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over the island that having long fingernails ideal for plucking its strings were marks "distinguishing the aristocracy from the labourers". Aside from recreational music, the valiha is also used for ritual music to summon spirits.
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Devir, Nathan (2016). "Origins and
Motivations of Madagascar's Normative Jewish Movement". In Parfitt, Tudor; Fisher, NetanΚΎel (eds.).
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The valiha generally has 21-24 strings. Historically these were formed of strips of the bamboo body, prised up and raised by small
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Plant
Resources of Tropical Africa: Timbers / ed.: D. Louppe ; A. A. Oteng-Amoako. General ed.: R. H. M. J. Lemmens .... 7. 1
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Adams, Rashid
Epstein. "The Making of a National Instrument: Imagery, Symbolism and the Social Function of the Malagasy Valiha",
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tied through nails, though serious players may use standard guitar or piano strings used for churches and folk bands.
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Shepherds and Demons: A Study of
Exorcism as Practised and Understood by Shepherds in the Malagasy Lutheran Church
83:" of Madagascar. The term is also used to describe a number of related zithers of differing shapes and materials.
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or wooden bridges that also act as movable tuners, but in the modern day the strings are often made of unwound
150:(born 1938). The majority of Rakotozafy's few recorded performances were made live at the central studio of
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154:. Sylvestre Randafison is another celebrated valiha artist considered a cultural icon in Madagascar.
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The instrument has been held in high regard among the
Malagasy particularly in the
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Becoming Jewish: new Jews and emerging Jewish communities in a globalised world
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American
Lutherie: The Quarterly Journal of the Guild of American Luthiers
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It is commonly believed in
Madagascar that the valiha is "inherited from
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347:. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 49β63.
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296:"Some Remarks on the Austronesian Background of Malagasy Music"
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The
Western impact on world β change, adaptation, and survival
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Music in Art: International
Journal for Music Iconography
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Garland Encyclopedia of World Music (11 January 2013).
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Valiha orchestra at the Paris World Exposition of 1931.
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A valiha player in Ambohimahasoa, central Madagascar
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294:Schmidhoffer, August (4β8 October 2005),
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472:A Valiha on-line course by Bana Rahalahy
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59:Valiha with larger diameter bamboo tube.
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401:Global Minstrels: Voices of World Music
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464:. Museum of Art and Archeology of the
404:. Taylor & Francis. pp. 62β.
98:", as part of a larger origin myth of
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305:, Taipei: Soochow University, Taiwan
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146:players of the twentieth century is
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207:. Schirmer Books. p. 55.
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442:Sylvestre Randafison Obituary
322:. Peter Lang. pp. 158β.
258:Shaw, Geo (8 November 1879).
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492:Malagasy musical instruments
234:. Routledge. pp. 123β.
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142:One of the most celebrated
16:Stringed musical instrument
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507:Bamboo musical instruments
466:University of Antananarivo
260:"Music among the Malagasy"
184:XLIII/1-2 (2018), 141β157.
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130:A variant instrument, the
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368:Dominique Louppe (2008).
19:For the plant genus, see
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462:A traditional Valiha
398:Elijah Wald (2007).
264:The Musical Standard
201:Bruno Nettl (1985).
164:Music of Madagascar
125:bicycle brake cable
81:national instrument
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274:15 November
88:Merina rule
69:tube zither
502:Idiochords
481:Categories
270:(797): 297
189:References
148:Rakotozafy
96:King David
73:Madagascar
158:See also
132:marovany
121:calabash
169:Ukulele
138:Players
487:Valiha
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299:(PDF)
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63:The
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