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22:
425:â contains a dedication to Charles calling him Count. On becoming Duke of Burgundy, he quickly became known as Charles the Bold for his fierce and sometimes reckless military adventurism (which indeed led to his death in battle ten years later). But Charles loved not only war but also music, appreciating and rewarding Busnois for works composed while in his service. Busnois was listed along with
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410:, where he not only became master of the choirboys but managed to attract a flood of talented singers from the entire region; by this time his reputation as singing teacher, scholar and composer seems to have spread widely. But he departed in 1466 just as suddenly as he came for no known reason, and the former master was given his old job back. He then moved to
383:, could have been a relative. He clearly received an excellent musical education, probably at a church choir school somewhere in northern or central France. An aristocratic origin may explain his early association with the French royal court: as early as the 1450s references to him appear there, and in 1461 he was a chaplain at
637:; many of them achieved the status of popular songs, and some were perhaps based on other popular songs which are now lost. He probably wrote the words for almost all of his chansons. Some of his tunes were recycled as cantus firmus for Masses composed more than a generation after his death, for instance
387:. That he was not entirely a man of peace is indicated by a petition for absolution he filed in Tours, dated 28 February 1461, in which he admitted to being part of a group that beat up a priest "to the point of bloodshed", not once but five times. While in a
459:
Busnois remained in the employ of the
Burgundian court until 1482, but nothing exact is known about his exploits between then and the year of his death. At the time of his death, in 1492, he was employed by the church of St. Sauveur in
1329:
Mario
Giuseppe Genesi, "Identified a secular 3-male voice chanson in a tapestry work of the Piacenza Collegio Alberoni XVth century Collection";in "Strenna Piacentina 2010", Piacenza, TEP Editions, pp. 33â65.
613:
masses were based upon through a study of the composer's numerological symbology within the work, and by demonstrating that Dufay and others were emulating (or paying homage) to this aspect, among others.
494:
492:
658:
While most of
Busnois's secular songs are set to French words, at least two employ Italian texts and one is in Flemish. Most are for three voices, although there are a few for four.
2331:
66:
493:
379:, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in
618:
points out that the complexity of the
Busnois mass may indicate that he was actually borrowing from Dufay. Busnois may even be the composer of a cycle of
293:
1212:
1724:
2869:
1425:
1294:
1054:
The song survives anonymously in most sources. The attribution to
Busnois, which exists in a single late source, is not generally accepted.
2011:
1530:
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1258:
1464:
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587:, one of the most widely distributed melodies of the Renaissance and the one more often used than any other as a cantus firmus in
1484:
286:
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2859:
1279:
1239:
1200:
570:. He used imitation only occasionally but skillfully, created smooth and singable melodic lines and had a strong feeling for
406:
was treasurer at that institution, and the two composers seem to have known each other well. Later in 1465 Busnois moved to
2864:
367:
The details of
Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of
1717:
1402:
402:
He moved from the cathedral to the collegiate church of St. Martin, also in Tours, where he became a subdeacon in 1465.
417:
Busnois was at the
Burgundian court by 1467. His first compositions there appeared immediately before the accession of
279:
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In addition to serving
Charles as singer and composer, Busnois accompanied the Duke on his military campaigns, as did
1387:
1365:
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dialogue (unique in the chanson literature) but has an Old French title requiring no special skill to translate.
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2601:
2125:
1710:
2037:
2256:
2213:
2029:
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62:
1187:
Bloxam, M. Jennifer (2000). "Masses Based on
Polyphonic Songs and Canonic Masses". In Sherr, Richard (ed.).
2566:
1474:
964:
Missa L'homme armé (VI) (these six Masses from Naples, attributed to
Busnois from stylistic similarities);
336:
were the leading European composers of the second half the 15th century, and central figures of the early
2611:
1460:
524:
Busnois' contemporary reputation was immense; he was probably the best-known musician in Europe between
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1997:
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he was foolhardy enough to celebrate Mass although he was not an ordained priest, an act which got him
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37:
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and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic
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several times. Stylistically, his music can be considered a midpoint between the simplicity and
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in 1477 at which Charles was killed and Burgundian expansion was ended forthwith and forever.
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David Fallows, , Journal of the American Musicological Society 40/1 (Spring, 1987), 146â148
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Masses all based on the same tune, found in Naples, on the basis of stylistic comparison.
8:
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629:(French secular songs) are the works on which his reputation mainly rests. Most are
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1419:
Zazulia, Emily (Spring 2018). "Composing in Theory: Busnoys, Tinctoris, and the
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and Josquin), though this attribution is controversial. An unusual chanson is
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2301:
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Lamentation on the death of Guillaume Dufay (probably written in 1474, lost);
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1973:
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29:, a Mass by Busnois. The date is not certain but probably mid-15th century.
