Béla Bartók - Knowledge

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show a certain analogy with Bach's treatment of chorales. ... Another method ... is the following: the composer does not make use of a real peasant melody but invents his own imitation of such melodies. There is no true difference between this method and the one described above. ... There is yet a third way ... Neither peasant melodies nor imitations of peasant melodies can be found in his music, but it is pervaded by the atmosphere of peasant music. In this case we may say, he has completely absorbed the idiom of peasant music which has become his musical mother tongue.

1333:, in his 1949 review of Bartók's string quartets, criticized Bartók for using tonality and non-tonal methods unique to each piece. Babbitt noted that "Bartók's solution was a specific one, it cannot be duplicated". Bartók's use of "two organizational principles"—tonality for large scale relationships and the piece-specific method for moment to moment thematic elements—was a problem for Babbitt, who worried that the "highly attenuated tonality" requires extreme non-harmonic methods to create a feeling of closure. 541: 4749: 1166:, all for solo piano, and all of which prominently utilize clusters. He increasingly found his own voice in his maturity. The style of his last period – named "Synthesis of East and West" – is hard to define let alone to put under one term. In his mature period, Bartók wrote relatively few works but most of them are large-scale compositions for large settings. Only his voice works have programmatic titles and his late works often adhere to classical forms. 831:, the society paid for any medical care he needed during his last two years, to which Bartók reluctantly agreed. The first symptoms of his health problems began late in 1940, when his right shoulder began to show signs of stiffening. In 1942, symptoms increased and he started having bouts of fever. Bartók's illness was at first thought to be a recurrence of the tuberculosis he had experienced as a young man, and one of his doctors in New York was Edgar Mayer, director of 893: 5875: 5421: 756: 943:. György Sándor was the soloist in the first performance of the Third Piano Concerto on 8 February 1946. Ditta Pásztory-Bartók later played and recorded it. The Viola Concerto was revised and published in the 1990s by Bartók's son; this version may be closer to what Bartók intended. Concurrently, Peter Bartók, in association with Argentinian musician Nelson Dellamaggiore, worked to reprint and revise past editions of the Third Piano Concerto. 5885: 997: 55: 6406: 1198: 5431: 1307:. There, the primary theme is on the black keys in the left hand, while the right accompanies with triads from the white keys. In measures 50–51 in the third movement of the Fourth Quartet, the first violin and cello play black-key chords, while the second violin and viola play stepwise diatonic lines. On the other hand, from as early as the Suite for piano, Op. 14 (1914), he occasionally employed a form of 1061:

collect Magyar peasant melodies, later extending to the folk music of other peoples of the Carpathian Basin, Slovaks, Romanians, Rusyns, Serbs and Croatians. His compositional output would gradually prune away romantic elements in favour of an idiom that embodied folk music as intrinsic and essential to its style. Later in life he would have this to say on the incorporation of folk and art music:

6370: 301: 6382: 6394: 779:. After the Nazis came to power in 1933, Bartók refused to give concerts in Germany and broke away from his publisher there. His anti-fascist political views caused him a great deal of trouble with the establishment in Hungary. In his will recorded on 4 October 1940, he requested that no square or street be named after him until the Budapest squares 1670: 1730: 1032:. Following his matriculation into the Budapest Academy in 1890 he composed very little, though he began to work on exercises in orchestration and familiarized himself thoroughly with the operas of Wagner. In 1902 his creative energies were revitalized by the discovery of the music of Richard Strauss, whose tone poem 827:

supporters to ensure that there was sufficient money and work available for him to live on. Bartók was a proud man and did not easily accept charity. Despite being short on cash at times, he often refused money that his friends offered him out of their own pockets. Although he was not a member of the

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folk songs in Columbia's libraries. Bartók's economic difficulties during his first years in America were mitigated by publication royalties, teaching and performance tours. While his finances were always precarious, he did not live and die in poverty as was the common myth. He had enough friends and

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Although he became an American citizen in 1945, shortly before his death, Bartók never felt fully at home in the United States. He initially found it difficult to compose. Although he was well known in America as a pianist, ethnomusicologist and teacher, he was not well known as a composer. There was

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in Timișoara, Romania. This park has an "Alley of Personalities", set up in 2009 and featuring busts of famous "Romanians". Sânnicolau Mare (Nagyszentmiklós in Hungarian), the small town where Bartók was born in 1881, is situated some 58 kilometres north-west of Timișoara, and is just inside Romania

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The question is, what are the ways in which peasant music is taken over and becomes transmuted into modern music? We may, for instance, take over a peasant melody unchanged or only slightly varied, write an accompaniment to it and possibly some opening and concluding phrases. This kind of work would

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serving as Opus 1. Driven by nationalistic fervor and a desire to transcend the influence of prior composers, Bartók began a lifelong devotion to folk music, which was sparked by his overhearing nanny Lidi Dósa's singing of Transylvanian folk songs at a Hungarian resort in 1904. Bartók began to

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His pessimistic attitude towards composing was lifted by the stormy and inspiring contact with Klára Gombossy in the summer of 1915. This interesting episode in Bartók's life remained hidden until it was researched by Denijs Dille between 1979 and 1989. Bartók started composing again, including the

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Debussy's great service to music was to reawaken among all musicians an awareness of harmony and its possibilities. In that, he was just as important as Beethoven, who revealed to us the possibilities of progressive form, or as Bach, who showed us the transcendent significance of counterpoint. Now,

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After his disappointment over the Fine Arts Commission competition, Bartók wrote little for two or three years, preferring to concentrate on collecting and arranging folk music. He found the phonograph an essential tool for collecting folk music for its accuracy, objectivity, and manipulability. He

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for solo piano, containing 80 folk tunes to which he wrote accompaniment. Bartók's style in his art music compositions was a synthesis of folk music, classicism, and modernism. His melodic and harmonic sense was influenced by the folk music of Hungary, Romania, and other nations. He was especially

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through the medium of an Edison machine, on which they would study classification possibilities (for individual folk songs) and record hundreds of cylinders. Bartok's compositional command of folk elements is expressed in such an authentic and undiluted a manner because of the scales, sounds, and

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and publicly converted to the Unitarian faith in 1916. Although Bartók was not conventionally religious, according to his son Béla Bartók III, "he was a nature lover: he always mentioned the miraculous order of nature with great reverence". As an adult, Béla III later became lay president of the

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The cataloguing of Bartók's works is somewhat complex. Bartók assigned opus numbers to his works three times, the last of these series ending with the Sonata for Violin and Piano No. 1, Op. 21 in 1921. He ended this practice because of the difficulty of distinguishing between original works and

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A statue of him was installed in front of the house in which Bartók spent his last eight years in Hungary, at Csalán út 29, in the hills above Budapest. It is now operated as the Béla Bartók Memorial House (Bartók Béla Emlékház). Copies of this statue also stand in

288:, Slovakia). Béla gave his first public recital aged 11 in Nagyszőlős, to positive critical reception. Among the pieces he played was his own first composition, written two years previously: a short piece called "The Course of the Danube". Shortly thereafter, 1151:

on the piano while touring western Europe. Bartók happened to be present at one of these concerts and would later request Cowell's permission to use his technique without causing offence, which Cowell granted. In the preparation for writing his

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In 1909, at the age of 28, Bartók married Márta Ziegler (1893–1967), aged 16. Their son, Béla Bartók III, was born the next year. After nearly 15 years together, Bartók divorced Márta in June 1923. Two months after his divorce, he married

1303:–E in the accompaniment (strings) while the remaining pitch classes are used in the melody (violin 1) and more often as 7–35 (diatonic or "white-key" collection) and 5–35 (pentatonic or "black-key" collection) such as in no. 6 of the 1490:, the first ever complete compilation of all of Bartók's compositions, including new recordings of never-before-recorded early piano and vocal works. However, none of the composer's own performances are included in this 32-disc set. 515:, dedicated to Márta. He entered it for a prize by the Hungarian Fine Arts Commission, but they rejected his work as not fit for the stage. In 1917 Bartók revised the score for the 1918 première and rewrote the ending. Following the 3426: 1008:

music. Between 1890 and 1894 (9 to 13 years of age) he wrote 31 piano pieces. Although most of these were simple dance pieces, in these early works Bartók began to tackle some more advanced forms, as in his ten-part programmatic

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received only one revival, in 1936, before Bartók emigrated. For the remainder of his life, although devoted to Hungary, its people and its culture, he never felt much loyalty to the government or its official establishments.

4404:, second English edition, edited by Benjamin Suchoff, translated by Michel D. Calvocoressi, with annotations by Zoltán Kodály. The New York Bartók Archive Studies in Musicology 13. Albany: State University of New York Press. 923:

in Hartsdale, New York. During the final year of communist Hungary in the late 1980s, the Hungarian government, along with his two sons, Béla III and Péter, requested that his remains be exhumed and transferred back to

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Although Bartók claimed in his writings that his music was always tonal, he rarely used the chords or scales normally associated with tonality, and so the descriptive resources of tonal theory are of limited use.

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argues that inversional symmetry is often a byproduct of another atonal procedure, the formation of chords from transpositionally related dyads. Atonal pitch-class theory also furnishes resources for exploring

1054:, a symphonic poem in ten tableaux on the subject of the 1848 Hungarian war of independence, reflecting the composers growing interest in musical nationalism. A year later he renewed his opus numbers with the 807:

little American interest in his music during his final years. He and his wife Ditta gave some concerts, although demand for them was low. Bartók, who had made some recordings in Hungary, also recorded for

885:, a graceful and almost neo-classical work, as a surprise 42nd birthday present for Ditta, but he died just over a month before her birthday, with the scoring not quite finished. He had also sketched his 799:, in October 1940. They settled in New York City after arriving on the night of 29–30 October by a steamer from Lisbon. After joining them in 1942, their younger son, Péter Bartók, enlisted in the 265:

that she played on the piano before he learned to speak in complete sentences. By the age of four he was able to play 40 pieces on the piano, and his mother began formally teaching him the next year.

