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Les Automatistes

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175:, they were looking to create a distinctively Canadian artistic identity. Heavily influenced by Surrealist manifestos and poetry, their work was largely stream-of-consciousness inspired, believing this to be a truer means of communicating subconscious emotions and sensory experiences; they wanted to be liberated from intention, reason, and any kind of structure, in order to communicate a universal human experience without bias. This resulted in increasingly crude or intuitive methods such as applying paint with palette knives and fingers and painting blindfolded, their efforts contradicting their claims of working without intention. 33: 159:. This ultimately led to a kind of martyrdom but was initially devastating. Borduas was dismissed from his position at the École du meuble and, unable to find work, left Quebec permanently in 1953. Although the group dispersed soon after the manifesto was published, the movement continues to have influence, and may be considered a forerunner of the 122:
also. Though it began as a visual arts group, it also spread to other forms of expression, such as drama, poetry and dance. The title "les Automatistes" came from journalist TancrĂšde Marcil Jr., in a review of their second exhibit in Montreal (February 15 to March 1, 1947), which appeared in
114:, the show featured gouaches that illustrated the artist's experimentation with non-figurative painting. Initially, les Automatistes exhibited in makeshift venues, since no commercial gallery was willing to show the work of all the members. However, the group was soon being exhibited in 146:, an important document in the cultural history of Quebec and a declaration of artistic independence and the need for expressive freedom. The decision to write the manifesto was partly influenced by Jean Paul Riopelle, who had recently signed the Surrealist manifesto 154:
was published in a first edition of four hundred copies, which went on sale at the Librairie Tranquille in Montreal on August 9, 1948. The manifesto's denunciation of the Catholic Church's authority was particularly scandalous and resulted in the group's
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painters in France, the Automatistes favoured a fluid, painterly technique over the comparatively reserved, hard-edge abstraction so popular in the U.S. and Eastern Europe at the time. Much like a nonobjective
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Exhibition of the Automatistes, 1947 Claude Gauvreau, Julienne Gauvreau, Pierre Gauvreau, Marcel Barbeau, Madeleine Arbour, Paul-Émile Borduas, Madeleine Lalonde, Bruno Cormier and Jean-Paul Mousseau
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The movement may have begun with an exhibition Borduas gave in Montreal in 1942. Held at the Ermitage, an exhibition hall owned by the
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In 1954, the Automatistes were the subject of the NFB/CBC documentary series
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Total Refusal (Refus Global): the manifesto of the Montréal Automatists
60: 912: 629: 564: 139: 362:, translated by Ray Ellenwood. Holstein, Ont: Exile Editions, 2009. 734: 454: 48: 59:. Les Automatistes were so called because they were influenced by 719: 55:, Canada. The movement was founded in the early 1940s by painter 1457:
Professional Native Indian Artists Inc. (Indian Group of Seven)
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CBC Digital Archives – Le Refus global: Revolution in the Arts
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Egregore : a history of the MontrĂ©al automatist movement
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The Automatiste revolution : Montreal, 1941–1960
1640:Governor General's Awards in Visual and Media Arts 266: 1659: 1301: 420: 394:. Vancouver: Douglas & McIntyre, 2009. 1308: 1294: 1255:London International Surrealist Exhibition 427: 413: 1346:Canadian Artists' Representation (CARFAC) 1615:Canadian pavilion at the Venice Biennale 1386:Women's Art Association of Canada (WAAC) 1250:Exposition Internationale du SurrĂ©alisme 271:. Vancouver, BC: D&M Publishers Inc. 267:Nasgaard, Roald; Ellenwood, Ray (2009). 31: 14: 1683:Canadian artist groups and collectives 1660: 355:Article on Borduas and Le Refus global 281: 239: 235: 233: 231: 229: 227: 1289: 408: 275: 1630:Artistic development of Tom Thomson 243:Paul-Émile Borduas: Life & Work 224: 24: 25: 1719: 1204:The Surrealist Group in Stockholm 309: 282:Ohayon, Albert (April 14, 2010). 246:. 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Members included 1483:London Regionalism 585:Alberto Giacometti 575:Gordon Onslow Ford 510:Leonora Carrington 341:Artist in Montreal 331:as a printed book. 157:public humiliation 148:Rupture inaugurale 105:Françoise Sullivan 93:Jean-Paul Mousseau 81:Jean-Paul Riopelle 63:and its theory of 57:Paul-Émile Borduas 38: 27:Canadian art group 1693:Surrealist groups 1668:Culture of Quebec 1655: 1654: 1610:Canadian painters 1412:Canadian Art Club 1407:Beaver Hall Group 1283: 1282: 1260:Women surrealists 1230:Surrealist cinema 1078:Philippe Soupault 710:BenjamĂ­n Palencia 390:Nasgaard, Roald. 253:978-1-4871-0014-8 125:Le Quartier Latin 16:(Redirected from 1715: 1595:Canadian artists 1493:Vancouver School 1478:Les Automatistes 1310: 1303: 1296: 1287: 1286: 1235:Surrealist music 1154:Chicago Imagists 1134:Les Automatistes 1073:Louis Scutenaire 1013:VĂ­tězslav Nezval 853:Georges Bataille 770:Dorothea Tanning 755:Jindƙich Ć tyrskĂœ 730:Aminollah Rezaei 625:Jacqueline Lamba 615:Gerome Kamrowski 560:Curt Echtermeyer 515:Ithell Colquhoun 429: 422: 415: 406: 405: 372:Ellenwood, Ray. 303: 302: 300: 298: 279: 273: 272: 264: 258: 257: 237: 168:Lyrical Abstract 161:Quiet Revolution 43:were a group of 41:Les Automatistes 21: 1723: 1722: 1718: 1717: 1716: 1714: 1713: 1712: 1658: 1657: 1656: 1651: 1583: 1523: 1519:Woodlands style 1497: 1466: 1452:Painters Eleven 1395: 1361:Heliconian Club 1319: 1314: 1284: 1279: 1208: 1117: 1048:Raymond Queneau 1043:Jacques PrĂ©vert 1033:Rastko Petrović 993:Robert Melville 973:Georges Limbour 953:Philip Lamantia 858:Monny de Boully 820: 814: 800:James F. 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Index

Automatistes

Québécois
Montreal
Quebec
Paul-Émile Borduas
Surrealism
automatism
Marcel Barbeau
Roger Fauteux
Claude Gauvreau
Jean-Paul Riopelle
Pierre Gauvreau
Fernand Leduc
Jean-Paul Mousseau
Guy Borremans
Marcelle Ferron
Françoise Sullivan
CollÚge de Montréal
Paris
New York
Université de Montréal
Borduas
manifesto
Refus global
public humiliation
Quiet Revolution
Lyrical Abstract
Group of Seven
On the Spot

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