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375:, dining at the restaurant across the street, complained about the stench. Detectives from Scotland Yard descended on the gallery and demanded that the sculpture be removed, but gallery owner Krauss refused. The police claimed it was a health hazard and forced him to move it into the garden, where it gradually rotted away. At later Krauss group exhibition Mora also screened his 8 mm 'film painting'
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and dogs, and relaxing rather than orating and inciting," the film reveals Hitler as "a rather anaemic actor, shy and ill-at-ease in front of the camera," which makes "the ruling caste come out of Eva's films looking embarrassingly puny and unassertive, unconscious inferiority nazism's driving force." Derek
Malcolm compares
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in her review for lacking context, and thus 'whitewashing' Hitler. Micheal
Billington in The Illustrated London News Obersalzburg considered a strength was its revealing "Hitler's manifest impatience when anyone else is talking and his inability to relax even in a domestic setting: he's as rigid as a
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which in part touched on his own life and experience. The film's plot explores on the tangled relationships of the Heide inner circle – Sidney Nolan, Joy Hester, Albert Tucker and John and Sunday Reed. In the 1940s, after deserting from the army, Nolan took refuge at the Reed's famous house "Heide",
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Mora also held a show at the Sigi Krauss
Gallery where Martin Sharp also exhibited, featuring pictures painted in black and white. The show also included a grey male rat which he had bought from Harrods. When the rat turned out to be female and gave birth, he tried unsuccessfully to sell the babies
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as a film that "manages to romp through the difficult task of presenting this unhappy time and checks out finally as a thoroughly absorbing and entertaining affair. With a breezy blend of documentary footage, much of it rare and all of it fascinating –and gems from the movie classics of the period
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was less reactive, acknowledging the controversy because "we are accustomed to having documentaries tell us what to think and Hitler without comment is probably still a little too ambiguous," but pointing out that though it "shows Hitler, Goering, Goebbels et al. sunbathing, playing with children
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then being shown at The Other Cinema's 'festival of
British independents,' describes it as "a Brechtian fable directed by Philippe Mora and set to on-off Weill-like music by Tony Cahill and others. Good colour belies its cost (ÂŁ6,000) and a sense of humour enlivens its serious purpose, which is to
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The paintings of the young
Australian Philippe Mora … create the opposite atmosphere to Hockney's. They suggest networks of Fear, Threat and Violence. Yet it is not possible to compare them, because Mora uses an apparently dry and cool, economical graphic style rather than the florid impressionism
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If you think it morally objectionable to treat such a man with the considerate focus of an admiring camera which lends if not enchantment to the view, then a mundane humanity, just consider what Albert Speer, Hitler's former architect and
Armaments Minister, writes in a preface to the film – that
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reported that he was returning to the film, intended then to be an animated feature using a combination of hand puppets, stop motion and conventional animation, with the last act in 3D, supervised by 3D cinematographer Dave
Gregory. The report also indicates that Clayton Watson will still portray
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declared it "a documentary meticulously constructed to give the flavor of a country and a period through its ceremonies, its personalities, its news stories and its culture," while
English critic Alan Stanbrook regarded its view of the Depression "oversimplified." In its subject country, America
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series. During this time, Nolan also conducted an open affair with Sunday Reed, but she refused to leave her husband and marry Nolan, so he subsequently married John's Reed's sister, Cynthia Hansen instead. The marriage eventually broke up, and when
Cynthia committed suicide in 1976, her death
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was the first
Australian movie to get a 40-cinema release in the United States and worldwide rights purchased for A$ 300,000 (worth nearly A$ 2 million in 2021). Though reviewer Michael Rowberry considered its "bid for realism has led the director to overdo the blood," and that the "simplistic
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644:. When Mora fell out with producer Andrew Gaty following Gaty re-cutting the film, the Department of Home Affairs pulled its certification as an Australian film asserting that it was then a different film, prompting a February 1983 court case, which was still not settled in July.
1200:, Cass Hampton declared unambiguously that "straightforward it definitely is not," but concluded that "there's a lot to chew on, and may be indigestible, but it has appeal: quirky dialogue, classy black comedy and dry, understated acting. It might be somebody's cup of tea.
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one might expect… Where Hockney avoids any kind of moral judgement, Mora's pantings are thoroughly moralistic… He has an effective way of re-interpreting borrowed imagery… with his thin bleak line and his grasp of grotesque imagery. Mora does create a strong atmosphere.
466:, star John Ivor Golding also made a memorable appearance at the premiere, defecating in the front row and then passing out in an alcoholic coma. Shown in May 1970 at the Festival of British independent Films in London, it was eventually screened in Australia at the
320:, and garnered excellent reviews., though the first, in the Daily Mail announcing that he used a special paint formula that kills flies, was evidently a satire written by the artist. Jessop was sister of Hermia Boyd (Hermia Lloyd-Jones), wife of noted ceramicist
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rated it 'awkward and unconvincing,' Derek Malcolm considered the film hampered by audiences low expectations of the genre; and despite its "high seriousness," "we get something more than a little dull and not much more credible than your average ET substitute."
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Philippe Mora's films have always been concerned with insanity...the individual insanity commonly referred to as madness, or the conditioned insanity which is that apparent state of normality termed civilized behaviour. In this context Mora's three major works,
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which housed studios and a nightclub. This residence inspired the name of his production company, Pheasantry Films. As "Von Mora", during this time he contributed cartoons influenced by Dada, comic strip art, Francis Bacon, and Vincent Van Gogh to
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Nolan, but will now perform the role as a voice actor. Interviewed for the report, Mora commented: "Personally I loved John and Sunday, and Sweeney Reed, their adopted son, was my best friend as a kid. My parents helped John and Sunday set up the
1080:). Mora has assembled a superb scrapbook of the lean, mean, laugh-or-you'll-cry '30s...Best of all, young writer-director Mora understands that the most interesting history is that which chronicles events both great and small." The un-named
88:, France in 1949, and grew up at the centre of the Australian arts scene of the 1950s and began making films with an 8mm camera his father gave him while he was still a child, and won art prizes as a teenager. He is the eldest son of artist
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tightly rolled umbrella, as carefully wound up as a mechanical toy. Far from emphasizing the gap between the private and the public face, this intriguing if fact-starved film suggests that the two were ominously indistinguishable. When
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as 'multiples' in a limited edition of eight. The rat show attracted the interest of German avant-garde artist Klaus Stacks, who commissioned Mora to produce an edition of a hundred screen prints of the mother rat. In February 1971,
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was to have been dedicated to Sweeney Reed, who committed suicide in March 1979, aged 34. Sweeney was to have featured prominently as a character, and as a tribute to him, Mora reportedly planned to include some of the footage from
610:, raising hopes of an Australian film being produced in Hollywood, but abandoned after controversy over Higham's research; members of Flynn's family unsuccessfully sued the author and the book's publisher for libel. After making
559:, which he also wrote and directed, explaining to Rita Erlich that while he was moving away from the documentary, in all films "one is telling a story, just using different means. Film is a narrative art." Starring
507:' victory parade in Berlin, 1933, remarking that "Even the Nazis didn't know about the 1919 piece of film with Hitler in it." In the same year Mora became editor and American correspondent of the newly launched
950:. This Nolan-Reed ménage is an important story that must be told honestly, no holds barred. It's a great Australian epic of love and modernism. We are using puppets done in the style of the painters involved."