1183:(1936), the Concerto for Orchestra (1943) and the Third Piano Concerto (1945). He made a lasting contribution to the literature for younger students: for his son Péter's music lessons, he composed 4359: 1285:

that one can use all twelve tones and still remain tonal". More thoroughly, in the first eight measures of the last movement of his Second Quartet, all notes gradually gather with the twelfth (G

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ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing. The first, and still most widely used, is

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exclaim: "At last something truly new!" Until 1911, Bartók composed widely differing works which ranged from adherence to romantic style, to folk song arrangements and to his modernist opera

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folk melodies. Their growing interest in folk music coincided with a contemporary social interest in traditional national culture. Magyar folk music had previously been categorised as

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premiered the work in December 1944 to highly positive reviews. The Concerto for Orchestra quickly became Bartók's most popular work, although he did not live to see its full impact.

854:(Reiner had been Bartók's friend and champion since his days as Bartók's student at the Royal Academy). Bartók's last work might well have been the String Quartet No. 6 but for 2087: 1291:) sounding for the first time on the last beat of measure 8, marking the end of the first section. The aggregate is partitioned in the opening of the Third String Quartet with C 2540: 4794: 4459: 6596: 961:

system of harmony that had served composers for the previous two hundred years; and the revival of nationalism as a source for musical inspiration, a trend that began with

3520:, translated by Péter Balabán and István Farkas; translation revised by Elisabeth West and Colin Mason (London: Faber and Faber Ltd.; New York: St. Martin's Press, 1971). 6511: 1656: 5434: 1605: 1143:

In 1926, Bartók needed a significant piece for piano and orchestra with which he could tour in Europe and America. He was particularly inspired by American composer

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He rarely used the simple aggregate actively to shape musical structure, though there are notable examples such as the second theme from the first movement of his

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Bartók, Béla (1881–1945) Plaque erected in 1997 by English Heritage at 7 Sydney Place, South Kensington, London SW7 3NL, Royal Borough of Kensington and Chelsea

2383: 1961: 1087:. The negative reception of his work led him to focus on folk music research after 1911 and abandon composition with the exception of folk music arrangements. 3536:, selected and edited by Benjamin Suchoff. The New York Bartók Archive Studies in Musicology, No. 8. London: Faber & Faber; New York: St. Martin's Press. 268:

In 1888, when he was seven, his father, the director of an agricultural school, died suddenly. His mother then took Béla and his sister, Erzsébet, to live in

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what I am always asking myself is this: is it possible to make a synthesis of these three great masters, a living synthesis that will be valid for our time?

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in the last half of the 19th century. In his search for new forms of tonality, Bartók turned to Hungarian folk music, as well as to other folk music of the

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Jyrkiäinen, Reijo. 2012. "Form, Monothematicism, Variation and Symmetry in Béla Bartók's String Quartets". Ph.D. diss. Helsinki: University of Helsinki.

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Bartók and Kodály set about incorporating elements of such Magyar peasant music into their compositions. They both frequently quoted folk song melodies

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Martins, José António Oliveira. 2006. "Dasian, Guidonian, and Affinity Spaces in Twentieth-century Music". Ph.D. diss. Chicago: University of Chicago.

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language territories. At first they would transcribe the melodies by hand, but later they began to use a wax cylinder recording machine invented by

980:, which he used mostly in slow movements of multi-movement ensemble or orchestral compositions in his mature period. It is characterised by "eerie 6491: 5133: 4396: 1125: 574: 4631: 246:

origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), spoke

6451: 1347: 6561: 5921: 2206: 1991: 5000: 1036:, according to Bartók, "stimulated the greatest enthusiasm in me; at last I saw the way that lay before me". Bartók also owned the score to 720: 6506: 2414: 361:, strongly influenced his early work. When visiting a holiday resort in the summer of 1904, Bartók overheard a young nanny, Lidi Dósa from 2948: 973:

and even of Algeria and Turkey; in so doing he became influential in that stream of modernism which used indigenous music and techniques.

6611: 6566: 5467: 5061: 1567:, inscribed: "The Great Hungarian Composer / Béla Bartók / (1881–1945) / Made His Home In This House / During the Last Year of His Life". 1170: 328:, who made a strong impression on him and became a lifelong friend and colleague. In 1903, Bartók wrote his first major orchestral work, 2563: 6581: 4860: 3706:

Dille, Denijs. 1990. Béla Bartók: Regard sur le Passé. (French, no English version available). Namur: Presses universitaires de Namur.

912:) on 26 September 1945. His funeral was attended by only ten people. Aside from his widow and their son, other attendees included 651:

and Richard Strauss. Though started in 1918, the story's sexual content kept it from being performed until 1926. He next wrote his two

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As his body slowly failed, Bartók found more creative energy and produced a final set of masterpieces, partly thanks to the violinist

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Also to be noted, in the same park, a sculptural transcription of the composer's research on tonal harmony, the fountain/sculpture

952: 119: 6586: 6546: 4127:, foreword by Oliver Knussen, introduction by David Headlam, 189–205. Monographs in Musicology. Stuyvesant, NY: Pendragon Press. 6606: 1521: 1070:

Bartók became first acquainted with Debussy's music in 1907 and regarded his music highly. In an interview in 1939 Bartók said:

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after he came to the US; many of these recordings (some with Bartók's own spoken introductions) were later issued on LP and CD.

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Béla displayed notable musical talent very early in life. According to his mother, he could distinguish between different dance

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subsequently reorganised the juvenilia (Sz. 1–25) thematically, as DD numbers 1 to 77. The most recent catalogue is that of

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rhythms that were so much a part of his native Hungary that he automatically saw music in these terms. He also collected in

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A compilation of field recordings and transcriptions for two violas was also recently released by Tantara Records in 2014.

485:(1903–1982), a piano student, ten days after proposing to her. She was aged 19, he 42. Their son, Péter, was born in 1924. 5290: 4799: 4551:

Kasparov, Andrey. 2000. "Third Piano Concerto in the Revised 1994 Edition: Newly Discovered Corrections by the Composer".

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Bartók's music reflects two trends that dramatically changed the sound of music in the 20th century: the breakdown of the

372:, whose compositions Kodály had brought back from Paris. Bartók's large-scale orchestral works were still in the style of 230:, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from 6516: 6456: 4717: 4512: 3516:, ed. János Demény, 2 vols. A Muvészeti Tanács könyvei, 1.–2. sz. Budapest: Magyar Muvészeti Tanács. English edition, as 3293: 1004:

The works of Bartók's youth were written in a classical and early romantic style touched with influences of popular and

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Nelson, David Taylor (2012). "Béla Bartók: The Father of Ethnomusicology", Musical Offerings: Vol. 3: No. 2, Article 2.

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and European art music, and his changing attitude toward (and use of) tonality, but without the use of the traditional

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Gollin, Edward. 2007. "Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók".

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in Transylvania, sing folk songs to the children in her care. This sparked his lifelong dedication to folk music.

6501: 5460: 5140: 4652: 1586: 655:(written in 1921 and 1922, respectively), which are among his most harmonically and structurally complex pieces. 4583:

Loxdale, Hugh D., and Adalbert Balog. 2009. "Béla Bartók: Musician, Musicologist, Composer, and Entomologist!."

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providing a backdrop to sounds of nature and lonely melodies". An example is the third movement (Adagio) of his

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folk music. The developmental breakthrough for Bartok arrived when he collaboratively collected folk music with

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Composers on Music: Eight Centuries of Writings: A New and Expanded Revision of Morgenstern's Classic Anthology

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Hooker, Lynn. 2001. "The Political and Cultural Climate in Hungary at the Turn of the Twentieth Century". In

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bands of the time. In contrast, Bartók and Kodály discovered that the old Magyar folk melodies were based on

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Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality

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lists as the most prominent characteristics of Bartók's music from late 1920s onwards the influence of the

1208: 690:, above all, the freshness, spontaneity and life of our music he wanted to know the mechanism of the 385: 341: 4811: 1552:, unveiled in 1997, now commemorates Bartók at 7 Sydney Place, where he stayed when performing in London. 1384:, Bartók embarked on an extensive programme of field research to capture the folk and peasant melodies of 6571: 6521: 5796: 5485: 4761: 3848: 3377: 5237: 5200: 5126: 1055: 6360: 5878: 5453: 5297: 4269:(Why is the music of the Twentieth century so beautiful?), edited by György Kroó, . Budapest: Gondolat 4111:, episode 3. Istanbul: Bir Yudum İnsan Prodüksiyon LTD. ȘTİ. Turkish CNN television documentary series. 3968: 3941:. : Unitarian Universalist Historical Society. Archive from 7 December 2013 (accessed 24 October 2017). 1610: 1593: 1474:. Hungaroton HCD32790-91. Two CDs. Works by Bartók, Domenico Scarlatti, Zoltán Kodály, and Franz Liszt. 796: 482: 388:

in Budapest. This position freed him from touring Europe as a pianist. Among his notable students were

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from the opera, as Balázs was of Jewish origin, was blacklisted, and had left the country for Vienna.

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and Richard Strauss, but he wrote a number of small piano pieces which showed his growing interest in

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Bartók felt the result of World War I as a personal tragedy. Many regions he loved were severed from

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Zomieral s pocitom, že jeho práca bola daromná. Našťastie nebula. Bartók zanechal monumentálne dielo

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based on compound interval cycles, some of which are maximally distributed, multi-aggregate cycles.

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and wrote pieces derived entirely from authentic songs. An example is Bartok's two volumes entitled

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in A minor (1908), which contains folk-like elements. He began teaching as a piano professor at the

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Finding aid to Béla Bartók manuscripts at Columbia University. Rare Book & Manuscript Library.

2198: 1983: 1158: 713:, after which his compositions demonstrated his mature style. Notable examples of this period are 6147: 5866: 5038: 4915: 4642: 3873: 3555: 1564: 1120: 639: 20: 6275: 5387: 5168: 5154: 4995: 4822:

Bartók plays Bartók for Don Gabor's Continental record label later reissued on Remington Records

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seven-note scales, and less often the whole tone scale and the primary pentatonic collection.

