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962:, leading him to revive his Catholic faith and spend the remainder of his life making paintings about biblical events. Moving away from the Impressionists' and Post-Impressionists' intent to create art that reflected a changing, modern world, Tissot returned to traditional, representational styles and narratives in his watercolors. As part of this artistic effort Tissot traveled to the Middle East in 1886, 1889, and 1896 to make studies of its landscapes and cultures, which would come to distinguish his series from contemporary Biblical art through its "considerable archaeological exactitude" in striving for accuracy rather than religious emotion. His series of 365
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Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James as an
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760:", a popular love song from the time). Newton gave birth to a son named Cecil George Newton in 1876, who is believed to be Tissot's, and the couple would frequently entertain her previous children at Tissot's property even while they continued to live with her relatives. Later, Tissot often referred to these years with Newton as the happiest of his life, a time when he was able to live out his dream of being a family man.
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697:(1876) was particularly noted for its use of body language and subtext in depicting a scandalous moment of flirtation between a married officer and a young woman, with the perspective heavily accentuating the latter's figure and sexuality. The work received criticism as "hard, vulgar, and banal" upon release, and some scholars have even suggested Tissot's selection of the
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and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout
Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age.
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A strong recurring theme throughout Tissot's middle career was the exploration of social and sexual tension between men and women in the context of strictly gender-segregated
Victorian society. Many of his depictions of contemporary life include hints or narratives of desire, vulgarity, and the
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Sometime after 1862, Tissot began to shift focus from his early medievalist styles to instead match
English tastes for narrative paintings of Victorian life and society. He quickly gained success among British audiences and was lauded for his photorealistic, narrative style of art that combined
1253:, her largest production at Gaumont to date featuring approximately three hundred extras over twenty-five total episodes. Though the financial success of his contemporary subjects originally did little to dissuade derision of his mundane, photorealistic style, with
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criticizing his "hard unscrupulousness in painting uninteresting objects in an uninteresting way", the first half of the 20th century saw a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving high prices.
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Bastard 1906, p. 264: "cette belle crĂ©ature expira dans ses bras . . . Avant sâĂ©teindre, gagnĂ©e par les croyances de son fidĂšle ami, elle embrassa la religion catholique et rendit le dernier soupir avec la foi ardente dâune nĂ©ophyte la rĂ©signation muette dâune
822:), displayed at the Galerie Sedelmeyer. Unlike the genre scenes of fashionable women he painted in London, these paintings sought to represent different archetypes of women across many different classes and occupations, shown in professional and social scenes.
798:. Tissot's paintings and prints of 1877â1881 included images of travel along the Thames or south coast and to Paris, but many focused on Newton relaxing and reading in the garden, or surrounded by visiting children. Around 1880â1881 she contracted
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urban culture and Tissot came to regularly include popular
Japanese artifacts and costumes in his pictures after being introduced to the subject by Whistler, additionally expressing stylistic influences in his use of composition and perspective.
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1507:"While our industrial and artistic creations may perish, and our customs and our costumes may fall into oblivion, a painting by Mr. Tissot will be enough for archaeologists of the future to reconstruct our era." Ălie Roy, "Salon de 1869,"
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Tissot spent the last years of his life working on paintings of subjects from the Old
Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904.
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in 1873, and his paintings appealed greatly to wealthy
British industrialists throughout the second half of the 19th century. During 1872 he earned 94,515 francs, an income normally only enjoyed by the upper classes of British society.
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and his other etchings would also be brought back out of obscurity by reinvigorated critical interest from the 1920s onward. His images provided a foundation for contemporary films such as the twin-angel
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and Tissot portrayed her sitting well-wrapped outdoors, as fresh air was thought to have a curing effect. Newton succumbed to her illness in Tissot's arms on 9 November 1882, "with the ardent faith of a
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illustrations showing the life of Christ were shown to critical acclaim and enthusiastic audiences in Paris (1894â1895), London (1896) and New York (1898â1899), before being bought by the
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also solidified the influence of
Japanese prints in Tissot's work, as he used unexpected angles and framing from that tradition to create a monumental context in the size of the canvases.
