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and declared at a CAS meeting that: "We must break down this prejudice in the world that
Australia is an artistically backward country. There is only one solution: that is, the pushing of Australian artistic achievements into the world and to bring the world’s artistic achievements into this
724:"Drawings, paintings and pottery by JOHN PERCEVAL are shown at Mirka's Cafe, 183 Exhibition St. The horrific and the playful share in the expressionism of this retrospective display. Color and paint are used freely, the painter's feelings determining what he sets down and how."
319:'; Colin Lanceley, Mike Brown and Ross Crothall in exchange for meals and accommodation. It survives as the largest, and one of the best known, examples of the Australian Pop Movement of the early 1960s. Ross Crothall's panel has an inscription "To George(sic) Mora, with love."
449:. Georges travelled to the USA and Europe promoting the international reputation of Australian art, and selling European, American and Australian art into his adopted country's national, state, regional and corporate collections, lending work for a very significant
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was established in 2006. It is a not-for-profit cultural foundation dedicated to the promotion of contemporary art and artists in
Melbourne and Australia. In May 2006, the foundation was officially launched by Baillieu Myer with inaugural patron, Dame
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to an eager clientele, which included a gathering of the most significant contemporary
Australian artists, to whom he proffered the walls of his establishment. A mural commissioned by Mora in 1962 was painted as individual panels by three Sydney-based
426:. Mirka created a bas-relief behind the bar and painted murals on walls and windows of the restaurant and bistro, hallway and toilets, over the period 1965 to 1978. The rear of the building became a venue for exhibitions of
249:. It was the first in Melbourne where patrons could eat at tables on the pavement in the Parisian style and the café became the watering-hole of Melbourne's avant-garde. Patrons ate from Expressionist crockery by
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art and was soon surrounded by other galleries. In 1969, to avoid bankruptcy, Mora sold the
Tolarno hotel and leased out the restaurant and gallery. In the early 1970s he separated from Mirka.
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exhibition touring
Melbourne, Sydney, Adelaide and Perth state museums in 1971. Exhibitions in the first years (1967–69) of the new gallery also presented radical hard-edge abstractions by
469:, was Georges co-director from 1989. Throughout its career, Tolarno Galleries supported challenging contemporary art, including eight shows of highly-charged politico-sexual imagery by
509:, the 2016 documentary directed by Trevor Graham and named for Mora's nickname given him by the Resistance, features as interviewee and narrator his son Philippe Mora.
929:. Allen & Unwin. (NOTE: Philip Jones is the former assistant director of the Museum of Modern Art in Tavistock Place, Melbourne, which is now the MOMA at Heide.)
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to create United
Artists Gallery, as an artist-run co-operative (1982 to 1985) which included Mike Brown, Dale Hickey, Don Laycock and Peter D. Cole amongst others
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National
Library of Australia. Juan Davila (1971–1994) Manuscript Book and Archival Material. OCLC Number: 225809387. Manuscript reference no.: NLA MS 9578.
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edited by
Gillian Osmond. (2006) Canberra: The Australian Institute for the Conservation of Cultural Materials (AICCM) Inc. Paintings Special Interest Group
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using the alias
Georges Morand. After the War, Georges worked as a patent dealer and became the director of a Jewish rehabilitation home for children run by
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The Mora's artistic influence on
Melbourne has been recognised with the Heritage Council adding St Kilda's Tolarno Hotel to the Victorian Heritage Register.
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of the 1950s. George and Mirka's son William has continued the family line of dealer for many decades and his William Mora Galleries is at 60 Tanner St.
162:, Germany, of Jewish Polish heritage. As a young medical student Mora became a member of a communist cell and fled Germany to Paris in 1930. When the
391:. They were joined by prominent journalists and writers Barrett Reid, Brian McArdle and Philip Jones, who found company amongst the likes of French
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532:. Georges Mora Foundation Fellowships have been awarded to Ruth Höflich (2019), Jude Walton (2018), Catherine Evans (2017), Inez de Vega (2015),
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Tolarno continues under the directorship of Jan Minchin in new premises at Level 4, 104 Exhibition Street, Melbourne, not far from the site of
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528:. The Foundation awards a fellowship each year through the State Library of Victoria to a contemporary artist whose work conveys a sense of
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a character, the photographer Antoine Fauchery, who had been in Melbourne and Mirka declared, 'Melbourne is so attractive to the French'"
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broke out, Georges left Paris to join the cause. After a plane crash, he was a prisoner of war for a short time. He was active in the
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On 7 June 1992, at the age of 78, and still energetically running the Tolarno Gallery, Mora died of a brain tumour. He was buried at
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753:
State Library of Victoria, MS 8246 Contemporary Art Society of Australia; Victorian Branch, CAS meeting minutes, 29 August, 1957.
