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Thomas Rowlandson

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724: 785: 680: 740: 692: 708: 770: 664: 371: 650: 797: 598: 815: 610: 586: 638: 321: 622: 1390: 108: 568: 40: 200:, London to William and Mary Rowlandson. The baptismal record for St Mary, now in the London archives, clearly gives his birth-date as 13 July 1757, not 1756 as given in most earlier biographies. His father, William, had been a weaver, but had moved into trading supplies for the textile industry and after overextending himself was declared bankrupt in 1759. Life became difficult for William in London and, in late 1759, he moved his family to 1274: 423:. He dealt less frequently with politics than his fierce contemporary, Gillray, but commonly touching, in a rather gentle spirit, the various aspects and incidents of social life. His most artistic work is to be found among the more careful drawings of his earlier period; but even among the exaggerated caricature of his later time we find hints that this master of the humorous might have attained to the beautiful had he so willed. 448:] Mitchell Esqr., Cornwall" (1812) which was sold at the Sir Richard Onslow sale, Sotheby's, 15 July 1959. Another of Rowlandson's paintings is "Glorious Defeat of the Dutch Navy Octr 10 1797, by Admirals Lord Duncan and Sir Richard Onslow, with a View Drawn on the Spot of the Six Dutch Line of Battle Ships Captured and Brought into Yarmouth" (1797). Rowlandson also painted early scenes of 1307: 1322: 434:. He also produced many works depicting the characters involved in election campaigns and race meetings. However, his satirical works of London's street life such as the "pleasure gardens at Vauxhall, jostling with soldiers, students, tarts and society beauties", which exhibit acute social observation and commentary are amongst his finest. 739: 264: 164:, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as a large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as 259:
at the Royal Academy and two years later received a silver medal for a bas-relief figure. He was spoken of as a promising student. On the death of his aunt, he inherited £7,000 with which he plunged into the dissipations of the town and was known to sit at the gaming-table for 36 hours at a
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His patron and friend Matthew Michell collected hundreds of his paintings which Michell displayed at his country residence, Grove House in Enfield, Middlesex. After Michell's death his nephew, Sir Henry Onslow, sold the contents of Grove House at an eight-day sale in November 1818. One of the
1327: 168:, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the 437:
Rowlandson's caricatures include those on the medical profession which developed through his friendship with John Wolcot around 1778. He also earned money illustrating books of physicians and quacks. Later in life, he also produced caricatures on medical themes.
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In 1765 or 1766 he started at the Soho Academy. There is no documentary evidence that Rowlandson took drawing classes at the mainly business-oriented school, but it seems likely, as on leaving school in 1772, he became a student at the
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Rowlandson was sent to Paris at the age of 16 (1772), and spent two years studying in a "drawing academy." there. In Paris he studied drawing "the human figure" and continued developing his youthful skill in
215:. As a schoolboy, Rowlandson "drew humourous characters of his master and many of his scholars before he was ten years old," covering the margins of his schoolbooks with his artwork. 463:
on 28 April 1827 aged 69 years. Some authors have suggested that his housekeeper Betsy Winter who inherited his belongings was his mistress but this has been rejected by others.
769: 585: 1405: 837: 597: 1317: 814: 1289: 204:. Thomas's uncle James died in 1764, and his widow Jane probably provided both the funds and accommodation which allowed Thomas to attend school in London. 862: 796: 609: 1402:, an exhibition catalogue from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Thomas Rowlandson (see index) 649: 290:, shown in the Royal Academy exhibition of 1784, had been engraved by Pollard, and the print was a success. Rowlandson was largely employed by 621: 90: 1294: 1446: 1441: 1374: 169: 370: 305:. They were the most popular of the artist's works. Again engraved by Rowlandson himself in 1812, and issued under the title of the 567: 459:
Rowlandson died at his lodgings at 1 James Street, Adelphi, London, after a prolonged illness, on 21 April 1827. He was buried at
1476: 1399: 1216: 1026: 637: 456:. Rowlandson's painting "Mr Michell's Picture Gallery at Grove House, Enfild" was sold by Sotheby's, London, on 4 July 2002. 1312: 407:
Rowlandson's designs were usually done in outline with the reed-pen, and delicately washed with colour. They were then
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Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum
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who was developed from about 1790 in conjunction with other British satirical artists such as Gillray and
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Rowlandson spent six years studying at the Royal Academy, but about a third of this time was spent in
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Butterfield, William C. (2 April 1973). "The Medical Caricatures of Thomas Rowlandson".
