17:
3928:
3938:
497:
sections in a longer sequence of organum. Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new
528:
elaborate on, even in cases where the upper voices are secular in content. Most medieval motets are anonymous compositions and significantly re-use music and text. They are transmitted in a number of contexts, and were most popular in northern France. The largest surviving collection is in the
1266:
were important composers of this sort of motet. Their motets often included parts for soloists as well as choirs; they were longer, including multiple movements in which different soloist, choral, or instrumental forces were employed. Lully's motets also continued the
Renaissance tradition of
527:
The texts of upper voices include subjects as diverse as courtly love odes, pastoral encounters with shepherdesses, political attacks, and many
Christian devotions, especially to the Virgin Mary. In many cases, the texts of the upper voices are related to the themes of the chant passage they
101:
was also used. If the word is from Latin, the name describes the movement of the different voices against one another. Today, however, the French etymology is favoured by reference books, as the word "motet" in 13th-century French had the sense of "little word". In fact, the
69:
believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".
979:, often found in the medieval secular motet, was banished from the Renaissance motet. Ceremonial motets are characterised by clear articulation of formal structure and by clear diction, because the texts would be novel for the audience.
1825:, edited and translated by Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh McKinnon, and Carol J. Williams; TEAMS Varia (Kalamazoo, MI: Medieval Institute Publications, 2011): 85 .
65:, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist
972:, "spiritual madrigals". These Renaissance motets developed in episodic format with separate phrases of the text given independent melodic treatment and contrapuntal development.
656:
2308:
2396:
1388:
and catalogued BWV 225â230 are relatively long pieces combining German hymns with biblical texts, several of them composed for funerals. Mostly written in
883:
2000:
462:
1352:(70 grands motets) were also important composers. In Germany, too, pieces called motets were written in the new musical languages of the Baroque.
1526:
918:
to greater lengths compared to the surrounding multi-voice counterpoint, adopting a technique of contemporary 'tenor masses'. This obscured the
1502:
is an arrangement of a movement from Bach's
Cantata 28, and the authenticity of the arrangement is not certain. For a few more motets, such as
1443:
30:
1681:
975:
Secular motets, known as "ceremonial motets", typically set a Latin text to praise a monarch, music or commemorate a triumph. The theme of
524:
on a single word or phrase. It is also increasingly argued that the term "motet" could in fact include certain brief single-voice songs.
1567:
1671:
1489:
1224:" by Thomas Tallis serves the demand of the Church of England for English texts, and a focus on understanding the words, beginning in
1404:, several of them composed for funerals. The first five, for double chorus, are almost certainly composed by Bach and are written in
952:
for a motet and the vernacular for a madrigal. The relationship between the forms is clearest in composers of sacred music, such as
937:, sometimes with an imitative counterpoint, for a chorus singing a Latin and usually sacred text. It is not connected to a specific
2561:
1434:
1649:
In the 20th century, composers of motets have often consciously imitated earlier styles. In 1920, Ralph
Vaughan Williams composed
3099:
1379:
876:
1669:
three verses from different psalms as motets, first performed in 1930. Francis
Poulenc set several Latin texts as motets, first
3591:
1579:
2453:
2363:
2339:
2296:
2272:
2020:
1959:
1938:
1477:
2591:
1651:
1496:
455:
160:
926:
created by the interplay of voices and the absence of an obvious beat distinguish medieval and renaissance motet styles.
3433:
2925:
1573:
1240:, especially in France where the motet was very important, there were two distinct, and very different types of motet:
908:
was a transitional figure in this regard, writing one of the last important motets in the medieval, isorhythmic style,
869:
1838:
1830:
1809:
1503:
3815:
2311:
3800:
3773:
2586:
1164:
953:
770:
168:
2072:"The French Motet as Trope: Multiple Levels of Meaning in Quant florist la violete / El mois de mai / Et gaudebit"
3968:
3795:
1518:
448:
3805:
3054:
3973:
3111:
2719:
2601:
1917:
1460:
2920:
2179:
1094:
652:
547:
was one of the earliest composers to use this technique, and his work evidently had an influence on that of
3039:
2954:
2554:
1345:
966:'s poems could be performed in a church. Religious compositions in vernacular languages were often called
2217:
1983:
1452:
1038:
3978:
3918:
3783:
2581:
1546:
705:
627:
286:
156:
1589:
3778:
3453:
3448:
3094:
2199:
Edgar H. Sparks, Cantus Firmus in Mass and Motet 1420–1520 (New York: Da Capo Press, 1975), 86.
1881:
1696:
1626:
1538:
1468:
1189:
1184:
785:
1321:
1313:
1263:
1259:
1179:
1048:
506:
motets. These were two- to four-part compositions in which different texts, sometimes in different
3931:
3079:
3009:
2547:
1886:
1595:
1535:
1154:
896:
The compositional character of the motet changed entirely during the transition from medieval to
710:
700:
535:
Increasingly in the 14th and 15th centuries, motets made use of repetitive patterns often termed
133:
42:
3790:
1761:
1124:
3963:
3941:
3820:
3626:
3282:
2969:
1720:
1341:
2662:
2012:
1793:
1614:
3882:
3197:
3049:
2905:
2900:
2762:
2534:
2371:
1894:
1859:
1609:
1486:
1385:
1269:
1129:
680:
239:
164:
3344:
2974:
3983:
3694:
3689:
3596:
3413:
3400:
3349:
3318:
3267:
3158:
3004:
2819:
2804:
2747:
2697:
2657:
2614:
2383:
1801:
1542:
1495:(1736â37?) is regarded as a motet, though it has independent instrumental parts. The motet
968:
910:
548:
366:
361:
311:
281:
266:
193:
3064:
2834:
1769:
1329:
8:
3897:
3892:
3740:
3523:
3313:
3212:
3143:
3019:
3014:
2959:
2875:
2845:
2702:
2692:
2647:
2609:
2395:
Three motets (Pater Noster; Ave Maria; Ave Verum), published with A coeur joie editions:
1357:
1274:
1255:
1074:
690:
599:
403:
276:
188:
66:
16:
2984:
2626:
2071:
1550:
1349:
1320:(grands & petits motets), Marc-Antoine Charpentier (206 different types of motets),
1079:
3851:
3841:
3810:
3621:
3601:
3443:
3339:
3287:
3247:
3232:
3148:
2999:
2910:
2682:
2162:
2154:
2107:
2099:
2043:
Peraino, Judith (2001). "Monophonic Motets: Sampling and
Grafting in the Middle Ages".
1773:
1630:
1058:
1008:
790:
750:
1676:
1353:
1018:
991:
are prominent composers of ceremonial motets from the first half of the 16th century.
