In Search of Lost Time

806:. At Balbec, the Narrator is disappointed with the church and uncomfortable in his unfamiliar hotel room, but his grandmother comforts him. He admires the seascape, and learns about the colorful staff and customers around the hotel: Aimé, the discreet headwaiter; the lift operator; M. de Stermaria and his beautiful young daughter; and M. de Cambremer and his wife, Legrandin's sister. His grandmother encounters an old friend, the blue-blooded Mme. de Villeparisis, and they renew their friendship. The three of them go for rides in the country, openly discussing art and politics. The Narrator longs for the country girls he sees alongside the roads, and has a strange feeling—possibly memory, possibly something else—while admiring a row of three trees. Mme. de Villeparisis is joined by her glamorous great-nephew Robert de Saint-Loup, who is involved with an unsuitable woman. Despite initial awkwardness, the Narrator and his grandmother become good friends with him. Bloch, the childhood friend from Combray, turns up with his family, and acts in typically inappropriate fashion. Saint-Loup's ultra-aristocratic and extremely rude uncle the Baron de Charlus arrives. The Narrator discovers Mme. de Villeparisis, her nephew M. de Charlus, and his nephew Saint-Loup are all of the Guermantes family. Charlus ignores the Narrator, but later visits him in his room and lends him a book. The next day, the Baron speaks shockingly informally to him, then demands the book back. The Narrator ponders Saint-Loup's attitude towards his aristocratic roots, and his relationship with his mistress, a mere actress whose recital bombed horribly with his family. One day, the Narrator sees a "little band" of teenage girls strolling beside the sea, and becomes infatuated with them, along with an unseen hotel guest named Mlle. Simonet. He joins Saint-Loup for dinner and reflects on how drunkenness affects his perceptions. Later they meet the painter Elstir, and the Narrator visits his studio. The Narrator marvels at Elstir's method of renewing impressions of ordinary things, as well as his connections with the Verdurins (he is "M. Biche") and Mme. Swann. He discovers the painter knows the teenage girls, particularly one dark-haired beauty who is Albertine Simonet. Elstir arranges an introduction, and the Narrator becomes friends with her, as well as her friends Andrée, Rosemonde, and Gisèle. The group goes for picnics and tours the countryside, as well as playing games, while the Narrator reflects on the nature of love as he becomes attracted to Albertine. Despite her rejection, they become close, although he still feels attracted to the whole group. At summer's end, the town closes up, and the Narrator is left with his image of first seeing the girls walking beside the sea. 794:

diplomatic and correct at all times, expound on society and art. The Narrator gives him a draft of his writing, but Norpois gently indicates it is not good. The Narrator continues to go to the Champs-Élysées and play with Gilberte. Her parents distrust him, so he writes to them in protest. He and Gilberte wrestle and he has an orgasm. Gilberte invites him to tea, and he becomes a regular at her house. He observes Mme. Swann's inferior social status, Swann's lowered standards and indifference towards his wife, and Gilberte's affection for her father. The Narrator contemplates how he has attained his wish to know the Swanns, and savors their unique style. At one of their parties he meets and befriends Bergotte, who gives his impressions of society figures and artists. But the Narrator is still unable to start writing seriously. His friend Bloch takes him to a brothel, where there is a Jewish prostitute named Rachel. He showers Mme. Swann with flowers, being almost on better terms with her than with Gilberte. One day, he and Gilberte quarrel and he decides never to see her again. However, he continues to visit Mme. Swann, who has become a popular hostess, with her guests including Mme. Bontemps, who has a niece named Albertine. The Narrator hopes for a letter from Gilberte repairing their friendship, but gradually feels himself losing interest. He breaks down and plans to reconcile with her, but spies from afar someone resembling her walking with a boy and gives her up for good. He stops visiting her mother also, who is now a celebrated beauty admired by passersby, and years later he can recall the glamour she displayed then.

