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Asmahan

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heterogeneous Egyptian social scene. The clearly defined divisions, along religious lines, of the Syrian countryside did not operate in Egypt. During the period when she was married to her cousin, Hassan, and then later in 1941, when she remarried him and returned to Egypt, her musical career came to a standstill. When the marriage first broke up, she left for Egypt immediately, even before she had obtained the bill of divorce. With her return to Egypt and a singing career, she finally repudiated "respectability" by appearing onscreen (she had not appeared in "Layla Majun" but her voice is featured) leaving both her relatives and Syrian Druze society furious. When her first film,
1743: 353: 461: 427:; Qasabgi comments however on the mature level of her sight reading and musicality by the time she performed his work, some years later. However, her brothers wanted her to marry and return to Syria. Her cousin, Hassan al-Atrash travelled to Egypt, bringing with him a different cousin interested in Asmahan, however, once Hassan, who had already married five times, saw Asmahan, he pursued her and she returned to Syria for at least four years, interrupting her musical career. 502:, Jerusalem where wild rumours attached to her behaviour and overspending. Her third and final marriage was to the Egyptian director Ahmed Salem, supposedly to facilitate her return to Egypt over impositions by government authorities. It is unclear how that would occur, however, and she had an ongoing studio contract in Egypt. Asmahan was close friends with the al Othman family and met with them when she travelled to Haifa, Palestine, when they helped her. 1729: 1771: 543: 529:, to clarify her ancestry — once saying to al-Taba'i, after he had just insulted her, "Don't you know who I am? Why I am the daughter of Fahd al-Atrash and cousin to the Amir al-Atrash and the Druze revolutionary hero Sultan al-Atrash. Asmahan was not a first cousin of Hassan's, but referred to him as "ibn 'ammi" to the Egyptians, in fact, she was his second cousin, twice removed (by generation). 39: 1785: 1757: 440:. When asked to sing about cultural patriotism and love, she sang of Egypt." Since singers and studios depended on the elites, Asmahan had to sing songs on uplifting nationalist themes or in praise of the Egyptian royal family. At the beginning of her career she sang in the nightclub owned by Mary Mansour, Sala Masriyya. 497:
In 1941, she returned to Syria in a dramatic and secret journey under the auspices of the British. Hassan agreed to meet with her, and used the occasion to successfully entreat her to remarry him. During the time they were married, she twice attempted suicide. Tabloid newspapers suggested that this
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Amal's vocal talent was discovered at an early age. Once, when her brother Farid received one of Egypt's most famous composers, Dawood Hosni, in their home, the latter overheard her singing in her room, and insisted on seeing her immediately. He then asked her to sing again. He was much impressed by
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Asmahan's older brother, Fuad, and other Druze relatives considered a career in entertainment for a girl to be disgraceful. For them, culturally, "Egypt was a planetary distance from the small villages of the Druze." and it was difficult for her relatives to accept Asmahan's integration into the
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Asmahan's voice was powerful, but also agile. She generally sang in her chest register but could use her head register and sing in a very controlled tone. It is not incorrect to say that she was the first or one of the first Arabic singers to use the classical western technique, also very few
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These circumstances gave rise to many suspicions, rumours and conspiracy theories. British intelligence, for example, after many reports circulated claiming she had been working for them, was accused of having got rid of her after she had attempted to meet with German agents. The German
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but this might be exaggerted. Her brothers, Fuad and Farid, were no longer able to monitor her movements. Her brother was a noted gambler; she and her friends also partied, smoked, drank and gambled. She became very ill for a period, but recordings show that her voice did not suffer.
