955:
791:
1653:
1125:
855:
1090:
1381:
1759:
1305:
1257:
1493:
979:
897:
1606:
1366:
1155:
752:
1803:
1709:
1062:
1003:
1579:
1523:
920:
1673:
1351:
721:
1042:
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1449:
1555:
775:
1401:
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1733:
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1787:
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1332:
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44:
624:
20:
532:
688:: "Now here we have another emotional symbol... for almost three thousand years or longer, architects have designed buildings with columns shaped as female figures... After all those centuries it took Rodin to see that this was work too heavy for a girl... Here is this poor little caryatid who has tried—and failed, fallen under the load.... She didn't give up, Ben; she's still trying to lift that stone after it has crushed her..."
377:
1002:
854:
954:
440:
Although of the same height and build, and similarly attired and coiffed, the six
Caryatids are not the same: their faces, stance, draping, and hair are carved separately; the three on the left stand on their right foot, while the three on the right stand on their left foot. Their bulky, intricately
428:
holds the other five figures, which are replaced onsite by replicas. The five originals that are in Athens are now being exhibited in the new
Acropolis Museum, on a special balcony that allows visitors to view them from all sides. The pedestal for the caryatid removed to London remains empty,
1672:
1380:
1124:
790:
1154:
919:
1089:
1061:
1708:
978:
1468:
1605:
1256:
1448:
1365:
1758:
1652:
1304:
1492:
824:
1522:
896:
720:
1280:
1578:
273:. However, Vitruvius's explanation is doubtful; well before the Persian Wars, female figures were used as decorative supports in Greece and the ancient Near East. Vitruvius's explanation is dismissed as an error by
1186:
1732:
751:
524:. Those in the apartments of princes and important personages, he considered, might be grand enough for chimneypieces with caryatid supporters, such as one he illustrated and a similar one he installed in the
1400:
1424:
419:
in London. The Greek government does not recognise the
British Museum's claims to own any part of the Acropolis temples and the return of the stolen Caryatid to Athens along with the rest of the so-called
1802:
325:. The Erectheion caryatids, in a shrine dedicated to an archaic king of Athens, may therefore represent priestesses of Artemis in Caryae, a place named for the "nut-tree sisterhood" – apparently in
1216:
1041:
1115:
1554:
208:
she rejoiced in the dances of the nut-tree village of Karyai, those
Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants".
1240:
512:, both sculptor and architect, carved a pair of female figures supporting the shelf of a marble chimneypiece at Villa Garzoni, near Padua. No architect mentioned the device until 1615, when
1350:
691:
In Act 2 of his 1953 play 'Waiting for Godot', author Samuel
Beckett has Estragon say "We are not caryatids!" when he and Vladimir tire of "cart(ing) around" the recently blinded Pozzo.
774:
293:
Bernard
Sergent specifies that the dancers came to the small town of Caryae from nearby Sparta. Nevertheless, the association of caryatids with slavery persists and is prevalent in
1475:
1786:
1749:
1138:
1643:
1612:
1629:
1391:
1287:
1331:
1072:
1407:
1016:
291:
comes from the
Spartan city of Caryae, where young women did a ring dance around an open-air statue of the goddess Artemis, locally identified with a walnut tree.
396:, dating to the 6th century BC. However, their use as supports in the form of women can be traced back even earlier, to ritual basins, ivory mirror handles from
441:
arranged hairstyles serve the crucial purpose of providing static support to their necks, which would otherwise be the thinnest and structurally weakest part.
1659:
1024:
941:
1565:
1439:
1777:
1533:
1723:
1616:
1773:
1506:
1620:
1291:
1502:
1967:
415:
in the early 19th century in an act which severely damaged the temple and is widely considered to be vandalism and looting, is currently in the
864:
1411:
2231:
1387:
300:
The ancient Caryae supposedly was one of the six adjacent villages that united to form the original township of Sparta, and the hometown of
1459:
2017:(Parker, "'Designed in the Most Elegant Manner, and Wrought in the Best Marbles': The Caryatid Chimney Piece from Chesterfield House",
965:
694:
Agnes Varda made two short films documenting
Caryatid columns around Paris. 1984 Les Dites Cariatides 2005 Les Dites Cariatides Bis.
