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Robert Adamson (photographer)

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280: 33: 217: 153: 272:, under construction in Edinburgh. They produced several groundbreaking "action" photographs of soldiers and – perhaps their most famous photograph – two priests walking side by side. Their depictions of groups and children were unrivaled. As well as the great and the good, they photographed ordinary working folk, particularly the fishermen of 260:
between 1843 and 1848, exhibiting in 1844, 1845 and 1846. Their prints were sold at the Princes Street gallery of Alexander Hill. After Hill and Adamson decided to publish their work, they purchased a specialised camera in 1844, but their plans to produce albums, paid by subscription, did not gain
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The first studio specializing in calotypes in Edinburgh, Adamson's studio practice was said to have been "confidential to the point of secrecy". Hill required calotypes from which he would paint. Distinguished persons from many fields came to be photographed by the partners and within a few years
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in St Andrews where he showed exceptional talents in mathematics and mechanics, twice winning the prize for mathematics. He became employed at an engineering shop from a young age, and apprenticed as a
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and their wives. Their social documentary series on Newhaven fishing families, which depicted living conditions and community relationships, was to be the most notable work of the partnership.
252:. Hill had desired to make photographic portraits of the founders purely as reference material. This painting, however, would not be completed until 1866, long after his death. 248:(1802–1870), a painter of romantic Scottish landscapes, who hired him; and they were commissioned in 1843 to make a group portrait of the 470 clergymen who founded the 291:
By mid-1847, the studio stopped production due to the failing health of Adamson. Thinking to recuperate amidst his family, Adamson returned to St Andrews. He died of
233: 443: 237: 209:, the inventor of the calotype, would call his pictures "Rembrandtish". Adamson's brother John, a general practitioner, lecturer, and curator of the 302:. Hill returned to painting, but it wasn't until 1872 that their work was rediscovered. In 1905, 1912, and 1914, some of their works appeared in 914: 256:
they had taken the art scene by storm in Scotland. Together they made around 2500 portraits, some say 3000 or more, and numerous views of
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Adamson was keen on becoming an engineer, but ill health led to him pursuing photography. He was taught
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A centenary exhibition of the work of David Octavius Hill, 1802–1870, and Robert Adamson, 1821–1848
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boy, by Robert Adamson and David Octavius Hill, 1843–1847; from the collection of the
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in the late 1830s. As early as April 1839, Adamson's talents were recognized, and
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Hill, David Octavius; Museum, J. Paul Getty; Adamson, Robert (25 March 1999).
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Officer of the 92nd Gordon Highlanders Reading to the Troops, Edinburgh Castle
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Their depictions, in soft reddish-brown or sepia, included local and
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The young chemist, Adamson, established his photographic studio at
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Hill and Adamson's The fishermen and women of the Firth of Forth
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The Story of Photography: From Its Beginnings to the Present Day
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Stevenson, Sara; Hill, David Octavius; Adamson, Robert (1991).
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Hill, David Octavius; Adamson, Robert; Ovenden, Graham (1973).
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Hill and Adamson: Photographs from the J. Paul Getty Museum
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The photographs of David Octavius Hill and Robert Adamson
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Hill, David Octavius; Bell, Keith; Harris, David (1987).
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In 1851, the works of Hill & Adamson's appeared at
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and Robert Cunningham Graham Spiers, by Robert Adamson.
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landscapes and urban scenes, including images of the