1013:("The Course of the Danube", 1890–1894), which he played in his first public recital in 1892. 966: 933: 5831: 5382: 4897: 4771:

The Belgian Bartók Archives, housed in the Brussels Royal Library and founded by Denijs Dille

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Martins, José Oliveira. 2015. "Bartók's Polymodality: the Dasian and other Affinity Spaces".

4420: 3947: 2709:"Problems of the Chronological Organization of the Béla Bartók Thematic Index in Preparation" 2362: 1498: 511: 467:. Most of his early compositions offer a blend of nationalist and late Romanticism elements. 193:

are regarded as Hungary's greatest composers. Through his collection and analytical study of

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Lendvai, Ernő. 1972. "Einführung in die Formen- und Harmoniewelt Bartóks" (1953). In his

4519:". Welcome to Decca Classics: Catalogue, www.deccaclassics.com (accessed 19 August 2016). 3756:. Historical Dictionaries of Literature and the Arts. Lanham, Maryland: Scarecrow Press. 3266: 988:. His music can be grouped roughly in accordance with the different periods in his life. 815: 520: 5962: 5013: 4165:. California Studies in 20th-Century Music 5. Berkeley: University of California Press. 4153: 4125:

The Right Notes: Twenty-Three Selected Essays by George Perle on Twentieth-Century Music

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The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music

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prohibited his folk music research outside of Hungary. Bartók also wrote the noteworthy

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Cohn, Richard, 1988. "Inversional Symmetry and Transpositional Combination in Bartók."

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A statue (seated) of Bartók is also situated in front of Nako Castle, in his hometown,

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forced him to stop the expeditions, but he returned to composing with a ballet called

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In 1908, Bartok and Kodály traveled into the countryside to collect and research old

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Sluder, Claude K. 1994. "Revised Bartók Composition Highlights Pro Musica Concert".

4194:. Ernest Bloch Lectures in Music 9. Berkeley : University of California Press. 3495:, edited by Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus, 317: 6398: 6340: 6194: 6169: 5852: 5821: 5786: 5741: 5736: 5649: 5619: 5584: 5579: 5244: 4753: 4371: 3408: 1776: 1652: 1546: 1259: 1212: 1080: 970: 897: 859: 819: 808: 788: 586: 570: 524: 442: 424: 304:

Bartók's signature on his high-school-graduation photograph, dated 9 September 1899

255: 251: 189:. He is considered one of the most important composers of the 20th century; he and 133: 6310: 6184: 5594: 5574: 3211: 2080:"Christmas Wishes Silver Coin Father Christmas Santa Stocking Filler Tree Magical" 1315:

analyses Bartók's works as being based on two opposing tonal systems, that of the

6189: 5761: 5659: 5609: 5220: 5108: 4828: 4777: 4765: 4635: 4577: 4516: 4463: 4427: 4400: 4307: 4248: 4220:, third edition, prepared by Malcolm Gillies. New York: Oxford University Press. 4079: 3904: 3778: 3723: 2570:

21, no. 5 (February) (archive from 6 September 2010; accessed 10 June 2020).

1389: 1352: 1263: 1258:, and large set types used as source sets such as the equal tempered twelve tone 1175: 1037: 1016:

In Catholic grammar school Bartók took to studying the scores of composers "from

776: 644: 549: 489: 464: 393: 373: 348: 239: 79: 6174: 4366:

Bartók, Béla. 1976. "The Influence of Peasant Music on Modern Music (1931)". In

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Béla Bartók died at age 64 in a hospital in New York City from complications of

839:, but medical examinations found no underlying disease. Finally, in April 1944, 231: 6410: 6335: 6132: 6117: 6067: 6057: 6032: 6017: 5997: 5811: 5771: 5756: 5685: 5680: 5589: 5539: 5311: 4510:

Béla Bartók: Complete Works: Int. Release 18 Mar. 2016: 32 CDs, 0289 478 9311 0

3971:". Tired of London, Tired of Life blog site (8 October) (accessed 4 July 2014). 3484: 1483: 1369: 1330: 1316: 1238:. Others view Bartók's axes of symmetry in terms of atonal analytic protocols. 962: 874: 847: 369: 333: 6214: 4509: 2154: 1630: 540: 401: 6420: 6325: 6295: 6107: 6002: 5987: 5791: 5519: 5161: 4594: 4315: 4140: 4075: 4058: 3980:". Béla Bartók Centre for Musicianship website (accessed 27 September 2018). 3844: 3580: 3572: 1397: 1365: 1251: 1202: 1148: 1079:

Debussy's influence is present in the Fourteen Bagatelles (1908). These made

1005: 996: 929: 691: 652: 438: 428: 417: 337: 235: 97: 93: 54: 27: 6164: 5549: 3669: 1563:

A bust and plaque located at his last residence, in New York City at 309 W.

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In 1940, as the European political situation worsened after the outbreak of

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Voices From The Past: Béla Bartók's 44 Duos & Original Field Recordings

4116: 4071: 4054: 3622: 1324: 1239: 1224: 1144: 1112: 909: 851: 792: 767:, Bartók was increasingly tempted to flee Hungary. He strongly opposed the 764: 497: 458: 389: 185:; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and 6137: 4487:

Cohn, Richard, 1992. "Bartók's Octatonic Strategies: A Motivic Approach."

3977: 1024:", his compositions then advancing in style and taking on similarities to 787:, or in fact any square or street in Hungary, no longer bear the names of 5766: 5751: 4787: 4386: 1549: 1320: 1267: 1234:

focus on his alternative methods of signaling tonal centers, via axes of

940: 772: 611: 446: 413: 313: 190: 4119:. 1955. "Symmetrical Formations in the String Quartets of Béla Bartók". 892: 5972: 5816: 5806: 5776: 5509: 4008: 1582: 1401: 755: 545: 409: 377: 285: 273: 269: 194: 5899: 4834:

Interactive scores of Bartók's works for piano with Sir András Schiff.

4407:

Bartók, Peter. 2002. "My Father". Homosassa, Florida, Bartók Records (

3954:, edited by Herbert Vetter, 21–22. Cambridge: Harvard Square Library. 2708: 2134: 818:, for several years, Bartók and Ditta worked on a large collection of 463:

fond of the asymmetrical dance rhythms and pungent harmonies found in

258:, Slovakia), she had German, Hungarian and Slovak or Polish ancestry. 5801: 5721: 5604: 4357: 4211:, second edition. New York: Oxford University Press. ASIN: B000NZ54ZS 3993: 3406: 3291: 3264: 3209: 2561: 1877: 1308: 1138: 659: 603: 277: 3673: 3269:. Brussels Remembers: Memorials of Brussels (accessed 17 June 2014). 2533:"Bartók's Concerto for Orchestra: a journey from darkness to light" 1531: 1197: 1025: 958: 925: 905: 840: 633: 599: 561: 352: 243: 5445: 4728: 900:

banknote (printed between 1983 and 1992; no longer in circulation)

380:. The first piece to show clear signs of this new interest is the 368:

Beginning in 1907, he came under the influence of French composer

362: 1108: 687: 625: 607: 493: 3754:

Historical Dictionary of Modern and Contemporary Classical Music

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Bartók Sonata for 2 Pianos & Percussion, Suite for 2 Pianos.

1677: 1515: 1029: 1021: 732: 300: 262: 5430: 4838: 3691:

The Early Years of Folk Music: Fifty Founders of the Tradition

1090: 1042:, which he transcribed for the piano and committed to memory. 932:

for him on 7 July 1988. He was re-interred at Budapest's

4758: 4033:

Bartók's Viola Concerto: The Remarkable Story of His Swansong

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Bartok has star on the Walk of Fame on Karlsplatz-Passage in

1601: 1600:

A statue of Bartók, sculpted by Varga, stands near the river

1116: 828: 768: 744: 699: 695: 671: 557: 548:

to record Slovak folk songs sung by peasants in Zobordarázs (

519:, in which he actively participated, he was pressured by the 215: 4298:". Bohemian Ink blog site (2 August) (accessed 4 July 2014). 4154:

String Quartet No. 1 in A minor, Op. 7/Sz 40: About the Work

3856: 3588: 3471:. Berkeley and Los Angeles: University of California Press. 1882:". Boosey & Hawkes website (accessed 27 September 2018). 1541:

A statue stands outside Malvern Court, London, south of the

437:

for piano, which he based on popular art songs performed by

159: 4783: 4265:

Szabolcsi, Bence. 1974. "Bartók Béla: Cantata profana". In

4156:". The Kennedy Center website (accessed 27 September 2018). 2513: 1017: 939:

The two unfinished works were later completed by his pupil

750: 148: 142: 4467:. Budapest: Balassi Kiadó: Vávi Kft., Alföldi Nyomda Zrt. 4180:

In the Wake of Bartók in Anatolia 1: Collection Near Adana

3411:" Eutouring.com website (2 August) (accessed 4 July 2014). 3191: 165: 4601:. Lanham, MD, Toronto, Oxford: The Scarecrow Press, Inc. 4192:

Béla Bartók: Composition, Concepts, and Autograph Sources

3978:

Kodály, Bartók, and Fiddle Music in Bartók's Compositions

3664:(liner notes). Béla Bartók. Eroica Classical Recordings. 2235:"La Cobla Barcelona (1922–1938). Un projecte noucentista" 2228: 2226: 2224: 3071: 2890: 2866: 2767: 1050:

Under the influence of Strauss, Bartók composed in 1903

209: 4770: 4548:, translated by Fred MacNicol. Budapest: Corvina Press. 4524:

The Naked Face of Genius: Béla Bartók's American Years.

4025:". Feast of Music website (accessed 26 September 2018). 3378:"Retracing Bartók's footsteps: a statuesque world-tour" 3296:". English Heritage website (Accessed 19 October 2012). 3107: 2808: 2806: 2646: 2622: 2586: 2574: 2564:

Gyorgy Sandor, Pianist and Bartók Authority, Dies at 93

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Doctoral Thesis, PHD, Universitat Autònoma de Barcelona

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was diagnosed, but by this time, little could be done.

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and extension and characteristics of each instrument".

