36:
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432:(bars marked E in the score above) is not played. Instead, motif D is repeated so as to switch back to D major and to the re-exposition of the fanfare theme. This is followed by the re-exposition of "God Save the King", now in the main key (D major) and adopting the pace of a "Tempo di menuetto moderato". Again the final cadence (E) is avoided and replaced by successive repetition of motif D, this time leading to a coda in imitative style. This fugal section ("Allegro") starts as a string octet (later joined by the full orchestra) with the phrase
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This performance, which featured 100 musicians, has been noted as being particularly loud. Corinna da
Fonseca-Wollheim described it as a "sonic assault on the listener" and the "beginning of a musical arms race for ever louder... symphonic performance", quoting an unnamed attendee as remarking that
131:, a contraption that was able to play many of the military band instruments of the day. However, Beethoven wrote a composition for large band (100 musicians), so large that Maelzel could not build a machine large enough to perform the music. As an alternative, Beethoven rewrote the
473:. It never caught on as anything more than a curiosity. Nonetheless, Mälzel toured Europe showing off Beethoven's work on the mechanical trumpeter and the enthusiasm for the music convinced Beethoven to turn it into a full-blown "victory
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the performance was "seemingly designed to make the listener as deaf as its composer". Musicologist Frédéric Döhl described performances of this work as "not like an evening at the
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Beethoven was well aware of the triviality of the work and responded to similar criticism in his own time: "What I shit is better than anything you could ever think up!"
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The novelty of the work has waned, and "Wellington's
Victory" is not performed often today. Many critics lump it into a category of so-called "battle pieces", along with
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If this first part is pictorial music, the second is far from vulgar and exhibits some typical
Beethoven composing techniques. It can be considered as a
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100:. Composition stretched from August to first week of October 1813, and the piece proved to be a substantial moneymaker for Beethoven.
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96:. It is known sometimes as "The Battle Symphony" or "The Battle of Vitoria", and was dedicated to the Prince Regent, later King
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158:, with Beethoven conducting. It was immediately popular with concertgoers. Also on the programme were the premiere of his
127:
talked him into writing a composition commemorating this battle that he could notate on his 'mechanical orchestra', the
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derived from the anthem's phrase B, thus building up a little double fugue. It all ends with a section based on motif
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stemming from phrase A of the "God Save the King" tune. Later a second phrase joins in, still in imitative style,
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describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses "
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wrote that "Beethoven's contribution lacks the serious pretentiousness or the incorporation of ideology of
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Cf. first edition by S.A. Steiner & Co., Vienna, December 1815. The complete score, available from
469:, convinced Beethoven to write a short piece commemorating Wellington's victory for his invention, the
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in D major, which switches to the distant key of B-flat major for the second theme. This is "
399:, perhaps because playing "La Marseillaise" was considered treasonous in Vienna at the time.
267:. On stage there are two 'sides', British and French, both playing the same instruments: two
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In the orchestral percussion section one player plays the timpani, the other three play the
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The first version of "Wellington's
Victory" was not written for an orchestra.
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The manuscript of the second part of this version was discovered by
329:. Statements consisting only of original research should be removed.
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381:" ("Marlborough has left for the war", also popularized today as "
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19:"Battle Symphony" redirects here. For the Linkin Park song, see
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Cultural depictions of Arthur
Wellesley, 1st Duke of Wellington
385:") for the French side. Beethoven may have elected to not use "
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611:"Loud, Louder, Loudest: How Classical Music Started to Roar"
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The autograph manuscript of the work is preserved in the
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and a work performed by
Maelzel's mechanical trumpeter.
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for orchestra, added a first part and renamed the work
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Wellington's
Victory: Battle of Waterloo – 18 June 1815
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91, is a 15-minute-long orchestral work composed by
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123:After the Battle of Vitoria, Beethoven's friend
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88:in Germany thus ending the rule of Bonaparte's
62:Wellingtons Sieg oder die Schlacht bei Vittoria
745:Wellington's Victory or the Battle of Vittoria
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727:Wellington's Victory or the Battle of Vittoria
170:, but rather like a modern-day rock concert".
