Vietnamese art - Knowledge

1944: 728: 739: 1763: 1172: 816:, a French academic and naturalist painter. With a report commission sent to the general Government of Indochina, Victor Tardieu recommended setting up a school "EBAI in Indochina" to train real artists. Unlike, Ecole professionnelle" in Hanoi, "Ecole des Arts Cambodgeins" and three other schools set up in Cochinchina between 1902 and 1913, these schools were professional schools to train craftsmen. Tardieu's idea was to adapt existing curriculum used in "Ecole des Beaux-Arts in Paris" by including art history; technical course like oil painting and perspective, to train student into real artist. He planned to "help the Vietnamese artist to get back in touch with the deep meaning and fundamental inspiration of their own traditions". 711: 920: 912: 688: 799: 587: 1787: 1625: 1429:

in the collection range from established and mid-career artists, whose works feature in significant exhibitions and notable private collections and public institutions worldwide, to young emerging artists who continue to tackle issues with fresh and new interpretations. RMIT University is at the forefront of creative education and this collection allows both students and the wider community to experience the artistic expression of an important generation of contemporary Vietnamese artists. The art collection is managed by the RMIT Library Vietnam.

2022: 1645: 1266: 948: 1799: 1307: 1339: 1669: 836: 1038: 4784: 1412:(Fine Arts) was removed from his position after organizing a workshop with 30 artist in Đại Lải, North of Hanoi in 1986. The workshop was not acceptable by authority for "the retreat not only promoted individual expression and art for art's sake, it also went against what the state had instituted over the past three decades in that it allowed for artists to explore their individuality rather than represent that collective sentiments of their community." 1657: 747: 4794: 423: 35: 1712: 1703: 1694: 1721: 1210: 861:, oil painting was first introduced to students as a completely new medium. Although western art, in this case, oil painting, was likely first encountered by Le Van Mien (1873–1943) in L'Ecole Nationale Superieure des Beaux- Arts de Paris, who returned to Hanoi in 1895, no record shows that he taught and trained craftsman in Bien Hoa or Gia Dinh this western medium. This medium was thoroughly unknown to the students, and 827:(Mores) which were associated with Tự Lực văn đoàn (Self Reliance Literary Association), were committed to modernising Vietnamese culture through the crucial assessment of both Vietnam's tradition and Western modernity. Students in the EBAI were columnists in these two weekly magazines, illustrating cartoons and exhibition information. The stylized cartoon illustration were in fact very modern, depicting simple messages. 1566:, its design credited to Emperor Lý Thái Tổ. The story goes that the emperor had longed for a son, and one day dreamed that the Goddess of Mercy was sitting on a lotus flower offering him a son. In gratitude and reverence of his dream he ordered the construction of a small pagoda in the form of a lotus, overlooking a pond. The pagoda has been rebuilt countlessly due to it being destroyed and burnt in wars by opponents. 2942: 1748: 656: 647: 1469:, aristocracy, and imperial palaces and quarters. Nevertheless, these structures combined both Chinese influences and native style. With French colonization of Vietnam in the 19th century, many French-styled buildings were constructed, including villas, government buildings, opera houses, etc. Many of these buildings still stand in Vietnam and are one of the clearest remnants of the 154: 680: 517: 1243:

can displayed their work formally. Eventually, this association was governed with official rules and regulations, members are obligated to hold one exhibition at local level annually and another at national level every 5 years. Non members were not considered artist, hence they have no opportunity to display any form of art publicly.

883:"[He … propped his easel under a tree by rice paddy, took off his shirt and proceeded to sketch farmers planting their rice seedlings. Needless to say he earned quite a few giggles and embarrassed glances from his subjects.' Nobody took off their shirts in public, not even the farmers in the fields. The French did and so did 1353:"images such as those presented in the propaganda posters and paintings of the time were key indicators of how the population was to perceive the environment, the government, and the future. the posters and paintings were sometimes the only voices the people heard, the only clues they had to knowing and how to respond." 1577:

Temple itself. Inside are a series of temples and structures, and a grotto with stairs leading to two paths: "Heaven's gate" and "Hell's gate". Descending deep into the grotto one finds the Trong Temple. The beauty of the Hương Temple and surrounding areas have served as the subject in many Vietnamese poems.

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is one of the most popular forms of art in Vietnam, favored for the mystical atmosphere that can be achieved with the medium. During the 19th and 20th centuries, French influence was absorbed into Vietnamese art and the liberal and modern use of color especially began to differentiate Vietnamese silk

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RMIT University Vietnam art collection is one of the most prestigious collections of contemporary Vietnamese art in the world. This collection is not only historically important, but one that will continue to grow the understanding of Vietnamese culture for generations to come. The Vietnamese artists

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is often considered as one of the most beautiful structures in Huế, situated near a vast lotus pond. Its construction was not completed until after Minh Mạng's death. The citadel formerly sprawled a vast estate, but during subsequent wars and conflicts, much of it had been destroyed and later turned

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Nowadays, besides working with traditional material like oil, acrylic, lacquer on wood, the younger generation of Vietnamese artists have become very active in involving different forms of arts, such as installation, performance and video art with many of them attaining international recognition for