449:, such as those of Central Asia, Anatolia and Siberia. 4435:. Cambridge and New York: Cambridge University Press. 3912:. Cambridge and New York: Cambridge University Press. 3273: 3179: 3119: 3029: 3017: 2878: 2854: 2842: 2610: 2221: 2060: 1934: 470: 6358: 3354: 3095: 2791: 2779: 2755: 2257: 1910: 1757: 1705: 1703: 1701: 1699: 674:. During the same stay, he attended a concert by the 509:

In 1911, Bartók wrote what was to be his only opera,

412:. After Bartók moved to the United States, he taught 168: 6597:

Members of the Romanian Academy elected posthumously

3131: 2975: 2963: 2830: 2803: 2743: 2731: 2719: 2713:

Studia Musicologica Academiae Scientiarum Hungaricae

2114: 2036: 1886: 1859: 1835: 162: 156: 145: 139: 4496:

Családfa: honnan jövünk, mik vagyunk, hová megyünk?

4260:– via Google Books. (2001) (accessed 29 July 2019). 3312: 3167: 3143: 2818: 2453: 2441: 2102: 1898: 1847: 1823: 1799: 1745: 739:. He worked in collaboration with Turkish composer 295: 153: 136: 6512:Academic staff of the Franz Liszt Academy of Music 4729:Etelka Freund collection on Béla Bartók, 1904–1950 4362:". Arcanum.hu website (accessed 30 December 2019). 3939:Dictionary of Unitarian and Universalist Biography 3579: 3222: 3155: 3083: 2688: 2598: 2501: 2489: 2477: 2465: 2429: 2048: 1811: 1777:"Béla Bartók | Hungarian Composer & Innovator" 1696: 1651:A statue of him also stands in the city centre of 1589:, 273 Bloor Street West, Toronto, Ontario, Canada. 1189:, a six-volume collection of graded piano pieces. 4599:Other Planets: The Music of Karlheinz Stockhausen 3600:. 20th-Century Composers. London: Phaidon Press. 3375: 3300: 2269: 2232: 1629:An expressionist sculpture by Hungarian sculptor 1420:Bartók Plays Bartók – Bartók at the Piano 1929–41 6418: 4036:. Oxford and New York: Oxford University Press. 2715:. T. 34 (Fasc. 3/4): 345–366 – via JSTORE. 1922: 1538:in a public square, Spanjeplein-Place d'Espagne. 1281:, of which he commented that he "wanted to show 1169:Among Bartók's most important works are the six 5134:Eight Improvisations on Hungarian Peasant Songs 3841:The New Grove Dictionary of Music and Musicians 3643:. New Haven and London: Yale University Press. 3499:. Princeton: Princeton University Press, 2003. 1126:Eight Improvisations on Hungarian Peasant Songs 698:, and requested data on the composition of the 201:, which later became known as ethnomusicology. 4622:Honismeret: A Honismereti Szövetség folyóirata 4619:Móser, Zoltán. 2006b. "Bartók-õsök Gömörben". 4370:, edited by Benjamin Suchoff, 340–44. London: 1570:A bust of him is located in the front yard of 1493: 1364:On 1 January 2016, Bartók's works entered the 1173:(1909, 1917, 1927, 1928, 1934, and 1939), the 492:, by his early adulthood Bartók had become an 308:From 1899 to 1903, Bartók studied piano under 5915: 5461: 4854: 4489:Journal of the American Musicological Society 3371: 3369: 1346:'s chronological Sz. numbers, from 1 to 121. 1045: 535: 19:"Bartok" redirects here. For other uses, see 6592:Members of the Hungarian Academy of Sciences 4478:Boys, Henry. 1945. "Béla Bartók 1881–1945". 2910:"The Miraculous Mandarin Suite, Béla Bartók" 1615:, 26 place de Brazzaville, in Paris, France. 771:and Hungary's alliance with Germany and the 731:(his last) in 1939. In 1936 he travelled to 431:music. The classic example is Franz Liszt's 4143:. 1982. "Kodaly Was More Than a Composer". 1380:Together with his like-minded contemporary 1091:Inspiration and experimentation (1916–1921) 6462:Anton Rubinstein Competition prize-winners 5922: 5908: 5468: 5454: 4861: 4847: 4280: 4151: 3466: 3366: 1940: 1763: 1429:Bartók Recordings from Private Collections 1231: 1135:in 1923, the year of his second marriage. 991: 53: 5021:Music for Strings, Percussion and Celesta 4816:International Music Score Library Project 4264: 4160: 4103: 3892: 3872: 3739:. Boston: Northeastern University Press. 3487:. 1949. "The String Quartets of Bartók". 3216:Center for the Study of the Public Domain 3077: 2652: 2616: 2404: 2263: 2132: 1841: 1456:. Membran/Documents 223546. CD recording. 1181:Music for Strings, Percussion and Celesta 1096:Suite for piano opus 14 (1916), and 986:Music for Strings, Percussion and Celesta 976:One characteristic style of music is his 716:Music for Strings, Percussion and Celesta 6537:Hungarian emigrants to the United States 4139: 4123:16, no. 4 (November 1955). Reprinted in 4020: 3851:. London: Macmillan Publishers. Also in 3722: 3595: 3587:, ed. L. Macy (Accessed 29 April 2008), 3376:Liscia-Beaurenaut, Pierre (5 May 2021). 3360: 2628: 2592: 2580: 2519: 2066: 1892: 1520: 1509: 1497: 1219:associated with major and minor scales. 1196: 1139:"Synthesis of East and West" (1926–1945) 995: 919:Bartók's body was initially interred in 891: 814:Supported by a research fellowship from 754: 751:World War II and final years (1940–1945) 539: 299: 5929: 4322: 4302: 4245: 4232: 4215: 4206: 4029: 4015: 3984: 3839:Gillies, Malcolm. 2001. "Béla Bartók". 3838: 3805: 3777: 3768: 3688: 3655: 3483: 3279: 3240: 3197: 3185: 3173: 3149: 3125: 3035: 3023: 2969: 2884: 2872: 2860: 2797: 2785: 2773: 2761: 2459: 2447: 2108: 1916: 1904: 1865: 1853: 1829: 1709: 1581:A bronze statue of Bartók, sculpted by 1426: 1417: 6492:Deaths from cancer in New York (state) 6419: 4331: 4293: 4186: 4090: 4083: 4065: 4048: 3945: 3932: 3901: 3863: 3855:, ed. L. Macy (Accessed 23 May 2006), 3638: 3612: 3548: 3531: 3514:Levelek, fényképek, kéziratok, kották. 3511: 3493:The Collected Essays of Milton Babbitt 3429:from the original on 28 September 2021 3318: 3228: 3161: 3137: 3113: 3101: 3089: 2981: 2848: 2836: 2812: 2749: 2737: 2725: 2706: 2694: 2604: 2507: 2495: 2483: 2471: 2435: 2120: 2054: 2042: 1817: 1805: 1751: 1592:A bronze bust of Bartók stands in the 1585:in 2005, stands in the front lobby of 1574:, Ankara, Turkey, next to the bust of 1525:Statue at South Kensington, London SW7 1469: 1460: 1451: 1435: 1408: 6452:20th-century Hungarian male musicians 5903: 5449: 4842: 4589:Royal Entomological Society of London 4562:. New York: Oxford University Press. 4325:Richard Strauss: An intimate Portrait 4252:. Lanham, Maryland: Scarecrow Press. 4177: 4115: 3990:Béla Bartók: An Analysis of His Music 3966: 3952:Notable American Unitarians 1936–1961 3751: 3705: 3563: 3342:from the original on 30 November 2021 3306: 3252: 2951:from the original on 6 September 2023 2920:from the original on 6 September 2023 2896: 2543:from the original on 18 February 2022 2358: 2287: 2275: 1545:, and just north of Sydney Place. An 1227: 928:for burial, where Hungary arranged a 873:In 1944, he was also commissioned by 210:Childhood and early years (1881–1898) 180: 6562:Hungarian people of Croatian descent 5052:Sonata for Two Pianos and Percussion 4759:Bartók Béla Memorial House, Budapest 4336:. New Haven: Yale University Press. 4241:online (accessed 27 September 2018). 3975: 3734: 3629: 2824: 2640: 2386:from the original on 28 January 2021 2310:from the original on 24 January 2023 1964:from the original on 28 January 2021 1928: 1733:from the original on 7 February 2022 1597:today, near the border with Hungary. 1242: 643:, another ballet, was influenced by 6507:Franz Liszt Academy of Music alumni 5475: 4718:Music Division, Library of Congress 4289:70 (July) (accessed 10 March 2019). 