1661:
1671:
150:(1536–40), some of his works have been reconstructed from copies found in continental Europe (particularly Italy), the existence of which indicates his widespread fame in Europe. He may have been the first composer to provide
187:
The influence of
English composers on the continent seems to have declined towards the end of the fifteenth century when, having lost their major possessions in France, and entering the
134:
It is not clear exactly what Martin le Franc saw as the elements of the
Contenance Angloise. Musicologists have noted the style as a distinctive form of melodic
294:
832:
1324:
191:, they may have been preoccupied with domestic matters. Franco-Flemish music then became the dominant force in European music.
324:
17:
1166:
658:
1548:
1533:
1506:
319:
1528:
1538:
787:
1701:
844:
452:
334:
147:
653:
1696:
772:
687:
287:
138:
using full, rich harmonies based on the third and sixth, which may have made lyrics easier to articulate.
1651:
1516:
314:
1511:
1186:
1181:
827:
226:
Music and
Medieval Manuscripts: Palaeography and Performance : Essays Dedicated to Andrew Hughes
174:
friar who travelled widely, composed occasionally, and wrote several theoretical treatises including
164:(c. 1420–75), whose masses were recorded and highly influential in France and the Netherlands
1664:
812:
742:
280:
114:(1396–1467) to describe the era's distinctive musical style. Le Franc mentioned English composer
1523:
1674:
1553:
1359:
1015:
702:
395:
1615:
930:
782:
638:
633:
495:
1077:
707:
1427:
1422:
1329:
1146:
1133:
1082:
1051:
1000:
891:
737:
552:
537:
480:
430:
390:
347:
797:
567:
8:
1630:
1625:
1473:
1046:
945:
876:
752:
747:
692:
608:
578:
435:
425:
380:
342:
717:
359:
1584:
1574:
1543:
1354:
1334:
1176:
1072:
1020:
980:
965:
881:
732:
643:
415:
42:
1670:
1456:
1344:
1314:
1274:
1221:
1156:
1067:
1062:
1010:
970:
907:
886:
792:
777:
727:
588:
547:
475:
385:
188:
111:
50:
1468:
1216:
1139:
1092:
1056:
1026:
1005:
697:
682:
441:
151:
146:
Although nearly all of
Dunstaple's manuscript music in England was lost during the
118:(c. 1390–1453) as the key figure and a major influence on the Burgundian composers
46:
1620:
1444:
1349:
1309:
1245:
1201:
593:
572:
557:
503:
410:
123:
119:
107:
103:
54:
1579:
1449:
1439:
1319:
1250:
1211:
1191:
1171:
901:
871:
757:
613:
583:
303:
178:; he is also credited with introducing innovations to the medieval pitch system
115:
65:
1690:
1385:
1284:
1151:
1119:
975:
896:
542:
420:
403:
722:
1610:
1417:
1380:
1339:
1304:
1279:
1264:
762:
598:
373:
1605:
1600:
1395:
767:
712:
618:
466:
167:
161:
80:
76:
674:
1196:
866:
562:
528:
523:
171:
490:
1407:
1269:
1087:
822:
135:
38:
485:
1569:
1489:
1412:
1375:
858:
648:
628:
603:
1483:
1461:
1432:
1390:
1161:
817:
365:
352:
272:
1206:
1128:
623:
207:
205:
203:
64:), and on European music of the era. Its leading proponent was
1478:
1402:
200:
265:
The early Tudor court and international musical relations
241:(Cambridge: Cambridge University Press, 1990), pp. 101-2.
213:
Historical dictionary of late medieval
England, 1272-1485
254:(Oxford: Oxford University Press, 1998), pp. 151-2.
49:. It became highly influential in the fashionable
157:This tradition was continued by figures such as:
1688:
288:
45:. It uses full, rich harmonies based on the
938:
295:
281:
106:in 1441–42, in a poem dedicated to Duke
929:
833:List of Galician-Portuguese troubadours
228:(Aldershot: Ashgate, 2004), pp. 97-103.
224:J. Haines, A. Hughes and R. Rosenfeld.