661:, Vol 30 No 4 Winter 1993, p. 481, recounts that they were attracted to Australia; "because his wife, Mirka, had read Murger's
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joined his father in running the gallery before setting up his own in the city. Jan Minchin, who came from a position at the
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by the French government in 1989 and he was a strong supporter of the move toward multiculturalism in his adopted country.
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was designed in 1961 by architect Peter Burns. The house opened onto a common courtyard shared by the Moras' close friends
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237:
Recognising that their hospitality and cuisine were marketable, the Moras opened a coffee lounge. Mirka Café was opened by
146:(26 June 1913 – 7 June 1992) was a German-born Australian entrepreneur, art dealer, patron, connoisseur and restaurateur.
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Georges and Mirka relocated their business, opening in 1965 the Tolarno Restaurant and Galleries in Melbourne's bohemian
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made an agreement with Leon Massoni, the new owner of Tolarno restaurant, to take over the old Tolarno Gallery, with
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17:
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Insights and Intuition: Abstracts of contributions to the 10th AICCM Paintings Group Symposium 4–5 May 2006 Brisbane
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205:, Melbourne where he adopted the name Georges Mora. With characteristic adaptability he took up management of a
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country." Artists donated paintings towards an inaugural fundraising exhibition in 1957. In 1958 Mora helped
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938:"MIRKA Mora first met Marcel Marceau when she joined his mime classes at a Paris theatre school in 1946."
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National Gallery of Victoria (1971). Pierre Bonnard, 1867-1947. Melbourne: National Gallery of Victoria
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In 1979, Mora sold the restaurant to Leon Massoni and relocated the Tolarno Galleries to River Street,
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1068:, Issue 94 of Miegunyah Press series (2007). State Library of Victoria, Miegunyah Press. Pages 128-30
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In 1985 Georges married artist Caroline Williams when their son, Sam, was born. Georges was made a
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684:. Victoria, Australia. 9 December 1954. p. 12 – via National Library of Australia.
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in New York, with John as its director and located in Tavistock Place, a lane-way off 376
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John Reed, Barrett Reid and Nancy Underhill, Barrett Reid (Editors) (2001).
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Centre of the periphery : three European art historians in Melbourne
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Advanced Australian Fare: How Australian Cooking Became the World's Best
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de Berg, Hazel . 1965 Canberra, ACT : National Library of Australia
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Bernard Smith, Terry E. Smith and Christopher Robin Heathcote (Editor)
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factory. Seeking more romantic quarters Georges and Mirka moved into
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transform the Contemporary Art Society gallery, where George's wife
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Mentorship of Australian artists, establishment of Tolarno Galleries
536:& Trent Walter (2013), Linda Tegg (2012), Ross Coulter (2010),
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Letters of John Reed: defining Australian cultural life 1920-1981
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Blackman, Barbara. "The good ship Mora: Melbourne in the 1950s".
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The Vital Decade : ten years of Australian art and letters
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584:. 1984 Melbourne : Hutchinson of Australia (2nd edition)
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New Cemetery, where his grave bears the quip 'Out to Lunch'.
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Anne Carter, 'Cleaning The Café Balzac mural' pp.13-14 in
941:"Painter's truth in a mime of knowledge.(Features)(Column)"
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In 1949, after the birth of Georges' and Mirka's first son
967:"Snapper to pop stars and artists learnt skills in war.",
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Perkin, Corrie (9 December 2007), "Bohemia by the sea ",
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Daniel Thomas, in 'Creative Displacements: Georges Mora,
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and was the venue for the first major solo exhibition by
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Mirka Mora (m.1947, div.1979), Caroline Williams (m.1985)
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German-born Australian businessman, gallerist, art dealer
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see catalogue of Mornington Peninsula Regional Gallery
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gaining a reputation as a restaurateur serving classic
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Daniel Thomas. 'Creative Displacements: Georges Mora,
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229:(1958), are respectively an art dealer and an actor.
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Australian Charities and Not-for-profits Commission
625:. Carlton, Victoria: Miegunyah Press. p. 212.
269:In 1956, Georges Mora was elected President of the
286:had exhibited in August the year before into the '
1090:, 4th ed. Oxford University Press, 2001. Page 395
591:(autobiography). 2000 Ringwood, Vic : Viking
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540:(2009), Cyrus Tang (2008), and Trinh Vu (2007).
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288:Museum of Modern Art (and Design) of Australia
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898:"Mirka Mora interviewed by Barbara Blackman"
623:Mirka & Georges : A Culinary Affair
221:Melbourne (the so called 'Paris End'). Sons
1209:Australian people of Polish-Jewish descent
711:Toby Creswell, Samantha Trenoweth (2006)
676:"Woman's Page 1 Carols... by Candlelight"
621:Harding, Lesley; Morgan, Kendrah (2019).