1152:
999:
Amours fait moult / Il est de binne heure né /Tant que nostre argent dura;
2695:
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2421:
2391:
2173:
2085:
2075:
1856:
1598:
652:
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1702:
1446:
1411:
359:, Busnois was the most prolific and important French composer of songs.
2525:
2515:
1489:
Edition of the Chansons by Clemens Goldberg, free view and download at
634:
516:
1315:
1164:
368:
2535:
1480:
599:'s setting, for example, closely parallels that of Busnois, and even
551:
1989:
1508:
1358:
Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
2520:
1307:
1292:(Summer 1986). "Antoine Busnoys and the "L'Homme armé" Tradition".
543:
have survived, while many others were most likely lost. He set the
407:
388:
321:
232:
1256:
Milsom, John (2011). "Busnois, Antoine". In Latham, Alison (ed.).
626:
449:
348:
226:
853:
L'autrier la pieça /En l'ombre du buissonet / Trop suis jonette;
2540:
461:
376:
220:
21:
591:
composition. Whether or not he wrote the first Mass based on
540:
445:
384:
344:
242:
1342:. Music Literature Outlines. Bloomington: Frangipani Press.
325:
1128:
1083:
1023:
Quant ce vendra (attributed to Busnoys in Dijon MS 517);
581:, Busnois may have been the composer of the famous tune
532:. He wrote sacred and secular music. Of the former, two
1213:"Busnoys [Busnois, Bunoys, de Busnes], Antoine"
2783:
1406:. 4, A Birthday Offering for George Perle: 111â137.
1140:
919:
Une filleresse / S'il y a compagnion / Vostre amour;
607:
attempts to prove that Busnois' was the model later
1107:
1257:
1211:
1026:Sans avoir (âS' amours vous fiu' or 'Malagrota');
452:in 1475, and survived (or missed) the disastrous
2831:
574:sonorities, anticipating 16th-century practice.
1302:(2). University of California Press: 255â293.
421:as Duke on 15 June, since one of his motets â
2005:
1718:
1524:
1500:
1426:Journal of the American Musicological Society
1332:
1295:Journal of the American Musicological Society
287:
907:Resjois toy terre de France / Rex pacificus;
1360:. New York: Oxford University Press, 1999.
1260:Busnois, Antoine [Antonius Busnoys]
990:
935:
2012:
1998:
1725:
1711:
1531:
1517:
986:Incomprehensibilia / Preter rerum ordinem.
294:
280:
1732:
1465:International Music Score Library Project
1050:
1048:
1011:Il sera pour vous canbatu / L'homme armé;
974:
687:
1396:
1339:Music in the Middle Ages and Renaissance
1288:
1113:
699:Anima mea liquefacta est / Stirps Jesse;
20:
1485:Digital Image Archive of Medieval Music
1481:List of compositions by Antoine Busnois
1418:
1232:10.1093/gmo/9781561592630.article.04437
1209:
1170:
1158:
1101:
1077:
666:
595:, his was by far the most influential;
500:Hear a performance of Busnoys' rondeau
320:â before 6 November 1492) was a French
16:French composer and poet (c. 1430â1492)
2832:
1255:
1186:
1146:
1134:
1089:
1045:
2870:15th-century Franco-Flemish composers
2019:
1993:
1706:
1538:
1512:
1499:
1370:
886:On a grant mal / On est bien malade;
1403:International Journal of Musicology
880:Mon mignault / Gracieuse, playsant;
751:Amours nous traicte / Je m'en vois;
13:
1400:(1995). "Busnoys and Chaikovsky".
1323:
474:
362:
343:While also noted as a composer of
14:
2881:
1454:
832:J'ay pris amours tout au rebours;
696:Alleluia, verbum caro factum est;
2817:
2805:
2793:
2761:
2752:
2751:
2287:Giovanni Pierluigi da Palestrina
787:Corps digne / Dieu quel mariage;
739:
515:Problems playing this file? See
490:
2855:French male classical composers
558:, and the soon-to-be pervasive
1471:Free scores by Antoine Busnois
1461:Free scores by Antoine Busnois
1119:
444:. Busnois was at the siege of
1:
2030:List of Renaissance composers
1267:The Oxford Companion to Music
1104:, §1 "Early years in France".
1033:
928:Vostre beauté / Vous marchez;
874:Ma tres souveraine princesse;
817:(O) Fortune, trop tu es dure;
314:
2860:French Renaissance composers
1475:Choral Public Domain Library
1249:UK public library membership
1061:
931:Vostre gracieuse acointance.