1914:
612:-grown basket capital taking the form of a candlestick or a table-support is a familiar cliché of neoclassical decorative arts. The
761:
605:
2588:
492:, which had not been a feature of buildings in Antiquity and offered no precedents. Early interior examples are the figures of
1374:
gilt bronze caryatid on the fireplace in the room 538 of the Louvre Palace, Paris, unknown architect or sculptor, 19th century
488:
times, the practice of integrating caryatids into building facades was revived, and in interiors they began to be employed in
2493:
2388:
2313:
2215:
2190:
2139:
2114:
1880:
613:
2568:
2000:(1901: 306–321) p. 306 note 3. Townley inventories, where it is interpolated between No. 9 (Hecate) and No. 10 (Fortune).
357:
289:. They both say the term refers to young women worshipping Artemis in Caryae through dance. Lefkowitz says that the term
2573:
1837:
1076:
2053:
1938:
1926:
116:
356:, who bore the sphere of the heavens on his shoulders. Such figures were used on a monumental scale, notably in the
2583:
2578:
1479:
1310:
811:
654:
in which four of the eight figures (the other four figures holding only wreaths) represented a different art form,
308:. Girls from Caryae were considered especially beautiful, strong, and capable of giving birth to strong children.
2010:
701:
evoke the caryatides and their burden borne in poetic metaphor on the song "Caryatid Easy" from their 1997 album
412:
437:. Each caryatid was cleaned in place, with a television circuit relaying the spectacle live to museum visitors.
1435:
317:("basket-bearer"), representing one of the maidens who carried sacred objects used at feasts of the goddesses
1357:
647:
631:
142:
2563:
1679:
1455:
989:
738:
2079:
2548:
2014:
1589:
1195:
1165:
1052:
838:
796:
726:
684:
1271:
1951:
1095:
964:
1675, ebony, kingwood, marquetry of hard stones, gilt bronze, pewter, glass, tinted mirror and horn,
2009:
Noted by James Parker, in describing the precedents for the white marble caryatid chimneypiece from
1322:
929:
902:
505:
1719:
403:
The best-known and most-copied examples are those of the six figures of the
Caryatid porch of the
1765:
1738:
1483:
1431:
1341:
2329:
765:
643:
627:
286:
133:
1695:
1161:
598:
2454:
2429:
2404:
2354:
1808:
Caryatides, ca. 1865; from the
Nicholas Catsimpoolas Collection of the Boston Public Library
1561:
1177:
1028:
925:
799:
573:. In the early 17th century, interior examples appear in Jacobean interiors in England; in
566:
345:
212:
2278:
2155:
8:
2512:
2483:
1824:
1715:
1699:
1639:
609:
547:
2535:
1137:
supported by bare feet, early 19th century, wood, metal, glass, pigment, and porcelain,
561:'s treatise on architecture, caryatids became a fixture in the decorative vocabulary of
176:) is a sculpted female figure serving as an architectural support taking the place of a
2520:
2256:
1972:
1585:
1099:
1068:
562:
461:
270:
43:
1883:
in Bailly, Anatole (1935) Le Grand Bailly: Dictionnaire grec-français, Paris: Hachette
1861:
2489:
2384:
2309:
2211:
2186:
2135:
2110:
1223:
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757:
674:
651:
635:
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558:
517:
449:
429:
awaiting its return. From 2011 to 2015, they were cleaned by a specially constructed
408:
393:
353:
278:
623:
2530:
1956:, ed Elizabeth Mcgrath and Jean Michel Massing, London (The Warburg Institute) 2012
1819:
1415:
1012:
730:
509:
473:
425:
381:
326:
69:
32:
19:
1514:
937:
1866:
1793:
1597:
1199:
1020:
1008:
945:
880:
860:
679:
604:
Many caryatids lined up on the facade of the 1893 Palace of the Arts housing the
586:
294:
245:
216:
597:
architects and designers, such as the four terracotta caryatids on the porch of
1371:
1207:
1173:
872:
830:
453:
416:
282:
274:
249:(I.1.5) that certain female figures represented the punishment of the women of
185:
56:
36:
2540:
2526:
2381:
Egyptian Museum and Papyrus Collection; Museum of Prehistory and Early History
933:
531:
2557:
1741:
1510:
1295:
906:
702:
665:
594:
465:
421:
305:
709:
reproving an unidentified lover with the line "you play the caryatid easy."
