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388:"I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." This aspect of the "unintentional" is in keeping with Riopelle's interest in Surrealism and using "absolute chance" to create art.
558:(1992, Musée national des beaux-arts du Québec), done after her death, is a tribute to love and to life, to the American painter Joan Mitchell who was his companion for 25 years and is a narrative sequence of 30 tableaux, integrated into a triptych measuring more than 40 meters in length. In 1974, he began to travel to the Quebec Laurentians, to a studio and home at Ste. Marguerite he designed and had built and Sainte-Cyr-en-Arthies, France. He lived his last years at
257:, Riopelle began drawing lessons in 1933 and continued through 1938. His parents encouraged his interest in art and allowed the young Riopelle to take classes with Henri Bisson (1900–1973), who taught drawing and painting out of his home on weekends. Bisson was a well-known artist and educator in Montreal at the time and was responsible for a number of public monuments that still exist today. Riopelle studied engineering, architecture and photography at the
273:
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237:, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since
637:, argued that moving it would allow a proper homage to Riopelle, and that it would allow the work to be more widely seen and exhibited as the artist intended, whereas its previous location had been inaccessible and had not included the fountain or fire elements Riopelle designed. In addition, the artist felt that the commercial venues around Parc Olympic trivialized the art.
415:, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements;
620:
district of
Montreal. Despite popular belief, the work is not an homage to hockey (in French a "joute de hockey," wherein the wrongful attribution lies), but is actually referring to the game "capture the flag". A menagerie of animals and mythological figures are caught up in the game, encircling a
387:
became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said,
33:
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in Saint
Petersburg, Russia and the Musée Cantini in Marseilles, France. The Montreal Museum of Fine Arts has a number of his works, spanning his entire career, in their permanent collection. In 2020, his indigenously inspired paintings were gathered in the travelling exhibition
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When
Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed beforehand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not
292:, a group of Montreal artists who were interested in Surrealist techniques, particularly automatic drawing with its embrace of the imagination and creativity born out of the unconscious mind. Breaking with traditional conventions in 1945 after reading
1242:
Jean-Paul
Riopelle: Peinture 1946-1977: Musée National d'Art Moderne, Centre Georges Pompidou, Paris 30 September - 16 November 1981, Musée Du Quebec, 9 December 1981 - 24 January 1982, Musée d'Art Contemporain, Montreal, 16 July - 22 August
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While expressing more representational subject matter in the 1980s, he abandoned traditional painting methods in favor of aerosol spray cans. In 1981 he became the first signatory of the Refus Global manifesto to be awarded the prestigious
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After diversifying his means of expression during the 1960s (turning to ink on paper, watercolours, lithography, collage and oils), he experimented with sculptural installations, including a fountain in
Montreal's Olympic Stadium, called
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by the
Montreal Museum of Fine Arts. The exhibition explores Riopelle's interest in non-Western art, as sparked by his "friend and collector Georges Duthuit and the writings of anthropologists and ethnologists, such as
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in 2003 provoked controversy and outrage from residents of
Hochelaga-Maisonneuve, who claimed that moving it from the Parc Olympique deprived it of the context required for its full meaning as an homage to sport.
380:. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush or directly from the paint tube, large quantities of paint onto the stretched canvas (positioned vertically).
373:), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create an overall sense of movement.
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Riopelle was arguably one of the most important
Canadian artists of the 20th century, establishing his reputation in the burgeoning postwar art scene of Paris, where his entourage included
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spring auction for $ 7,438,750 (CAD) (including buyer's premium), the second-highest price to date for a
Canadian work of art. Heffel holds the current record for Riopelle's work.
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322:(later known as the Galerie Nina Dausset) in Paris. In 1953, he signed with Pierre Loeb of Galerie Pierre which led to his work being included in the Guggenheim exhibition
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and continued his career as an artist, where, after a brief association with the surrealists (he was the only
Canadian to exhibit with them at the landmark exhibition
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was stolen from its pedestal in Esterel, QC, where it had been on display since 1963. The sculpture was found the next day in a wooded area, broken into four pieces.
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The presence of long filaments of paint in his painting from 1948 through the early 1950s has often been seen as resulting from a dripping technique like that of
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725:". In 2021, the Musée national des beaux-arts du Québec, Quebec City announced that it will build a pavilion dedicated to Riopelle's work, "Espace Riopelle".