2417:from the original on 16 August 2022 2245:from the original on 5 January 2022 1192: 953:List of compositions by Béla Bartók 624:in (1915–1917), both influenced by 471:Middle years and career (1909–1939) 13: 6612:People from Saranac Lake, New York 6567:Hungarian people of German descent 4681:Wells, John C. 1990. "Bartók", in 4350: 2376:"Bela Bartok – Music Appreciation" 2233:Fontelles-Ramonet, Albert (2020). 2139:. W. W. Norton. pp. 567–569. 1954:"Bela Bartok | Music Appreciation" 322:Royal Academy of Music in Budapest 14: 6643: 6582:Hungarian male classical pianists 5259:Three Rondos on Slovak Folk Tunes 5001:Divertimento for String Orchestra 4697: 4657:. DECCA Records (liner notes for 4421:The Cambridge Companion to Bartók 4218:The Life and Music of Béla Bartók 4209:The Life and Music of Béla Bartók 3948:Béla Bartók: Composer (1881–1945) 3908:, edited by Amanda Bayley, 7–23. 3905:The Cambridge Companion to Bartók 3897:. London: JM Dent & Sons Ltd. 3878:A Concise History of Modern Music 3425:(in Romanian). 6 September 2015. 3388:from the original on 18 July 2022 2938: 1994:from the original on 14 June 2023 1431:. Hungaroton 12334. CD recording. 721:Divertimento for String Orchestra 686:, "he was very interested in the 523:to remove the name of librettist 238:. His paternal grandmother was a 6447:20th-century Hungarian musicians 6442:20th-century classical composers 6404: 6392: 6380: 6368: 5883: 5874: 5873: 5429: 5420: 5419: 4685:, 63. Harlow, England: Longman. 4683:Longman Pronunciation Dictionary 4484:86, no. 1233 (November): 329–31. 3491:35 (July): 377–85. Reprinted in 3441: 3415: 3400: 3324: 3059:from the original on 4 July 2023 3005:from the original on 4 July 2023 2676:from the original on 4 July 2023 2340:from the original on 4 July 2023 2288:Szabó, Ferenc (September 1950). 2209:from the original on 27 May 2022 2179:from the original on 4 July 2023 2136:The lives of the great composers 2090:from the original on 4 July 2023 2024:from the original on 4 July 2023 1787:from the original on 14 May 2023 1448:Apex 0927-49569-2. CD recording. 1147:'s controversial use of intense 1057:Rhapsody for Piano and Orchestra 475: 296:Early musical career (1899–1908) 197:, he was one of the founders of 132: 5141:Fifteen Hungarian Peasant Songs 4868: 4294:Tudzin, Jessica Taylor. 2010. " 4235:Béla Bartók: Hungarian Composer 3773:. SME.sk (accessed 9 May 2020). 3285: 3258: 3246: 3234: 3203: 3041: 2987: 2932: 2902: 2700: 2658: 2555: 2525: 2398: 2368: 2322: 2281: 2191: 2161: 2126: 2072: 2006: 1976: 1946: 1871: 1587:The Royal Conservatory of Music 1488:Béla Bartók: The Complete Works 1201:Béla Bartók memorial plaque in 896:Béla Bartók's portrait on 1000 881:. In 1945, Bartók composed his 705:In 1927–1928, Bartók wrote his 496:. He later became attracted to 6587:Hungarian male opera composers 6547:Hungarian folk-song collectors 6472:Burials at Farkasréti Cemetery 5747:Modes of limited transposition 4580:, 105–49. Kassel: Bärenreiter. 4152:Rodda, Richard E. 1990–2018. " 3996:. London: Kahn & Averill. 3826:(pbk); New York: Hal Leonard. 3806:Gillies, Malcolm (ed.). 1993. 3693:. Jefferson, N.C.: McFarland. 1769: 1715: 1454:Bartók: Contrasts, Mikrokosmos 1375: 727:was composed in 1934, and the 16:Hungarian composer (1881–1945) 1: 6527:Hungarian classical composers 6477:Burials at Ferncliff Cemetery 5352:Béla Bartók Music High School 4750:Works by or about Béla Bartók 4616:59, no. 2 (October): 273–320. 4433:Cambridge Companions to Music 4182:. Budapest: Ethnofon Records. 3910:Cambridge Companions to Music 3880:. London: Thames and Hudson. 3662:Béla Bartók: Solo Piano Works 2133:Schonberg, Harold C. (1997). 1684: 1543:South Kensington tube station 1530:A statue of Bartók stands in 1413:. Hungaroton 12326. 6-CD set. 1336: 833:Will Rogers Memorial Hospital 351:, whom he met in 1902 at the 6542:Hungarian ethnomusicologists 6532:Hungarian classical pianists 4800:Virtual Exhibition on Bartók 4741:How to use archival material 4418:Bayley, Amanda (ed.). 2001. 4327:. London: Thames and Hudson. 4267:Miért szép századunk zenéje? 4093:Szavak, feliratok, kivonatok 4061:. London: The Harvill Press. 3843:, second edition, edited by 3617:. Paris: Editions du Seuil. 2568:The Juilliard Journal Online 1689: 908:(specifically, of secondary 501:Hungarian Unitarian Church. 342:Hungarian Revolution of 1848 204: 38:when mentioning individuals. 7: 6617:Pupils of Hans von Koessler 6607:People from Sânnicolau Mare 6482:Columbia University faculty 5797:Quartal and quintal harmony 5486:List of modernist composers 4795:Gallery of Bartók portraits 4668:Tizennyolc Bartók-tanulmány 3467:Antokoletz, Elliott. 1984. 3409:Square Béla Bartók in Paris 1494:Statues and other memorials 1465:. Urania 340. CD recording. 1422:. Pearl 9166. CD recording. 1327:as a structural principle. 680:Palau de la Música Catalana 90:26 September 1945 (aged 64) 10: 6648: 6517:Columbia University people 6457:20th-century musicologists 5298:Twenty Hungarian Folksongs 4812:Free scores by Béla Bartók 4283:Bartókék Nagyszentmiklóson 4249:Béla Bartók: Life and Work 4178:Sipos, János (ed.). 2000. 4161:Schneider, David E. 2006. 4109:Türkiye'nin Hatıra Defteri 4044:(accessed 19 October 2017) 3735:Fisk, Josiah (ed.). 1997. 3672:. JDT 3136. Archived from 3658:"Béla Bartók: A Biography" 3459: 3218:(accessed 15 October 2018) 2405:yalepress (30 June 2015). 1594:Anton Scudier Central Park 1440:. Pearl 179. CD recording. 1046:New influences (1903–1911) 950: 682:. According to the critic 658:In March 1927, he visited 536:Folk music and composition 25: 18: 6557:Hungarian opera composers 6552:Hungarian music educators 6255: 6235:Charles Villiers Stanford 5937: 5861: 5840: 5710: 5670: 5499: 5492: 5483: 5415: 5360: 5339: 5321: 5284:Eight Hungarian Folksongs 5275: 5252:Three Hungarian Folktunes 5207:Romanian Christmas Carols 5118: 5100: 5030: 4983: 4932: 4907: 4889: 4876: 4764:12 September 2007 at the 4723: 4713: 4670:. Budapest: Zeneműkiadó. 4574:Béla Bartók: Weg und Werk 4560:Inside Bluebeard's Castle 4558:Leafstedt, Carl S. 1999. 4553:Hungarian Music Quarterly 4526:Boston: Houghton Mifflin. 4281:Szekernyés János. 2017. " 4099:60, no. 3 (March): 41–45. 4086:. New York: Vienna House. 3868:29, no. 2 (Fall): 143–76. 3730:. New York: W. W. Norton. 3728:Music in the Romantic Era 3596:Chalmers, Kenneth. 1995. 3449:"Bela Bartok-Gedenkstern" 3053:courses.lumenlearning.com 3049:"Bela Bartok | Music 101" 2999:courses.lumenlearning.com 2995:"Bela Bartok | Music 101" 2670:courses.lumenlearning.com 2666:"Bela Bartok | Music 101" 2380:courses.lumenlearning.com 2334:courses.lumenlearning.com 2330:"Bela Bartok | Music 101" 2199:"Bela Bartok (1881–1945)" 2173:courses.lumenlearning.com 2169:"Bela Bartok | Music 101" 2018:courses.lumenlearning.com 2014:"Bela Bartok | Music 101" 1984:"Béla Bartók (1881–1945)" 1958:courses.lumenlearning.com 1723:"Bela Bartok (1881–1945)" 1572:Ankara State Conservatory 883:Piano Concerto No. 3 868:Boston Symphony Orchestra 622:String Quartet No. 2 292:accepted him as a pupil. 115: 104: 86: 64: 52: 45: 6627:String quartet composers 5399:Suite paysanne hongroise 5291:Five Hungarian Folksongs 5176:Nine Little Piano Pieces 4625:34, no. 2 (April): 9–11. 4546:Bartók's String Quartets 4334:The Music of Béla Bartók 4246:Suchoff, Benjamin. 2001 4233:Stevens, Halsey. 2018. " 4021:Matthews, Peter. 2012. " 2407:"Béla Bartók in America" 1100:(1919) and he completed 946: 504: 316:, and composition under 182:[ˈbeːlɒˈbɒrtoːk] 128:Béla Viktor János Bartók 47:Béla Viktor János Bartók 34:. This article uses 32:Bartók Béla Viktor János 26:The native form of this 6622:Pupils of István Thomán 6148:Nikolai Rimsky-Korsakov 5039:44 Duos for Two Violins 4916:The Miraculous Mandarin 4634:6 December 2013 at the 4614:Journal of Music Theory 4522:Fassett, Agatha, 1958. 