1841:
1593:
1529:
1263:
1130:
884:
876:
842:
485:
445:
52:
2057:
593:
vocabulary and were refashioned in more restrained and "Grecian" forms by
1498:
1231:
1103:
993:
910:
781:
404:
197:
181:
48:
24:
433:, which removed accumulated soot and grime without harming the marble's
1829:
1745:
1203:
1192:
1169:
1032:
969:
706:
582:
578:
430:
313:
16:
Load-bearing pillar in the figure of a female, Ancient Greece and later
1537:
1318:
1262:
Neoclassical caryatids of the south wall of the Room of the Niobids,
543:
489:
469:
397:
361:
240:
169:
149:
1023:
inlays, paintings under glass, porcelain plate, and gilded bronzes,
388:
Some of the earliest known examples were found in the treasuries of
1687:
1635:
1337:
1247:
1142:
815:
698:
574:
539:
513:
493:
301:
205:
2484:
Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat (2017).
1541:
1314:
1246:
Neoclassical white terracotta caryatids of the Virebent Factory,
1227:
1111:
834:
807:
803:
590:
570:
551:
337:
330:
322:
258:
201:
589:
remains an early example. Caryatids remained part of the German
448:
also copied the Erechtheion caryatids, installing copies in the
1769:
1691:
1267:
1146:
1107:
1048:
888:
846:
742:
535:
434:
389:
365:
336:
The later male counterpart of the caryatid is referred to as a
318:
266:
262:
254:
250:
193:
177:
28:
223:, a sculpted male statue serving as an architectural support.
108:
78:
1683:
232:
1993:
A. H. Smith, "Gavin Hamilton's Letters to Charles Townley"
497:
457:
376:
167:
147:
81:
31:, Greece. These are now replicas. The originals are in the
411:
at Athens. One of those original six figures, removed by
608:. In the arts of design, the draped figure supporting an
93:
87:
1714:
Neoclassical caryatids of the Alley of Caryatids in the
311:
A caryatid supporting a basket on her head is called a
1386:
Pair of Neoclassical caryatids at the entrance of the
424:
is the subject of a major international campaign. The
500:
carved on the jambs of a monumental fireplace in the
117:
105:
102:
75:
72:
1941:
in "Notre grec de tous les jours" by Bernard Sergent
1694:, wirhcaryatids representing all the peoples of the
1394:
no. 292), Paris, unknown architect, mid-19th century
557:
In the 16th century, from the examples engraved for
96:
90:
1454:Beaux Arts caryatid (mainly Neoclassical, but also
1356:Luba stool with two caryatids, 19th century, wood,
875:, 1548-1561, gilded silver, embossed and chiselled
520:included a chapter devoted to chimneypieces in his
161:
84:
2043:Both remarked upon by Parker 1963:206, and fig. 9.
1954:: From Renaissance Trophies to Abolitionist Emblem
1662:no. 6), Bucharest, unknown architect or sculptor,
1067:Louis XVI style caryatids on the Médicis Vase, by
810:, second half of 1st century BC, probably marble,
380:Intricate hairstyle of caryatid, displayed at the
2488:. Ordinul Arhitecților din România. p. 149.
2555:
1474:Neoclassical caryatids of a Wallace fountain in
1340:headrest with two caryatid, 19th century, wood,
1047:Pair of Louis XVI style caryatid, 18th century,
620:has caryatids as a motif on its eastern facade.