489:, though he is believed to have only joined the latter to protect his own belongings rather than for shared ideology. Either because of the radical political associations of serving as a
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Once established in London, Tissot quickly developed his reputation as a painter of elegantly dressed women shown in scenes of fashionable life. By 1872 Tissot had bought a house in
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in 1900. They were published in a French edition in 1896â1897 and in an
English one in 1897â1898, bringing Tissot vast wealth and fame. During July 1894, Tissot was awarded the
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while hinting at the hedonism of the contemporary French aristocracy in portraying a pair of young women picnicking with two men, one in revolutionary military garb, while the
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complexity of sexual relationships, while his idiosyncratic focus on women's fashion and society made an idealized female beauty a widespread commonality of his portraiture.
287:, who lived with him as a close companion and muse until her death in 1882. Tissot maintained close relations with the Impressionist movement for much of his life, including
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474:. Degas shared many of his cultural interests as Tissot's mentee, notably producing a portrait of Tissot in which he is sitting below a Japanese screen hanging on the wall.
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in the composition, while the series's wider inclusion of working class women outside of the household as subjects could have been seen as morally dubious at the time.
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After
Kathleen Newton's death, Tissot returned to Paris. The last major exhibition of this era in Tissot's life took place in 1885, with a 15-painting series titled
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sarcastically described "a studio with a waiting room where, at all times, there is iced champagne at the disposal of visitors" by 1874. Tissot gained membership of
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meticulous training with an impressionistic use of color and value. Tissot came to maintain a wide social sphere in light of his success and lifestyle, including
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war flags over Europe - The title is thought to be an ironic jab at the
British ensign barely visible at the top of the canvas. Tissot produced
510:, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used the name
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Newton's work as a sitter for Tissot encompassed dozens of paintings and studies, most notably including a well-known 1876 etching entitled
2464:, exhibition catalog from The Metropolitan Museum of Art fully available online as PDF, which contains material on James Tissot (see index)
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in particular seemed to return to Tissot's exploration of sexuality and gender, with one writer identifying depictions of desire and
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for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the gallery of art dealer
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in 1860. The painting went on to be exhibited at the Salon the following year, together with a portrait and several other paintings.
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320:, becoming commonly known as James Tissot by 1854; he may have adopted it because of his increasing interest in everything English.
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Tissot would further explore political themes of turmoil in Europe during the onset and aftermath of the war: The 1870 painting
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Wood, Christopher. "Tissot: Life and Work of Jacques Joseph Tissot 1836â1902". London: Weidenfeld and Nicolson, 1986. Print.
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in 1874 with a similar subject, depicting a diverse range of contemporary national flags sewn together in a large awning.
403:. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000
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which he had inherited from his father in 1888. His grave is in the chapel sited within the grounds of the chateau.
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395:, whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters
283:. In 1871 he moved to London, where he found further success as an artist and began a relationship with Irishwoman
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merchant and a milliner and decided to pursue a career in art at a young age, coming to incorporate elements of
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In 1874, Degas asked him to join them in the first exhibition organized by the artists who became known as the
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of contemporary European high society produced during the peak of his career, which focused on the people and
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Matyjaszkiewicz, Krystyna, "73 / âWinterâ or âMavourneenâ" in "Catalogue Checklist", Buron 2019, p. 294.
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writer Christopher Wood described Tissot as "the greatest painter of social life in Victorian times".
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at about the same time. He regularly saw Whistler, who influenced Tissot's Thames river scenes.
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Tillier, Bertrand, "Tissot and the Traumas of the âTerrible Yearâ" in Buron, Melissa E. (ed.),
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in 1868. Printed Japanese art emphasized clarity, spaciousness, and boldness appealing to the
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Widespread use of his illustrations in literature and slides continued after his death with
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1851:"Champagne in the Shrubbery: Sex, Science, and Space in James Tissot's London Conservatory"
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becoming the "definitive Bible images" of Christian popular culture. In 1906, filmmaker
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Japonisme in Britain: Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
1582:. San Francisco: Fine Arts Museums of San Francisco/DelMonico Books-Prestel, 2019.
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as part of the improvised defence of Paris; First by joining two companies of the
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to pursue an education in art. While staying with a friend of his mother, painter
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1647:. Vol. 26 (11th ed.). Cambridge University Press. pp. 1015â1016.
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of Germany, depicting the latter two in particular as bloodthirsty conquerors.
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2082:"La Galerie du HMS Calcutta par James Tissot : focus sur un chef-d'Ćuvre"
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1228:, France, on 8 August 1902, while living in the ChĂąteau de Buillon, a former
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603:, an area of London very popular with artists at the time. Writer and critic
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subjects throughout his life. His career included work as a caricaturist for
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358:; Both were successful Lyonnaise painters who moved to Paris to study under
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in the magazine from 1869 to 1873. Tissot's pre-war caricaturist work with
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350:, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of
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Wentworth, Michael. "James Tissot". Oxford: Clarendon Press, 1984. Print
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2174:"Review: James Tissot. New Haven, Québec and Buffalo," by Paul Stirton.