883:Mon seul et sangle souvenir;
754:A qui vens tu tes coquilles;
7:
2865:Burgundian school composers
940:
889:Pour entretenir mes amours;
838:Je ne demande aultre degré;
748:Advegne que advenir pourra;
10:
2886:
2660:Petrus Phalesius the Elder
2475:English Virginalist School
1491:Goldberg Stiftung editions
1380:W. W. Norton & Company
1180:
2731:
2683:
2610:
2549:
2503:
2450:
2442:Jan Pieterszoon Sweelinck
2325:
2212:
2124:
2036:
2027:
1936:
1890:
1829:
1773:
1740:
1679:
1658:
1637:
1546:
1506:
1501:Links to related articles
1336:; Becker, Warren (1986).
955:Missa L'homme armé (III);
735:Victimae paschali laudes.
671:
603:quotes from it directly.
375:, possibly the hamlet of
1439:10.1525/jams.2018.71.1.1
1376:Music in the Renaissance
1038:
991:Conflicting attributions
983:Magnificat secundi toni;
958:Missa L'homme armé (IV);
952:Missa L'homme armé (II);
936:Conjectural attributions
661:
643:(which was used both by
625:But Busnois' polyphonic
467:
332:. Busnois and colleague
2470:English Madrigal School
1272:Oxford University Press
1224:Oxford University Press
1210:Higgins, Paula (2001).
1193:Oxford University Press
1191:. Oxford and New York:
996:Amours, amours, amours;
980:Magnificat octavi toni;
970:Missa Quant ce viendra.
961:Missa L'homme armé (V);
949:Missa L'homme armé (I);
922:Ung grand povtre homme;
844:Je ne puis vivre ainsi;
763:Au povre par necessité;
714:Gaude coelestis domina;
693:Ad coenam agni providi;
651:, which is not only an
2312:TomĂĄs Luis de Victoria
2116:Oswald von Wolkenstein
1903:Jacob Clemens non Papa
975:Magnificats and motets
913:Soudainementmon cueur;
723:Magnificat sexti toni;
688:Motets and magnificats
560:imitative counterpoint
554:textures of Dufay and
479:
437:" to Charles in 1467.
30:
2332:Transition to Baroque
2277:Pierre de Manchicourt
1918:Pierre de Manchicourt
1734:Franco-Flemish School
1692:Franco-Flemish School
1189:The Josquin Companion
946:Missa L'Ardent desir;
841:Je ne demande lialté;
709:Conditor alme siderum
702:Anthoni usque limina;
478:
338:Franco-Flemish School
79:Movements and schools
67:Transition to Baroque
24:
2362:Girolamo Frescobaldi
2169:CristĂłbal de Morales
1195:. pp. 151â210.
904:Quelque povre homme;
901:Quelque povre homme;
898:Quant vous me ferez;
895:Quant j'ay au cueur;
856:L'autrier que passa;
835:Je m'esbaĂŻs de vous;
784:Con tutta gentileça;
757:Au gré de mes iculx;
680:Missa O crux lignum;
667:Certain attributions
25:Manuscript of Missa
2850:People from BĂ©thune
2480:Florentine Camerata
2452:Composition schools
2111:Gaspar van Weerbeke
1589:Hayne van Ghizeghem
1356:Paula Higgins, ed.
1080:, § "Introduction".
829:J'ay mayns de bien;
766:A vous, sans autre;
705:Asperges me (lost);
677:Missa L'homme armé;
442:Hayne van Ghizeghem
427:Hayne van Ghizeghem
116:English Virginalist
101:Florentine Camerata
2675:Thomas Vautrollier
2655:Ottaviano Petrucci
2630:Pierre Attaingnant
2620:Hieronymus Andreae
2427:Michael Praetorius
2412:Claudio Monteverdi
2402:Giovanni de Macque
2397:Luzzasco Luzzaschi
2367:Alfonso Fontanelli
2257:Francisco Guerrero
2232:Antonio de CabezĂłn
2144:Thomas Crecquillon
2126:Middle (1470â1530)
2106:Johannes Tinctoris
2046:Alexander Agricola
1954:Giovanni de Macque
1908:Thomas Crecquillon
1867:Matthaeus Pipelare
1821:Johannes Tinctoris
1806:Marbrianus de Orto
1781:Alexander Agricola
1624:Johannes Tapissier
1619:Guillaume le Rouge
1219:Grove Music Online
967:Missa sine nomine;
925:Ung plus que tous;
799:En voyant sa dame;
796:En tous les lieux;
790:Cy dit benedicite;
781:C'est vous en qui;
778:C'est bien maleur;
732:Regina caeli (II);
480:
357:Claudin de Sermisy
31:
2781:
2780:
2775:
2774:
2372:Giovanni Gabrieli
2199:Philippe Verdelot
2096:Johannes Ockeghem
2038:Early (1400â1470)
2021:Renaissance music
1987:
1986:
1959:Philippe de Monte
1801:Johannes Ockeghem
1796:Guillaume Faugues
1700:
1699:
1687:Music of Burgundy
1604:Reginaldus Libert
1559:Arnold de Lantins
1540:Burgundian School
1398:Taruskin, Richard
1290:Taruskin, Richard
1281:978-0-19-957903-7
1247:(subscription or
1241:978-1-56159-263-0
1202:978-0-19-816335-0
1161:, §6 "Reception".