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had lived. They influenced one another greatly, as much intellectually as artistically, a facet of their art which has been explored by an exhibition at the
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to attain widespread international recognition and high praise, both during his career and after his death. He was a leading artist of French
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577:. Riopelle produced over six thousand works (of which he produced more than two thousand paintings) during the course of his lifetime.
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318:) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place,
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in 1946; the couple had two daughters but separated in 1953. In 1959, he began a relationship with the American painter
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makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away."
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Those who supported the move, including the Quebec government, Riopelle's heirs, and the artwork's owner the
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is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work.
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in 2018. Their association was a stormy one, fuelled by alcohol, which ended in 1979. His 1992 painting
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231:. He had one of the longest and most important international careers of the sixteen signatories of the
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1124:, Gilbert Erouart; with an interview by Fernand SĂ©guin; translated by Donald Winkler,, 1995, pp 79-80
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458:. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by
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series of 1977 and 1978. A large retrospective of Riopelle's work was held in 1981 at the
522:. He discovered the glacial landscapes of the Far North, inspiring in the black and white
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Entretiens avec Jean-Paul Riopelle; suivis de Fernand Seguin rencontre Jean-Paul Riopelle
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1356:"La Joute au Stade olympique - Le Riopelle doit déménager pour assurer sa préservation"
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1099:, Marie-Claude Corbeil, Kate Helwig, Jennifer Poulin, Getty Publications, Dec. 20, 2011
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1112:..., Texts and interviews gathered by Michel Waldberg, 2004, Centre culturel canadien.
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central structure that Riopelle called the "Tower of Life". Its relocation to the La
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in Mexico City, the Museo de Arte Contemporáneo de Caracas, Venezuela in Caracas.
337:. Living together throughout the 1960s, they kept separate homes and studios near
227:(October 7, 1923 – March 12, 2002) was a Canadian painter and sculptor from
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Agence photographique de la réunion des Musées nationaux, Riopelle in his studio
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and was promoted to Grand Officer in 1994. In 2000 Riopelle was inducted into
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1434:"Musée national des beaux-arts adds pavilion dedicated to Jean Paul Riopelle"
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Jean Paul Riopelle masterpiece smashes world record at Heffel live auction
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478:, Cologne. Subsequent retrospectives of Riopelle's work were held at the
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issued two special commemorative gold coins featuring Riopelle imagery.
399:, oil on canvas, 54 x 64.7 cm (21 1/4 x 25 1/2 in.), private collection
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in New York City. The following year Riopelle began exhibiting at the
1149:, exhibition catalogue, 2 December 1953 - 21 February 1954, pp. 22-23
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in 1963, a smaller exhibition at the Musée du Québec in 1967, at the
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Gallery in New York. In 1954, works by Riopelle, along with those of
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1407:"Riopelle: The Call of Northern Landscapes and Indigenous Cultures"
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Livingston, Jane, Joan Mitchell, Linda Nochlin and Yvette Y. Lee.
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A set of postage stamps depicting portions of Riopelle's painting
1734:"The Rule of Chance: Jean Paul Riopelle's Break with Automatism,"
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Riopelle: The Call of Northern Landscapes and Indigenous Cultures
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Riopelle: The Call of Northern Landscapes and Indigenous Cultures
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organized a retrospective exhibition which was presented at the
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1588:, exhibition catalogue, Musée des beaux-arts de Montréal, 1991
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Pierre Schneider(historien), Preface of exhibition catalogue,
1486:"Newsletter Heffel jan 30, 2024, Fall 2023 and Year in Review"
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in Paris hosted a major exhibition of Riopelle's work and the
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at Galerie Maeght in 1947) and to sign Breton's manifesto the
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In 2023, on Riopelle's 100th birthday, a major retrospective
680:, was originally intended for the Toronto airport, but is at
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280:(sans titre), oil on canvas, 97.5 x 130 cm (38 3/8 x 51ÂĽ in.)
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by François-Marc Gagnon, Art Canada Institute, Toronto, 2019
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Catalogue raisonné de Jean-Paul Riopelle, Tome 3, 1960-1965
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Catalogue raisonné de Jean-Paul Riopelle, Tome 2, 1954-1959
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Catalogue raisonné de Jean-Paul Riopelle, Tome 1, 1939-1953
1618:, Visites d'Atelier, Éditions de L'Hexagone, 2005, Montréal
990:(in French). Bibliothèque et Archives nationales du Québec.