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370:(who had also been a student of Lamothe and a friend of Delaunay), and
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The Frivolity of the Directoire Period: James Tissot's "Partie Carrée"
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or because of better opportunities, he left Paris for London in 1871.
362:. Around this time, Tissot also made the acquaintance of the American
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James Tissot: The Life of Christ: Exhibition at Brooklyn Museum 2009
391:. These works show the influence in his work of the Belgian painter
2038:"'The Gallery of HMS Calcutta (Portsmouth)', James Tissot, c.1876"
2010:"Edgar Degas, James-Jacques-Joseph Tissot (1836â1902) ca. 1867â68"
1660:"James Tissot: Tea (1998.170) â Heilbrunn Timeline of Art History"
1555:"Edgar Degas, James-Jacques-Joseph Tissot (1836â1902) ca. 1867â68"
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William H. Robinson, Paul J. and Edith Ingalls Vignos Jr. Senior,
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Tissot led a tumultuous life outside of painting, fighting in the
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for the painting's setting to be a deliberate play on the phrase
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for the first time. He showed five paintings of scenes from the
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visited him in London in 1874, and he travelled to Venice with
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Biography of Tissot with recent information on Kathleen Newton
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Oxford Dictionary of Art and Artists, Artist Profile Summary,
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helped him to learn etching techniques during this period.
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2260:, University of California Press, 1998, pp. 20 and 165.
2007:
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Japonisme III: La Renaissance littéraire et artistique
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in 1885 Tissot experienced a religious vision at the
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French military personnel of the Franco-Prussian War
1984:"Japanism | Ukiyo-e, Woodblock, Prints | Britannica"
1936:
Bickford, Lawrence (1993). "Ukiyo-e Print History".
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147:
128:; 15 October 1836 â 8 August 1902), better known as
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660:depicting Tissot's garden in St. John's, alongside
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786:, which was later the basis for the 1877 painting
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2423:Commentary on Tissot's etching of Kathleen Newton
1759:Wilhelm I, Emperor of Germany and King of Prussia
725:On The Thames (How Happy I Could Be with Either?)
232:into his work. He is best known for a variety of
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2258:The Cine Goes to Town: French Cinema, 1896-1914
1963:Caprice en violet et or : le paravent doré
1822:"'The Ball on Shipboard', James Tissot, c.1874"
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593:Les mangeoit pour soi refraischir devant souper
2271:Alice Guy Blaché: Lost Visionary of the Cinema
1683:. University of California Press. p. 32.
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2522:The Gallery of H.M.S. 'Calcutta' (Portsmouth)
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2132:"'Portsmouth Dockyard', James Tissot, c.1877"
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1447:magazine, 9 April 2020. Retrieved 28 May 2023
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1387:(online ed.). Oxford University Press.
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500:Having already worked as a caricaturist for
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1250:The Birth, the Life and the Death of Christ
447:. Note the two lower figures wearing a red
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2273:, Bloomsbury Publishing USA, 2014, p. 28.
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1776:"Acquisitions of the month: December 2018"
1498:, 24 February 2023. Retrieved 28 May 2023.
565:depicted the allegorical ascension of the
212:), was a French painter, illustrator, and
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16:French painter and illustrator (1836â1902)
2546:Saint Joseph Seeks a Lodging at Bethlehem
2435:"Art; Love and History, Lavishly Elegant"
2376:at Paul Ripley's Victorian Art in Britain
2366:Misfeldt, Willard E. "Tissot, James " in
2352:by Christopher Wood. Bulfinch Press. 2000
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2118:James Tissot: Victorian Life, Modern Love
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1540:"Portrait of James-Jacques-Joseph Tissot"
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995:Saint Joseph Seeks a Lodging in Bethlehem
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2619:French expatriates in the United Kingdom
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1525:Ross, Marita, "The Truth About Tissot,"
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807:and the silent resignation of a saint."
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2428:Commentary on a portrait of Mrs. Newton
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1677:Roy T. Matthews; Peter Mellini (1982).
