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Les Automatistes

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164:, they were looking to create a distinctively Canadian artistic identity. Heavily influenced by Surrealist manifestos and poetry, their work was largely stream-of-consciousness inspired, believing this to be a truer means of communicating subconscious emotions and sensory experiences; they wanted to be liberated from intention, reason, and any kind of structure, in order to communicate a universal human experience without bias. This resulted in increasingly crude or intuitive methods such as applying paint with palette knives and fingers and painting blindfolded, their efforts contradicting their claims of working without intention. 22: 148:. This ultimately led to a kind of martyrdom but was initially devastating. Borduas was dismissed from his position at the École du meuble and, unable to find work, left Quebec permanently in 1953. Although the group dispersed soon after the manifesto was published, the movement continues to have influence, and may be considered a forerunner of the 111:
also. Though it began as a visual arts group, it also spread to other forms of expression, such as drama, poetry and dance. The title "les Automatistes" came from journalist TancrĂšde Marcil Jr., in a review of their second exhibit in Montreal (February 15 to March 1, 1947), which appeared in
103:, the show featured gouaches that illustrated the artist's experimentation with non-figurative painting. Initially, les Automatistes exhibited in makeshift venues, since no commercial gallery was willing to show the work of all the members. However, the group was soon being exhibited in 135:, an important document in the cultural history of Quebec and a declaration of artistic independence and the need for expressive freedom. The decision to write the manifesto was partly influenced by Jean Paul Riopelle, who had recently signed the Surrealist manifesto 143:
was published in a first edition of four hundred copies, which went on sale at the Librairie Tranquille in Montreal on August 9, 1948. The manifesto's denunciation of the Catholic Church's authority was particularly scandalous and resulted in the group's
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painters in France, the Automatistes favoured a fluid, painterly technique over the comparatively reserved, hard-edge abstraction so popular in the U.S. and Eastern Europe at the time. Much like a nonobjective
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Exhibition of the Automatistes, 1947 Claude Gauvreau, Julienne Gauvreau, Pierre Gauvreau, Marcel Barbeau, Madeleine Arbour, Paul-Émile Borduas, Madeleine Lalonde, Bruno Cormier and Jean-Paul Mousseau
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The movement may have begun with an exhibition Borduas gave in Montreal in 1942. Held at the Ermitage, an exhibition hall owned by the
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In 1954, the Automatistes were the subject of the NFB/CBC documentary series
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Total Refusal (Refus Global): the manifesto of the Montréal Automatists
49: 901: 618: 553: 128: 351:, translated by Ray Ellenwood. Holstein, Ont: Exile Editions, 2009. 723: 443: 37: 48:. Les Automatistes were so called because they were influenced by 708: 44:, Canada. The movement was founded in the early 1940s by painter 1446:
Professional Native Indian Artists Inc. (Indian Group of Seven)
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CBC Digital Archives – Le Refus global: Revolution in the Arts
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Egregore : a history of the MontrĂ©al automatist movement
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The Automatiste revolution : Montreal, 1941–1960
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Members included 1472:London Regionalism 574:Alberto Giacometti 564:Gordon Onslow Ford 499:Leonora Carrington 330:Artist in Montreal 320:as a printed book. 146:public humiliation 137:Rupture inaugurale 94:Françoise Sullivan 82:Jean-Paul Mousseau 70:Jean-Paul Riopelle 52:and its theory of 46:Paul-Émile Borduas 27: 16:Canadian art group 1682:Surrealist groups 1657:Culture of Quebec 1644: 1643: 1599:Canadian painters 1401:Canadian Art Club 1396:Beaver Hall Group 1272: 1271: 1249:Women surrealists 1219:Surrealist cinema 1067:Philippe Soupault 699:BenjamĂ­n Palencia 379:Nasgaard, Roald. 242:978-1-4871-0014-8 114:Le Quartier Latin 1704: 1584:Canadian artists 1482:Vancouver School 1467:Les Automatistes 1299: 1292: 1285: 1276: 1275: 1224:Surrealist music 1143:Chicago Imagists 1123:Les Automatistes 1062:Louis Scutenaire 1002:VĂ­tězslav Nezval 842:Georges Bataille 759:Dorothea Tanning 744:Jindƙich Ć tyrskĂœ 719:Aminollah Rezaei 614:Jacqueline Lamba 604:Gerome Kamrowski 549:Curt Echtermeyer 504:Ithell Colquhoun 418: 411: 404: 395: 394: 361:Ellenwood, Ray. 292: 291: 289: 287: 268: 262: 261: 253: 247: 246: 226: 157:Lyrical Abstract 150:Quiet Revolution 32:were a group of 30:Les Automatistes 1712: 1711: 1707: 1706: 1705: 1703: 1702: 1701: 1647: 1646: 1645: 1640: 1572: 1512: 1508:Woodlands style 1486: 1455: 1441:Painters Eleven 1384: 1350:Heliconian Club 1308: 1303: 1273: 1268: 1197: 1106: 1037:Raymond Queneau 1032:Jacques PrĂ©vert 1022:Rastko Petrović 982:Robert Melville 962:Georges Limbour 942:Philip Lamantia 847:Monny de Boully 809: 803: 789:James F. 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Index


Québécois
Montreal
Quebec
Paul-Émile Borduas
Surrealism
automatism
Marcel Barbeau
Roger Fauteux
Claude Gauvreau
Jean-Paul Riopelle
Pierre Gauvreau
Fernand Leduc
Jean-Paul Mousseau
Guy Borremans
Marcelle Ferron
Françoise Sullivan
CollÚge de Montréal
Paris
New York
Université de Montréal
Borduas
manifesto
Refus global
public humiliation
Quiet Revolution
Lyrical Abstract
Group of Seven
On the Spot
Refus Global

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