933:
and the
Renaissance period marked the flowering of the form. The Renaissance motet is
3937:
3723:
3611:
3581:
3541:
3488:
3423:
3334:
3329:
3277:
3237:
3174:
3153:
3059:
3044:
2994:
2855:
2814:
2742:
2652:
2449:
2359:
2335:
2292:
2268:
2230:
2166:
2146:
2111:
2091:
2016:
1996:
1955:
1934:
1913:
1834:
1826:
1805:
1604:
1562:
1305:
1254:, which included massed choirs and instruments up to and including a full orchestra.
1208:
of singers (or instruments) alternated. This style of motet was sometimes called the
1197:
1149:
1144:
1114:
1000:
897:
740:
675:
635:
593:
587:
544:
539:; that is, they employed repeated rhythmic patterns in all voices—not only the
529:
482:
435:
388:
316:
306:
301:
210:
58:
1053:
3735:
3483:
3406:
3359:
3323:
3293:
3272:
2964:
2949:
2708:
2138:
2083:
2052:
2008:
1765:
1728:
1708:
1361:
1109:
1063:
988:
945:
775:
765:
755:
730:
685:
575:
569:
563:
494:
398:
321:
296:
106:
49:
is mainly a vocal musical composition, of highly diverse form and style, from high
3988:
3887:
3711:
3616:
3576:
3512:
3468:
2860:
2839:
2824:
2770:
2677:
2379:
2251:
1875:
1752:
1736:
1704:
1692:
1584:
1333:
1325:
1104:
1089:
1028:
1013:
980:
958:
905:
745:
735:
605:
521:
383:
271:
2504:
The Motet around 1500: On the
Relationship between Imitation and Text Treatment.
1853:
1618:
1337:
914:, in 1436. During the second half of the fifteenth century Motets stretched the
3846:
3716:
3706:
3586:
3517:
3478:
3458:
3438:
3168:
3138:
3024:
2880:
2850:
2570:
1600:
1424:
1396:
1245:
1159:
1099:
1084:
1068:
1023:
848:
581:
499:
378:
326:
141:
90:
50:
2142:
3957:
3652:
3551:
3418:
3386:
3242:
3163:
2809:
2687:
2670:
2213:
2183:
2150:
2095:
1979:
1700:
1522:
1278:
1250:
1237:
1221:
1174:
1169:
1139:
1119:
1043:
923:
855:
760:
611:
512:
245:
103:
62:
25:
2989:
2530:
1687:
498:
text in the upper part(s), creating motets. From these first motets arose a
78:
In the early 20th century, it was generally believed the name came from the
3877:
3684:
3647:
3606:
3571:
3546:
3531:
3029:
2865:
2640:
1757:
1732:
1724:
1716:
1712:
1665:
1660:
1638:
1531:
1317:
1033:
984:
976:
827:
780:
695:
543:—which did not necessarily coincide with repeating melodic patterns.
393:
356:
346:
2056:
1747:
3872:
3867:
3662:
3034:
2979:
2885:
2733:
2483:
Hearing the Motet: Essays on the Motet of the Middle Ages and
Renaissance
1411:
1401:
1366:
1308:
is bathed in the sacred font, and the
Christian is dedicated to Christ.")
1134:
204:
2941:
1356:
wrote many motets in series of publications, for example three books of
222:
3463:
3133:
2829:
2795:
2790:
2103:
1634:
1406:
1390:
1244:, sacred choral or chamber compositions whose only accompaniment was a
1201:
507:
217:
54:
21:
2757:
2158:
2126:
1561:
In the 19th century, some German composers continued to write motets.
1304:("Rejoice and sing, France: the lily is bathed with heavenly dew. The
490:
291:
3674:
3536:
3354:
3089:
1954:, edited by Alison Latham (New York: Oxford University Press, 2001).
1659:
for a four-part choir, organ, brass, and percussion, called a motet.
1225:
962:
are among the most lush and madrigal-like, while his madrigals using
934:
536:
351:
227:
2752:
2511:
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing.
2235:
Palestrina: Canticum canticorum, Motets Book IV; Spiritual madrigals
2087:
1933:, eighth edition (New York: W. W. Norton & Company, 2010): 102.
486:
3836:
3756:
3679:
3642:
3125:
2915:
2895:
2870:
2378:(2017), motet for choir a cappella SSAATTBB, lyrics from a poem by
1974:
Ernest H. Sanders and Peter M. Lefferts, "Motet, §I: Middle Ages",
1656:
963:
930:
822:
419:
233:
1912:, second edition (Cambridge, MA: Harvard University Press, 1969).
1760:(Motet: Harmonies of the World, with rules from Johannes Kepler),
551:, one of the most famous named composers of late medieval motets.
510:
languages, were sung simultaneously over a (usually Latin-texted)
3750:
3728:
3699:
3657:
3428:
3084:
2632:
2619:
2539:
2490:
Saint Cecilia in the Renaissance: The Emergence of a Musical Icon
938:
816:
517:
503:
477:
413:
371:
198:
2518:
The Monstrous New Art: Divided Forms in the Late Medieval Motet.
2208:
Leeman L. Perkins and Patrick Macey, "Motet, §II: Renaissance",
1929:
James Peter Burkholder, Donald Jay Grout, and Claude V. Palisca
900:, as most composers abandoned the use of a repeated figure as a
3473:
3395:
2890:
1622:
810:
3669:
1205:
949:
109:
that were the forerunner of the motet were originally called
79:
2356:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
2332:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
2289:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
1852:
922:
rhythm more than in medieval isorhythmic motets. Cascading,
1850:
1419:
1410:
style, though strings and oboes appear to have accompanied
2495:
RodrĂguez-Garcia, Esperanza, and Daniele V. Filippi, eds,
2462:
The Latin Motet: Indexes to Printed Collections, 1500â1600
2370:(2017), motet for choir and instruments. Dedicatet to the
2431:
Le Motet Ă grand chĆur (1660â1792): Gloria in Gallia Deo.
2190:, Volume 2 (New York: Barnes and Noble, Inc., 1965), 85.
475:
The earliest motets arose in the 13th century from the
2252:
Music History During the Renaissance Period, 1520â1550
2417:
St. Anne in Renaissance Music: Devotion and Politics.
2255:(Westport, CT, Praeger Publishers: 2004), pp. 451â54.
1800:, edited by Tess Knighton and David Fallows, 114â19 (
1003:. Important composers of Renaissance motets include:
53:
to the present. The motet was one of the pre-eminent
2237:(Virgin Classics, 1994; sound recording liner notes)
38:
Vocal musical composition in Western classical music
2382:. Dedicated to Matthias GrĂŒnert, the cantor of the
89:("word", or "phrase") had also been suggested. The
1874:
1641:'s three motets Op. 2, are accompanied by organ.
3955:
2358:. Choirbook of the ACV, Regensburg/Passau 2012,
2334:. Choirbook of the ACV, Regensburg/Passau 2012,
2291:. Choirbook of the ACV, Regensburg/Passau 2012,
2476:Ritual Meanings in the Fifteenth-Century Motet.
