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Record label

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31: 38: 24: 3598: 366:", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute a "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. 871:
in exchange for 30 percent of the net income from all touring, merchandise, endorsements, and fan-club fees. Atlantic would also have the right to approve the act's tour schedule, and the salaries of certain tour and merchandise sales employees hired by the artist. In addition, the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent.
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stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big three" and as such will often lag behind them in market shares. However, frequently independent artists manage a return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers.
851:. In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are most effective when the artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pact. Several artists such as 816:, whose career was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends is hurting musicians, fans and the industry as a whole. However, Nine Inch Nails later returned to working with a major label, admitting that they needed the international marketing and promotional reach that a major label can provide. 608:
Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by the corporate
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the artist and supports the artist's vision is no longer present to advocate for the artist. In extreme cases, record labels can prevent the release of an artist's music for years, while also declining to release the artist from their contract, leaving the artist in a state of limbo. Artists who have had disputes with their labels over ownership and control of their music have included
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from release, or shelved. Record labels generally do this because they believe that the album will sell better if the artist complies with the label's desired requests or changes. At times, the record label's decisions are prudent ones from a commercial perspective, but these decisions may frustrate artists who feel that their art is being diminished or misrepresented by such actions.
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to an artist shows a variation of the structure. Atlantic's document offers a conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $ 200,000
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In the early days of the recording industry, recording labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a
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The relationship between record labels and artists can be a difficult one. Many artists have had conflicts with their labels over the type of sound or songs they want to make, which can result in the artist's artwork or titles being changed before release. Other artists have had their music prevented
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Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in
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Independent labels are often considered more artist-friendly. Though they may have less sales power, indie labels typically offer larger artist royalty with a 50% profit-share agreement, aka 50–50 deal, not uncommon. In addition, independent labels are often artist-owned (although not always), with a
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digital distribution, causing music sales to plummet in recent years. Labels and organizations have had to change their strategies and the way they work with artists. New types of deals called "multiple rights" or "360" deals are being made with artists, where labels are given rights and percentages
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In other instances, record labels have shelved artists' albums with no intention of any promotion for the artist in question. Reasons for shelving can include the label deciding to focus its resources on other artists on its roster, or the label undergoing a restructure where the person that signed
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However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by a bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed
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Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in the United States would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company".
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or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels represent more competition for the major record labels.
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label (which would be renamed Sony Music Entertainment after a 2008 merger); BMG kept its music publishing division separate from Sony BMG and later sold BMG Music Publishing to UMG. In 2007, the remaining record labels—then known as the Big Four—controlled about 70% of the
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in the UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label).
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On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as
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on the selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but
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is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure.
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Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel.
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In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote
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A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers,
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that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). PolyGram held sublabels including Mercury, Island and Motown. Island remained registered as corporations in both the United States and
106:, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide 134:
company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012, there are only three labels that can be referred to as "major labels":
1622: 1527: 721:, additional musicians, and songs to be recorded, and may supervise the output of recording sessions. For established artists, a label is usually less involved in the recording process. 3382: 3351: 834:" sales model as an online download, but they also returned to a label for a conventional release. Research shows that record labels still control most access to distribution. 2169:
Suhr, Cecilia (November 2011). "Understanding the Hegemonic Struggle between Mainstream Vs. Independent Forces: The Music Industry and Musicians in the Age of Social Media".
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A record label may give a musical act an imprint as part of their branding, while other imprints serve to house other activities, such as side ventures of that label.
1197: 617:, but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as the "parent" of any sublabels. 3450: 349: 347: 2297: 518:, among others, have done this. Historically, companies started in this manner have been re-absorbed into the major labels (two examples are American singer 1442: 3430: 3392: 1632: 1038: 1383: 710: 3341: 1920: 1112: 1082: 1977: 889:
have emerged. Depending on the ideals of the net label, music files from the artists may be downloaded free of charge or for a fee that is paid via
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record company that they sometimes ended up signing agreements in which they sold the rights to their recordings to the record label in perpetuity.
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If an artist and a label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo, or the
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to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s,
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PolyGram was merged into Universal Music Group (UMG) in 1999, leaving the remaining record labels to be known as the Big Five.
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team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship.