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Catalogue raisonné de Jean Paul Riopelle Tome 4, 1961-1971
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842:, by Jean-Paul Riopelle, in the Place Jean-Paul-Riopelle,
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562:, an isolated island situated in the St. Lawrence River.
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Yseult Riopelle, Tanguy Riopelle, François-Marc Gagnon,
1594:, Édition Liber, collection de vive-voix, Montréal, 1993
1292:"Jean Paul Riopelle painting sells for more than $ 7.4M"
901:. Poulin, Christine, Art Canada Institute. Toronto, ON.
1383:"Stolen Riopelle Statues Worth $ 1Million Found Broken"
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1056:, New York: Whitney Museum of American Art, 2002, p. 25
1043:, New York: Whitney Museum of American Art, 2002, p. 26
1004:, New York: Whitney Museum of American Art, 2002, p. 24
956:
954:
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739:, was organized by the National Gallery of Canada. The
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Hirshhorn Museum and Sculpture Garden, Washington D.C.
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518:. In 1972 he returned to Québec and built a studio at
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Catalogue raisonné des estampes de Jean-Paul Riopelle
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was originally located in the Parc Olympique, in the
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Musée national des beaux-arts du Québec, Quebec City
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430:Riopelle received an Honorable Mention at the 1952
361:Riopelle's style in the 1940s changed quickly from
1730:at a public auction, Christie's Paris, 1 June 2012
688:until 2024. In 1988 he was made an Officer of the
486:(Saint Paul-de-Vence, France) in 1971, and at the
1708:Los Angeles County Museum of Art, LACMA, Database
1254:Prix Paul-Émile-Borduas 1981, Riopelle, Jean-Paul
1165:National Gallery of Canada at the Venice Biennale
1066:Art Gallery of New South Wales, Sydney, Australia
201:Guggenheim International Award exhibition in 1958
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1518:New York: Whitney Museum of American Art, 2002.
1219:. Royal Canadian Academy of Arts. Archived from
883:
542:(1981-1982). This exhibit also travelled to the
505:, oil on canvas, 114 x 145 cm (44.9 by 57 in.),
462:. Riopelle received an Honorable Mention at the
1190:Peggy Guggenheim Collection, Riopelle biography
676:for his work. One of his largest compositions,
1785:Grand Officers of the National Order of Quebec
1560:, Fides, Collection Approaches, Montréal, 1988
1134:Galerie Lelong, Riopelle Exhibitions 1951-2011
1795:Alumni of the Académie de la Grande Chaumière
1780:Members of the Royal Canadian Academy of Arts
1108:Pierre Letarte and Marianne Feaver, 1982, in
265:but shifted his studies to the less academic
1167:. National Gallery of Canada. Archived from
1580:Jean-Paul Riopelle, D'hier et d'aujourd'hui
1546:, Paris, Musée National d'Art Moderne, 1981
1015:"Mitchell/ Riopelle: Nothing in Moderation"
933:) CS1 maint: multiple names: authors list (
732:was issued by Canada Post on Oct. 7, 2003.
1553:, Éditions France-Amérique, Montréal, 1981
1153:
1097:Jean Paul Riopelle: The Artist's Materials
937:) CS1 maint: numeric names: authors list (
929:: CS1 maint: location missing publisher (
1835:Burials at Notre Dame des Neiges Cemetery
1693:National Galleries of Scotland, Edinburgh
664:. In 1969 he was made a Companion of the
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16:Canadian painter and sculptor (1923–2002)
1723:The Metropolitan Museum of Art, New York
1713:Musée des Beaux-Arts de Montréal, Québec
1663:. Montreal: Montreal Museum of Fine Arts
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1145:Solomon R. Guggenheim Museum, New York,
660:Riopelle represented Canada at the 1962
648:On August 1, 2011, Riopelle's sculpture
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488:Musée d’Art Moderne de la Ville de Paris
390:
271:
1830:École des beaux-arts de Montréal alumni
1569:, Art Canada Institute, Toronto, 2019.
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1294:. CBC. The Canadian Press. May 24, 2017
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536:Musée national des beaux-arts du Québec
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1326:
1284:
1147:Younger European painters: a selection
312:International Exhibition of Surrealism
1532:, Éditions de l'homme, Montréal, 1970
895:Gagnon, François Marc, 1935- (2019).
