 1545: 1539: 1530: 1520: 1430:photojournalism 1426:Mary Ellen Mark 1402:Harper's Bazaar 1317:Leslie's Weekly 1291:Leslie's Weekly 1283: 1276: 1270: 1261: 1258:Edith S. Watson 1254: 1245: 1239: 1227:Gerhard Sisters 1205: 1196: 1189: 1186:Berenice Abbott 1183: 1174: 1168: 1159: 1149: 1140: 1134: 1099:Berenice Abbott 1075:. British-born 1058: 1018: 1011: 1001: 992: 985: 976: 966: 957: 947: 938: 935:Chief Iron Tail 928: 899:Photo-Secession 879: 873: 861: 854: 847:Zaida Ben-Yusuf 844: 835: 829: 820: 814: 805: 799: 790: 784: 768:Zaida Ben-Yusuf 644:Adelaide Conroy 624: 617: 614: 605: 602: 593: 587: 578: 575: 566: 560: 507: 500: 497: 488: 482: 473: 467: 458: 452: 443: 437: 428: 421: 393:Caroline Becker 356:Selma Jacobsson 352:Bertha Valerius 330:photography in 280:Nicolas Poussin 252:carte de visite 237:Alwina Gossauer 225: 218: 215: 206: 200: 191: 182: 173: 161: 96:Richard Ovenden 84: 75: 63:photojournalism 47:Photo-Secession 17: 12: 11: 5: 6945: 6935: 6934: 6929: 6924: 6907: 6906: 6904: 6903: 6890: 6887: 6886: 6883: 6882: 6880: 6879: 6874: 6869: 6864: 6859: 6854: 6849: 6844: 6842:United Kingdom 6839: 6834: 6829: 6824: 6819: 6814: 6809: 6804: 6799: 6794: 6789: 6784: 6779: 6774: 6769: 6764: 6759: 6754: 6749: 6744: 6739: 6734: 6729: 6724: 6719: 6714: 6709: 6704: 6699: 6694: 6689: 6684: 6679: 6674: 6669: 6664: 6659: 6654: 6649: 6644: 6639: 6634: 6629: 6624: 6619: 6614: 6609: 6604: 6599: 6594: 6589: 6584: 6579: 6574: 6569: 6564: 6559: 6554: 6549: 6544: 6539: 6534: 6529: 6524: 6519: 6514: 6509: 6504: 6499: 6494: 6489: 6484: 6479: 6474: 6469: 6464: 6459: 6454: 6449: 6444: 6439: 6434: 6429: 6424: 6419: 6414: 6409: 6404: 6399: 6394: 6389: 6384: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6314: 6309: 6304: 6299: 6294: 6289: 6284: 6279: 6274: 6269: 6264: 6259: 6254: 6249: 6244: 6239: 6234: 6229: 6224: 6219: 6213: 6210: 6209: 6199: 6198: 6195: 6194: 6192: 6191: 6186: 6181: 6178: 6173: 6167: 6165: 6161: 6160: 6158: 6157: 6156: 6155: 6145: 6140: 6135: 6130: 6125: 6124: 6123: 6112: 6110: 6106: 6105: 6103: 6102: 6097: 6092: 6087: 6082: 6077: 6072: 6055: 6050: 6045: 6040: 6034: 6032: 6030: 6029: 6023: 6020: 6019: 6017: 6016: 6011: 6010: 6009: 6004: 5994: 5989: 5988: 5987: 5977: 5976: 5975: 5965: 5960: 5959: 5958: 5953: 5948: 5946:"Chick flicks" 5938: 5933: 5928: 5923: 5917: 5915: 5913: 5912: 5909: 5905: 5902: 5901: 5899: 5898: 5893: 5888: 5883: 5878: 5873: 5872: 5871: 5870: 5869: 5854: 5849: 5844: 5838: 5836: 5834: 5833: 5830: 5824: 5821: 5820: 5813: 5811: 5809: 5808: 5803: 5798: 5793: 5788: 5783: 5778: 5773: 5768: 5763: 5758: 5753: 5748: 5743: 5738: 5737: 5736: 5735: 5734: 5724: 5722:heads of state 5719: 5714: 5704: 5703: 5702: 5692: 5687: 5682: 5677: 5672: 5667: 5662: 5657: 5652: 5641: 5639: 5631: 5630: 5625: 5624: 5617: 5610: 5602: 5596: 5595: 5584: 5583:External links 5581: 5580: 5579: 5572: 5565: 5559: 5542: 5536: 5520: 5514: 5499: 5493: 5478: 5472: 5457: 5450: 5444: 5429: 5423: 5417:. I.B.Tauris. 