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with recording artists and their managers. The term "record label" derives from the circular label in the center of a
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Record labels and music publishers that are not under the control of the big three are generally considered to be
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was founded as the Internet's first record label where the releases were directly funded by the artist's fans.
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In 2004, Sony and BMG agreed to a joint venture and merged their recorded music division to create the
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Record labels are often under the control of a corporate umbrella organization called a "music
88: 2182: 1198:"More and more corporate brands are starting their own record labels (Again). Will they last?" 147:. In 2014, AIM estimated that the majors had a collective global market share of some 65–70%. 3493: 3285: 2880: 2382: 2348: 2338: 2333: 2197: 1763: 1182: 982: 860: 539: 395: 180: 136: 2099: 1301: 3278: 3088: 3048: 2202: 1269: 694: 658: 565: 559: 2302: 8: 3239: 3018: 2431: 1563: 738: 577: 515: 457:
and leaving only Sony Music as wholly-owned subsidiary of an international conglomerate (
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the packaging of their work. An example of such a label is the Neutron label owned by
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Mergers of Majors: Applying the Failing Firm Doctrine in the Recorded Music Industry
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never received any of the royalties they had been promised for their biggest hits, "
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directly to the big label. There are many examples of this kind of label, such as
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which prominently displays the manufacturer's name, along with other information.
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From 1929 to 1998, there were six major record labels, known as the Big Six:
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company that manages such brands and trademarks, coordinates the production,
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Computers and internet technology led to an increase in file sharing and
826: 782: 774: 531: 489:), even if they are large corporations with complex structures. The term 68: 2129:"Madonna Is a Free Agent After Decade-Long Deal With Interscope Records" 1412:"Tinashe's Studio Session Tale Shows How Ruthless The Music Business Is" 1012: 3229: 3151: 3056: 2745: 2728: 2584: 2534: 2377: 2005: 1500:"Scooter Braun Sells Taylor Swift's Big Machine Masters for Big Payday" 809: 770: 633: 569: 507: 431: 383: 232: 140: 1623:"Virgin/EMI Sue 30 Seconds to Mars for $ 30 Million, Leto Fights Back" 1443:"What's it like for musicians whose labels won't release their music?" 3488: 3184: 3102: 2848: 2697: 2569: 2482: 817: 702: 581: 573: 427: 207: 107: 84: 60: 1161: 661:, who were releasing EPs for years before the company was bought by 564:
A label used as a trademark or brand and not a company is called an
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Group (WMG) in July 2013. This left the so-called Big Three labels.
3264: 3214: 3109: 2738: 2733: 1847: 1360: 1265:"Inside Prince's Career-Long Battle to Master His Artistic Destiny" 886: 880: 852: 797: 411: 401: 71:, or the company that owns it. Sometimes, a record label is also a 3013: 2936: 2910: 2868: 2451: 2218: 2154: 1653: 885:
With the Internet now being a viable source for obtaining music,
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also cited similar motives with the end of their contract with
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with an artist to market the artist's recordings in return for
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Lockett, Dee; Gordon, Amanda; Zhan, Jennifer (23 April 2021).
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for sound recordings and music videos, while also conducting
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International Journal of Technology, Knowledge & Society
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are usually employed by artists to discuss contract terms.