261:, who were condemned to slavery after betraying
200:. Karyai had a temple dedicated to the goddess
2465:(in Serbian). National Center for Digitization
2205:
2180:
1568:no. 4, Paris, unknown architect or sculptor,
1744:caryatids of Rue Frank Lloyd Wright no. 14,
2486:Bucharest Architecture - an annotated guide
352:) – the name refers to the legend of
1903:The Lost Meaning of Classical Architecture
1458:through the lower part rotated at 45°) of
1388:Conservatoire national des arts et métiers
400:, and draped figures from archaic Greece.
1160:Neoclassical porch with caryatids of the
1116:Johann Ferdinand Hetzendorf von Hohenberg
1083:1787, porcelain and gilded bronze, Louvre
606:Museum of Science and Industry in Chicago
2104:
1965:
905:caryatids of the musicians' loft in the
762:Archaeological Museum of Ancient Corinth
622:
530:
479:
375:
42:
18:
2536:Images of Caryatids of Athens (Spanish)
2378:
2019:The Metropolitan Museum of Art Bulletin
1462:no. 11, Paris, by J. Vramant, 1878-1880
988:tapestry, 17th century, wool and silk,
784:, Greece, unknown architect, 421-405 BC
508:, about 1450. In the following century
468:. Another Roman example, found on the
243:. He stated in his 1st century BC work
204:in her aspect of Artemis Karyatis: "As
2556:
2303:
2129:
1905:, MIT Press, Cambridge, MA, 1998 p. 69
863:caryatids on the Cassetta Farnese, by
2457:Monument to the Unknown Hero on Avala
986:Apollo and Attendants Flaying Marsyas
833:, a group of Roman sculptures from a
614:John and Mable Ringling Museum of Art
47:The caryatid taken by Elgin from the
2455:"СПОМЕНИК НЕЗНАНОМ ЈУНАКУ НА АВАЛИ (
2080:"Fallen Caryatid Carrying Her Stone"
1658:Art Deco caryatids on Banca Albina (
1584:Beaux Arts mermaid caryatids with a
1164:, London, almost identical with the
2355:"Maison en terre cuite de Virebent"
1792:Postmodern cast stone caryatids in
1250:, France, by Auguste Virebent, 1840
928:caryatids on the upper part of the
157:
13:
2257:"Serre-bijoux de Marie-Antoinette"
670:Fallen Caryatid Carrying her Stone
333:, such as Hyrai or Athens itself.
329:times, like other plural feminine
231:The term is first recorded in the
14:
2600:
2506:
2306:A History of Western Architecture
2206:Bresc-Bautier, Geneviève (2008).
2181:Bresc-Bautier, Geneviève (2008).
2132:A History of Western Architecture
1796:, unknown architect, unknown date
1544:, unknown architect or sculptor,
656:Architecture, Painting, Sculpture
646:created a caryatid porch for the
219:is a male version of a caryatid,
1801:
1785:
1757:
1731:
1707:
1671:
1651:
1628:
1604:
1577:
1553:
1521:
1491:
1467:
1447:
1423:
1399:
1379:
1364:
1349:
1330:
1303:
1279:
1255:
1239:
1215:
1185:
1153:
1123:
1088:
1060:
1040:
1001:
977:
960:Baroque caryatids of a cabinet,
953:
918:
895:
853:
823:
812:Archaeological Museum of Eleusis
789:
773:
760:mirror, 5th century BC, bronze,
750:
719:
569:and the engravers of designs in
522:Idea della archittura universale
371:
68:
2477:
2447:
2422:
2397:
2372:
2347:
2322:
2297:
2271:
2249:
2224:
2199:
2174:
2148:
2123:
2098:
2072:
2046:
2037:
2028:
2011:Chesterfield House, Westminster
2003:
1995:The Journal of Hellenic Studies
1987:
1098:caryatids of the portal of the
780:Ancient Greek caryatids of the
678:work) shows a fallen caryatid.
2543:Cariatides room of the Louvre
2463:Monuments of Culture of Serbia
2308:. Laurence King. p. 486.