14:
1689:
267:(Aldershot: Ashgate, 2007), pp. 197-9.
93:
276:
154:with an instrumental accompaniment.
211:R. H. Fritze and W. Baxter Robison,
659:Other troubadours and trobairitz...
252:The Oxford History of English Music
24:
302:
141:
129:
25:
1713:
37:, a distinctive style of musical
1669:
1660:
1659:
170:(c. 1410–87), an English
59:
257:
244:
231:
218:
148:Dissolution of the Monasteries
13:
1:
654:William IX, Duke of Aquitaine
84:
69:
7:
325:List of musical instruments
10:
1718:
215:(Greenwood, 2002), p. 363.
182:
1641:
1593:
1562:
1499:
1368:
1297:
1238:
1187:Matheus de Sancto Johanne
1182:Johannes Symonis Hasprois
1117:
1113:
1039:
993:
958:
925:
856:
852:
843:
828:Galician-Portuguese lyric
773:Jehan le Cuvelier d'Arras
688:Andrieu Contredit d'Arras
673:
522:
464:
460:
451:
333:
310:
239:The Cambridge Music Guide
43:fifteenth-century England
1217:Antonio Zacara da Teramo
237:S. Sadie and A. Latham,
194:
743:Gillebert de Berneville
320:List of music theorists
1016:Gherardello da Firenze
703:Le Chastelain de Couci
496:Philippe le Chancelier
1702:Medieval music genres
1325:Johannes de Garlandia
639:Raimbaut de Vaqueiras
75:- 1453), followed by
1646:Also music theorist*
1330:Johannes de Grocheio
1147:Conradus de Pistoria
1134:Philippus de Caserta
1083:Philippus de Caserta
1052:Antonello da Caserta
1001:Andreas de Florentia
892:Guillaume de Machaut
553:Bernart de Ventadorn
538:Aimeric de Peguilhan
481:Albertus Parisiensis
431:Adam of Saint Victor
391:Saint Martial school
348:Notker the Stammerer
1697:Composition schools
1257:Contenance angloise
1047:Bartolino da Padova
946:Marchetto da Padova
877:Magister Franciscus
753:Guillaume le Vinier
748:Gontier de Soignies
693:Audefroi le Bastart
579:Folquet de Marselha
436:Wulfstan the Cantor
426:Hildegard of Bingen
396:Adémar de Chabannes
381:Fulbert of Chartres
343:Abbey of Saint Gall
335:Early (before 1150)
176:La Calliopea legale
100:Contenance Angloise
94:Origins of the term
30:Contenance angloise
18:Contenance Angloise
1585:Neo-Medieval music
1575:Medieval folk rock
1355:Berno of Reichenau
1335:Iacobus de Ispania
1177:Petrus de Goscalch
1078:Niccolò da Perugia
1073:Grazioso da Padova
1021:Lorenzo da Firenze
981:Vincenzo da Rimini
966:Giovanni da Cascia
798:Other trouvères...
