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Exposition Universelle (1900)

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1426: 1214:, were among the most popular sights. The Palace of Electricity was built partly incorporating architectural elements of the old Palace of the Champ de Mars from the 1889 Exposition. The Palace was enormous, 420 metres (1,380 ft) long and 60 metres (200 ft) wide, and its form suggested a giant peacock spreading its tail. The central tower was crowned by an enormous illuminated star and a chariot carrying a statue of the Spirit of Electricity 6.5 metres (21 ft) high, holding aloft a torch powered by 50,000 volts of electricity, provided by the steam engines and generators inside the Palace. Electrical lighting was used extensively to keep the Fair open well into the night. Producing the light for the exposition consumed 200,000 kilograms (440,000 lb) of oil an hour. The facade of the Palace and the Water Castle, across from it, were lit by an additional 7,200 incandescent lamps and seventeen arc lamps. Visitors could go inside to see the steam-powered generators which provided electricity for the buildings of the exposition. 1712: 1438: 1807: 1462: 1768: 3345: 1474: 3373: 1351: 1724: 1089: 1077: 1970: 1780: 2213: 1370: 1849: 2159: 2791: 2779: 3673: 3010: 1822: 1958: 1756: 1883: 1225: 2603: 1740: 2085: 1065: 3396: 995: 1191: 2351: 2588: 1450: 2363: 1834: 2339: 1164: 2261: 1864: 1982: 913: 3357: 468: 3650: 3724: 3050: 2767: 2136: 2803: 2506: 2104: 47: 968:, who designed the figure's fashionable attire. Below the statue was a sculptural prow of a boat, the symbol of Paris, and friezes depicting the workers who built the exposition. The central arch was flanked by two slender, candle-like towers, resembling minarets. The gateway was brightly illuminated at night by 3,200 light bulbs and an additional forty arc lamps. Forty thousand visitors an hour could pass beneath the arch to approach the twenty-six ticket booths. Above the ticket booth windows, the names of provincial cities were inscribed, symbolically enacting a hierarchical relation between Paris and the provinces. 2573: 3700: 2411: 1792: 3105: 3022: 3685: 925: 1176: 2427: 3792:, in a chapter titled "The Dynamo and the Virgin." Adams used the occasion to ruminate upon the implications of the Machine Age, expressing concern over what he perceived to be a clash between technology ("the dynamo," a reference to the new engines on display) and the tradition of art and spirituality ("the Virgin," in reference to displays of older artwork) in addressing human needs. The chapter is considered to be an early iteration of the conversations about technology and life that continued in the 20th and 21st centuries. 2120: 1010: 2301:, passing through nine stations along the way, where passengers could board. The fare was an average of fifty centimes. The sidewalk was accessed from a platform 7 metres (23 ft) above the ground level. The passengers stepped from the platform onto the moving sidewalk traveling at 4.2 kilometres per hour (2.6 mph), then onto a more rapid sidewalk moving at 8.5 kilometres per hour (5.3 mph). The sidewalks had posts with handles which passengers could hold onto, or they could walk. It was designed by architect 2201: 7223: 2490: 3034: 2879: 3411: 2895: 3433: 3300: 3452: 3829: 3078: 2456:, who had made the first public projections of a motion picture in 1895, presented their films on a colossal screen, 21 metres (69 ft) by 16 metres (52 ft), in the Gallery of Machines. Another innovation in motion pictures was presented at the exposition at the Phono-Cinema Theater; a primitive talking motion picture, where the image on the screen was synchronized to the sound from phonographs. 1516:, were located the national pavilions of Italy, Turkey, the United States, Austria, Bosnia and Herzegovina, Hungary, Great Britain, Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece, Serbia and Mexico. Behind them, in second line, were located the pavilions of Denmark, Portugal, Peru, Persia, Finland, Luxembourg, Bulgaria and Romania. The other nations were located elsewhere in the exposition site. 3326: 3169:("New Art") style began to appear in Belgium and France in the 1880s and became fashionable in Europe and the United States during the 1890s. It was highly decorative and took its inspiration from the natural world, particularly from the curving lines of plants and flowers and other vegetal forms. The architecture of the exposition was largely of the 3619:, in the palace of agriculture and foods. The statues of women in theatrical costumes by the front door came from the Indochina pavilion, while the ornamental iron gate at the entrance was part of the Palace of Women. In the years after the exposition, La Ruche served as the temporary studio and home of dozens of young artists and writers including 1326:, the facade is Beaux-Arts and Neo-Baroque, reminiscent of the Grand Trianon and the stable at Chantilly. The interior offers examples of Art Nouveau, particularly in the railings of the curving stairways, the tiles of the floors, the stained glass, and the murals on the ceiling of the arcade around the garden. The entrance murals were painted by 2478: 3215:, had many forms at the exposition. He designed the posters for the official Austrian participation in the exposition, painting murals depicting scenes from the history of Bosnia as well as the menu for the restaurant at the Bosnian pavilion, and designed the menu for the official opening banquet. He produced displays for the jeweler 3116:
was 2.50 francs, the half-day wages of a worker. The amount budgeted for the Paris Exposition was one hundred million francs; twenty million from the French State, twenty million from the City of Paris, and the remaining sixty million expected to come from admissions, and backed by French banks and financial institutions.
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was divided into national sections, which were the responsibility of the corresponding country and where its exhibitors were located. Some country with a strong presence in a specific sector, at its own request, was even granted a plot adjoining to the main building to build a small pavilion to house its exhibitors.
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same time, the lifts in the east and west legs were replaced by lifts running as far as the second level and the lift in the north pillar was removed and replaced by a staircase to the first level. The layout of both first and second levels was modified, with the space available for visitors on the second level.
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The organizers of the exposition were not miserly in recognizing the 83,047 exhibitors of products, about half of whom came from France, and 7,161 from the United States. The awards ceremony was held on 18 August 1900, and was attended by 11,500 persons. 3,156 grand prizes were handed out, 8,889 gold
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theater, and the celebrated "Backwards House", which had its furniture on the ceiling, its chandeliers on the floor, and windows which gave reverse images. Other diversions elsewhere in and around the exposition included an orchestra from Madagascar, a Comedy Theater, and the Columbia Theater at Port
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The exposition had several large theatres and music halls, the largest of which was the Palais des Fêtes, which had fifteen thousand seats, and offered programs of music, ballet, historical recreations and diverse spectacles. A separate thoroughfare of the exposition, the Rue de Paris, was lined with
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The largest space was for the French colonies in Africa, the Caribbean, the Pacific and Southeast Asia. These pavilions featured traditional architecture of the countries and displays of local products mixed with modern electric lighting, motion pictures, dioramas, and guides, soldiers, and musicians
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The pavilions of the Austro-Hungarian domains in the Balkans, Bosnia and Herzegovina, offered displays on their lifestyles, consisting of folklore traditions, highlighting peasanthood and the embroidery goods produced in the country. Designed by Karl Panek, it featured murals on the history of Slavic
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The 83,047 French and foreign exhibitors at the Fair were divided into eighteen groups based on their subject matter, which in turn were divided into 121 classes, and based on the class to which they belonged, they were allocated in the corresponding official thematic pavilion. Each thematic pavilion
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The official final cost was 119 million francs, while the total amount actually collected from admission fees was 126 million francs. However, there were unplanned expenses of twenty-two million francs for the French State, and six million francs for the City of Paris, bringing the total cost to 147
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The Water castle, facing the Palace of Electricity, had an equally imposing appearance. It had two large domes, between which was a gigantic fountain, circulating 100,000 litres (22,000 imp gal; 26,000 US gal) of water a minute. Thanks to the power from Palace of Electricity, the
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The cost of an admission ticket was one franc. At the time, the average hourly wage for Paris workers was between forty and fifty centimes. In addition, most popular attractions charged an admission fee, usually between fifty centimes and a franc. The average cost of a simple meal at the exposition
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The 1900 Summer Olympics were the second modern Olympics games held, and the first ones held outside Greece. Between 14 May and 28 October 1900, an enormous number of sporting activities were held along the exposition. The sporting events rarely used the term of "Olympic". Indeed, the term "Olympic
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The Eiffel Tower, that was built as the main entrance of the 1889 Exposition, was the main and central attraction of the 1900 Exposition. For this exposition, it was repainted in shaded tones from yellow-orange at the base to light yellow at the top, and was fitted with 7,000 electric lamps. At the
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The industrial and commercial exhibits were located inside several large palaces on the esplanade between les Invalides and the Alexander III Bridge. One of the largest and most ornate was the Palais des Manufactures Nationale, whose facade included a colorful ceramic gateway, designed by sculptor
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The Gateway, like the exposition buildings, was intended to be temporary, and was demolished as soon as the exposition was finished. The ceramic frieze depicting the workers of the exposition was designed by Anatole Guillot, an academic sculptor. The workers frieze was preserved by the head of the
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Countries from around the world were invited by France to showcase their achievements and cultures. Of the fifty-six countries invited to participate with official representation, forty accepted, plus an additional number of colonies and protectorates of France, the Netherlands, Great Britain, and
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of Raoul Grimoin Sanson, which simulated a voyage in a balloon. The film, projected on a circular screen 93 metres (305 ft) in circumference by ten synchronized projectors, depicted a landscape passing below. The spectators sat in the center above the projectors, in what resembled the basket
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electric train followed the same route, running at an average speed of 17 kilometres per hour (11 mph) in the opposite direction of the moving sidewalk. The rail track was sometimes at 7 metres (23 ft) high like the movable sidewalks, sometimes at ground level and sometimes underground.
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in which she waved large silk scarves which seemed to envelop her into a cloud. Her performance was widely reproduced in photographs, paintings and drawings by Art Nouveau artists and sculptors, and were captured in very early motion pictures. She was filmed on ten 70mm projectors that created a
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in 1896, and the bridge was finished in 1900. It was the work of engineers Jean Resal and Amédée D'Alby and architect Gaston Cousin. The widest and longest of the Paris bridges at the time, it was constructed on a single arch of steel 108 metres (354 ft) long. Though it was named after the
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The structure of the entrance tower as a whole was adorned with Byzantine motifs and Persian ceramic ornamentation, but the true inspiration behind the piece was not of cultural background. Binet sought inspiration from science, tucking the vertebrae of a dinosaur, the cells of a beehive, rams,
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sold to raise money for the event and therefore lost their investment. With a much larger than expected turnout the exhibit sites had gone up in value. Continuing to pay rent for the sites became increasingly hard for concessionaires as they were receiving fewer customers than anticipated. The
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Another scientific attraction was the aquarium, the largest in the world at the time, viewed from an underground gallery 722 metres (2,369 ft) long. The water tanks were each 38 metres (125 ft) long, 18 metres (59 ft) wide and 6.5 metres (21 ft) deep, and contained a wide
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The pavilion of Turkey was designed by a French architect, Adrien-René Dubuisson, and was a mixture of copies of Islamic architecture from mosques in Istanbul and elsewhere in the Ottoman Empire. Turkey managed 4,000 square metres (43,000 sq ft) of exhibition space at the Fair.
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The Palais des Illusions (Palace of Illusions), adjoining the Palace of Optics, was an extremely popular exhibition. It was a large hall which used mirrors and electric lighting to create a show of colorful and bizarre optical illusions. It was preserved after the exposition in the
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and built of wood and stained glass. However, most of the German presence at the exposition was in the commercial pavilions, where they had important displays of German technology and machinery, as well as models of German steamships and a full-scale model of a German lighthouse.
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The exposition was so expensive to organize and run that the cost per visitor ended up being about six hundred francs more than the price of admission. The exhibition lost a grand total of 82,000 francs after six months in operation. Many Parisians had invested money in
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In addition to their own national pavilion, the countries managed other spaces at the Fair. The industrial, commercial, scientific and cultural exhibitors of each country were distributed among the national sections of the different official thematic pavilions.
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at that time. The optical tube assembly was 60 metres (200 ft) long and 1.5 metres (4 ft 11 in) in diameter, and was fixed in place due to its mass. Light from the sky was sent into the tube by a movable 2 metres (6 ft 7 in) mirror.
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Most of the palaces and buildings constructed for the Exposition Universelle were demolished after the conclusion of the exposition and all items and materials that could be salvaged were sold or recycled. They were built largely of wood and covered with
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million francs, or a deficit of twenty-one million francs. The deficit was to a degree offset by the long-term additions to the city infrastructure; new buildings and bridges, including the Grand and Petit Palais, the Pont Alexander III and the
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with the paintings of French artists in the north wing, the paintings of artists from other countries in the south wing and the sculptures in the central hall, with some outdoor sculptures nearby. The Palais d'Antin, or west wing, housed the
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in Vienna. The play ended with a memorable death scene; according to one critic, she died "as dying angels would die if they were allowed to." The play ran for nearly a year, with standing-room places selling for as much as 600 gold francs.
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The Swiss Village, at the edge of the exposition near Avenue de Sufren and Motte-Piquet, was a recreation of a Swiss mountainside village, complete with a 35 metres (115 ft) cascade, a lake and collection of thirty-five chalets.