585:On May 24, 2017, Riopelle's painting
490:in 1972. He was made a member of the
306:manifesto. In 1947 Riopelle moved to
1601:, Édition Art Global, Montréal, 1996
1396:
1354:Lamarche, Bernard (April 19, 2002).
635:Musée d'art contemporain de Montréal
540:Musée d'art contemporain de Montréal
261:in 1941. In 1942 he enrolled at the
1656:
1566:Jean Paul Riopelle: Life & Work
1330:Jean Paul Riopelle: Life & Work
686:Centre national des arts plastiques
13:
1825:20th-century Canadian male artists
1728:Record price for Riopelle painting
1698:National Gallery of Canada, Ottawa
1642:Yseult Riopelle, Tanguy Riopelle,
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668:, and began to spend more time in
627:Quartier international de Montréal
14:
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1790:Companions of the Order of Canada
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1646:, Hibou Éditeurs, Montréal, 2009
1440:. Montreal Gazette, Dec. 02, 2021
1333:. Toronto: Art Canada Institute.
898:Jean Paul Riopelle: Life and Work
672:. He was specially recognized by
534:, in Paris, then traveled to the
288:in the 1940s and was a member of
77:Saint-Antoine-de-l'Isle-aux-Grues
1653:, Hibou Éditeurs, Montréal, 2014
1639:, Hibou Éditeurs, Montréal, 2005
1632:, Hibou Éditeurs, Montréal, 2004
1625:, Hibou Éditeurs, Montréal, 1999
1530:Riopelle ou la poétique du geste
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812:
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625:during the redevelopment of the
263:École des beaux-arts de Montréal
155:
31:
1815:20th-century Canadian sculptors
1608:, Édition Musée du Québec, 2003
1516:The Paintings of Joan Mitchell.
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1316:, Heffel Fine Art Auction House
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520:Sainte-Marguerite-du-Lac-Masson
470:exhibition in 1958 and a major
259:École polytechnique de Montréal
151:
1810:20th-century Canadian painters
1750:Canadian contemporary painters
1703:Brooklyn Museum, New York City
1535:Pierre Schneider (historien),
1413:. Montreal Museum of Fine Arts
1327:Gagnon, François-Marc (2019).
1054:The Paintings of Joan Mitchell
1046:
1041:The Paintings of Joan Mitchell
1033:
1007:
1002:The Paintings of Joan Mitchell
994:
980:
865:Tate, London, Artist Biography
858:
492:Royal Canadian Academy of Arts
468:Guggenheim International Award
1:
1840:Canadian contemporary artists
1539:, Maeght Éditeur, Paris, 1972
1462:. Canada Post. Archived from
851:
822:in Quartier international de
804:in Quartier international de
786:Jean-Paul Riopelle's star on
591:Heffel Fine Art Auction House
580:
507:Museum of Fine Arts of Rennes
298:Le Surréalisme et la Peinture
1683:The Art Institute of Chicago
1657:Roy, Andréanne, ed. (2020).
1203:Jean-Paul Riopelle: Iceberds
769:La Place Jean-Paul-Riopelle,
741:Musée National d'Art Moderne
737:Riopelle: Crossroads in Time
701:Montreal Museum of Fine Arts
528:Musée National d'Art Moderne
474:of his work was held at the
440:Solomon R. Guggenheim Museum
248:
7:
1381:CBC News (August 2, 2011).
1161:"Past Canadian Exhibitions"
962:"The Canadian Encyclopedia"
820:La Place Jean-Paul Riopelle
802:La Place Jean-Paul Riopelle
434:. In 1953 he showed at the
10:
1856:
1770:Canadian abstract painters
1551:Riopelle chasseur d'images
988:"Fonds Françoise Riopelle"
879:National Gallery of Canada
730:L'Hommage Ă Rosa Luxemburg
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501:Jean-Paul Riopelle, 1953,
480:National Gallery of Canada
454:represented Canada at the
395:Jean-Paul Riopelle, 1951,
276:Jean-Paul Riopelle, 1948,
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641:Theft and Destruction of
436:Younger European Painters
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39:
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23:
1582:, Fondation Maeght, 1990
1558:Riopelle grandeur nature
1122:Riopelle in conversation
1021:. Art Gallery of Ontario
754:
690:National Order of Quebec
623:Place Jean-Paul-Riopelle
556:Hommage Ă Rosa Luxemburg
351:Hommage Ă Rosa Luxemburg
324:Younger European Artists
192:National Order of Quebec
1820:Canadian male sculptors
552:Prix Paul-Émile-Borduas
532:Centre Georges Pompidou
356:
1800:Canadian male painters
1563:François-Marc Gagnon,
1537:Riopelle, Signes mêlés
1492:. Heffel Auction House
705:State Hermitage Museum
684:on loan from France's
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476:Kölnischer Kunstverein
432:SĂŁo Paulo Art Biennial
400:
383:Riopelle's voluminous
371:abstract expressionism
347:Art Gallery of Ontario
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269:, graduating in 1945.