1384:Oxford Dictionary of National Biography
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1247:used the Tissot Bible as the basis for
820:Fifteen Paintings on the Woman of Paris
550:evoked nostalgia for the period of the
307:Jacques Tissot was born in the city of
2644:Vanity Fair (British magazine) artists
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615:Tissot is considered a core figure of
385:, many depicting scenes from Goethe's
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2292:Transcribed from the 1908 edition of
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1698:
1458:"CATHOLIC ENCYCLOPEDIA: James Tissot"
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342:In 1856 or 1857, Tissot travelled to
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1638:"Tissot, James Joseph Jacques"
1600:
1488:James Tissot, Painter of Modern Life
1378:"Tissot, Jacques Joseph (1836â1902)"
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1914:
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974:, France's most prestigious medal.
950:Detail, self-portrait on silk, 1898
814:Quinze Tableau sur la Femme Ă Paris
409:The Meeting of Faust and Marguerite
13:
2639:Recipients of the Legion of Honour
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2313:"Fourteen Etchings by J.J. Tissot"
2297:by David Price, 16 November 2004,
2217:"Impressionism: Art and Modernity"
1375:Matyjaszkiewicz, Krystyna (2011).
1212:Moses and Joshua in the Tabernacle
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1867:10.2979/victorianstudies.57.3.476
1662:. The Metropolitan Museum of Art.
621:alongside contemporaries such as
485:and later as part of the radical
377:In 1859, Tissot exhibited in the
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2604:19th-century French male artists
2554:Crucifixion, seen from the Cross
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2433:Zimmer, Bill (31 October 1999).
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1742:Alexander II, Emperor of Russia
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1327:"Darwin Correspondence Project"
1277:(1981) and lifestyle themes in
1065:Subjects from the Old Testament
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522:, a series lampooning various
1:
2384:. New York: Routledge Curzon.
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1170:The Seven Trumpets of Jericho
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360:Jean-Auguste-Dominique Ingres
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2609:19th-century French painters
2455:Biblical art by James Tissot
2008:Metropolitan Museum of Art.
1797:"The Holiday (Still on Top)"
1553:Metropolitan Museum of Art.
1408:UK public library membership
1312:
752:In 1875 or 1876, Tissot met
504:, the owner of the magazine
336:and Marguerite in the Garden
295:. He was awarded the French
7:
2634:French Orientalist painters
2311:Wentworth, Michael (1968).
2068:26 September 2006. pg. G.11
1763:Reference Collection Search
1757:National Portrait Gallery,
1746:Reference Collection Search
1740:National Portrait Gallery,
1297:List of Orientalist artists
1290:
731:Family life and bereavement
417:supplied Tissot's painting
10:
2660:
2288:Dublin University Magazine
2121:. Malcolm Warner, pp.85-87
2088:(in French). 24 March 2020
1445:National Gallery of Canada
1127:Cain leadeth Abel to death
745:
518:included contributions to
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2505:
2403:209 works by James Tissot
1849:Burton, Samantha (2015).
1611:, Oxford University Press
451:cap and a Japanese-style
96:
74:
45:
30:
23:
2461:Degas: The Artist's Mind
2415:5 September 2009 at the
2317:The Massachusetts Review
1283:(1993). In 2000 English
1224:Tissot died suddenly in
1081:Jewish Museum (New York)
291:and friend and protégé
2574:(muse, model, mistress)
2301:. Retrieved 15 May 2023
2176:The Burlington Magazine
2066:The Hamilton Spectator.
1765:, Retrieved 26 May 2023
1748:, Retrieved 26 May 2023
1731:, Retrieved 26 May 2023
1644:EncyclopĂŠdia Britannica
1492:Cleveland Museum of Art
1439:Anabelle Kienle PoĆka,
1427:, Retrieved 26 May 2023
1335:University of Cambridge
1274:Raiders of the Lost Ark
778:, more commonly titled
715:"What an arse you have"
633:in 1853 and subsequent
264:under the pseudonym of
2115:Marshall, Nancy Rose.
1959:James McNeill Whistler
1907:
1898:L'Art français en 1872
1729:YCBA online collection
1601:Misfeldt, Willard E.,
1393:10.1093/ref:odnb/68966
1221:
1204:
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951:
898:The Ladies of the Cars
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458:
429:Mature life and career
366:, and French painters
364:James McNeill Whistler
339:
125:[ÊÉkÊozÉftiso]
2284:The Grosvenor Gallery
2246:on 18 September 2012.
