559:, one article stated that the coming war was to be "the happy, great hour of struggle", not only because of German technological advances but because it would be "more beautiful and more magnificent to live forever on the plaque of heroes than to die a hollow death without name in a bed". By buying up numerous other publishers, Scherl's company "Scherl-Verlag" had the largest circulation in Germany. However, his various costly business projects were not economically successful, so he sold the company to the "German Publishers Society" in 1914 and retired.
450:
636:
458:
618:
41:
510:" in 1870), came to the defense of the liberal world view. Arguments in support of the National Liberal Party were supported in particular. When Ernst Keil died in 1878 the magazine had reached the height of its success and influence, with a paid circulation of 372,000. Its actual readership was at least 2 million, making it one of the most widely read publications in the world.
388:
became common family reading and many lending libraries and cafes took delivery, estimates of actual readership run between two and five million. It kept this market supremacy until at least 1887 and at one time it claimed to have the largest readership of any publication in the world.
530:
became increasingly conservative and political or religious issues were no longer covered. The topics of divorce and suicide were entirely taboo after this repositioning. Instead of a popular encyclopedia meant to enlighten and educate, by the turn of the century
292:, in 1853. Their objective was to reach and enlighten the whole family, especially in the German middle classes, with a mixture of current events, essays on the natural sciences, biographical sketches, short stories, poetry, and full-page illustrations.
592:
s expressly antisemitic articles, resulted in readership declines. Attempts to stem the loss by merging it with similar weeklies had little effect. The largest part of
Hugenberg's press group were finally purchased by the
482:, it was committed to the creation of a national democratic unity government and an enlightened population. The promotion of bourgeois values contrasted with the decline of aristocratic norms. During this period
425:
dominated its pages. Goethe was featured 75 times in print and 14 times in illustrations, and
Schiller was featured 90 times in print and 15 times in illustrations. Publication of works by novelist
382:, its paid circulation increased dramatically, rising to 160,000 by 1863 and 382,000 by 1875. By comparison, most daily newspapers of the period had a circulation of only 4,000 copies. Since
1281:"Nationale IdentitĂ€t im Prozess nationalstaatlicher Orientierung, dargestellt am Beispiel Deutschlands durch die Analyse der Familienzeitschrift "Die Gartenlaube" von 1853â1890
854:
478:
The early volumes up to German unification in 1871 were envisioned to be a "people's encyclopedia", covering a wide range of interests. Founded by radical liberal publisher
498:
became increasingly antisemitic, publishing among other things Otto Glagau's violent attacks on "the Jews" from 1874 to 1876. The weekly was also seen as a defender of
1395:
336:
During its 91-year history the journal changed owners several times. By the turn of the century it had become more focused on entertainment, and in the buildup to
1299:
KĂŒnstlerische
Bildfolge zum Ideologiegehalt des vielgelesenen Blattes "Leupolds GartenlaubeâLiebhaberaufnahmen in Erinnerung an ein deutsches Familienblatt 1994"
364:
remains important for comprehensive historical analysis in many fields and is regarded as an essential source for the understanding of German cultural history.
873:
583:, hoping to use Hitler as a "tool". Hugenberg instead became increasingly isolated and had little influence in the Third Reich. These changes, as well as
768:
417:'s masthead depicted a grandfatherly figure reading aloud to a family around a table. Between 1853 and 1880 works by prominent German writers such as
378:
increased steadily following its initial 1853 print run of 5,000 copies, reaching 60,000 by the end of its fourth year. After the magazine introduced
963:
Dieter Barth: "Das
Familienblatt â ein Phanomen der Unterhaltungspresse des 19. Jahrhunderts: Beispele zur Grundungs- und Verlagsgeschichted" in:
488:
was also noted for a neutral to positive view of Jews, with occasional articles on Jewish family life. In the years following the founding of the
1405:
886:
811:
524:
to new publisher Adolf Kröner and his son Alfred. As co-owner/editors, under their guidance the paper changed dramatically in scope and content.