462: 358:". A music group is usually affiliated to an international 1166:, 7 Brook. J. Corp. Fin. & Com. L. 589, 601–04 (2013). 3234: 3204: 3130: 2905: 2446: 2060: 1953: 1325:"Musicians That Were Forced To Change Their Album Covers" 1296: 821: 662: 423: 378: 113: 1733:"The Complete History of Kesha's Fight Against Dr. Luke" 1587:"'My December': Kelly Clarkson, Striking Out On Her Own" 1178:"5 Lessons Big Record Labels Learned From Independents" 2030:"A decade of iTunes singles killed the music industry" 1356:"What It's Like When A Label Won't Release Your Album" 945:, rather than waiting for a deal with a proper label. 1559:"Why Is Megan Thee Stallion Suing Her Record Label?" 964: 419:, and about 80% of the United States music market. 538:, now owned by Universal Music Group). Similarly, 2056:"You Ask, We Answer: What Exactly Is A 360 Deal?" 1875:(BA thesis). Claremont McKenna College. Paper 703 1730: 3615: 2150:"Madonna move shows music industry's 360-model" 1978:"iTunes: Breaking Barriers and Building Walls" 874: 546:herself of controlling shares in the company. 89:talent scouting and development of new artists 2234: 1843:"Musicians v. record labels: 14 famous feuds" 445:In 2020 and 2021, both WMG and UMG had their 668: 392:(formed in 1985 as RCA/Ariola International) 122:" ("indie"), or they may be part of a large 16:Brand associated with music and music videos 1949:"Radiohead sign 'conventional' record deal" 1649:"The Clipse ends tumultuous tenure at Jive" 1471: 1069:"Global record companies market share 2022" 680:A label typically enters into an exclusive 118:Record labels may be small, localized and " 83:, marketing, promotion, and enforcement of 2241: 2227: 1676:"Ciara: 'I pray my label will release me'" 1083:"The Rise And Fall Of Major Record Labels" 908:The new century brought the phenomenon of 697:provides a strong counterexample, as does 2716: 2004: 1785:Cowen, Trace William (11 February 2019). 916:record labels. These are inspired by the 580:or separate business structure (although 386:(known as CBS Records until January 1991) 1497: 1175: 866:A look at an actual 360 deal offered by 847:to artist's touring, merchandising, and 796:Due to advancing technology such as the 2147: 1646: 1239:"How to send a demo to a record label?" 931: 837: 693:'s much-publicized 1994–1996 feud with 568:, a term used for a similar concept in 3616: 2195: 2126: 2027: 1975: 1868: 1812: 1584: 1525: 1498:Halperin, Shirley (16 November 2020). 1472:JoJo; Lockett, Dee (2 November 2015). 1440: 1409: 1262: 1176:McDonald, Heather (20 November 2019). 114:Major versus independent record labels 2222: 2097: 2093: 2091: 1784: 1756: 1620: 1556: 1467: 1465: 1436: 1434: 1381: 1353: 1349: 1347: 1345: 1322: 1210: 948: 897: 2168: 2053: 1840: 1647:Crosley, Hillary (29 October 2007). 1236: 1137: 1113:"Copyright Law, Treaties and Advice" 657:; and Morning Records, owned by the 595:Music collectors often use the term 223:List of Universal Music Group labels 3468:Global Recording Artist of the Year 3436:Highest-grossing live music artists 2183:10.18848/1832-3669/CGP/v07i06/56248 1585:du Lac, J. Freedom (26 June 2007). 13: 2248: 2148:Adegoke, Yinka (11 October 2007). 2088: 1872:The Rise and Fall of Record Labels 1757:Jones, Jiggy (16 September 2020). 1462: 1431: 1410:Joseph, Delenda (9 January 2017). 1342: 426:were sold off separately by owner 14: 3635: 2371: 2214: 1841:Park, Andrea (25 February 2016). 