2236:musees-strasbourg.skin-web.org
2208:The Louvre, a Tale of a Palace
2183:The Louvre, a Tale of a Palace
2034:Also noted by Parker 1963:206.
1959:
1944:
1932:
1920:
1908:
1895:
1886:
1874:
1867:Merriam-Webster.com Dictionary
1854:
1820:Caryatid stools in African art
1434:caryatid on the façade of the
1222:Neoclassical caryatids of the
1:
2589:Sculptures of women in Greece
2232:"Cabinet parisien 17e siècle"
2134:. Laurence King. p. 38.
1968:"Acropolis Maidens Glow Anew"
1966:Alderman, Liz (7 July 2014).
1847:
1836:(Great Spherical Caryatid) –
1663:
1569:
1545:
1358:Ethnological Museum of Berlin
1080:
961:
734:
528:, also in the Doge's Palace.
2210:. Musée du Louvre Éditions.
2185:. Musée du Louvre Éditions.
2105:Heinlein, Robert A. (1961).
2086:. Metropolitan Museum of Art
1764:Postmodern caryatids of the
1680:Monument to the Unknown Hero
1611:Rococo Revival caryatids of
1476:Place Moussa-et-Odette-Abadi
1077:Sèvres Porcelain Manufactory
990:Minneapolis Institute of Art
739:Delphi Archaeological Museum
226:
192:literally means "maidens of
168:
148:
7:
1813:
1615:no. 82, Paris, designed by
1410:no. 19, Paris, designed by
1210:in 1821, built in 1830-1842
800:caryatid from the Sanctuary
10:
2605:
2569:Ancient Greek architecture
2107:Stranger in a Strange Land
2015:Metropolitan Museum of Art
1718:, Bucharest, dressed like
1678:Art Deco caryatids of the
1528:Beaux Arts caryatids of a
1406:Neoclassical caryatids of
1286:Neoclassical caryatids of
1053:Metropolitan Museum of Art
712:
685:Stranger in a Strange Land
642:In 1905 American sculptor
281:and not even mentioned by
196:", an ancient town on the
180:or a pillar supporting an
162:
137:
23:The Caryatid porch of the
2574:Culture of ancient Greece
1952:The Slave in European Art
1613:Rue Notre-Dame-des-Champs
1436:Théâtre de la Renaissance
984:Baroque caryatids in the
936:of the Louvre Palace, by
737:550 BC, probably marble,
648:Albright–Knox Art Gallery
632:Albright–Knox Art Gallery
2527:Conserving the Caryatids
2383:. Prestel. p. 118.
2379:Bertram, Marion (2020).
1323:William Hamilton Beattie
1290:no. 14, Paris, sculptor
1234:, 1837-1839, by P. Adams
966:Museum of Decorative Art
682:described this piece in
672:(part of his monumental
2584:Architectural sculpture
2579:Columns and entablature
1766:Supreme Court of Poland
1501:caryatid-corbel on the
1484:Charles-Auguste Lebourg
1272:Friedrich August Stüler
1206:, Germany, designed by
1139:Musée Dufresne-Nincheri
1073:Pierre Philippe-Thomire
358:Temple of Olympian Zeus
239:by the Roman architect
2517:The Gods of the Greeks
2304:Watkin, David (2022).
2130:Watkin, David (2022).