1425:
749:
675:
712:
1400:
1379:
1415:
1318:"Zur Geschichte von Roman und ErzÀhlung in der "Gartenlaube" 1853 bis 1914. Heroismus und Idylle als Instrument nationaler Ideologie"
1346:
Die "Gartenlaube" als politisches Organ. Belletristik, Bilderwerk und literarische Kritik im
Dienste der liberalen Politik 1860â1880
433:
beginning in 1866, had a significant impact on the magazine's popularity and on
Marlitt's celebrity. A particularly famous image by
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930:
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Popularizing the Nation: Audience, Representation, and the
Production of Identity in "Die Gartenlaube", 1853â1900
859:
344:
since 1916. These changes corresponded to a decline in its readership. It was finally purchased outright by the
717:
438:
663:
310:
647:
572:
254:
878:
580:
302:
848:
737:
8:
1326:"Die Lyrik in der "Gartenlaubeâ 1853â1903. Untersuchungen zu Thematik, Form und Funktion"
743:
653:
507:
1022:
Hazel
Rosenstrauch "Zum Beispiel Die Gartenlaube" In: RucktÀschel und Zimmermann (eds.)
502:
policy. Their dedicated and highly polemical interest in the culture war (proclaimed by
1113:
867:
1333:
1306:
1288:
1267:
1245:
1230:
1154:
1133:
1088:
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289:
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Zwischen
Gartenlaube und Karl May. Deutsche Amerikarezeption in den Jahren 1871â1913
1216:
Inhaltsanalytische
Bibliographien deutscher Kulturzeitschriften des 19. Jahrhunderts
891:
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706:
657:
568:
379:
341:
118:
793:
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newspaper and a forerunner of all modern magazines. It was founded by publisher
905:
754:
680:
449:
392:
The format of the magazine consisted of 52 weekly issues, 16â20 pages each, in
1201:
Antisemitism: A Historical Encyclopedia of Prejudice and Persecution, Volume 1
555:
and the tone of the newspaper became increasingly political. In the run up to
1389:
1263:
842:
781:
694:
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635:
552:
489:
457:
408:
314:
186:
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503:
1062:
Kirsten Belgum: "Domesticating the Reader: Women and Die Gartenlaube" in:
1364:
934:
830:
762:
598:
567:
In 1916 the Scherl-Verlag publishing house was acquired by industrialist
556:
349:
337:
329:
even published a waltz dedicated to its readers, with the English title "
191:
799:
479:
426:
281:
156:
104:
58:
617:
123:
642:: a typical full-page drawing, copied from earlier artwork, in 1863.
824:
422:
405:
78:
40:
1223:"Volkâ zwischen Politik und Idylle in der "Gartenlaubeâ 1853â1914
499:
470:
went through a number of distinct phases throughout its history.
397:
322:
285:
212:
202:
1218:. Vol. 3, "Die Gartenlaube (1853â1880 )". (MĂŒnchen: Saur, 1995)
418:
393:
318:
217:
88:
925:
After 1890, the spelling of the subtitle was modernized to
594:
345:
778:(1813â1888), permanent employee, 1883â1886 Editor in Chief
340:
it came under the control of right-wing nationalists with
551:
was purchased by entrepreneur and right-wing nationalist
245:
313:
and among the significant German-speaking minorities of
1040:
Popular Historiographies in the 19th and 20th Centuries
358:, and ceased publication in 1944. Despite this, today
883:(1819â1864), doctor, professor, politician and writer
605:("The New Garden Arbor") in 1938. A much-diminished
765:(1841â1916), journalist, later publisher in Munich
1387:
1320:(Dissertation) (in German), UniversitÀt Erlangen
1396:1853 establishments in the German Confederation
1177:(Berlin: Duncker & Humblot, 2005) pp. 698ff
1002:(Lincoln: University of Nebraska Press, 1998),
1066:(Lincoln: University of Nebraska Press, 1993)
1018:
1016:
575:, Hugenberg used his new media empire to help
1257:
1242:Der Verleger Ernst Keil und seine Gartenlaube
1239:
1151:Germany and the Causes of the First World War
612:
396:size (242mm x 305mm). The text, printed in a
270:The Garden Arbor â Illustrated Family Journal
1369:, issue 16 / 1963, 17 April 1963, p. 67
1362:
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1034:
1032:
584:
562:
546:
532:
525:
519:
493:
483:
465:
412:
383:
373:
359:
296:
276:) was the first successful mass-circulation
239:Die Gartenlaube â Illustrirtes Familienblatt
237:
29:
23:
1382:(Kommerzielle Seite des Verlags) in German.
1013:
259:
1124:
1122:
1058:
1056:
1029:
994:
992:
990:
988:
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367:
1190:, (New York: Penguin Press, 2004) p. 314
1085:A Companion to German Realism, 1848â1900
634:
616:
456:
448:
1244:(in German), Leipzig: Edition Marlitt,
959:
957:
609:struggled on, finally folding in 1944.