445:secured through his work as a dealer for
197:(a filmmaker), they joined his family in
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306:In 1958 Mora established Café Balzac in
881:The heart garden: Sunday Reed and Heide
568:The Heart Garden: Sunday Reed and Heide
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1184:German people of Polish-Jewish descent
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1144:Georges Mora Foundation and Fellowship
327:The Moras' modernist house at bayside
1139:ABC television program on Mora family
573:Harris, Max; & Dutton, Geoffrey.
343:and was regularly visited by artists
1015:"Victorian Heritage Database Report"
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883:. Knopf. see Pages 321, 348, 435.
844:exhibition curated by Rodney James
767:, Australian Scholarly Publishing,
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24:
846:Aspendale Beach: an artists' haven
715:. Australia: Pluto Press. p. 362-3
702:, Vol 30 No 4 Winter 1993, p. 481
589:Wicked but Virtuous : My Life
553:. 1980 Melbourne : Macmillan
437:. The opening show there included
265:Contemporary Art Society and MOMAA
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973:, Melbourne: 18, 3 October 2011,
727:"Woman honored in art exhibition"
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560:2.1996 (winter), pp. 293–305
478:Chevalier des Arts et des Lettres
848:12 December 2007 – 10 March 2008
713:1001 Australians You Should Know
598:. 1963 Melbourne : Longmans
339:art patrons and founders of the
201:, then in July 1951 moved on to
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906:National Library of Australia
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133:(b.1949), William (b.1953),
1056:. Viking. Pages 17, 495, 791
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992:"Tolarno heritage status.",
900:(Interview). Interviewed by
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317:Annandale Imitation Realists
261:, Ian Sime and Julius Kane.
176:Ĺ’uvre de secours aux enfants
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860:Weekend Australian Magazine
577:. 1968 Melbourne : Sun
520:The Georges Mora Foundation
513:The Georges Mora Foundation
461:and sculpture by Ti Parks.
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570:. 2004. Sydney: Knopf.
189:New York and Melbourne
137:(b.1958), Sam (b.1985)
925:Philip Jones (2005).
879:Janine Burke (2004).
681:The Argus (Melbourne)
1179:Immigrants to France
822:www.mearchitects.com
698:, Joseph Brown', in
657:, Joseph Brown', in
596:New Painting 1952-62
225:, born in 1953, and
1204:Australian curators
517:In Georges' memory
507:Monsieur Mayonnaise
158:on 26 June 1913 in
447:Daniel Wildenstein
211:Grosvenor Chambers
792:Allen & Unwin
774:978-1-74097-165-2
700:Art and Australia
659:Art and Australia
580:McCulloch, Alan.
526:Elisabeth Murdoch
418:Tolarno Galleries
243:Exhibition Street
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341:Heide Circle
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73:(1992-06-07)
56:26 June 1913
36:Georges Mora
29:
1214:Mora family
1164:1992 deaths
1159:1913 births
1120:23 November
953:23 November
911:23 November
894:Mora, Mirka
827:24 November
739:23 November
549:Beier, Uli.
471:Juan Davila
455:Dale Hickey
439:lithographs
435:South Yarra
428:avant-garde
302:Café Balzac
280:Sunday Reed
251:Arthur Boyd
239:Jean Sablon
227:Tiriel Mora
183:Mirka Zelik
81:, Australia
71:7 June 1992
1153:Categories
1033:Asher Bilu
696:Rudy Komon
655:Rudy Komon
641:1183730843
603:References
497:Mirka Café
490:Cheltenham
385:Asher Bilu
377:Mike Brown
365:John Olsen
361:Joy Hester
247:Joy Hester
233:Mirka Café
150:Early life
98:Art Dealer
95:Occupation
52:1913-06-26
1037:Luba Bilu
1002:0312-6307
979:0312-6307
868:1038-8761
732:The Argus
337:John Reed
329:Aspendale
323:Aspendale
119:Spouse(s)
106:1954-1992
79:Melbourne
896:(1984).
530:gravitas
501:Richmond
424:St Kilda
215:Ola Cohn
203:McKinnon
199:New York
131:Philippe
127:Children
994:The Age
970:The Age
794:p.28-32
558:Meanjin
451:Bonnard
180:refugee
160:Leipzig
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1000:
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443:Renoir
333:Sunday
135:Tiriel
551:Mirka
284:Mirka
207:matzo
1122:2019
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955:2014
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864:ISSN
829:2019
769:ISBN
741:2014
637:OCLC
627:ISBN
457:and
406:and
393:mime
387:and
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292:MoMA
278:and
276:John
253:and
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42:Born
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