5408: 5402: 5396:. SUNY Press. 5385: 5382: 5379: 5378: 5360: 5347: 5335: 5328: 5310: 5284: 5251: 5239: 5227: 5225:, Photofusion. 5215: 5194: 5175: 5159: 5144: 5126: 5111: 5068: 5040: 5033: 5015: 5000: 4980: 4958: 4924: 4898: 4873: 4862:on 2 July 2014 4847: 4813: 4806: 4798:On photography 4788: 4755: 4730: 4696: 4681: 4663: 4644:(3): 289–304. 4625: 4606:(3): 289–304. 4590: 4565: 4552:carriemaeweems 4538: 4527:(108): 60–67. 4512: 4491: 4476: 4464: 4452: 4441:(4): 338–341. 4425: 4413: 4401: 4386: 4365: 4349: 4342: 4324: 4312: 4300: 4288: 4272: 4260: 4244: 4217:(3): 168–174. 4195: 4178: 4152: 4124: 4093: 4064: 4046: 4018: 3990: 3956: 3947: 3938: 3929: 3910: 3898: 3882: 3866: 3843: 3812: 3800: 3788: 3781: 3759: 3744: 3719: 3694: 3682: 3657: 3632: 3625: 3599: 3587: 3575: 3556: 3549: 3531: 3515: 3499: 3483: 3467: 3451: 3447:"Keene, Minna" 3439: 3425: 3403: 3391: 3372: 3360: 3348: 3336: 3318: 3300: 3288: 3262: 3250: 3229: 3209: 3189: 3163: 3140: 3125: 3109: 3088: 3081: 3063: 3059:Times of Malta 3047: 3033: 3013: 3001: 2982: 2970: 2954: 2944: 2924: 2908: 2893:"Hilda Sjölin" 2885: 2873: 2864: 2850: 2830: 2805: 2799:, Hamburg.de. 2789: 2770: 2744: 2727: 2704: 2678: 2655: 2642: 2628: 2608: 2587: 2577:Maev Kennedy, 2570: 2556: 2536: 2522: 2501: 2500: 2498: 2495: 2493: 2492: 2475: 2473: 2470: 2469: 2468: 2463: 2456: 2453: 2434:Virginia Schau 2406: 2403: 2363:Viviane Sassen 2351:Rinko Kawauchi 2345:Lynsey Addario 2329:Bettina Rheims 2313:Jitka Hanzlová 2267: 2264: 2256:Melanie Friend 2240:United Kingdom 2235: 2232: 2212:Joan. 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Biren 2203:gay liberation 2194: 2193:Post-Stonewall 2191: 2169: 2166: 2164: 2161: 2091:On Photography 2043: 2040: 1982:Coreen Simpson 1977: 1976:Coreen Simpson 1974: 1939: 1936: 1930: 1927: 1896: 1893: 1889:Coreen Simpson 1859: 1856: 1854: 1851: 1850: 1849: 1843: 1836: 1834: 1824: 1817: 1815: 1805: 1798: 1796: 1786: 1779: 1777: 1771: 1764: 1730:In the 1930s, 1684: 1681: 1675: 1672: 1600: 1597: 1596: 1595: 1589: 1582: 1580: 1570: 1563: 1561: 1555: 1548: 1546: 1540: 1533: 1531: 1527:Migrant Mother 1523:Dorothea Lange 1521: 1514: 1477:New York Times 1471:The New Yorker 1352:Dorothea Lange 1282: 1281:Other pioneers 1279: 1278: 1277: 1275:at work (1904) 1271: 1264: 1262: 1255: 1248: 1246: 1240: 1233: 1207:Canadian-born 1204: 1201: 1195: 1192: 1191: 1190: 1184: 1177: 1175: 1169: 1162: 1160: 1150: 1143: 1141: 1137:Evelyn Cameron 1135: 1128: 1077:Evelyn Cameron 1069:Columbia River 1057: 1054: 1017: 1014: 1013: 1012: 1004:Alice Boughton 1002: 995: 993: 986: 979: 977: 967: 960: 958: 948: 941: 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Camp Moore. 