441:was published by the magazine in 1912.
1406:Defunct magazines published in Germany
1388:
1119:
1053:
983:
537:was primarily an entertainment paper.
1426:Weekly magazines published in Germany
970:
937:, the magazine's name was changed to
253:
980:, 2nd edn. (Konstanz, 2005), p. 267.
965:Archiv fĂŒr Geschichte des Buchwesens
954:
919:
740:(1859â1925), Swiss writer and editor
1303:Die Vergangenheit hat erst begonnen
1026:. (MĂŒnchen: Fink, 1976) pp. 169â189
697:(1832â1911), writer and illustrator
672:(1855â1939), journalist and painter
656:(1829â1884), zoologist and writer (
453:Ernst Keil, founder of the magazine
444:
411:and, later, with some photographs.
404:) font, was typeset with elaborate
13:
1170:Franz Menges: "Scherl, August" in
864:(1833â1893), politician and writer
691:(1821â1894), politician and writer
14:
1447:
1401:1944 disestablishments in Germany
1373:
931:Die Gartenlaube Title Page 1/1890
908:(1816â1894), politician and judge
1416:Magazines disestablished in 1944
1348:(in German), Coburg: RoĂteuscher
1106:The Golden Encyclopedia of Music
601:, where the journal was renamed
540:
513:
295:At the height of its popularity
39:
1193:
1180:
1164:
1143:
1087:(Rochster: Camden House, 2002)
808:(1854â1935), Holsteinische poet
685:(1839â1916), chemist and writer
284:and editor Ferdinand Stolle in
1431:Magazines published in Leipzig
1330:EuropÀische Hochschulschriften
1285:EuropÀische Hochschulschriften
1240:Fayçal; Hamouda, eds. (2005),
1227:EuropÀische Hochschulschriften
1172:Neue Deutsche Biographie (NDB)
1132:Cambridge, Polity Press, 2011
1098:
1077:
827:(1817â1901), doctor and writer
790:(1838â1923), illustrator, poet
1:
1436:Magazines published in Berlin
1411:Magazines established in 1853
1305:(Köln: Schaden Verlag, 2004)
1208:
1188:The Coming of the Third Reich
948:
759:(1826â1878), actor and writer
65:Friedrich Hofmann (1883â1886)
1283:". Lang, Frankfurt/M. 2003 (
912:
56:Ferdinand Stolle (1853â1862)
7:
1328:. Lang, Frankfurt/M. 1982 (
1225:. Lang, Frankfurt/M. 1976 (
933:. Upon purchase in 1938 by
927:Illustriertes Familienblatt
622:Der Untergang der "Titanicâ
518:In 1886, Keil's widow sold
473:
305:. It could be found in all
301:was widely read across the
31:Illustriertes Familienblatt
16:German magazine (1853â1944)
10:
1452:
1064:Women in German Yearbook 9
837:Friedrich Emil Rittershaus
613:List of major contributors
439:sinking of the RMS Titanic
255:[diËËÉĄaÊtnÌ©ËlaÊbÉ]
1421:German-language magazines
1042:(Oxford: Berghahn, 2010)
978:Deutsche Pressegeschichte
855:Eduard Schmidt-WeiĂenfels
563:Hugenberg and Eher Verlag
311:German colonies in Africa
224:
208:
198:
184:Kröner-Verlag (1884â1904)
178:
170:
162:
152:
140:
132:
111:Alfred Kröner (1886â1903)
95:
84:
73:
47:
38:
1353:"SĂ€chsische Keilschrift"
1130:Modern German Literature
902:(1864â1931), illustrator
796:(1820â1876), illustrator
734:(1846â1906), illustrator
722:(1839â1907), illustrator
650:(1857â1915), illustrator
648:Christian Wilhelm Allers
429:in serial form, such as
352:in 1938, who renamed it
109:Adolf Kröner (1884â1903)
67:Adolf Kröner (1886â1903)
664:Elisabeth BĂŒrstenbinder
182:Keil-Verlag (1853â1884)
1363:
1357:
1324:Anne-Susanne Rischke:
1258:Undine Janeck (2003),
845:(1849â1921), publisher
784:(1850â1901), columnist
643:
632:
585:
547:
533:
526:
520:
508:Dogma of Infallibility
494:
484:
466:
462:
454:
413:
384:
374:
368:Circulation and format
360:
297:
238:
63:Ernst Ziel (1878â1883)
30:
24:
1344:Hermann Zang (1935),
1316:Heide Radeck (1967),
1262:(in German), Aachen:
1153:(Oxford: Berg, 2004)
638:
620:
581:Chancellor of Germany
460:
452:
303:German-speaking world
939:Die neue Gartenlaube
849:Carl Ludwig Schleich