490:, she told him, "I stood with you for independence and liberation, I did. But, I was created for another purpose. I prefer the work of Farid, and the work of Umm Kulthum, and of art." She returned to Cairo and resumed her singing career, entering a short marriage to Egyptian director 615:(as one can hear in her rendition of "Ya Tuyur" where she reaches a high A with ease and brio). Asmahan's voice has been compared to Fairuz and Sabah. However, as she began her career more than two decades earlier, she had not in fact, adopted the Italian singing technique known as 481:
where the al-Atrash retain a large home, and then built their own home in Suwayda. Asmahan gave birth to her daughter, Kamellia. Eventually, Asmahan missed her career and her life in Cairo; and in 1939, she and Hassan were divorced. In her final confrontation with her cousin at
688:. Catroux's délégué in Damascus, Colonel Collet, stated that the British gave money to Asmahan (and to other Druze men, in his presence) and sent her to the Jabal to secure the support of the Druze before the Allies' invasion. The same information is stated by 420:. She sang and recorded songs composed by Farid Ghosn, Dawood Hosni, Mohamed El Qasabgi, and Zakariyya Ahmad. At fourteen, Asmahan was invited by an Egyptian record company to make her first album, featuring her first song "Ya Nar Fouadi" by Farid Ghosn. 517:, who suggests that she was in love with him, but the tone of his writing indicates that he was in love with her, but did not respect her. He suggests she had affairs or at least an ongoing relationship with the royal chamberlain 435:
Since Asmahan sang in Egypt, the lyrics of her songs were written in classical Arabic and in a more colloquial Arabic, but she also sang in the Eastern dialect of Arabic. Asmahan was said to have preciously replicated songs by
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in Turkey, but was stopped at the border and sent to Lebanon. It was also possible that Asmahan needed money because her husband had cut off her expenses, so she may have tried to reach the Germans simply to obtain funds.
619:, but rather learned singing from many admirable models of her own period and in Egypt where a much more diverse group of singers performed, and at a time when Arabic singing utilized both nasal and chest resonance. 448:, was released in Syria, one young Druze shot at the screen when the character played by Asmahan appeared. Asmahan, bi-national or, in contemporary parlance, trans-national by then, had become "a sophisticated 468:
In 1933, Asmahan's cousin, Hassan al-Atrash, came to Cairo and proposed marriage, requesting that Asmahan abandon her musical career. She agreed on three conditions: that they live in Damascus rather than
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and a private investor jointly produced a television series depicting the life (and death) of Asmahan. The Arabic series debuted during the month of Ramadan in 2008. Asmahan was played by Syrian actress
391:(meaning "courgette") rather than trying to convince school officials that members of the wealthy al-Atrash family were destitute. 'Alia received a monthly stipend from a secret benefactor rumored to be 655:
through their territory, and to convince them they should not fight. The British and Free French had promised the independence of Syria and Lebanon to all inhabitants on the date of the invasion. The
387:, sang at parties and made some recordings. Asmahan and her brothers attended a French Catholic school. In order to receive waivers for the high cost of tuition, 'Alia registered them under the alias 305:, and Asmahan was born on board. She was named "Amal", meaning "hope". She was also called "Emily", but always preferred the name "Amal". After the French came into power, the family returned to 712:
was also accused of murdering her for the help she had given the British. Her husband at the time had fought violently with her, and her family's honour had been besmirched by the many rumours.
704:, Egypt. The car was a two-door model and the women were sitting in the backseat. They were presumed to be rendered unconscious and subsequently drowned. The driver, however, managed to escape. 328:
and, despite orders from Fahd, refused to return. Asmahan later recalled her childhood years in Jabal al-Druze as "untouched by anything truly bad". 'Alia and the three children travelled to
239:'s most distinguished singers of the 20th century. Her mysterious death in an automobile accident shocked the public. Journalists spread gossip about her turbulent personal life and an alleged 416:
Asmahan rose to fame quickly: she was not even fourteen (or seventeen, since her birth date is disputed) years old when she was introduced to the public at a concert at the prestigious
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Asmahan and her family first lived in an apartment in a humble section of Cairo. Her mother did laundry and sewing to support the family. She had an excellent voice, could play the
340:, and travelled from there to Egypt, where she sought political asylum for herself and her three children; they were later granted the right of political asylum in 1926 by the 600: 700:
On 14 July 1944, a car carrying Asmahan and a female friend crashed and went into a canal at the side of the road, after the driver lost control near the city of
399:) according to one Egyptian journalist. This allowed her to cover the costs of her children's school's tuition, and a nicer apartment on Habib Shalabi Street. 1341: 881:
al-Atrash, Majid (2005), Asmahan: Amirat at-tarab was-saif wan-nada (Asmahan: The princess of music, war and grace) al-'Adyat magazine, p.75–77, in Arabic
231:, a then rising star musician in his own right. Her voice was one of the few female voices in Arab music world to pose serious competition to that of 809: 1924: 1546: 1879: 1899: 1511: 856: 505:
Also in 1941, Asmahan met Mohammed Abdel Wahab, Egypt's most distinguished singer and composer, and starred with him in his operetta
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Asmahan told Mohamed al-Taba'i that she was to receive the sum of £40,000 from the British for her services to the allies. General
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visited Syria. When the Allies failed to carry out their promise for Syrian independence, Asmahan tried to contact the
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agreed, even though some groups did not receive word in time and fought the invading forces. After the Allies secured
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A variety of teachers advanced her vocal and musical studies. Hosni volunteered to instruct Asmahan on how to play the
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performers are able to alternate two different styles of interpretation and technique in one song (western and arab).