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has matured and they share a kiss. The Narrator then goes to see Mme. de Villeparisis, where Mme. de Guermantes, whom he has stopped following, invites him to dinner. The Narrator daydreams of Mme. de Stermaria, but she abruptly cancels, although Saint-Loup rescues him from despair by taking him to dine with his aristocratic friends, who engage in petty gossip. Saint-Loup passes on an invitation from Charlus to come visit him. The next day, at the Guermantes's dinner party, the Narrator admires their Elstir paintings, then meets the cream of society, including the Princess of Parma, who is an amiable simpleton. He learns more about the Guermantes: their hereditary features; their less-refined cousins the Courvoisiers; and Mme. de Guermantes's celebrated humor, artistic tastes, and exalted diction (although she does not live up to the enchantment of her name). The discussion turns to gossip about society, including Charlus and his late wife; the affair between Norpois and Mme. de Villeparisis; and aristocratic lineages. Leaving, the Narrator visits Charlus, who falsely accuses him of slandering him. The Narrator stomps on Charlus's hat and storms out, but Charlus is strangely unperturbed and gives him a ride home. Months later, the Narrator is invited to the Princesse de Guermantes's party. He tries to verify the invitation with M. and Mme. de Guermantes, but first sees something he will describe later. They will be attending the party but do not help him, and while they are chatting, Swann arrives. Now a committed Dreyfusard, he is very sick and nearing death, but the Guermantes assure him he will outlive them.

743:. He remembers having a similar snack as a child with his invalid aunt Léonie, and it leads to more memories of Combray. He describes their servant Françoise, who is uneducated but possesses an earthy wisdom and a strong sense of both duty and tradition. He meets an elegant "lady in pink" while visiting his uncle Adolphe. He develops a love of the theater, especially the actress Berma, and his awkward Jewish friend Bloch introduces him to the works of the writer Bergotte. He learns Swann made an unsuitable marriage but has social ambitions for his beautiful daughter Gilberte. Legrandin, a snobbish friend of the family, tries to avoid introducing the boy to his well-to-do sister. The Narrator describes two routes for country walks the child and his parents often enjoyed: the way past Swann's home (the Méséglise way), and the Guermantes way, both containing scenes of natural beauty. Taking the Méséglise way, he sees Gilberte Swann standing in her yard with a lady in white, Mme. Swann, and her supposed lover: Baron de Charlus, a friend of Swann's. Gilberte makes a gesture that the Narrator interprets as a rude dismissal. During another walk, he spies a lesbian scene involving Mlle. Vinteuil, daughter of a composer, and her friend. The Guermantes way is symbolic of the Guermantes family, the nobility of the area. The Narrator is awed by the magic of their name and is captivated when he first sees Mme. de Guermantes. He discovers how appearances conceal the true nature of things and tries writing a description of some nearby steeples. Lying in bed, he seems transported back to these places until he awakens. 879:", and how they are like a secret society, never able to live in the open. He compares them to flowers, whose reproduction through the aid of insects depends solely on happenstance. Arriving at the Princesse's party, his invitation seems valid as he is greeted warmly by her. He sees Charlus exchanging knowing looks with the diplomat Vaugoubert, a fellow invert. After several tries, the Narrator manages to be introduced to the Prince de Guermantes, who then walks off with Swann, causing speculation on the topic of their conversation. Mme. de Saint-Euverte tries to recruit guests for her party the next day, but is subjected to scorn from some of the Guermantes. Charlus is captivated by the two young sons of M. de Guermantes's newest mistress. Saint-Loup arrives and mentions the names of several promiscuous women to the Narrator. Swann takes the Narrator aside and reveals the Prince wanted to admit his and his wife's pro-Dreyfus leanings. Swann is aware of his old friend Charlus's behavior, then urges the Narrator to visit Gilberte, and departs. The Narrator leaves with M. and Mme. de Guermantes, and heads home for a late-night meeting with Albertine. He grows frantic when first she is late and then calls to cancel, but he convinces her to come. He writes an indifferent letter to Gilberte, and reviews the changing social scene, which now includes Mme. Swann's salon centered on Bergotte. 978:

quickly followed by two more. Inside, while waiting in the library, he discerns their meaning: by putting him in contact with both the past and present, the impressions allow him to gain a vantage point outside time, affording a glimpse of the true nature of things. He realizes his whole life has prepared him for the mission of describing events as fully revealed, and (finally) resolves to begin writing. Entering the party, he is shocked at the disguises old age has given to the people he knew, and at the changes in society. Legrandin is now an invert, but is no longer a snob. Bloch is a respected writer and vital figure in society. Morel has reformed and become a respected citizen. Mme. de Forcheville is the mistress of M. de Guermantes. Mme. Verdurin has married the Prince de Guermantes after both their spouses died. Rachel is the star of the party, abetted by Mme. de Guermantes, whose social position has been eroded by her affinity for theater. Gilberte introduces her daughter to the Narrator; he is struck by the way the daughter encapsulates both the Méséglise and Guermantes ways within herself. He is spurred to writing, with help from Françoise and despite signs of approaching death. He realizes that every person carries within them the accumulated baggage of their past, and concludes that to be accurate he must describe how everyone occupies an immense range "in Time".