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in some advertisements that Macassar oil would stimulate hair growth on balding men
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best-known of Rowlandson's paintings is "Hengar House the seat of Matthw [
1230: 352: 344: 270:, a self-portrait from 1787, showed that he could aim his caricatures at himself. 1381: 255:
with numerous sketches of life and character. In 1775 he exhibited a drawing of
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where Michell's sister, Lady Anne Onslow, lived after the death of her husband
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Sherry, James (1978). "Distance and Humor; The Art of Thomas Rowlandson".
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The same collaboration of designer, author and publisher appeared in the
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Regarding Thomas Rowlandson, 1757–1827: His Life, Art & Acquaintance
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they had attained a fifth edition by 1813, and were followed in 1820 by
1180: 283: 229: 1096:"The Anatomist by Thomas Rowlandson (1756–1827): The Play's the Thing" 930:
Volume 97, Part 1, Jan–June 1827 (London: J B Nichols, 1827), page 564
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This article incorporates text from a publication now in the
591:"The Devonshire, or Most Approved Method of Securing Votes", 1784 420: 408: 274:
In time poverty overtook him; and the friendship and examples of
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Rowlandson was educated at the school of Dr Cuthbert Barwis at 8
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His work included a personification of the United Kingdom named
685:"Doctor Syntax loses his Money on the Race Ground at York" 1812 251:. He later made frequent tours to the Continent, enriching his 67: 148: 139: 1338:
Dictionary of British Cartoonists and caricaturists 1730–1980
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accompanied by verses by William Combe (published in the new
232:. It was on his return to London that he took classes at the 903: 901: 1302: 1027:"High Spirits: The Comic Art of Thomas Rowlandson – review" 133: 969: 1400:
Prints & People: A Social History of Printed Pictures
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List of erotic etchings and drawings by Thomas Rowlandson
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The Second Tour of Dr. Syntax in Search of Consolation,
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Etchings for a work by George Moutard Woodward, 1797–98
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Dalilah Payeth Sampson a Visit while in Prison at Gaza
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Chesterfield Travestied, or School for Modern Manners
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Etchings for a work by George Moutard Woodward, 1800
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Thomas Rowlandson at the Victoria and Albert Museum
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The Gentleman's Magazine, and Historical Chronicle,