738:Jakob Christoph Heer
640:Cathedral of Limburg
603:Die neue Gartenlaube
461:Volume 1 No. 1, 1853
355:Die neue Gartenlaube
1221:Heidemarie Gruppe:
1083:Todd Kontje (ed.):
1038:Sylvia Palatschek:
896:(1803â1881), writer
870:(1814â1883), writer
851:(1859â1922), doctor
821:(1817â1864), writer
802:(1825â1887), writer
746:(1848â1912), writer
744:Wilhelmine Heimburg
728:(1811â1878), writer
709:(1855â1920), writer
703:(1819â1898), writer
666:(1838â1918), writer
654:Alfred Edmund Brehm
148:max est. 5,000,000
146:min est. 2,000,000
35:
1380:Microfiche Edition
1297:Matthias Leupold:
1214:Alfred Estermann:
1114:Western Publishing
967:15 (1975): 121â315
874:Berthold Sigismund
644:
633:
463:
455:
21:
1199:Richard S. Levy:
1186:Richard J. Evans
839:(1834â1897), poet
833:(1865â1921), poet
769:Friedrich Hofmann
597:publishing house
380:serialized novels
348:publishing house
331:Gartenlaube Waltz
327:Johann Strauss II
290:Kingdom of Saxony
234:
233:
141:Total circulation
1443:
1368:
1360:
1355:, article about
1349:
1321:
1287:/22; Vol. 389),
1276:
1254:
1203:
1197:
1191:
1184:
1178:
1168:
1162:
1147:
1141:
1128:Michael Minden:
1126:
1117:
1112:, a division of
1102:
1096:
1081:
1075:
1060:
1051:
1036:
1027:
1024:Trivialliteratur
1020:
1011:
998:Kirsten Belgum:
996:
981:
974:
968:
961:
942:
923:
895:
882:
863:
820:
777:
758:
732:Edmund Harburger
721:
707:Ludwig Ganghofer
684:
658:Brehms Tierleben
631:
624:, 2-page layout
591:
588:
569:Alfred Hugenberg
550:
536:
529:
523:
497:
487:
469:
445:Editorial stages
416:
387:
377:
363:
342:Alfred Hugenberg
300:
275:
272:
267:
264:
261:
257:
252:
241:
133:Paid circulation
119:Alfred Hugenberg
53:Editors-in-Chief
43:
36:
33:
27:
20:
1451:
1450:
1446:
1445:
1444:
1442:
1441:
1440:
1386:
1385:
1376:
1358:Die Gartenlaube
1332:/1; Vol. 516),
1274:
1252:
1229:/19; Vol. 11),
1211:
1206:
1198:
1194:
1185:
1181:
1169:
1165:
1149:Mark Hewitson:
1148:
1144:
1127:
1120:
1103:
1099:
1082:
1078:
1061:
1054:
1037:
1030:
1021:
1014:
997:
984:
975:
971:
962:
955:
951:
946:
945:
924:
920:
915:
889:
876:
868:Levin SchĂŒcking
857:
814:
806:Charlotte Niese
800:Eugenie Marlitt
771:
752:
715:
701:Theodor Fontane
678:
625:
615:
589:
586:Die Gartenlaube
573:interwar period
565:
548:Die Gartenlaube
543:
534:Die Gartenlaube
527:Die Gartenlaube
521:Die Gartenlaube
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495:Die Gartenlaube
485:Die Gartenlaube
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447:
414:Die Gartenlaube
385:Die Gartenlaube
375:Die Gartenlaube
372:Circulation of
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361:Die Gartenlaube
298:Die Gartenlaube
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268:
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250:
216:
190:
185:
183:
147:
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128:
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112:
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102:
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317:, such as
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325:composer
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96:Publisher
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1095:pp 12â13
825:Max Ring
506:in his "
500:Prussian
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406:engraved
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225:Language
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595:Nazi
421:and
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260:lit.
174:1944
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1361:in
626:by
246:sic
1392::
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