1008:J'ay bien choisi;
877:M'a vostre cueur;
871:Ma plus qu'assez;
859:Le corps s'en va;
812:Fortuna desperata
775:Ce nâest pas moy;
729:Regina caeli (I);
640:Fortuna desperata
530:Johannes Ockeghem
495:
404:Johannes Ockeghem
389:state of anathema
334:Johannes Ockeghem
330:Renaissance music
304:
303:
46:Renaissance music
2877:
2822:
2821:
2820:
2810:
2809:
2808:
2798:
2797:
2796:
2789:
2765:
2755:
2754:
2635:Vittorio Baldini
2612:Music publishing
2387:Hans Leo Hassler
2342:Gregorio Allegri
2297:Cipriano de Rore
2272:Vicente Lusitano
2267:Orlando di Lasso
2222:Jacques Arcadelt
2189:Pierre de la Rue
2184:Josquin des Prez
2164:Clément Janequin
2159:Antoine de FĂ©vin
2149:Antonius Divitis
2091:Johannes Martini
2066:Guillaume Du Fay
2014:
2007:
2000:
1991:
1990:
1944:Orlando di Lasso
1923:Cipriano de Rore
1898:Jacques Arcadelt
1882:Pierre de la Rue
1872:Josquin des Prez
1847:Antoine de FĂ©vin
1842:Antonius Divitis
1811:Johannes Prioris
1765:Johannes Pullois
1750:Guillaume Du Fay
1727:
1720:
1713:
1704:
1703:
1666:Guillaume Du Fay
1650:Johannes Legrant
1574:Johannes Cesaris
1533:
1526:
1519:
1510:
1509:
1497:
1496:
1450:
1415:
1393:
1353:
1319:
1285:
1263:
1252:
1245:
1215:
1206:
1174:
1168:
1162:
1156:
1150:
1144:
1138:
1132:
1126:
1123:
1117:
1111:
1105:
1099:
1093:
1087:
1081:
1075:
1055:
1052:
1002:Cent mile escus;
910:Seule a par moy;
850:Laissez dangier;
808:Faulx mesdisans;
802:Esaint-il merci;
605:Richard Taruskin
497:
496:
477:
435:valet de chambre
353:Guillaume Du Fay
319:
316:
296:
289:
282:
259:â Medieval music
121:English Madrigal
54:
33:
32:
2885:
2884:
2880:
2879:
2878:
2876:
2875:
2874:
2830:
2829:
2828:
2818:
2816:
2806:
2804:
2800:Classical music
2794:
2792:
2784:
2782:
2777:
2776:
2771:
2748:
2740:
2727:
2679:
2665:Girolamo Scotto
2650:Antonio Gardano
2606:
2545:
2499:
2446:
2437:Heinrich SchĂŒtz
2432:Philippe Rogier
2382:Orlando Gibbons
2334:
2330:
2321:
2317:Giaches de Wert
2307:Christopher Tye
2262:Claude Le Jeune
2252:Claude Goudimel
2247:Nicolas Gombert
2242:Andrea Gabrieli
2237:Jacobus Clemens
2208:
2204:Adrian Willaert
2134:Martin Agricola
2120:
2056:Antoine Busnois
2051:Gilles Binchois
2032:
2023:
2018:
1988:
1983:
1979:Giaches de Wert
1969:Philippe Rogier
1949:Carolus Luython
1932:
1928:Adrian Willaert
1913:Nicolas Gombert
1886:
1825:
1769:
1760:Antoine Busnois
1755:Gilles Binchois
1736:
1731:
1701:
1696:
1675:
1654:
1645:Hugo de Lantins
1633:
1609:Clement Liebert
1584:Pierre Fontaine
1569:Antoine Busnois
1564:Gilles Binchois
1542:
1537:
1502:
1457:
1390:
1350:
1334:Gleason, Harold
1326:
1324:Further reading
1282:
1246:
1242:
1203:
1183:
1178:
1177:
1169:
1165:
1157:
1153:
1145:
1141:
1133:
1129:
1124:
1120:
1112:
1108:
1100:
1096:
1088:
1084:
1076:
1069:
1064:
1059:
1058:
1053:
1046:
1041:
1036:
1014:Je ne fay plus;
1005:Et qui la dira;
993:
977:
943:
938:
868:Maintes femmes;
862:Le monde a tel;
805:Faictes de moy;
742:
690:
683:Patrem Vilayge.
