329:; we just had a battered upright in an eight-track studio. What you imagine you have to render whether you use a fuzz-tone guitar or a symphony orchestra and everything in between. What learning to write gave me was I did have the choice. Sometimes I still want the fuzz-tone guitar to do that dramatic gesture, sometimes I want a real bass clarinet, not a synthetic sound.
361:
The UK and US singles (released in
October and November 1977 respectively) had different B-sides. The UK single was backed by two live tracks from an August 7 performance at the Nashville Club, and these live tracks were credited to Elvis Costello and the Attractions. (This was the first appearance
281:
arrangement, which he admitted was "a desecration to people who love the tenseness of the original recording", but explained that "the story that's going on, and the musical allusions in the original arrangements, relate very much to the realization of this song as an orchestral piece using the film
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I was in my flat in the suburbs of London before I was a professional musician, and I'd been up for thirty-six hours. I was actually listening to another inductee's record, the Clash's first album. When I first put it on, I thought it was just terrible. Then I played it again and I liked it better.
323:," and, of course, he didn't know what I'm talking about, so I go , and what you hear on the record is this galloping piano thing that rushes the beat and it sounds like one of those sudden jarring gestures that Hermann would use a lot. But we didn't have 19 clarinets or whatever he used
31:
353:
for
Costello, reaching number 15 and spending a total of eleven weeks in the chart. It also charted in several other countries including Australia, where it reached number 35, and Canada, where it reached number 60. In the United States it reached number 108 on the
267:
s Mark Deming described the song: "a skeletal minor-key melody that slowly but effectively wound itself into a solid knot of fierce emotional tension, pushing the bitter lyrical atmosphere further into the darkness". Costello described how he wrote the song:
318:
When we did "Watching the
Detectives," it was the first record that Steve Nieve played on. He was 19, straight out of the Royal College, and we'd only just met. I said, "This is about detectives, I want a piano thing that sounds like
234:
Costello's fourth single overall, "Watching the
Detectives" was his first hit single on any national chart, peaking at number 15 in the UK and also charting modestly in Canada and Australia. The song featured on
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album by Elvis
Costello & the Impostors in 2002. The studio version was also included on several 'best of' compilations of Costello's work, including
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Costello considers "Watching the
Detectives" his favourite song from the first five years of his career. He later performed the song with a
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the same year. Two live versions of "Watching the
Detectives" from 1978 were released, one from 6 March on the Canadian promotional album
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By the end, I stayed up all night listening to it on headphones, and I thought it was great. Then I wrote "Watching the
Detectives".
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837:"Elvis Costello Talks 'Film Stars Don't Die in Liverpool' Song, Playing Vegas & Making More Music With Burt Bacharach"
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as "a clever but furious burst of cynicism", and they also described the song as "indisputably classic".
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It's 'Dirty Work,' But Jenna
Mammina's Got To Do It: Bay Area jazz vocalist reworks new rock standards
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Punk Diary: The
Ultimate Trainspotter's Guide to Underground Rock 1970–1982
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box-set in 1996. A live medley of "Watching the Detectives" and "
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The song was not included on the original UK releases of either
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album (January 1979). A later live version was included in the
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music feeling and the swing rhythms of '50s detective shows."
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The Very Best of Elvis Costello and The Attractions 1977–86
349:"Watching the Detectives" was the first top 40 hit in the
377:
670:
Contemporary Musicians: Profiles of the People in Music
366:
on a record; the A-side is billed solely to Costello.)
1516:(What's So Funny 'Bout) Peace, Love, and Understanding
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said that it has "a subtle reggae beat and a sinister
231:, the song features a reggae beat and cynical lyrics.
373:", the lead track from Costello's second UK single.
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558:
The Very Best of Elvis Costello and the Attractions
1953:Bespoke Songs, Lost Dogs, Detours & Rendezvous
1966:
918:(LP sleeve notes). Elvis Costello. Scandinavia:
501:(March 1978) and to the Scandinavian release of
219:" is a 1977 single by English singer-songwriter
695:The Virgin Encyclopedia of Indie & New Wave
1434:The Best of Elvis Costello: The First 10 Years
1363:The Best of Elvis Costello and the Attractions
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1356:Ten Bloody Marys & Ten How's Your Fathers
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773:Rock and Roll Hall of Fame: Elvis Costello
735:Elvis Costello Shows Maturity in Vancouver
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1875:Lost on the River: The New Basement Tapes
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533:" recorded in Tokyo was included on the
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1932:Unfaithful Music & Disappearing Ink
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667:Bourgoin, Suzanne (9 September 1994).
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1995:Song recordings produced by Nick Lowe
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616:covered the song on their 1995 album
1473:(The Angels Wanna Wear My) Red Shoes
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547:The Best of Elvis Costello – The Man
160:(The Angels Wanna Wear My) Red Shoes
13:
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835:Newman, Melinda (3 January 2018).