2309:Kammerchor Hannover "Bach vs. Sandström" (2014)
2210:The New Grove Dictionary of Music and Musicians
1976:The New Grove Dictionary of Music and Musicians
1873:
1517:Later 18th-century composers wrote few motets.
1200:and other composers developed a new style, the
85:(to move), though a derivation from the French
1804:: University of California Press, 1992): 114.
2555:
2497:Mapping the Motet in the Post-Tridentine Era.
1798:Companion to Medieval & Renaissance Music
1621:. In English similar compositions are called
1370:, on which he also based a mass composition.
999:The motet was one of the preeminent forms of
877:
456:
2520:Cambridge: Cambridge University Press, 2015.
2478:Cambridge: Cambridge University Press, 2012.
2471:Cambridge: Cambridge University Press, 1995.
2440:Cambridge: Cambridge University Press, 2020.
2426:Cambridge: Cambridge University Press, 1999.
2419:Cambridge: Cambridge University Press, 2014.
1373:
3205:
2492:Chicago: University of Chicago Press, 2022.
1950:Jerome Roche and Elizabeth Roche. "Motet".
1273:, written to celebrate the baptism of King
1267:semi-secular Latin motets in works such as
948:and the language of the text was decisive:
2562:
2548:
2245:
2243:
2127:"The Compilation of the Montpellier Codex"
1995:
1970:
1968:
1587:composed three motets on biblical verses,
884:
870:
463:
449:
2202:
1691:in 1977. Other examples include works by
2485:. Oxford: Oxford University Press, 1997.
2124:
2069:
1672:Quatre motets pour un temps de pénitence
1625:. Some later English composers, such as
1530:, combining Baroque techniques with the
1196:In the latter part of the 16th century,
994:
956:, whose "motets" setting texts from the
559:Other medieval motet composers include:
15:
3196:
3100:List of Galician-Portuguese troubadours
2513:New York: Oxford University Press, 2021
2446:A Critical Companion to Medieval Motets
2240:
2042:
2013:10.1093/gmo/9781561592630.article.05897
1965:
1682:Quatre Motets sur des thÚmes grégoriens
1380:List of motets by Johann Sebastian Bach
618:
3956:
941:, making it suitable for any service.
20:The first page from the manuscript of
2543:
2265:19 motets for mixed voices a cappella
2220:(London: Macmillan Publishers, 2001).
1986:(London: Macmillan Publishers, 2001).
1613:. French composers of motets include
1444:Der Geist hilft unser Schwachheit auf
608:(fl. second half of the 13th century)
554:
117:, "word"), soon replaced by the term
31:Der Geist hilft unser Schwachheit auf
1895:participating institution membership
1863:. New York: Robert Appleton Company.
1851:William Henry Grattan Flood (1913).
1360:, some in Latin and some in German.
124:
2926:Other troubadours and trobairitz...
1786:
1231:
929:Motet frequently used the texts of
13:
2569:
2464:Institute of Medieval Music, 1993.
2409:
2354:(2012), motet for choir SATB. In:
1574:Denn er hat seinen Engeln befohlen
14:
4000:
2524:
1633:. Most of these compositions are
1491:O Jesu Christ, meins Lebens Licht
3936:
3927:
3926:
2469:J. S. Bach and the German Motet.
1857:. In Herbermann, Charles (ed.).
1509:, Bach's authorship is debated.
1165:Giovanni Pierluigi da Palestrina
954:Giovanni Pierluigi da Palestrina
493:. The motet probably arose from
2389:
2345:
2317:
2302:
2278:
2258:
2223:
2193:
2173:
2118:
2063:
2036:
1750:has composed motets, including
1742:
1644:
1556:
1527:Wachet auf, ruft uns die Stimme
1519:Johann Christoph Friedrich Bach
1512:
1435:Singet dem Herrn ein neues Lied
1299:Et christianus Christo dicatur.
2424:The Motet in the Age of Dufay.
2312:Verband Deutscher Konzertchöre
1989:
1944:
1923:
1902:
1867:
1844:
1815:
1:
2921:William IX, Duke of Aquitaine
2448:. Woodbridge: Boydell, 2018.
1952:The Oxford Companion to Music
1779:
1607:, mainly in Latin, including
1593:. Josef Rheinberger composed
1568:Jauchzet dem Herrn, alle Welt
1295:Sacro Delphinus fonte lavatur
1291:Rore caelesti rigantur lilia,
481:tradition exemplified in the
2267:. Boosey & Hawkes 2014,
2212:, second edition, edited by
2070:Hoekstra, Gerald R. (1998).
1978:, second edition, edited by
1478:Lobet den Herrn, alle Heiden
1204:motet, in which two or more
73:
7:
2592:List of musical instruments
2007:. Oxford University Press.
1910:Harvard Dictionary of Music
1655:, a setting of verses from
1498:Sei Lob und Preis mit Ehren
1400:, with instruments playing
1212:to distinguish it from the
1039:Johannes Vodnianus Campanus
566:(1237?â1288? or after 1306)
10:
4005:
2324:Gott hat uns nicht gegeben
2125:Wolinski, Mary E. (1992).
1931:A History of Western Music
1553:also wrote grands motets.
1377:
1322:Michel-Richard de La Lande
1220:motet written elsewhere. "
3908:
3860:
3829:
3766:
3635:
3564:
3505:
3454:Matheus de Sancto Johanne
3449:Johannes Symonis Hasprois
3384:
3380:
3306:
3260:
3225:
3192:
3123:
3119:
3110:
3095:Galician-Portuguese lyric
3040:Jehan le Cuvelier d'Arras
2955:Andrieu Contredit d'Arras
2940:
2789:
2731:
2727:
2718:
2600:
2577:
2499:Abingdon: Routledge, 2019
2143:10.1017/S0261127900001248
1882:Oxford English Dictionary
1697:Charles Villiers Stanford
1627:Charles Villiers Stanford
1384:Six motets attributed to
1374:J. S. Bach's compositions
1346:Louis-Nicolas Clérambault
1260:Michel Richard de Lalande
3484:Antonio Zacara da Teramo
2506:Turnhout: Brepols, 2012.
2415:Anderson, Michael Alan.
1580:Mitten wir im Leben sind
1541:(K. 618) is this genre.
1364:composed motets such as
1264:Marc-Antoine Charpentier
1049:Jacobus Clemens non Papa
3010:Gillebert de Berneville
2587:List of music theorists
1887:Oxford University Press
1794:The Late-Medieval Motet
1590:Fest- und GedenksprĂŒche
1155:Lucrezia Orsina Vizzana
516:usually adapted from a
43:Western classical music
3969:Classical music styles
3283:Gherardello da Firenze
2970:Le Chastelain de Couci
2763:Philippe le Chancelier
2444:Hartt, Jared C., ed.,
2438:Renaissance Polyphony.
