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broke out. During the war, Parlow toured neutral nations of Europe such as the
Netherlands, Denmark, Norway and Sweden. She returned to North America for a tour in the spring of 1916. She returned to England, but the increasing difficulty of travel kept her there until 1919. Her former teacher
136:(September 20, 1890 – August 19, 1963) was a violinist known for her outstanding technique, which earned her the nickname "The lady of the golden bow". Although she left Canada at the age of four and did not permanently return until 1940, Parlow was sometimes billed as "The Canadian Violinist".
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Parlow continued touring, returning to Europe, but in 1926 she took a break. Motivated by the stress of traveling or perhaps a broken relationship, she stopped performing for a year. To renew her career, she traveled to Mexico for concerts. There she was praised by critics, but her financial
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Parlow travelled Europe with her mother performing for five years. Auer remained a strong influence on Parlow, who referred to him as "Papa Auer". Her mother and Auer arranged concerts and opportunities for
Kathleen, including concerts with famed conductors such as
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in San
Francisco, and Parlow began receiving lessons from a cousin of hers who was a professional violin teacher, Conrad Coward. Her progress was very rapid with the instrument, and she soon began to receive lessons from a violin professor,
497:. Parlow did all the administrative work for the quartet. The quartet gave concerts in Canada, both live and on radio, but did not travel to any other countries. Their first performance was broadcast on the
322:, preparing again with Auer. Parlow maintained a heavy touring schedule, crossing and recrossing the Atlantic to tour both Europe and North America. She participated in a benefit concert for survivors of the
204:. Parlow and her mother had little money, and could not otherwise support themselves. Soon after, Kathleen Parlow made her professional debut in Berlin, and then began a tour of
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To become a top professional violinist and to begin a concert career, Parlow followed the normal route for North
Americans and moved to Europe. Parlow and her mother arrived in
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Parlow returned to
England with her mother in 1911 for further concerts. Her mother would remain her constant travelling companion, well into adulthood. She performed in the
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in 1943, and they remained together for 15 years. During this time, Parlow remained the head of the quartet, but the other performers were occasionally replaced.
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The
Canadian Trio was earning as much as $ 750 per performance. Inspired by this success, Parlow started her third string quartet in 1942, called the
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At 17, having spent a year at the conservatory, Parlow began to put on public performances. She gave solo performances in both St. Petersburg and
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478:'s Trio in A minor. They received excellent reviews and the trio continued performing across southern Ontario, as well as on radio, until 1944.
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With her concert career not particularly profitable, Parlow looked for other career options. In 1929, she was appointed to the faculty of
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about a permanent position with the Royal
Conservatory of Music, and obtained one in 1941. While there, she was a teacher for the singer
853:"Totem Films Nabs World Sales Rights to Sofia Bohdanowicz’s ‘Measures for a Funeral,’ Releases Exclusive Clip Ahead of Toronto Premiere"
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She became a regular performer with the
Toronto Symphony Orchestra as well, bringing additional income. In Toronto, she organised the
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and other friends of hers established a fund to support her. In
October 1959, she was appointed head of the College of Music of the
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Parlow began her fifth tour of North
American in December 1920, and she gave her first radio performance in
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was on March 16, 1911. Returning to her birthplace of western Canada, Parlow gave performances in
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As Parlow's career began to decline, her financial situation became progressively worse, and
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situation remained poor. Her tour of Mexico in 1929 was her first without her mother.
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In November 1910, Parlow returned to North America for a tour. Parlow performed in
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Until 1912, Parlow had performed primarily as a solo artist, but after meeting
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violin, made in 1735. The violin cost £2000 and had previously been owned by
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A biography written by her cousin, Maida Parlow French, appeared in 1967.