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was so that she could obtain a second divorce from Hassan; however, it seemed he actually agreed due to her visits to
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under the sponsorship of Saad Zaghloul. Many other Syrians and Lebanese were present in Egypt in this period.
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Asmahan was buried in Egypt in accordance with her wishes as, years later, were her two brothers, Fouad and
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Having immigrated to Egypt at the age of three years old from Syria, her family knew the composer
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the performance, and suggested the stage name of Asmahan to her. Amal began using that name.
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Asmahan was proud of her family background, and always mentioned her father and his cousin,
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were on corresponding terms. According to family accounts, 'Alia was permitted to enter
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Colors of Enchantment: Theater, Dance, Music and the Visual Arts of the Middle East
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Baraka, Mohamed. Al-Ahram Newspaper Article. Issue No. 943, 16 - 22 April 2009.
473:, winter in Cairo, and that she would never be required to wear the traditional 38: 902: 644: 470: 321: 294: 1526: 1294: 993: 1833: 813: 788: 745: 689: 612: 369: 313: 1790: 1734: 1423: 1404: 673: 640: 632: 437: 244: 212: 101: 744:. On 25 November 2015, Google celebrated Asmahan's 103rd birthday using a 1776: 1748: 365: 232: 1798: 478: 317: 263: 236: 616: 608: 275: 240: 178:; November 25, 1912 – July 14, 1944), better known by her stage name 1660:
Images of Enchantment: Visual and Performing Arts of the Middle East
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Prominent Egyptians - Egyptian Government State Information Service
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Asmahan's father supposedly served as governor of the district of
1600: 709: 286: 271: 111: 1156: 1154: 1057: 1055: 920:(illustrated ed.), University of Texas Press, p. 72, 720: 329: 324:) was bombed by French forces. 'Alia fled with her children to 302: 290: 278:
clan, well known in Syria for its role in fighting against the
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Architecture for the Dead : Cairo's Medieval Necropolis
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Ethnic Groups of Africa and the Middle East: An Encyclopedia
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Baraka, Mohamed. Al-Ahram Weekly. Issue #933. 2009-02-05.
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The great Syrian revolt and the rise of Arab nationalism
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plain in Cairo, which she and brother Farid, along with