1821:Johannes de Grocheio,
1721:F. Melius Christiansen
1342:Charles-Hubert Gervais
1310:
1185:TomĂĄs Luis de Victoria
590:(fl. mid-13th century)
35:
3974:Medieval music genres
3592:Johannes de Garlandia
2906:Raimbaut de Vaqueiras
2535:University of Florida
2531:Motet online database
2481:Pesce, Dolores, ed.,
2443:
2372:Westminster Cathedral
2352:Veni Creator Spiritus
1908:Willi Apel, âMotetâ,
1860:Catholic Encyclopedia
1521:composed an extended
1386:Johann Sebastian Bach
1287:Plaude laetare Gallia
1283:
1270:Plaude Laetare Gallia
995:Renaissance composers
669:Movements and schools
657:Transition to Baroque
182:Movements and schools
19:
3913:Also music theorist*
3597:Johannes de Grocheio
3414:Conradus de Pistoria
3401:Philippus de Caserta
3350:Philippus de Caserta
3319:Antonello da Caserta
3268:Andreas de Florentia
3159:Guillaume de Machaut
2820:Bernart de Ventadorn
2805:Aimeric de Peguilhan
2748:Albertus Parisiensis
2698:Adam of Saint Victor
2658:Saint Martial school
2615:Notker the Stammerer
2467:Melamed, Daniel R.,
2433:Paris: Fayard, 2009.
2384:Frauenkirche Dresden
2328:Komm, Heiliger Geist
1802:Berkeley, California
1762:Sven-David Sandström
1505:Ich lasse dich nicht
1344:(42 grands motets),
1328:(20 grands motets),
1324:(70 grands motets),
1316:(24 grands motets),
1277:'s son; its text by
1125:CristĂłbal de Morales
969:madrigali spirituali
911:Nuper rosarum flores
619:Renaissance examples
549:Guillaume de Machaut
28:era motet, entitled
3524:Contenance angloise
3314:Bartolino da Padova
3213:Marchetto da Padova
3144:Magister Franciscus
3020:Guillaume le Vinier
3015:Gontier de Soignies
2960:Audefroi le Bastart
2846:Folquet de Marselha
2703:Wulfstan the Cantor
2693:Hildegard of Bingen
2663:Adémar de Chabannes
2648:Fulbert of Chartres
2610:Abbey of Saint Gall
2602:Early (before 1150)
2516:Zayaruznaya, Anna,
2368:With Hearts Renewed
2131:Early Music History
2057:10.1093/mq/85.4.644
1885:(Online ed.).
1615:Camille Saint-Saëns
1256:Jean-Baptiste Lully
1075:Eustache Du Caurroy
959:Canticum Canticorum
944:Motets were sacred
706:English Virginalist
691:Florentine Camerata
600:Marchetto da Padova
436:Renaissance music â
67:Johannes de Grocheo
3852:Neo-Medieval music
3842:Medieval folk rock
3622:Berno of Reichenau
3602:Iacobus de Ispania
3444:Petrus de Goscalch
3345:NiccolĂČ da Perugia
3340:Grazioso da Padova
3288:Lorenzo da Firenze
3248:Vincenzo da Rimini
3233:Giovanni da Cascia
3065:Other trouvĂšres...
3050:Perrin d'Angicourt
3000:Gautier de Dargies
2975:Chrétien de Troyes
2911:Raimon de Miravalh
2901:Raimbaut d'Aurenga
2460:Lincoln, Harry B.
2422:Cumming, Julie E.
2249:Blanche Gangwere,
2188:A History of Music
2005:Grove Music Online
1997:Flotzinger, Rudolf
1774:Pierre Pincemaille
1637:and some, such as
1603:composed about 40
1461:FĂŒrchte dich nicht
1453:Jesu, meine Freude
1095:Francisco Guerrero
1059:Thomas Crecquillon
1009:Alexander Agricola
555:Medieval composers
97:, and the Italian
36:
3979:Renaissance music
3951:
3950:
3919:Renaissance music
3627:Aurelian of RĂ©ĂŽme
3612:Johannes de Muris
3582:Franco of Cologne
3560:
3559:
3542:Arnold de Lantins
3501:
3500:
3497:
3496:
3424:Johannes Cuvelier
3376:
3375:
3372:
3371:
3368:
3367:
3335:Giovanni Mazzuoli
3330:Matteo da Perugia
3302:
3301:
3278:Francesco Landini
3256:
3255:
3238:Jacopo da Bologna
3221:
3220:
3188:
3187:
3184:
3183:
3175:Philippe de Vitry
3154:Jehan de Lescurel
3075:
3074:
3060:Raoul de Soissons
3005:Gautier d'Espinal
2995:Gautier de Coincy
2936:
2935:
2856:Giraut de Bornelh
2835:CerverĂ de Girona
2815:Arnaut de Mareuil
2785:
2784:
2781:
2780:
2743:Notre-Dame school
2653:Heriger of Lobbes
2582:List of composers
2502:Schmidt, Thomas,
2454:978-1-78327-307-2
2429:Favier, Thierry,
2374:Choir of London.