127: 866:(online ed.). Oxford University Press. 2004. 523:The Third Tour of Dr. Syntax in Search of a Wife, 395:to his right. To the right the actress and author 1343: 495:Le Brun Travestied or Caricatures of the Passions 1423: 511:Tour of Dr. Syntax in Search of the Picturesque, 223:. According to his obituary of 22 April 1827 in 860:"The Oxford Dictionary of National Biography". 307:Tour of Dr Syntax in Search of the Picturesque, 294:, the art publisher, who in 1809—issued in his 286:as a means of earning a living. His drawing of 547:An Essay on the Art of Ingeniously Tormenting 731:Characteristic Sketches of the Lower Orders, 715:Characteristic Sketches of the Lower Orders, 699:Characteristic Sketches of the Lower Orders, 603:"The Progress of the Emperor Napoleon", 1808 411:by the artist on the copper, and afterwards 1050: 669:"Dr Syntax outside the Halfway House" from 541:Characteristic Sketches of the Lower Orders 324:Rowlandson at work in later life, drawn by 315:Third Tour of Dr Syntax in Search of a Wife 91:United Kingdom of Great Britain and Ireland 16:English artist and caricaturist (1757–1827) 1206: 951: 939: 907: 892: 399:stands next to the Prince of Wales, later 38: 1127: 1375:British Museum Bio for Thomas Rowlandson 1284: 1012: 975: 963: 379:(1785). The two women in the centre are 369: 319: 262: 106: 1093: 1024: 926:Rowlandson obituary in Sylvanus Urban, 863:Oxford Dictionary of National Biography 790:"Exhibition Room, Somerset House", 1800 491:(series of eight sketches) c. 1799 1424: 1150: 855: 853: 671:Dr Syntax in Search of the Picturesque 615:"The Corsican Spider in His Web", 1808 1406:Thomas Rowlandson exhibition catalogs 1340:Bryant and Heneage, Scolar Press 1994 1207:Payne, Matthew; Payne, James (2010). 196:. He was baptised on 23 July 1757 at 1197: 922: 920: 918: 916: 573:"A Southwark Volunteer Cavalryman", 44:Thomas Rowlandson, pencil sketch by 1391:Works by or about Thomas Rowlandson 1200:Thomas Rowlandson: His Life and Art 1025:Cumming, Laura (29 December 2013). 850: 355:, and his designs will be found in 311:Dr Syntax in Search of Consolation, 13: 343:1817. Rowlandson also illustrated 14: 1493: 1447:19th-century English male artists 1442:18th-century English male artists 1368: 913: 357:The Spirit of the Public Journals 1272: 1065:10.1001/jama.1973.03220140081016 820:"A Gibbet on the River Thames", 813: 795: 783: 768: 738: 722: 706: 690: 678: 662: 648: 636: 620: 608: 596: 584: 566: 381:Georgiana, Duchess of Devonshire 247:where he may have studied under 123: 1144: 1087: 1044: 1018: 454:Sir Richard Onslow, 1st Baronet 1477:People from the City of London 981: 114:, pencil, pen and ink on paper 1: 1313:Lewis Walpole Collection Yale 1191: 821: 803: 753: 574: 339:issued in 1814–16 and in the 880:UK public library membership 555:(sc Thomas Rowlandson), 1808 549:(sc Thomas Rowlandson), 1808 183: 112:A Sermon in Exeter Cathedral 7: 1254:Rowlandson the caricaturist 831: 529:The English Dance of Death, 415:—usually by a professional 10: 1498: 1382:Works by Thomas Rowlandson 1265: 1153:Eighteenth-Century Studies 559: 543:(series of sketches), 1820 18: 1112:10.1017/s0025727300008589 268:Discomforts of an Epicure 225:The Gentleman's Magazine, 202:Richmond, North Yorkshire 97: 78: 53: 37: 30: 843: 751:Iconographic Collections 501:The Schoolmaster's Tour, 466: 461:St Paul's, Covent Garden 174:William Pitt the Younger 19:For the footballer, see 1482:English watercolourists 1295:Encyclopædia Britannica 477:George Moutard Woodward 475:Etchings for a work by 299:The Schoolmaster's Tour 282:seem to have suggested 188:Rowlandson was born in 1472:British erotic artists 1353:Augustus Charles Pugin 1303:British Museum, London 1198:Falk, Bernard (1952). 