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26:
62:
itself says nothing to identify its date, but it can be roughly dated from works which refer to it, showing that it existed when they were written, and from works on which it draws, showing that those works existed when it was written. On this basis its editors place it "in the second quarter of the
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Window in All Saints Church, North Street, York, showing the second sign of doom: "þe seconde day þe see sall be so lawe as all men sall it see" (cf. "¶The secounde day hit shal be low / That unnethe men shul hitte knowe" in the main manuscript version, ll.
46:
poem dating from the first half of the fourteenth century promoting penitential reflection. It is, in terms of the number of surviving manuscripts, the most popular poem written in
English before print, with over 130 known copies.
98:
or Middle
English poem. A wide range of churchmen and lay men and women owned or accessed manuscripts of the poem; Agnes Paston, a member of the family who produced the
50:
The text is divided into seven sections: man's sinfulness, the transient nature of the world, death, purgatory, doomsday and its tokens, hell, and heaven.
140:
162:
25:
78:. The latter two attributions are chronologically impossible, and the attribution to Rolle was considered highly implausible by
364:
237:, Medium Ævum Monographs, N.S. 12 (Oxford: Society for the Study of Mediæval Languages and Literature, 1982), pp. 3–4, 100.
256:
Writings
Ascribed to Richard Rolle Hermit of Hampole and Materials for His Biography (New York: Heath, 1927), pp. 372–97.
359:
322:'The Pricke of Conscience or the Fifteen Signs of Doom Window in the Church of All Saints, North Street, York'
354:
154:
344:
94:
s popularity can be judged from the fact that it survives in about 130 manuscripts – more than any other
280:
184:
349:
177:
The 'Pricke of
Conscience' ('Stimulus Conscientiae'), A Northumbrian Poem by Richard Rolle de Hampole
66:
The poem also contains no identifying information about its author. Five manuscripts attribute it to
82:, a leading authority on his work. Contemporary scholars therefore consider the poem anonymous.
30:
270:, Early English Text Society, O.S. 342 (Oxford: Oxford University Press, 2013), pp. xxxiv–xxxv.
224:, Early English Text Society, O.S. 342 (Oxford: Oxford University Press, 2013), pp. xxxv–xxxvi.
175:
128:
123:
285:, TEAMS Middle English Texts Series (Kalamazoo, MI: Medieval Institute Publications, 2012)
189:, TEAMS Middle English Texts Series (Kalamazoo, MI: Medieval Institute Publications, 2012)
8:
114:
254:, Radcliffe College Monographs, 15 (Boston: Ginn, 1910), pp. 115–70; Hope Emily Allen,
71:
17:
119:
79:
29:
pp 88–89 of Leeds
University, Brotherton Library, BC MS 500 (Prick of Conscience).
103:
99:
43:
321:
196:, Early English Text Society, O.S. 342 (Oxford: Oxford University Press, 2013)
194:
Richard Morris's 'Prick of
Conscience': A Corrected and Amplified Reading Text
338:
67:
268:
Richard Morris's Prick of
Conscience: A Corrected and Amplified Reading Text
222:
Richard Morris's Prick of
Conscience: A Corrected and Amplified Reading Text
109:
201:
The 'Pricke of
Conscience': An Annotated Edition of the Southern Recension
95:
161:
appear in stained glass form in the "Prick of
Conscience Window" in
165:. The window is thought to have been constructed around 1410–1420.
235:
A Descriptive Guide to the Manuscripts of the Prick of Conscience
153:
Unusually, passages from and illustrations of the account of the
75:
102:, is known to have borrowed a copy, from a burgess of
298:(Oxford: Oxford University Press, 2020), pp. 43–9.
309:Reading English Verse in Manuscript c.1350–c.1500
296:Reading English Verse in Manuscript c.1350–c.1500
336:
311:(Oxford: Oxford University Press, 2020), p. 26.
135:
252:Studies in English and Comparative Literature
63:fourteenth century", i.e. roughly 1325–1350.
122:might allude to it at the beginning of the
246:Hope Emily Allen, "The Authorship of the
139:
24:
337:
163:All Saints' Church, North Street, York
53:
233:Robert E. Lewis and Angus McIntosh,
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192:Ralph Hanna and Sarah Wood, eds.,
180:(Berlin: A. Asher & Co., 1863)
14:
376:
266:Ralph Hanna and Sarah Wood, eds.
220:Ralph Hanna and Sarah Wood, eds.
203:(Jefferson, NC: McFarland, 2020)
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144:Bottom central panel of the
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7:
365:Works of unknown authorship
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136:Appearance in stained glass
74:, and one attributes it to
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381:
15:
360:Middle English literature
112:mentions the poem in his
70:, three attribute it to
16:Not to be confused with
279:James H. Morey (ed.),
150:
33:
183:James H. Morey, ed.,
174:Richard Morris, ed.,
155:Fifteen Signs of Doom
143:
28:
355:Middle English poems
92:Prick of Conscience'
248:Prick of Conscience
199:Jean E. Jost, ed.,
159:Prick of Conscience
146:Prick of Conscience
60:Prick of Conscience
54:Date and authorship
39:Prick of Conscience
345:14th-century poems
282:Prik of Conscience
186:Prik of Conscience
151:
126:, the last of his
72:Robert Grosseteste
34:
18:Ayenbite of Inwyt
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350:Christian poetry
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320:Roger Rosewell,
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129:Canterbury Tales
80:Hope Emily Allen
31:Catalogue record
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104:Great Yarmouth
100:Paston Letters
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76:Alcuin of York
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44:Middle English
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328:, 45 (n.d.)
339:Categories
208:References
149:5.753-54).
86:Influence
169:Editions
326:Vidimus
157:in the
120:Chaucer
118:, and
42:is a
90:The
58:The
36:The
250:",
96:Old
341::
324:,
132:.
106:.
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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