2364:978-3-00-039887-2
2340:978-3-00-039887-2
2297:978-3-00-039887-2
2273:978-1-78454-028-9
2231:Hilliard Ensemble
2045:Musical Quarterly
2022:978-1-56159-263-0
1960:978-0-19-866212-9
1939:978-0-393-93125-9
1893:(Subscription or
1770:Ludger StĂŒhlmeyer
1756:in 2006, as have
1652:O clap your hands
1563:Felix Mendelssohn
1358:Symphoniae sacrae
1330:François Couperin
1198:Giovanni Gabrieli
1150:Andreas Pevernage
1145:Johannes Ockeghem
1115:Orlande de Lassus
1001:Renaissance music
898:Renaissance music
894:
893:
636:Renaissance music
594:Jacopo da Bologna
588:Franco of Cologne
545:Philippe de Vitry
530:Montpellier Codex
483:Notre-Dame school
473:
472:
211:Notre-Dame school
125:Medieval examples
113:(from the French
59:Renaissance music
3996:
3940:
3930:
3929:
3736:Liturgical drama
3503:
3502:
3410:
3407:Johannes Ciconia
3382:
3381:
3378:
3377:
3360:Zacara da Teramo
3324:Johannes Ciconia
3304:
3303:
3294:Paolo da Firenze
3273:Donato da Cascia
3258:
3257:
3223:
3222:
3203:
3202:
3194:
3193:
3190:
3189:
3178:
3121:
3120:
3117:
3116:
3112:Late (1300â1400)
3055:Philippe de RĂ©mi
2985:Conon de BĂ©thune
2965:Blondel de Nesle
2950:Adam de la Halle
2938:
2937:
2876:Peire d'Alvernha
2787:
2786:
2774:
2729:
2728:
2725:
2724:
2720:High (1150â1300)
2709:Wipo of Burgundy
2674:
2644:
2636:
2627:Stephen of LiĂšge
2564:
2557:
2550:
2541:
2540:
2509:Zazulia, Emily,
2457:
2436:Fitch, Fabrice,
2403:
2393:
2387:
2349:
2343:
2321:
2315:
2306:
2300:
2282:
2276:
2262:
2256:
2247:
2238:
2227:
2221:
2206:
2200:
2197:
2191:
2177:
2171:
2170:
2122:
2116:
2115:
2067:
2061:
2060:
2040:
2034:
2033:
2031:
2029:
1993:
1987:
1972:
1963:
1948:
1942:
1927:
1921:
1906:
1900:
1898:
1890:
1878:
1871:
1865:
1864:
1856:
1848:
1842:
1819:
1813:
1792:Margaret Bent, "
1790:
1766:Enjott Schneider
1729:Michael Finnissy
1709:Morten Lauridsen
1539:Ave verum corpus
1469:Komm, Jesu, komm
1362:Hans Leo Hassler
1350:François Giroust
1232:Baroque examples
1130:Ătienne MouliniĂ©
1110:Pierre de La Rue
1080:Antoine de FĂ©vin
1064:Josquin des Prez
989:Cipriano de Rore
886:
879:
872:
849:â Medieval music
711:English Madrigal
644:
623:
622:
576:Guillaume Du Fay
570:Johannes Ciconia
564:Adam de la Halle
465:
458:
451:
399:Liturgical drama
297:Adam de la Halle
129:
128:
4004:
4003:
3999:
3998:
3997:
3995:
3994:
3993:
3954:
3953:
3952:
3947:
3946:
3923:
3904:
3856:
3825:
3762:
3712:Gregorian chant
3631:
3617:Walter Odington
3577:Guido of Arezzo
3556:
3513:Johannes Alanus
3493:
3469:Jacob Senleches
3405:
3364:
3298:
3252:
3217:
3180:
3173:
3106:
3071:
2932:
2861:Guiraut Riquier
2840:Comtessa de Dia
2825:Bertran de Born
2793:
2777:
2771:Petrus de Cruce
2769:
2714:
2678:Notker Physicus
2669:
2639:
2631:
2596:
2573:
2568:
2527:
2488:Rice, John A.,
2474:Nosow, Robert,
2412:
2410:Further reading
2407:
2406:
2394:
2390:
2380:Edgar Allan Poe
2350:
2346:
2322:
2318:
2307:
2303:
2285:Da pacem Domine
2283:
2279:
2263:
2259:
2248:
2241:
2228:
2224:
2207:
2203:
2198:
2194:
2178:
2174:
2123:
2119:
2088:10.2307/2886871
2068:
2064:
2041:
2037:
2027:
2025:
2023:
1994:
1990:
1973:
1966:
1949:
1945:
1928:
1924:
1907:
1903:
1892:
1872:
1868:
1849:
1845:
1820:
1816:
1791:
1787:
1782:
1753:Da pacem Domine
1745:
1737:Igor Stravinsky
1705:Lennox Berkeley
1693:Richard Strauss
1677:Maurice Duruflé
1647:
1631:motets in Latin
1585:Johannes Brahms
1559:
1515:
1416:Lobet dem Herrn
1382:
1376:
1354:Heinrich SchĂŒtz
1334:Nicolas Bernier
1332:(motets lost),
1326:Henry Desmarest
1302:
1297:
1293:
1289:
1234:
1194:
1105:Claude Le Jeune
1090:Nicolas Gombert
1029:Antoine Busnois
1019:Antoine Boësset
1014:Gilles Binchois
997:
981:Adrian Willaert
906:Guillaume Dufay
890:
859:
856:Baroque music â
852:
839:
838:
837:
805:
797:
796:
795:
725:
717:
716:
715:
670:
660:
659:
642:
621:
606:Petrus de Cruce
602:(fl. 1305â1319)
596:(fl. 1340â1385)
557:
522:Gregorian chant
469:
427:
426:
425:
384:Gregorian chant
341:
333:
332:
331:
261:
253:
252:
251:
183:
173:
172:
127:
93:for "motet" is
76:
61:. According to
39:
12:
11:
5:
4002:
3992:
3991:
3986:
3981:
3976:
3971:
3966:
3949:
3948:
3945:
3944:
3934:
3916:
3915:
3914:
3910:
3909:
3906:
3905:
3903:
3902:
3901:
3900:
3895:
3890:
3885:
3880:
3870:
3864:
3862:
3858:
3857:
3855:
3854:
3849:
3847:Medieval metal
3844:
3839:
3833:
3831:
3827:
3826:
3824:
3823:
3818:
3813:
3808:
3803:
3798:
3793:
3788:
3787:
3786:
3781:
3770:
3768:
3764:
3763:
3761:
3760:
3753:
3748:
3743:
3738:
3733:
3732:
3731:
3721:
3720:
3719:
3717:Pope Gregory I
3709:
3704:
3703:
3702:
3697:
3692:
3682:
3677:
3672:
3667:
3666:
3665:
3655:
3650:
3645:
3639:
3637:
3633:
3632:
3630:
3629:
3624:
3619:
3614:
3609:
3604:
3599:
3594:
3589:
3587:Johannes Cotto
3584:
3579:
3574:
3568:
3566:
3562:
3561:
3558:
3557:
3555:
3554:
3549:
3544:
3539:
3534:
3529:
3528:
3527:
3518:John Dunstaple
3515:
3509:
3507:
3499:
3498:
3495:
3494:
3492:
3491:
3486:
3481:
3479:Johannes Susay
3476:
3471:
3466:
3461:
3459:Gacian Reyneau
3456:
3451:
3446:
3441:
3439:Martinus Fabri
3436:
3431:
3426:
3421:
3416:
3411:
3403:
3398:
3392:
3390:
3374:
3373:
3370:
3369:
3366:
3365:
3363:
3362:
3357:
3352:
3347:
3342:
3337:
3332:
3327:
3321:
3316:
3310:
3308:
3307:3rd generation
3300:
3299:
3297:
3296:
3291:
3285:
3280:
3275:
3270:
3264:
3262:
3261:2nd generation
3254:
3253:
3251:
3250:
3245:
3240:
3235:
3229:
3227:
3226:1st generation
3219:
3218:
3216:
3215:
3209:
3207:
3200:
3186:
3185:
3182:
3181:
3179:
3171:
3169:Jehan Vaillant
3166:
3161:
3156:
3151:
3146:
3141:
3139:Denis Le Grant
3136:
3131:
3129:
3114:
3108:
3107:
3105:
3104:
3103:
3102:
3092:
3087:
3082:
3076:
3073:
3072:
3070:
3069:
3068:
3067:
3057:
3052:
3047:
3045:Moniot d'Arras
3042:
3037:
3032:
3027:
3025:Guiot de Dijon
3022:
3017:
3012:
3007:
3002:
2997:
2992:
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2952:
2946:
2944:
2934:
2933:
2931:
2930:
2929:
2928:
2918:
2913:
2908:
2903:
2898:
2893:
2888:
2883:
2881:Peire Cardenal
2878:
2873:
2868:
2863:
2858:
2853:
2851:Gaucelm Faidit
2848:
2843:
2837:
2832:
2827:
2822:
2817:
2812:
2807:
2801:
2799:
2783:
2782:
2779:
2778:
2776:
2775:
2767:
2766:
2765:
2760:
2755:
2750:
2739:
2737:
2722:
2716:
2715:
2713:
2712:
2706:
2700:
2695:
2690:
2685:
2680:
2675:
2667:
2666:
2665:
2655:
2650:
2645:
2637:
2629:
2624:
2623:
2622:
2617:
2606:
2604:
2598:
2597:
2595:
2594:
2589:
2584:
2578:
2575:
2574:
2571:Medieval music
2567:
2566:
2559:
2552:
2544:
2538:
2537:
2526:
2525:External links
2523:
2522:
2521:
2514:
2507:
2500:
2493:
2486:
2479:
2472:
2465:
2458:
2441:
2434:
2427:
2420:
2411:
2408:
2405:
2404:
2388:
2344:
2316:
2301:
2277:
2257:
2239:
2222:
2201:
2192:
2180:Alec Robertson
2172:
2117:
2062:
2051:(4): 644â680.