1263:Newman, Melinda (28 April 2016). 1045:. 1 February 2014. Archived from 863:have signed such types of deals. 308:List of Warner Music Group labels 3597: 3596: 3583: 2613:Artists and repertoire (A&R) 2344:Universal Music Publishing Group 2127:Moreau, Jordan (8 August 2020). 2098:Leeds, Jeff (11 November 2007). 2028:Covert, Adrian (25 April 2013). 1621:Kreps, Daniel (18 August 2008). 1441:Martin, Felicity (7 July 2021). 1323:Boone, Brian (13 January 2020). 1043:Association of Independent Music 967: 620: 530:for some time now, and musician 422:In 2012, the major divisions of 128:Association of Independent Music 36: 29: 22: 3034:Entertainment Monitoring Africa 2196:Butler, Susan (31 March 2007). 2189: 2162: 2141: 2120: 2068: 2047: 2021: 1969: 1941: 1913: 1895:"Nine inch nails = independent" 1887: 1862: 1834: 1806: 1778: 1750: 1724: 1696: 1668: 1640: 1614: 1578: 1550: 1519: 1491: 1403: 1382:Jones, Rhian (11 August 2021). 1375: 1316: 1284: 1256: 1230: 1204: 1138:Jobs, Steve (6 February 2007). 398:(known as MCA Music until 1996) 150: 126:, or somewhere in between. The 3534:Largest recorded music markets 3441:Highest-grossing concert tours 2054:Cole, Tom (24 November 2010). 1526:Furdyk, Brent (19 July 2019). 1300:. 11 July 2000. Archived from 1190: 1169: 1154: 1131: 1105: 1075: 1061: 1031: 1017:Online Etymological Dictionary 1005: 468: 219:, United States (operational) 130:(AIM) defines a 'major' as "a 1: 2100:"The New Deal: Band as Brand" 1115:. Copynot.org. Archived from 998: 924:movements and the success of 576:for it and do not exist as a 449:with WMG starting trading at 3590:Record production portal 2406:Independent UK record labels 1997:10.1080/03007766.2013.810849 1813:Hudson, John (18 May 2010). 1557:Hogan, Marc (6 March 2020). 1354:Zafar, Aylin (13 May 2013). 1211:Rosen, Jody (11 June 2019). 943:a dormant Sony-owned imprint 584:are sometimes registered). 453:and UMG starting trading at 283: 236: 193: 7: 3458:Most-attended concert tours 1985:Popular Music & Society 1637:Retrieved 3 September 2021. 960: 875:Internet and digital labels 590: 578:distinct business operation 196:; 90 years ago 10: 3640: 3473:Wealthiest musical artists 3326:Best-selling music artists 1213:"The Day the Music Burned" 901: 878: 624: 557: 553: 526:, which has been owned by 472: 461:which in turn is owned by 438:labels were absorbed into 214:, Netherlands (corporate) 155: 3577: 3481: 3313: 3248: 3177: 3168: 3080: 3044:New Zealand singles chart 2965: 2929: 2820: 2598: 2500: 2465: 2419: 2362: 2326: 2265: 2256: 669:Relationship with artists 261:List of Sony Music labels 124:international media group 43:"Big Three" music labels 3514:Christian music industry 3029:GfK Entertainment charts 2673:Professional audio store 1815:"Paul McCartney vs. EMI" 975:Record production portal 904:Open-source record label 675:Artists & Repertoire 475:Independent record label 233:Sony Music Entertainment 217:Santa Monica, California 2921:Music streaming service 2354:Disney Music Publishing 707:Mr. Tambourine Man 601:4th & B'way Records 318: 3463:Most-attended concerts 3431:Highest-paid musicians 1976:Arditi, David (2014). 747:Thirty Seconds to Mars 463:Sony Group Corporation 286:; 66 years ago 239:; 95 years ago 237:September 9, 1929 102:Within the mainstream 3544:Most valuable records 3539:Most expensive albums 3494:Album-equivalent unit 3024:Italian singles chart 2881:Promotional recording 2349:Warner Chappell Music 2339:Sony Music Publishing 2334:BMG Rights Management 1869:Bielas, Ilan (2013). 