906:, which lasted until the end of their lives. White excoriated Nolan for abandoning his first wife Elizabeth (who was a close friend of his) and for remarrying (to Mary Perceval) so soon after Cynthia's death.
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Marks, Kathy (18 March 2007). "Marilyn : The case for 'assisted suicide" : The star was fooled into killing herself, says an old FBI file. Did friendslet her die when she expected to be saved?".
367:, a metaphor for the war in Vietnam. Mora's provocative and highly symbolic offal exhibit caused a stir. A brick was thrown through the gallery window, which led to it being featured on the cover of
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Mora began painting as soon as he arrived in London, and his first London exhibitions "Anti-Social Realism" and "Vomart," were held, at her invitation, in 1968 and 1969 at the Kings Road gallery of
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in which "Mora loses control," Hall found it overall "a film that works hard and for the most part, effectively as a reminder of what is remarkable in Australian history." Though, according to
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Mora labored on the project for several years but it was rejected by Australian film funding bodies. Since then, Mora has worked on several other features and documentaries, but in May 2012,
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has been given a glossy, nostalgic image when, in fact, it is a film of importance in understanding the forces which manipulate societies without regard to any integrity of the individual."
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picked up on Mora's statement that "it was a problem keeping the clichés yet trying to get a fresh reaction,' of which the journalist Eric Shorter concluded; "the problem was not solved."
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murder case. While in Australia to make the latter, Mora conducted a seminar in June 1985 at the Australian Screen Directors Association. Mora's next film used the plot of the book
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present a story of greed, stupidity and avarice in easily recognisable Marxist terms ... rough and at times amateurish ... it is distinctly original without being pretentious."
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academic and specialist in German film, Lutz Becker, who pointed out that it included the first piece of film ever to show Hitler, in Munich in 1919, and colour film of the
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as Sunday Reed. During pre-production, Mora discovered previously unseen home movies of the Heide circle, including the only films of Joy Hester and the Mirka Café.
112:, where the Moras founded the Melbourne eateries Mirka Café and Café Balzac. Two younger brothers were born in Australia: William Mora (b. 1953, an art dealer) and
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In the early 2000s, with a A$ 25,000 'general development' fund from the Australian Film Commission, Mora began work on a still-unfinished film project titled
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consisting of a series of film clips from newsreels and photographs, Hollywood films reflecting historical events, and those about making movies as well as
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Mora married Pamela Krause Mora, a producer and production designer who worked on a number of his films since the 1990s, and they have three children.
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into suicide; the detailed three-page implicated her psychiatrist, publicist and housekeeper as well as her friend, the British-born Hollywood actor
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but recalled in 2008 that; "most of my creative roots are in London. This is where I took off, crashed and burned and took off again. Paraphrasing
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morality of the film which ultimately robs it of depth," it went on to receive the John Ford Award at the Cannes Film Festival in 1976 as part of
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unless we view the monster in his human shape, we may not recognise other human beings as the monsters they could become today, or tomorrow.
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by depicting a woman (played by Zara Bowman) being repeatedly kicked and beaten in the gutter of a busy street while onlookers do nothing.
616:, his first film in America, Mora's next project on one of his periodic returns to Australia in 1981, was the parodic superhero musical,
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233:. Like its predecessor, it was made as a silent film, shot on 8mm and blown up to 16mm, and again screened with music by Asher Bilu.
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In 2007, Mora obtained FBI files released under freedom of information laws. In them, he uncovered evidence of an elaborate plot by
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magazine and assisted co-editor Martin Sharp with its landmark "Magic Theatre" edition. In 2007, along with others associated with
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Germaine, Max et al. . ed. 1990.; King-Hall, Stephen; Hall, James; King-Hall, William; King-Hall, George Fowler (1990).
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unfavourably against Mora's "unforgettable documentary" revealing "the real thing," and Alexander Walker writing in
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Elsworth, Catherine (19 March 2007). "Monroe was given suicide drug by Rat Pack friend, claims secret FBI file".
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was being shown afresh three years later in Village Theatres throughout Australia, Barbara Alysen in the Sydney
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479:, a two-hour compilation selected from 250 hours of captured Nazi documentaries, anti-Semitic propaganda, the
305:, on occasion, like many artists, I was a drinker with a painting problem." He also made his next short film,
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Film credits as director as well as occasional writer and actor during the 1990s included the horror spoof
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with A$ 175,666 investment and a A$ 8,500 loan from the Australian Film Corporation and private backers,
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have defined three aspects of insanity so concisely that they may be regarded as testaments for the 70s.
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His next show was in 1970 at the Sigi Krauss Gallery featuring a life-size sculpture of a sitting man,
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In late 1967, when he had finished school, Mora travelled to England. He was invited, with his partner
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Alysen, Barbara (22 September 1976). "Reviews : The private life of Adolf Hitler and friends".
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invited him to sign a "Call to Action" manifesto demanding the freeing of the German art market.
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3601:"Philippe Mora - Really good taste art - Search the Collection, National Gallery of Australia"
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Mora, Powell, Ramsden, Strawheim, Sharp, Shamask, Philadelphia and other Neurotic Perverts
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Thomas, Kevin (7 August 1975). "Movie Review : Hard Times of Depression Revisited".
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In 1976, after eight years working in London and New York, Mora's first feature film was
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Dawson, Helen (24 May 1970). "Briefing : entertainments round-up : films".
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Australian Film Commission Annual Report 1983-84. Parliamentary Paper No. 122/1985
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2254:"Experiment on a rat presumed, 1970, synthetic polymer paint on composition board"
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as 'unquestionably a pain in the arse,' and calls Mora's direction 'banal,' while
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Mora affirmed that the document, sent to the FBI on 19 October 1964, was genuine.
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Malcolm, Derek (14 May 1970). "A miner catastrophe : the week's new films".
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2163:(3rd, rev. and enl. ed.). Roseville, N.S.W.: Craftsman House. p. 485.
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praised the documentary's 'astonishing comprehensiveness' and emotional impact'
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3576:"Really good taste art by P. Mora. at (1971) · Australian Prints + Printmaking"
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and a well-known actress and director who played the sinister Miss Jessell in
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2519:"Brother, Can You Spare a Dime? (1975) 'Can You Spare a Dime?' Evokes 1930's"
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Walker, Alexander (27 March 1973). "The smile lurking on a monster's face".
3033:"Adrian Martin's been back to die video shop; here is what he discovered..."
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15th International Festival of Fantastic & Horror Cinema, Sitges, Spain
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collaborated with Jamie Boyd for the score before the film premiered at the
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as Mary Magdalene, Michael Ramsden as Jesus, and Mora himself as the Devil.
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starred Sweeney Reed and premiered at the Tolarno Galleries in early 1967.
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A self-confessed movie addict from childhood, Mora's cinema icons were the
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H.D. (11 October 1990). "Transplant comedy with its heart on its sleeve".