4457:Élet-képek: Bartók Béla 4394:The Hungarian Folk Song 4239:Encyclopædia Britannica 4216:Stevens, Halsey. 1993. 4207:Stevens, Halsey. 1964. 4091:Móser, Zoltán. 2006a. " 4030:Maurice, Donald. 2004. 3893:Griffiths, Paul. 1988. 3752:Gagné, Nicole V. 2012. 3613:Citron, Pierre (1963). 3567:. Decca Records. 2016. 3554:(Sheet music), London: 2707:László, Somfai (1992). 1323:, as well as using the 1156:, he wrote his Sonata, 1121:Austro-Hungarian empire 1098:The Miraculous Mandarin 1034:Also sprach Zarathustra 992:Early years (1890–1902) 640:The Miraculous Mandarin 569:collected first in the 358:Also sprach Zarathustra 276:, Ukraine) and then in 214:Bartók was born in the 21:Bartok (disambiguation) 6502:Former Roman Catholics 6245:Ralph Vaughan Williams 6123:Alexander Dargomyzhsky 5848:Second Viennese School 5841:Schools of composition 5393:Polymodal chromaticism 5057:Sonata for Solo Violin 4991:Concerto for Orchestra 4965:Violin Concerto No. 2 4960:Violin Concerto No. 1 4666:Somfai, László. 1981. 4544:Kárpáti, János. 1975. 4515:20 August 2016 at the 4498:: Kossuth Könyvkiadó. 4494:Czeizel, Endre. 1992. 4462:4 October 2023 at the 4426:4 October 2023 at the 4399:4 October 2023 at the 4323:Wilhelm, Kurt (1989). 3946:Hughes, Peter. 2007. " 3933:Hughes, Peter. 2001. " 3769:Getting, Peter. 2020. 3689:Dicaire, David. 2010. 3656:de Toth, June (1999). 3565:Bartók: Complete Works 3212:Public Domain Day 2016 1624:Jean-Yves Lechevallier 1604:in the public park at 1526: 1518: 1507: 1279:Second Violin Concerto 1248:polymodal chromaticism 1205: 1129:in 1920 and the sunny 1077: 1068: 1001: 901: 879:Sonata for Solo Violin 864:Concerto for Orchestra 760: 711:Fourth String Quartets 565: 553: 445:, similar to those in 386:Liszt Academy of Music 312:, a former student of 305: 250:fluently. A native of 199:comparative musicology 108:composer, pianist and 5832:Twelve-tone technique 4651:A discussion between 4454:Bónis, Ferenc. 2006. 4082:. Partial reprint of 4049:Moreux, Serge. 1953. 3866:Music Theory Spectrum 3857:(subscription access) 3639:Cooper, David. 2015. 3632:Music Theory Spectrum 3589:(subscription access) 2411:Yale University Press 2290:"Bartók nem alkuszik" 1536:central train station 1524: 1513: 1501: 1427:Bartók, Béla. 1995b. 1418:Bartók, Béla. 1995a. 1200: 1072: 1063: 999: 951:Further information: 895: 758: 735:to collect and study 672:Gran Teatre del Liceu 666:Sz. 26 with the 543: 447:Asian folk traditions 303: 6577:Hungarian Unitarians 6497:Deaths from leukemia 6276:Antônio Carlos Gomes 6028:Carl Maria von Weber 5368:Hungarian folk music 5330:Homage to Paderewski 5214:Romanian Folk Dances 4950:Piano Concerto No. 3 4945:Piano Concerto No. 2 4940:Piano Concerto No. 1 4881:List of compositions 4827:16 June 2018 at the 4784:"Discovering Bartók" 4776:28 June 2011 at the 4391:Bartók, Béla. 1981. 4332:Wilson, Paul. 1992. 4078:, with a preface by 3976:Kory, Agnes. 2007. " 3808:The Bartók Companion 3552:Romanian Folk Dances 3549:Bartók, Béla. 2018. 3532:Bartók, Béla. 1976. 3518:Béla Bartók: Letters 3512:Bartók, Béla. 1948. 3332:"Béla Bartók statue" 1727:mahlerfoundation.org 1534:, Belgium, near the 1502:Statue of Bartók in 1470:Bartók, Béla. 2016. 1461:Bartók, Béla. 2008. 1452:Bartók, Béla. 2007. 1444:Bartók, Béla. 2003. 1436:Bartók, Béla. 2003. 1409:Bartók, Béla. 1994. 1305:Eight Improvisations 1270:), the diatonic and 1236:inversional symmetry 1154:first Piano Concerto 729:Sixth String Quartet 725:Fifth String Quartet 668:Orquestra Pau Casals 620:(1914–1916) and the 577:), where he notated 544:Béla Bartók using a 434:Hungarian Rhapsodies 382:String Quartet No. 1 120:List of compositions 6632:Composers for viola 6602:Modernist composers 6487:Composers for piano 6316:Silvestre Revueltas 6240:Alexander Mackenzie 6093:Stanisław Moniuszko 6013:Camille Saint-Saëns 5931:Musical nationalism 5266:Two Romanian Dances 5162:Fourteen Bagatelles 4649:Smith, Erik. 1965. 3967:Jones, Tom. 2012. " 3267:Statue: Béla Bartók 3200:, pp. 377–378. 2941:"The Wooden Prince" 2899:, pp. 257–277. 2522:, pp. 196–207. 2205:. 16 October 2015. 1990:. 16 October 2015. 1729:. 16 October 2015. 1646:16th arrondissement 1635:Square Henri-Collet 1463:Bartók Plays Bartók 1438:Bartók Plays Bartók 1411:Bartók at the Piano 1256:privileged patterns 934:Farkasréti Cemetery 816:Columbia University 759:Bartok and Pásztory 59:Béla Bartók in 1927 6572:Hungarian refugees 6522:Hungarian atheists 6286:Heitor Villa-Lobos 5378:Musical cryptogram 5305:Five Songs, Op. 15 5007:Hungarian Pictures 4898:Bluebeard's Castle 4660:Bluebeard's Castle 4587:– Bulletin of the 4555:11, nos. 3–4:2–11. 4368:Béla Bartók Essays 4296:Schooled in Bartók 4145:The New York Times 4023:Bartók in New York 3853:Grove Music Online 3585:Grove Music Online 1606:Square Béla Bartók 1576:Ahmet Adnan Saygun 1527: 1519: 1508: 1472:Bartók the Pianist 1272:heptatonia secunda 1217:harmonic functions 1206: 1164:Nine Little Pieces 1085:Bluebeard's Castle 1002: 921:Ferncliff Cemetery 902: 856:Serge Koussevitzky 850:and the conductor 801:United States Navy 761: 741:Ahmet Adnan Saygun 737:Turkish folk music 664:Rhapsody for piano 662:and performed the 610:. The outbreak of 575:Kingdom of Hungary 566: 529:Bluebeard's Castle 512:Bluebeard's Castle 406:Gisela Selden-Goth 306: 224:Kingdom of Hungary 76:Kingdom of Hungary 36:Western name order 6356: 6355: 6281:Francisco Mignone 6266:Alberto Ginastera 6153:Alexander Borodin 6143:Modest Mussorgsky 6098:Henryk Wieniawski 5897: 5896: 5706: 5705: 5443: 5442: 4923:The Wooden Prince 4746: 4745: 4735: 4734: 4691:978-0-582-05383-0 4676:978-963-330-370-2 4607:978-0-8108-5356-0 4591:33, no. 4:175–82. 4568:978-0-19-510999-3 4535:978-952-10-8040-1 4504:978-963-09-3569-2 4481:The Musical Times 4473:978-963-506-649-0 4449:978-0-521-66958-0 4441:978-0-521-66010-5 4413:978-0-9641961-2-4 4380:978-0-571-10120-7 4372:Faber & Faber 4360:Polereczky család 4342:978-0-300-05111-7 4275:978-963-280-015-8 4258:978-0-8108-4076-8 4200:978-0-520-08485-8 4171:978-0-520-24503-7 4133:978-0-945193-37-1 4002:978-0-900707-04-9 3960:978-0-615-14784-0 3926:978-0-521-66958-0 3918:978-0-521-66010-5 3886:978-0-500-20164-0 3832:978-0-931340-74-1 3824:978-0-571-15331-2 3816:978-0-571-15330-5 3810:. London: Faber. 3799:978-0-571-14244-6 3791:978-0-571-14243-9 3785:. London: Faber. 3783:Bartók Remembered 3762:978-0-8108-6765-9 3745:978-1-55553-279-6 3716:978-2-87037-168-8 3712:978-2-87037-168-8 3699:978-0-7864-5737-3 3649:978-0-300-21307-2 3606:978-0-7148-3164-0 3583:. "Modernism", 3542:978-0-571-10120-7 3526:978-0-571-09638-1 3505:978-0-691-08966-9 3489:Musical Quarterly 3477:978-0-520-04604-7 3336:www.trekearth.com 3116:, pp. 24–29. 2875:, pp. 47–49. 2776:, pp. 15–16. 