824:. Calgary: Century Calgary Publications. p. Photo 94. Archived from
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in April 1922. After this, Parlow went on a 22-month tour that included
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when Kathleen was four years old. Minnie Parlow bought her daughter a
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The Canadian Trio (left to right: Nelsova, MacMillan, Parlow)
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Sir Ernest Macmillan: The Importance of Being Canadian
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emigrated to New York around this time because of the
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Academic staff of the University of Western Ontario
176:, the Parlows decided to seek out Elman's teacher,
705:"Kathleen Parlow – Early Career and Concert Tours"
659:Godfrey Ridout and Susan Spier (March 10, 2013).
326:, and made her first recording at the request of
172:on January 1, 1905. Upon attending a concert by
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761:"Kathleen Parlow – Teaching and Chamber Music"
1049:20th-century Canadian violinists and fiddlers
805:"Kathleen Parlow – The Parlow String Quartet"
228:, a wealthy Norwegian (son of Nobel laureate
152:Parlow's mother, Minnie, took her to live in
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357:, but Parlow worked with him less and less.
684:"Kathleen Parlow – Childhood and Education"
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411:In 1936, Parlow accepted a position at the
341:, an Italian pianist, she began to perform
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466:. The trio debuted with a performance of
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807:. Collections Canada. 28 March 2012.
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686:. Collections Canada. 28 March 2012.
1024:Canadian women classical violinists
974:University of Toronto Music Library
965:University of Toronto Music Library
462:, and Sir Ernest MacMillan playing
236:. Bjørnson purchased for Parlow a
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283:. Her first performance with the
232:) who would become her friend and
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952:Works by or about Kathleen Parlow
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499:Canadian Broadcasting Corporation
348:The Parlows were in England when
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842:. Toronto: Ryerson Press, 1967.
780:. University of Toronto Press.
216:. In Norway she performed for
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510:University of Western Ontario
493:as second violin and violist
485:. The quartet also included
470:'s Trio in B-flat Major, and
406:South Mountain Parlow Quartet
355:political situation in Russia
933:How to use archival material
838:French, Maida (née Parlow).
415:. She remained there until
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840:Kathleen Parlow, a Portrait
514:Kathleen Parlow Scholarship
421:Royal Conservatory of Music
190:St. Petersburg Conservatory
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726:(783): 334–335. May 1908.
423:in Toronto. She wrote to
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61:Lady of the Golden Bow
41:Background information
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774:Ezra Schabas (1994).
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230:Bjørnstjerne Bjørnson
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79:Fort Calgary, Alberta
821:Be it ever so humble
818:Soby, Trudy (1975).
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435:, and the conductor
425:Sir Ernest MacMillan
378:Nipponophone Company
531:Canadian filmmaker
398:Oakland, California
330:. She signed with
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970:Digital collection
861:, August 27, 2024.
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76:September 20, 1890
946:Project Gutenberg
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718:"Foreign Notes".
661:"Kathleen Parlow"
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98:(1963-08-19)
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903:CA OTUFM 02
900:Identifiers
876:Archives at
607:Joseph Pach
476:Tchaikovsky
388:Later years
350:World War I
218:King Haakon
210:Netherlands
983:Categories
643:References
489:on cello,
222:Queen Maud
121:Instrument
113:Occupation
72:1890-09-20
47:Birth name
732:0027-4666
309:Vancouver
301:Saskatoon
297:Moose Jaw
140:Childhood
108:Classical
885:Location
468:Schubert
313:Victoria
305:Edmonton
281:Kingston
269:Montreal
261:New York
202:Helsinki
116:Musician
88:Canadian
954:at the
948:(audio)
858:Variety
370:Seattle
324:Titanic
289:Calgary
206:Germany
916:Source
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527:Legacy
374:Hawaii
293:Regina
277:Ottawa
273:Quebec
242:Viotti
234:patron
214:Norway
208:, the
170:London
124:Violin
105:Genres
85:Origin
908:Dates
736:JSTOR
472:Haydn
464:piano
460:cello
782:ISBN
728:ISSN
541:and
311:and
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93:Died
66:Born
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