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Symbolon

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While Symbolon is not a programmatic or narrative work, I am certain that it was inspired by its circumstances. From the beginning I knew that the piece would receive its first performance in the Soviet Union, and I found this profoundly moving. I am sure that my complex feelings, embracing both hope
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It works very well as absolute music, filled with emotion of a less specific nature and structural logic that carries itself in the ear. It's mostly vigorous (with lyrical episodes emphasizing soloistic coloration) and quite varied within its 16-minute duration. It left me wanting to hear it again
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is invoked in counterpoint to typical American sounds. Gradually, optimism takes over, and the work ends in heartwarming conciliation. Though Zwilich uses an elaborate orchestral lineup, the instrumentation is at all times transparent and never oppressive. On one hearing, Symbolon made a positive
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The word symbolon is basically a Greek term meaning token of friendship, and no doubt glasnost was on Zwilich's mind when she wrote this 16-minute tone poem. There's a good deal of conflict in its opening pages intriguingly,
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wrote, "The 15-minute score, which had its world premiere in Leningrad under Mr. Mehta during the Philharmonic's recent tour of the Soviet Union, is a true creature of its century, often glancing at
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on June 1, 1988. It was the first piece of American orchestral music to be premiered in the Soviet Union.
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and has a performance duration of approximately 16 minutes. The title comes from the Greek word for
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and sadness about the state of the political world, have found their way into this work.
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has been generally praised by music critics. Reviewing the United States premiere in
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not immediately, but perhaps a few weeks hence, to further absorb its beauties
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Croan, Robert (April 17, 1998). "Symphony performance runs cold and hot".
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The music is written for a large orchestra consisting of three
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and was completed on January 8, 1988. It is dedicated to
415:(June 15, 1988). "A Classical Token of Friendship". 362:"Toledo Symphony has big plans for the coming year" 655: 679:Music commissioned by the New York Philharmonic 464: 471: 457: 411: 359: 478: 387: 330: 326: 324: 322: 656: 360:F. Anthony, Wayne (February 3, 2018). 452: 435: 664:Compositions by Ellen Taaffe Zwilich 319: 295:Reviewing a 1998 performance by the 128:. The piece was commissioned by the 674:Compositions for symphony orchestra 13: 442:. John Robinson Block. p. 23. 174: 14: 690: 124:written by the American composer 640: 639: 429: 405: 381: 353: 147: 1: 313: 297:Pittsburgh Symphony Orchestra 230: 7: 132:for their 1988 tour of the 10: 695: 637: 610: 533: 486: 103: 93: 83: 68: 63: 53: 38: 30: 23: 16:Composition for orchestra 340:Theodore Presser Company 439:Pittsburgh Post-Gazette 302:Pittsburgh Post-Gazette 299:, Robert Croan of the 172: 72:June 1, 1988 332:Zwilich, Ellen Taaffe 282:similarly remarked, " 165: 130:New York Philharmonic 120:is a composition for 108:New York Philharmonic 480:Ellen Taaffe Zwilich 155:is cast in a single 126:Ellen Taaffe Zwilich 33:Ellen Taaffe Zwilich 31:Orchestral music by 418:New York Daily News 279:New York Daily News 588:Millennium Fantasy 423:Tribune Publishing 398:The New York Times 249:The New York Times 669:1988 compositions 651: 650: 595:Clarinet Concerto 566:American Concerto 391:(June 15, 1988). 