793:Elvis Costello's (Really) Big Band
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1946:Now Ain't the Time for Your Tears
1538:I Can't Stand Up for Falling Down
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640:Canale, Larry (1 November 1986).
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511:, and another from 4 June on the
240:'s 500 Greatest Songs of All Time
606:covered the song on their album
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1990:Songs written by Elvis Costello
1487:(I Don't Want to Go to) Chelsea
1420:The Very Best of Elvis Costello
1250:Secret, Profane & Sugarcane
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564:The Very Best of Elvis Costello
178:(I Don't Want to Go to) Chelsea
1924:Other works / related articles
1685:The Other End of the Telescope
871:. 25 February 1978. p. 18
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1629:Don't Let Me Be Misunderstood
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18:1977 single by Elvis Costello
791:Harrington, Richard (2006) "
646:. Bantam Books. p. 34.
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369:The US single is backed by "
7:
1738:Welcome to the Working Week
894:The Great Indie Discography
458:Release date: November 1977
453:US Columbia Records release
10:
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1566:From a Whisper to a Scream
431:Release date: October 1977
302:on bass guitar, both from
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1854:Terror & Magnificence
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1678:London's Brilliant Parade
1608:Everyday I Write the Book
1580:A Good Year for the Roses
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932:Richardson, Derk (2001) "
892:Strong, Martin C. (2003)
862:"CashBox Singles Reviews"
762:, Macrovision Corporation
597:Through the Looking Glass
469:"Watching the Detectives"
445:"Blame it on Cain (live)"
442:"Watching the Detectives"
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2005:Columbia Records singles
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1657:The Other Side of Summer
491:, which preceded it, or
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290:The single, produced by
1829:I Hope You're Happy Now
1480:Watching the Detectives
1194:All This Useless Beauty
957:Watching the Detectives
771:Crandall, Bill (2003) "
254:beat, was described by
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169:Watching the Detectives
1615:The Only Flame in Town
1331:Live at Hollywood High
1303:Live at the El Mocambo
813:Gimarc, George (2005)
733:Conner, Shawn (1999) "
514:Live at Hollywood High
508:Live at the El Mocambo
464:Catalogue No.: 3-10705
448:"Mystery Dance (live)"
331:
314:). Costello recalled,
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2000:Stiff Records singles
1759:Stranger in the House
1531:Accidents Will Happen
1152:Blood & Chocolate
693:Larkin, Colin (1998)
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286:Recording and release
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1975:Elvis Costello songs
1317:Costello & Nieve
1236:The River in Reverse
673:. Gale. p. 38.
594:covered the song on
526:Costello & Nieve
437:Catalogue No.: BUY20
1914:A Face in the Crowd
1815:Jack of All Parades
1720:Complicated Shadows
1324:My Flame Burns Blue
1201:Painted from Memory
1138:Goodbye Cruel World
586:Under the Influence
561:(1994, Demon), and
481:Inclusion on albums
1861:The Sweetest Punch
1671:13 Steps Lead Down
1173:The Juliet Letters
1166:Mighty Like a Rose
964:(list of releases)
779:, 28 February 2003
531:My Funny Valentine
383:History Detectives
149:singles chronology
1985:Reggae rock songs
1962:
1961:
1713:Brilliant Mistake
1384:Girls Girls Girls
1089:This Year's Model
916:This Year's Model
724:, 9 December 2004
680:978-0-8103-8553-5
653:978-0-553-34356-4
569:This Year's Model
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549:(1985, Telstar),
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494:This Year's Model
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1808:Indoor Fireworks
1780:New Lace Sleeves
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1229:The Delivery Man
1208:When I Was Cruel
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1100:
1098:
1097:
1093:
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1086:
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1076:
1074:Studio albums
1072:
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941:
940:
935:
929:
921:
920:Smash Records
917:
910:
903:
902:1-84195-335-0
899:
896:, Canongate,
895:
889:
887:
870:
863:
857:
842:
838:
831:
824:
823:0-87930-848-6