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and it was here that he made the first paintings in his now world-famous
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178:(1965) was made as a silent movie but was screened with music by artist
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Sharpest : the biography of Martin Sharp as told to Lowell Tarling
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Marks, Kathy (19 December 2007). "A long strange trip into the past".
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Stanbrook, Alan (4 February 1990). "Brother, Can You Spare a Dime?".
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371:. Later, as the piece began to putrify, the police were called after
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2091:(2nd ed.). Exile Bay, NSW: ETT Imprint. pp. unpaginated.
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Tookey, Christopher (14 October 1990). "Taking the metal mickey".
634:, Kate Fitzpatrick and an all-star Australian cast, with songs by
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discovered in the United States Marine and Signal Corps files in
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and was based on Strieber's own alleged encounters with aliens.
410:(1970), Mora's first feature-length film (the title a homage to
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2290:"Philippe Mora - Biography | England & Co Gallery, London"
2207:"Philippe Mora - Biography | England & Co Gallery, London"
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from the article and its talk page, especially if potentially
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of sculptures by the Russian-Australian sculptor and painter
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Rowberry, Michael (3 April 1979). "Films: Dog Has His Day".
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Mitchell, Linton (26 January 1974). "Box Office Hitler...".
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At the time of announcement, Mora had cast Australian actor
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2496:"Brother, Can You Spare a Dime? Depression follies of 1976"
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Swastika trailer on Umbrella Entertainment's Vimeo channel
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2664:"Australian Film Commission Loans and Investments 1975-76"
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2498:. Jump Cut: A Review of Contemporary Media. pp. 52–53
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Hall, Sandra (3 July 1976). "A vicious page of history".
1848:. Los Angeles, California, United States. Archived from
160:, was made in 1964 when he was 15. This was a parody of
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Crucifixion Exhibition. An Exhibition of Degenerate Art
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cinemas for Christmas 1982 by Seven Keys, and starring
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compared his work in the Camden Arts Centre exhibition
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Malcolm, Derek (10 May 1973). "Exterminating angels".
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In early 1980, Mora and Ron Mallory took an option on
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Narrative Painting in Britain in the Twentieth Century
432:' apartment and at the Pheasantry, the film features
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celebrations, and in 1977 Mora was nominated by the
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In 1975 and newly married, Mora wrote and directed,
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3474:Malcolm, Derek (11 October 1990). "Metal Fatigue".
2859:"Film-making : Tax aid for an ailing industry"
2565:"Cover Story : Australia's golden age of film"
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Philippe Mora Cannes 2011 Interview Part I on Vimeo
3063:Australian Film Commission 1999/2000 Annual Report
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379:back-projected onto a screen framed in gold leaf.
2885:"Films : At least the impulse is invincible"
1653:Narrative Painting in Britain in the 20th Century
223:and was also influenced by his recent viewing of
170:, Melbourne just behind his mother's studio at 9
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2668:Australian Film Commission Annual Report 1975-76
1998:""Mad Dog Morgan" Philippe Mora — A Fast Runner"
1015:Though it was the official British entry at the
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1693:Tolarno Galeries, 42 Fitzroy Street. St. Kilda
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902:sparked a bitter feud between Nolan and author
724:and Philippe's children Georges and Madeleine;
3962:Australian people of Lithuanian-Jewish descent
3491:"Video : Money at the root of good story"
3198:Billington, Michael (1 March 1974). "Cinema".
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1500:The Gertrude Stein Mystery or Some Like It Art
1108:More ambivalent about melodramatic moments in
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3292:. Kensington, NSW. 21 April 1976. p. 14.
2743:. Melbourne, Vic. 26 August 1977. p. 15.
116:(b. 1958, an actor). In 1965 they opened the
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2191:: CS1 maint: numeric names: authors list (
2142:"Clapton's Aussie mate recalls wild London"
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4002:Australian people of French-Jewish descent
3997:Australian people of German-Jewish descent
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3311:"Films : Farce with a dash of satire"
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2820:. Sydney, NSW. 1 October 1981. p. 14.
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2343:. Sydney, NSW. 1 November 1980. p. 4.
809:about living persons that is unsourced or
538:, and home movies. It was screened at the
444:as a gangster, Martin Sharp as a mime and
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2020:"On-Call : Modest start to features"
880:Learn how and when to remove this message
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3088:"Director continues to strike a nerve",
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2494:Taylor, Judith; Stricker, Frank (1976).
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1895:"PHILIPPE MORA: The Hollywood Interview"
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3406:"Bushranger Dan Morgan States His Case"
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3059:"Appendix 7 : Industry Assistance"
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3527:Documentary “Swastika”| The New Yorker
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2516:
2353:
2013:
2011:
1954:
1952:
1950:
1869:
1867:
1746:
1565:Argus Gallery, Melbourne, Australia
1407:Pterodactyl Woman from Beverly Hills
771:
709:Pterodactyl Woman from Beverly Hills
334:(1961), and later directed the film
16:Australian film director (born 1949)
3683:. Australian Film Commission: 102.
3675:Australian Film Commission (1985).
3434:
3394:
3057:Australian Film Commission (2000).
2756:Errol Flynn : The Untold Story
2662:Australian Film Commission (1977).
2264:
2242:
2224:
2140:Totaro, Paola (20 September 2008).
2130:
1958:
13:
3296:
3275:
3263:""Brother, Can You Spare a Dime?""
3261:Eisenhuth, Susie (17 March 1976).
3251:
3031:Martin, Adrian (1 December 1991).
2899:
2722:
2586:Mora, Philippe (31 January 2010).
2446:. 1 September 1975. Archived from
2307:
2161:Artists and Galleries of Australia
2055:
2038:"MILESAGO - People: Philippe Mora"
1961:"Philippe Mora: Australian Auteur"
1838:Thomas, Kevin (11 November 1976).
1176:During its 1990 showing in the UK
596:for 'Best Director' for the film.
14:
4018:
3992:Australian expatriates in England
3699:
2857:Hall, Sandra (15 February 1983).
2695:"Japanese invasion fears derided"
2008:
1947:
1864:
1840:"Mora--The World Is His Scenario"
1687:Recent paintings by Philippe Mora
948:Museum of Modern Art of Australia
677:in 1991, and the political drama
328:'s classic supernatural thriller
158:National Film & Sound Archive
3808:The Return of Captain Invincible
2588:"The shooting of Mad Dog Morgan"
2251:
2238:. 18 September 1968. p. 16.
1925:
1783:The Return of Captain Invincible
1755:Australian Film Institute Awards
1670:Really good taste art by P. Mora
1533:
1295:The Return of Captain Invincible
919:) to play Nolan, with Americans
776:
740:. For television, Mora directed
737:The Treasure of the Sierra Madre
619:The Return of Captain Invincible
526:, a documentary about the 1930s
118:Tolarno Restaurant and Galleries
3982:20th-century Australian artists
3668:
3643:
3618:
3593:
3580:www.printsandprintmaking.gov.au
3568:
3553:
3542:
3531:
3520:
3509:
3489:Hampton, Cass (13 March 1995).