952:Payne & Payne 2010 940:Payne & Payne 2010 908:Payne & Payne 2010 893:Payne & Payne 2010 872:10.1093/ref:odnb/24221 729:"Curds and Whey" from 404: 328: 271: 115: 1462:English caricaturists 1355:and Thomas Rowlandson 1094:Vincent, L M (2005). 629:Matrimonial Comforts, 483:Horse accomplishments 473:Cupids Magick Lantern 373: 323: 280:Henry William Bunbury 266: 249:Jean-Baptiste Pigalle 170:Duchess of Devonshire 110: 1452:English illustrators 802:"Vauxhall Gardens", 489:Matrimonial Comforts 1457:English cartoonists 1349:Microcosm of London 1332:Mary Dorothy George 1323:University of Liege 1202:. Beechhurst Press. 978:, pp. 787–788. 627:"Washing Day" from 397:Mary Darby Robinson 313:and in 1821 by the 46:George Henry Harlow 1290:Rowlandson, Thomas 697:"Great News" from 656:Cat Like Courtship 643:"Portsmouth Point" 535:The Dance of Life, 405: 329: 272: 198:St Mary Colechurch 178:Napoleon Bonaparte 116: 1467:English satirists 1411:Thomas Rowlandson 1386:Project Gutenberg 1351:, Illustrated by 1345:Rudolph Ackermann 1218:978-0-9554063-5-5 878:(Subscription or 759:, lampooning the 505:Poetical Magazine 432:George Cruikshank 326:John Thomas Smith 296:Poetical Magazine 292:Rudolph Ackermann 119:Thomas Rowlandson 105: 104: 32:Thomas Rowlandson 1489: 1395:Internet Archive 1356: 1299: 1278: 1276: 1275: 1246: 1211:. Hogarth Arts. 1203: 1185: 1184: 1148: 1142: 1141: 1131: 1091: 1085: 1084: 1048: 1042: 1041: 1039: 1037: 1022: 1016: 1010: 1004: 1003: 1001: 999: 985: 979: 973: 967: 961: 955: 949: 943: 937: 931: 924: 911: 910:, pp. 8–14. 905: 896: 890: 884: 883: 875: 857: 826: 823: 817: 808: 805: 799: 787: 776:Comforts of Bath 772: 758: 755: 742: 726: 710: 694: 682: 666: 652: 640: 624: 612: 600: 588: 579: 576: 570: 393:Oliver Goldsmith 391:to his left and 376:Vauxhall Gardens 236:, then based at 155: 154: 151: 150: 147: 144: 141: 138: 135: 132: 129: 85: 63: 61: 42: 28: 27: 1497: 1496: 1492: 1491: 1490: 1488: 1487: 1486: 1422: 1421: 1371: 1288:, ed. (1911). " 1273: 1271: 1268: 1219: 1194: 1189: 1188: 1165:10.2307/2737966 1149: 1145: 1100:Medical History 1092: 1088: 1049: 1045: 1035: 1033: 1023: 1019: 1011: 1007: 997: 995: 987: 986: 982: 974: 970: 962: 958: 950: 946: 938: 934: 925: 914: 906: 899: 891: 887: 877: 859: 858: 851: 846: 834: 827: 824: 818: 809: 806: 800: 791: 788: 779: 773: 764: 756: 743: 734: 727: 718: 711: 702: 695: 686: 683: 674: 667: 658: 653: 644: 641: 632: 625: 616: 613: 604: 601: 592: 589: 580: 577: 571: 562: 469: 421:draughtsmanship 361:The English Spy 186: 126: 122: 93: 87: 83: 74: 65: 59: 57: 49: 33: 24: 17: 12: 11: 5: 1495: 1485: 1484: 1479: 1474: 1469: 1464: 1459: 1454: 1449: 1444: 1439: 1434: 1420: 1419: 1408: 1403: 1397: 1388: 1378: 1377: 1370: 1369:External links 1367: 1366: 1365: 1341: 1335: 1325: 1320: 1315: 1310: 1305: 1300: 1286:Chisholm, Hugh 1267: 1264: 1263: 1262: 1247: 1217: 1204: 1193: 1190: 1187: 1186: 1159:(4): 457–472. 1143: 1106:(2): 213–218. 1086: 1059:(1): 113–117. 1043: 1017: 1015:, p. 788. 1005: 980: 968: 966:, p. 787. 