1927:Black Athena Revisited
1017:Ferdinand Schwerdfeger
845:, 150-230 AD, marble,
837:that once adorned the
644:Augustus Saint Gaudens
639:
554:
526:Sala dell'Anticollegio
385:
287:Black Athena Revisited
59:
40:
2283:collections.louvre.fr
2160:collections.louvre.fr
2084:The Collection Online
2054:"archsculptbooks.com"
1750:Manuel Núñez Yanowsky
1696:Kingdom of Yugoslavia
1478:, Paris, designed by
1288:Quai de la Mégisserie
1162:St Pancras New Church
1133:table with caryatids
930:Pavillon de l'Horloge
626:
599:St Pancras New Church
534:
506:Doge's Palace, Venice
480:Renaissance and after
379:
46:
22:
2334:openmonumentendag.nl
1892:(Kerenyi 1980 p 149)
1834:Große Kugelkaryatide
1342:Musée du Quai Branly
1317:, department store,
1178:Henry William Inwood
1029:Palace of Versailles
567:Fontainebleau School
550:'s summer palace at
2564:Acropolis of Athens
2521:Thames & Hudson
2434:pop.culture.gouv.fr
2409:pop.culture.gouv.fr
2359:pop.culture.gouv.fr
2330:"Winkel van Sinkel"
1825:Term (architecture)
1722:women, sculpted by
1660:Strada Edgar Quinet
1640:Avenue Henri-Martin
1513:, France, 1894, by
1486:, late 19th century
1311:Renaissance Revival
1025:Chambre de la Reine
942:Philippe De Buyster
630:' caryatids of the
548:Frederick the Great
55:, displayed at the
1973:The New York Times
1870:. Merriam-Webster.
1642:no. 90, Paris, by
1596:, Paris, 1901, by
1566:Avenue de Tourvill
1440:Charles de Lalande
1226:department store,
1100:Palais Pallavicini
1069:Louis-Simon Boizot
1019:, 1787, mahogany,
1011:jewelry locket of
948:, mid 17th century
697:The musical group
668:'s 1881 sculpture
640:
563:Northern Mannerism
555:
386:
271:Greco-Persian Wars
60:
41:
2495:978-973-0-23884-6
2390:978-3-7913-4262-7
2315:978-1-52942-030-2
2217:978-2-7572-0177-0
2192:978-2-7572-0177-0
2141:978-1-52942-030-2
2116:978-0-441-79034-0
2025:.6 pp. 202–213).
1915:Glittering Images
1778:Zbigniew Badowski
1313:caryatids on the
1224:Winkel van Sinkel
1198:caryatids of the
869:Giovanni Bernardi
729:caryatids of the
675:The Gates of Hell
652:Buffalo, New York
601:, London (1822).
565:expressed by the
559:Sebastiano Serlio
518:Vincenzo Scamozzi
450:Forum of Augustus
279:Glittering Images
184:on her head. The
146:
35:(with one in the
2596:
2545:
2531:Acropolis Museum
2500:
2499:
2481:
2475:
2474:
2472:
2470:
2451:
2445:
2444:
2442:
2440:
2426:
2420:
2419:
2417:
2415:
2401:
2395:
2394:
2376:
2370:
2369:
2367:
2365:
2351:
2345:
2344:
2342:
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2007:
2001:
1991:
1985:
1984:
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1963:
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1872:
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1858:
1805:
1789:
1761:
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1724:Constantin Ricci
1720:Romanian peasant
1711:
1686:, south-east of
1675:
1665:
1655:
1632:
1619:and sculpted by
1617:Constant Lemaire
1608:
1581:
1571:
1564:and caryatid of
1557:
1547:
1525:
1495:
1482:and produced by
1471:
1451:
1427:
1416:Charles Gauthier
1414:and sculpted by
1403:
1392:Rue Saint-Martin
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981:
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922:
899:
857:
827:
793:
777:
754:
736:
731:Cnidian Treasury
723:
542:hemi-figures at
510:Jacopo Sansovino
474:Townley Caryatid
426:Acropolis Museum
382:Acropolis Museum
175:
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165:
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1992:
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1790:
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1774:Marek Budzynski
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1507:Boulevard Lobau
1496:
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1472:
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1456:Baroque Revival
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1055:, New York City
1045:
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1021:mother-of-pearl
1009:Louis XVI style
1006:
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680:Robert Heinlein
587:Muchalls Castle
502:Sala della Jole
482:
462:Hadrian's Villa
394:that of Siphnos
374:
295:Renaissance art
265:by siding with
246:De architectura
229:
215:or atlantid or
126:
122:
118:
101:
71:
67:
17:
12:
11:
5:
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2538:
2533:
2524:
2508:
2507:External links
2505:
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2501:
2494:
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2421:
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2321:
2314:
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2279:"Vase Médicis"
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2191:
2173:
2147:
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2115:
2097:
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2060:on 7 July 2011
2045:
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2021:, New Series,
2002:
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1716:Herăstrău Park
1713:
1706:
1704:
1700:Ivan Meštrović
1677:
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1621:Louis Hollweck
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1408:Rue des Halles
1405:
1398:
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1378:
1376:
1372:Rococo Revival
1370:
1363:
1361:
1355:
1348:
1346:
1336:
1329:
1327:
1309:
1302:
1300:
1294:and architect
1292:Auguste Millet
1285:
1278:
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831:Las Incantadas
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725:
718:
714:
711:
705:, with singer
481:
478:
417:British Museum
373:
370:
283:Mary Lefkowitz
275:Camille Paglia
253:, a town near
228:
225:
57:British Museum
51:, standing in
37:British Museum
15:
9:
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4:
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2515:(1951) 1980.