3482:
3467:
3452:
3416:
3376:
3357:
3340:
3325:
3236:
3221:
3206:
3191:
3172:
3157:
3142:
3126:
3109:
3096:
3081:
3050:
3024:
3009:
2983:
2955:
2928:
2873:
2850:
2824:
2806:
2784:
2747:
2707:
2686:
2655:
2637:
2607:
2579:
2556:
2546:"Films : Mammoth Festival"
2538:
2517:Eder, Richard (8 August 1975).
2510:
2487:
2462:
2422:. 21 December 1973. p. 10.
2408:
2393:
2375:
2347:
2327:
2282:
2199:
2152:
2113:
2078:
2030:
1915:. 13 December 1963. p. 13.
1491:The Times They Ain't a Changin'
1042:Hitler : The Last Ten Days
953:
198:, and includes rare footage of
3784:Brother, Can You Spare a Dime?
3564:. 9 February 1969. p. 28.
3286:"brother can you spare a dime"
3179:Ruskin, Pamela (8 June 1973).
2963:"Film to be made on strangler"
2383:"Woman Theme In Film Festival"
2018:Erlich, Rita (30 April 1976).
1989:
1978:
1919:
1901:
1887:
1760:AACTA Award for Best Direction
1701:
1676:Clytie Jessop Gallery, London
1582:Clytie Jessop Gallery, London
1465:Mercenary II: Thick & Thin
1073:Brother. Can You Spare a Dime?
742:Mercenary II: Thick & Thin
523:Brother, Can You Spare a Dime?
448:as a PR man. Tony Cahill from
254:
1:
3977:Film directors from Melbourne
3947:French emigrants to Australia
3630:National Gallery of Australia
3605:National Gallery of Australia
3410:The Australian Women's Weekly
3181:"Roundabout : SWASTIKA!"
3020:. 12 October 1990. p. 2.
2910:"From The Cutting Room Floor"
2700:Papua New Guinea Post-Courier
2563:Moffitt, Ian (3 April 1976).
1883:. 20 August 1971. p. 23.
1819:
1708:National Gallery of Australia
1253:Brother Can You Spare a Dime?
1088:Brother Can You Spare A Dime?
647:Mora's next productions were
3677:"Awards to Australian Films"
3404:Keavney, Kay (2 June 1976).
2971:. 21 January 1985. p. 7
2935:Kohn, Peter (22 June 1984).
2801:2nd District Court of Appeal
2693:Hawken, Noel (4 June 1976).
2258:National Gallery of Victoria
1913:The Australian Jewish Herald
1714:National Gallery of Victoria
787:biography of a living person
734:(1996), a sci-fi version of
661:, the werewolf horror films
7:
3538:SWASTIKA-Festival de Cannes
3430:. 1 August 1976. p. 1.
2002:The Australian Jewish Times
1996:Symon, Eve (15 July 1976).
1795:
1659:Camden Arts Centre, London
936:under the closing credits.
814:must be removed immediately
513:alongside Peter Beilby and
10:
4023:
3655:Heide Museum of Modern Art
3185:The Australian Jewish News
3067:Australian Film Commission
2937:"Leonski film big venture"
2797:149 Cal.App.3d 677
2758:(1st ed.). New York:
2741:The Australian Jewish News
2716:Coventry Evening Telegraph
2672:Australian Film Commission
2550:The Australian Jewish News
2420:The Australian Jewish News
2389:. 18 May 1973. p. 14.
2387:The Australian Jewish News
2072:The Australian Jewish News
2024:The Australian Jewish News
1720:Heide Museum of Modern Art
1649:1970, 10 February–8 March
1593:Paintings by Philippe Mora
1456:According to Occam's Razor
1166:Brother Can You Spare Dime
673:, the latter shown at the
271:", a historic building in
213:(1966), was a pastiche of
176:Dreams in a Grey Afternoon
3972:Film directors from Paris
3942:Australian film directors
3770:
3268:Australian Women's Weekly
3217:. Sydney, NSW. p. 8.
2916:. 1 March 1991. p. 4
2838:. 1 July 1982. p. 12
2552:. 9 May 1975. p. 13.
1959:Cox, Steve (6 May 2019).
1745:
1742:
1739:
1736:
1733:
1726:
1581:
1552:
1549:
1546:
1543:
1540:
1486:
1451:
1401:
1216:
1213:
1210:
1124:Australian Women's Weekly
1068:Australian Women's Weekly
675:Melbourne Comedy Festival
594:Australian Film Institute
473:At age 23, Mora directed
245:Fitzroy Street, Melbourne
127:
104:. After a brief stint in
79:
67:
53:
41:
34:
2997:. 1 May 1985. p. 14
2754:Higham, Charles (1981).
2294:England & Co Gallery
2211:England & Co Gallery
2085:Tarling, Lowell (2021).
2074:. 9 May 1975. p. 3.
1875:"It's All In The Family"
3200:Illustrated London News
555:, about the bushranger
544:Melbourne Film Festival
462:benefit. Introduced by
402:
263:, by Australian artist
156:, now preserved at the
3987:Artists from Melbourne
3904:Burning Down the House
3549:Barry Krost Management
2941:Australian Jewish News
2068:"A Future In Features"
1933:State Library Victoria
1880:Australian Jewish News
1666:1971: 29 June-17 July
1629:1970, 23 April-22 May
1478:Burning Down the House
1196:Reviewing Mora's 1994
1174:
1060:
801:Please help by adding
759:Burning Down the House
744:(1997), and the films
468:Adelaide Film Festival
400:
3424:"Jesus Was An Outlaw"
2593:Sydney Morning Herald
2474:events.unimelb.edu.au
1779:Best Special Effects
1589:1969, to 23 February
1157:
1130:'s research into the
1055:
977:Sydney Morning Herald
637:The Rocky Horror Show
487:, and sequences from
436:as a cabaret singer,
395:
192:stop-motion animation
140:'s surrealist films,
72:Communion (1989 film)
2832:"Production Roundup"
2402:Reading Evening Post
1226:Trouble in Molopolis
1204:Selected filmography
1078:Gold Diggers of 1933
1051:The Evening Standard
1019:, Australian critic
1017:Cannes Film Festival
1003:Trouble in Molopolis
987:Reception and legacy
925:Jennifer Jason Leigh
807:Contentious material
540:Cannes Film Festival
501:University of London
454:Paris Pullman Cinema
408:Trouble in Molopolis
190:, the film features
3880:Snide and Prejudice
3461:The Daily Telegraph
3166:The Daily Telegraph
3119:The Daily Telegraph
1909:"Junior art awards"
1814:Cinema of Australia
1803:Not Quite Hollywood
1418:Snide and Prejudice
1190:The Daily Telegraph
1009:The Daily Telegraph
929:When We Were Modern
894:When We Were Modern
767:When We Were Modern
753:Snide and Prejudice
440:as 'Shanghai Lil',
297:Hippie Hippie Shake
3952:Collage filmmakers
3856:Art Deco Detective
3832:Death of a Soldier
3762:Films directed by
3104:Deadline Hollywood
2991:"Who's Doing What"
2814:"Who's Doing What"
2335:"Who's Doing What"
1379:Art Deco Detective
1337:Death of a Soldier
1198:Art Deco Detective
1178:Christopher Tookey
942:Deadline Hollywood
785:This section of a
726:Art Deco Detective
720:(in three roles),
701:Christopher Walken
680:Death of a Soldier
604:: The Untold Story
456:in Chelsea, as an
230:A Hard Day's Night
209:His next project,
148:(as director) and
3914:
3913:
3560:"Art Galleries".
