106:, in León, between 1970 and 1971. While studying at the university, she organized the first poetry lectures ever, featuring the top Nicaraguan women poets. Blanco went on to study art history and literature in France. During the Seventies, she worked for the creation of a new society in Nicaragua. However, in 1978, she was forced to move to Venezuela when her family's home was unjustifiably invaded by Sandinista officials. Although she was a well known young Nicaraguan poet during the Eighties, Blanco was not paraded by the Sandinista regime because she did not belong to its party. Blanco graduated with a degree in
194:, falls on the months of May and June, considered the months of the rain and of the tree. The poet affirms the creative power of the rain identified with that of the woman and welcomes it with affection and happiness. The water brightens up the colors and dissipates monotony. It also creates a bucolic vision in which time is only present and the woman is actualized in love and in memories establishing the foundation of her existence. The woman asserts her pride of being and her common nature with the tree through the sensuality of the touch and the
33:
205:, Blanco tries to rescue the power of the primeval word, the language rooted in the symbol and in rites. The poet becomes the sun's priestess to extol its meaning in the human life, in the humbleness of the harvests and fruits, in the activity of the bees, in love, in the chant ... The perfect conciliation of all these elements is attained in the fertile embrace of
243:
that praises sensuality and sexuality, the poet glorifies each part of the female body. Her objective is to inaugurate a new sociological and cultural space confronting the prevalent stereotypes that limit female expression. The identification of woman and Nature emerges continuously in Blanco's
223:
neighborhood of Monimbó that led the vanguard in the war against the Sower of the
Flowers of Evil. The transformation of peace, work, music, and dance into shrapnel, bombs, destruction, and death originated the uprising against the Somocista army. Blanco remembers the dead Sandinista guerrilla
248:
in society, and the generalized repression of their emotions, their experience of love, and writing. Blanco's poetry deviates from the patriarchal tradition and vindicates the validity of a female discourse, the synthesis of a personal and historical process.
232:. The denouncement of atrocities, the imprisonments for insurgency, the voices of witnesses, the poverty, orphanhood, mutilation, hunger, and affliction create a multiple cry for solidarity in the fight guided by the motto "Free Country or Death."
255:
is a mixture of themes. On the one hand, there is nature again; there is the everyday, which the poet considers sacred; and there is also the city, the ultimate city, New York. Blanco transforms herself into a series of
Nicaraguan poets:
178:
Yolanda Blanco's poetic writing reveals a route of intimate spaces that intensify the experience of the female apprehension of reality, of Nature, and of language through the articulation of a discourse coinciding with the
224:
fighters and the faith in the cause for
Nicaragua. Pain, hope, guns, and guitars alternate in the poet's affirmation of having been "impregnated" by the love for the Revolution. The colors of
219:. It constitutes the testimony of a call for action against injustice and a chant for the hope of liberation. With an enormous emotive force, the poet depicts the heroism and courage of the
401:
337:
574:
402:
André, María
Claudia and Eva Paulino Bueno, ed. "Latin American Women Writers: An Encyclopedia." Critical note by Francisco J. Peñas-Bermejo. New York: Routledge, 2008.
370:
470:
549:
419:
Valle-Castillo, Julio, ed. "El siglo de la poesía en
Nicaragua". Managua, Nicaragua: Colección Cultural de Centro América Serie Literaria No. 15. 2005
539:
534:
352:
103:
244:
poems to communicate their essential creative commonality. It becomes a double discursive axis of denouncement: the subordinated role of
183:
postulates of the difference. Her poems also represent a testimony of the revolutionary fight that culminated with the triumph of the
454:
330:
462:
544:
504:
122:
National Poetry Award—a literary contest organized yearly by the
Nicaraguan Association of Women Writers (ANIDE)—for her book
408:
184:
499:
363:
569:
564:
529:
390:
559:
554:
494:
385:
Cánepa, Mario A. "Con 3 poetas hispanoamericanas en Nueva York", Sevilla, España: Ollero & Ramos, 2003.