3332: 3328: 3322: 3314: 3310: 3304: 3297: 3292: 3276: 3272: 3266: 3259: 3254: 3247: 3239: 3233: 3222: 3218: 3213: 3202: 3198: 3193: 3178: 3174: 3167: 3160:(4): 445–446. 3159: 3155: 3151: 3144: 3136: 3129: 3122: 3118: 3113: 3106: 3105:0-8048-3633-7 3102: 3098: 3092: 3084: 3082:9789995750565 3078: 3074: 3067: 3060: 3056: 3051: 3036: 3034:9782080135773 3030: 3026: 3025: 3017: 3010: 3005: 2998: 2994: 2991: 2986: 2979: 2974: 2967: 2963: 2958: 2948: 2937: 2933: 2928: 2917: 2912: 2901: 2897: 2894: 2889: 2880: 2878: 2868: 2853: 2847: 2843: 2842: 2834: 2819: 2815: 2809: 2798: 2793: 2782: 2781: 2774: 2759: 2755: 2748: 2741: 2737: 2731: 2715: 2708: 2692: 2688: 2682: 2666: 2659: 2652: 2646: 2631: 2625: 2621: 2620: 2612: 2601: 2594: 2592: 2584: 2580: 2574: 2559: 2553: 2549: 2548: 2540: 2525: 2519: 2515: 2514: 2506: 2502: 2490: 2486: 2480: 2476: 2467: 2464: 2462: 2459: 2458: 2452: 2450: 2446: 2441: 2439: 2435: 2431: 2426: 2424: 2423:The Awakening 2420: 2416: 2412: 2402: 2400: 2396: 2395:Laura Aguilar 2392: 2388: 2387:Shirin Neshat 2384: 2380: 2376: 2372: 2371:Petra Collins 2368: 2364: 2360: 2359:Zanele Muholi 2356: 2352: 2349: 2346: 2342: 2338: 2337:JoAnn Verburg 2334: 2330: 2326: 2322: 2318: 2314: 2310: 2306: 2301: 2297: 2295: 2294:Cindy Sherman 2291: 2289: 2288: 2287:Rolling Stone 2283: 2279: 2278: 2273: 2263: 2261: 2257: 2253: 2249: 2245: 2241: 2231: 2227: 2225: 2221: 2217: 2213: 2208: 2204: 2200: 2190: 2188: 2182: 2180: 2175: 2160: 2158: 2154: 2152: 2148: 2144: 2140: 2136: 2132: 2128: 2123: 2121: 2120:Bianca Jagger 2117: 2113: 2109: 2105: 2101: 2097: 2093: 2092: 2087: 2083: 2079: 2078: 2073: 2072: 2067: 2063: 2059: 2055: 2053: 2049: 2039: 2037: 2034: 2030: 2026: 2025: 2021: 2017: 2015: 2011: 2007: 2003: 1998: 1994: 1992: 1986: 1983: 1973: 1971: 1967: 1963: 1958: 1956: 1952: 1947: 1944: 1943:Lorna Simpson 1938:Lorna Simpson 1935: 1924:Lorna Simpson 1922: 1918: 1915: 1909: 1906: 1902: 1892: 1890: 1886: 1885:Lorna Simpson 1882: 1877: 1873: 1869: 1865: 1846: 1840: 1835: 1831: 1827: 1821: 1816: 1812: 1808: 1802: 1797: 1793: 1789: 1783: 1778: 1774: 1768: 1763: 1762: 1761: 1759: 1758:Joan Crawford 1755: 1751: 1747: 1743: 1742: 1741:Family of Man 1737: 1733: 1728: 1726: 1722: 1718: 1714: 1709: 1705: 1701: 1697: 1693: 1689: 1680: 1671: 1669: 1665: 1661: 1657: 1653: 1649: 1645: 1644:Emila Medková 1641: 1637: 1633: 1628: 1626: 1625:Pablo Picasso 1622: 1618: 1614: 1610: 1606: 1592: 1586: 1581: 1577: 1573: 1567: 1562: 1558: 1552: 1547: 1543: 1537: 1532: 1528: 1524: 1518: 1513: 1512: 1511: 1509: 1505: 1501: 1497: 1493: 1489: 1488:Magnum Photos 1485: 1484: 1479: 1478: 1473: 1472: 1467: 1466: 1465:Rolling Stone 1461: 1460: 1455: 1451: 1447: 1443: 1439: 1435: 1431: 1427: 1423: 1420: 1416: 1412: 1408: 1404: 1403: 1398: 1397: 1392: 1391: 1386: 1385: 1380: 1379: 1374: 1373: 1368: 1363: 1361: 1357: 1353: 1349: 1346:. 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