1237:Leighton, Mackenzie. 1087:www.arkatechbeatz.com 983:List of record labels 941:'s debut album under 808:file sharing such as 791:Entertainment lawyers 396:Universal Music Group 181:Universal Music Group 137:Universal Music Group 3519:Environmental impact 3419:Best-selling singles 2432:Digital music stores 2198:"Publisher = Label?" 1635:on 4 September 2018. 932:Publishers as labels 838:New label strategies 695:Warner Bros. Records 659:Cooper Temple Clause 560:imprint (trade name) 175:Global market share 3549:Music certification 3529:Largest music deals 3407:Best-selling albums 3240:The Country Network 3019:Irish Singles Chart 2668:Musical instruments 1538:on 3 September 2021 1160:Joshua R. Wueller, 1140:"Thoughts on Music" 1049:on 23 February 2019 830:was released as a " 739:Megan Thee Stallion 194:September 1934 163:Major record label 3062:SNEP singles chart 2837:Extended play (EP) 2608:Album cover design 2105:The New York Times 1684:. 16 February 2011 1217:The New York Times 1200:. 9 December 2019. 1150:on 3 January 2009. 949:Crowdfunded labels 898:Open-source labels 711:Turn! Turn!, Turn! 682:recording contract 528:Warner Music Group 459:Sony Entertainment 455:Euronext Amsterdam 417:world music market 374:Warner Music Group 284:April 6, 1958 271:Warner Music Group 185:Euronext Amsterdam 145:Warner Music Group 91:, and maintaining 3611: 3610: 3554:Parental Advisory 3509:Bootleg recording 3499:A-side and B-side 3356: 3309: 3308: 3225:The Music Factory 3067:Sverigetopplistan 2991:Argentina Hot 100 2957:Music competition 2947:Concert residency 2886:Phonograph record 2856: 2816: 2815: 2643:Music and fashion 2628:Entertainment law 2496: 2495: 2457:Virgin Megastores 2259:and organizations 1957:. 31 October 2007 832:pay what you want 824:when their album 719:recording studios 316: 315: 3631: 3600: 3599: 3588: 3587: 3586: 3354: 3175: 3174: 3072:UK singles chart 3004:Canadian Hot 100 2896:Compact cassette 2834: 2781:Session musician 2756:Hip hop producer 2714: 2713: 2648:Music journalism 2580:Rhythm and blues 2298:IFPI (worldwide) 2263: 2262: 2243: 2236: 2229: 2220: 2219: 2208: 2207: 2193: 2187: 2186: 2166: 2160: 2159: 2145: 2139: 2138: 2124: 2118: 2117: 2095: 2086: 2085: 2084:. 15 April 2010. 2072: 2066: 2065: 2051: 2045: 2044: 2042: 2040: 2025: 2019: 2018: 2008: 1982: 1973: 1967: 1966: 1964: 1962: 1945: 1939: 1938: 1936: 1934: 1929:. 19 August 2013 1917: 1911: 1910: 1908: 1906: 1901:. 8 October 2007 1891: 1885: 1884: 1882: 1880: 1866: 1860: 1859: 1857: 1855: 1838: 1832: 1831: 1829: 1827: 1810: 1804: 1803: 1801: 1799: 1782: 1776: 1775: 1773: 1771: 1754: 1748: 1747: 1745: 1743: 1728: 1722: 1721: 1719: 1717: 1700: 1694: 1693: 1691: 1689: 1672: 1666: 1665: 1663: 1661: 1644: 1638: 1636: 1631:. Archived from 1618: 1612: 1611: 1609: 1607: 1582: 1576: 1575: 1573: 1571: 1554: 1548: 1547: 1545: 1543: 1534:. Archived from 1523: 1517: 1516: 1514: 1512: 1495: 1489: 1488: 1486: 1484: 1469: 1460: 1459: 1457: 1455: 1438: 1429: 1428: 1426: 1424: 1407: 1401: 1400: 1398: 1396: 1379: 1373: 1372: 1370: 1368: 1351: 1340: 1339: 1337: 1335: 1320: 1314: 1313: 1311: 1309: 1288: 1282: 1281: 1279: 1277: 1260: 1254: 1253: 1251: 1249: 1234: 1228: 1227: 1225: 1223: 1208: 1202: 1201: 1194: 1188: 1187: 1173: 1167: 1158: 1152: 1151: 1146:. Archived from 1135: 