524:
119:
446:
32:
438:
509:
313:. Central American Women's Poetry for Peace. Bilingual Anthology. Penobscot, Me: Granite Press, 1987.
215:
was written during the revolutionary fight of the
Nicaraguan people that put an end to the regime of
228:, black and red, appear in most of the poems to verbalize the conflict generated by oppression and
216:
265:
519:
480:
261:
514:
8:
272:
to portray the 20th century, together with her own time, her country, and her tradition.
299:. Managua, Nicaragua: Colección Cultural de Centro América Serie Literaria No. 12. 2003.
220:
129:
Blanco currently lives in New York City where she works as a translator and practices
118:, and participated actively in the Venezuelan literary world. In 2005, Blanco won the
114:. She was a member of "Calicanto", a literary workshop conducted by Venezuelan writer
404:
386:
269:
257:
115:
374:
341:
285:. Bogotá, Colombia: Fondo de las Naciones Unidas para la infancia (UNICEF), 2007.
331:"Recuento mítico y cuadrosinóptico de los dos primeros recitales de las poetas"
239:, Blanco's awareness of being a woman is the dominant theme. Using a subversive
432:
488:
353:
Sancho Más, Javier. 'Poesie
Nicaraguayenne du XX siecle',' 'caratula.net'
225:
107:
87:
292:. México D.F., México: Universidad Nacional Autónoma de México. 2007.
111:
297:
Literatura centroamericana: Diccionario de autores centroamericanos
240:
180:
229:
195:
99:
48:
206:
130:
70:
245:
311:
Ixok amargo: poesía de mujeres centroamericanas por la paz
290:
La herida en el sol. Poesía contemporánea centroamericana
455:
Yolanda Blanco dice sus poemas en "Palabra virtual"
364:Valle, Francisco. 'Juez y parte de Erick Aguirre',
575:National Autonomous University of Nicaragua alumni
283:Las palabras pueden: los escritores y la infancia
163:. Caracas, Venezuela: Pen Club de Venezuela, 1985
486:
447:Asociación nicaragüense de escritoras (ANIDE)
306:. Antología. Managua: Nueva Nicaragua, 1992.
472:El siglo de la poesía en Nicaragua II y III
169:. Managua, Nicaragua: Ediciones ANIDE, 2005
157:. Managua, Nicaragua: Editorial Unión, 1981
145:. Leon, Nicaragua: Editorial Hospicio, 1974
104:Universidad Nacional Autónoma de Nicaragua
550:Nicaraguan emigrants to the United States
151:. León, Nicaragua: Editorial UNAN, 1977
487:
540:21st-century Nicaraguan women writers
535:20th-century Nicaraguan women writers
185:Sandinista National Liberation Front
190:The focus of her first collection,
13:
304:La mujer nicaragüense en la poesía
275:
14:
586:
426:
136:
110:from the Universidad Central de
31:
37:Yolanda Blanco in New York City
413:
395:
379:
357:
346:
324:
102:, Nicaragua. She attended the
1:
545:21st-century Nicaraguan poets
505:20th-century Nicaraguan poets
317:
295:Arellano, Jorge Eduardo, ed.
288:Yllescas Salinas, Edwin, ed.
7:
373:September 28, 2011, at the
98:Yolanda Blanco was born in
10:
591:
500:Nicaraguan women activists
463:Yolanda Blanco at Dariana
253:De lo urbano y lo sagrado
173:
167:De lo urbano y lo sagrado
124:De lo urbano y lo sagrado
68:
63:
55:
42:
30:
23:
570:21st-century translators
565:20th-century translators
530:Poets from New York City
120:Mariana Sansón Argüello
93:
560:Nicaraguan women poets
555:Nicaraguan translators
340:June 20, 2008, at the
281:Seregni, Jerome, ed.
187:(FSLN) in Nicaragua.
495:Nicaraguan feminists
309:Angleysey, Zoë, ed.