1805:Sculptors from Quebec
1775:Artists from Montreal
788:Canada's Walk of Fame
694:Canada's Walk of Fame
618:Hochelaga-Maisonneuve
610:Riopelle's 1969 work
544:Museo de Arte Moderno
500:
394:
275:
1460:"Jean-Paul Riopelle"
1217:"Members since 1880"
331:Françoise Lespérance
239:James Wilson Morrice
154: 1946;
140:Françoise Lespérance
1466:on October 17, 2013
1438:montrealgazette.com
1432:Richer, Micheline.
1201:Michael Greenwood,
1171:on October 13, 2013
968:on October 31, 2012
749:Royal Canadian Mint
723:Claude LĂ©vi-Strauss
367:Lyrical Abstraction
320:Galerie La Dragonne
243:Lyrical Abstraction
115:Lyrical abstraction
1606:Jean-Paul Riopelle
1544:Jean-Paul Riopelle
699:In June, 2006 the
678:Point de rencontre
511:
452:Paul-Émile Borduas
438:exhibition at the
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316:Rupture inaugurale
286:Paul-Émile Borduas
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211:Jean-Paul Riopelle
25:Jean-Paul Riopelle
1635:Yseult Riopelle,
1628:Yseult Riopelle,
1621:Yseult Riopelle,
1597:Hélène de Billy,
1052:Jane Livingston,
1039:Jane Livingston,
1000:Jane Livingston,
908:978-1-4871-0216-6
464:Guggenheim Museum
411:A third element,
329:Riopelle married
284:He studied under
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824:Montréal, Quebec
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290:Les Automatistes
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460:Charles Comfort
456:Venice Biennale
378:Jackson Pollock
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1509:Bibliography
1494:. Retrieved
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1464:the original
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567:André Breton
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294:André Breton
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97:lithographer
71:(2002-03-12)
18:
1765:2002 deaths
1760:1923 births
1612:Lise Gauvin
1604:René Viau,
1496:February 2,
1470:October 13,
1362:(in French)
1175:October 12,
682:Rideau Hall
571:Sam Francis
1744:Categories
917:1122616435
852:References
650:La DĂ©faite
643:La DĂ©faite
581:Art market
363:Surrealism
46:1923-10-07
1388:August 2,
1366:March 20,
1360:Le Devoir
1276:March 17,
925:cite book
249:Biography
186:Companion
1667:June 19,
1599:Riopelle
1586:Riopelle
846:, Quebec
844:Montreal
839:La Joute
774:, Quebec
772:Montreal
613:La Joute
606:La Joute
599:La Joute
524:Icebergs
516:La joute
509:, France
503:Untitled
397:Untitled
341:, where
278:Untitled
255:Montreal
253:Born in
129:Partners
120:Tachisme
103:Movement
93:sculptor
60:, Canada
54:Montreal
1444:May 25,
1298:May 25,
1272:. MNBAQ
743:at the
385:impasto
339:Giverny
160:
148:
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89:Painter
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1019:ago.ca
915:
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674:UNESCO
670:Canada
656:Legacy
423:, and
421:volume
229:Quebec
175:Awards
58:Quebec
755:Works
417:color
343:Monet
308:Paris
222:
218:
150:(
146:
1669:2021
1571:ISBN
1520:ISBN
1498:2024
1472:2013
1446:2022
1419:2021
1390:2011
1368:2008
1335:ISBN
1300:2017
1278:2023
1243:1982
1229:2013
1177:2013
1027:2021
974:2012
939:link
935:link
931:link
913:OCLC
903:ISBN
721:and
573:and
538:and
450:and
406:mine
357:Work
156:div.
66:Died
40:Born
466:’s
365:to
296:'s
224:RCA
220:GOQ
162:,
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