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style, particularly in the railings of the staircase, which were intricately woven in fluid, organic forms. During the Fair, the interior served as the setting for the exhibitions of paintings and sculptures. The main body of the
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was quite modern for its time; it appeared light, but in fact, it used 9,000 tonnes (8,900 long tons; 9,900 short tons) of metal, compared with seven thousand for the construction of the Eiffel Tower. The facade was in the ornate
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which offered a presentation on the night sky. The globe, designed by Napoléon de Tédesco, was 45 metres (148 ft) in diameter, and the blue and gold exterior was painted with the constellations and the signs of the
3699: 3177:, or of eclectic national styles. Art Nouveau decoration appeared in the interiors and decoration of many of the buildings, notably the interior ironwork and decoration of the Monumental gateway of the exposition, the 2894: 2542:) was a 5,000 m (54,000 sq ft) Spanish-themed open air attraction with folkloric live performances at Quai Debilly, at the western end of Trocadéro, on the right bank of the Seine, featuring full-scale 5380: 1901:
Russia had an imposing presence on the Trocadéro hill. The Russian pavilion, designed by Robert Meltzer, was inspired by the towers of the Kremlin and had exhibits and architecture presenting artistic treasures from
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Response to the monumental gateway was mixed, with some critics comparing it to a pot-bellied stove. It was described as "lacking in taste" and was considered by some critics to be the ugliest of all the exhibits.
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concessionaires then went on strike, which ultimately resulted in the closure of a large part of the exposition. To resolve the matter, the concessionaires were given a fractional refund of the rent they had paid.
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To house the industrial, commercial, scientific, technological and cultural exhibitions, the French organization built huge thematic pavilions on the esplanade of Les Invalides and the Champ de Mars and reused the
6678: 3507:(CMP) installed a total of 141 of the Art Nouveau metro station entrances designed by Hector Guimard –with and without canopy– between 1900 and 1913. In 1978, the 86 entrances that still existed were protected as 3344: 1676:. Serbia presented numerous products at the exposition, such as wine, food, fabrics, minerals and won a total of 19 gold, 69 silver and 98 bronze medals. Some of the Serbian fine art on display were the painting 2958:
According to the IOC, 997 competitors took part in nineteen different sports, including women competing for the first time. A number of events were held for the first and only time in Olympic history, including
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included hangings that were more than 12 by 13 feet (3.7 by 4.0 m), which had taken 56 ladies six weeks to embroider. The pavilion was largely used for receptions for important visitors to the exposition.
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style by José Urioste Velada. It housed the Retrospective Exhibition of Spanish Art formed by the collection of tapestries, in which thirty-seven pieces made between the 15th and 18th centuries from the
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Russian Czar, the themes of the decoration were almost entirely French. At the ends, the bridge was supported by four massive stone pylons 13 metres (43 ft) high, decorated with statues of the
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The Chinese pavilion, designed by Louis Masson-Détourbet, was in the form of a Buddhist temple with staff in Chinese traditional dress. This pavilion suffered some disruption in August 1900, when
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held office before it was completed. President Carnot died shortly before it was completed. Though many of the buildings were not finished, the exposition was opened on 14 April 1900 by President
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An area of several dozen hectares on the hill of the Trocadéro Palace was set aside for the pavilions of the colonies and protectorates of France, the Netherlands, Great Britain, and Portugal.
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The exposition was a showcase not only of French Art Nouveau, but also the variations that had appeared in other parts of Europe, including the furniture of the Belgian architect and designer
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Journal of Olympic History, Special Issue – December 2008, The Official Publication of the International Society of Olympic Historians, p. 77, by Karl Lennartz, Tony Bijkerk and Volker Kluge
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Maillot, with acts ranging from panoramas of life in the Orient to a water ballet. These diversions were popular but expensive; entry to the Comedy Theater cost up to five francs.
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Twenty-one of the thirty-three official pavilions were devoted to technology and the sciences. Among the most popular was the Palace of Optics, whose main attractions included the
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in four and a half hours. The free balloon competition race was won by a balloon which travelled 1,925 kilometres (1,196 mi) from Paris to Russia in 35 hours and 45 minutes.
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This includes six world expositions (in 1855, 1867, 1878, 1889, 1900 and 1937), two specialized expositions (in 1881 and 1925) and two colonial expositions (in 1907 and 1931).
1088: 6766: 5582: 1969: 1848: 1449: 3752:, made by Moreau-Vauthier, was referred to by some as "the triumph of prostitution" because of her flowing robe and modernized figure and was criticized by many visitors. 2404:, collapsed onto the street below, killing nine people. Following the accident the French government established the first regulations for the use of reinforced concrete. 1957: 4837: 6200: 2084: 1863: 3767:, who was a symbol of light. La Porte Monumental is considered to be a structure of the Salammbô style and 'the most typically 1900 monument of the entire exhibition'. 2489: 945: 3684: 290:, and it was visited by more than fifty million people. Many international congresses and other events were held within the framework of the exposition, including the 4442:, #038;r=g'; #038;d=identicon; Garcevic, #038;r=g 2x' class='avatar avatar-20 photo' height='20' width='20' loading='lazy' decoding='async' />Srdjan (2022-03-31). 2135: 1739: 3093: 2293:) moving sidewalk was a very popular and useful attraction, given the large size of the exposition. It ran along the edge of the exposition, from the esplanade of 994: 906:, a kind of inexpensive artificial stone. Many of the buildings were unfinished when the exposition opened, and most were demolished immediately after it closed. 3223:, with statuettes and panels of women depicting the scents of rose, orange blossom, violet and buttercup. His more serious art works, including his drawings for 2426: 5152: 1592:), and, most memorably, some five hundred photographs of African-American men and women, homes, churches, businesses and landscapes including photographs from 1369: 5381:
Inventing Entertainment: The Early Motion Pictures and Sound Recordings of the Edison Companies: "exposition universelle internationale de 1900 paris, france"
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Fifty-six countries were invited to the exposition, and forty accepted. The Rue des Nations was created along the banks of the Seine between the esplanade of
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Besides its official scientific, industrial and artistic palaces, the exposition offered an extraordinary variety of attractions, amusements and diversions.
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on a metal frame and were designed in an architectural style that represented a period in the country's history, often imitating famous national monuments.
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U.S. Commission to the Paris Exposition, Report of the Commissioner-General for the United States to the International Universal Exposition, Paris, 1900
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for a second class car, and two francs for a more spacious first-class car. Despite the high price, passengers often had to wait an hour for a place.
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and the other French African colonies presented pavilions based on their traditional religious architecture and marketplaces, with guides in costume.
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in front of which groups of native people, dressed accordingly, move, play, dance, stroll or work. The visitor traveled through representations of
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for the national pavilions of the larger countries. Each country paid for its own pavilion. The pavilions were all temporary, made of plaster and
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Other recreations with costumed vendors and musicians elsewhere the exposition included recreations of the bazaars, souks and street markets of
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was an essential link of the exposition, connecting the pavilions and palaces on the left and right banks of the Seine. It was named after Czar
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Dymond, Anne (2011), "Embodying the Nation: Art, Fashion and Allegorical Women at the 1900 Exposition Universelle," RACAR, v. 36, no. 2, 1–14.
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also had an impressive presence, with recreations of pagodas and palaces, musicians and dancers, and a recreation of a riverside village from
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and Georges Morin-Goustiaux. The main U.S. presence was in the commercial and industrial palaces. One unusual aspect of the U.S. presence was
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created a series of monumental swan vases for the exposition, as well as the monumental entrance to the Palace of National Manufacturers.
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Many international congresses and other events were held in Paris in 1900 within the framework of the exposition. A large area within the
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Martin, Henry (1902). Lignes Aeriennes et Trolleys pour Automobile sur Route (Report) (in French). Libraire Polytechnique Ch. p. 29.
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The pavilion of Hungary was designed by Zoltán Bálint and Lajos Jámbor. Its cupola displayed agricultural produce and hunting equipment.
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The interior of the central dome had niches holding large sculptures. One was described as both a personification of electricity and as
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among the public because it resembled the stocky and intricately designed salamander-stoves of the time, only adding to its ridicule.
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The sphere was the scene of a fatal accident on 29 April 1900 when one of access ramps, hastily made of a newly introduced material,
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on the right bank. An additional section of 104 hectares (260 acres) for agricultural exhibits and other structures was built in the
3170: 6826: 6185: 6135: 6110: 5773: 2964: 2960: 2766: 1182: 1126: 6515: 6125: 3997:(Report) (in French). Vol. 8. Paris: Ministry of Commerce, Industry, Posts and Telegraphs. French Republic. 1902. p. 640 2802: 1791: 7032: 6816: 6155: 6007: 744:. The few exhibitors from countries without an official presence at the Fair participated under a joint "International Section". 4443: 4308:
Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition rétrospective de l'art français des origines à 1800
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The site of the exposition covered 112 hectares (280 acres) along the left and right banks of the Seine from the esplanade of
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arrived and recaptured the city. During the disruption at the Fair, a Chinese procession was attacked by angered Parisians.
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holding a gilded seal of the Russian Empire. At the same time that the Pont Alexander III was built, a similar bridge, the
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The Palace of Furniture and Decoration was particularly lavish and presented many displays of the new Art Nouveau style.
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Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition centennale de l'Art français de 1800 à 1889
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Many exposition posters also made use of the Art Nouveau style. The work of the most famous Art Nouveau poster artist,
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commissioned the architect of the building, Alexandre Marcel, to build a Japanese tower and a Chinese pavilion in the
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Sweden's yellow and red structure covered in pine shingles drew attention with its bright colours. It was designed by
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Rue des Nations. From left to right: Pavilions of Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece and Serbia.
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Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition décennale des BEAUX-ARTS de 1889 à 1900
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medals, 13,300 silver medals, 12,108 bronze medals, and 8,422 honorable mentions. Many of the participants, such as
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style. The more modern interior iron framework, huge skylights and stairways offered decorative elements in the new
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was set aside for sporting events, which included, among others, many of the events of the 1900 Summer Olympics. A
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from the 1889 Exposition. On the other bank of the Seine, they built the Grand Palais and the Petit Palais for the
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provided 72 percent of all athletes (720 of the 997) and won the most gold, silver and bronze medal placings. The
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in local costumes. The French Caribbean islands promoted their rum and other products, while the French colony of
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Hélène Pévost, French women's tennis champion at the 1900 Paris Olympics, the first games in which women competed
2952: 2247: 2126: 2048: 1537: 752: 736:, although having a national pavilion located at the Rue des Nations, officially participated as part of Russia. 695: 626: 3691: 3512: 2477: 924: 7184: 6841: 6771: 5703: 5497: 5051: 2110: 2009: 832: 1773:
Pavilions of Bosnia and Herzegovina by Karl Panek (left) and Hungary by Zoltán Bálint and Lajos Jámbor (right)
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Ceramic gateway of Sèvres Porcelain from the Palace of National Manufacturers, now on Square Félx-Desruelles
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in Chicago. It could carry 1,600 passengers in its forty cars in a single voyage. The cost of a ride was one
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The exposition buildings were meant to be temporary; they were built on iron frames covered with plaster and
899:. The total area of the exposition, 216 hectares (530 acres), was ten times larger than the 1855 Exposition. 454: 435: 427: 423: 419: 225: 211: 5980: 5709: 3451: 1935:
The Korean pavilion, designed by Eugène Ferret, was mostly stocked by French Oriental collectors, including
446: 7007: 6911: 6856: 6831: 6525: 6226: 5153:"The 1900 World's Fair Produced Dazzling Dynamos, Great Art, and Our Current Conversation About Technology" 5023: 4664:
Benjamin, Roger (2005). "Andalusia In The Time Of The Moors: Regret and Colonial Presence in Paris, 1900".
4439: 4433: 3818: 3788: 3604: 2044: 1276: 828: 450: 4371:"Whichelo, Mary Eleanor [Nellie] (1862–1959), head designer of the Royal School of Art Needlework" 3859: 7062: 7052: 6941: 6926: 6756: 6406: 6346: 6075: 5840: 3528: 2922: 2757: 2654:
rather than their departments. Provence was represented by two reconstructions, a Provençal farmhouse or
2052: 856: 788: 5334:(Report) (in French). Paris: Ministry of Commerce, Industry, Posts and Telegraphs. French Republic. 1901 6881: 6351: 5917: 5733: 4342:, "A Small Nation of People: W.E.B. Du Bois and Black Americans at the Turn of the Twentieth Century", 3655: 3589: 3439: 3263: 1664:
presented itself with a 550 square metres (5,900 sq ft) pavilion resembling a church, in the
3270:, and in the portal of the Palace of National Manufacturers made by the Sèvres Porcelain Manufactory. 7082: 6931: 6916: 6886: 6846: 6776: 6023: 5721: 5671: 3473: 2683:
in the architectural styles of India, China, Cambodia, Japan and Renaissance Europe. It consisted in
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The United States pavilion was modest, a variation on the United States Capitol Building designed by
903: 840: 267: 3516: 3309: 422:. Its purpose was to promote French commerce, technology and culture. It was followed by another in 6871: 6411: 5819: 5810: 4558: 3531:
is a 2000 recreation. None of the three pavilion-type entrances designed by Guimard have survived.