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Time 4:34. 587:Learn how and when to remove this message 344:, thus naturalized as Egyptian citizens. 1365: 1363: 1212: 913: 822: 598: 532: 464:Asmahan with her mother 'Alia al-Mundhir 459: 351: 1684:Asmahan's Secrets: Woman, War, and Song 684:'s representative in Cairo was General 626: 347: 1925:Singers who perform in Egyptian Arabic 1832: 1706:, American University in Cairo Press, 1438:Bey, Salma Mardam (1 September 1997). 1402: 800: 452:to the young men in the Jabal Druze." 255:Asmahan was born to Fahd al-Atrash, a 1701: 1679: 1657: 1496: 1390: 1360: 1339: 1315: 1258: 1246: 1201: 1172: 1160: 1145: 1133: 1118: 1061: 1046: 1034: 1022: 1010: 981: 966: 954: 942: 890: 364:, because she knew that Egypt's then 235:, who is considered to be one of the 192: 173: 1213:Moubayed, Sami M. (1 January 2006). 536: 430: 223:. She also sang the compositions of 1880:20th-century Egyptian women singers 1437: 832:Historical Dictionary of the Druzes 215:, and she sang the compositions of 184: 154: 62: 27: 13: 1664:American University in Cairo Press 477:. They married and moved first to 14: 1936: 1900:20th-century Syrian women singers 1720: 274:. Her father came from the Druze 1783: 1769: 1755: 1741: 1727: 1551:. American Univ in Cairo Press. 807:"منزل الفنانة أسمهان بات متحفاً" 541: 455: 407: 1910:20th-century Egyptian actresses 1614: 1593: 1572: 1538: 1520: 1502: 1490: 1465: 1431: 1396: 1384: 1372: 1333: 1321: 1264: 1252: 1240: 1178: 1166: 1100: 1088: 1067: 1040: 1028: 1016: 1004: 987: 960: 639:(Syria, then under the rule of 316:in 1922, the al-Atrash home in 1509:Classical Arabic Music Website 948: 907: 896: 884: 875: 751: 737:Egyptian Media Production City 293:, during the last days of the 175:[(ʔ)æːmæːllˈ(ʔ)ætˤrɑʃ] 1: 1915:20th-century Syrian actresses 1905:Naturalized citizens of Egypt 1860:Road incident deaths in Egypt 1688:, University of Texas Press, 1340:Shoup, John A. (2011-10-31). 794: 250: 1649:al-Taba'i, Muhammad (2008), 829:Samy Swayd (10 March 2015). 372:and her husband's relative, 360:'Alia chose to immigrate to 7: 1075:"University of Texas Press" 782: 567:the claims made and adding 199: 159: 10: 1941: 1642: 1622:"Asmahan's 103rd Birthday" 914:Provence, Michael (2005), 635:, Asmahan returned to the 266:, and 'Alia al-Mundhir, a 204:), was an Egyptian-Syrian 1890:Syrian emigrants to Egypt 1568:– via Google Books. 1461:– via Google Books. 1236:– via Google Books. 730: 402: 131: 121: 107: 97: 77: 69: 53: 48: 36: 21: 16:Syrian-singer (1912-1944) 1472:Hanan al-Shaykh (2013). 1403:Zuhur, Sherifa (2000a). 695: 1875:Egyptian film actresses 1702:Zuhur, Sherifa (2001), 1680:Zuhur, Sherifa (2000), 1658:Zuhur, Sherifa (1998), 1651:Asmahan Tells Her Story 1532:August 9, 2009, at the 637:French Mandate of Syria 1885:People from as-Suwayda 1653:, Dar al-Shorouk Press 1424:10.32380/alrj.v0i0.606 1300:July 25, 2009, at the 666:Syria-Lebanon Campaign 604: 465: 357: 314:Adham Khanjar incident 49:Background information 1895:Syrian film actresses 1865:Egyptian Druze people 602: 533:Vocal characteristics 519:Ahmed Pasha Hassanein 463: 397:King–Crane Commission 355: 190:Arabic pronunciation: 171:Arabic pronunciation: 764:Triumph of the Youth 627:Role in World War II 348:Immigration to Egypt 225:Mohammed Abdel Wahab 1870:Syrian Druze people 1219:. Cune Press, LLC. 511:Besotted with Layla 