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Albertine, and while waiting, he muses on music and Morel. When she returns, they go for a drive, while he pines for Venice and realizes she feels captive. He learns of Bergotte's final illness. That evening, he sneaks off to the Verdurins to try to discover the reason for Albertine's interest in them. He encounters Brichot on the way, and they discuss Swann, who has died. Charlus arrives and the Narrator reviews the Baron's struggles with Morel, then learns Mlle. Vinteuil and her friend are expected (although they do not come). Morel joins in performing a septet by Vinteuil, which evokes commonalities with his sonata that only the composer could create. Mme. Verdurin is furious that Charlus has taken control of her party; in revenge the Verdurins persuade Morel to repudiate him, and Charlus falls temporarily ill from the shock. Returning home, the Narrator and Albertine fight about his solo visit to the Verdurins, and she denies having affairs with Léa or Mlle. Vinteuil, but admits she lied on occasion to avoid arguments. He threatens to break it off, but they reconcile. He appreciates art and fashion with her, and ponders her mysteriousness. But his suspicion of her and Andrée is renewed, and they quarrel. After two awkward days and a restless night, he resolves to end the affair, but in the morning Françoise informs him: Albertine has asked for her boxes and left.

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country life. The Narrator is unaware that the chauffeur and Morel are acquainted, and he reviews Morel's amoral character and plans towards Jupien's niece. The Narrator is jealously suspicious of Albertine but grows tired of her. She and the Narrator attend evening dinners at the Verdurins, taking the train with the other guests; Charlus is now a regular, despite his obliviousness to the clan's mockery. He and Morel try to maintain the secret of their relationship, and the Narrator recounts a ploy involving a fake duel that Charlus used to control Morel. The passing station stops remind the Narrator of various people and incidents, including two failed attempts by the Prince de Guermantes to arrange liaisons with Morel; a final break between the Verdurins and Cambremers; and a misunderstanding between the Narrator, Charlus, and Bloch. The Narrator has grown weary of the area and prefers others over Albertine, but she reveals to him as they leave the train that she has plans with Mlle. Vinteuil and her friend (the lesbians from Combray), which plunges him into despair. He invents a story about a broken engagement of his, to convince her to go to Paris with him, and after hesitating she suddenly agrees to go immediately. The Narrator tells his mother: he must marry Albertine.

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writes to her that he will marry Andrée, then hears from Saint-Loup of the failure of his mission to the aunt. Desperate, he begs Albertine to return, but receives word: she has died in a riding accident. He receives two last letters from her: one wishing him and Andrée well, and one asking if she can return. The Narrator plunges into suffering amid the many different memories of Albertine, intimately linked to all of his everyday sensations. He recalls a suspicious incident she told him of at Balbec, and asks Aimé, the headwaiter, to investigate. He recalls their history together and his regrets, as well as love's randomness. Aimé reports back: Albertine often engaged in affairs with girls at Balbec. The Narrator sends him to learn more, and he reports other liaisons with girls. The Narrator wishes he could have known the true Albertine, whom he would have accepted. He begins to grow accustomed to the idea of her death, despite constant reminders that renew his grief. Andrée admits her own lesbianism but denies being with Albertine. The Narrator knows he will forget Albertine, just as he has forgotten Gilberte.

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sadder, has become more like his grandmother in homage. Albertine is nearby and they begin spending time together, but he starts to suspect her of lesbianism and of lying to him about her activities. He fakes a preference for her friend Andrée to make her become more trustworthy, and it works, but he soon suspects her of knowing several scandalous women at the hotel, including Léa, an actress. On the way to visit Saint-Loup, they meet Morel, the valet's son who is now an excellent violinist, and then the aging Charlus, who falsely claims to know Morel and goes to speak to him. The Narrator visits the Verdurins, who are renting a house from the Cambremers. On the train with him is the little clan: Brichot, who explains at length the derivation of the local place-names; Cottard, now a celebrated doctor; Saniette, still the butt of everyone's ridicule; and a new member, Ski. The Verdurins are still haughty and dictatorial toward their guests, who are as pedantic as ever. Charlus and Morel arrive together, and Charlus's true nature is barely concealed. The Cambremers arrive, and the Verdurins barely tolerate them.