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Following year, Vietnam Association of Fine Arts in Hanoi or National Arts Association was established with 108 member headed by Thái Bá Vân. These members were required to be members of the association if they wished their works to be exhibited or sold. There were no private galleries where artists

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However, various debates erupted in Hanoi on the role of artists in Society in 1956, during the first meeting of the writers and artist associations, members demanded for greater freedom of expression which went against what Ho Chi Minh had earlier laid down. Two art and literature journals Nhân văn

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begin teaching resistance art classes in the Northern zone during the war with the French. This includes setting up the "School of Fine Arts in the Resistance Zone", and combating against decadent art being scientific, national and popular, art have to abandon religion, mythical and idealists theme,

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Hence, art curator Joyce Fan argues that "the realist techniques thus imparted by the French continue to manifest in the paintings with the sense of detachment and distancing, unlike the social realist use of emotive values to heighten the pathos in the imagery." Likewise, the undeniable fact that,

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people, although Francophone Vietnamese and English-speaking Vietnamese authors in Australia and the United States are considered by many critics as part of the national tradition. For much of its history, Vietnam was dominated by China and, as a result, much of the written work during this period

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province, located in the Hương Mountain, and is the site for a yearly festival attended by hundreds of thousands of Vietnamese people. Most people reach the pagoda by taking an hour boat ride across the scenic river (passing the countryside scattered with smaller temples) before reaching the Hương

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In 1962, the first international Exhibition of Fine Arts of Saigon was held with 21 countries participating it. Southern artist encountered abstract painting for the first time. Following up, a second exhibition was planned for 1966, but unfortunately cancelled due to the increase intensity of the

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Propaganda poster painted during the period of "operation rolling thunder" in 1965 reflects a clear anti-colonial and anti-imperial messages. Likely inspired by the Soviets and Communist Chinese, they carried a political intention. Following strictly to the culture of new Vietnam in Ho Chi Minh's

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Realist style, which corresponded with Northern artists initial aspirations, was vital in the early days of revolution, however, due to the strict constraints by the DVR regime and decreasing subsidies, realist trend reached an apex in the 1960s. Strict guidelines were attempted to established in

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During the 1960s to 1970s, artists in Saigon experimented abstraction and other contemporary expressions. As noted by Vietnamese art historian Huỳnh-Beattie, Southern artists did not readily accepted and took in American culture, which they deem as inferior to the French. Although Americans were

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where Meeting (Gặp Nhau) by Mai Văn Hiến was praised as the ideal painting that illustrates the idea of community and solidarity between the soldiers and the common people. "The mood of the painting is reflected in the artist's simple descriptive style, which lends itself well to its content."

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During the ten centuries of rule by the Chinese, Vietnamese began to apply newly learned Chinese techniques to art and specifically ceramics, however this was in conjunction with the continued production of art based on native methods; this is proven by excavation of Chinese tombs in the area.

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is a distinct Vietnamese art which had its origins in the 12th century. In water puppetry, a split-bamboo screen obscures puppets which stand in water and are manipulated using long poles hidden beneath the water. Epic storylines are played out with many different characters, often depicting

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Nguyen Gia Tri decided to move to Gia Định and eventually became the director for "Ecole des beaux-art in Gia Định" founded in 1954. Evident in their works, due to accessibility of information, their artworks were styled as western influenced, more eclectic, experimental, subjective and

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in 1954, separating themselves into the Soviet and Chinese supported North against the Southern Republic reinforced by the United States of America. This divided Vietnam forced some artists to fled to Saigon and continue their practices in the republic of Vietnam, most notable artist is

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was able to combine western aesthetic techniques like linear perspective, imitation of nature and modelling in the round into his own oriental traditions with oil medium. Stylized as the 'poetic reality' style, his works sets female ideals into a linear perspective in an enclosed space,

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was quite short-lived, lasting only about two decades, yet it was also seen as the harshest domination. Many if not most classical Vietnamese books were burnt, and thus much documentation of the era of independence lost. It is said that a more extreme than-ever process of

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In a Painting Exhibition that in happened December 10, 1951, Ho Chi Minh sent a message to the artists that "you, in the artistic field, have your own responsibilities - to serve the resistance, the Fatherland and the people, first and foremost the workers, peasants and

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starting in the 2nd century BC, Vietnamese art undoubtedly absorbed many Chinese influences, which would continue even following independence from China in the 10th century AD. However, Vietnamese art has always retained many distinctively Vietnamese characteristics.

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This example quoted by Taylor, argues that the tendency of idealization, we see in Tô Ngọc Vân's painting reflects a distancing and detachment with the subject matter, a result of artist's attempt to emulate their French teachers inclusive of whatever they do.

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An Allied bombing raid of Hanoi that was intended for Japanese target destroyed part of the EBAI painting department in 1943, resulting the sculpture department to be moved to Sơn Tây; architecture and sculpture department to Dalat while applied arts went to

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1976, Hanoi government merged Ho Chi Minh city and Gia Định National School for decorative Arts and the Saigon College of Fine Arts into Ho Chi Minh City Fine Arts College, and established Ho Chi Minh City branch of The Vietnam Association of Fine Arts.