674:
669:
664:
633:, but some are
545:Marian antiphon
526:Guillaume Dufay
522:
521:
513:
511:
510:
509:
508:
502:Quant ce vendra
498:
491:
488:
486:Quant ce vendra
481:
475:
470:
454:Battle of Nancy
433:as "chantre et
365:
363:Life and career
317:
307:Antoine Busnois
300:
269:
266:Baroque music â
262:
249:
248:
247:
215:
207:
206:
205:
135:
127:
126:
125:
80:
70:
69:
52:
17:
12:
11:
5:
2883:
2873:
2872:
2867:
2862:
2857:
2852:
2847:
2842:
2827:
2826:
2814:
2802:
2779:
2778:
2773:
2772:
2770:
2769:
2759:
2741:
2737:Medieval music
2733:
2732:
2729:
2728:
2726:
2725:
2724:
2723:
2718:
2713:
2708:
2703:
2693:
2687:
2685:
2681:
2680:
2678:
2677:
2672:
2670:Tielman Susato
2667:
2662:
2657:
2652:
2647:
2645:Valerio Dorico
2642:
2637:
2632:
2627:
2622:
2616:
2614:
2608:
2607:
2605:
2604:
2599:
2594:
2589:
2584:
2579:
2574:
2569:
2564:
2559:
2553:
2551:
2547:
2546:
2544:
2543:
2538:
2533:
2528:
2523:
2518:
2513:
2507:
2505:
2501:
2500:
2498:
2497:
2492:
2487:
2485:Franco-Flemish
2482:
2477:
2472:
2467:
2462:
2456:
2454:
2448:
2447:
2445:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2404:
2399:
2394:
2389:
2384:
2379:
2377:Carlo Gesualdo
2374:
2369:
2364:
2359:
2354:
2349:
2347:Thomas Campion
2344:
2338:
2336:
2323:
2322:
2320:
2319:
2314:
2309:
2304:
2299:
2294:
2292:Costanzo Porta
2289:
2284:
2282:Hans Neusidler
2279:
2274:
2269:
2264:
2259:
2254:
2249:
2244:
2239:
2234:
2229:
2224:
2218:
2216:
2210:
2209:
2207:
2206:
2201:
2196:
2191:
2186:
2181:
2176:
2171:
2166:
2161:
2156:
2154:Costanzo Festa
2151:
2146:
2141:
2139:Antoine Brumel
2136:
2130:
2128:
2122:
2121:
2119:
2118:
2113:
2108:
2103:
2098:
2093:
2088:
2083:
2081:Heinrich Isaac
2078:
2073:
2071:John Dunstaple
2068:
2063:
2061:Loyset CompĂšre
2058:
2053:
2048:
2042:
2040:
2034:
2033:
2028:
2025:
2024:
2017:
2016:
2009:
2002:
1994:
1985:
1984:
1982:
1981:
1976:
1971:
1966:
1961:
1956:
1951:
1946:
1940:
1938:
1937:5th generation
1934:
1933:
1931:
1930:
1925:
1920:
1915:
1910:
1905:
1900:
1894:
1892:
1891:4th generation
1888:
1887:
1885:
1884:
1879:
1877:Jean Richafort
1874:
1869:
1864:
1859:
1854:
1852:Heinrich Isaac
1849:
1844:
1839:
1837:Antoine Brumel
1833:
1831:
1830:3rd generation
1827:
1826:
1824:
1823:
1818:
1816:Johannes Regis
1813:
1808:
1803:
1798:
1793:
1791:Firminus Caron
1788:
1786:Loyset CompĂšre
1783:
1777:
1775:
1774:2nd generation
1771:
1770:
1768:
1767:
1762:
1757:
1752:
1746:
1744:
1742:1st generation
1738:
1737:
1730:
1729:
1722:
1715:
1707:
1698:
1697:
1695:
1694:
1689:
1683:
1681:
1677:
1676:
1674:
1673:
1671:John Dunstaple
1668:
1662:
1660:
1656:
1655:
1653:
1652:
1647:
1641:
1639:
1635:
1634:
1632:
1631:
1626:
1621:
1616:
1611:
1606:
1601:
1596:
1594:Nicolas Grenon
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1550:
1548:
1544:
1543:
1536:
1535:
1528:
1521:
1513:
1507:
1504:
1503:
1494:
1493:
1487:
1478:
1468:
1456:
1455:External links
1453:
1452:
1451:
1416:
1394:
1388:
1372:Reese, Gustave
1368:
1354:
1348:
1330:
1325:
1322:
1321:
1320:
1308:10.2307/831531
1286:
1280:
1253:
1240:
1207:
1201:
1182:
1179:
1176:
1175:
1163:
1151:
1149:, p. 165.