3500:, though the latter was later dismantled and moved a few dozen meters from its original placement. 2832: 1812: 1644: 1635: 1253: 728:
Austria, Bosnia-Herzegovina and Hungary participated as independent nations, although belonging to
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The Pont Alexandre III with the Grand Palais (left) and the Petit Palais (right) in the background
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was built in Saint-Petersburg, and was dedicated to French-Russian friendship by French President
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Exposition universelle internationale de 1900 à Paris. Rapport général administratif et technique
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of ten major expositions held in the city between 1855 and 1937. It was held at the esplanade of
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The Art Nouveau style was very popular in the pavilions of decorative arts. The jewelry firm of
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Another special event at the exposition was a gigantic banquet hosted by the French President,
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The Palais des Illusions created a show of optical illusions with mirrors and lighting effects.
733: 685: 5105:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4697:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4161:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4053:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 2321: 1467:
Pavilion of Agriculture and Food, inside the former Palace of Machines of the 1889 Exposition.
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ceramics firm that made it, Émile Müller, and moved to what is now Parc Müller in the town of
6210: 6080: 5653: 3636: 3565: 2741: 1929: 1611: 1589: 1034: 542: 263: 5944: 5371: 3535: 3125: 2907:, the son of Napoleon Bonaparte, played to full houses in her theater during the exposition. 2559: 391: 7027: 6946: 6495: 6396: 5871: 5835: 5747: 5437: 4339: 3849: 3600: 3129: 2934: 2543: 2302: 2229: 1412: 1130: 1106: 1001: 961: 941: 336: 299: 291: 5362: 4941:
Gontar, Cybele. (2006), "Art Nouveau", Heilbrunn Timeline of Art History. Retrieved from:
2852: 46: 8: 7148: 6987: 6977: 6836: 6673: 6232: 6165: 6140: 6130: 5762: 5627: 3814: 3508: 2651: 2401: 2344:
Quai d'Orsay-Pont des Invalides station of the moving sidewalk near the Pavilion of Italy
1401:. After the exposition it was moved to the wall of Square Felix-Déésroulles, next to the 1331: 1327: 690: 650: 5801: 5538: 2859:
Another popular diversion during the exposition was the theater of the American dancer,
2453: 279: 153: 6866: 5891: 5886: 5881: 5640: 5134: 4726: 4190: 4082: 3714: 3554: 3497: 3493: 3141: 3121: 3104: 3089: 2848: 2684: 2277: 2146: 2075: 2013: 1581: 1577: 1557: 1545: 1509: 1026: 977: 836: 784: 737: 655: 383: 308: 2499:, a simulated voyage in a balloon with motion pictures projected on a circular screen. 1939:, with a supplement of Korean goods from Korea. One object of note on display was the 1874: 1673: 1552:. The goal of the exhibition was to demonstrate progress and commemorate the lives of 7212: 6896: 6431: 5939: 5608: 5550: 5280: 5270: 5253: 5230: 5215: 5200: 5189: 5174: 5126: 4803: 4718: 4463: 4386: 4344:
A Small Nation of People: W. E. B. Du Bois and African American Portraits of Progress
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were exhibited. The pavilion basement housed a Spanish-themed café-restaurant, named
1569: 1513: 1150: 944:, was the main entrance of the exposition. The architect of the monument overall was 896: 844: 820: 792: 675: 631: 557: 439: 402:; all of them remaining today, including two original canopied entrances by Guimard. 287: 161: 4942: 2819:
amusements, including music venues, a comedy theater, marionettes, American jazz, a
2551: 1683: 6658: 6371: 6055: 5967: 5595: 5480: 5313: 5116: 4708: 4614: 4378: 4306: 4290: 4172: 4064: 3760: 3639:. It was threatened with demolition in the 1960s but was saved by culture minister 3577: 3569: 3286: 3220: 2864: 2680: 2242:
110 metres (360 ft) high, which took its name from a similar wheel created by
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The 1900 Olympic Games: Results for All Competitors in All Events, with Commentary
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The Palace of National Manufacturers (left), with the Italian pavilion in distance
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La Ruche, an artist's colony composed of pieces of different exposition buildings
3402: 3293:. Their display at the exposition brought the new style international attention. 3216: 3137: 2900: 2851:, imprisoned by his unloving mother and family until his melancholy death in the 2828: 2515:
simulated a sea voyage, complete with rocking ship and unrolling painted scenery.
1925: 1639: 1619: 1593: 1565: 1505: 1317: 985: 729: 581: 567: 507: 387: 352: 255: 246: 7222: 5246: 5037:, 1999, rev. 2011, p. 3, at Association pour l'histoire des chemins de fer 3066: 2692: 1951:
had its pavilion near the Eiffel Tower and was designed by Henri-Jules Saladin.
458: 3822: 3810: 3612: 3608: 3313: 3255: 3153: 3108: 2840: 2708: 2688: 2091: 2029: 2021: 1798: 1746: 1651:, that was the first restaurant in History with a completely electric kitchen. 1627: 1601: 1142: 848: 816: 760: 748: 741: 705: 660: 399: 312: 5443: 5415: 5387: 5353: 5284: 4414:
España en París. La imagen nacional en las Exposiciones Universales, 1855-1900
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and have been preserved to this day, including two original canopied ones: at
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Beginning of the balloon event at the 1900 Summer Olympics (Bois de Vincennes)
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athletes won the second largest number, with just 75 of the 997 athletes. The
2835:), and premiered one of her most famous roles during the exposition. This was 2760:, a Venetian canal with gondolas, a Russian village and a Japanese tea house. 1055: 1042:(The Renowned), female figures with trumpets, and gilded statues of the horse 7274: 7256: 7243: 6688: 6585: 6570: 6555: 6540: 6520: 6500: 6490: 6421: 5934: 5697: 5542: 5534: 5465: 5409: 5257: 5130: 4722: 4186: 4078: 3624: 3401:
The Bigot pavilion, showcasing the work of Art Nouveau ceramics manufacturer
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The German pavilion was the tallest, at 76 metres (249 ft), designed by
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Nymph lamp by Egide Rombaux & François Hoosemans made for the exposition
3096:, added the Paris award to the advertisements and labels of their products. 2368:
The first ever trolleybuses in regular passenger service (Bois de Vincennes)
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that was decorated with pictures and furniture. The furnishings designed by
363:
power through numerous pavilions built on the hill of the Trocadéro Palace.
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The monumental portal of the Palace of National Manufacturers, made by the
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The Grande Roue at the Paris Exposition could carry 1600 passengers at once
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peacocks, and poppies into the design alongside other animalistic stimuli.
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Art nouveau in fin-de-siècle France : politics, psychology, and style
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fountain was illuminated at night by continually changing colored lights.
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by African Americans, photographs from several educational institutions (
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Many technological innovations were displayed at the Fair, including the
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https://Secure.gravatar.com/Avatar/C9e8c4f79e6a7ed9d23957380b5c3606?s=40
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https://Secure.gravatar.com/Avatar/C9e8c4f79e6a7ed9d23957380b5c3606?s=20
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The Globe Céleste was featured in an advertisement for Suchard Chocolate
2005:
highlighted its exotic varieties of wood and its rich mineral deposits.
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Fahr-Becker, Gabriele (2015). L'Art Nouveau (in French). H.F. Ullmann.
3958:, Great Britain: Cassell & Collier Macmillan Publishers, pp. 7–107. 3458: 3416: 3278: 3259: 3133: 2716: 2712: 2679:
was an animated panorama journey from Europe to Japan in a building by
2332:. It was the first trolleybus in regular passenger service in History. 2317: 2309: 2173: 2067: 1047: 981: 964:
who collaborated with Paris' pre-eminiment haute couturier of the day,
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The Netherlands displayed the exotic culture of its crown colony, the
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and held them for several weeks until an expeditionary force from the
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Hector Guimard's original Art Nouveau entrance of the Paris Métro at
2736: 2732: 2534: 2447: 2356:
Viaducts of the electric train (left) and the moving sidewalk (right)
2271: 1903: 1416: 956:. Unlike classical statues, she was dressed in modern Paris fashion. 747:
Among the colonies and protectorates present in the Fair were French
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The Burton Holmes lectures; v.2. Round about Paris. Paris exposition
5332:
Liste des récompenses : Exposition universelle de 1900, à Paris
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The exposition had numerous critics from different points of view.
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Another very popular feature of the Palace of Optics was the giant
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Lahor, Jean (2007) . L'Art nouveau (in French). Baseline Co. Ltd.
3616: 3538:, was preserved and moved to Square Felix-Desruelles, next to the 3077: 2724: 2062:. The pavilion displayed a faithful reconstruction of 8th-century 1230:
The Palace of Electricity (behind) and the Water Castle (in front)
