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type, although occasionally they are public objects or landmarks or items owned by private archives or museums. The person presenting them with the case then shows the investigator the item in question and relates their understanding of how this item is connected to
American history. Often this involves some element of folk history which has been handed down as family or local lore. The investigator will then ask them what they want to find out about the item and the owner will generally give them two or three central questions. Often the questions will revolve around whether the item was owned by a particular famous personage or whether it was used in a particular historic event. Sometimes the investigator will be asked to track down an obscure creator of a certain item. The investigator will then promise to look into the questions and, if the item in question is portable, will ask to take it with them.
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revelation. The investigator then returns to the person who brought them the case and informs them of what he has learned, including rolling clips of revealing statements from the final expert consulted. Occasionally the end of the segment will involve a "reward" of sorts. Sometimes this involves presenting the people who brought them the case with an item somehow related to the history of their item. Other times this will involve a meeting with a person who had produced or previously owned their item or, if that person is deceased, their relatives. For example, in a case where they were trying to track down the artist who had drawn a World War II POW's picture they found that the artist was deceased but they "reunited" the POW with the artist's son.
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research using such resources as biographies, histories, newspapers, and city directories. In attempting to establish the history of the item, the investigators will meet with experts, particularly historians, to gain historical context. When needed other experts such as park rangers, appraisers, and experts in relevant skills will be consulted. Often, experts will be asked to provide their opinion on the plausibility of a story which is attached to the item, or to explain why a specific historical event happened in a particular way.
244:. It features investigations made by members of a small team of researchers to identify and/or authenticate items which may have historical significance or connections to important historical events, and to answer specific questions brought to them about these artifacts. Common subjects are family heirlooms and historical structures. Its stated missions is "exploring the complexities of historical mysteries, searching out the facts, myths and conundrums that connect local folklore, family legends and interesting objects."
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Each segment begins with a brief introduction and then shows the "detective" meeting with a person who has brought the case to their attention. The cases always revolve around a physical object which is supposedly related in some manner to
American history. Usually these are family heirlooms of some
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of the item is in doubt they will often begin by establishing whether or not the item came from the period in question. This will often involve a series of physical tests as well as consultation with experts on appraisal. When tracking down specific people the investigators will engage in archival
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In 2014, the show changed its name to "History
Detectives: Special Investigations" and debuted a new format. Joining Zuberi and Cowan was historian Kaiama Glover. In contrast to previous seasons, each episode of "History Detectives: Special Investigations" focuses on a single subject such as the
401:, a noted historian and author joined the detectives. In the ninth season in 2011, marked a change from regularly airing on Mondays to Tuesdays. The tenth season premiered on July 17, 2012 with another new opening sequence. Also, the 10th-season premiere episode was their 100th of the series.
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Episodes usually include three segments, each centering on a single "mystery" or "case". Usually a case will be handled by a single "detective" although in early episodes two would occasionally investigate a single case, and there have been cases where a "detective" has called on one of their
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stated that each segment took approximately six weeks to complete. While on the show it appears that each filmed segment is happening spontaneously, the research is generally completed prior to filming, and the investigator will then later return to certain research points for filming so the
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When dealing with more recent history, the investigators will often try and contact people involved in certain events both in order to gain context and to verify the truth of an item's folk history. Generally the last interview will be abruptly ended before the audience can learn the final
420:" was the show's theme song for its first decade. The drum sequences also served as segues between each segment of an episode. In 2014, the show changed to an original composition for its theme music.
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Austin "Servant Girl
Annihilator", the Sultana disaster, or the death of band leader Glenn Miller. The three hosts investigate different aspects of the incident and then reunite for a final report.
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and one of the investigators giving narration that relates to the general topic which had been covered in the preceding segment. For example, a segment which dealt with desegregation in
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The rest of the segment involves an investigation of the item's history, focusing particularly on the questions asked by the person who presented them with the case. If the
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