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Variety Artistes' Federation

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150:(GOWR); the Music Hall Artists Railway Association, which negotiated concessions on rail fares for travelling performers; and the Terriers, another club for variety performers. It was formed in response to grievances by performers that some managers expected them to perform 154:, as well as two evening performances six days a week, without any additional payment, and that some performers were having to make long journeys without notice because of changes to schedules. 192:
Membership of the union peaked at over 5,600 in 1920, but more than halved over the next decade. It campaigned against "ex-enemy aliens" from Germany being allowed to work in British
373: 378: 393: 368: 106: 363: 189:, and this proved a success for the union, which reached national agreements on codes of conduct, contracts and dispute resolution. 388: 398: 345: 212: 290: 383: 181:, with around half of the VAF members standing on picket lines. It raised funds by organising a performance at the 208:, on the grounds that it would "shorten the life of material lessen the value of his act as a going concern". 321: 174: 201: 166: 147: 313: 307: 102: 28: 8: 200:, and also had a strained relationship with the Actors' Association, the forerunner of 170: 55: 341: 317: 286: 162: 225: 197: 186: 151: 131: 357: 237: 182: 143: 157:
Within weeks the union had 4,000 members. It launched a weekly newspaper,
127: 211:
By 1966, the VAF had about 2,000 members. That year, it merged into the
185:, its members working without pay. It agreed to arbitration, chaired by 142:
The union was founded on 18 February 1906, after discussions between the
123: 204:. In the 1930s, it also campaigned for its members not to broadcast on 193: 178: 205: 283:
Kindly Leave the Stage: The Story of Variety 1919-1960
355: 374:Theatrical organisations in the United Kingdom 312:. Vol. 1. Farnborough: Gower. p.  379:Defunct trade unions of the United Kingdom 394:1906 establishments in the United Kingdom 305: 338:Old Time Variety: an illustrated history 277: 275: 273: 16:Former trade union of the United Kingdom 301: 299: 356: 306:Marsh, Arthur; Ryan, Victoria (1980). 218: 270: 161:, and in early 1907 staged its first 330: 309:Historical Directory of Trade Unions 296: 369:Trade unions disestablished in 1966 13: 213:British Actors' Equity Association 177:, twenty-two London theatres were 14: 410: 364:Trade unions established in 1906 1: 389:Entertainment industry unions 264: 399:Trade unions based in London 165:, which became known as the 146:social club and charity the 116:Variety Artistes' Federation 20:Variety Artistes' Federation 7: 169:. After some members were 10: 415: 173:of theatres controlled by 137: 340:, Pen & Sword, 2011, 148:Grand Order of Water Rats 98: 88: 78: 62: 50: 42: 34: 24: 257:1953: Frank J. Comerford 336:Richard Anthony Baker, 260:1954: Reginald Swinson 384:Actors' trade unions 245:1910s: Fred Herbert 219:General Secretaries 21: 130:performers in the 56:Charing Cross Road 19: 346:978-1-78340-066-9 285:, Methuen, 1985, 251:1929: A. V. Drewe 248:1927: Monte Bayly 242:1910: J. E. Barry 230:1907: Monte Bayly 167:Music Hall Strike 163:industrial action 112: 111: 406: 349: 334: 328: 327: 303: 294: 279: 226:Charles Gulliver 71: 25:Merged into 22: 18: 414: 413: 409: 408: 407: 405: 404: 403: 354: 353: 352: 335: 331: 324: 304: 297: 280: 271: 267: 221: 198:First World War 140: 81: 74: 69: 17: 12: 11: 5: 412: 402: 401: 396: 391: 386: 381: 376: 371: 366: 351: 350: 329: 322: 295: 281:Roger Wilmut, 268: 266: 263: 262: 261: 258: 255: 252: 249: 246: 243: 240: 234: 231: 228: 220: 217: 187:George Askwith 175:Walter Gibbons 139: 136: 132:United Kingdom 110: 109: 100: 96: 95: 90: 86: 85: 82: 79: 76: 75: 73: 72: 70:United Kingdom 66: 64: 60: 59: 52: 48: 47: 44: 40: 39: 36: 32: 31: 26: 15: 9: 6: 4: 3: 2: 411: 400: 397: 395: 392: 390: 387: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 361: 359: 347: 343: 339: 333: 325: 319: 315: 311: 310: 302: 300: 292: 291:0-413-48960-4 288: 284: 278: 276: 274: 269: 259: 256: 253: 250: 247: 244: 241: 239: 238:W. H. Clemart 235: 232: 229: 227: 223: 222: 216: 214: 209: 207: 203: 199: 195: 190: 188: 184: 183:Scala Theatre 180: 176: 172: 168: 164: 160: 159:The Performer 155: 153: 149: 145: 144:show business 135: 133: 129: 126:representing 125: 121: 117: 108: 104: 101: 97: 94: 93:The Performer 91: 87: 83: 77: 68: 67: 65: 61: 57: 53: 49: 45: 41: 37: 33: 30: 27: 23: 337: 332: 308: 282: 210: 191: 158: 156: 141: 119: 115: 113: 99:Affiliations 92: 84:4,000 (1906) 51:Headquarters 194:music halls 124:trade union 89:Publication 358:Categories 323:0566021609 265:References 254:W. C. Bass 196:after the 171:locked out 80:Members 43:Dissolved 179:picketed 152:matinĂ©es 122:) was a 63:Location 58:, London 138:History 128:variety 35:Founded 348:, p.38 344:  320:  293:, p.49 289:  236:1909: 224:1906: 202:Equity 29:Equity 233:1908: 206:radio 342:ISBN 318:ISBN 287:ISBN 114:The 107:IFVA 46:1966 38:1906 314:224 120:VAF 103:TUC 54:18 360:: 316:. 298:^ 272:^ 215:. 134:. 105:, 326:. 118:(

Index

Equity
Charing Cross Road
TUC
IFVA
trade union
variety
United Kingdom
show business
Grand Order of Water Rats
matinées
industrial action
Music Hall Strike
locked out
Walter Gibbons
picketed
Scala Theatre
George Askwith
music halls
First World War
Equity
radio
British Actors' Equity Association
Charles Gulliver
W. H. Clemart



ISBN
0-413-48960-4

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