30:"Paris Exposition, 1900" redirects here. For the film series, see 6426: 6416: 6391: 6376: 6361: 6215: 6205: 5727: 5475: 3201: 3197: 2749: 2594: 2563: 1948: 1907: 1201: 1043: 800: 611: 591: 537: 532: 512: 502: 4947: 2949: "International physical exercises and sports competition" 2831:, who had her own theater, The Théâtre Sarah Bernhardt (now the 1556:
at the turn of the century. The exhibit included a statuette of
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Planning for the 1900 Exposition began in 1892, under President
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The North African French colonies were especially present; The
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United States section at the Palace of Furniture and Decoration
606: 5375: 4359:, Vol. 2 (Washington, D.C.: Government Printing Office, 1901). 3039:
A combined Swedish-Danish team defeated France in the Olympic
1504:
At the Rue des Nations, on the left bank of the Seine, on the
1342:
Exposition rétrospective de l'art français des origines à 1800
27:
World's Fair held in Paris, France (14 April–12 November 1900)
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A Meeting in the Royal Danish Academy of Sciences and Letters
5554: 5546: 5383:(search results). A set of films by Edison from the Expo 1900 5366: 5300:
Fleeting Cities. Imperial Expositions in Fin-de-Siècle Europe
3975: 3973: 3424: 3144:, and the new facade and enlargement and redecoration of the 2753: 2538: 2459:
An even more ambitious experiment in motion pictures was the
2150: 2017: 1941: 1761:
Pavilion of the United States by Coolidge and Morin-Goustiaux
418:
attended and was deeply impressed. He commissioned the first
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for the west wing, or Palais d'Antin. The iron frame of the
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of the 1855 Exposition. It was the work of two architects,
641: 4765: 3970: 3193:, and in the portal of the Palace of National Industries. 1945:, the oldest extant book printed with movable metal type. 1479:
The Champagne Palace at the Palace of Agriculture and Food
1455:
Austrian section at the Palace of Furniture and Decoration
1206:
The Palace of Electricity and the adjoining Water Castle (
5484: 4636: 4516: 4514: 4512: 4510: 4508: 4444:"Serbia and Yugoslavia at the World Fairs (1): 1885-1939" 3366:
for the restaurant of the Bosnia and Herzegovina pavilion
2942:
Concours internationaux d'exercices physiques et de sport
1548:, a lawyer and the primary organizer of the exhibit, and 1411:
The Palace of Agriculture and Food was inside the former
4996: 4994: 4681: 4679: 4677: 3515:, on its original site and with the wall panels, and at 2664:
which reconstructed certain Roman ruins and part of the
2206:
Aerial view of the exposition including the Eiffel Tower
426:, and, after the Emperor's downfall in 1870, another in 4242: 4240: 2888:
had her own theater in Paris during the 1900 Exposition
2562:
and a 80 m (260 ft) tall reproduction of the
1827:
Pavilion of Monaco by Jean Marquet and François Medecin
1785:
Pavilion of Belgium by Ernest Acker and Gustave Maukels
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all presented collections of Art Nouveau objects. The
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was won by a bird that flew from Paris to its home in
2827:
The most celebrated actress during the exposition was
1297:
Exposition centennale de l'art français de 1800 à 1889
366:
Major structures built for the exposition include the
4991: 4895: 4893: 4674: 740:, also with an own pavilion, participated as part of 430:, celebrating national unity after the defeat of the 5372:
Universal and International Exhibition of Paris 1900
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at the Palace of Social Economy, a joint project of
1235: 449:, with Alfred Picard as Commissioner-General. Three 359:
style. Additionally, it showcased France as a major
5472:"Unrecognizable Paris: The Monuments that Vanished" 5109:
RACAR: Revue d'art canadienne / Canadian Art Review
4920: 4701:
RACAR: Revue d'art canadienne / Canadian Art Review
4584:. Washington, D.C.: Smithsonian Institution: 20–21. 4541:"Paris 1900 - Korea - Foreign Nations and Colonies" 4165:
RACAR: Revue d'art canadienne / Canadian Art Review
4149:, New York, New York: Larousse & Co, pp. 38–83. 4057:
RACAR: Revue d'art canadienne / Canadian Art Review
1388:
The Palaces of Industry, Decoration and Agriculture
1252:, was built on the right bank upon the site of the 1070:
View of the Pont Alexandre III toward Les Invalides
5318:(in French). Paris: Ludovic Baschet, éditeur. 1900 5245: 5002:The Triumph of Art Nouveau: Paris exhibition, 1900 4979: 4890: 2272:The moving sidewalk, electric train and electrobus 1292:Exposition décennale des beaux-arts de 1889 à 1900 1250:Grand Palais des beaux-arts et des arts decoratifs 5302:, Basingstoke/New York: Palgrave Macmillan, 2010. 4943:http://www.metmuseum.org/toah/hd/artn/hd_artn.htm 4147:The Triumph of Art Nouveau: Paris Exhibition 1900 3580:, Belgium. Marcel rebuilt there the Japanese red 3505:Compagnie du chemin de fer métropolitain de Paris 2238:was a very popular attraction. It was a gigantic 355:. It also brought international attention to the 7272: 5468:and 10 seconds of Chateau d'Eau from Tour Eiffel 3865:Mexico at the 1900 Universal Exhibition in Paris 3705:A 2.87 metres (9 ft 5 in) copy of the 3545:A 2.87 metres (9 ft 5 in) copy of the 3160: 3015:Gymnasts at opening ceremony (Bois de Vincennes) 2218:View of the Champ de Mars under the Eiffel Tower 1668:whose main architect was Milan Kapetanović from 286:between them, with an additional section in the 4823: 4667:Edges of Empire: Orientalism and Visual Culture 4663: 4219: 3615:, originally covered the kiosk of the Wines of 1610:The British Royal pavilion consisted of a mock- 940:The Porte Monumentale de Paris, located on the 410:The first international exposition was held in 5315:Le Panorama : Exposition universelle 1900 4612: 3813:documenting the exposition by French director 1363:central hall with the exhibition of sculptures 1202:The Palace of Electricity and the Water Castle 6008: 5784: 5756: 5684: 5647: 5602: 5505: 5417:1900 Panoramic view of the Place de l'Concord 4631: 4410: 4222:Encyclopedia of World's Fairs and Expositions 3124:; and additions to the transport system; The 3099: 3072: 2928: 1397:and architect Charles Risler and made by the 1121:The Palaces of Optics, Illusions and Aquarium 1094:View of the Seine from the Pont Alexandre III 4795: 4574:"Elevator Systems of the Eiffel Tower, 1889" 4468:: CS1 maint: multiple names: authors list ( 4311:(in French). Ludovic Baschet, éditeur. 1900. 4295:(in French). Ludovic Baschet, éditeur. 1900. 4279:(in French). Ludovic Baschet, éditeur. 1900. 4022:. Berkeley: University of California Press. 3520: 3485: 3477: 3383: 3236: 3235:. Some of his murals can be seen now in the 3228: 3186: 3178: 1896: 1560:, four bound volumes of nearly 400 official 1376: 1356: 1335: 1321: 1311: 1303: 1285: 1265: 1241: 1210:), designed by architects Eugène Hénard and 888: 880: 375: 367: 5171:Sur les traces des Expositions Universelles 4141: 4139: 4137: 4135: 4133: 4131: 4129: 4101:Sur les traces des Expositions Universelles 2813: 2223: 2012:pavilion was a miniature recreation of the 1975:Pavilion of China by Louis Masson-Détourbet 6015: 6001: 5512: 5498: 4472:) CS1 maint: numeric names: authors list ( 4383:10.1093/odnb/9780198614128.013.90000382475 4333: 4127: 4125: 4123: 4121: 4119: 4117: 4115: 4113: 4111: 4109: 3950: 3948: 3946: 3944: 3942: 3940: 3938: 3910:Sur les traces des Exposition universelles 3770:The controversial gateway became known as 3742: 3378:Bosnia and Herzegovina pavilion murals by 1987:Pavilion of Morocco by Henri-Jules Saladin 45: 5519: 5264: 5120: 4937: 4935: 4783: 4712: 4411:Lasheras Peña, Ana Belén (2 March 2010). 4355:Thomas Calloway, "The Negro Exhibit", in 4176: 4068: 4015: 3989: 3987: 3985: 3936: 3934: 3932: 3930: 3928: 3926: 3924: 3922: 3920: 3918: 3795: 3553:exhibited at the Fair, was placed in the 3200:and the glass and crystal manufactory of 2699:hill in Athens (Greece), the cemetery of 2520: 1733:, Costantino Gilodi and Giacomo Salvadori 1020: 918:Aerial view of the Exposition Universelle 347:(the first magnetic audio recorder), the 5227:Alphonse Mucha - the Artist as Visionary 5052:"History of The Museums of the Far East" 4615:"Les trottoirs roulants de l'Exposition" 4215: 4213: 3827: 3103: 3076: 1183:Great Paris Exhibition Telescope of 1900 1015:Detail of the Porte Monumentale entrance 935: 478: 5576: 5476:Messy Nessy Cabinet of Chic Curiosities 5436:1 minute 39 seconds film pan shot from 5243: 4802:. McFarland & Company. p. 11. 4771: 4375:Oxford Dictionary of National Biography 4224:. McFarland & Company. p. 150. 4106: 3527:in 1974). A third canopied entrance at 3111:for the Exposition Universelle de 1900. 1544:, the Assistant Librarian of Congress, 1260:for the main body of the building, and 875:(built for the 1889 Exposition) at the 14: 7273: 5740:The Seine at Port-Marly, Piles of Sand 5634: 5615: 5102: 4932: 4694: 4670:. Oxford: Blackwell. pp. 181–205. 4578:United States National Museum Bulletin 4220:Brown, Robert W (2008). "Paris 1900". 4158: 4050: 3982: 3967:Mabire, Jean Christophe (2000), p. 31. 3915: 3246:The most famous appearance was in the 1705:, had clean-cut, modern architecture. 1523: 6022: 5996: 5622:The Proclamation of Dušan's Law Codex 5589: 5493: 5024:Ministry of Culture and Communication 4855: 4843:from the original on 6 September 2015 4743: 4571: 4436:, <img Data-Lazy-Fallback="1" Alt= 4368: 4210: 3839:1900 Paris Exposition footage montage 3782:The American memoirist and historian 3557:in 1905 at the request of his widow. 3419:hallway from the German pavilion, by 3060: 2739:. It was funded and sponsored by the 1992: 1701:The pavilion of Finland, designed by 1679:The Proclamation of Dušan's Law Codex 1484: 1099: 245: 6035:Bureau International des Expositions 5363:Exposition Universelle 1900 in Paris 5267:Sarah Bernhardt: Madame "quand même" 5224: 4985: 4831:"The Olympic Summer Games Factsheet" 4559:"Les points sur les i - Madame Choi" 3599:One of the most curious vestiges is 2373: 1963:Pavilion of Russia by Robert Meltzer 1922:seized the International delegations 496: 438:, celebrating the centennial of the 32:Paris Exposition, 1900 (film series) 7211: Postponed to 2021 due to the 6917:British Empire Exhibition 1924–1925 5028:"Le patrimoine ferroviaire protégé" 4878:from the original on April 26, 2019 4836:. International Olympic Committee. 