729: 308:. There were also several New York City exhibits at 213:, produced the first calotype in Scotland in 1841. 819: 691: 447:(online ed.). Oxford University Press. 2004. 436: 403: 776: 774: 723: 683: 621: 542: 540: 538: 399: 397: 395: 891: 690:Newhall, Beaumont; Newhall, Nancy Wynne (1958). 340:Mrs. Barbara (Johnstone) Flucker Opening Oysters 771: 689: 655: 535: 486:Encyclopedia of Nineteenth-Century Photography 392: 813: 811: 615: 516: 478: 476: 474: 472: 470: 557:Julia Margaret Cameron: A Critical Biography 885:Works in the National Galleries of Scotland 649: 581: 546: 808: 780: 467: 31: 826:. University Press of Kentucky. pp.  594:. Taylor & Francis US. pp. 18–. 510: 822:The Life and Photography of Doris Ulmann 587: 278: 215: 151: 128:(26 April 1821 – 14 January 1848) was a 482: 444:Oxford Dictionary of National Biography 892: 868:"Robert Adamson Master of Photography" 818:Jacobs, Philip Walker (9 March 2001). 817: 431: 429: 427: 425: 295:on 14 January 1848, at the age of 26. 787:. Scottish Arts Council. p. 14. 523:. Hans P. Kraus, Jr., Inc. p. 30 370:The Rev. Dr. Jabez Bunting, Scotland 132:chemist and pioneer photographer at 915:19th-century Scottish photographers 628:. Getty Publications. p. 143. 422: 13: 662:. Mendel Art Gallery. p. 10. 560:. Getty Publications. p. 85. 14: 926: 878: 16:Scottish chemist and photographer 483:Hannavy, John (24 August 2007). 323: 860: 851: 757: 588:Langford, Michael John (1997). 517:Kraus, Jr., Hans P. (c. 1987). 781:Michaelson, Katherine (1970). 407:Hill & Adamson photographs 380:Willie Liston Redding the Line 335:Miss Grizzel Baillie, Scotland 226:National Galleries of Scotland 147: 1: 410:. Academy Editions. p. 6 385: 168:tenant farmer. He grew up in 489:. CRC Press. pp. 658–. 461:UK public library membership 119:Early pioneer of photography 7: 10: 931: 355:The Fairy Tree at Colinton 220:'His Faither's Breeks', a 184: 115: 107: 97: 71: 42: 30: 23: 698:. G. Braziller. p.  203:University of St Andrews 140:and producing some 2500 765:Hutchinson Encyclopedia 552:Cameron, Julia Margaret 250:Free Church of Scotland 197:, and by the physicist 910:People from St Andrews 857:Hannavy (2007), p. 659 694:Masters of photography 453:10.1093/ref:odnb/41127 288: 229: 157: 345:Bringing in the catch 282: 219: 155: 375:Dumbarton Presbytery 300:The Great Exhibition 181:for several months. 172:and was educated at 160:Adamson was born in 246:David Octavius Hill 138:David Octavius Hill 330:Miss Justine Munro 318:National Arts Club 289: 238:Calton Hill Stairs 230: 158: 134:Hill & Adamson 837:978-0-8131-2175-8 743:978-0-903598-15-6 709:978-0-89104-010-1 669:978-0-919863-28-6 635:978-0-89236-540-1 601:978-0-240-51483-3 567:978-0-89236-707-8 496:978-0-415-97235-2 459:(Subscription or 211:University Museum 123: 122: 108:Years active 922: 872: 871: 864: 858: 855: 849: 848: 846: 844: 825: 815: 806: 805: 803: 801: 778: 769: 761: 755: 754: 752: 750: 727: 721: 720: 718: 716: 697: 687: 681: 680: 678: 676: 653: 647: 646: 644: 642: 619: 613: 612: 610: 608: 585: 579: 578: 576: 574: 544: 533: 532: 530: 528: 514: 508: 507: 505: 503: 480: 465: 464: 456: 440: 433: 420: 419: 417: 415: 401: 310:Alfred Stieglitz 193:by his brother, 78: 52: 50: 35: 21: 20: 930: 929: 925: 924: 923: 921: 920: 919: 890: 889: 881: 876: 875: 866: 865: 861: 856: 852: 842: 840: 838: 816: 809: 799: 797: 795: 779: 772: 762: 758: 748: 746: 744: 728: 724: 714: 712: 710: 688: 684: 674: 672: 670: 654: 650: 640: 638: 636: 620: 616: 606: 604: 602: 586: 582: 572: 570: 568: 554:(15 May 2003). 545: 536: 526: 524: 515: 511: 501: 499: 497: 481: 468: 458: 435: 434: 423: 413: 411: 402: 393: 388: 365:The Minnow Pool 326: 314:291 Art Gallery 187: 150: 93: 80: 76: 75:14 January 1848 67: 54: 48: 46: 38: 26: 17: 12: 11: 5: 928: 918: 917: 912: 907: 902: 888: 887: 880: 879:External links 877: 874: 873: 859: 850: 836: 807: 793: 770: 756: 742: 722: 708: 682: 668: 648: 634: 614: 600: 580: 566: 534: 509: 495: 466: 421: 390: 389: 387: 384: 383: 382: 377: 372: 367: 362: 357: 352: 347: 342: 337: 332: 325: 322: 283:Graham Fyvie, 270:Scott Monument 199:David Brewster 186: 183: 174:Madras College 149: 146: 126:Robert Adamson 121: 120: 117: 116:Known for 113: 112: 109: 105: 104: 99: 95: 94: 91:United Kingdom 81: 79:(aged 26) 73: 69: 68: 65:United Kingdom 55: 44: 40: 39: 37:Robert Adamson 36: 28: 27: 25:Robert Adamson 24: 15: 9: 6: 4: 3: 2: 927: 916: 913: 911: 908: 906: 903: 901: 898: 897: 895: 886: 883: 882: 869: 863: 854: 839: 833: 829: 824: 823: 814: 812: 796: 794:9780902989009 790: 786: 785: 777: 775: 767: 766: 760: 745: 739: 735: 734: 726: 711: 705: 701: 696: 695: 686: 671: 665: 661: 660: 652: 637: 631: 627: 626: 618: 603: 597: 593: 592: 584: 569: 563: 559: 558: 553: 549: 543: 541: 539: 522: 521: 513: 498: 492: 488: 487: 479: 477: 475: 473: 471: 462: 454: 450: 446: 445: 439: 432: 430: 428: 426: 409: 408: 400: 398: 396: 391: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 346: 343: 341: 338: 336: 333: 331: 328: 327: 324:Partial works 321: 319: 315: 311: 307: 306: 301: 296: 294: 286: 285:Robert Cadell 281: 277: 275: 271: 267: 262: 259: 253: 251: 247: 243: 239: 235: 227: 223: 218: 214: 212: 208: 204: 200: 196: 192: 182: 180: 175: 171: 167: 163: 154: 145: 143: 139: 135: 131: 127: 118: 114: 110: 106: 103: 100: 96: 92: 88: 84: 74: 70: 66: 62: 58: 53:26 April 1821 45: 41: 34: 29: 22: 19: 862: 853: 841:. 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Index

Calotype self-portrait photograph of Robert Adamson. He is standing sideways onto the camera, in profile, wearing a suit and holding a book in his hands.
St Andrews
Scotland
United Kingdom
St Andrews
Scotland
United Kingdom
Scottish
Scottish
Hill & Adamson
David Octavius Hill
calotypes

St Andrews
Fife
Burnside
Madras College
millwright
calotype
John
David Brewster
University of St Andrews
Fox Talbot
University Museum

Newhaven
National Galleries of Scotland
Rock House
Calton Hill Stairs
Edinburgh

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