626:, beginning in the 11th century is viewed specifically as the golden age of Vietnamese art, and its ceramics became famous across East and Southeast Asia. The Lý dynasty also saw the construction of many of Vietnam's landmark structures, including the 1029:

Like lacquer painting, silk painting was much encouraged for exploration in the school. Different from similar practice of silk painting in China and Japan, an intensifying of cultural transfer was observed in Vietnamese silk painting, artists like

938:"falling back on the past will be efficient only if it is used as a starting point for a new research, for an evolution in line with the contemporary eras; to summarise, the question is to evolve as contemporaries within an extensive of tradition." 1612:, people would go to the village teacher or scholar to make them a calligraphy hanging (often poetry, folk sayings or even single words). People who could not read or write also often commissioned scholars to write prayers which they would burn at 1500:

and his disciples. It is a fine example of the elegance of Lý dynasty architecture, although much of it is in need of repair. The Temple of Literature is a series of courtyards, buildings and pavilions, the center of which houses the famed stone

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reopened a fine arts school in Hanoi for a short period of time in September 1945 ruled by To Ngoc Van. However, artists were sympathetic of the Viet Minh and decided to leave Hanoi to join the resistance movement against French in the Hills of

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EBAI, observing a gradual change in perception of art, and the beginning recognition of art for art's sake. Vietnamese artists experimented with new ways of seeing, with ideas from two important French teachers, it marks an intensifying

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In the imperial court, there also developed throughout the centuries a series of complex court dances which require great skill. Some of the more widely known are the imperial lantern dance, fan dance, and platter dance, among others.

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In the past, with literacy in the old character-based writing systems of Vietnam being restricted to scholars and elites, calligraphy nevertheless still played an important part in Vietnamese life. On special occasions such as the

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In Dương Hứơng Minh's "Hauling Up Canons" a work on lacquer captures dramatic scene of soldiers hauling heavy weapons up a steep slope. The bravery of the men eventually brought the Viet Minh their victory against the French in

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Vietnamese art and ceramics during this period of independence (approximately 10th to 15th centuries) flourished. The ceramics from this period were thought to have been largely influenced by both ancient native styles and the

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during resistance war "shows a clear French influence. His professors in the resistance zone were trained from the EBAI" the drawings and diary clearly contents "lyrical and poetic quality" it was regarded as ideal paintings.

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Despite how highly developed the performing arts (such as imperial court music and dance) became during the Nguyễn dynasty, some view other fields of arts as beginning to decline during the latter part of the Nguyễn dynasty.

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Similarly, en plein air was another major practice instituted in EBAI's curriculum. Students were brought outdoor for field trips to develop their painting sense of the environment. As noted by art historian Nora Taylor,

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Vietnam has 54 different ethnics, each with their own traditional dance. Among the ethnic Vietnamese majority, there are several traditional dances performed widely at festivals and other special occasions, such as the

1262:, Trần Văn Cẩn, Nguyễn Sáng, Trần Đông Lương were in fact in the medium Lacquer, silk and oil medium. The 3 media, encouraged and culturally transferred by the French during colonial period were renamed as "national". 2141:

Many Vietnamese poems, along with folk "literature" in general, tends to be much more of an oral tradition – as literacy (as it is defined today) in the past was restricted mostly to scholars and the elite.

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Photographic technology was introduced to Vietnam in the mid 19th century by French and Chinese commercial photographers. Since its introduction a diverse range of photography practices have emerged such as

1288:", the artist depicted a robust figure and confronting gaze, she is a comrade ready to face the enemy. It is a politically correct painting, filled with characteristic that fulfills the national painting. 1135:, Diệp Minh Tuyền, Hòang Trung. Another small number of artists from well-to-do backgrounds had the opportunity to go to France and make their careers there for the most part. Examples include Lê Thị Lựu, 1146:

When Ho Chi Minh declared Vietnam's independence on 2 September 1945, Vietnamese artist begin to resist the influence of romantic realism, tendency for nostalgia past and melancholic dreams. Artist like

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created works that depicted the countrysides, portraits of peasants, soldiers battles scenes, they uphold the belief that artist should show the reality of society instead of idealised imageries.

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have reached a level of popularity outside of Vietnam. Organic materials are used to make the paint, which is used on wood and pressed on paper. The process is repeated with different colors.

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paintings from their Chinese, Japanese, and Korean counterparts. Vietnamese silk paintings typically showcase the countryside, landscapes, pagodas, historical events or scenes of daily life.

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Archaeological evidence from this period also shows that people in the area had long been weaving cloth. Many of the people depicted on the drums are shown as wearing elaborate clothing.

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begin teaching in EBAI in 1937. Artists like Bùi Xuân Phái and Nguyễn Tư Nghiêm who entered EBAI in 1941 was unable to complete the full five-year programme due to the 1945 revolution.

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was created in the 17th century, it did not become popular outside of missionary groups until the early 20th century, when the French colonial administration mandated its use in

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traditional scenes of Vietnamese life. Despite nearly dying out in the 20th century, it has been saved by efforts of preservation and is now largely seen by tourists to Vietnam.

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in Hanoi. He encouraged his students to start using lacquer as a fine art medium, and set up workshops in EBAI with old artisans, playing a renaissance role in Lacquer painting.