3713:, exhibited in 1900, placed in the 3643:. It is now a historical monument. 2945: 2742:Compagnie des messageries maritimes 2620: 2529: 2483:Poster for the Phono-Cinema Theater 2467:Another popular attraction was the 2464:suspended beneath a large balloon. 2287: 315:, the first ever regular passenger 77:International Recognized Exhibition 24: 5716:Greece on the Ruins of Missolonghi 5678:Struggle of the Two Natures in Man 5307:Paris 1900: The great world's fair 5292: 4958:"ArtfixDaily.com ArtGuild Members" 4746:"Paris 1900 - World Tour Panorama" 3882: 3136:, and two new train stations, the 2437: 2068:Indonesian vernacular architecture 1910:and other Russian dependencies in 1508:, overlooking the river, from the 862: 420:Paris Universal Exposition of 1855 250:), better known in English as the 25: 7327: 5347: 5214:(in French) (2019), L.Harmattan. 4346:. New York: Amistad, 2003. 24–49. 3870:Grande fresque de la gare de Lyon 3492:, and the two major bridges, the 2244:George Washington Gale Ferris Jr. 1236:The Grand Palais and Petit Palais 1157:selection of exotic marine life. 473:Opening ceremony on 14 April 1900 7221: 5908:Chemin de fer de Petite Ceinture 5212:L'Exposition Universelle de 1900 4538: 4489:"EXPO Serbia | Istorijat Srbija" 3777: 3722: 3698: 3683: 3671: 3648: 3450: 3431: 3409: 3394: 3371: 3355: 3343: 3324: 3298: 3048: 3032: 3020: 3008: 2893: 2877: 2868:330-degree picture, patented by 2801: 2789: 2777: 2765: 2650:, using their pre-revolutionary 2601: 2586: 2571: 2526:L'Andalousie au temps des Maures 2504: 2488: 2476: 2425: 2409: 2361: 2349: 2337: 2326:Porte de Vincennes metro station 2259: 2211: 2199: 2157: 2134: 2118: 2102: 2083: 1980: 1968: 1956: 1881: 1862: 1847: 1832: 1820: 1805: 1790: 1778: 1766: 1754: 1738: 1722: 1710: 1672:, in cooperation with architect 1472: 1460: 1448: 1436: 1424: 1368: 1349: 1223: 1189: 1174: 1169:Entrance of the Palace of Optics 1162: 1127:Great Paris Exposition Telescope 1087: 1075: 1063: 1008: 993: 923: 911: 466: 6968:Bryant Park, New York City 1853 5790:The Exhibit of American Negroes 5452:from the original on 2021-11-17 5424:from the original on 2021-11-17 5396:from the original on 2021-11-17 5244:Skinner, Cornelia Otis (1967). 5163: 5145: 5096: 5093:, 14 May 1901 and 23 April 1901 5084: 5075: 5044: 5016: 5007: 4911: 4902: 4864: 4789: 4756: 4737: 4688: 4657: 4648: 4625: 4606: 4597: 4588: 4565: 4551: 4532: 4523: 4481: 4425: 4404: 4362: 4349: 4324: 4315: 4299: 4283: 4267: 4258: 4249: 4228: 4201: 4152: 3540:Abbey of Saint-Germain-des-Prés 2953:International Olympic Committee 2188: 1538:The Exhibit of American Negroes 1403:Abbey of Saint-Germain-des-Prés 405: 5748:Palace of Agriculture and Food 5704:A Cotton Office in New Orleans 5252:. New York: Houghton-Mifflin. 4613:Blaizot, Denis (26 May 1900). 4093: 4044: 4009: 3961: 3902: 3786:wrote about the exposition in 2180: 1405:, where it can be seen today. 247:[ɛkspozisjɔ̃ynivɛʁsɛl] 239:Exposition Universelle of 1900 13: 1: 7311:Festivals established in 1900 7281:Exposition Universelle (1900) 5752:Palace of Diverse Industries 5269:. Paris: Éditions Télémaque. 5081:Ageorges (2006), pp. 124–125. 4645:Ageorges (2006), pp. 110–111. 4529:Ageorges (2006), pp. 116–117. 4264:Ageorges (2006), pp. 113–114. 3979:Ageorges (2006), pp. 104-105. 3895: 3161:Art Nouveau at the exposition 2979:, a 200 metres (660 ft) 2305:and engineer Max E. Schmidt. 1890:Gesellius, Lindgren, Saarinen 1703:Gesellius, Lindgren, Saarinen 859:and the Portuguese colonies. 226:Louisiana Purchase Exposition 212:Brussels International (1897) 5464:2 minute film pan shot from 5445:1900 Esplanade des Invalides 5408:1 minute film pan shot from 4438:; #038;d=identicon; Srcset=' 3875: 3819:Edison Manufacturing Company 3789:The Education of Henry Adams 3734: 3206:Sèvres Porcelain Manufactory 3082:Michigan Stove Company label 2660:and a reconstruction called 2388:was an immense globe-shaped 2248:World's Columbian Exposition 1688:Monument to heroes of Kosovo 1399:Sèvres Porcelain manufactory 7: 5841:Paris 1900 chess tournament 4377:, Oxford University Press, 3843: 3603:, at 2 Passage de Dantzig ( 2291: Street of the future 984:and executed by ceramicist 10: 7332: 5981:Verset laïque et somptueux 5734:Portrait of Alphonse Leroy 5389:1900 Palace of Electricity 5265:Tierchant, Hélène (2009). 5169:Ageorges, Sylvain (2006), 4369:Hulse, Lynn (2024-07-11), 4016:Silverman, Debora (1989). 3799: 3551:Frédéric Auguste Bartholdi 3100:Admission charges and cost 3073:Medals and awards ceremony 2932: 2929:1900 Summer Olympics Games 2578:Poster from a painting by 2441: 2377: 2316:An experimental passenger 2275: 2227: 191:12 November 1900 86:L'Exposition de Paris 1900 29: 7207: 7167: 7096: 6955: 6714: 6646: 6615: 6606: 6479: 6280: 6174: 6044: 6030: 5960: 5900: 5849: 5828: 5780:Palace of Social Economy 5722:Haymaking in the Auvergne 5563: 5527: 5298:Alexander C. T. Geppert: 5210:Mabire, Jean-Christophe, 5173:(in French), Parigramme. 4762:Mabire (2000), pp. 80–81. 4603:Mabire (2000), pp. 87–89. 4572:Vogel, Robert M. (1961). 4520:Mabire (2000), pp. 62–63. 4145:Jullian, Philipe (1974), 3860:Paris in the Belle Époque 3763:'s infamous Carthaginian 3611:. The iron roof, made by 3586:Panorama du Tour du Monde 3562:Panorama du Tour du Monde 3521: 3486: 3478: 3466: 3438:The 1900 interior of the 3384: 3237: 3229: 3187: 3179: 2912: 2863:, who performed a famous 2808:Panorama du Tour du Monde 2677:Panorama du Tour du Monde 1897:Nations located elsewhere 1873:by Milan Kapetanović and 1574:Roger Williams University 1534:Charles Allerton Coolidge 1377: 1357: 1336: 1322: 1312: 1304: 1286: 1266: 1242: 1000:Porte Monumentale on the 960:was executed by sculptor 889: 881: 841:Saint Pierre and Miquelon 390:railroad station and the 376: 368: 221: 207: 202: 187: 172: 167: 140: 132: 124: 119: 111: 106: 98: 90: 82: 72: 61: 56: 44: 39: 5811:The Defense of the Sampo 5004:(London: Phaidon, 1974). 4917:Ageorges (2006), p. 105. 4872:"1900 Paris Medal Tally" 4654:Ageorges (2006), p. 112. 4330:Ageorges (2006), p. 123. 4321:Ageorges (2006), p. 127. 4255:Ageorges (2006), p. 110. 4207:Ageorges (2006), p. 118. 3277:, designs of the German 2940:Games" was replaced by " 2843:in which she played the 2814:Theatres and music halls 2224:The Grande Roue de Paris 1749:by Adrien-René Dubuisson 1694:, which stands today in 1614:mansion designed by Sir 282:and at the banks of the 94:216 hectares (530 acres) 7306:Art Nouveau exhibitions 7088:New York City 1964–1965 7078:San Francisco 1939–1940 6963:New York City 1826–1897 5820:Royal Pavilion of Spain 5710:Le Déjeuner sur l'herbe 5466:Esplanade des Invalides 5057:Museums of the Far East 4419:University of Cantabria 4417:(Thesis) (in Spanish). 3660:Museums of the Far East 3594:Museums of the Far East 3338:made for the exposition 3250:of the stations of the 2772:Le Vieux Paris exterior 2546:reproductions from the 2039:The French colonies of 1937:Victor Collin de Plancy 1888:Pavilion of Finland by 1813:Royal Pavilion of Spain 1797:Pavilion of Germany by 1636:Royal Pavilion of Spain 1334:. During the Fair, the 1031:Alexander III of Russia 879:. It also included the 176:14 April 1900 7316:World's fairs in Paris 6638:Johannesburg 1936–1937 5974:Paris Exposition, 1900 5013:Ageorges (2006) p. 130 4685:Mabire (2000), p. 177. 4246:Mabire (2000), p. 116. 3954:Allwood, John (1977), 3855:French Colonial Empire 3840: 3802:Paris Exposition, 1900 3796:Motion picture footage 3219:and the perfume maker 3112: 3094:Michigan Stove Company 3084: 2981:swimming obstacle race 2521:World live recreations 2113:by Henri-Jules Saladin 1854:Pavilion of Greece by 1839:Pavilion of Sweden by 1815:by José Urioste Velada 1590:North Carolina A&T 1021:The Pont Alexandre III 686:South African Republic 518:Bosnia and Herzegovina 490:Participating nations 18:1900 World's Fair 7023:Portland, Oregon 1905 6679:Taihoku (Taipei) 1935 5930:Gare du Champ de Mars 5666:The Little White Girl 5521:1900 Paris Exposition 5225:Sato, Tamako (2015). 5103:Dymond, Anne (2011). 4929:Mabire (2000), pp. 51 4908:Mabire (1900), p. 44. 4899:Mabire (2000), p. 46. 4796:Mallon, Bill (2009). 4695:Dymond, Anne (2011). 4619:La Revue Scientifique 4594:Mabire (2000), p. 86. 4234:Mabire (2000), p. 89. 4159:Dymond, Anne (2011). 4051:Dymond, Anne (2011). 3956:The Great Exhibitions 3838: 3743:The Porte Monumentale 3637:Guillaume Apollinaire 3566:Leopold II of Belgium 3107: 3080: 2715:(Egypt), Ceylon, the 2711:(Turkey), Syria, the 1930:Eight-Nation Alliance 1729:Pavilion of Italy by 1666:Serbo-Byzantine style 1310:, that is facing the 936:The Porte Monumentale 930:Map of the exposition 479:Participating nations 455:Ministers of Commerce 414:. The French Emperor 337:electric fire engines 252:1900 Paris Exposition 243:French pronunciation: 203:Universal expositions 7301:1900 Summer Olympics 7159:Wellington 1939–1940 7018:Charleston 1901–1902 6978:Louisville 1883–1887 6699:Chiang Mai 2011–2012 6566:Chiang Mai 2006–2007 5836:1900 Summer Olympics 5806:Pavilion of Finland 5448:. Thomas A. Edison. 5438:Place de la Concorde 5420:. Thomas A. Edison. 5392:. Thomas A. Edison. 5305:Richard D. Mandell, 5229:. Cologne: Taschen. 4340:David Levering Lewis 3850:Art Nouveau in Paris 3509:historical monuments 3308:station entrance at 3148:and other stations. 2935:1900 Summer Olympics 2544:moorish architecture 2420:and the Eiffel Tower 2303:Joseph Lyman Silsbee 2236:Grande Roue de Paris 2230:Grande Roue de Paris 1413:Galerie des machines 1131:refracting telescope 1107:Galerie des machines 1002:Place de la Concorde 962:Paul Moreau-Vauthier 942:Place de la Concorde 300:Grande Roue de Paris 292:1900 Summer Olympics 68:Universal exposition 7253: /  7195:Rio de Janeiro 1922 7068:Cleveland 1936–1937 7058:San Diego 1935–1936 7043:San Diego 1915–1917 6633:Kimberley 1892–1893 6556:Haarlemmermeer 2002 6201:Port-au-Prince 1949 5654:Colonel Thomas Cass 5628:The Takovo Uprising 4962:www.artfixdaily.com 4786:, pp. 287–288. 4774:, pp. 260–261. 4421:. pp. 449–474. 