2514:
2513:Kerényi, Karl
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2157:
2156:"L'Incantada"
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2101:
2085:
2081:
2075:
2059:
2055:
2049:
2040:
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2024:
2020:
2016:
2013:, now at the
2012:
2006:
1999:
1996:
1990:
1975:
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1969:
1962:
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1947:
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1843:
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1839:
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1799:
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1748:, France, by
1747:
1743:
1742:Venus de Milo
1740:
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1654:
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1644:Charles Labro
1641:
1638:caryatids of
1637:
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1622:
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1614:
1607:
1602:
1599:
1595:
1591:
1590:Le Train Bleu
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1567:
1563:
1556:
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1531:
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1515:Eugène Vallin
1512:
1508:
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1503:Maison Vallin
1500:
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1201:
1197:
1196:Greek Revival
1194:
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1175:
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1166:Ancient Greek
1163:
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758:Ancient Greek
753:
748:
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728:
727:Ancient Greek
722:
717:
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710:
708:
704:
703:Straightaways
700:
695:
692:
689:
687:
686:
681:
677:
676:
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666:Auguste Rodin
663:
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427:
423:
422:Elgin Marbles
418:
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406:
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395:
391:
383:
378:
372:Ancient usage
369:
367:
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359:
355:
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343:
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334:
332:
328:
324:
320:
316:
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306:Helen of Troy
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135:
134:Ancient Greek
131:
130:
113:
65:
58:
54:
50:
45:
38:
34:
30:
26:
21:
2542:
2516:
2485:
2479:
2469:16 September
2467:. Retrieved
2462:
2456:
2449:
2439:13 September
2437:. Retrieved
2433:
2424:
2412:. Retrieved
2408:
2399:
2380:
2374:
2364:13 September
2362:. Retrieved
2358:
2349:
2339:13 September
2337:. Retrieved
2333:
2324:
2305:
2299:
2289:13 September
2287:. Retrieved
2282:
2273:
2263:21 September
2261:. Retrieved
2251:
2241:13 September
2239:. Retrieved
2235:
2226:
2207:
2201:
2182:
2176:
2164:. Retrieved
2162:. April 0150
2159:
2150:
2131:
2125:
2106:
2100:
2088:. Retrieved
2083:
2074:
2062:. Retrieved
2058:the original
2048:
2039:
2030:
2022:
2018:
2005:
1997:
1994:
1989:
1977:. Retrieved
1971:
1961:
1950:
1946:
1934:
1922:
1910:
1902:
1897:
1888:
1876:
1865:
1856:
1842:Fritz Koenig
1833:
1594:Gare de Lyon
1530:oriel window
1438:, Paris, by
1264:Neues Museum
1134:
1131:Empire style
1096:Neoclassical
985:
909:, Paris, by
885:lapis lazuli
877:rock crystal
865:Manno Sbarri
843:Thessalonica
696:
693:
690:
683:
673:
669:
664:
659:
655:
641:
603:
595:neoclassical
556:
536:Late Baroque
525:
521:
501:
486:Early Modern
483:
443:
439:
402:
392:, including
387:
349:
341:
335:
312:
310:
299:
290:
244:
236:
230:
220:
210:
189:
170:
150:
63:
61:
53:contrapposto
2090:January 29,
2064:29 December
1780:, 1996-1999
1702:, 1934–1938
1684:Mount Avala
1623:, 1904-1905
1560:Beaux Arts
1499:Art Nouveau
1412:Jean Lobrot
1274:, 1845-1850
1232:Netherlands
1180:, 1819-1822
1168:one of the
1104:Josefsplatz
1049:gilt bronze
994:Minneapolis
934:Cour Carrée
911:Jean Goujon
903:Renaissance
861:Renaissance
839:Roman Forum
782:Erechtheion
628:St. Gaudens
405:Erechtheion
198:Peloponnese
182:entablature
49:Erechtheion
25:Erechtheion
2558:Categories
2430:"Immeuble"
2414:19 January
2405:"Immeuble"
2109:. Putnam.