1129: 1128: 1126: 1124: 1109: 1103: 1102: 1100: 1098: 1089:. Archived from 1079: 1073: 1072: 1065: 1059: 1058: 1056: 1054: 1035: 1029: 1028: 1026: 1024: 1019:. Douglas Harper 1009: 977: 972: 971: 970: 868:Atlantic Records 304:, United States 294: 292: 287: 257:, United States 247: 245: 240: 204: 202: 197: 160: 159: 65:music recordings 40: 33: 26: 3639: 3638: 3634: 3633: 3632: 3630: 3629: 3628: 3614: 3613: 3612: 3607: 3584: 3582: 3573: 3477: 3305: 3244: 3164: 3159:Top of the Pops 3124:Musica e dischi 3076: 2961: 2925: 2845:Cassette single 2823: 2812: 2766:Record producer 2712: 2683:Radio promotion 2653:Music publisher 2638:Music executive 2633:Music education 2600: 2594: 2492: 2461: 2415: 2358: 2322: 2266:Representatives 2258: 2257:Major companies 2252: 2247: 2217: 2212: 2211: 2194: 2190: 2167: 2163: 2146: 2142: 2125: 2121: 2096: 2089: 2074: 2073: 2069: 2052: 2048: 2038: 2036: 2026: 2022: 1980: 1974: 1970: 1960: 1958: 1947: 1946: 1942: 1932: 1930: 1919: 1918: 1914: 1904: 1902: 1893: 1892: 1888: 1878: 1876: 1867: 1863: 1853: 1851: 1839: 1835: 1825: 1823: 1811: 1807: 1797: 1795: 1783: 1779: 1769: 1767: 1755: 1751: 1741: 1739: 1729: 1725: 1715: 1713: 1712:. 23 March 2017 1702: 1701: 1697: 1687: 1685: 1674: 1673: 1669: 1659: 1657: 1645: 1641: 1619: 1615: 1605: 1603: 1592:Washington Post 1583: 1579: 1569: 1567: 1555: 1551: 1541: 1539: 1524: 1520: 1510: 1508: 1496: 1492: 1482: 1480: 1470: 1463: 1453: 1451: 1439: 1432: 1422: 1420: 1408: 1404: 1394: 1392: 1380: 1376: 1366: 1364: 1352: 1343: 1333: 1331: 1321: 1317: 1307: 1305: 1304:on 4 March 2016 1290: 1289: 1285: 1275: 1273: 1261: 1257: 1247: 1245: 1235: 1231: 1221: 1219: 1209: 1205: 1196: 1195: 1191: 1174: 1170: 1159: 1155: 1136: 1132: 1122: 1120: 1119:on 19 June 2013 1111: 1110: 1106: 1096: 1094: 1081: 1080: 1076: 1067: 1066: 1062: 1052: 1050: 1037: 1036: 1032: 1022: 1020: 1011: 1010: 1006: 1001: 988:Streaming media 973: 968: 966: 963: 951: 934: 906: 900: 883: 877: 840: 814:Nine Inch Nails 763:Michelle Branch 671: 655:Nine Inch Nails 647:Nothing Records 629: 623: 593: 562: 556: 536:A&M Records 524:Reprise Records 477: 471: 436:Virgin Classics 364:holding company 353: 351: 350: 348: 321: 290: 288: 285: 243: 241: 238: 215: 200: 198: 195: 158: 153: 116: 45: 17: 12: 11: 5: 3637: 3627: 3626: 3609: 3608: 3606: 3605: 3593: 3578: 3575: 3574: 3572: 3571: 3566: 3564:Surprise album 3561: 3556: 3551: 3546: 3541: 3536: 3531: 3526: 3521: 3516: 3511: 3506: 3501: 3496: 3491: 3485: 3483: 3479: 3478: 3476: 3475: 3470: 3465: 3460: 3455: 3454: 3453: 3448: 3438: 3433: 3428: 3427: 3426: 3416: 3415: 3414: 3404: 3403: 3402: 3401: 3400: 3395: 3390: 3385: 3380: 3372: 3371: 3370: 3362: 3357: 3352:United Kingdom 3349: 3344: 3339: 3334: 3323: 3317: 3315: 3311: 3310: 3307: 3306: 3304: 3303: 3296: 3289: 3282: 3275: 3268: 3261: 3252: 3250: 3246: 3245: 3243: 3242: 3237: 3232: 3227: 3222: 3217: 3212: 3207: 3202: 3197: 3192: 3187: 3181: 3179: 3172: 3166: 3165: 3163: 3162: 3155: 3148: 3141: 3134: 3127: 3120: 3113: 3106: 3099: 3092: 3084: 3082: 3078: 3077: 3075: 3074: 3069: 3064: 3059: 3054: 3046: 3041: 3036: 3031: 3026: 3021: 3016: 3011: 3006: 3001: 2999:Brasil Hot 100 2993: 2985: 2977: 2971: 2969: 2963: 2962: 2960: 2959: 2954: 2952:Music festival 2949: 2944: 2939: 2933: 2931: 2927: 2926: 2924: 2923: 2918: 2916:Music download 2913: 2908: 2903: 2898: 2893: 2888: 2883: 2878: 2873: 2872: 2871: 2857: 2828: 2826: 2818: 2817: 2814: 2813: 