2035:
2021:
1988:
1964:
1943:
1922:
1901:
1899:entry "Motet".
1866:
1843:
1814:
1784:
1783:
1781:
1778:
1744:
1741:
1646:
1643:
1601:Anton Bruckner
1558:
1555:
1514:
1511:
1483:
1482:
1473:
1464:
1456:
1448:
1439:
1425:basso continuo
1397:basso continuo
1378:Main article:
1375:
1372:
1284:
1246:basso continuo
1233:
1230:
1210:Venetian motet
1193:
1192:
1190:Manuel Cardoso
1187:
1182:
1177:
1172:
1167:
1162:
1160:Martin Peerson
1157:
1152:
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1112:
1107:
1102:
1100:Heinrich Isaac
1097:
1092:
1087:
1085:Carlo Gesualdo
1082:
1077:
1071:
1069:John Dunstaple
1066:
1061:
1056:
1054:Loyset CompĂšre
1051:
1046:
1041:
1036:
1031:
1026:
1024:Antoine Brumel
1021:
1016:
1011:
1005:
996:
993:
924:passing chords
920:cantus firmus'
892:
891:
889:
888:
881:
874:
866:
863:
862:
861:
860:
853:
846:
841:
840:
836:
835:
830:
825:
820:
813:
807:
806:
803:
802:
799:
798:
794:
793:
788:
783:
778:
773:
768:
763:
758:
753:
748:
743:
738:
733:
727:
726:
723:
722:
719:
718:
714:
713:
708:
703:
698:
693:
688:
683:
681:Franco-Flemish
678:
672:
671:
668:
667:
664:
663:
662:
661:
651:
646:
645:
639:
638:
632:
631:
620:
617:
616:
615:
609:
603:
597:
591:
585:
584:(c. 1390â1453)
582:John Dunstaple
579:
573:
572:(c. 1370â1412)
567:
556:
553:
537:panisorhythmic
471:
470:
468:
467:
460:
453:
445:
442:
441:
440:
439:
429:
428:
424:
423:
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174:
155:
150:
149:
145:
144:
142:Medieval music
138:
137:
126:
123:
91:Medieval Latin
75:
72:
51:medieval music
37:
9:
6:
4:
3:
2:
4001:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3972:
3970:
3967:
3965:
3964:Baroque music
3962:
3961:
3959:
3943:
3939:
3935:
3933:
3925:
3924:
3921:
3920:
3912:
3911:
3907:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3875:
3874:
3871:
3869:
3866:
3865:
3863:
3859:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3834:
3832:
3828:
3822:
3819:
3817:
3814:
3812:
3809:
3807:
3804:
3802:
3799:
3797:
3794:
3792:
3789:
3785:
3782:
3780:
3777:
3776:
3775:
3774:British Isles
3772:
3771:
3769:
3765:
3759:
3758:
3754:
3752:
3749:
3747:
3744:
3742:
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3737:
3734:
3730:
3727:
3726:
3725:
3722:
3718:
3715:
3714:
3713:
3710:
3708:
3705:
3701:
3698:
3696:
3693:
3691:
3688:
3687:
3686:
3683:
3681:
3678:
3676:
3673:
3671:
3668:
3664:
3661:
3660:
3659:
3656:
3654:
3651:
3649:
3646:
3644:
3641:
3640:
3638:
3636:Musical forms
3634:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3585:
3583:
3580:
3578:
3575:
3573:
3570:
3569:
3567:
3563:
3553:
3552:W. de Wycombe
3550:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3526:
3525:
3521:
3520:
3519:
3516:
3514:
3511:
3510:
3508:
3504:
3490:
3487:
3485:
3482:
3480:
3477:
3475:
3472:
3470:
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3450:
3447:
3445:
3442:
3440:
3437:
3435:
3432:
3430:
3427:
3425:
3422:
3420:
3419:Baude Cordier
3417:
3415:
3412:
3408:
3404:
3402:
3399:
3397:
3394:
3393:
3391:
3389:
3388:
3387:Ars subtilior
3383:
3379:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3325:
3322:
3320:
3317:
3315:
3312:
3311:
3309:
3305:
3295:
3292:
3289:
3286:
3284:
3281:
3279:
3276:
3274:
3271:
3269:
3266:
3265:
3263:
3259:
3249:
3246:
3244:
3243:Maestro Piero
3241:
3239:
3236:
3234:
3231:
3230:
3228:
3224:
3214:
3211:
3210:
3208:
3204:
3201:
3199:
3195:
3191:
3176:
3172:
3170:
3167:
3165:
3164:P. des Molins
3162:
3160:
3157:
3155:
3152:
3150:
3147:
3145:
3142:
3140:
3137:
3135:
3132:
3130:
3128:
3127:
3122:
3118:
3115:
3113:
3109:
3101:
3098:
3097:
3096:
3093:
3091:
3088:
3086:
3083:
3081:
3078:
3077:
3066:
3063:
3062:
3061:
3058:
3056:
3053:
3051:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2968:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2947:
2945:
2943:
2939:
2927:
2924:
2923:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2849:
2847:
2844:
2841:
2838:
2836:
2833:
2831:
2828:
2826:
2823:
2821:
2818:
2816:
2813:
2811:
2810:Arnaut Daniel
2808:
2806:
2803:
2802:
2800:
2797:
2792:
2788:
2772:
2768:
2764:
2761:
2759:
2756:
2754:
2751:
2749:
2746:
2745:
2744:
2741:
2740:
2738:
2736:
2735:
2730:
2726:
2723:
2721:
2717:
2710:
2707:
2704:
2701:
2699:
2696:
2694:
2691:
2689:
2688:Peter Abelard
2686:
2684:
2681:
2679:
2676:
2672:
2671:Odo of Arezzo
2668:
2664:
2661:
2660:
2659:
2656:
2654:
2651:
2649:
2646:
2642:
2638:
2634:
2630:
2628:
2625:
2621:
2618:
2616:
2613:
2612:
2611:
2608:
2607:
2605:
2603:
2599:
2593:
2590:
2588:
2585:
2583:
2580:
2579:
2576:
2572:
2565:
2560:
2558:
2553:
2551:
2546:
2545:
2542:
2536:
2532:
2529:
2528:
2519:
2515:
2512:
2508:
2505:
2501:
2498:
2494:
2491:
2487:
2484:
2480:
2477:
2473:
2470:
2466:
2463:
2459:
2455:
2451:
2447:
2442:
2439:
2435:
2432:
2428:
2425:
2421:
2418:
2414:
2413:
2402:
2400:
2392:
2385:
2381:
2377:
2373:
2369:
2365:
2361:
2357:
2353:
2348:
2341:
2337:
2333:
2329:
2325:
2320:
2313:
2310:
2305:
2298:
2294:
2290:
2286:
2281:
2274:
2270:
2266:
2261:
2254:
2253:
2246:
2244:
2236:
2232:
2226:
2219:
2215:
2214:Stanley Sadie
2211:
2205:
2196:
2189:
2185:
2184:Denis Stevens
2181:
2176:
2168:
2164:
2160:
2156:
2152:
2148:
2144:
2140:
2136:
2132:
2128:
2121:
2113:
2109:
2105:
2101:
2097:
2093:
2089:
2085:
2081:
2077:
2073:
2066:
2058:
2054:
2050:
2046:
2039:
2024:
2018:
2014:
2010:
2006:
2002:
1998:
1992:
1985:
1981:
1980:Stanley Sadie
1977:
1971:
1969:
1961:
1957:
1953:
1947:
1940:
1936:
1932:
1926:
1919:
1915:
1911:
1905:
1896:
1888:
1884:
1883:
1877:
1870:
1862:
1861:
1855:
1854:"Motet"
1847:
1840:
1839:9781580441650
1836:
1832:
1831:9781580441643
1828:
1824:
1818:
1811:
1810:9780520210813
1807:
1803:
1799:
1795:
1789:
1785:
1777:
1775:
1771:
1767:
1763:
1759:
1755:
1754:
1749:
1740:
1738:
1734:
1730:
1726:
1722:
1718:
1714:
1710:
1706:
1702:
1701:Edmund Rubbra
1698:
1694:
1690:
1689:
1685:in 1960, and
1684:
1683:
1678:
1674:
1673:
1668:
1667:
1662:
1658:
1654:
1653:
1642:
1640:
1636:
1632:
1628:
1624:
1620:
1616:
1612:
1611:
1606:
1602:
1598:
1597:
1592:
1591:
1586:
1582:
1581:
1576:
1575:
1570:
1569:
1564:
1554:
1552:
1548:
1544:
1540:
1537:
1533:
1529:
1528:
1524:
1523:chorale motet
1520:
1510:
1508:
1507:, BWV Anh 159
1506:
1501:
1499:
1494:
1492:
1488:
1480:
1479:
1474:
1471:
1470:
1465:
1463:
1462:
1457:
1455:
1454:
1449:
1446:
1445:
1440:
1437:
1436:
1431:
1430:
1429:
1427:
1426:
1421:
1417:
1413:
1409:
1408:
1403:
1399:
1398:
1393:
1392:
1387:
1381:
1371:
1369:
1368:
1363:
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1331:
1327:
1323:
1319:
1315:
1314:Pierre Robert
1309:
1307:
1301:
1300:
1296:
1292:
1288:
1282:
1280:
1279:Pierre Perrin
1276:
1272:
1271:
1265:
1261:
1257:
1253:
1252:
1251:grands motets
1247:
1243:
1242:petits motets
1239:
1238:Baroque music
1229:
1227:
1223:
1222:If Ye Love Me
1219:
1215:
1211:
1207:
1203:
1199:
1191:
1188:
1186:
1183:
1181:
1180:Robert Carver
1178:
1176:
1175:John Taverner
1173:
1171:
1170:Thomas Tallis
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1140:Jacob Obrecht
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1120:Jean Maillard
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1044:Pierre Certon
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1006:
1004:
1002:
992:
990:
986:
982:
978:
973:
971:
970:
965:
961:
960:
955:
951:
947:
942:
940:
936:
932:
927:
925:
921:
917:
916:cantus firmus
913:
912:
907:
903:
902:cantus firmus
899:
887:
882:
880:
875:
873:
868:
867:
865:
864:
858:
857:
851:
850:
845:
844:
843:
842:
834:
831:
829:
826:
824:
821:
819:
818:
814:
812:
809:
808:
801:
800:
792:
789:
787:
784:
782:
779:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
752:
749:
747:
744:
742:
739:
737:
734:
732:
729:
728:
724:Major figures
721:
720:
712:
709:
707:
704:
702:
699:
697:
694:
692:
689:
687:
684:
682:
679:
677:
674:
673:
666:
665:
658:
654:
650:
649:
648:
647:
641:
640:
637:
634:
633:
629:
625:
624:
613:
612:W. de Wycombe
610:
607:
604:
601:
598:
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
561:
560:
552:
550:
546:
542:
541:cantus firmus
538:
533:
531:
525:
523:
519:
515:
514:
513:cantus firmus
509:
505:
502:tradition of
501:
496:
492:
488:
484:
480:
479:
466:
461:
459:
454:
452:
447:
446:
444:
443:
438:
437:
433:
432:
431:
430:
422:
421:
417:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
390:
387:
385:
382:
380:
377:
373:
370:
368:
365:
363:
360:
359:
358:
355:
353:
350:
348:
345:
344:
337:
336:
328:
325:
323:
320:
318:
315:
313:
310:
308:
305:
303:
300:
298:
295:
293:
290:
288:
285:
283:
280:
278:
275:
273:
270:
268:
265:
264:
260:Major figures
257:
256:
248:
247:
246:Ars subtilior
243:
241:
238:
236:
235:
231:
229:
226:
224:
221:
219:
216:
212:
209:
208:
207:
206:
202:
200:
197:
195:
194:Saint Martial
192:
190:
187:
186:
179:
178:
170:
166:
162:
158:
154:
153:
152:
151:
147:
146:
143:
140:
139:
135:
131:
130:
122:
120:
116:
112:
108:
105:
100:
96:
92:
88:
84:
81:
71:
68:
64:
63:Margaret Bent
60:
56:
52:
48:
44:
33:
32:
27:
26:Baroque music
23:
18:
3917:
3883:Architecture
3755:
3745:
3707:Geisslerlied
3685:Formes fixes
3607:Notker Labeo
3572:Anonymous IV
3547:Leonel Power
3532:Thomas Fabri
3522:
3385:
3206:Predecessors
3124:
3030:Jehan Bretel
2866:Jaufre Rudel
2732:
2641:Odo of Cluny
2517:
2510:
2503:
2496:
2489:
2482:
2475:
2468:
2461:
2445:
2437:
2430:
2423:
2416:
2399:A coeur joie
2398:
2391:
2375:
2367:
2355:
2351:
2347:
2331:
2330:(2002). In:
2327:
2323:
2319:
2304:
2288:
2287:(2006). In:
2284:
2280:
2264:
2260:
2250:
2234:
2225:
2218:John Tyrrell
2209:
2204:
2195:
2187:
2175:
2134:
2130:
2120:
2082:(1): 32â57.