3350:Los Angeles Times
3016:"Advertisement".
2803: 1983-12-09).
2434:"Art: Hard Times"
2126:. pp. 10–11.
2098:978-1-922473-68-4
1845:Los Angeles Times
1793:
1792:
1699:
1698:
1531:
1530:
1128:Margaret Carnegie
923:as John Reed and
890:
889:
882:
864:
790:needs additional
373:Princess Margaret
196:Danila Vassilieff
98:French Resistance
84:Mora was born in
77:
76:
24:French Australian
22:(born 1949) is a
4014:
3888:Back in Business
3800:The Beast Within
3756:
3749:
3742:
3733:
3732:
3693:
3692:
3672:
3666:
3665:
3663:
3661:
3647:
3641:
3640:
3638:
3636:
3622:
3616:
3615:
3613:
3611:
3597:
3591:
3590:
3588:
3586:
3572:
3566:
3565:
3557:
3551:
3546:
3540:
3535:
3529:
3524:
3518:
3513:
3507:
3506:
3504:
3502:
3486:
3480:
3479:
3471:
3465:
3464:
3456:
3450:
3449:
3446:Sunday Telegraph
3441:
3432:
3431:
3420:
3414:
3413:
3401:
3392:
3391:
3380:
3374:
3373:
3361:
3355:
3354:
3344:
3338:
3337:
3334:Sunday Telegraph
3329:
3323:
3322:
3309:(21 June 1975).
3303:
3294:
3293:
3282:
3273:
3272:
3258:
3249:
3248:
3245:Evening Standard
3240:
3234:
3233:
3225:
3219:
3218:
3210:
3204:
3203:
3195:
3189:
3188:
3176:
3170:
3169:
3161:
3155:
3154:
3146:
3140:
3139:
3130:
3124:
3123:
3113:
3107:
3100:
3094:
3085:
3079:
3078:
3054:
3048:
3047:
3045:
3043:
3028:
3022:
3021:
3013:
3007:
3006:
3004:
3002:
2987:
2981:
2980:
2978:
2976:
2959:
2953:
2952:
2950:
2948:
2932:
2926:
2925:
2923:
2921:
2906:
2897:
2896:
2883:(19 July 1983).
2877:
2871:
2870:
2854:
2848:
2847:
2845:
2843:
2828:
2822:
2821:
2810:
2804:
2794:
2788:
2782:
2781:
2751:
2745:
2744:
2733:
2720:
2719:
2711:
2705:
2704:
2690:
2684:
2683:
2659:
2653:
2652:
2641:
2635:
2634:
2632:
2630:
2625:on 14 March 2012
2621:. Archived from
2615:"Mad Dog Morgan"
2611:
2605:
2604:
2602:
2600:
2583:
2577:
2576:
2560:
2554:
2553:
2542:
2536:
2535:
2533:
2531:
2514:
2508:
2507:
2505:
2503:
2491:
2485:
2484:
2482:
2480:
2466:
2460:
2459:
2457:
2455:
2430:
2424:
2423:
2416:"Films in print"
2412:
2406:
2405:
2397:
2391:
2390:
2379:
2373:
2372:
2357:(16 June 1973).
2351:
2345:
2344:
2331:
2325:
2324:
2314:
2305:
2304:
2302:
2300:
2286:
2280:
2279:
2271:
2262:
2261:
2252:Mora, Philippe.
2249:
2240:
2239:
2231:
2222:
2221:
2219:
2217:
2203:
2197:
2196:
2190:
2182:
2156:
2150:
2149:
2137:
2128:
2127:
2117:
2111:
2110:
2082:
2076:
2075:
2064:
2053:
2052:
2050:
2048:
2042:www.milesago.com
2034:
2028:
2027:
2015:
2006:
2005:
1993:
1987:
1982:
1976:
1975:
1973:
1971:
1956:
1945:
1944:
1942:
1940:
1923:
1917:
1916:
1905:
1899:
1898:
1891:
1885:
1884:
1871:
1862:
1861:
1859:
1857:
1835:
1748:
1731:
1730:
1538:
1537:
1429:Back in Business
1281:The Beast Within
1208:
1207:
1186:Sunday Telegraph
1126:, in discussing
885:
878:
874:
871:
865:
863:
822:
803:reliable sources
780:
779:
772:
747:Back in Business
714:Beverly D'Angelo
697:Whitley Strieber
613:The Beast Within
364:Pork Chop Ballad
338:(1988) starring
243:(1967), shot in
215:Federico Fellini
142:Alfred Hitchcock
32:
31:
4022:
4021:
4017:
4016:
4015:
4013:
4012:
4011:
3937:Australian Jews
3917:
3916:
3915:
3910:
3766:
3760:
3702:
3697:
3696:
3673:
3669:
3659:
3657:
3651:"Philippe Mora"
3649:
3648:
3644:
3634:
3632:
3626:"Philippe Mora"
3624:
3623:
3619:
3609:
3607:
3599:
3598:
3594:
3584:
3582:
3574:
3573:
3569:
3559:
3558:
3554:
3547:
3543:
3536:
3532:
3525:
3521:
3514:
3510:
3500:
3498:
3487:
3483:
3472:
3468:
3457:
3453:
3442:
3435:
3422:
3421:
3417:
3402:
3395:
3382:
3381:
3377:
3362:
3358:
3345:
3341:
3330:
3326:
3304:
3297:
3284:
3283:
3276:
3259:
3252:
3241:
3237:
3226:
3222:
3211:
3207:
3196:
3192:
3177:
3173:
3162:
3158:
3147:
3143:
3136:The Independent
3131:
3127:
3114:
3110:
3101:
3097:
3086:
3082:
3055:
3051:
3041:
3039:
3029:
3025:
3015:
3014:
3010:
3000:
2998:
2989:
2988:
2984:
2974:
2972:
2961:
2960:
2956:
2946:
2944:
2933:
2929:
2919:
2917:
2908:
2907:
2900:
2878:
2874:
2855:
2851:
2841:
2839:
2830:
2829:
2825:
2812:
2811:
2807:
2792:Flynn v. Higham
2790:
2789:
2785:
2770:
2760:Dell Publishing
2752:
2748:
2735:
2734:
2723:
2712:
2708:
2691:
2687:
2660:
2656:
2645:"David Puttnam"
2643:
2642:
2638:
2628:
2626:
2613:
2612:
2608:
2598:
2596:
2584:
2580:
2561:
2557:
2544:
2543:
2539:
2529:
2527:
2515:
2511:
2501:
2499:
2492:
2488:
2478:
2476:
2468:
2467:
2463:
2453:
2451:
2450:on 17 July 2010
2432:
2431:
2427:
2414:
2413:
2409:
2398:
2394:
2381:
2380:
2376:
2352:
2348:
2333:
2332:
2328:
2315:
2308:
2298:
2296:
2288:
2287:
2283:
2272:
2265:
2250:
2243:
2233:
2232:
2225:
2215:
2213:
2205:
2204:
2200:
2184:
2183:
2171:
2157:
2153:
2138:
2131:
2123:The Independent
2118:
2114:
2099:
2083:
2079:
2066:
2065:
2056:
2046:
2044:
2036:
2035:
2031:
2016:
2009:
1994:
1990:
1983:
1979:
1969:
1967:
1957:
1948:
1938:
1936:
1924:
1920:
1907:
1906:
1902:
1893:
1892:
1888:
1873:
1872:
1865:
1855:
1853:
1836:
1827:
1822:
1798:
1729:
1704:
1536:
1206:
1146:Henri Safran's
1144:Don's Party and
1063:Susie Eisenhuth
989:
956:
886:
875:
869:
866:
829:"Philippe Mora"
823:
821:
800:
781:
777:
770:
722:Moon Unit Zappa
718:Barry Humphries
659:Kathleen Turner
642:Richard O'Brien
632:Christopher Lee
590:US Bicentennial
499:by German-born
481:Berlin Olympics
446:Richard Neville
405:
277:Chelsea, London
257:
186:and printed on
163:West Side Story
130:
100:fighter during
82:
63:
49:
46:
37:
17:
12:
11:
5:
4020:
4010:
4009:
4004:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3912:
3911:
3909:
3908:
3900:
3892:
3884:
3876:
3868:
3860:
3852:
3844:
3836:
3828:
3820:
3812:
3804:
3796:
3792:Mad Dog Morgan
3788:
3780:
3771:
3768:
3767:
3759:
3758:
3751:
3744:
3736:
3730:
3729:
3721:
3712:
3701:
3700:External links
3698:
3695:
3694:
3667:
3642:
3617:
3592:
3567:
3552:
3541:
3530:
3519:
3508:
3495:Canberra Times
3481:
3466:
3451:
3433:
3415:
3393:
3375:
3356:
3339:
3336:. p. 112.