2811: 2810: 2808:Sound engineer 2805: 2804: 2803: 2798: 2793: 2788: 2778: 2773: 2771:Rhythm section 2768: 2763: 2758: 2753: 2748: 2743: 2742: 2741: 2736: 2726: 2720: 2718: 2711: 2710: 2705: 2703:Talent manager 2700: 2695: 2690: 2685: 2680: 2675: 2670: 2665: 2660: 2655: 2650: 2645: 2640: 2635: 2630: 2625: 2620: 2615: 2610: 2604: 2602: 2596: 2595: 2593: 2592: 2587: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2547: 2542: 2537: 2532: 2527: 2522: 2520:Easy listening 2517: 2512: 2506: 2504: 2498: 2497: 2494: 2493: 2491: 2490: 2485: 2480: 2475: 2469: 2467: 2463: 2462: 2460: 2459: 2454: 2449: 2444: 2439: 2429: 2423: 2421: 2417: 2416: 2414: 2413: 2408: 2403: 2390: 2385: 2380: 2366: 2364: 2360: 2359: 2357: 2356: 2351: 2346: 2341: 2336: 2330: 2328: 2324: 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2829: 2827: 2825: 2819: 2809: 2806: 2802: 2799: 2797: 2794: 2792: 2789: 2787: 2786:Backup singer 2784: 2783: 2782: 2779: 2777: 2774: 2772: 2769: 2767: 2764: 2762: 2759: 2757: 2754: 2752: 2749: 2747: 2744: 2740: 2737: 2735: 2732: 2731: 2730: 2727: 2725: 2722: 2721: 2719: 2715: 2709: 2708:Tour promoter 2706: 2704: 2701: 2699: 2696: 2694: 2691: 2689: 2686: 2684: 2681: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2661: 2659: 2656: 2654: 2651: 2649: 2646: 2644: 2641: 2639: 2636: 2634: 2631: 2629: 2626: 2624: 2621: 2619: 2616: 2614: 2611: 2609: 2606: 2605: 2603: 2597: 2591: 2588: 2586: 2583: 2581: 2578: 2576: 2573: 2571: 2568: 2566: 2563: 2561: 2558: 2556: 2553: 2551: 2548: 2546: 2543: 2541: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2521: 2518: 2516: 2513: 2511: 2508: 2507: 2505: 2503: 2499: 2489: 2486: 2484: 2481: 2479: 2476: 2474: 2471: 2470: 2468: 2464: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2437: 2433: 2430: 2428: 2425: 2424: 2422: 2418: 2412: 2409: 2407: 2404: 2402: 2398: 2397: 2396: 2391: 2389: 2386: 2384: 2381: 2379: 2375: 2374: 2373: 2368: 2367: 2365: 2363:Record labels 2361: 2355: 2352: 2350: 2347: 2345: 2342: 2340: 2337: 2335: 2332: 2331: 2329: 2325: 2319: 2316: 2314: 2311: 2309: 2306: 2304: 2301: 2299: 2296: 2294: 2291: 2289: 2286: 2284: 2281: 2279: 2276: 2274: 2271: 2270: 2268: 2264: 2261: 2255: 2251: 2244: 2239: 2237: 2232: 2230: 2225: 2224: 2221: 2206:. p. 22. 2205: 2204: 2199: 2192: 2184: 2180: 2176: 2172: 2165: 2157: 2156: 2151: 2144: 2136: 2135: 2130: 2123: 2115: 2111: 2107: 2106: 2101: 2094: 2092: 2083: 2082: 2077: 2071: 2063: 2062: 2057: 2050: 2035: 2031: 2024: 2016: 2012: 2007: 2002: 1998: 1994: 1990: 1986: 1979: 1972: 1956: 1955: 1950: 1944: 1928: 1927: 1922: 1916: 1900: 1896: 1890: 1874: 1873: 1865: 1850: 1849: 1844: 1837: 1822: 1821: 1816: 1809: 1794: 1793: 1788: 1781: 1766: 1765: 1760: 1753: 1738: 1734: 1727: 1711: 1710: 1705: 1699: 1683: 1682: 1677: 1671: 1656: 1655: 1650: 1643: 1634: 1630: 1629: 1628:Rolling Stone 1624: 1617: 1602: 1598: 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Index




brand
trademark
music recordings
music videos
publishing
manufacture
distribution
copyright
talent scouting and development of new artists
contracts
vinyl record
music industry
publicists
independent
international media group
Association of Independent Music
multinational
Universal Music Group
Sony Music
Warner Music Group
Universal Music Group
Euronext Amsterdam
UMG
Hilversum
North Holland
Santa Monica, California
List of Universal Music Group labels

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