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Anti-colonial and resistance war culminated the appropriation of "national" art. It was a period to essentially erase the impact and influence of the French. Works painted by

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However, Nguyen Quan who was elected into the executive committee of Vietnam Association of Fine Arts and holding position as the chief editor of the association's Magazine

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1962, on the productions of artists artworks, they need to portray a "National Character", subject matters were usually the countryside, battle scene, portrait of Uncle Ho.

1975:: The most mainstream of theatre/music forms in the past, enjoyed widely by the public rather than the more obscure Ca trù which was favored more by scholars and elites. 1246:

Between 1950 and the 1970s, members were paid as "art workers" for the poster designs and illustrations, among few were elites who painted paintings for state visitors.

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Traditional Vietnamese music is extremely diverse, consisting of many different styles varying from region to region. Some of the most widely known genres include:

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war. In 1966, Saigon Society of Young Artist (Hội Họa sĩ trẻ Sài Gòn) was founded campaigning to develop modern art, members include Nguyễn Trung and Trịnh Cung.

1295:'s "Uncle Ho's House in Việt Bắc" show clear proficiency with the medium oil painting, the impressionist strokes of capturing the light through filtering leaves. 5158: 4723: 771: 2252: 5118: 4668: 4588: 3483: 1539:. However, it still employed many obvious Vietnamese characteristics in its design. Other imperial structures were built later, such as the outlying tomb of 770:

Vietnamese modern art includes artistic work materialized during colonial period between the 1860s and 1970s, and significantly ascribed to the founding of "

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focusing solely on the inspiration and needs of the revolution and being appealing and educational to a majority of people. Hence artists like Nguyen Hiem,

987:'s aim " was to obtain the same level of painting as with the oil medium regarding perspective, modelling in the round, and infinite variation of colours". 5128: 2671: 4908: 3473: 3458: 3453: 1985:, it transitioned from being entertainment for the royal court to travelling troupes who performed for commoners and peasants, featuring many well-known 1171: 1762: 1350:"Culture is seen as a powerful motor of development, and cultural identity as a constant in the harmonious development of society and the individual." 566:, and most importantly, depicted scenes of everyday life such as farming, warriors donning feather headdresses, construction of ships, musicians, etc. 758:, the last ruling dynasty of Vietnam, saw a renewed interest in ceramics and porcelain art. Imperial courts across Asia imported Vietnamese ceramics. 4708: 4998: 963:

region, numerous layers of application are applied to acquire the desired colour and effects. Most notable artist who excelled in this medium is

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shook off his romantic style and turned towards modern realism, he moved the closed EBAI (after the Japanese coup de force in March 1945) to

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The wares placed on altar were lacquered wares that inspired Joseph Imguimberty to plan a workshop for lacquer painting the students in EBAI.

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had a large influence on the basic structure of many types of Vietnamese buildings, mostly pagodas and temples, communal houses, houses of

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Nguyen, Duc Hiep; Takata, Ellen (2014). "Photography in Vietnam from the End of the Nineteenth Century to the Start of the Twentieth".

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Paintings of costumes of the empress and concubines of the Nguyễn dynasty (the picture has no reference value in terms of costumes)

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Other than oil medium and en plein air painting method, significant assimilation and adaption of local culture were encouraged by

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Imperial Court music: Music performed in the Vietnamese court during feudalistic times. When referring specifically to the "

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shows distinctive French influence of "romantic realism" style, yet a blend of localized culture iconography within the work

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the intense cultural transfer during colonial period continues to influence local artist after the exit of the French.

983:'s achievement in lacquer painting is remarkable for his research on pigments and exploration of new lacquer colours. 78: 4376: 4080: 3829: 3785: 3222: 3142: 3063: 118: 3657: 3147: 3132: 4087: 3531: 446: 2081:. By the mid-20th century, virtually all Vietnamese works of literature were composed in the Vietnamese alphabet. 858: 3956: 3839: 3834: 3212: 2946: 52: 1178:'s painting style changed drastically away from the usual ideal women he painted before the First Indochina war. 85: 4194: 3861: 3817: 3299: 3119: 2924: 2101: 1107: 783: 201: 56: 17: 2706: 2565:""Who Wants To Remember A War?" War Drawings And Posters From The Ambassador Dato' N. Parameswaran Collection" 710: 687: 4718: 4253: 3851: 3674: 3207: 2982: 1914:-type of entertainment where talented female musicians entertained rich and powerful men, often scholars and 492: 2303:. Singapore: Singapore Art Museum for Symposium on modern and contemporary Vietnamese art. 2008. p. 12. 1918:

who most enjoyed the genre. It was condemned in the 20th century by the government, being tied falsely with

4008: 3973: 3554: 3418: 3084: 3043: 2406:. Singapore: Singapore Art Museum for symposium on modern and contemporary Vietnamese art. 2008. p. 7. 2317:. Singapore: Singapore Art Museum for Symposium on modern and contemporary Vietnamese art. 2008. p. 5. 1999: 1931: 67: 3127: 4336: 3939: 3895: 3775: 3652: 3413: 3354: 3190: 3099: 3094: 3089: 1814: 1791: 1481: 1458:, as depicted on the bronze Dong Son drums. Similar kinds of houses can still be found in Vietnam today. 1026:, who were the first batch of students to be admitted in EBAI, are most notable for their silk painting. 931: 627: 439: 1063:

was well-received and this recognition firmly established the medium as a modern Vietnamese expression.