783:Perrin d'Angicourt
733:Gautier de Dargies
708:Chrétien de Troyes
644:Raimon de Miravalh
634:Raimbaut d'Aurenga
1684:
1683:
1652:Renaissance music
1360:Aurelian of RĂ©Ă´me
1345:Johannes de Muris
1315:Franco of Cologne
1293:
1292:
1275:Arnold de Lantins
1234:
1233:
1230:
1229:
1157:Johannes Cuvelier
1109:
1108:
1105:
1104:
1101:
1100:
1068:Giovanni Mazzuoli
1063:Matteo da Perugia
1035:
1034:
1011:Francesco Landini
989:
988:
971:Jacopo da Bologna
954:
953:
921:
920:
917:
916:
908:Philippe de Vitry
887:Jehan de Lescurel
808:
807:
793:Raoul de Soissons
738:Gautier d'Espinal
728:Gautier de Coincy
669:
668:
589:Giraut de Bornelh
568:CerverĂ de Girona
548:Arnaut de Mareuil
518:
517:
514:
513:
476:Notre-Dame school
386:Heriger of Lobbes
315:List of composers
189:Wars of the Roses
16:(Redirected from
1709:
1673:
1663:
1662:
1469:Liturgical drama
1236:
1235:
1143:
1140:Johannes Ciconia
1115:
1114:
1111:
1110:
1093:Zacara da Teramo
1057:Johannes Ciconia
1037:
1036:
1027:Paolo da Firenze
1006:Donato da Cascia
991:
990:
956:
955:
936:
935:
927:
926:
923:
922:
911:
854:
853:
850:
849:
845:Late (1300–1400)
788:Philippe de RĂ©mi
718:Conon de BĂ©thune
698:Blondel de Nesle
683:Adam de la Halle
671:
670:
609:Peire d'Alvernha
520:
519:
507:
462:
461:
458:
457:
453:High (1150–1300)
442:Wipo of Burgundy
407:
377:
369:
360:Stephen of Liège
297:
290:
283:
274:
273:
268:
261:
255:
248:
242:
235:
229:
222:
216:
209:
152:liturgical music
89:
86:
74:
71:
63:
62: 1419–1467
61:
21:
1717:
1716:
1712:
1711:
1710:
1708:
1707:
1706:
1687:
1686:
1685:
1680:
1679:
1656:
1637:
1589:
1558:
1495:
1445:Gregorian chant
1364:
1350:Walter Odington
1310:Guido of Arezzo
1289:
1246:Johannes Alanus
1226:
1202:Jacob Senleches
1138:
1097:
1031:
985:
950:
913:
906:
839:
804:
665:
594:Guiraut Riquier
573:Comtessa de Dia
558:Bertran de Born
526:
510:
504:Petrus de Cruce
502:
447:
411:Notker Physicus
402:
372:
364:
329:
306:
301:
271:
263:T. Dumitrescu,
262:
258:
249:
245:
236:
232:
223:
219:
210:
201:
197:
185:
144:
142:Major composers
132:
130:Characteristics
124:Gilles Binchois
120:Guillaume Dufay
108:Philip the Good
104:Martin le Franc
96:
87:
72:
58:
55:Philip the Good
47:third and sixth
41:, developed in
23:
22:
15:
12:
11:
5:
1715:
1705:
1704:
1699:
1682:
1681:
1678:
1677:
1667:
1649:
1648:
1647:
1643:
1642:
1639:
1638:
1636:
1635:
1634:
1633:
1628:
1623:
1618:
1613:
1603:
1597:
1595:
1591:
1590:
1588:
1587:
1582:
1580:Medieval metal
1577:
1572:
1566:
1564:
1560:
1559:
1557:
1556:
1551:
1546:
1541:
1536:
1531:
1526:
1521:
1520:
1519:
1514:
1503:
1501:
1497:
1496:
1494:
1493:
1486:
1481:
1476:
1471:
1466:
1465:
1464:
1454:
1453:
1452:
1450:Pope Gregory I
1442:
1437:
1436:
1435:
1430:
1425:
1415:
1410:
1405:
1400:
1399:
1398:
1388:
1383:
1378:
1372:
1370:
1366:
1365:
1363:
1362:
1357:
1352:
1347:
1342:
1337:
1332:
1327:
1322:
1320:Johannes Cotto
1317:
1312:
1307:
1301:
1299:
1295:
1294:
1291:
1290:
1288:
1287:
1282:
1277:
1272:
1267:
1262:
1261:
1260:
1251:John Dunstaple
1248:
1242:
1240:
1232:
1231:
1228:
1227:
1225:
1224:
1219:
1214:
1212:Johannes Susay
1209:
1204:
1199:
1194:
1192:Gacian Reyneau
1189:
1184:
1179:
1174:
1172:Martinus Fabri