2203:Mahler Foundation 1988:Mahler Foundation 1482:On 18 March 2016 1232:Antokoletz (1984) 1102:The Wooden Prince 866:. Koussevitsky's 765:World War II 649:Arnold Schoenberg 617:The Wooden Prince 443:pentatonic scales 187:ethnomusicologist 125: 124: 110:ethnomusicologist 6639: 6467:Ballet composers 6409: 6408: 6407: 6397: 6396: 6395: 6385: 6384: 6383: 6373: 6372: 6371: 6364: 6341:Edward MacDowell 6195:Enrique Granados 6170:Alexander Moyzes 5963:Bohuslav Martinů 5924: 5917: 5910: 5901: 5900: 5887: 5877: 5876: 5853:Darmstadt School 5787:Post-romanticism 5497: 5496: 5470: 5463: 5456: 5447: 5446: 5433: 5423: 5422: 5245:Three Burlesques 4863: 4856: 4849: 4840: 4839: 4791: 4754:Internet Archive 4731: 4711: 4710: 4702: 4701: 4655:and the producer 4363: 4345: 4328: 4319: 4299: 4290: 4277: 4261: 4242: 4229: 4212: 4203: 4183: 4174: 4157: 4148: 4136: 4112: 4105:Özgentürk, Nebil 4100: 4087: 4062: 4045: 4026: 4017: 4012: 3992:, introduced by 3981: 3972: 3963: 3942: 3929: 3898: 3889: 3869: 3860: 3835: 3802: 3779:Gillies, Malcolm 3774: 3765: 3748: 3731: 3724:Einstein, Alfred 3719: 3702: 3685: 3683: 3681: 3652: 3635: 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971:Carpathian Basin 898:Hungarian forint 809:Columbia Records 612:World War I 606:, and (in 1913) 571:Carpathian Basin 556:, today part of 252:Turócszentmárton 184: 179: 175: 174: 171: 170: 167: 164: 161: 158: 155: 151: 150: 147: 144: 141: 138: 57: 43: 42: 6647: 6646: 6642: 6641: 6640: 6638: 6637: 6636: 6417: 6416: 6415: 6405: 6403: 6393: 6391: 6381: 6379: 6375:Classical music 6369: 6367: 6359: 6357: 6352: 6251: 6221:United Kingdom 6200:Joaquín Rodrigo 6190:Manuel de Falla 6088:Frédéric Chopin 5948:Bedřich Smetana 5944:Czech Republic 5933: 5928: 5898: 5893: 5870: 5857: 5836: 5762:New Objectivity 5715: 5713: 5702: 5666: 5488: 5479: 5477:Modernist music 5474: 5444: 5439: 5411: 5356: 5347:Bartók (crater) 5335: 5317: 5271: 5238:Ten Easy Pieces 5221:Slovakian Dance 5201:Rhapsody, Op. 1 5127:Allegro barbaro 5114: 5109:Cantata Profana 5096: 5062:String quartets 5026: 4979: 4955:Viola Concerto 4928: 4903: 4885: 4872: 4867: 4829:Wayback Machine 4782: 4778:Wayback Machine 4766:Wayback Machine 4727: 4700: 4695: 4636:Wayback Machine 4578:Bence Szabolcsi 4517:Wayback Machine 4464:Wayback Machine 4428:Wayback Machine 4401:Wayback Machine 4353: 4351:Further reading 4348: 4308:Tantara Records 4080:Arthur Honegger 3969:See Béla Bartók 3874:Griffiths, Paul 3679: 3677: 3676:on 8 April 2007 3550: 3485:Babbitt, Milton 3462: 3457: 3456: 3447: 3446: 3442: 3432: 3430: 3421: 3420: 3416: 3405: 3401: 3391: 3389: 3374: 3367: 3359: 3355: 3345: 3343: 3330: 3329: 3325: 3317: 3313: 3305: 3301: 3290: 3286: 3278: 3274: 3263: 3259: 3251: 3247: 3239: 3235: 3227: 3223: 3208: 3204: 3196: 3192: 3184: 3180: 3172: 3168: 3160: 3156: 3148: 3144: 3136: 3132: 3124: 3120: 3112: 3108: 3104:, pp. 2–4. 3100: 3096: 3088: 3084: 3076: 3072: 3062: 3060: 3047: 3046: 3042: 3034: 3030: 3022: 3018: 3008: 3006: 2993: 2992: 2988: 2980: 2976: 2968: 2964: 2954: 2952: 2937: 2933: 2923: 2921: 2908: 2907: 2903: 2895: 2891: 2883: 2879: 2871: 2867: 2859: 2855: 2847: 2843: 2835: 2831: 2823: 2819: 2811: 2804: 2796: 2792: 2784: 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There he met 298: 228:Sânnicolau Mare 220:Nagyszentmiklós 212: 207: 177: 152: 135: 131: 100: 91: 82: 80:Austria-Hungary 72:Nagyszentmiklós 69: 60: 48: 39: 24: 17: 12: 11: 5: 6645: 6635: 6634: 6629: 6624: 6619: 6614: 6609: 6604: 6599: 6594: 6589: 6584: 6579: 6574: 6569: 6564: 6559: 6554: 6549: 6544: 6539: 6534: 6529: 6524: 6519: 6514: 6509: 6504: 6499: 6494: 6489: 6484: 6479: 6474: 6469: 6464: 6459: 6454: 6449: 6444: 6439: 6434: 6429: 6414: 6413: 6401: 6389: 6377: 6354: 6353: 6351: 6350: 6349: 6348: 6343: 6338: 6336:Horatio Parker 6333: 6328: 6322:United States 6320: 6319: 6318: 6313: 6308: 6300: 6299: 6298: 6290: 6289: 6288: 6283: 6278: 6270: 6269: 6268: 6259: 6257: 6253: 6252: 6250: 6249: 6248: 6247: 6242: 6237: 6232: 6227: 6219: 6218: 6217: 6209: 6208: 6207: 6205:Joaquín Turina 6202: 6197: 6192: 6187: 6179: 6178: 6177: 6172: 6167: 6159: 6158: 6157: 6156: 6155: 6150: 6145: 6140: 6135: 6133:Mily Balakirev 6125: 6120: 6118:Mikhail Glinka 6112: 6111: 6110: 6102: 6101: 6100: 6095: 6090: 6082: 6081: 6080: 6072: 6071: 6070: 6068:Bernard Zweers 6062: 6061: 6060: 6058:Giuseppe Verdi 6052: 6051: 6050: 6045: 6037: 6036: 6035: 6033:Richard Wagner 6030: 6022: 6021: 6020: 6018:Romain Bussine 6015: 6007: 6006: 6005: 6000: 5998:Leevi Madetoja 5992: 5991: 5990: 5982: 5981: 5980: 5975: 5967: 5966: 5965: 5960: 5955: 5953:Antonín Dvořák 5950: 5941: 5939: 5935: 5934: 5927: 5926: 5919: 5912: 5904: 5895: 5894: 5892: 5891: 5881: 5867:Romantic music 5863: 5862: 5859: 5858: 5856: 5855: 5850: 5844: 5842: 5838: 5837: 5835: 5834: 5829: 5824: 5819: 5814: 5809: 5804: 5799: 5794: 5789: 5784: 5779: 5774: 5772:Pandiatonicism 5769: 5764: 5759: 5757:New Complexity 5754: 5749: 5744: 5739: 5734: 5729: 5724: 5718: 5716: 5711: 5708: 5707: 5704: 5703: 5701: 5700: 5699: 5698: 5693: 5688: 5683: 5677:United States 5674: 5672: 5668: 5667: 5665: 5664: 5663: 5662: 5657: 5652: 5644: 5643: 5642: 5634: 5633: 5632: 5624: 5623: 5622: 5614: 5613: 5612: 5607: 5599: 5598: 5597: 5592: 5587: 5582: 5577: 5572: 5564: 5563: 5562: 5554: 5553: 5552: 5544: 5543: 5542: 5534: 5533: 5532: 5527: 5522: 5517: 5512: 5503: 5501: 5494: 5490: 5489: 5484: 5481: 5480: 5473: 5472: 5465: 5458: 5450: 5441: 5440: 5438: 5437: 5427: 5416: 5413: 5412: 5410: 5409: 5402: 5395: 5390: 5385: 5380: 5375: 5370: 5364: 5362: 5358: 5357: 5355: 5354: 5349: 5343: 5341: 5337: 5336: 5334: 5333: 5325: 5323: 5322:Collaborations 5319: 5318: 5316: 5315: 5312:Village Scenes 5308: 5301: 5294: 5287: 5279: 5277: 5273: 5272: 5270: 5269: 5262: 5255: 5248: 5241: 5234: 5229: 5224: 5217: 5210: 5203: 5198: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5137: 5130: 5122: 5120: 5116: 5115: 5113: 5112: 5104: 5102: 5098: 5097: 5095: 5094: 5088: 5083: 5078: 5073: 5068: 5059: 5054: 5049: 5042: 5034: 5032: 5028: 5027: 5025: 5024: 5017: 5010: 5003: 4998: 4993: 4987: 4985: 4981: 4980: 4978: 4977: 4975:Rhapsody No. 2 4972: 4970:Rhapsody No. 1 4967: 4962: 4957: 4952: 4947: 4942: 4936: 4934: 4930: 4929: 4927: 4926: 4919: 4911: 4909: 4905: 4904: 4902: 4901: 4893: 4891: 4887: 4886: 4884: 4883: 4877: 4874: 4873: 4866: 4865: 4858: 4851: 4843: 4837: 4836: 4831: 4819: 4808: 4807: 4802: 4797: 4792: 4780: 4768: 4756: 4744: 4743: 4737: 4736: 4733: 4732: 4725: 4721: 4720: 4715: 4707: 4706: 4699: 4698:External links 4696: 4694: 4693: 4679: 4664: 4653:István Kertész 4647: 4646:(16 February). 4638: 4626: 4617: 4610: 4595:Maconie, Robin 4592: 4581: 4570: 4556: 4549: 4542: 4527: 4520: 4508:Decca. 2016. " 4506: 4492: 4485: 4476: 4452: 4416: 4405: 4389: 4364: 4354: 4352: 4349: 4347: 4346: 4329: 4320: 4300: 4291: 4278: 4262: 4243: 4230: 4213: 4204: 4188:Somfai, László 4184: 4175: 4158: 4149: 4147:(12 December). 4141:Rockwell, John 4137: 4113: 4101: 4088: 4066:Moreux. 1974. 4063: 4046: 4027: 4018: 4013: 3982: 3973: 3964: 3943: 3930: 3899: 3890: 3870: 3861: 3836: 3803: 3775: 3766: 3749: 3732: 3720: 3703: 3686: 3653: 3636: 3627: 3610: 3593: 3581:Botstein, Leon 3577: 3561: 3546: 3529: 3509: 3481: 3463: 3461: 3458: 3455: 3454: 3440: 3414: 3399: 3365: 3353: 3323: 3311: 3299: 3284: 3282:, p. 145. 3272: 3257: 3245: 3233: 3221: 3202: 3190: 3188:, p. 385. 3178: 3166: 3154: 3142: 3130: 3128:, p. 185. 3118: 3106: 3094: 3082: 3080:, p. 186. 3078:Szabolcsi 1974 3070: 3040: 3038:, p. 189. 3028: 3026:, p. 173. 3016: 2986: 2974: 2962: 2931: 2901: 2889: 2887:, p. 405. 2877: 2865: 2863:, p. 404. 2853: 2841: 2829: 2827:, p. 271. 2817: 2802: 2790: 2778: 2766: 2754: 2742: 2730: 2718: 2699: 2687: 2657: 2653:Schneider 2006 2645: 2633: 2631:, p. 332. 2621: 2617:Griffiths 1978 2609: 2597: 2595:, p. 210. 2585: 2583:, p. 214. 