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Making lacquer painting takes several months, using resin from Son tree taken from the plantation from

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These drums give us an important peek into early Vietnamese life. They were elaborately decorated with

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heavily involved in Saigon, Beattie argues that little had influenced on the art scene in republic.

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juxtapositioned with flat coloured area, his works emulates with the tendency idealization imagery.

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concept, was to "stimulate intellectual and artistic creativity for art and cultural development".

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blended western composition principle with eastern tradition like calligraphy and brush paintings.

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Vietnamese art has a long and rich history, the earliest examples of which date back as far as the

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First National Art Exhibition in the Democratic Republic of Vietnam in 1955, after the victory at

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for modern Vietnamese. Her poetry continues to be widely popular. Other poets such as the famous

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individualism. They enjoyed more freedom in the subject matters and exhibited freely until 1975.

1300: 1225: 1199: 555:(from about 1000 BC to the 4th century BC) was the civilization responsible for the world-famous 402: 284: 262: 45: 2518:. Singapore Art Museum for symposium on modern and contemporary Vietnamese art. 2008. p. 8. 2504:. Singapore Art Museum for symposium on modern and contemporary Vietnamese art. 2008. p. 9. 1281: 1269: 1203: 1191: 1128: 4618: 4292: 3885: 3873: 3792: 3742: 3428: 2804: 2210:"Vietnam Art Books -- Clay, fire and skilled handsA Historical Overview of Vietnamese Ceramics" 1826: 1587: 1536: 1516: 1083: 191: 3762: 2134:

Dương Khuê had some of his poetry adapted into songs that are still famous today, such as the

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was fascinated by the lacquered cultural objects and architecture fixtures after visiting the

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Lacquered painting on wood depicting 2 girls looking at the scenery in the shape of an altar,

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silk painting styled closely similar to a classic "Madonna nursing baby" triangle composition

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was enforced, and countless Vietnamese resources and goods were removed and taken to China.

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campaign. The economic reforms allowed artists a greater outlet for creative expressions.

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all had a lasting impression on Vietnamese art. Some also claim there are small traces of

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techniques. It remains very popular in modern Vietnam when compared to other folk styles.

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though it would be hard to assimilate the oil painting techniques to them. Artist like

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Another theme commonly captured by artist was the landscape around Việt Bắc. In the

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The end of the Second World War marked the official close down of EBAI in 1945. The

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The flame and the lotus: Indian and Southeast Asian art from the Kronos collections

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which originated in the imperial court. It gradually came to be associated with a

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that immediately followed in the 13th century saw a more subdued approach to art.

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took hold in Vietnam, having a large hand in the birth of modern Vietnamese art.

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Artists benefited from greater freedom of expression after the launch of the

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The Politics of Painting and National Identity in Hanoi, Vietnam 1925 - 1999

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The Politics of Painting and National Identity in Hanoi, Vietnam 1925 - 75

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in 1950, the military base of the Revolutionary Army under Hồ Chí Minh.

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It is believed that in prehistoric times, Vietnamese people lived in

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that, whether ancient or modern, originated in or is practiced in

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Some of Vietnam's most notable architectural structures include:

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and ceramics started to develop rapidly, showing signs of decor.

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Calligraphy has had a long history in Vietnam, previously using

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Terracotta pieces used to imprint decorative patterns on clothes

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Notable group of artists in the North during the Cold War were

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A South Vietnamese propaganda poster depicting the countryside

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and it briefly became the official written script. While the

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Wooden sculptures and reliefs from the 17th and 18th century

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their artworks and exhibitions worldwide. For example,

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died in 1954 as the result of injuries received at the

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Viet Nam Plastic and Visual Arts from 1925 to Our Time

1552:. The remaining areas are currently being restored by 2787:"10 Must-Visit Contemporary Art Galleries In Vietnam" 2739:

Vietnam Plastic and Visual Arts from 1925 to Our Time

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Vietnam Plastic and Visual Arts from 1925 to Our Time

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Vietnam Plastic and Visual Arts from 1925 to Our Time

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Vietnam Plastic and Visual Arts from 1925 to Out Time

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A City that remembers in the making of modern vietnam

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Vietnam Plastic and Visual Arts from 1925 to Our Time

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A striking "shift" was obvious after the founding of

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Painting of Nguyễn Quán Nho, a prime minister of the

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Vietnam Plastic and Visual Art from 1924 to Our Time

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RMIT University Vietnam Contemporary Vietnamese Art