3908:Ageorges, Sylvain, 3666:, Brussels, Belgium 3605:15th arrondissement 3560:After visiting the 2985:underwater swimming 2833:Théâtre de la Ville 2719:temple (Cambodia), 2685:panoramic paintings 2537:In The Time Of The 2402:reinforced concrete 2322:Louis Lombard-Gérin 1919:anti-Western rebels 1524:The Rue des Nations 1332:Paul Albert Laurens 1328:Paul-Albert Besnard 7257:48.8561°N 2.2978°E 7149:Auckland 1913–1914 6993:San Francisco 1894 6654:Calcutta 1883–1884 6484:exhibitions (AIPH) 6196:New York 1939–1940 6151:San Francisco 1915 5887:Pont Alexandre III 5882:Passerelle Debilly 5641:Out into the World 5033:2018-04-15 at the 5000:Philippe Jullian, 4744:Rousselet, Louis. 4448:The Nutshell Times 4099:Ageorges, Sylvan. 3841: 3715:Luxembourg Gardens 3588:(now known as the 3555:Luxembourg Gardens 3536:Sèvres Manufactory 3498:Passerelle Debilly 3494:Pont Alexandre III 3336:Sèvres Manufactory 3266:restaurant of the 3171:Belle Epoque style 3142:Gare des Invalides 3126:Paris Métro Line 1 3122:Passerelle Debilly 3113: 3085: 3061:Banquet des maires 2849:Napoleon Bonaparte 2608:Recreation of the 2560:Alcázar of Seville 2320:line, designed by 2014:Sidi Mahrez Mosque 1993:Colonial pavilions 1924:in Beijing in the 1582:Claflin University 1578:Tuskegee Institute 1558:Frederick Douglass 1546:Thomas J. Calloway 1510:Pont des Invalides 1485:National pavilions 1316:, was designed by 1254:Palace of Industry 1100:Thematic pavilions 1027:Pont Alexandre III 978:Breuillet, Essonne 847:, British Canada, 392:Paris Métro Line 1 384:Pont Alexandre III 333:dry cell batteries 7236: 7235: 7213:COVID-19 pandemic 7203: 7202: 7190:Buenos Aires 1910 7144:Christchurch 1906 7053:Philadelphia 1926 6463:Buenos Aires 2023 6081:Philadelphia 1876 6024:World exhibitions 5990: 5989: 5901:Urban development 5769:Palace of Optics 5660:The Great God Pan 5551:Bois de Vincennes 5365:. Photographs at 5276:978-2-7533-0092-7 5236:978-3-8365-5009-3 5205:978-1-85995-667-0 5194:978-3-8480-0857-5 5155:. 30 August 2016. 5122:10.7202/1066739ar 4714:10.7202/1066739ar 4392:978-0-19-861412-8 4178:10.7202/1066739ar 4070:10.7202/1066739ar 3836: 3825:, have survived. 3707:Statue of Liberty 3629:Amedeo Modigliani 3547:Statue of Liberty 3334:swan vase by the 3130:funicular railway 2965:motorcycle racing 2919:Bois de Vincennes 2853:Schönbrunn Palace 2845:Duc de Reichstadt 2796:The Swiss Village 2374:The Globe Céleste 2166:Dutch East Indies 2145:- Replica of the 2129:- Buddhist Temple 2060:Dutch East Indies 1645:Royal Collections 1570:Howard University 1554:African Americans 1375:Courtyard of the 1248:, officially the 897:Bois de Vincennes 857:Western Australia 845:Dutch East Indies 726: 725: 721: 720: 632:Orange Free State 451:French Presidents 440:French Revolution 288:Bois de Vincennes 235: 234: 162:Bois de Vincennes 16:(Redirected from 7323: 7268: 7267: 7265: 7264: 7263: 7258: 7254: 7251: 7250: 7249: 7246: 7228:World portal 7226: 7225: 6983:New Orleans 1884 6747:London 1871–1874 6613: 6612: 6402:New Orleans 1984 6372:San Antonio 1968 6347:Helsingborg 1955 6017: 6010: 6003: 5994: 5993: 5968:Lafayette dollar 5802:Trocadéro Palace 5788: 5786: 5760: 5758: 5701: 5699: 5688: 5686: 5672:The Medicine Man 5651: 5649: 5638: 5636: 5625:first version - 5619: 5617: 5606: 5604: 5596:Sad Inheritance! 5593: 5591: 5580: 5578: 5541:, esplanade des 5514: 5507: 5500: 5491: 5490: 5485:Internet Archive 5474:, an article at 5463: 5458: 5457: 5435: 5430: 5429: 5407: 5402: 5401: 5343: 5341: 5339: 5327: 5325: 5323: 5288: 5261: 5251: 5240: 5179:978-28409-6444-5 5157: 5156: 5149: 5143: 5142: 5124: 5100: 5094: 5088: 5082: 5079: 5073: 5072: 5070: 5069: 5060:. 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E. B. Du Bois 1476: 1464: 1452: 1440: 1428: 1382: 1381: 1372: 1362: 1361: 1353: 1339: 1338: 1325: 1324: 1320:. Much like the 1315: 1314: 1309: 1308: 1289: 1288: 1273:Beaux-Arts style 1269: 1268: 1247: 1246: 1227: 1193: 1178: 1166: 1091: 1079: 1067: 1012: 997: 927: 915: 894: 893: 886: 885: 497: 487: 486: 470: 381: 380: 373: 372: 353:matryoshka dolls 249: 244: 198: 196: 183: 181: 49: 37: 36: 21: 7331: 7330: 7326: 7325: 7324: 7322: 7321: 7320: 7271: 7270: 7262:48.8561; 2.2978 7261: 7259: 7255: 7252: 7247: 7244: 7242: 7240: 7239: 7237: 7232: 7220: 7217: Cancelled 7199: 7163: 7092: 6951: 6912:Gothenburg 1923 6892:Kristiania 1914 6777:Copenhagen 1888 6732:Manchester 1857 6710: 6705:Udon Thani 2026 6642: 6608: 6602: 6541:Zoetermeer 1992 6483: 6481: 6475: 6352:Beit Dagan 1956 6284: 6282: 6276: 6178: 6176: 6170: 6048: 6046: 6040: 6026: 6021: 5991: 5986: 5956: 5896: 5892:Rue de l'Avenir 5845: 5824: 5783: 5774:Great Telescope 5755: 5696: 5683: 5646: 5633: 5614: 5601: 5588: 5575: 5559: 5545:, banks of the 5523: 5518: 5455: 5453: 5442: 5427: 5425: 5414: 5399: 5397: 5386: 5376:worldfairs.info 5350: 5337: 5335: 5330: 5321: 5319: 5312: 5295: 5293:Further reading 5277: 5237: 5166: 5161: 5160: 5151: 5150: 5146: 5101: 5097: 5089: 5085: 5080: 5076: 5067: 5065: 5050: 5049: 5045: 5038: 5035:Wayback Machine 5021: 5017: 5012: 5008: 4999: 4992: 4984: 4980: 4971: 4969: 4956: 4955: 4948: 4940: 4933: 4928: 4921: 4916: 4912: 4907: 4903: 4898: 4891: 4881: 4879: 4870: 4869: 4865: 4860: 4856: 4846: 4844: 4840: 4833: 4829: 4828: 4824: 4814: 4812: 4810: 4794: 4790: 4782: 4778: 4770: 4766: 4761: 4757: 4750:worldfairs.info 4742: 4738: 4693: 4689: 4684: 4675: 4662: 4658: 4653: 4649: 4644: 4637: 4630: 4626: 4611: 4607: 4602: 4598: 4593: 4589: 4570: 4566: 4561:. 28 July 2006. 4557: 4556: 4552: 4545:worldfairs.info 4537: 4533: 4528: 4524: 4519: 4506: 4497: 4495: 4487: 4486: 4482: 4461: 4460: 4452: 4450: 4430: 4426: 4409: 4405: 4397: 4395: 4393: 4367: 4363: 4354: 4350: 4338: 4334: 4329: 4325: 4320: 4316: 4305: 4304: 4300: 4289: 4288: 4284: 4273: 4272: 4268: 4263: 4259: 4254: 4250: 4245: 4238: 4233: 4229: 4218: 4211: 4206: 4202: 4157: 4153: 4144: 4107: 4103:(2004), p. 238. 4098: 4094: 4049: 4045: 4030: 4014: 4010: 4000: 3998: 3993: 3992: 3983: 3978: 3971: 3966: 3962: 3953: 3916: 3907: 3903: 3898: 3893: 3892: 3887: 3883: 3878: 3846: 3828: 3811:actuality films 3804: 3798: 3780: 3745: 3737: 3730: 3727: 3718: 3703: 3694: 3688: 3679: 3676: 3667: 3653: 3469: 3462: 3457:1893 facade of 3455: 3446: 3436: 3427: 3414: 3405: 3403:Alexandre Bigot 3399: 3390: 3382:(1900), now in 3376: 3367: 3360: 3351: 3348: 3339: 3329: 3320: 3303: 3217:Georges Fouquet 3163: 3102: 3090:Campbell's Soup 3083: 3075: 3063: 3056: 3053: 3044: 3037: 3028: 3025: 3016: 3013: 2948: 2937: 2931: 2925:was also held. 2915: 2908: 2901:Sarah Bernhardt 2898: 2889: 2882: 2829:Sarah Bernhardt 2816: 2809: 2806: 2797: 2794: 2785: 2782: 2773: 2770: 2623: 2612: 2606: 2597: 2591: 2582: 2576: 2532: 2523: 2516: 2509: 2500: 2493: 2484: 2481: 2450: 2442:Main articles: 2440: 2438:Motion pictures 2433: 2430: 2421: 2414: 2382: 2376: 2369: 2366: 2357: 2354: 2345: 2342: 2290: 2284:Rue de l'Avenir 2280: 2278:Rue de l'Avenir 2274: 2267: 2264: 2232: 2226: 2219: 2216: 2207: 2204: 2191: 2183: 2176: 2162: 2153: 2139: 2130: 2123: 2114: 2107: 2098: 2088: 1995: 1988: 1985: 1976: 1973: 1964: 1961: 1926:Boxer Rebellion 1899: 1892: 1886: 1877: 1875:Milorad Ruvidić 1867: 1858: 1852: 1843: 1837: 1828: 1825: 1816: 1810: 1801: 1795: 1786: 1783: 1774: 1771: 1762: 1759: 1750: 1743: 1734: 1727: 1718: 1715: 1692:Đorđe Jovanović 1674:Milorad Ruvidić 1640:Neo-Plateresque 1620:Nellie Whichelo 1594:Thomas E. Askew 1566:Fisk University 1526: 1487: 1480: 1477: 1468: 1465: 1456: 1453: 1444: 1441: 1432: 1429: 1390: 1383: 1373: 1364: 1354: 1318:Charles Girault 1238: 1231: 1228: 1204: 1197: 1194: 1185: 1181:Diagram of the 1179: 1170: 1167: 1123: 1102: 1095: 1092: 1083: 1080: 1071: 1068: 1023: 1016: 1013: 1004: 998: 986:Alexandre Bigot 938: 931: 928: 919: 916: 865: 863:Exposition site 730:Austria-Hungary 722: 481: 474: 471: 408: 313:moving sidewalk 309:Rue de l'Avenir 242: 194: 192: 179: 177: 156:, banks of the 52: 35: 28: 23: 22: 15: 12: 11: 5: 7329: 7319: 7318: 7313: 7308: 7303: 7298: 7293: 7291:1900 in France 7288: 7286:1900 festivals 7283: 7234: 7233: 7231: 7230: 7218: 7215: 7208: 7205: 7204: 7201: 7200: 7198: 7197: 7192: 7187: 7182: 7177: 7171: 7169: 7165: 7164: 7162: 7161: 7156: 7151: 7146: 7141: 7136: 7134:Melbourne 1888 7131: 7126: 7121: 7116: 7114:Melbourne 1875 7111: 7106: 7104:Melbourne 1866 7100: 7098: 7094: 7093: 7091: 7090: 7085: 7080: 7075: 7070: 7065: 7060: 7055: 7050: 7045: 7040: 7038:Knoxville 1913 7035: 7030: 7028:Jamestown 1907 7025: 7020: 7015: 7010: 7005: 7003:Nashville 1897 7000: 6995: 6990: 6985: 6980: 6975: 6970: 6965: 6959: 6957: 6953: 6952: 6950: 6949: 6947:Stockholm 1943 6944: 6939: 6934: 6929: 6927:Stockholm 1930 6924: 6919: 6914: 6909: 6907:Marseille 1922 6904: 6899: 6894: 6889: 6884: 6879: 6874: 6869: 6864: 6859: 6854: 6849: 6844: 6839: 6837:Marseille 1906 6834: 6829: 6824: 6819: 6814: 6812:Stockholm 1897 6809: 6804: 6799: 6794: 6789: 6787:Frankfurt 1891 6784: 6779: 6774: 6769: 6767:Liverpool 1886 6764: 6762:Amsterdam 1883 6759: 6754: 6749: 6744: 6742:Stockholm 1866 6739: 6734: 6729: 6724: 6718: 6716: 6712: 6711: 6709: 6708: 6701: 6696: 6691: 6686: 6681: 6676: 6671: 6666: 6661: 6656: 6650: 6648: 6644: 6643: 6641: 6640: 6635: 6630: 6628:Cape Town 1877 6625: 6619: 6617: 6610: 6604: 6603: 6601: 6600: 6593: 6588: 6583: 6578: 6573: 6568: 6563: 6558: 6553: 6548: 6546:Stuttgart 1993 6543: 6538: 6533: 6531:Liverpool 1984 6528: 6523: 6521:Amsterdam 1982 6518: 6513: 6508: 6503: 6501:Amsterdam 1972 6498: 6493: 6491:Rotterdam 1960 6487: 6485: 6480:BIE-recognized 6477: 6476: 6474: 6473: 6466: 6459: 6454: 6449: 6444: 6439: 6434: 6429: 6424: 6419: 6417:Vancouver 1986 6414: 6409: 6404: 6399: 6397:Knoxville 1982 6394: 6389: 6384: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6327:Jerusalem 1953 6324: 6319: 6314: 6312:Stockholm 1949 6309: 6304: 6299: 6294: 6292:Stockholm 1936 6288: 6286: 6281:BIE-recognized 6278: 6277: 6275: 6274: 6267: 6260: 6255: 6250: 6245: 6240: 6235: 6230: 6223: 6218: 6213: 6208: 6203: 6198: 6193: 6188: 6182: 6180: 6175:BIE-recognized 6172: 6171: 6169: 6168: 6163: 6158: 6156:Barcelona 1929 6153: 6148: 6143: 6138: 6133: 6128: 6123: 6121:St. Louis 1904 6118: 6113: 6108: 6103: 6098: 6096:Barcelona 1888 6093: 6091:Melbourne 1880 6088: 6083: 6078: 6073: 6068: 6063: 6058: 6052: 6050: 6042: 6041: 6039: 6038: 6031: 6028: 6027: 6020: 6019: 6012: 6005: 5997: 5988: 5987: 5985: 5984: 5977: 5970: 5964: 5962: 5958: 5957: 5955: 5954: 5953: 5952: 5942: 5937: 5932: 5927: 5922: 5921: 5920: 5910: 5904: 5902: 5898: 5897: 5895: 5894: 5889: 5884: 5879: 5874: 5869: 5864: 5859: 5853: 5851: 5847: 5846: 5844: 5843: 5838: 5832: 5830: 5826: 5825: 5823: 5822: 5817: 5816: 5815: 5804: 5799: 5794: 5793: 5792: 5778: 5777: 5776: 5767: 5766: 5765: 5750: 5745: 5744: 5743: 5694: 5681: 5644: 5631: 