3324:
3295:
3274:
3250:
3235:
3220:
3205:
3190:
3171:
3156:
3141:
3125:
3108:
3095:
3080:
3049:
3023:
3008:
2982:
2968:Canberra Times
2954:
2927:
2898:
2872:
2849:
2823:
2805:
2783:
2768:
2746:
2737:"Award Finals"
2721:
2706:
2685:
2670:. APPENDIX A.
2654:
2636:
2606:
2578:
2555:
2537:
2524:New York Times
2509:
2486:
2461:
2425:
2407:
2392:
2374:
2346:
2326:
2306:
2281:
2263:
2241:
2223:
2198:
2169:
2151:
2129:
2112:
2097:
2077:
2054:
2029:
2007:
1988:
1977:
1946:
1918:
1900:
1886:
1863:
1852:on 4 June 2011
1824:
1823:
1821:
1818:
1817:
1816:
1811:
1806:
1797:
1794:
1791:
1790:
1788:
1785:
1780:
1777:
1773:
1772:
1770:
1767:
1765:Mad Dog Morgan
1762:
1757:
1750:
1749:
1744:
1741:
1738:
1735:
1728:
1725:
1724:
1723:
1717:
1711:
1703:
1700:
1697:
1696:
1694:
1691:
1689:
1684:
1680:
1679:
1677:
1674:
1672:
1667:
1663:
1662:
1660:
1657:
1655:
1650:
1646:
1645:
1643:
1638:
1635:
1630:
1626:
1625:
1623:
1621:
1616:
1612:
1611:
1609:
1604:
1600:
1599:
1597:
1595:
1590:
1586:
1585:
1583:
1580:
1578:
1573:
1569:
1568:
1566:
1563:
1561:
1559:
1555:
1554:
1551:
1548:
1547:Collaborators
1545:
1542:
1535:
1532:
1529:
1528:
1526:
1521:
1517:
1516:
1514:
1509:
1505:
1504:
1502:
1496:
1495:
1493:
1488:
1484:
1483:
1481:
1474:
1470:
1469:
1467:
1461:
1460:
1458:
1453:
1449:
1448:
1446:
1439:
1435:
1434:
1432:
1424:
1423:
1421:
1413:
1412:
1410:
1403:
1399:
1398:
1396:
1389:
1385:
1384:
1382:
1375:
1371:
1370:
1368:
1361:
1357:
1356:
1354:
1347:
1343:
1342:
1340:
1333:
1329:
1328:
1326:
1319:
1315:
1314:
1312:
1305:
1301:
1300:
1298:
1291:
1287:
1286:
1284:
1277:
1273:
1272:
1270:
1267:Mad Dog Morgan
1263:
1259:
1258:
1256:
1249:
1245:
1244:
1242:
1235:
1231:
1230:
1228:
1223:
1219:
1218:
1215:
1212:
1205:
1202:
1184:(1989) in the
1136:Mad Dog Morgan
1110:Mad Dog Morgan
988:
985:
964:Marilyn Monroe
960:Robert Kennedy
955:
952:
911:Clayton Watson
888:
887:
811:poorly sourced
784:
782:
775:
769:
764:
622:, released in
608:Charles Higham
585:Mad Dog Morgan
579:, produced by
569:David Gulpilil
552:Mad Dog Morgan
505:Storm Troopers
434:Germaine Greer
404:
401:
292:Germaine Greer
269:The Pheasantry
261:Freya Matthews
256:
253:
172:Collins Street
150:Ernst Lubitsch
129:
126:
81:
78:
75:
74:
69:
65:
64:
62:
61:
57:
55:
51:
50:
47:
43:
39:
38:
35:
15:
9:
6:
4:
3:
2:
4019:
4008:
4005:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3932:Living people
3930:
3928:
3925:
3924:
3922:
3906:
3905:
3901:
3898:
3897:
3896:Joseph's Gift
3893:
3890:
3889:
3885:
3882:
3881:
3877:
3874:
3873:
3869:
3866:
3865:
3864:Precious Find
3861:
3858:
3857:
3853:
3850:
3849:
3845:
3842:
3841:
3837:
3834:
3833:
3829:
3826:
3825:
3821:
3818:
3817:
3816:A Breed Apart
3813:
3810:
3809:
3805:
3802:
3801:
3797:
3794:
3793:
3789:
3786:
3785:
3781:
3778:
3777:
3773:
3772:
3769:
3765:
3764:Philippe Mora
3757:
3752:
3750:
3745:
3743:
3738:
3737:
3734:
3728:
3727:
3722:
3720:
3716:
3715:Philippe Mora
3713:
3711:
3707:
3706:Philippe Mora
3704:
3703:
3690:
3686:
3682:
3678:
3671:
3656:
3652:
3646:
3631:
3627:
3621:
3606:
3602:
3596:
3581:
3577:
3571:
3563:
3556:
3550:
3545:
3539:
3534:
3528:
3523:
3517:
3512:
3496:
3492:
3485:
3478:. p. 27.
3477:
3470:
3463:. p. 23.
3462:
3455:
3448:. p. 48.