59:. Unsourced material may be challenged and removed. 2973:History of Vietnam including Dong Son civilization 1396: 1055:In 1931, Paris International Colonial Exhibition, 2655:Taylor, Nora (1997). "The Artist and the State". 2452:Taylor, Nora (1997). "The Artist and the state". 1361:Vietnam was divided at the 17 parallel after the 793: 5186: 2978:Brief history of Vietnamese ceramics and pottery 2725:Essays on Modern and Contemporary Vietnamese Art 2642:Essays on Modern and Contemporary Vietnamese Art 2516:Essays on Modern and Contemporary Vietnamese Art 2502:Essays on Modern and Contemporary Vietnamese Art 2439:Essays on Modern and Contemporary Vietnamese Art 2404:Essays on Modern and Contemporary Vietnamese Art 2383:Essays on Modern and Contemporary Vietnamese Art 2315:Essays on Modern and Contemporary Vietnamese Art 2301:Essays on Modern and Contemporary Vietnamese Art 2056:, both oral and written, was created largely by 979:and Nguyễn Văn Quế attempted lacquer painting, 2910: 2126:, and most of it has been translated into the 1572:: The Hương Temple is an ancient structure in 1321:Similarly, in watercolour painting painted by 772:Ecole Supérieure des Beaux-Arts de l'Indochine 4824: 4417: 3044: 1961:: A kind of modern folk opera originating in 1101: 447: 2919:. New York: The Metropolitan Museum of Art. 2855: 1650:Painting of Imperial guard of the Lê dynasty 1813:A folk art with a long history in Vietnam, 1766:Portrait of Trịnh Đình Kiên, 18th century, 4831: 4817: 4424: 4410: 3051: 3037: 2983:Brief with links on Vietnamese Art History 2282:: CS1 maint: location missing publisher ( 2084:Some defining works of literature include 1461:When Chinese influence permeated Vietnam, 734:(順化皇宮畫室) depicts the festival scene in Huế 454: 440: 119:Learn how and when to remove this message 2963:Dong Son bronze drums (Photo collection) 2765: 2020: 1942: 1892:" form it includes court music from the 1797: 1785: 1761: 1746: 1623: 1527:was built, largely based on the Chinese 1337: 1305: 1264: 1208: 1170: 1036: 994: 946: 918: 910: 834: 797: 745: 737: 726: 709: 686: 678: 585: 573:Chinese domination from 111 BC to 939 AD 515: 3118: 2465: 2463: 1604:, which has proven to be very popular. 1356: 1143:, Lê Văn Đệ, Lê Bá Đảng and Phạm Tăng. 1118: 857:Following closely to the curriculum of 742:Tigers posing (19th century embroidery) 14: 5187: 2882: 2876: 2669: 2654: 2576: 2574: 2551:Post Dôi Mói Vietnamese Art After 1990 2471:Post Dôi Mói Vietnamese Art After 1990 2451: 2418:Post Dôi Mói Vietnamese Art After 1990 2365: 2138:-genre song "Hồng hồng, tuyết tuyết". 1938: 499:By the 19th century, the influence of 4812: 4405: 3637:National Defense and Security Council 3032: 2636: 2634: 2632: 2630: 2628: 2593:. Thế Giới Publishers. Archived from 2545: 2543: 2541: 2539: 2496: 2494: 2433: 2431: 2429: 2427: 2398: 2396: 2394: 2392: 1333: 1253: 581: 3058: 2785:Naji, Cassandra (13 November 2014). 2784: 2583:"Modern Painting: Tracing the Roots" 2580: 2460: 2347: 2345: 2343: 2328: 2326: 2324: 2295: 2293: 2272:. Esapce Méridien. 1998. p. 47. 2264: 2262: 2167:Ho Chi Minh City Museum of Fine Arts 1993: 1867: 1662:Painting of Buddha of the Lê dynasty 1505:. These steles are placed on top of 848:Vietnam National Museum of Fine Arts 700:fourth Chinese domination of Vietnam 57:adding citations to reliable sources 28: 3464:Permanent Member of the Secretariat 2849: 2844:Vietnam Past and Present: The North 2842:Forbes, Andrew, and Henley, David: 2805:"In conversation with: Jeffrey Say" 2571: 1781: 1632:(三國志圖) at Độc Lôi Temple, Nghệ An, 1415: 906: 810:Ecole des Beaux-Arts de l'Indochine 779:Ecole des Beaux-Arts de l'Indochine 674: 24: 2904: 2766:Pearlman, Ellen (March 18, 2015). 