342:Egyptian Government 194:[ʔasmahaːn] 1855:Deaths by drowning 1850:People born at sea 1514:2010-09-12 at the 1381:, pp. 142–146 1330:, pp. 108–109 651:would be invading 649:Free French forces 605: 552:possibly contains 466: 358: 217:Mohamed El Qasabgi 1824:978-0-292-79807-6 1815:Asmahan's Secrets 1695:978-0-292-79807-6 1049:, pp. 42, 44 1037:, pp. 41, 53 927:978-0-292-70680-4 842:978-1-4422-4617-1 771:Gharam wa Intiqam 759:Intisar al-Shabab 725:Abdel Halim Hafez 682:Charles de Gaulle 670:Charles de Gaulle 597: 596: 589: 554:original research 515:Mohamed al-Taba'i 446:Intisar al-Shabab 431:Egypt's influence 418:Cairo Opera House 169: 141: 140: 73:November 25, 1912 1932: 1920:Al-Atrash family 1813:Introduction to 1808:Asmahan fan site 1793: 1788: 1787: 1786: 1779: 1774: 1773: 1772: 1765: 1763:Biography portal 1760: 1759: 1758: 1751: 1746: 1745: 1737: 1732: 1731: 1730: 1716: 1698: 1687: 1676: 1654: 1637: 1636: 1634: 1632: 1618: 1612: 1611: 1609: 1607: 1597: 1591: 1590: 1588: 1586: 1576: 1570: 1569: 1567: 1565: 1542: 1536: 1524: 1518: 1506: 1500: 1494: 1488: 1487: 1469: 1463: 1462: 1460: 1458: 1435: 1429: 1428: 1426: 1400: 1394: 1388: 1382: 1376: 1370: 1367: 1358: 1357: 1337: 1331: 1325: 1319: 1313: 1304: 1292: 1286: 1285: 1283: 1282: 1268: 1262: 1256: 1250: 1249:, pp. 69–70 1244: 1238: 1237: 1235: 1233: 1210: 1204: 1199: 1188: 1182: 1176: 1170: 1164: 1158: 1149: 1143: 1137: 1131: 1122: 1116: 1110: 1104: 1098: 1092: 1086: 1085: 1083: 1081: 1071: 1065: 1059: 1050: 1044: 1038: 1032: 1026: 1020: 1014: 1008: 1002: 996: 991: 985: 984:, pp. 38–39 979: 970: 964: 958: 952: 946: 940: 931: 930: 911: 905: 900: 894: 888: 882: 879: 873: 872: 870: 868: 859:. Archived from 853: 847: 846: 826: 820: 804: 776:Love and Revenge 742:Sulaf Fawakherji 692:in his memoirs. 631:In 1941, during 592: 585: 581: 578: 572: 569:inline citations 545: 544: 537: 527:Sultan al-Atrash 500:King David Hotel 374:Sultan al-Atrash 227:and her brother 202: 196: 191: 187: 186: 177: 172: 165: 162: 156: 124: 92:Kingdom of Egypt 84: 65: 64: 56: 41: 31: 30: 29: 19: 18: 1940: 1939: 1935: 1934: 1933: 1931: 1930: 1929: 1830: 1829: 1818:, a biography ( 1789: 1784: 1782: 1775: 1770: 1768: 1761: 1756: 1754: 1747: 1740: 1733: 1728: 1726: 1723: 1714: 1696: 1674: 1645: 1640: 1630: 1628: 1620: 1619: 1615: 1605: 1603: 1599: 1598: 1594: 1584: 1582: 1578: 1577: 1573: 1563: 1561: 1559: 1543: 1539: 1534:Wayback Machine 1525: 1521: 1516:Wayback Machine 1507: 1503: 1495: 1491: 1484: 1470: 1466: 1456: 1454: 1452: 1436: 1432: 1401: 1397: 1389: 1385: 1377: 1373: 1368: 1361: 1354: 1338: 1334: 1326: 1322: 1314: 1307: 1302:Wayback Machine 1293: 1289: 1280: 1278: 1270: 1269: 1265: 1257: 1253: 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1226:9781885942418 1222: 1218: 1217: 1209: 1203: 1198: 1196: 1194: 1186: 1181: 1174: 1169: 1162: 1157: 1155: 1147: 1142: 1135: 1130: 1128: 1121:, p. 216 1120: 1115: 1108: 1103: 1096: 1091: 1076: 1070: 1063: 1058: 1056: 1048: 1043: 1036: 1031: 1024: 1019: 1012: 1007: 1001: 997: 990: 983: 978: 976: 968: 963: 957:, pp. 38 956: 951: 944: 939: 937: 929: 923: 919: 918: 910: 904: 899: 892: 887: 878: 863:on 2013-11-11 862: 858: 852: 844: 