1862:"caryatid"
1848:References
1830:The Sphere
1746:Guyancourt
1739:Postmodern
1460:Rue Chomel
1432:Beaux Arts
1204:Regensburg
1193:Polychrome
1170:Erechtheum
1033:Versailles
970:Strasbourg
707:Jay Farrar
583:great hall
579:overmantel
490:fireplaces
431:laser beam
413:Lord Elgin
237:caryatides
190:karyatides
171:Karuátides
163:Καρυάτιδες
2166:5 January
1939:caryatide
1586:cartouche
1538:Bucharest
1321:, UK, by
1319:Edinburgh
544:Sanssouci
516:'s pupil
472:, is the
470:Via Appia
460:, and at
409:Acropolis
398:Phoenicia
384:in Athens
362:Agrigento
342:telamones
327:Mycenaean
314:canephora
304:' queen,
241:Vitruvius
227:Etymology
143:romanized
1929:, p. 197
1881:Καρυᾶτις
1814:See also
1688:Belgrade
1636:Art Deco
1509:no. 6),
1248:Toulouse
1143:Montreal
1135:en gaine
1075:and the
1035:, France
972:, France
818:, Greece
816:Elefsina
768:, Greece
745:, Greece
699:Son Volt
618:Sarasota
610:acanthus
575:Scotland
540:atlantid
514:Palladio
494:Heracles
454:Pantheon
452:and the
350:atlantes
348:(plural
340:(plural
331:toponyms
302:Menelaos
206:Karyatis
151:Karuâtis
138:Καρυᾶτις
64:caryatid
2549:YouTube
2529:in the
1917:, p. 25
1682:, atop
1542:Romania
1536:no. 4,
1430:Double
1344:, Paris
1315:Jenners
1228:Utrecht
1202:, near
1174:William
1112:Austria
932:on the
926:Baroque
835:portico
808:Eleusis
804:Demeter
766:Corinth
713:Gallery
636:Buffalo
591:Baroque
581:in the
571:Antwerp
552:Potsdam
504:of the
407:on the
338:telamon
323:Artemis
269:in the
259:Laconia
217:telamon
202:Artemis
145::
2492:
2387:
2312:
2285:. 1774
2259:. 1774
2214:
2189:
2138:
2113:
1979:9 July
1770:Warsaw
1752:, 1992
1726:, 1939
1692:Serbia
1646:, 1927
1442:, 1873
1418:, 1868
1325:, 1894
1298:, 1864
1268:Berlin
1230:, the
1147:Canada
1118:, 1784
1108:Vienna
944:after
913:, 1550
889:Louvre
881:enamel
847:Louvre
743:Delphi
658:, and
466:Tivoli
446:Romans
435:patina
390:Delphi
366:Sicily
319:Athena
267:Persia
263:Athens
255:Sparta
251:Caryae
194:Karyai
178:column
160:
29:Athens
1772:, by
1698:, by
1562:atlas
1511:Nancy
1270:, by
1172:, by
1114:, by
1015:, by
797:Roman
660:Music
638:, USA
354:Atlas
346:atlas
344:) or
235:form
233:Latin
213:atlas
188:term
186:Greek
125:-id,
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