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1004:
67:, the most notable contemporary movement on the continent. A reason sometimes given for the survival of his music in continental sources is that the few remaining English 15th-century manuscripts rarely mention the names of composers; therefore there may be a good deal of his music which is simply anonymous. Survival of music from the period in England is sparse because most of it was destroyed during the
98:. All of his surviving music is vocal, and his best-known composition is an Ave Regina, a motet which occurs, unusually, in three contemporary paintings, even including notation. Some of his shorter pieces acquired an extraordinary fame in far-away areas, such as
54:
Most of Frye's music survives in manuscripts from the continent, which has suggested to scholars that he spent much of his time there; however stylistically his music is closer to that of other
English composers (such as
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42:
between 1443 and 1466, and he may have been the Walter Frye who joined the London Parish Clerks in 1456; he also may have been the Walter Frye who left a will at
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techniques; he contrasted full-voiced textures with passages for only two voices, which became a characteristic sound of the
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122:. These songs were often copied, rearranged and plagiarized, and appear in numerous collections in varied forms.
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Frye's masses, however, were his most historically significant contribution, for they influenced the music of
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of the late 15th and early 16th centuries. Three masses have survived more or less complete: the
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Nothing certain is known about his life. He may have been a "Walter Cantor" at
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133:. Frye's style in his masses was typical of English music of the period, the
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203:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
184:
http://www.oxfordmusiconline.com/subscriber/article/grove/music/50158pg12
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182:, et al. "Sources, MS." In Grove Music Online. Oxford Music Online,
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1020:
201:The New Grove Dictionary of Music and Musicians
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220:. New York, W.W. Norton & Co., 1954.
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239:
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71:carried out between 1536 and 1540 by
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14:
1055:
1044:English male classical composers
1002:
993:
992:
528:Giovanni Pierluigi da Palestrina
1039:15th-century English composers
186:(accessed September 15, 2009).
173:
69:dissolution of the Monasteries
1:
1034:English Renaissance composers
271:List of Renaissance composers
193:
7:
10:
1060:
901:Petrus Phalesius the Elder
716:English Virginalist School
199:Article "Walter Frye," in
143:sonorities, and sometimes
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924:
851:
790:
744:
691:
683:Jan Pieterszoon Sweelinck
566:
453:
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277:
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163:(also for three voices).
218:Music in the Renaissance
166:
159:(three voices), and the
157:Missa Nobilis et Pulchra
114:, including the rondeau
49:
711:English Madrigal School
33:
553:TomĂĄs Luis de Victoria
357:Oswald von Wolkenstein
63:) than to that of the
26:composer of the early
573:Transition to Baroque
518:Pierre de Manchicourt
161:Missa Summe Trinitati
603:Girolamo Frescobaldi
410:CristĂłbal de Morales
22:(died 1474?) was an
721:Florentine Camerata
693:Composition schools
352:Gaspar van Weerbeke
155:(for four voices),
136:Contenance Angloise
916:Thomas Vautrollier
896:Ottaviano Petrucci
871:Pierre Attaingnant
861:Hieronymus Andreae
668:Michael Praetorius
653:Claudio Monteverdi
643:Giovanni de Macque
638:Luzzasco Luzzaschi
608:Alfonso Fontanelli
498:Francisco Guerrero
473:Antonio de CabezĂłn
385:Thomas Crecquillon
367:Middle (1470â1530)
347:Johannes Tinctoris
287:Alexander Agricola
153:Missa Flos Regalis
1016:
1015:
613:Giovanni Gabrieli
440:Philippe Verdelot
337:Johannes Ockeghem
279:Early (1400â1470)
262:Renaissance music
65:Burgundian School
1051:
1006:
996:
995:
876:Vittorio Baldini
853:Music publishing
628:Hans Leo Hassler
583:Gregorio Allegri
538:Cipriano de Rore
513:Vicente Lusitano
508:Orlando di Lasso
463:Jacques Arcadelt
430:Pierre de la Rue
425:Josquin des Prez
405:Clément Janequin
400:Antoine de FĂ©vin
390:Antonius Divitis
332:Johannes Martini
307:Guillaume Du Fay
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118:and the ballade
110:and present-day
16:English composer
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906:Girolamo Scotto
891:Antonio Gardano
847:
786:
740:
687:
678:Heinrich SchĂŒtz
673:Philippe Rogier
623:Orlando Gibbons
575:
571:
562:
558:Giaches de Wert
548:Christopher Tye
503:Claude Le Jeune
493:Claude Goudimel
488:Nicolas Gombert
483:Andrea Gabrieli
478:Jacobus Clemens
449:
445:Adrian Willaert
375:Martin Agricola
361:
297:Antoine Busnois
292:Gilles Binchois
273:
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180:Stanley Boorman
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131:Antoine Busnois
120:So ys emprentid
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978:Medieval music
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588:Thomas Campion
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533:Costanzo Porta
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523:Hans Neusidler
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322:Heinrich Isaac
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312:John Dunstaple
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302:Loyset CompĂšre
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116:Tout a par moy
57:John Dunstaple
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985:Baroque music
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745:Musical forms
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658:Thomas Morley
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648:Luca Marenzio
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543:Thomas Tallis
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435:John Taverner
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420:Jacob Obrecht
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226:0-393-09530-4
223:
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214:Gustave Reese
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209:1-56159-174-2
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139:, using full
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127:Jacob Obrecht
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94:and a single
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47:
45:
41:
40:Ely Cathedral
31:
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25:
21:
983:
976:
947:Architecture
881:Jacob Bathen
598:John Dowland
468:William Byrd
342:Leonel Power
316:
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200:
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119:
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90:, including
77:
53:
37:
19:
18:
1029:1474 deaths
937:Renaissance
932:Early music
828:Netherlands
808:Elizabethan
663:Jacopo Peri
633:Alonso Lobo
593:John Cooper
455:Late (1530)
415:Jean Mouton
327:Jean Japart
317:Walter Frye
145:isorhythmic
102:, southern
78:Frye wrote
61:John Hothby
28:Renaissance
20:Walter Frye
1023:Categories
962:Philosophy
957:Literature
925:Background
791:Traditions
767:Magnificat
757:Intermedio
701:Burgundian
194:References
73:Henry VIII
44:Canterbury
777:Offertory
706:Colorists
568:Mannerism
149:polyphony
46:in 1474.
998:Category
975: â
838:Portugal
762:Madrigal
736:Venetian
92:ballades
988:â
818:Germany
798:British
141:triadic
112:Austria
108:Bohemia
104:Germany
96:rondeau
24:English
1008:Portal
833:Poland
813:France
803:Cyprus
782:Pavane
576:c.1600
224:
207:
84:motets
80:masses
952:Dance
843:Spain
823:Italy
752:Carol
731:Roman
167:Notes
100:Italy
88:songs
50:Music
772:Mass
570:and
222:ISBN
205:ISBN
129:and
86:and
59:and
34:Life
942:Art
1025::
216:,
106:,
82:,
75:.
30:.
254:e
247:t
240:v
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