1139:
1127:
1118:
1106:
1094:
1082:
1066:
1065:
1063:
1060:
1057:
1056:
1043:
1042:
1040:
1037:
1035:
1032:
1031:
1030:
1029:Se brief puis.
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1000:
997:
992:
989:
988:
987:
984:
981:
976:
973:
972:
971:
968:
965:
962:
959:
956:
953:
950:
947:
942:
939:
937:
934:
933:
932:
929:
926:
923:
920:
917:
916:Terrible dame;
914:
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
878:
875:
872:
869:
866:
865:Ma damoiselle;
863:
860:
857:
854:
851:
848:
845:
842:
839:
836:
833:
830:
827:
826:Ja que lui ne;
824:
821:
818:
815:
809:
806:
803:
800:
797:
794:
793:En soustenant;
791:
788:
785:
782:
779:
776:
773:
770:
767:
764:
761:
758:
755:
752:
749:
746:
741:
738:
737:
736:
733:
730:
727:
724:
721:
718:
715:
712:
706:
703:
700:
697:
694:
689:
686:
685:
684:
681:
678:
673:
670:
668:
665:
663:
660:
512:
499:
489:
484:
483:
482:
473:
472:
471:
469:
466:
399:pardoned him.
393:excommunicated
364:
361:
302:
301:
299:
298:
291:
284:
276:
273:
272:
271:
270:
263:
256:
251:
250:
246:
245:
240:
235:
230:
223:
217:
216:
213:
212:
209:
208:
204:
203:
198:
193:
188:
183:
178:
173:
168:
163:
158:
153:
148:
143:
137:
136:
133:
132:
129:
128:
124:
123:
118:
113:
108:
103:
98:
93:
91:Franco-Flemish
88:
82:
81:
78:
77:
74:
73:
72:
71:
61:
56:
55:
49:
48:
42:
41:
15:
9:
6:
4:
3:
2:
2882:
2871:
2868:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2837:
2835:
2825:
2815:
2813:
2803:
2801:
2791:
2790:
2787:
2768:
2764:
2760:
2758:
2750:
2749:
2746:
2745:
2744:Baroque music
2739:
2738:
2730:
2722:
2719:
2717:
2714:
2712:
2709:
2707:
2704:
2702:
2699:
2698:
2697:
2694:
2692:
2689:
2688:
2686:
2682:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2648:
2646:
2643:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2625:Andrea Antico
2623:
2621:
2618:
2617:
2615:
2613:
2609:
2603:
2600:
2598:
2595:
2593:
2590:
2588:
2585:
2583:
2580:
2578:
2575:
2573:
2570:
2568:
2565:
2563:
2560:
2558:
2555:
2554:
2552:
2548:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2522:
2519:
2517:
2514:
2512:
2509:
2508:
2506:
2504:Musical forms
2502:
2496:
2493:
2491:
2488:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
2461:
2458:
2457:
2455:
2453:
2449:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2417:Thomas Morley
2415:
2413:
2410:
2408:
2407:Luca Marenzio
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2383:
2380:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2353:
2350:
2348:
2345:
2343:
2340:
2339:
2337:
2333:
2328:
2324:
2318:
2315:
2313:
2310:
2308:
2305:
2303:
2302:Thomas Tallis
2300:
2298:
2295:
2293:
2290:
2288:
2285:
2283:
2280:
2278:
2275:
2273:
2270:
2268:
2265:
2263:
2260:
2258:
2255:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2235:
2233:
2230:
2228:
2225:
2223:
2220:
2219:
2217:
2215:
2211:
2205:
2202:
2200:
2197:
2195:
2194:John Taverner
2192:
2190:
2187:
2185:
2182:
2180:
2179:Jacob Obrecht
2177:
2175:
2172:
2170:
2167:
2165:
2162:
2160:
2157:
2155:
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2131:
2129:
2127:
2123:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2043:
2041:
2039:
2035:
2031:
2026:
2022:
2015:
2010:
2008:
2003:
2001:
1996:
1995:
1992:
1980:
1977:
1975:
1972:
1970:
1967:
1965:
1964:Jacob Regnart
1962:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1941:
1939:
1935:
1929:
1926:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1896:
1895:
1893:
1889:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1862:Jacob Obrecht
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1834:
1832:
1828:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1804:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
1779:
1778:
1776:
1772:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1747:
1745:
1743:
1739:
1735:
1728:
1723:
1721:
1716:
1714:
1709:
1708:
1705:
1693:
1690:
1688:
1685:
1684:
1682:
1678:
1672:
1669:
1667:
1664:
1663:
1661:
1657:
1651:
1648:
1646:
1643:
1642:
1640:
1636:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1614:Robert Morton
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1551:
1549:
1545:
1541:
1534:
1529:
1527:
1522:
1520:
1515:
1514:
1511:
1505:
1498:
1492:
1488:
1486:
1482:
1479:
1476:
1472:
1469:
1466:
1462:
1459:
1458:
1448:
1444:
1440:
1436:
1432:
1428:
1427:
1422:
1417:
1413:
1409:
1405:
1404:
1399:
1395:
1391:
1389:0-393-09530-4
1385:
1381:
1377:
1373:
1369:
1367:
1366:0-19-816406-8
1363:
1359:
1355:
1351:
1349:0-89917-034-X
1345:
1341:
1340:
1335:
1331:
1328:
1327:
1317:
1313:
1309:
1305:
1301:
1297:
1296:
1291:
1287:
1283:
1277:
1273:
1269:
1268:
1262:
1261:
1254:
1250:
1243:
1237:
1233:
1229:
1225:
1221:
1220:
1214:
1208:
1204:
1198:
1194:
1190:
1185:
1184:
1172:
1167:
1160:
1155:
1148:
1143:
1136:
1131:
1122:
1115:
1114:Taruskin 1986
1110:
1103:
1098:
1091:
1086:
1079:
1074:
1072:
1067:
1051:
1049:
1044:
1028:
1025:
1022:
1020:Le serviteur;
1019:
1017:Je suis venu;
1016:
1013:
1010:
1007:
1004:
1001:
998:
995:
994:
985:
982:
979:
978:
969:
966:
963:
960:
957:
954:
951:
948:
945:
944:
930:
927:
924:
921:
918:
915:
912:
909:
906:
903:
900:
897:
894:
891:
888:
885:
882:
879:
876:
873:
870:
867:
864:
861:
858:
855:
852:
849:
847:Joye me fuit;
846:
843:
840:
837:
834:
831:
828:
825:
823:In myne zynn;
822:
820:Ha que ville;
819:
816:
813:
810:
807:
804:
801:
798:
795:
792:
789:
786:
783:
780:
777:
774:
771:
768:
765:
762:
759:
756:
753:
750:
747:
744:
743:
740:Secular music
734:
731:
728:
725:
722:
719:
717:In hydraulis;
716:
713:
710:
707:
704:
701:
698:
695:
692:
691:
682:
679:
676:
675:
659:
656:
654:
650:
649:Terrible dame
646:
642:
641:
636:
632:
628:
623:
621:
617:
616:David Fallows
612:
611:
606:
602:
598:
594:
590:
586:
585:
580:
577:According to
575:
573:
569:
565:
561:
557:
553:
549:
546:
542:
538:
535:
534:cantus firmus
531:
527:
520:
518:
507:
504:performed by
503:
487:
465:
463:
457:
455:
451:
447:
443:
438:
436:
432:
428:
424:
420:
415:
413:
409:
405:
400:
398:
394:
390:
386:
382:
378:
374:
373:Pas-de-Calais
370:
360:
358:
354:
350:
346:
341:
339:
335:
331:
327:
324:, singer and
323:
312:
308:
297:
292:
290:
285:
283:
278:
277:
275:
274:
268:
267:
261:
260:
255:
254:
253:
252:
244:
241:
239:
236:
234:
231:
229:
228:
224:
222:
219:
218:
211:
210:
202:
199:
197:
194:
192:
189:
187:
184:
182:
179:
177:
174:
172:
169:
167:
164:
162:
159:
157:
154:
152:
149:
147:
144:
142:
139:
138:
134:Major figures
131:
130:
122:
119:
117:
114:
112:
109:
107:
104:
102:
99:
97:
94:
92:
89:
87:
84:
83:
76:
75:
68:
64:
60:
59:
58:
57:
51:
50:
47:
44:
43:
39:
35:
34:
28:
27:O Crux Lignum
23:
19:
2840:1430s births
2742:
2735:
2706:Architecture
2640:Jacob Bathen
2357:John Dowland
2227:William Byrd
2101:Leonel Power
2055:
1974:Jacobus Vaet
1759:
1629:Jacobus Vide
1568:
1554:Adrien Basin
1477:(ChoralWiki)
1430:
1424:
1423:Tradition".