5612: 5599: 5586: 5567: 5565: 5561: 5560: 5558: 5557: 5532: 5528: 5525: 5524: 5517: 5516: 5509: 5502: 5494: 5488: 5487: 5478: 5469: 5440: 5412: 5384: 5378: 5369: 5360: 5349: 5348:External links 5346: 5345: 5344: 5328: 5310: 5303: 5294: 5291: 5290: 5289: 5275: 5262: 5241: 5235: 5222: 5208: 5197: 5186: 5181: 5165: 5162: 5159: 5158: 5144: 5095: 5083: 5074: 5043: 5015: 5006: 4990: 4978: 4946: 4931: 4919: 4910: 4901: 4889: 4863: 4854: 4822: 4808: 4788: 4784:Tierchant 2009 4776: 4764: 4755: 4736: 4687: 4673: 4656: 4647: 4635: 4624: 4605: 4596: 4587: 4564: 4550: 4531: 4522: 4504: 4480: 4424: 4403: 4391: 4361: 4348: 4332: 4323: 4314: 4298: 4282: 4266: 4257: 4248: 4236: 4227: 4209: 4200: 4151: 4105: 4092: 4043: 4028: 4008: 3981: 3969: 3960: 3914: 3900: 3899: 3897: 3894: 3891: 3890: 3880: 3879: 3877: 3874: 3873: 3872: 3867: 3862: 3857: 3852: 3845: 3842: 3823:James H. White 3815:Georges Méliès 3800:Main article: 3797: 3794: 3779: 3776: 3744: 3741: 3736: 3733: 3732: 3731: 3728: 3721: 3719: 3704: 3697: 3695: 3692:Porte Dauphine 3689: 3682: 3680: 3677: 3670: 3668: 3656:Japanese Tower 3654: 3647: 3613:Gustave Eiffel 3609:Alfred Boucher 3590:Japanese Tower 3523:Hôtel de Ville 3513:Porte Dauphine 3468: 3465: 3464: 3463: 3456: 3449: 3447: 3437: 3430: 3428: 3415: 3408: 3406: 3400: 3393: 3391: 3377: 3370: 3368: 3361: 3354: 3352: 3349: 3342: 3340: 3330: 3323: 3321: 3314:Hector Guimard 3304: 3297: 3256:Hector Guimard 3162: 3159: 3101: 3098: 3081: 3074: 3071: 3062: 3059: 3058: 3057: 3054: 3047: 3045: 3038: 3031: 3029: 3026: 3019: 3017: 3014: 3007: 2933:Main article: 2930: 2927: 2914: 2911: 2910: 2909: 2899: 2892: 2890: 2883: 2876: 2841:Edmond Rostand 2815: 2812: 2811: 2810: 2807: 2800: 2798: 2795: 2788: 2786: 2784:Le Vieux Paris 2783: 2776: 2774: 2771: 2764: 2709:Constantinople 2689:Louis Dumoulin 2617:Le Vieux Paris 2614: 2613: 2607: 2600: 2598: 2592: 2585: 2583: 2577: 2570: 2522: 2519: 2518: 2517: 2510: 2503: 2501: 2494: 2487: 2485: 2482: 2475: 2439: 2436: 2435: 2434: 2431: 2424: 2422: 2415: 2408: 2378:Main article: 2375: 2372: 2371: 2370: 2367: 2360: 2358: 2355: 2348: 2346: 2343: 2336: 2276:Main article: 2273: 2270: 2269: 2268: 2265: 2258: 2228:Main article: 2225: 2222: 2221: 2220: 2217: 2210: 2208: 2205: 2198: 2190: 2187: 2182: 2179: 2178: 2177: 2163: 2156: 2154: 2140: 2133: 2131: 2124: 2117: 2115: 2111:French Tunisia 2108: 2101: 2099: 2092:French Algeria 2089: 2082: 1994: 1991: 1990: 1989: 1986: 1979: 1977: 1974: 1967: 1965: 1962: 1955: 1898: 1895: 1894: 1893: 1887: 1880: 1878: 1868: 1861: 1859: 1853: 1846: 1844: 1838: 1831: 1829: 1826: 1819: 1817: 1811: 1804: 1802: 1799:Johannes Radke 1796: 1789: 1787: 1784: 1777: 1775: 1772: 1765: 1763: 1760: 1753: 1751: 1744: 1737: 1735: 1728: 1721: 1719: 1716: 1709: 1684:Paja Jovanović 1628:Johannes Radke 1602:Alphonse Mucha 1525: 1522: 1514:Pont de l'Alma 1486: 1483: 1482: 1481: 1478: 1471: 1469: 1466: 1459: 1457: 1454: 1447: 1445: 1442: 1435: 1433: 1430: 1423: 1389: 1386: 1385: 1384: 1374: 1367: 1365: 1355: 1348: 1237: 1234: 1233: 1232: 1229: 1222: 1203: 1200: 1199: 1198: 1195: 1188: 1186: 1180: 1173: 1171: 1168: 1161: 1143:phosphorescent 1122: 1119: 1101: 1098: 1097: 1096: 1093: 1086: 1084: 1081: 1074: 1072: 1069: 1062: 1052:Trinity Bridge 1022: 1019: 1018: 1017: 1014: 1007: 1005: 999: 992: 937: 934: 933: 932: 929: 922: 920: 917: 910: 864: 861: 732:at that time. 724: 723: 719: 718: 714: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 663: 658: 653: 646: 645: 644: 639: 634: 629: 624: 619: 614: 609: 604: 599: 594: 589: 584: 579: 572: 571: 570: 565: 560: 555: 550: 545: 540: 535: 530: 525: 520: 515: 510: 505: 495: 492: 491: 480: 477: 476: 475: 472: 465: 434:, and then in 412:London in 1851 407: 404: 400:Hector Guimard 325:diesel engines 233: 232: 223: 219: 218: 209: 205: 204: 200: 199: 189: 185: 184: 174: 170: 169: 165: 164: 144:Esplanade des 142: 138: 137: 134: 130: 129: 126: 122: 121: 117: 116: 113: 109: 108: 107:Participant(s) 104: 103: 100: 96: 95: 92: 88: 87: 84: 80: 79: 74: 70: 69: 66: 59: 58: 54: 53: 50: 42: 41: 26: 9: 6: 4: 3: 2: 7328: 7317: 7314: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7296:1900 in Paris 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7278: 7276: 7269: 7266: 7229: 7224: 7219: 7216: 7214: 7210: 7209: 7206: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7180:Santiago 1875 7178: 7176: 7173: 7172: 7170: 7168:South America 7166: 7160: 7157: 7155: 7152: 7150: 7147: 7145: 7142: 7140: 7137: 7135: 7132: 7130: 7129:Adelaide 1887 7127: 7125: 7122: 7120: 7119:Brisbane 1876 7117: 7115: 7112: 7110: 7107: 7105: 7102: 7101: 7099: 7095: 7089: 7086: 7084: 7081: 7079: 7076: 7074: 7071: 7069: 7066: 7064: 7061: 7059: 7056: 7054: 7051: 7049: 7046: 7044: 7041: 7039: 7036: 7034: 7031: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7009: 7006: 7004: 7001: 6999: 6996: 6994: 6991: 6989: 6986: 6984: 6981: 6979: 6976: 6974: 6971: 6969: 6966: 6964: 6961: 6960: 6958: 6956:North America 6954: 6948: 6945: 6943: 6940: 6938: 6935: 6933: 6930: 6928: 6925: 6923: 6920: 6918: 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6878: 6875: 6873: 6870: 6868: 6865: 6863: 6860: 6858: 6855: 6853: 6852:Zaragoza 1908 6850: 6848: 6845: 6843: 6840: 6838: 6835: 6833: 6830: 6828: 6825: 6823: 6820: 6818: 6815: 6813: 6810: 6808: 6805: 6803: 6800: 6798: 6795: 6793: 6790: 6788: 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6760: 6758: 6755: 6753: 6750: 6748: 6745: 6743: 6740: 6738: 6735: 6733: 6730: 6728: 6725: 6723: 6720: 6719: 6717: 6713: 6707: 6706: 6702: 6700: 6697: 6695: 6694:Shenyang 2006 6692: 6690: 6687: 6685: 6682: 6680: 6677: 6675: 6674:Hangzhou 1929 6672: 6670: 6669:Semarang 1914 6667: 6665: 6662: 6660: 6657: 6655: 6652: 6651: 6649: 6645: 6639: 6636: 6634: 6631: 6629: 6626: 6624: 6623:Freetown 1865 6621: 6620: 6618: 6614: 6611: 6605: 6599: 6598: 6597:Yokohama 2027 6594: 6592: 6589: 6587: 6584: 6582: 6579: 6577: 6574: 6572: 6569: 6567: 6564: 6562: 6559: 6557: 6554: 6552: 6549: 6547: 6544: 6542: 6539: 6537: 6534: 6532: 6529: 6527: 6524: 6522: 6519: 6517: 6516:Montreal 1980 6514: 6512: 6509: 6507: 6504: 6502: 6499: 6497: 6494: 6492: 6489: 6488: 6486: 6482:horticultural 6478: 6472: 6471: 6470:Belgrade 2027 6467: 6465: 6464: 6460: 6458: 6455: 6453: 6450: 6448: 6447:Zaragoza 2008 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6422:Brisbane 1988 6420: 6418: 6415: 6413: 6410: 6408: 6405: 6403: 6400: 6398: 6395: 6393: 6390: 6388: 6385: 6383: 6380: 6378: 6377:Budapest 1971 6375: 6373: 6370: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6308: 6305: 6303: 6300: 6298: 6297:Helsinki 1938 6295: 6293: 6290: 6289: 6287: 6279: 6273: 6272: 6268: 6266: 6265: 6261: 6259: 6256: 6254: 6251: 6249: 6248:Shanghai 2010 6246: 6244: 6241: 6239: 6238:Hannover 2000 6236: 6234: 6231: 6229: 6228: 6224: 6222: 6219: 6217: 6216:Montreal 1967 6214: 6212: 6209: 6207: 6206:Brussels 1958 6204: 6202: 6199: 6197: 6194: 6192: 6189: 6187: 6186:Brussels 1935 6184: 6183: 6181: 6173: 6167: 6164: 6162: 6159: 6157: 6154: 6152: 6149: 6147: 6144: 6142: 6139: 6137: 6136:Brussels 1910 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6111:Brussels 1897 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6087: 6084: 6082: 6079: 6077: 6074: 6072: 6069: 6067: 6064: 6062: 6059: 6057: 6054: 6053: 6051: 6045:Retroactively 6043: 6036: 6033: 6032: 6029: 6025: 6018: 6013: 6011: 6006: 6004: 5999: 5998: 5995: 5983: 5982: 5978: 5976: 5975: 5971: 5969: 5966: 5965: 5963: 5959: 5951: 5948: 5947: 5946: 5943: 5941: 5938: 5936: 5935:Gare de Javel 5933: 5931: 5928: 5926: 5923: 5919: 5918:Le Train Bleu 5916: 5915: 5914: 5911: 5909: 5906: 5905: 5903: 5899: 5893: 5890: 5888: 5885: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5867:Globe Céleste 5865: 5863: 5860: 5858: 5855: 5854: 5852: 5848: 5842: 5839: 5837: 5834: 5833: 5831: 5827: 5821: 5818: 5813: 5812: 5808: 5807: 5805: 5803: 5800: 5798: 5795: 5791: 5782: 5781: 5779: 5775: 5771: 5770: 5768: 5764: 5763:Star of India 5754: 5753: 5751: 5749: 5746: 5742: 5741: 5736: 5735: 5730: 5729: 5724: 5723: 5718: 5717: 5712: 5711: 5706: 5705: 5695: 5693: 5692: 5682: 5680: 5679: 5674: 5673: 5668: 5667: 5662: 5661: 5656: 5655: 5645: 5643: 5642: 5632: 5630: 5629: 5624: 5623: 5613: 5611: 5610: 5600: 5598: 5597: 5587: 5585: 5584: 5574: 5573: 5572: 5569: 5568: 5566: 5562: 5556: 5552: 5548: 5544: 5540: 5536: 5535:Champ de Mars 5533: 5530: 5529: 5526: 5522: 5515: 5510: 5508: 5503: 5501: 5496: 5495: 5492: 5486: 5482: 5479: 5477: 5473: 5470: 5467: 5462: 5451: 5447: 5446: 5441: 5439: 5434: 5423: 5419: 5418: 5413: 5411: 5410:Champ de Mars 5406: 5395: 5391: 5390: 5385: 5382: 5379: 5377: 5373: 5370: 5368: 5367:L'Art Nouveau 5364: 5361: 5359: 5355: 5352: 5351: 5333: 5329: 5317: 5316: 5311: 5308: 5304: 5301: 5297: 5296: 5286: 5282: 5278: 5272: 5268: 5263: 5259: 5255: 5250: 5249: 5242: 5238: 5232: 5228: 5223: 5221: 5217: 5213: 5209: 5206: 5202: 5198: 5195: 5191: 5187: 5185: 5182: 5180: 5176: 5172: 5168: 5167: 5154: 5148: 5140: 5136: 5132: 5128: 5123: 5118: 5114: 5110: 5106: 5099: 5092: 5087: 5078: 5064:on 2021-01-27 5063: 5059: 5058: 5053: 5047: 5036: 5032: 5029: 5025: 5019: 5010: 5003: 4997: 4995: 4988:, p. 64. 