956: 944: 932: 912: 897: 885: 848: 847: 845: 842: 841: 840: 833: 830: 829: 828: 819: 812: 810: 801: 794: 792: 789: 782: 780: 774: 767: 765: 744: 737: 735: 728: 721: 719: 713:"Saloop" from 712: 705: 703: 696: 689: 687: 684: 677: 675: 668: 661: 659: 654: 647: 645: 642: 635: 633: 626: 619: 617: 614: 607: 605: 602: 595: 593: 590: 583: 581: 572: 565: 561: 558: 557: 556: 550: 544: 538: 532: 526: 520: 514: 508: 498: 492: 486: 480: 468: 465: 385:Samuel Johnson 341:Dance of Life, 335:Dance of Death 238:Somerset House 194:City of London 185: 182: 103: 102: 99: 95: 94: 88: 86:(aged 69) 80: 76: 75: 66: 55: 51: 50: 43: 35: 34: 31: 21:Tom Rowlandson 15: 9: 6: 4: 3: 2: 1494: 1483: 1480: 1478: 1475: 1473: 1470: 1468: 1465: 1463: 1460: 1458: 1455: 1453: 1450: 1448: 1445: 1443: 1440: 1438: 1435: 1433: 1430: 1429: 1427: 1418: 1417: 1413:on Lambiek's 1412: 1409: 1407: 1404: 1401: 1398: 1396: 1392: 1389: 1387: 1383: 1380: 1379: 1376: 1373: 1372: 1364: 1363:Illustrations 1360: 1354: 1350: 1346: 1342: 1339: 1336: 1333: 1329: 1326: 1324: 1321: 1319: 1318:Chris Beetles 1316: 1314: 1311: 1309: 1306: 1304: 1301: 1297: 1296: 1291: 1287: 1282: 1281:public domain 1270: 1269: 1261: 1258: 1255: 1251: 1250:Grego, Joseph 1248: 1244: 1240: 1236: 1232: 1228: 1224: 1220: 1214: 1210: 1205: 1201: 1196: 1195: 1182: 1178: 1174: 1170: 1166: 1162: 1158: 1154: 1147: 1139: 1135: 1130: 1125: 1121: 1117: 1113: 1109: 1105: 1101: 1097: 1090: 1082: 1078: 1074: 1070: 1066: 1062: 1058: 1054: 1047: 1032: 1028: 1021: 1014: 1013:Chisholm 1911 1009: 994: 990: 984: 977: 976:Chisholm 1911 972: 965: 964:Chisholm 1911 960: 954:, p. 26. 953: 948: 942:, p. 15. 941: 936: 929: 923: 921: 919: 917: 909: 904: 902: 894: 889: 881: 873: 869: 865: 864: 856: 854: 849: 839: 836: 835: 816: 811: 798: 793: 786: 781: 777: 771: 766: 762: 752: 748: 741: 736: 732: 725: 720: 716: 709: 704: 700: 693: 688: 681: 676: 672: 665: 660: 657: 651: 646: 639: 634: 630: 623: 618: 611: 606: 599: 594: 587: 582: 569: 564: 563: 554: 551: 548: 545: 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 502: 499: 496: 493: 490: 487: 484: 481: 478: 474: 471: 470: 464: 462: 457: 455: 451: 447: 446: 439: 435: 433: 429: 424: 422: 418: 414: 410: 402: 398: 394: 390: 389:James Boswell 386: 382: 378: 377: 372: 368: 366: 362: 358: 354: 350: 346: 342: 338: 336: 327: 322: 318: 316: 312: 308: 304: 303:William Combe 300: 297: 293: 289: 285: 281: 277: 276:James Gillray 269: 265: 261: 258: 254: 250: 246: 241: 239: 235: 234:Royal Academy 231: 226: 222: 221:Royal Academy 216: 214: 210: 205: 203: 199: 195: 191: 181: 179: 175: 171: 167: 166:James Gillray 163: 159: 153: 120: 113: 109: 100: 96: 92: 82:21 April 1827 81: 77: 73: 72:Great Britain 69: 56: 52: 47: 41: 36: 29: 26: 22: 1416:Comiclopedia 1414: 1359:1904 reprint 1348: 1337: 1293: 1253: 1208: 1199: 1156: 1152: 1146: 1103: 1099: 1089: 1056: 1052: 1046: 1034:. 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Index

Tom Rowlandson

George Henry Harlow
London
Great Britain
United Kingdom of Great Britain and Ireland

/ˈrləndsən/
caricaturist
Georgian Era
James Gillray
Duchess of Devonshire
William Pitt the Younger
Napoleon Bonaparte
Old Jewry
City of London
St Mary Colechurch
Richmond, North Yorkshire
Soho Square
Edmund Burke
Royal Academy
caricature
Royal Academy
Somerset House
Paris
Jean-Baptiste Pigalle
portfolios

James Gillray
Henry William Bunbury

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