1421:L'homme armé
1420:
1401:
1378:. New York:
1375:
1357:
1338:
1299:
1293:
1265:
1259:
1217:
1188:
1173:, § "Works".
1171:Higgins 2001
1166:
1159:Higgins 2001
1154:
1142:
1137:, § para. 2.
1130:
1121:
1109:
1102:Higgins 2001
1097:
1092:, § para. 1.
1085:
1078:Higgins 2001
745:Acordes moy;
657:
648:
638:
624:
619:
610:L'homme armé
608:
593:L'homme armé
592:
584:L'homme armé
582:
576:
548:Regina coeli
547:
523:
514:
501:
458:
439:
431:Adrien Basin
423:In hydraulis
422:
416:
401:
397:Pope Pius II
366:
342:
310:
306:
305:
264:
257:
225:
155:
65: /
26:
18:
2845:1492 deaths
2696:Renaissance
2691:Early music
2587:Netherlands
2567:Elizabethan
2422:Jacopo Peri
2392:Alonso Lobo
2352:John Cooper
2214:Late (1530)
2174:Jean Mouton
2086:Jean Japart
2076:Walter Frye
1857:Jean Mouton
1599:Gilles Joye
1579:Jean Cousin
1433:(1): 1â73.
1147:Bloxam 2000
1135:Milsom 2011
1090:Milsom 2011
892:Pucellotte;
772:Bone chére;
769:Bel acueil;
760:A une dame;
726:Noel, noel;
635:bergerettes
579:Pietro Aron
318: 1430
214:Major forms
2834:Categories
2721:Philosophy
2716:Literature
2684:Background
2550:Traditions
2526:Magnificat
2516:Intermedio
2460:Burgundian
1659:Influences
1270:. Oxford:
1222:. Oxford:
1034:References
653:antiphonal
552:homophonic
539:and eight
517:media help
351:. Between
201:Monteverdi
181:Palestrina
86:Burgundian
2812:Biography
2536:Offertory
2465:Colorists
2327:Mannerism
1638:Uncertain
1547:Composers
1251:required)
1062:Citations
328:of early
161:Tinctoris
63:Composers
2757:Category
2734: â
2597:Portugal
2521:Madrigal
2495:Venetian
1447:26502515
1412:24617753
1374:(1954).
631:rondeaux
627:chansons
556:Binchois
412:Burgundy
408:Poitiers
349:chansons
322:composer
233:Madrigal
196:Victoria
151:Ockeghem
146:Binchois
111:Venetian
96:Colorist
53:Overview
38:a series
36:Part of
2786:Portals
2747:â
2577:Germany
2557:British
1680:Related
1483:at the
1473:in the
1467:(IMSLP)
1463:at the
1181:Sources
645:Obrecht
601:Dufay's
597:Obrecht
572:triadic
568:Gombert
564:Josquin
506:ASTERIA
450:Germany
419:Charles
371:in the
369:BĂ©thune
311:Busnoys
227:Chanson
176:Zarlino
166:Josquin
156:Busnois
2767:Portal
2592:Poland
2572:France
2562:Cyprus
2541:Pavane
2335:c.1600
1445:
1410:
1386:
1364:
1346:
1316:831531
1314:
1278:
1238:
1199:
941:Masses
672:Masses
541:motets
537:Masses
462:Bruges
395:until
377:Busnes
345:motets
309:(also
221:Anthem
171:Tallis
141:Du Fay
2824:Music
2711:Dance
2602:Spain
2582:Italy
2511:Carol
2490:Roman
1443:JSTOR
1408:JSTOR
1312:JSTOR
1039:Notes
662:Works
468:Music
446:Neuss
385:Tours
243:Motet
186:Lasso
106:Roman
2531:Mass
2329:and
1384:ISBN
1362:ISBN
1344:ISBN
1276:ISBN
1236:ISBN
1197:ISBN
589:Mass
566:and
528:and
429:and
381:Lens
355:and
326:poet
238:Mass
191:Byrd
2701:Art
1435:doi
1304:doi
1228:doi
620:six
562:of
448:in
2836::
1441:.
1431:71
1429:.
1382:.
1310:.
1300:39
1298:.
1274:.
1264:.
1234:.
1226:.
1216:.
1070:^
1047:^
464:.
414:.
340:.
315:c.
313:;
40:on
2788::
2013:e
2006:t
1999:v
1726:e
1719:t
1712:v
1532:e
1525:t
1518:v
1449:.
1437::
1414:.
1392:.
1352:.
1318:.
1306::
1284:.
1244:.
1230::
1205:.
1116:.
814:?
711:;
519:.
295:e
288:t
281:v
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