266:José Coronel Urtecho
213:Penqueo en Nicaragua
192:Así cuando la lluvia
155:Penqueo en Nicaragua
143:Así cuando la lluvia
86:(born in 1954) is a
525:People from Managua
302:Zamora, Daisy, ed.
262:Salomón de la Selva
409:978-0-415-97971-9
335:, agosto 23, 2005
81:
80:
582:
510:Feminist writers
479:
469:
461:
453:
445:
435:
420:
417:
411:
399:
393:
383:
377:
368:, abril 10, 1999
361:
355:
350:
344:
328:
270:Ernesto Cardenal
217:Anastasio Somoza
116:Antonia Palacios
77:
74:
72:
35:
21:
20:
590:
589:
585:
584:
583:
581:
580:
579:
485:
484:
477:
467:
459:
451:
443:
433:
429:
424:
423:
418:
414:
400:
396:
384:
380:
375:Wayback Machine
366:El Nuevo Diario
362:
358:
351:
347:
342:Wayback Machine
333:El Nuevo Diario
329:
325:
320:
278:
276:Further reading
176:
139:
96:
69:
47:
38:
26:
17:
16:Nicaraguan poet
12:
11:
5:
588:
578:
577:
572:
567:
562:
557:
552:
547:
542:
537:
532:
527:
522:
517:
512:
507:
502:
497:
483:
482:
475:
465:
457:
449:
441:
434:Yolanda Blanco
428:
427:External links
425:
422:
421:
412:
394:
378:
356:
345:
322:
321:
319:
316:
315:
314:
307:
300:
293:
286:
277:
274:
175:
172:
171:
170:
164:
158:
152:
146:
138:
137:Published work
135:
95:
92:
84:Yolanda Blanco
79:
78:
73:.yolandablanco
66:
65:
61:
60:
57:
53:
52:
44:
40:
39:
36:
28:
27:
25:Yolanda Blanco
24:
15:
9:
6:
4:
3:
2:
587:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
521:
520:Living people
518:
516:
513:
511:
508:
506:
503:
501:
498:
496:
493:
492:
490:
481:
476:
474:
473:
466:
464:
458:
456:
450:
448:
442:
440:
436:
431:
430:
416:
410:
406:
403:
398:
392:
391:84-7895-180-6
388:
382:
376:
372:
369:
367:
360:
354:
349:
343:
339:
336:
334:
327:
323:
312:
308:
305:
301:
298:
294:
291:
287:
284:
280:
279:
273:
271:
267:
263:
259:
254:
250:
247:
242:
238:
233:
231:
227:
222:
218:
214:
210:
208:
204:
199:
198:of the body.
197:
193:
188:
186:
182:
168:
165:
162:
159:
156:
153:
150:
147:
144:
141:
140:
134:
132:
127:
125:
121:
117:
113:
109:
105:
101:
91:
89:
85:
76:
67:
62:
58:
54:
50:
46:November 1954
45:
41:
34:
29:
22:
19:
478:(in Spanish)
471:
468:(in Spanish)
460:(in Spanish)
452:(in Spanish)
444:(in Spanish)
415:
397:
381:
365:
359:
348:
332:
326:
310:
303:
296:
289:
282:
252:
251:
236:
234:
212:
211:
203:Cerámica sol
202:
200:
191:
189:
177:
166:
160:
154:
149:Cerámica sol
148:
142:
128:
123:
97:
83:
82:
18:
515:1954 births
258:Rubén Darío
51:, Nicaragua
489:Categories
318:References
226:Sandinismo
221:indigenous
108:Literature
88:Nicaraguan
56:Occupation
237:Aposentos
161:Aposentos
112:Venezuela
371:Archived
338:Archived
241:language
181:feminist
439:YouTube
230:liberty
196:erotism
100:Managua
90:poet.
64:Website
49:Managua
407:
389:
268:, and
207:Nature
174:Themes
133:arts.
131:Taoist
246:women
405:ISBN
387:ISBN
94:Life
75:.net
59:Poet
43:Born
437:on
235:In
201:In
71:www
491::
264:,
260:,
209:.
126:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.