2625: 2536: 2491: 2424: 2389: 1862: 1742: 1220:(Gặp Nhau), gouache on paper, 1954 1061:Children Playing a Game of Squares 506: 25: 5211: 2934: 2380: 2340: 2321: 2290: 2259: 2016: 1678:) and a scene of the Underworld, 1286:Militia women of a coastal region 722: 511: 4792: 4783: 4782: 3469:History of central officeholders 2940: 2196:"vietnamese art artists history" 2036: 1807:La Tonkinoise Et La Vieille Sage 1719: 1710: 1701: 1692: 1667: 1655: 1643: 1492:. It was constructed during the 990: 915:Interior of Temple of Literature 844:Deux Jeunes filles et un enfants 654: 645: 619:influences to be found as well. 542: 421: 152: 33: 4431: 4271:Traditional musical instruments 2836: 2822: 2797: 2778: 2759: 2745: 2731: 2717: 2699: 2663: 2648: 2611: 2557: 2522: 2508: 2477: 2445: 2410: 2374: 2359: 2025:Water puppetry theatre in Hanoi 1733:(out of ten Diêm Vương) of the 1443: 1397:The Period of Renewal from 1985 873: 830: 44:needs additional citations for 5154:British Indian Ocean Territory 4750:British Indian Ocean Territory 2741:. Espace Méridien. p. 43. 2670:Taylor, Nora (December 2011). 2621:. Espace Méridien. p. 42. 2532:. Espace Méridien. p. 41. 2487:. Espace Méridien. p. 40. 2355:. Espace Méridien. p. 40. 2336:. Espace Méridien. p. 20. 2307: 2245: 2220: 2202: 1820: 1729:Four paintings depicting four 1619: 1581: 1108:Democratic Republic of Vietnam 794:New Vietnamese Art (1925–1945) 664:Lacquer painting of the eight 13: 1: 4838: 3489:Central Inspection Commission 2858:Trans Asia Photography Review 2041: 859:Ecole des Beaux-Arts de Paris 765: 732:Thuận Hóa Hoàng cung họa thất 529: 2000:Traditional Vietnamese dance 1932:Intangible Cultural Heritage 1792:Đông Hồ folk woodblock print 1523:, a new imperial citadel in 634:, and Quỳnh Lâm Temple. The 7: 3632:Central Military Commission 3494:Central Military Commission 2968:Vietnamese blockwood prints 2809:LASALLE College of the Arts 2145: 1965:, which utilizes extensive 1815:Vietnamese woodblock prints 10: 5216: 3600:Supreme People's Procuracy 2999:National Gallery Singapore 2172:List of Vietnamese artists 2111: 2045: 1997: 1871: 1855: 1851: 1824: 1674:Painting of a Diêm Vương ( 1585: 1519:: During the reign of the 1484:or (Văn Miếu): Located in 1447: 1436: 1102:Indochina wars (1945–1975) 819:The magazine publications 802:A cartoon illustration in 477:or by Vietnamese artists. 5142: 5102: 4846: 4778: 4737: 4697: 4439: 4363: 4138: 4039: 3947: 3938: 3911: 3738: 3729: 3688: 3645: 3622: 3580: 3547: 3502: 3444: 3399: 3390: 3308: 3265: 3186: 3177: 3070: 2870:2027/spo.7977573.0004.204 2107: 1432: 1274:Female Militia in the Sea 4909:East Timor (Timor-Leste) 4499:East Timor (Timor-Leste) 3004:Fukuoka Asian Art Museum 2994:Vietnam Fine Arts Museum 2607:Full text available here 2182: 1387:reunification of Vietnam 967:. Although artists like 590:Kinari figure, Lý period 243:Vietnamese folk religion 5164:Cocos (Keeling) Islands 4760:Cocos (Keeling) Islands 2911:Lerner, Martin (1984). 2659:: 84 – via JSTOR. 2587:Vietnam Cultural Window 2456:: 50 – via JSTOR. 2366:Nguyen, Van Ky (2004). 2214:www.vietnamartbooks.com 1838:documentary photography 1450:Vietnamese architecture 1200:Battle of Điện Biên Phủ 1066:Between 1930 and 1936, 846:, 1944, oil on canvas, 668:, 16th century, Vietnam 491:With the millennium of 285:Vietnamese martial arts 4081:Language and computers 3830:Science and Technology 3590:Supreme People's Court 3532:Deputy Prime Ministers 3323:Hong (Red) River Delta 2883:Zhuang, Wubin (2016). 2687:Cite journal requires 2026: 1951: 1827:Photography in Vietnam 1810: 1795: 1770: 1759: 1636: 1588:Vietnamese calligraphy 1535:, and also called the 1471:French colonial legacy 1343: 1318: 1284:'s Portrait painting " 1277: 1236: 1221: 1179: 1169: 1052: 1003: 956: 945: 924: 916: 889: 854: 806: 751: 743: 735: 719: 695: 684: 591: 524:Pottery dating to the 521: 4313:Person Dignity Theory 2152:Censorship in Vietnam 2048:Vietnamese literature 2024: 1946: 1906:: An ancient form of 1842:landscape photography 1801: 1789: 1765: 1750: 1627: 1537:Purple Forbidden City 1341: 1309: 1268: 1231: 1212: 1174: 1157: 1131:, Huỳnh Phương Đông, 1040: 998: 950: 936: 922: 914: 881: 838: 801: 749: 741: 730: 713: 690: 682: 589: 547:The highly developed 519: 5079:United Arab Emirates 4674:United Arab Emirates 3835:Traditional medicine 3713:Self-Defence Militia 3257:World Heritage Sites 3213:Environmental issues 2949:at Wikimedia Commons 1834:fine art photography 1628:Two paintings named 1511:Imperial examination 1482:Temple of Literature 1463:Chinese architecture 1357:Artists in the South 1315:Approaching Khe Sanh 1119:Artists in the North 951:Lacquer painting by 932:Temple of Literature 812:EBAI was founded by 