2086:Connaissance des Arts
1714:Retrieved 26 May 2023
1695:Retrieved 27 May 2023
1664:Retrieved 27 May 2023
1649:Retrieved 26 May 2023
1529:, 15 June 1946, p. 6.
1210:
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1026:Our Lord Jesus Christ
960:Church of St. Sulpice
949:
766:
746:Further information:
738:
650:
583:
468:James Abbott Whistler
436:
407:for his depiction of
331:
289:James Abbott Whistler
271:Tissot served in the
117:Jacques Joseph Tissot
50:Jacques Joseph Tissot
40:(1865), oil on canvas
2624:French male painters
1971:Freer Gallery of Art
1801:Auckland Art Gallery
1280:The Age of Innocence
1105:Driven From Paradise
877:The Woman of Fashion
502:Thomas Gibson Bowles
2614:Artists from Nantes
2530:Portsmouth Dockyard
2380:Ono, Ayako (2003).
1511:40 (July 1869), 82.
1269:Ark of the Covenant
934:A Woman of Ambition
758:Kathleen Mavourneen
720:Portsmouth Dockyard
479:Franco-Prussian War
397:Peter von Cornelius
348:Jules-Ălie Delaunay
273:Franco-Prussian War
216:. He was born to a
2440:The New York Times
2405:at JamesTissot.org
2350:Victorian Painting
1988:www.britannica.com
1782:. 11 January 2019.
1331:The Darwin Project
1237:The Life of Christ
1222:
1205:
982:The Life of Christ
956:the Woman of Paris
952:
776:Portrait of Mrs N.
772:
744:
672:
605:Edmond de Goncourt
597:
459:
352:Hippolyte Flandrin
340:
2581:
2580:
2368:Oxford Art Online
2299:Project Gutenberg
2193:Brooklyn Museum.
2106:Hughes (2001), 17
1855:Victorian Studies
1690:978-0-85967-597-0
1609:Oxford Art Online
1462:www.newadvent.org
1406:(Subscription or
1241:The Old Testament
1193:Portrait of Mrs N
1041:The Kiss of Judas
954:After completing
635:Meiji Restoration
575:Ball on Shipboard
567:Austrian Habsburg
552:French Revolution
246:Victorian England
114:
113:
68:Kingdom of France
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2269:Alison McMahan,
2267:
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2248:
2247:
2242:. Archived from
2235:
2229:
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2226:
2224:
2215:Samu, Margaret.
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1713:
1710:ChrisBeetles.com
1702:
1696:
1694:
1680:In "Vanity Fair"
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1338:
1323:
1245:Alice Guy-Blaché
1220:
1219: 1896â1902
1217:
1201:
1195:, also known as
1184:Death and legacy
1178:
1177: 1896â1902
1175:
1166:
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1156: 1896â1902
1154:
1145:
1136:
1133:
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1112: 1896â1902
1110:
1098:
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1088: 1896â1902
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990:
972:Legion of Honour
930:
919:The Circus Lover
915:
906:
905: 1883â1885
903:
894:
885:
884: 1883â1885
882:
873:
864:
863: 1878â1885
861:
850:
841:La Femme Ă Paris
834:La Femme Ă Paris
816:
790:, also known as
784:
768:The Garden Bench
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670:
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548:La Partie Carrée
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2572:Kathleen Newton
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2417:Wayback Machine
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2360:General sources
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2238:Jewish Museum.
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1604:"Tissot, James"
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754:Kathleen Newton
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748:Kathleen Newton
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542:Post-war career
483:Garde Nationale
444:
431:
326:
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297:Legion of Honor
285:Kathleen Newton
275:on the side of
238:women's fashion
234:genre paintings
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2249:
2240:"James Tissot"
2230:
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2195:"James Tissot"
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1894:Jules Claretie
1880:
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1635:, ed. (1911).