113: 112: 686: 643: 642: 611:Other orchestral 559:Bassoon Concerto 494:Chamber Symphony 473: 466: 459: 450: 449: 444: 443: 433: 427: 426: 413:Zakariasen, Bill 409: 403: 402: 385: 379: 378: 376: 374: 357: 351: 350: 348: 346: 328: 79: 77: 49: 47: 21: 20: 694: 693: 689: 688: 687: 685: 684: 683: 654: 653: 652: 647: 633: 619:Concerto Grosso 606: 581:Violin Concerto 574:Peanuts Gallery 553:Double Concerto 529: 482: 477: 447: 434: 430: 410: 406: 386: 382: 372: 370: 358: 354: 344: 342: 329: 320: 316: 274:Bill Zekariasen 233: 177: 175:Instrumentation 150: 75: 73: 45: 43: 17: 12: 11: 5: 692: 682: 681: 676: 671: 666: 649: 648: 638: 635: 634: 632: 631: 623: 614: 612: 608: 607: 605: 604: 601:Cello Concerto 598: 592: 584: 578: 570: 562: 556: 550: 544: 541:Piano Concerto 537: 535: 531: 530: 528: 527: 524:Symphony No. 5 521: 518:Symphony No. 4 515: 512:Symphony No. 3 509: 506:Symphony No. 2 503: 500:Symphony No. 1 497: 490: 488: 484: 483: 476: 475: 468: 461: 453: 446: 445: 428: 404: 389:Henahan, Donal 380: 352: 317: 315: 312: 232: 229: 176: 173: 149: 146: 111: 110: 105: 101: 100: 95: 91: 90: 85: 81: 80: 70: 66: 65: 61: 60: 55: 51: 50: 40: 36: 35: 28: 27: 15: 9: 6: 4: 3: 2: 691: 680: 677: 675: 672: 670: 667: 665: 662: 661: 659: 646: 636: 629: 628: 624: 621: 620: 616: 615: 613: 609: 602: 599: 596: 593: 590: 589: 585: 582: 579: 576: 575: 571: 568: 567: 563: 560: 557: 554: 551: 548: 547:Oboe Concerto 545: 542: 539: 538: 536: 532: 525: 522: 519: 516: 513: 510: 507: 504: 501: 498: 495: 492: 491: 489: 485: 481: 474: 469: 467: 462: 460: 455: 454: 451: 441: 440: 432: 425:. p. 42. 424: 420: 419: 414: 408: 401:. p. 21. 400: 399: 394: 390: 384: 369: 368: 363: 356: 341: 337: 333: 327: 325: 323: 318: 311: 309: 304: 303: 298: 293: 291: 288: 281: 280: 275: 271: 267: 263: 259: 255: 251: 250: 245: 244:Donal Henahan 241: 240:New York City 237: 228: 226: 222: 218: 214: 210: 206: 202: 198: 194: 190: 186: 182: 171: 170: 164: 162: 158: 154: 145: 143: 139: 135: 131: 127: 123: 119: 118: 109: 106: 102: 99: 96: 92: 89: 86: 82: 71: 67: 62: 59: 56: 52: 41: 37: 34: 29: 26: 22: 19: 626: 625: 617: 586: 572: 564: 437: 431: 416: 407: 396: 383: 371:. Retrieved 365: 355: 343:. Retrieved 306: 300: 294: 287:Shostakovich 283: 277: 247: 235: 234: 178: 167: 166: 152: 151: 134:Soviet Union 116: 115: 114: 24: 18: 305:observed, " 148:Composition 138:Zubin Mehta 98:Zubin Mehta 58:Zubin Mehta 658:Categories 336:"Symbolon" 314:References 290:impression 262:Stravinsky 217:percussion 104:Performers 76:1988-06-01 54:Dedication 534:Concertos 373:August 6, 367:The Blade 345:August 4, 231:Reception 205:trombones 189:clarinets 142:Leningrad 122:orchestra 94:Conductor 88:Leningrad 645:Category 627:Symbolon 487:Symphony 334:(1988). 266:Messiaen 236:Symbolon 203:, three 201:trumpets 199:, three 193:bassoons 191:, three 183:, three 157:movement 153:Symbolon 117:Symbolon 84:Location 64:Premiere 39:Composed 25:Symbolon 276:of the 258:Strauss 225:strings 213:timpani 195:, four 187:, four 74: ( 44: ( 630:(1988) 622:(1985) 603:(2020) 597:(2002) 591:(2000) 583:(1997) 577:(1996) 569:(1994) 561:(1992) 555:(1991) 549:(1990) 543:(1986) 526:(2008) 520:(1999) 514:(1992) 508:(1985) 502:(1982) 496:(1979) 270:Carter 254:Bartok 223:, and 181:flutes 161:symbol 197:horns 185:oboes 375:2020 347:2020 260:and 221:harp 209:tuba 69:Date 46:1988 42:1988 310:." 292:." 272:." 268:or 246:of 660:: 421:. 395:. 364:. 338:. 321:^ 256:, 242:, 227:. 219:, 215:, 211:, 207:, 472:e 465:t 458:v 377:. 349:. 78:) 48:)

Index

Ellen Taaffe Zwilich
Zubin Mehta
Leningrad
Zubin Mehta
New York Philharmonic
orchestra
Ellen Taaffe Zwilich
New York Philharmonic
Soviet Union
Zubin Mehta
Leningrad
movement
symbol
flutes
oboes
clarinets
bassoons
horns
trumpets
trombones
tuba
timpani
percussion
harp
strings
New York City
Donal Henahan
The New York Times
Bartok
Strauss

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