628:Temple of Literature 533: 8000 BCE 378:World Heritage Sites 53:improve this article 5104:States with limited 4701:limited recognition 4308:Ho Chi Minh Thought 3484:Central Secretariat 2228:"VietNamNet Bridge" 2128:Vietnamese alphabet 2075:Vietnamese alphabet 2058:Vietnamese-speaking 1939:Traditional theatre 1858:Vietnamese ceramics 1602:Vietnamese alphabet 1467:scholar-bureaucrats 1190:, Phan Văn Đôn and 1006:Other artists like 551:that flourished in 4347:Vietnamese studies 4059:Overseas community 3852:Telecommunications 3605:Procurator-General 3560:Standing Committee 3250:Endangered species 3014:Witness Collection 2581:Ngoc, Huu (2000). 2177:Vietnamese studies 2162:History of Vietnam 2157:Culture of Vietnam 2027: 1952: 1811: 1796: 1771: 1768:Revival Lê dynasty 1760: 1637: 1634:Revival Lê dynasty 1517:Imperial City, Huế 1423:Nhà Sàn Collective 1344: 1334:Propaganda Posters 1319: 1278: 1254:National Paintings 1222: 1206:as the principal. 1180: 1053: 1004: 957: 928:Joseph Imguimberty 925: 917: 901:Joseph Imguimberty 899:and his successor 863:Joseph Inguimberty 855: 807: 752: 744: 736: 720: 716:Revival Lê dynasty 696: 693:Revival Lê dynasty 685: 592: 582:Late Classical art 564:geometric patterns 537:Vietnamese pottery 522: 493:Chinese domination 428:Vietnam portal 145:Culture of Vietnam 5182: 5181: 5146:other territories 4806: 4805: 4743:other territories 4399: 4398: 4359: 4358: 4355: 4354: 4325:Traditional games 4009:Human trafficking 3934: 3933: 3725: 3724: 3721: 3720: 3618: 3617: 3555:National Assembly 3474:National Congress 3459:General Secretary 3454:Central Committee 3419:Foreign relations 3386: 3385: 3382: 3381: 3355:Central Highlands 3173: 3172: 3138:Chinese dominated 2945:Media related to 2894:978-981-4722-12-4 2132:Mandarin official 2114:Vietnamese poetry 2102:Nguyễn Đình Chiểu 1994:Traditional dance 1868:Traditional music 1560:One Pillar Pagoda 1496:and dedicated to 1439:Cinema of Vietnam 1363:Geneva Conference 1084:Evariste Jonchere 1068:Nguyễn Phan Chánh 1057:Nguyễn Phan Chánh 1042:Nguyễn Phan Chánh 1032:Nguyễn Phan Chánh 1008:Nguyễn Phan Chánh 784:cultural transfer 632:One Pillar Pagoda 609:Mahayana Buddhism 464: 463: 312:Vietnamese poetry 307:Vietnamese comics 129: 128: 121: 103: 16:(Redirected from 5207: 5159:Christmas Island 5144:Dependencies and 4847:Sovereign states 4833: 4826: 4819: 4810: 4809: 4796: 4786: 4785: 4755:Christmas Island 4441:Sovereign states 4426: 4419: 4412: 4403: 4402: 4379: 4372: 4037: 4036: 3945: 3944: 3776:Renewable energy 3766: 3758: 3736: 3735: 3643: 3642: 3442: 3441: 3414:Fatherland Front 3397: 3396: 3263: 3262: 3184: 3183: 3116: 3115: 3053: 3046: 3039: 3030: 3029: 3024:Dogma Collection 2944: 2930: 2899: 2898: 2880: 2874: 2873: 2853: 2847: 2840: 2834: 2833: 2830:"Art of Vietnam" 2826: 2820: 2819: 2817: 2816: 2801: 2795: 2794: 2782: 2776: 2775: 2763: 2757: 2756: 2749: 2743: 2742: 2735: 2729: 2728: 2721: 2715: 2714: 2711:www.marxists.org 2703: 2697: 2696: 2690: 2685: 2683: 2675: 2667: 2661: 2660: 2652: 2646: 2645: 2638: 2623: 2622: 2615: 2609: 2605: 2603: 2602: 2578: 2569: 2568: 2561: 2555: 2554: 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Museum 3006: 3001: 2996: 2991: 2985: 2980: 2975: 2970: 2965: 2960: 2950: 2947:Art of Vietnam 2936: 2935:External links 2933: 2932: 2931: 2925: 2906: 2903: 2901: 2900: 2893: 2875: 2848: 2835: 2821: 2796: 2777: 2758: 2744: 2730: 2716: 2698: 2689:|journal= 2662: 2647: 2624: 2610: 2570: 2556: 2535: 2521: 2507: 2490: 2476: 2459: 2444: 2423: 2409: 2388: 2373: 2358: 2339: 2320: 2306: 2289: 2258: 2244: 2219: 2201: 2186: 2184: 2181: 2180: 2179: 2174: 2169: 2164: 2159: 2154: 2147: 2144: 2112:Main article: 2109: 2106: 2046:Main article: 2043: 2040: 2038: 2035: 2030:Water puppetry 2018: 2017:Water puppetry 2015: 1998:Main article: 1995: 1992: 1991: 1990: 1976: 1970: 1950:theatre actors 1940: 1937: 1936: 1935: 1926:recognized by 1901: 1898:Nguyễn dynasty 1886: 1872:Main article: 1869: 1866: 1864: 1861: 1856:Main article: 1853: 1850: 1822: 1819: 1783: 1780: 1758:(15th century) 1744: 1741: 1735:Nguyễn dynasty 1728: 1727: 1718: 1717: 1709: 1708: 1700: 1699: 1691: 1690: 1689: 1688: 1687: 1673: 1666: 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