4987: 4982: 4968:on 2019-01-07 4967: 4963: 4959: 4953: 4951: 4944: 4938: 4936: 4926: 4924: 4914: 4905: 4896: 4894: 4877: 4873: 4867: 4858: 4839: 4832: 4826: 4811: 4809:9780786440641 4805: 4801: 4800: 4792: 4785: 4780: 4773: 4768: 4759: 4751: 4747: 4740: 4732: 4728: 4724: 4720: 4715: 4710: 4706: 4702: 4698: 4691: 4682: 4680: 4678: 4669: 4668: 4660: 4651: 4642: 4640: 4628: 4620: 4616: 4609: 4600: 4591: 4583: 4579: 4575: 4568: 4560: 4554: 4546: 4542: 4535: 4526: 4517: 4515: 4513: 4511: 4509: 4494: 4493:exposerbia.rs 4490: 4484: 4478: 4475: 4471: 4465: 4457: 4447: 4445: 4441: 4435: 4428: 4420: 4416: 4415: 4407: 4394: 4388: 4384: 4380: 4376: 4372: 4365: 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3635:and the poet 3634: 3633:Fernand Léger 3630: 3626: 3625:Henri Matisse 3622: 3618: 3614: 3610: 3606: 3602: 3597: 3595: 3591: 3587: 3583: 3579: 3575: 3571: 3567: 3563: 3558: 3556: 3552: 3548: 3543: 3541: 3537: 3532: 3530: 3524: 3518: 3514: 3510: 3506: 3501: 3499: 3495: 3489: 3481: 3475: 3460: 3453: 3448: 3445: 3441: 3434: 3429: 3426: 3422: 3421:Bruno Möhring 3418: 3412: 3407: 3404: 3397: 3392: 3387: 3381: 3374: 3369: 3365: 3358: 3353: 3346: 3341: 3337: 3333: 3327: 3322: 3319: 3315: 3311: 3307: 3301: 3296: 3295: 3294: 3292: 3288: 3285:, and of the 3284: 3283:Bruno Möhring 3280: 3276: 3271: 3269: 3265: 3264:Le Train Bleu 3261: 3257: 3253: 3249: 3244: 3240: 3232: 3226: 3222: 3218: 3214: 3209: 3207: 3203: 3199: 3194: 3190: 3182: 3176: 3172: 3168: 3158: 3155: 3149: 3147: 3143: 3139: 3135: 3131: 3127: 3123: 3117: 3110: 3106: 3097: 3095: 3091: 3079: 3070: 3068: 3051: 3046: 3042: 3035: 3030: 3023: 3018: 3011: 3006: 3005: 3004: 3002: 2998: 2994: 2993:United States 2990: 2986: 2982: 2978: 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1975 6382:Spokane 1974 6269: 6262: 6233:Seville 1992 6227:Chicago 1992 6225: 6211:Seattle 1962 6166:Chicago 1933 6161:Seville 1929 6115: 6106:Chicago 1893 5979: 5972: 5945:Métro Line 1 5940:Hôtel Régina 5925:Gare d'Orsay 5913:Gare de Lyon 5862:Eiffel Tower 5809: 5797:Petit Palais 5738: 5732: 5726: 5720: 5714: 5708: 5702: 5689: 5676: 5670: 5664: 5658: 5652: 5639: 5626: 5620: 5607: 5594: 5581: 5571:Grand Palais 5520: 5460: 5454:. Retrieved 5444: 5432: 5426:. Retrieved 5416: 5404: 5398:. Retrieved 5388: 5336:. Retrieved 5320:. Retrieved 5314: 5306: 5299: 5266: 5248:Madame Sarah 5247: 5226: 5220:27384-9309-2 5211: 5170: 5164:Bibliography 5147: 5112: 5108: 5098: 5090: 5086: 5077: 5066:. Retrieved 5062:the original 5055: 5046: 5022:Paul Smith, 5018: 5009: 5001: 4981: 4970:. Retrieved 4966:the original 4961: 4913: 4904: 4880:. Retrieved 4866: 4857: 4845:. Retrieved 4825: 4813:. Retrieved 4798: 4791: 4779: 4772:Skinner 1967 4767: 4758: 4749: 4739: 4704: 4700: 4690: 4666: 4659: 4650: 4627: 4621:(in French). 4618: 4608: 4599: 4590: 4581: 4577: 4567: 4553: 4544: 4539:Gers, Paul. 4534: 4525: 4496:. Retrieved 4492: 4483: 4459: 4451:. Retrieved 4449: 4437: 4427: 4413: 4406: 4396:, retrieved 4374: 4364: 4356: 4351: 4343: 4335: 4326: 4317: 4307: 4301: 4291: 4285: 4275: 4269: 4260: 4251: 4230: 4221: 4203: 4168: 4164: 4154: 4146: 4100: 4095: 4060: 4056: 4046: 4018: 4011: 3999:. Retrieved 3963: 3955: 3909: 3904: 3884: 3805: 3787: 3781: 3772:La Salamanda 3771: 3769: 3765:femme fatale 3764: 3754: 3749: 3746: 3738: 3621:Marc Chagall 3598: 3585: 3570:Royal Domain 3561: 3559: 3544: 3533: 3519:(moved from 3502: 3488:Petit Palais 3480:Grand Palais 3470: 3444:Gare de Lyon 3386:Petit Palais 3380:Alfons Mucha 3364:Alfons Mucha 3312:designed by 3275:Victor Horta 3272: 3268:Gare de Lyon 3254:designed by 3245: 3239:Petit Palais 3231:Grand Palais 3224: 3213:Alfons Mucha 3210: 3195: 3189:Petit Palais 3181:Grand Palais 3164: 3150: 3146:Gare de Lyon 3138:Gare d'Orsay 3118: 3114: 3086: 3067:Émile Loubet 3064: 2957: 2941: 2938: 2916: 2858: 2836: 2826: 2817: 2747: 2740: 2723:(China) and 2693:Fuenterrabía 2676: 2674: 2670: 2661: 2655: 2616: 2615: 2525: 2524: 2512: 2496: 2468: 2466: 2460: 2458: 2451: 2399: 2385: 2383: 2315: 2307: 2283: 2281: 2246:at the 1893 2240:ferris wheel 2235: 2233: 2192: 2189:Eiffel Tower 2184: 2164:Pavilion of 2141:Pavilion of 2125:Pavilion of 2109:Pavilion of 2096:Albert Ballu 2090:Pavilion of 2072:Rumah Gadang 2057: 2038: 2007: 1999: 1996: 1947: 1940: 1934: 1916: 1912:Central Asia 1900: 1869:Pavilion of 1856:Lucien Magne 1745:Pavilion of 1700: 1687: 1677: 1660: 1653: 1648: 1633: 1625: 1609: 1606: 1598: 1531: 1527: 1518: 1512:towards the 1506:Quai d'Orsay 1503: 1498: 1488: 1410: 1407: 1395:Jules Coutan 1391: 1379:Petit Palais 1359:Grand Palais 1341: 1337:Petit Palais 1323:Grand Palais 1313:Grand Palais 1306:Petit Palais 1301: 1296: 1291: 1287:Grand Palais 1267:Grand Palais 1249: 1244:Grand Palais 1239: 1216: 1207: 1205: 1155: 1151:Musée Grévin 1147: 1139:kaleidoscope 1136: 1124: 1115: 1103: 1039: 1024: 974: 970: 957: 953: 939: 901: 891:Petit Palais 883:Grand Palais 873:Eiffel Tower 866: 746: 727: 715: 482: 459:Émile Loubet 444: 416:Napoleon III 409: 406:Organization 388:Gare d'Orsay 378:Petit Palais 370:Grand Palais 365: 345:telegraphone 307: 304:ferris wheel 298: 296: 256:world's fair 251: 238: 236: 7260: / 7124:Sydney 1879 7109:Sydney 1870 7073:Dallas 1937 7063:Dallas 1936 6902:London 1921 6887:London 1914 6872:London 1912 6867:London 1911 6857:London 1910 6847:London 1908 6842:Dublin 1907 6832:London 1906 6827:London 1905 6807:Berlin 1896 6802:Oporto 1894 6792:Prague 1891 6772:London 1886 6757:Vienna 1873 6727:Dublin 1853 6722:London 1760 6684:Nagoya 1937 6586:Almere 2022 6526:Munich 1983 6511:Vienna 1974 6457:Astana 2017 6442:Lisbon 1998 6437:Taejŏn 1993 6367:Munich 1965 6357:Berlin 1957 6337:Naples 1954 6285:expositions 6283:specialized 6271:Riyadh 2030 6179:expositions 6076:Vienna 1873 6066:London 1862 6056:London 1851 6049:expositions 5872:Grande Roue 5850:Attractions 5115:(2): 1–14. 5039:(in French) 4815:15 November 4707:(2): 1–14. 4171:(2): 1–14. 4063:(2): 1–14. 4001:16 November 3784:Henry Adams 3332:Art Nouveau 3306:Paris Métro 3291:Otto Wagner 3252:Paris Métro 3167:Art Nouveau 3043:competition 2997:pigeon race 2886:Loie Fuller 2884:The dancer 2861:Loie Fuller 2705:Golden Horn 2662:Vieil Arles 2390:planetarium 2181:Attractions 2170:Sari Temple 2076:Minangkabau 2064:Sari temple 1731:Carlo Ceppi 1600:peoples by 1340:housed the 1290:housed the 1281:Art Nouveau 1277:Neo-Baroque 1056:Félix Faure 1035:Nicholas II 837:West Africa 785:Ivory Coast 701:Switzerland 666:El Salvador 617:Netherlands 357:Art Nouveau 7275:Categories 7245:48°51′22″N 7185:Quito 1909 7048:Bronx 1918 7008:Omaha 1898 6937:Porto 1934 6932:Paris 1931 6897:Malmö 1914 6737:Porto 1865 6689:Clark 1998 6659:Hanoi 1902 6609:recognized 6571:Venlo 2012 6536:Osaka 1990 6496:Paris 1969 6452:Yeosu 2012 6432:Genoa 1992 6362:Turin 1961 6342:Turin 1955 6322:Lille 1951 6307:Paris 1947 6302:Liège 1939 6264:Osaka 2025 6258:Dubai 2020 6253:Milan 2015 6243:Aichi 2005 6221:Osaka 1970 6191:Paris 1937 6146:Ghent 1913 6141:Turin 1911 6131:Milan 1906 6126:Liège 1905 6116:Paris 1900 6101:Paris 1889 6086:Paris 1878 6071:Paris 1867 6061:Paris 1855 6047:recognized 5691:Melancolie 5461:1900-08-09 5456:2009-05-20 5433:1900-08-29 5428:2009-05-20 5405:1900-08-09 5400:2009-05-20 5354:1900 Paris 5338:6 December 5322:6 December 5285:2753300925 5068:2021-11-30 4972:2015-11-24 4498:2023-06-22 4453:2023-06-22 4398:2024-07-30 3896:References 3461:restaurant 3440:Train Bleu 3417:Jugendstil 3279:Jugendstil 3262:, and the 3134:Montmartre 3041:Tug-of-War 2969:ballooning 2961:automobile 2717:Angkor Wat 2713:Suez Canal 2318:electrobus 2310:Decauville 2174:Yogyakarta 1145:costumes. 1048:Neva River 982:Paul Jouve 946:René Binet 821:Somaliland 797:Martinique 793:Madagascar 765:Guadeloupe 671:San Marino 597:Luxembourg 484:Portugal. 321:escalators 317:trolleybus 195:1900-11-12 180:1900-04-14 102:48,130,300 40:1900 Paris 7248:2°17′52″E 7175:Lima 1872 6877:Lyon 1914 6822:Cork 1902 6797:Lyon 1894 6752:Lyon 1872 6591:Doha 2023 6332:Rome 1953 6317:Lyon 1949 6177:Universal 5950:entrances 5877:Mareorama 5857:Cinéorama 5564:Pavilions 5543:Invalides 5539:Trocadéro 5258:912389162 5131:0315-9906 4986:Sato 2015 4882:April 26, 4723:0315-9906 4187:0315-9906 4079:0315-9906 3876:Footnotes 3821:producer 3735:Criticism 3711:Bartholdi 3423:, now in 3248:entrances 3221:Houbigant 2870:Cinéorama 2737:La Ciotat 2733:Marseille 2535:Andalusia 2513:Mareorama 2497:Cinéorama 2469:Mareorama 2461:Cinéorama 2448:Mareorama 2444:Cinéorama 2066:and also 2041:Indochina 1904:Samarkand 1417:Champagne 1111:fine arts 781:Indochina 622:Nicaragua 563:Guatemala 396:entrances 394:with its 280:Trocadéro 230:St. Louis 154:Trocadéro 146:Invalides 6607:Not BIE- 5450:Archived 5422:Archived 5394:Archived 5139:42630841 5091:L'Aurore 5031:Archived 4876:Archived 4847:5 August 4838:Archived 4731:42630841 4464:cite web 4195:42630841 4087:42630841 4038:17953895 3844:See also 3757:Salammbô 3601:La Ruche 3578:Brussels 3529:Châtelet 3517:Abbesses 3496:and the 3484:and the 3362:Menu by 3316:for the 3310:Abbesses 3225:Le Pater 3185:and the 3140:and the 2905:L'Aiglon 2837:L'Aiglon 2729:Provence 2721:Shanghai 2703:and the 2701:Stamboul 2648:Auvergne 2636:Bretagne 2632:Provence 2610:Alhambra 2548:Alhambra 2127:Cambodia 2049:Cambodia 2010:Tunisian 1696:Kruševac 1670:Belgrade 1649:La Feria 1612:Jacobean 1493:and the 1040:Renomées 753:Cambodia 651:Portugal 523:Bulgaria 453:and ten 361:colonial 351:and the 349:galalith 258:held in 254:, was a 216:Brussels 208:Previous 168:Timeline 120:Location 112:Business 99:Visitors 73:Category 57:Overview 7097:Oceania 5728:La Loge 5356:at the 3817:and by 3717:in 1905 3658:of the 3584:of the 3564:, King 3459:Maxim's 3442:at the 3260:Maxim's 3202:Lalique 3198:Fouquet 2977:croquet 2973:cricket 2946:transl. 2750:Algiers 2731:, from 2621:transl. 2595:Giralda 2564:Giralda 2552:Córdoba 2533:  2530:transl. 2297:to the 2288:transl. 2030:Dahomey 2022:Algeria 1949:Morocco 1908:Bukhara 1562:patents 1044:Pegasus 871:to the 833:Tunisia 817:Senegal 813:Réunion 809:Oceania 801:Mayotte 761:Dahomey 749:Algeria 734:Finland 656:Romania 612:Morocco 592:Liberia 568:Hungary 548:Germany 538:Ecuador 533:Denmark 513:Belgium 508:Austria 503:Andorra 193: ( 188:Closure 178: ( 173:Opening 125:Country 6715:Europe 6616:Africa 5961:Others 5829:Events 5814:fresco 5609:Spring 5309:(1967) 5283:  5273:  5256:  5233:  5218:  5203:  5192:  5177:  5137:  5129:  4806:  4729:  4721:  4389:  4193:  4185:  4085:  4077:  4036:  4026:  3808:silent 3806:Short 3664:Laeken 3582:pagoda 3574:Laeken 3467:Legacy 3128:, the 2989:France 2913:Events 2640:Poitou 2558:, the 2556:Toledo 2395:zodiac 2045:Tonkin 2034:Guinea 1871:Serbia 1747:Turkey 1662:Serbia 849:Ceylon 843:, the 829:Tonkin 773:Guinea 769:Guiana 742:Turkey 716: 706:Turkey 696:Sweden 676:Serbia 661:Russia 637:Persia 627:Norway 607:Monaco 602:Mexico 558:Greece 543:France 447:Carnot 386:, the 382:, the 374:, the 343:, the 319:line, 306:, the 278:, the 274:, the 264:France 128:France 115:76,112 65:-class 51:Poster 6037:(BIE) 5555:Paris 5547:Seine 5135:JSTOR 4841:(PDF) 4834:(PDF) 4727:JSTOR 4432:Src=' 4191:JSTOR 4083:JSTOR 3617:Médoc 3474:staff 3425:Mainz 3154:bonds 2754:Tunis 2725:Nikkō 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Index

1900 World's Fair
Paris Exposition, 1900 (film series)

BIE
International Recognized Exhibition
Invalides
Champ de Mars
Trocadéro
Seine
Bois de Vincennes
Brussels International (1897)
Brussels
Louisiana Purchase Exposition
St. Louis
[ɛkspozisjɔ̃ynivɛʁsɛl]
world's fair
Paris
France
sixth
Les Invalides
Champ de Mars
Trocadéro
Seine
Bois de Vincennes
1900 Summer Olympics
Grande Roue de Paris
ferris wheel
Rue de l'Avenir
moving sidewalk
trolleybus

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