838: 834: 833: 825: 819: 815: 814:archive.today 811: 808: 803: 799: 790: 789:List of Druze 787: 786: 777: 773: 772: 768: 765: 761: 760: 756: 755: 749: 747: 746:Google doodle 743: 738: 728: 726: 722: 718: 713: 711: 705: 703: 693: 691: 690:Edward Spears 687: 683: 678: 675: 671: 667: 663: 659: 654: 650: 646: 642: 638: 634: 624: 620: 618: 614: 613:mezzo-soprano 611:and dramatic 610: 601: 591: 588: 580: 570: 566: 562: 556: 555: 550:This section 548: 539: 538: 530: 528: 523: 520: 516: 512: 508: 503: 501: 495: 493: 489: 485: 480: 476: 472: 462: 456:Personal life 453: 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Ithaca. 1391:Zuhur 2000 1316:Zuhur 2000 1281:2021-02-18 1259:Zuhur 2000 1247:Zuhur 2000 1202:Zuhur 2000 1173:Zuhur 2000 1161:Zuhur 2000 1146:Zuhur 2000 1134:Zuhur 2000 1119:Zuhur 2000 1062:Zuhur 1998 1047:Zuhur 2000 1035:Zuhur 2000 1023:Zuhur 2000 1011:Zuhur 2000 982:Zuhur 2000 967:Zuhur 2000 955:Zuhur 2000 943:Zuhur 1998 891:Zuhur 2000 795:References 668:, General 561:improve it 484:Mena House 251:Early life 237:Arab world 55:Birth name 1417:: 41–44. 719:, in the 617:bel canto 609:contralto 577:July 2009 565:verifying 486:Hotel in 450:foreigner 338:Palestine 318:al-Qrayya 276:al-Atrash 241:espionage 127:1931–1944 1606:5 August 1585:5 August 1564:5 August 1530:Archived 1512:Archived 1457:5 August 1410:Al-Raida 1298:Archived 1232:5 August 1080:5 August 867:5 August 810:Archived 783:See also 778:"), 1944 766:"), 1941 702:Mansoura 395:(of the 326:Damascus 268:Lebanese 243:role in 88:Mansoura 1799:Asmahan 1643:Sources 1276:Haaretz 1000:YouTube 818:Al-Mada 710:Gestapo 645:British 603:Asmahan 559:Please 287:Demirci 272:Hasbaya 264:Suwayda 200:Asmahān 180:Asmahan 43:Asmahan 23:Asmahan 1822:  1710:  1692:  1670:  1626:Google 1555:  1480:  1448:  1350:  1223:  924:  839:  731:Legacy 721:Fustat 403:Career 330:Beirut 303:Beirut 291:Turkey 280:French 257:Syrian 206:singer 185:أسمهان 151:Arabic 112:Singer 98:Genres 28:أسمهان 1369:Zuhur 696:Death 674:Nazis 662:Syria 658:Druze 653:Syria 475:hijab 389:Kusah 378:Egypt 362:Cairo 334:Haifa 299:İzmir 262:from 260:Druze 116:actor 1820:ISBN 1803:IMDb 1708:ISBN 1690:ISBN 1668:ISBN 1633:2015 1608:2016 1587:2016 1566:2016 1553:ISBN 1478:ISBN 1459:2016 1446:ISBN 1348:ISBN 1234:2016 1221:ISBN 1082:2016 922:ISBN 869:2016 837:ISBN 735:The 647:and 488:Giza 479:'Ara 219:and 78:Died 70:Born 1801:at 1419:doi 998:on 563:by 425:oud 385:`ud 336:in 301:to 289:in 1836:: 1666:, 1662:, 1624:. 1415:88 1413:. 1407:. 1362:^ 1308:^ 1274:. 1192:^ 1153:^ 1126:^ 1054:^ 974:^ 935:^ 816:, 774:(" 762:(" 748:. 509:(" 494:. 309:. 247:. 208:. 188:, 164:, 153:: 114:, 90:, 1826:) 1635:. 1610:. 1589:. 1486:. 1427:. 1421:: 1356:. 1284:. 1084:. 871:. 845:. 590:) 584:( 579:) 575:( 557:. 182:( 149:(

Index

Asmahan
Mansoura
Kingdom of Egypt
Arabic music
Singer
actor
Farid al-Atrash
Arabic
North Levantine
[(ʔ)æːmæːllˈ(ʔ)ætˤrɑʃ]
[ʔasmahaːn]
singer
Dawood Hosni
Mohamed El Qasabgi
Zakariyya Ahmad
Mohammed Abdel Wahab
Farid al-Atrash
Umm Kulthum
Arab world
espionage
World War II
Syrian
Druze
Suwayda
Lebanese
Hasbaya
al-Atrash
French
Demirci
Turkey

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