2079:
2075:
2065:
2048:
2044:
2038:
2026:. Retrieved
2004:
1991:
1984:John Tyrrell
1975:
1951:
1946:
1930:
1925:
1909:
1904:
1880:
1869:
1858:
1846:
1822:
1817:
1797:
1788:
1758:Dave Soldier
1751:
1746:
1743:21st century
1733:Karl Jenkins
1725:Ernst Krenek
1717:Hugo Distler
1713:Edward Elgar
1686:
1680:
1670:
1666:Tre Motetter
1664:
1661:Carl Nielsen
1650:
1648:
1645:20th century
1639:Edward Elgar
1619:CĂ©sar Franck
1608:
1594:
1588:
1578:
1572:
1566:
1560:
1557:19th century
1532:galant style
1525:
1516:
1513:18th century
1504:
1497:
1490:
1485:The funeral
1484:
1476:
1467:
1459:
1451:
1442:
1433:
1423:
1415:
1405:
1395:
1389:
1383:
1365:
1338:André Campra
1318:Henry Dumont
1311:
1303:
1298:
1294:
1290:
1286:
1285:
1268:
1249:
1241:
1235:
1217:
1213:
1209:
1195:
1034:William Byrd
998:
985:Ludwig Senfl
977:courtly love
974:
967:
957:
943:
928:
919:
915:
909:
901:
895:
854:
847:
832:
815:
655: /
558:
540:
534:
526:
511:
476:
474:
434:
418:
408:
379:Geisslerlied
357:Formes fixes
244:
232:
203:
163: /
159: /
118:
114:
110:
98:
94:
86:
82:
77:
46:
40:
29:
3984:Vocal music
3873:Middle Ages
3868:Early music
3830:Derivations
3663:Chansonnier
3035:Jehan Erart
2980:Colin Muset
2886:Peire Vidal
2734:Ars antiqua
2397:Website of
2326:(2007) and
2137:: 263â301.
2028:17 November
1547:Mondonville
1412:colla parte
1402:colla parte
1367:Dixit Maria
1312:In France,
1214:Netherlands
1135:Jean Mouton
804:Major forms
614:(fl. 1270s)
578:(1397-1474)
520:passage of
340:Major forms
205:Ars antiqua
161:Instruments
3958:Categories
3898:Philosophy
3893:Literature
3861:Background
3767:Traditions
3134:F. Andrieu
2990:Gace Brulé
2830:Castelloza
2796:Trobairitz
2791:Troubadour
2683:St. Godric
2001:"Clausula"
1918:0674375017
1897:required.)
1823:Ars Musice
1780:References
1688:Notre PĂšre
1635:a cappella
1610:Locus iste
1407:a cappella
1391:a cappella
1202:polychoral
935:polyphonic
791:Monteverdi
771:Palestrina
676:Burgundian
518:melismatic
508:vernacular
218:Troubadour
189:Saint Gall
55:polyphonic
22:J. S. Bach
3811:Lithuania
3675:Conductus
3565:Theorists
3537:Roy Henry
3464:Rodericus
3355:Sant Omer
3090:Minnesang
2167:193246052
2151:0261-1279
2112:162143719
2096:0038-7134
1833:(cloth);
1748:Arvo PĂ€rt
1679:composed
1596:Abendlied
1565:composed
1500:, BWV 231
1493:, BWV 118
1275:Louis XIV
1226:homophony
1073:François-
946:madrigals
931:antiphons
751:Tinctoris
653:Composers
352:Conductus
327:Dunstaple
277:Hildegard
228:Minnesang
169:Theorists
157:Composers
107:clausulas
74:Etymology
57:forms of
3932:Category
3837:Bardcore
3816:Portugal
3784:Scotland
3757:Planctus
3741:Madrigal
3680:Estampie
3643:Antiphon
3198:Trecento
3126:Ars nova
3085:Goliards
2942:TrouvĂšre
2916:Sordello
2896:Perdigon
2871:Marcabru
2401:editions
2186:, eds.,
2076:Speculum
1999:(2001).
1675:(1938).
1657:Psalm 47
1629:, wrote
1536:Mozart's
1475:BWV 230
1466:BWV 229
1458:BWV 228
1450:BWV 227
1441:BWV 226
1432:BWV 225
1394:style,
1281:begins:
964:Petrarch
823:Madrigal
786:Victoria
741:Ockeghem
736:Binchois
701:Venetian
686:Colorist
643:Overview
628:a series
626:Part of
500:medieval
495:clausula
420:Planctus
404:Madrigal
240:Trecento
234:Ars nova
223:TrouvĂšre
148:Overview
134:a series
132:Part of
99:mottetto
95:motectum
34:(BWV226)
3801:Germany
3779:England
3751:Organum
3729:Tydorel
3700:Virelai
3695:Rondeau
3690:Ballade
3658:Chanson
3434:Egidius
3429:Egardus
3149:Grimace
3080:Casella
2758:PĂ©rotin
2633:Hucbald
2620:Tuotilo
2533:at the
2104:2886871
1876:"motet"
1663:set in
1623:anthems
1551:Giroust
1487:cantata
1472:(1730?)
1418:is for
1306:Dauphin
1218:Flemish
939:liturgy
817:Chanson
766:Zarlino
756:Josquin
746:Busnois
504:secular
491:PĂ©rotin
478:organum
414:Organum
372:Virelai
367:Rondeau
362:Ballade
322:Ciconia
317:Landini
312:Machaut
292:PĂ©rotin
287:Walther
282:Bernart
199:Goliard
111:motelli
3989:Motets
3942:Portal
3888:Poetry
3796:France
3791:Cyprus
3506:Others
3489:Trebor
3474:Solage
3396:Borlet
2891:Peirol
2794:&
2753:LĂ©onin
2452:
2362:
2338:
2295:
2271:
2165:
2159:853818
2157:
2149:
2110:
2102:
2094:
2019:
1958:
1937:
1916:
1841:(pbk).
1837:
1829:
1808:
1605:motets
1543:Rameau
1447:(1729)
1438:(1726)
1248:; and
1206:choirs
987:, and
811:Anthem
761:Tallis
731:Du Fay
487:LĂ©onin
302:Franco
267:Notker
165:Theory
119:moteti
104:troped
83:movere
3821:Spain
3806:Italy
3746:Motet
3670:Chant
3653:Carol
3648:Canso
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