3447:
3440:
3438:
3429:
3425:
3419:
3411:
3407:
3400:
3398:
3389:
3385:
3379:
3371:
3367:
3360:
3353:. p. 61.
3352:
3351:
3343:
3335:
3328:
3320:
3316:
3312:
3308:
3302:
3300:
3291:
3287:
3281:
3279:
3270:
3269:
3264:
3257:
3255:
3247:. p. 10.
3246:
3239:
3232:. p. 12.
3231:
3224:
3216:
3209:
3202:. p. 69.
3201:
3194:
3186:
3182:
3175:
3168:. p. 13.
3167:
3160:
3153:. p. 10.
3152:
3145:
3137:
3129:
3121:
3120:
3112:
3106:
3105:
3099:
3093:
3092:, 14 May 2002
3091:
3084:
3076:
3072:
3068:
3064:
3060:
3053:
3037:
3034:
3027:
3019:
3012:
2996:
2992:
2986:
2970:
2969:
2964:
2958:
2942:
2938:
2931:
2915:
2911:
2905:
2903:
2894:
2890:
2886:
2882:
2876:
2868:
2864:
2860:
2853:
2837:
2833:
2827:
2819:
2815:
2809:
2802:
2798:
2793:
2787:
2779:
2775:
2771:
2769:9780440123071
2765:
2761:
2757:
2750:
2742:
2738:
2732:
2730:
2728:
2726:
2717:
2710:
2703:. p. 16.
2702:
2701:
2696:
2689:
2681:
2677:
2673:
2669:
2665:
2658:
2650:
2646:
2640:
2624:
2620:
2616:
2610:
2595:
2594:
2589:
2582:
2574:
2570:
2566:
2559:
2551:
2547:
2541:
2526:
2525:
2520:
2513:
2497:
2490:
2475:
2471:
2465:
2449:
2445:
2441:
2440:
2439:Time Magazine
2435:
2429:
2421:
2417:
2411:
2403:
2396:
2388:
2384:
2378:
2370:
2366:
2365:
2360:
2356:
2350:
2342:
2341:
2336:
2330:
2323:. p. 27.
2322:
2321:
2313:
2311:
2295:
2291:
2285:
2277:
2270:
2268:
2259:
2255:
2248:
2246:
2237:
2230:
2228:
2212:
2208:
2202:
2194:
2188:
2180:
2176:
2172:
2170:9789768097026
2166:
2162:
2155:
2147:
2143:
2136:
2134:
2125:
2124:
2116:
2108:
2104:
2100:
2094:
2090:
2089:
2081:
2073:
2069:
2063:
2061:
2059:
2043:
2039:
2033:
2025:
2021:
2014:
2012:
2004:. p. 16.
2003:
1999:
1992:
1986:
1981:
1966:
1962:
1955:
1953:
1951:
1935:
1934:
1929:
1926:Krum, Lazar.
1922:
1914:
1910:
1904:
1896:
1890:
1882:
1881:
1876:
1870:
1868:
1851:
1847:
1846:
1841:
1834:
1832:
1830:
1825:
1815:
1812:
1810:
1807:
1805:
1804:
1800:
1799:
1789:
1786:
1784:
1781:
1778:
1775:
1774:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1752:
1751:
1732:
1721:
1718:
1715:
1712:
1709:
1706:
1705:
1695:
1692:
1690:
1688:
1685:
1683:1971, August
1682:
1681:
1678:
1675:
1673:
1671:
1668:
1665:
1664:
1661:
1658:
1656:
1654:
1651:
1648:
1647:
1644:
1642:
1639:
1636:
1634:
1631:
1628:
1627:
1624:
1622:
1620:
1617:
1614:
1613:
1610:
1608:
1605:
1602:
1601:
1598:
1596:
1594:
1591:
1588:
1587:
1584:
1579:
1577:
1574:
1571:
1570:
1567:
1564:
1562:
1560:
1557:
1556:
1539:
1527:
1525:
1522:
1519:
1518:
1515:
1513:
1510:
1507:
1506:
1503:
1501:
1498:
1497:
1494:
1492:
1489:
1485:
1482:
1480:
1479:
1475:
1472:
1471:
1468:
1466:
1463:
1462:
1459:
1457:
1454:
1450:
1447:
1445:
1444:
1443:Joseph's Gift
1440:
1437:
1436:
1433:
1431:
1430:
1426:
1425:
1422:
1420:
1419:
1415:
1414:
1411:
1409:
1408:
1404:
1400:
1397:
1395:
1394:
1393:Precious Find
1390:
1387:
1386:
1383:
1381:
1380:
1376:
1373:
1372:
1369:
1367:
1366:
1362:
1359:
1358:
1355:
1353:
1352:
1348:
1345:
1344:
1341:
1339:
1338:
1334:
1331:
1330:
1327:
1325:
1324:
1320:
1317:
1316:
1313:
1311:
1310:
1309:A Breed Apart
1306:
1303:
1302:
1299:
1297:
1296:
1292:
1289:
1288:
1285:
1283:
1282:
1278:
1275:
1274:
1271:
1269:
1268:
1264:
1261:
1260:
1257:
1255:
1254:
1250:
1247:
1246:
1243:
1241:
1240:
1236:
1233:
1232:
1229:
1227:
1224:
1221:
1220:
1209:
1201:
1199:
1194:
1191:
1187:
1183:
1179:
1173:
1171:
1167:
1163:
1156:
1154:
1150:
1149:
1145:
1141:
1140:Jeremy Thomas
1137:
1133:
1129:
1125:
1121:
1117:
1116:
1111:
1106:
1104:
1099:
1098:
1093:
1089:
1085:
1084:
1079:
1074:
1070:
1069:
1064:
1059:
1054:
1053:remarks that;
1052:
1048:
1047:Alec Guinness
1044:
1043:
1037:
1036:
1031:
1026:
1022:
1021:Pamela Ruskin
1018:
1013:
1011:
1010:
1004:
1000:
999:Derek Malcolm
996:
995:
984:
981:
979:
978:
973:
969:
968:Peter Lawford
965:
961:
951:
949:
944:
943:
937:
935:
930:
926:
922:
918:
917:
912:
907:
905:
904:Patrick White
900:
895:
884:
881:
873:
862:
859:
855:
852:
848:
845:
841:
838:
834:
831: –
830:
826:
825:Find sources:
819:
815:
812:
808:
804:
798:
797:
793:
788:
783:
774:
773:
768:
763:
761:
760:
755:
754:
749:
748:
743:
739:
738:
733:
732:
731:Precious Find
727:
723:
719:
715:
711:
710:
704:
702:
698:
694:
690:
689:Eddie Leonski
686:
682:
681:
676:
672:
671:
666:
665:
660:
656:
652:
651:
650:A Breed Apart
645:
643:
639:
638:
633:
629:
625:
621:
620:
615:
614:
609:
605:
603:
597:
595:
591:
586:
582:
581:David Puttnam
578:
574:
570:
566:
565:Jack Thompson
562:
561:Dennis Hopper
558:
557:Daniel Morgan
554:
553:
547:
545:
541:
537:
533:
529:
525:
524:
518:
516:
512:
511:
510:Cinema Papers
506:
502:
498:
494:
490:
486:
482:
478:
477:
471:
469:
465:
461:
460:
455:
451:
450:The Easybeats
447:
443:
442:Laurence Hope
439:
435:
431:
430:Robert Hughes
427:
423:
419:
418:
413:
409:
399:
394:
392:
391:David Hockney
389:with that of
388:
384:
380:
378:
374:
370:
366:
365:
359:
357:
356:Erwin Heerich
353:
347:
345:
341:
337:
333:
332:
331:The Innocents
327:
323:
319:
318:Clytie Jessop
314:
312:
308:
304:
303:Brendan Behan
300:
298:
293:
289:
285:
284:
278:
274:
270:
266:
262:
252:
250:
246:
242:
238:
236:
235:Man in a Film
232:
231:
226:
222:
221:
216:
212:
211:Man in a Film
207:
205:
201:
197:
193:
189:
185:
181:
177:
173:
169:
168:Flinders Lane
165:
164:
159:
155:
151:
147:
146:Buster Keaton
143:
139:
135:
134:Marx Brothers
125:
123:
119:
115:
111:
107:
103:
99:
95:
91:
87:
73:
70:
66:
60:Film director
59:
58:
56:
52:
44:
40:
36:Phillipe Mora
33:
30:
28:
27:film director
25:
21:
20:Philippe Mora
3902:
3894:
3886:
3878:
3870:
3862:
3854:
3846:
3838:
3830:
3822:
3814:
3806:
3798:
3790:
3782:
3774:
3763:
3725:
3724:Trailer for
3680:
3670:
3658:. Retrieved
3654:
3645:
3633:. Retrieved
3629:
3620:
3608:. Retrieved
3604:
3595:
3583:. Retrieved
3579:
3570:
3562:The Observer
3561:
3555:
3544:
3533:
3522:
3511:
3499:. Retrieved
3497:. p. 10
3494:
3484:
3476:The Guardian
3475:
3469:
3460:
3454:
3445:
3427:
3418:
3409:
3387:
3384:"Short Ends"
3378:
3369:
3366:The Bulletin
3365:
3359:
3348:
3342:
3333:
3327:
3318:
3315:The Bulletin
3314:
3307:Hall, Sandra
3289:
3266:
3244:
3238:
3230:The Guardian
3229:
3223:
3214:
3208:
3199:
3193:
3187:. p. 6.
3184:
3174:
3165:
3159:
3151:The Guardian
3150:
3144:
3138:. p. 3.
3135:
3128:
3122:. p. 9.
3117:
3111:
3103:
3098:
3089:
3083:
3062:
3052:
3040:. Retrieved
3038:. p. 10
3035:
3026:
3018:Daily Mirror
3017:
3011:
2999:. Retrieved
2994:
2985:
2973:. Retrieved
2966:
2957:
2945:. Retrieved
2943:. p. 13
2940:
2930:
2918:. Retrieved
2913:
2892:
2889:The Bulletin
2888:
2881:Hall, Sandra
2875:
2866:
2863:The Bulletin
2862:
2852:
2840:. Retrieved
2835:
2826:
2817:
2808:
2791:
2786:
2755:
2749:
2740:
2718:. p. 3.
2715:
2709:
2698:
2688:
2667:
2657:
2648:
2639:
2627:. Retrieved
2623:the original
2609:
2597:. Retrieved
2591:
2581:
2572:
2569:The Bulletin
2568:
2558:
2549:
2540:
2528:. Retrieved
2522:
2512:
2500:. Retrieved
2489:
2477:. Retrieved
2473:
2464:
2452:. Retrieved
2448:the original
2437:
2428:
2419:
2410:
2404:. p. 5.
2401:
2395:
2386:
2377:
2368:
2364:The Bulletin
2362:
2355:Hall, Sandra
2349:
2338:
2329:
2320:The Observer
2318:
2297:. Retrieved
2293:
2284:
2275:
2257:
2236:Daily Mirror
2235:
2214:. Retrieved
2210:
2201:
2160:
2154:
2145:
2121:
2115:
2087:
2080:
2071:
2045:. Retrieved
2041:
2032:
2026:. p. 5.
2023:
2001:
1991:
1980:
1968:. Retrieved
1964:
1937:. Retrieved
1931:
1921:
1912:
1903:
1889:
1878:
1854:. Retrieved
1850:the original
1843:
1809:Adolf Hitler
1801:
1782:
1764:
1686:
1669:
1652:
1632:
1618:
1606:
1592:
1575:
1523:
1511:
1499:
1490:
1476:
1464:
1455:
1441:
1427:
1416:
1405:
1391:
1377:
1363:
1349:
1335:
1321:
1307:
1293:
1279:
1265:
1251:
1237:
1225:
1197:
1195:
1189:
1185:
1181:
1175:
1169:
1165:
1161:
1158:
1152:
1151:
1147:
1143:
1135:
1123:
1113:
1109:
1107:
1103:Kevin Thomas
1097:The Bulletin
1095:
1087:
1081:
1077:
1072:
1066:
1061:
1056:
1050:
1040:
1033:
1029:
1024:
1014:
1007:
1002:
994:The Guardian
992:
990:
982:
975:
957:
954:Later career
940:
938:
933:
928:
921:Alec Baldwin
914:
908:
893:
891:
876:
870:October 2022
867:
857:
850:
843:
836:
824:
813:
796:verification
789:
766:
757:
751:
745:
741:
735:
729:
728:(1994); and
725:
712:(1994) with
707:
705:
692:
685:James Coburn
678:
668:
662:
655:Rutger Hauer
648:
646:
635:
617:
611:
600:
598:
584:
577:Frank Thring
550:
548:
521:
519:
515:Scott Murray
508:
474:
472:
464:George Melly
457:
426:Eric Clapton
415:
407:
406:
396:
386:
381:
377:Passion Play
376:
368:
362:
360:
352:Joseph Beuys
348:
344:Miranda Otto
342:and a young
335:
329:
326:Jack Clayton
315:
307:Passion Play
306:
295:
287:
281:
265:Martin Sharp
258:
240:
239:
234:
228:
218:
210:
208:
175:
161:
153:
138:Jean Cocteau
131:
102:World War II
94:Georges Mora
83:
19:
18:
3967:Mora family
3927:1949 births
3840:Howling III
3372:(5013): 48.
3321:(4962): 56.
2895:(5374): 76.
2869:(5352): 37.
2575:(5001): 32.
2454:28 February
2371:(4858): 59.
1856:28 February
1702:Collections
1534:Exhibitions
1512:German Sons
1351:Howling III
1134:subject of
1120:Kay Keavney
1092:Sandra Hall
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683:, starring
670:Howling III
602:Errol Flynn
573:Bill Hunter
489:home movies
485:Jesse Owens
422:Arthur Boyd
273:King's Road
255:Exhibitions
249:Vietnam War
225:The Beatles
114:Tiriel Mora
3921:Categories
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3635:27 October
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2299:20 October
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2107:1291224335
2047:27 October
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840:newspapers
628:Alan Arkin
528:Depression
497:Washington
428:. Shot in
417:Metropolis
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322:David Boyd
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792:citations
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2599:21 April
2530:21 April
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