1633:Chisholm, Hugh
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708:Quel cul tu as
693:Gallery of HMS
680:Berthe Morisot
676:Impressionists
662:A Convalescent
623:Alfred Stevens
601:St John's Wood
543:
540:
534:of Russia, or
524:heads of state
430:
427:
423:Ernest Gambart
401:Moritz Retzsch
325:
324:Artistic debut
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38:Self-Portrait
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22:
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2499:James Tissot
2498:
2460:
2444:. Retrieved
2438:
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2367:
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2316:
2306:
2294:Miscellanies
2293:
2287:
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2257:
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2244:the original
2233:
2221:. Retrieved
2210:
2198:. Retrieved
2175:
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2139:. Retrieved
2135:
2126:
2117:
2111:
2102:
2090:. Retrieved
2085:
2065:
2045:. Retrieved
2041:
2017:. Retrieved
2013:
2003:
1991:. Retrieved
1987:
1978:
1962:
1954:
1937:
1931:
1905:
1897:
1896:in his book
1858:
1854:
1829:. Retrieved
1825:
1816:
1804:. Retrieved
1800:
1779:
1770:
1758:
1753:
1741:
1736:
1725:Napoleon III
1724:
1719:
1709:
1700:
1679:
1654:
1642:
1613:, retrieved
1608:
1580:James Tissot
1579:
1574:
1562:. Retrieved
1558:
1548:
1534:
1526:
1508:
1503:
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1465:. Retrieved
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1396:. Retrieved
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1248:
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1103:Adam and Eve
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1077:The Creation
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800:tuberculosis
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717:in French).
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627:Claude Monet
616:
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584:
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571:North German
563:Still on Top
562:
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532:Alexander II
528:Napoleon III
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438:Still on Top
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242:Belle Ăpoque
230:academic art
214:caricaturist
130:James Tissot
129:
116:
115:
80:(1902-08-08)
37:
25:James Tissot
18:
2599:1902 deaths
2594:1836 births
2549:(1886â1894)
2541:(1883â1885)
1938:Impressions
1926:, p. 1
1527:Everybodyâs
1302:Orientalism
1265:prop design
1260:La Frileuse
1255:Oscar Wilde
1199:La Frileuse
1135: 1900
942:Late career
782:La Frileuse
669: 1876
559: 1873
530:of France,
516:Vanity Fair
507:Vanity Fair
472:Edgar Degas
464:Oscar Wilde
445: 1873
425:in London.
383:Middle Ages
379:Paris Salon
368:Edgar Degas
293:Edgar Degas
261:Vanity Fair
105:illustrator
97:Occupations
2588:Categories
1967:Washington
1496:via Medium
1410:required.)
1308:References
1011:Jesus Wept
792:A Portrait
788:Mavourneen
695:'Calcutta'
585:Sovereigns
520:Sovereigns
393:Henri Leys
303:Early life
56:1836-10-15
2557:(c. 1890)
2517:(c. 1876)
2506:Paintings
2329:0025-4878
1940:(17): 1.
1875:1527-2052
1509:LâArtiste
1313:Citations
618:Japonisme
589:Wilhelm I
536:Wilhelm I
491:Communard
449:Communard
299:in 1894.
255:Japoniste
2446:6 August
2413:Archived
2337:25087742
2165:sainte."
2141:15 March
2092:15 March
2047:15 March
1993:15 March
1965:, 1864,
1946:42597774
1924:Ono 2003
1831:15 March
1806:15 March
1467:15 March
1291:See also
1267:for the
830:baseness
805:neophyte
700:Calcutta
526:such as
250:biblical
224:, early
2565:Related
2514:Holyday
2223:13 June
2019:18 June
1900:and by
1706:"Coïdé"
1564:18 June
964:gouache
740:Seaside
658:diptych
653:Holyday
595:), 1871
587:No. 8,
240:of the
222:realism
218:drapery
121:French:
102:Painter
2533:(1877)
2525:(1876)
2335:
2327:
1944:
1873:
1723:Yale,
1687:
1615:5 July
1404:
1398:5 July
1203:, 1876
936:, 1885
921:, 1885
796:Winter
794:or as
770:, 1882
742:, 1878
470:, and
457:cloth.
405:francs
338:, 1861
313:France
309:Nantes
277:France
252:, and
228:, and
108:artist
64:Nantes
2333:JSTOR
2200:3 May
1942:JSTOR
1230:abbey
1226:Doubs
1149:Moses
640:Ukiyo
561:work
512:Coïdé
388:Faust
344:Paris
334:Faust
266:Coïdé
2448:2008
2325:ISSN
2225:2022
2202:2011
2143:2024
2136:Tate
2094:2024
2049:2024
2042:Tate
2021:2022
1995:2024
1871:ISSN
1833:2024
1826:Tate
1808:2024
1685:ISBN
1617:2014
1566:2022
1469:2024
1400:2014
1239:and
625:and
569:and
399:and
354:and
244:and
206:tee-
167:TISS
75:Died
46:Born
1892:By
1863:doi
1389:doi
1271:in
454:Obi
311:in
208:SOH
169:-oh
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188:iË
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176:US
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