608:Corinna da Fonseca-Wollheim (17 April 2020).
740:, copyist's manuscript, Berlin State Library
654:For similar key shifts see for instance the
484:in a revised copy by the author (Hess 108).
364:
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181:is something of a musical novelty. The full
553:termed the piece an "atrocious potboiler".
287:, played by eight to ten instrumentalists.
146:on 8 December 1813 at a concert to benefit
682:, p. 401. London: Faber & Faber, 1971.
465:, known today primarily for patenting the
721:International Music Score Library Project
664:and many other mature works by Beethoven.
345:Learn how and when to remove this message
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221:, a large percussion battery (including
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16:1813 orchestral composition by Beethoven
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389:" to represent the French forces, as
803:Compositions by Ludwig van Beethoven
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357:The work has two parts: the Battle (
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818:Compositions for symphony orchestra
111:Composition, premiere and reception
74:Marquess (later Duke) of Wellington
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21:Battle Symphony (Linkin Park song)
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273:englisches/französisches Trommeln
142:The piece was first performed in
84:in Spain on 21 June 1813 and the
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422:", the British national anthem:
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639:The Bear Went Over the Mountain
537:Symphonie funèbre et triomphale
39:Title page of the first edition
813:Mechanical musical instruments
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410:section, features an extended
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379:Malbrough s'en va-t-en guerre
643:For He's a Jolly Good Fellow
383:For He's a Jolly Good Fellow
377:" for the British side and "
363:) and the Victory Symphony (
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587:"Beethoven, Siegessinfonie"
325:the claims made and adding
119:Bust of the composer (1812)
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283:in the score), two (four)
90:Confederation of the Rhine
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798:1813 in military history
154:soldiers wounded at the
26:For the board game, see
696:, for orchestra, Op. 91
549:, Wallace Brockway and
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86:German campaign of 1813
808:Napoleonic Wars in art
406:that, stripped of the
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125:Johann Nepomuk Maelzel
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488:The composition today
369:). The first part is
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92:and the birth of the
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694:Wellington's Victory
691:Michael Rodman.
527:Reformation Symphony
179:Wellington's Victory
137:Wellington's Victory
105:Berlin State Library
94:German Confederation
70:Ludwig van Beethoven
45:Wellington's Victory
679:The Classical Style
637:Also known now as "
428:However, the final
279:), two bass drums (
168:Berlin Philharmonie
72:to commemorate the
617:The New York Times
514:Battle of the Huns
310:possibly contains
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793:1813 compositions
551:Herbert Weinstock
522:Felix Mendelssohn
457:The panharmonicon
420:God Save the King
393:later did in the
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312:original research
82:Battle of Vitoria
54:(also called the
51:Battle of Vitoria
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623:23 November
593:6 September
494:Tchaikovsky
408:development
404:sonata form
391:Tchaikovsky
782:Categories
560:References
482:Willy Hess
335:April 2022
319:improve it
269:side drums
240:I and II,
225:and other
833:George IV
467:metronome
323:verifying
291:Structure
261:bass drum
227:artillery
215:trombones
199:clarinets
98:George IV
48:, or the
747:, Op. 91
738:, Op. 91
729:, Op. 91
700:AllMusic
530:, or of
475:overture
360:Schlacht
285:ratchets
265:triangle
213:, three
211:trumpets
203:bassoons
152:Bavarian
148:Austrian
430:cadence
416:fanfare
317:Please
275:in the
257:cymbals
238:violins
223:muskets
219:timpani
205:, four
191:piccolo
80:at the
758:Portal
660:, the
641:" or "
463:Mälzel
281:Kanone
248:, and
246:cellos
242:violas
209:, six
201:, two
197:, two
193:, two
187:flutes
144:Vienna
574:IMSLP
504:Liszt
277:score
207:horns
195:oboes
625:2020
595:2013
502:and
412:coda
263:and
189:, a
150:and
698:at
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524:'s
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506:'s
496:'s
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321:by
236:of
66:Op.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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