820:
816:
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808:
800:
799:
794:
788:
786:
778:
777:Rolling Stone
774:
768:
761:
760:
755:
749:
743:, 2 June 1999
742:
741:
740:Rolling Stone
736:
730:
723:
722:
721:Rolling Stone
717:
711:
704:
703:0-7535-0231-3
700:
696:
690:
682:
676:
672:
671:
663:
655:
649:
645:
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636:
632:
621:
620:
615:
612:
609:
608:December Moon
605:
602:
599:
598:
593:
590:
587:
583:
582:Jenna Mammina
579:
578:
572:
570:
566:
565:
560:
559:
554:
553:
548:
544:
543:
538:
537:
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471:
468:
467:
463:
460:
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447:
444:
441:
440:
436:
433:
430:
429:
421:Track listing
415:
412:
409:
406:
403:
402:Andrew Bodnar
400:
397:
394:
393:
387:
385:
384:
379:
374:
372:
367:
365:
359:
357:
352:
347:
345:
341:
337:
336:
330:
328:
327:
322:
315:
313:
309:
305:
304:Graham Parker
301:
300:Andrew Bodnar
298:on drums and
297:
293:
283:
280:
274:
269:
266:
264:
259:
258:
257:Rolling Stone
253:
243:
241:
239:
238:Rolling Stone
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218:
208:
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198:
193:
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179:
175:
170:
166:
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157:
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148:
144:
141:
138:
135:
130:
126:
123:
122:Songwriter(s)
118:
114:
110:
107:
105:
101:
89:
85:
79:
76:
74:
71:
70:
68:
66:
62:
51:
47:
44:
40:
36:
32:
27:
22:
16:
2010:1977 singles
1951:
1944:
1937:
1930:
1912:
1905:
1898:
1880:
1873:
1866:
1859:
1852:
1801:Shipbuilding
1587:Sweet Dreams
1479:
1439:
1432:
1425:
1418:
1410:
1403:
1396:
1389:
1382:
1375:
1368:
1361:
1354:
1347:
1341:Compilations
1329:
1322:
1315:
1308:
1301:
1283:
1276:
1269:
1262:
1255:
1248:
1241:
1234:
1227:
1220:
1213:
1206:
1199:
1192:
1185:
1180:Brutal Youth
1178:
1171:
1164:
1157:
1150:
1143:
1136:
1129:
1122:
1115:
1108:
1101:
1096:Armed Forces
1094:
1087:
1080:
1064:Bruce Thomas
1062:
1055:
1048:
1042:
1033:
1026:
1019:
1016:
955:
937:
928:
915:
909:
893:
873:. Retrieved
868:
856:
844:. Retrieved
840:
830:
814:
796:
776:
767:
757:
748:
738:
729:
719:
710:
694:
689:
669:
662:
642:
635:
618:
607:
595:
585:
580:Jazz singer
568:
562:
556:
550:
546:
540:
534:
524:
520:Armed Forces
518:
512:
506:
502:
498:
492:
486:
484:
381:
375:
368:
360:
348:
344:Secret Agent
333:
332:
326:Torn Curtain
324:
317:
289:
276:
271:
261:
255:
249:
237:
233:
216:
214:
168:
15:
1794:Almost Blue
1730:Other songs
1622:Green Shirt
1508:Radio Radio
1427:Cruel Smile
1295:Live albums
1117:Almost Blue
1103:Get Happy!!
1057:Pete Thomas
1050:Steve Nieve
1028:Pete Thomas
1021:Steve Nieve
1010:Discography
875:26 December
614:Duran Duran
536:Cruel Smile
414:Steve Nieve
312:Steve Nieve
195:Music video
134:Producer(s)
78:reggae rock
1980:1977 songs
1969:Categories
1766:Girls Talk
1664:Sulky Girl
1643:Blue Chair
1636:I Want You
1494:Pump It Up
922:. SLEPT 2.
627:References
461:Format: 7"
434:Format: 7"
340:James Bond
308:The Rumour
246:Background
205:on YouTube
56:1977-10-14
1415:(bootleg)
904:, p.36-39
841:Billboard
619:Thank You
571:in 1978.
390:Personnel
346:guitar."
306:'s band,
292:Nick Lowe
225:the Clash
140:Nick Lowe
1773:Riot Act
1650:Veronica
1559:Clubland
1391:2½ Years
1271:Look Now
1243:Momofuku
1222:Il Sogno
869:Cash Box
846:29 April
759:Allmusic
610:in 2011.
600:in 2002.
588:in 1999.
380:program
335:Cash Box
279:big band
263:Allmusic
113:Columbia
73:New wave
49:Released
1451:Singles
1370:The Man
962:Discogs
939:SF Gate
705:, p.101
410:– drums
356:Hot 100
182:(1978)
173:(1977)
164:(1977)
54: (
1900:G.B.H.
1892:Scores
1466:Alison
900:
825:, p.95
821:
701:
677:
650:
474:Alison
404:– bass
371:Alison
252:reggae
87:Length
39:Single
1215:North
1159:Spike
1110:Trust
865:(PDF)
111:(UK)/
109:Stiff
104:Label
65:Genre
898:ISBN
877:2021
848:2020
819:ISBN
699:ISBN
675:ISBN
648:ISBN
592:Toto
227:and
115:(US)
1699:She
960:at
936:",
795:",
775:",
756:",
737:",
718:",
378:PBS
362:of
358:.
41:by
1971::
1706:45
885:^
867:.
839:.
817:,
806:^
784:^
386:.
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171:"
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96:45
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991:e
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879:.
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683:.
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622:.
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342:/
265:'
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94::
92:3
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