1169:
1164:
1159:
1154:
1149:
1144:
1136:
1131:
1125:
1123:
1107:
1106:
1103:
1102:
1099:
1098:
1096:
1095:
1090:
1085:
1080:
1075:
1070:
1065:
1060:
1054:
1049:
1043:
1041:
1040:3rd generation
1033:
1032:
1030:
1029:
1024:
1018:
1013:
1008:
1003:
997:
995:
994:2nd generation
987:
986:
984:
983:
978:
973:
968:
962:
960:
959:1st generation
952:
951:
949:
948:
942:
940:
933:
919:
918:
915:
914:
912:
904:
902:Jehan Vaillant
899:
894:
889:
884:
879:
874:
872:Denis Le Grant
869:
864:
862:
847:
841:
840:
838:
837:
836:
835:
825:
820:
815:
809:
806:
805:
803:
802:
801:
800:
790:
785:
780:
778:Moniot d'Arras
775:
770:
765:
760:
758:Guiot de Dijon
755:
750:
745:
740:
735:
730:
725:
720:
715:
710:
705:
700:
695:
690:
685:
679:
677:
667:
666:
664:
663:
662:
661:
651:
646:
641:
636:
631:
626:
621:
616:
614:Peire Cardenal
611:
606:
601:
596:
591:
586:
584:Gaucelm Faidit
581:
576:
570:
565:
560:
555:
550:
545:
540:
534:
532:
516:
515:
512:
511:
509:
508:
500:
499:
498:
493:
488:
483:
472:
470:
455:
449:
448:
446:
445:
439:
433:
428:
423:
418:
413:
408:
400:
399:
398:
388:
383:
378:
370:
362:
357:
356:
355:
350:
339:
337:
331:
330:
328:
327:
322:
317:
311:
308:
307:
304:Medieval music
300:
299:
292:
285:
277:
270:
269:
256:
243:
230:
217:
198:
196:
193:
184:
181:
180:
179:
165:
143:
140:
131:
128:
116:John Dunstaple
102:was coined by
95:
92:
66:John Dunstaple
35:English manner
9:
6:
4:
3:
2:
1714:
1703:
1700:
1698:
1695:
1694:
1692:
1676:
1672:
1668:
1666:
1658:
1657:
1654:
1653:
1645:
1644:
1640:
1632:
1629:
1627:
1624:
1622:
1619:
1617:
1614:
1612:
1609:
1608:
1607:
1604:
1602:
1599:
1598:
1596:
1592:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1567:
1565:
1561:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1518:
1515:
1513:
1510:
1509:
1508:
1507:British Isles
1505:
1504:
1502:
1498:
1492:
1491:
1487:
1485:
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1463:
1460:
1459:
1458:
1455:
1451:
1448:
1447:
1446:
1443:
1441:
1438:
1434:
1431:
1429:
1426:
1424:
1421:
1420:
1419:
1416:
1414:
1411:
1409:
1406:
1404:
1401:
1397:
1394:
1393:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1373:
1371:
1369:Musical forms
1367:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1308:
1306:
1303:
1302:
1300:
1296:
1286:
1285:W. de Wycombe
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1259:
1258:
1254:
1253:
1252:
1249:
1247:
1244:
1243:
1241:
1237:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1152:Baude Cordier
1150:
1148:
1145:
1141:
1137:
1135:
1132:
1130:
1127:
1126:
1124:
1122:
1121:
1120:Ars subtilior
1116:
1112:
1094:
1091:
1089:
1086:
1084:
1081:
1079:
1076:
1074:
1071:
1069:
1066:
1064:
1061:
1058:
1055:
1053:
1050:
1048:
1045:
1044:
1042:
1038:
1028:
1025:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
998:
996:
992:
982:
979:
977:
976:Maestro Piero
974:
972:
969:
967:
964:
963:
961:
957:
947:
944:
943:
941:
937:
934:
932:
928:
924:
909:
905:
903:
900:
898:
897:P. des Molins
895:
893:
890:
888:
885:
883:
880:
878:
875:
873:
870:
868:
865:
863:
861:
860:
855:
851:
848:
846:
842:
834:
831:
830:
829:
826:
824:
821:
819:
816:
814:
811:
810:
799:
796:
795:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
744:
741:
739:
736:
734:
731:
729:
726:
724:
721:
719:
716:
714:
711:
709:
706:
704:
701:
699:
696:
694:
691:
689:
686:
684:
681:
680:
678:
676:
672:
660:
657:
656:
655:
652:
650:
647:
645:
642:
640:
637:
635:
632:
630:
627:
625:
622:
620:
617:
615:
612:
610:
607:
605:
602:
600:
597:
595:
592:
590:
587:
585:
582:
580:
577:
574:
571:
569:
566:
564:
561:
559:
556:
554:
551:
549:
546:
544:
543:Arnaut Daniel
541:
539:
536:
535:
533:
530:
525:
521:
505:
501:
497:
494:
492:
489:
487:
484:
482:
479:
478:
477:
474:
473:
471:
469:
468:
463:
459:
456:
454:
450:
443:
440:
437:
434:
432:
429:
427:
424:
422:
421:Peter Abelard
419:
417:
414:
412:
409:
405:
404:Odo of Arezzo
401:
397:
394:
393:
392:
389:
387:
384:
382:
379:
375:
371:
367:
363:
361:
358:
354:
351:
349:
346:
345:
344:
341:
340:
338:
336:
332:
326:
323:
321:
318:
316:
313:
312:
309:
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298:
293:
291:
286:
284:
279:
278:
275:
266:
260:
253:
250:J. Caldwell,
247:
240:
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227:
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199:
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139:
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127:
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91:
82:
78:
67:
56:
52:
48:
44:
40:
36:
32:
31:
19:
1650:
1616:Architecture
1488:
1440:Geisslerlied
1418:Formes fixes
1340:Notker Labeo
1305:Anonymous IV
1280:Leonel Power
1265:Thomas Fabri
1256:
1255:
1118:
939:Predecessors
857:
763:Jehan Bretel
599:Jaufre Rudel
465:
374:Odo of Cluny
264:
259:
251:
246:
238:
233:
225:
220:
212:
186:
175:
156:
145:
133:
99:
97:
34:
29:
28:
26:
1606:Middle Ages
1601:Early music
1563:Derivations
1396:Chansonnier
768:Jehan Erart
713:Colin Muset
619:Peire Vidal
467:Ars antiqua
168:John Hothby
162:Walter Frye
98:The phrase
88: 1410
81:John Hothby
77:Walter Frye
73: 1390
1691:Categories
1631:Philosophy
1626:Literature
1594:Background
1500:Traditions
867:F. Andrieu
723:Gace Brulé
563:Castelloza
529:Trobairitz
524:Troubadour
416:St. Godric
51:Burgundian
1544:Lithuania
1408:Conductus
1298:Theorists
1270:Roy Henry
1197:Rodericus
1088:Sant Omer
823:Minnesang
172:Carmelite
136:polyphony
90:- 1487).
53:court of
39:polyphony
1665:Category
1570:Bardcore
1549:Portugal
1517:Scotland
1490:Planctus
1474:Madrigal
1413:Estampie
1376:Antiphon
931:Trecento
859:Ars nova
818:Goliards
675:Trouvère
649:Sordello
629:Perdigon
604:Marcabru
112:Burgundy
1534:Germany
1512:England
1484:Organum
1462:Tydorel
1433:Virelai
1428:Rondeau
1423:Ballade
1391:Chanson
1167:Egidius
1162:Egardus
882:Grimace
813:Casella
491:PĂ©rotin
366:Hucbald
353:Tuotilo
183:Decline
1675:Portal
1621:Poetry
1529:France
1524:Cyprus
1239:Others
1222:Trebor
1207:Solage
1129:Borlet
624:Peirol
527:&
486:LĂ©onin
1554:Spain
1539:Italy
1479:Motet
1403:Chant
1386:Carol
1381:Canso
195:Notes
33:, or
122:and
79:and
27:The
1611:Art
1457:Lai
110:of
1693::
202:^
126:.
85:c.
70:c.
60:r.
1655:→
1142:*
1059:*
1023:*
910:*
575:*
531:*
506:*
444:?
438:?
406:*
376:*
368:*
296:e
289:t
282:v
83:(
68:(
57:(
20:)
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