2573: 2554: 2524: 2512: 2500: 2488: 2476: 2464: 2452: 2440: 2428: 2397: 2367: 2351: 2321: 2280: 2268: 2264:Özgentürk 2008 2256: 2220: 2190: 2160: 2145: 2125: 2113: 2101: 2071: 2059: 2047: 2035: 2005: 1975: 1945: 1933: 1921: 1909: 1897: 1885: 1870: 1858: 1846: 1842:Griffiths 1988 1834: 1822: 1810: 1798: 1768: 1756: 1744: 1714: 1694: 1693: 1691: 1688: 1686: 1683: 1682: 1681: 1674: 1663: 1649: 1627: 1616: 1598: 1590: 1579: 1568: 1561: 1553: 1539: 1514:Walk of Fame, 1495: 1492: 1484:Decca Classics 1477: 1476: 1467: 1458: 1449: 1442: 1433: 1424: 1415: 1377: 1374: 1370:European Union 1338: 1335: 1331:Milton Babbitt 1325:golden section 1317:acoustic scale 1252:projected sets 1194: 1191: 1140: 1137: 1092: 1089: 1047: 1044: 1011:A Duna folyása 1000:Bartók in 1903 993: 990: 967:Antonín Dvořák 963:Mikhail Glinka 948: 945: 887:Viola Concerto 875:Yehudi Menuhin 848:Joseph Szigeti 797:Ditta Pásztory 752: 749: 743:mostly around 653:violin sonatas 537: 534: 506: 503: 483:Ditta Pásztory 477: 474: 472: 469: 370:Claude Debussy 340:, hero of the 336:which honored 334:symphonic poem 318:János Koessler 297: 294: 284:, present-day 211: 208: 206: 203: 123: 122: 117: 113: 112: 106: 102: 101: 92: 88: 84: 83: 70: 66: 62: 61: 58: 50: 49: 46: 15: 9: 6: 4: 3: 2: 6644: 6633: 6630: 6628: 6625: 6623: 6620: 6618: 6615: 6613: 6610: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6588: 6585: 6583: 6580: 6578: 6575: 6573: 6570: 6568: 6565: 6563: 6560: 6558: 6555: 6553: 6550: 6548: 6545: 6543: 6540: 6538: 6535: 6533: 6530: 6528: 6525: 6523: 6520: 6518: 6515: 6513: 6510: 6508: 6505: 6503: 6500: 6498: 6495: 6493: 6490: 6488: 6485: 6483: 6480: 6478: 6475: 6473: 6470: 6468: 6465: 6463: 6460: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6424: 6422: 6412: 6402: 6400: 6390: 6388: 6378: 6376: 6366: 6365: 6362: 6347: 6344: 6342: 6339: 6337: 6334: 6332: 6329: 6327: 6326:Aaron Copland 6324: 6323: 6321: 6317: 6314: 6312: 6311:Carlos Chávez 6309: 6307: 6304: 6303: 6301: 6297: 6296:Claude Vivier 6294: 6293: 6291: 6287: 6284: 6282: 6279: 6277: 6274: 6273: 6271: 6267: 6264: 6263: 6261: 6260: 6258: 6254: 6246: 6243: 6241: 6238: 6236: 6233: 6231: 6228: 6226: 6223: 6222: 6220: 6216: 6213: 6212: 6210: 6206: 6203: 6201: 6198: 6196: 6193: 6191: 6188: 6186: 6185:Isaac Albéniz 6183: 6182: 6180: 6176: 6173: 6171: 6168: 6166: 6163: 6162: 6160: 6154: 6151: 6149: 6146: 6144: 6141: 6139: 6136: 6134: 6131: 6130: 6129: 6126: 6124: 6121: 6119: 6116: 6115: 6113: 6109: 6108:George Enescu 6106: 6105: 6103: 6099: 6096: 6094: 6091: 6089: 6086: 6085: 6083: 6079: 6076: 6075: 6073: 6069: 6066: 6065: 6063: 6059: 6056: 6055: 6053: 6049: 6048:Zoltán Kodály 6046: 6044: 6041: 6040: 6038: 6034: 6031: 6029: 6026: 6025: 6023: 6019: 6016: 6014: 6011: 6010: 6008: 6004: 6003:Jean Sibelius 6001: 5999: 5996: 5995: 5993: 5989: 5988:Rudolf Tobias 5986: 5985: 5983: 5979: 5976: 5974: 5971: 5970: 5968: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5946: 5945: 5943: 5942: 5940: 5936: 5932: 5925: 5920: 5918: 5913: 5911: 5906: 5905: 5902: 5890: 5886: 5882: 5880: 5872: 5871: 5869: 5868: 5860: 5854: 5851: 5849: 5846: 5845: 5843: 5839: 5833: 5830: 5828: 5825: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5738: 5735: 5733: 5732:Expressionism 5730: 5728: 5725: 5723: 5720: 5719: 5717: 5709: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5678: 5676: 5675: 5673: 5669: 5661: 5658: 5656: 5653: 5651: 5648: 5647: 5645: 5641: 5638: 5637: 5635: 5631: 5628: 5627: 5625: 5621: 5618: 5617: 5615: 5611: 5608: 5606: 5603: 5602: 5600: 5596: 5593: 5591: 5588: 5586: 5583: 5581: 5578: 5576: 5573: 5571: 5568: 5567: 5565: 5561: 5558: 5557: 5555: 5551: 5548: 5547: 5545: 5541: 5538: 5537: 5535: 5531: 5528: 5526: 5523: 5521: 5518: 5516: 5513: 5511: 5508: 5507: 5505: 5504: 5502: 5498: 5495: 5491: 5487: 5482: 5478: 5471: 5466: 5464: 5459: 5457: 5452: 5451: 5448: 5436: 5432: 5428: 5426: 5418: 5417: 5414: 5408: 5407: 5403: 5401: 5400: 5396: 5394: 5391: 5389: 5386: 5384: 5383:Neoclassicism 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5365: 5363: 5359: 5353: 5350: 5348: 5345: 5344: 5342: 5338: 5332: 5331: 5327: 5326: 5324: 5320: 5314: 5313: 5309: 5307: 5306: 5302: 5300: 5299: 5295: 5293: 5292: 5288: 5286: 5285: 5281: 5280: 5278: 5274: 5268: 5267: 5263: 5261: 5260: 5256: 5254: 5253: 5249: 5247: 5246: 5242: 5240: 5239: 5235: 5233: 5232:Suite, Op. 14 5230: 5228: 5225: 5223: 5222: 5218: 5216: 5215: 5211: 5209: 5208: 5204: 5202: 5199: 5197: 5194: 5192: 5191: 5187: 5185: 5184: 5180: 5178: 5177: 5173: 5171: 5170: 5166: 5164: 5163: 5159: 5157: 5156: 5152: 5150: 5149: 5145: 5143: 5142: 5138: 5136: 5135: 5131: 5129: 5128: 5124: 5123: 5121: 5117: 5111: 5110: 5106: 5105: 5103: 5099: 5092: 5089: 5087: 5084: 5082: 5079: 5077: 5074: 5072: 5069: 5067: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5047: 5043: 5041: 5040: 5036: 5035: 5033: 5029: 5023: 5022: 5018: 5016: 5015: 5011: 5009: 5008: 5004: 5002: 4999: 4997: 4994: 4992: 4989: 4988: 4986: 4982: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4937: 4935: 4931: 4925: 4924: 4920: 4918: 4917: 4913: 4912: 4910: 4906: 4900: 4899: 4895: 4894: 4892: 4888: 4882: 4879: 4878: 4875: 4871: 4864: 4859: 4857: 4852: 4850: 4845: 4844: 4841: 4835: 4832: 4830: 4826: 4823: 4820: 4817: 4813: 4810: 4809: 4806: 4803: 4801: 4798: 4796: 4793: 4789: 4785: 4781: 4779: 4775: 4772: 4769: 4767: 4763: 4760: 4757: 4755: 4751: 4748: 4747: 4742: 4739: 4738: 4730: 4726: 4722: 4719: 4716: 4712: 4709: 4708: 4704: 4703: 4692: 4688: 4684: 4680: 4677: 4673: 4669: 4665: 4662: 4661: 4656: 4654: 4648: 4645: 4644: 4639: 4637: 4633: 4630: 4627: 4624: 4623: 4618: 4615: 4611: 4608: 4604: 4600: 4596: 4593: 4590: 4586: 4582: 4579: 4575: 4571: 4569: 4565: 4561: 4557: 4554: 4550: 4547: 4543: 4540: 4536: 4532: 4528: 4525: 4521: 4518: 4514: 4511: 4507: 4505: 4501: 4497: 4493: 4490: 4486: 4483: 4482: 4477: 4474: 4470: 4466: 4465: 4461: 4458: 4453: 4450: 4446: 4442: 4438: 4434: 4430: 4429: 4425: 4422: 4417: 4414: 4410: 4406: 4403: 4402: 4398: 4395: 4390: 4388: 4384: 4381: 4377: 4373: 4369: 4365: 4361: 4356: 4355: 4343: 4339: 4335: 4330: 4326: 4321: 4317: 4313: 4309: 4305: 4301: 4297: 4292: 4288: 4284: 4279: 4276: 4272: 4268: 4263: 4259: 4255: 4251: 4250: 4244: 4240: 4236: 4231: 4227: 4226:9780198163497 4223: 4219: 4214: 4210: 4205: 4201: 4197: 4193: 4189: 4185: 4181: 4176: 4172: 4168: 4164: 4159: 4155: 4150: 4146: 4142: 4138: 4134: 4130: 4126: 4122: 4118: 4117:Perle, George 4114: 4110: 4106: 4102: 4098: 4094: 4089: 4085: 4084:Moreux (1953) 4081: 4077: 4076:Erik de Mauny 4073: 4070:, translated 4069: 4064: 4060: 4059:Erik de Mauny 4056: 4053:, translated 4052: 4047: 4043: 4042:9780195348118 4039: 4035: 4034: 4028: 4024: 4019: 4014: 4010: 4006: 4003: 3999: 3995: 3991: 3987: 3986:Lendvai, Ernő 3983: 3979: 3974: 3970: 3965: 3961: 3957: 3953: 3949: 3944: 3940: 3936: 3931: 3927: 3923: 3919: 3915: 3911: 3907: 3906: 3900: 3896: 3891: 3887: 3883: 3879: 3875: 3871: 3867: 3862: 3858: 3854: 3850: 3846: 3845:Stanley Sadie 3842: 3837: 3833: 3829: 3825: 3821: 3817: 3813: 3809: 3804: 3800: 3796: 3792: 3788: 3784: 3781:(ed.). 1990. 3780: 3776: 3772: 3767: 3763: 3759: 3755: 3750: 3746: 3742: 3738: 3733: 3729: 3725: 3721: 3717: 3713: 3709: 3704: 3700: 3696: 3692: 3687: 3675: 3671: 3667: 3663: 3659: 3654: 3650: 3646: 3642: 3637: 3633: 3628: 3624: 3620: 3616: 3611: 3607: 3603: 3599: 3594: 3590: 3586: 3582: 3578: 3574: 3570: 3566: 3562: 3557: 3556:Chester Music 3553: 3547: 3543: 3539: 3535: 3530: 3527: 3523: 3519: 3515: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3482: 3478: 3474: 3470: 3465: 3464: 3450: 3444: 3428: 3424: 3418: 3410: 3403: 3387: 3383: 3382:bachtrack.com 3379: 3372: 3370: 3362: 3361:Matthews 2012 3357: 3341: 3337: 3333: 3327: 3320: 3315: 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