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encounter between M. de Charlus, the novel's most prominent male homosexual, and his tailor. Critics have often observed that while the character of the narrator is ostensibly heterosexual, Proust intimates that the narrator is a closeted homosexual. The narrator's manner towards male homosexuality is consistently aloof, yet the narrator is unaccountably knowledgeable. This strategy enables Proust to pursue themes related to male homosexuality—in particular the nature of closetedness—from both within and without a homosexual perspective. Proust does not designate Charlus's homosexuality until the middle of the novel, in "Cities"; afterwards the Baron's ostentatiousness and flamboyance, of which he is blithely unaware, completely absorb the narrator's perception. Lesbianism, on the other hand, tortures Swann and the narrator because it presents an inaccessible world. Whereas male homosexual desire is recognizable, insofar as it encompasses male sexuality, Odette's and Albertine's lesbian trysts represent Swann and the narrator's painful exclusion from characters they desire.

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Gilberte, whose home was threatened. He describes a call paid on him a few days previously by Saint-Loup; they discussed military strategy. Now on the dark street, the Narrator encounters Charlus, who has completely surrendered to his impulses. Charlus reviews Morel's betrayals and his own temptation to seek vengeance; critiques Brichot's new fame as a writer, which has ostracized him from the Verdurins; and admits his general sympathy with Germany. The last part of the conversation draws a crowd of suspicious onlookers. After parting the Narrator seeks refuge in what appears to be a hotel, where he sees someone who looks familiar leaving. Inside, he discovers it to be a male brothel, and spies Charlus using the services. The proprietor turns out to be Jupien, who expresses a perverse pride in his business. A few days later, news comes that Saint-Loup has been killed in combat. The Narrator pieces together that Saint-Loup had visited Jupien's brothel, and ponders what might have been had he lived.

936:. Andrée visits him and confesses her relations with Albertine. She also explains the truth behind Albertine's departure: her aunt wanted her to marry another man. The Narrator and his mother visit Venice, which enthralls him. They happen to see Norpois and Mme. de Villeparisis there. A telegram signed from Albertine arrives, but the Narrator is indifferent. Returning home, the Narrator and his mother receive surprising news: Gilberte will marry Saint-Loup, and Jupien's niece will be adopted by Charlus and then married to Legrandin's nephew, an invert. There is much discussion of these marriages among society. The Narrator visits Gilberte in her new home where he also realizes that the telegram was from her, not Albertine, who is not alive, and is shocked to learn of Saint-Loup's affair with Morel, among others. He despairs for their friendship. 844:, which is considered second-rate despite its public reputation. Legrandin attends and displays his social climbing. Bloch stridently interrogates M. de Norpois about the Dreyfus Affair, which has ripped all of society asunder, but Norpois diplomatically avoids answering. The Narrator observes Mme. de Guermantes and her aristocratic bearing, as she makes caustic remarks about friends and family, including the mistresses of her husband, who is M. de Charlus's brother. Mme. Swann arrives, and the Narrator remembers a visit from Morel, the son of his uncle Adolphe's valet, who revealed that the "lady in pink" was Mme. Swann. Charlus asks the Narrator to leave with him, and offers to make him his protégé. At home, the Narrator's grandmother has worsened, and while walking with him she suffers a stroke. 1060:

vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory—this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. ... Whence did it come? What did it mean? How could I seize and apprehend it? ... And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before mass), when I went to say good morning to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of tea or tisane. The sight of the little madeleine had recalled nothing to my mind before I tasted it. And all from my cup of tea.

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remains. The Narrator gets advice on fashion from Mme. de Guermantes, and encounters Charlus and Morel visiting Jupien and his niece, who is being married off to Morel despite his cruelty towards her. One day, the Narrator returns from the Guermantes and finds Andrée just leaving, claiming to dislike the smell of their flowers. Albertine, who is more guarded to avoid provoking his jealousy, is maturing into an intelligent and elegant young lady. The Narrator is entranced by her beauty as she sleeps, and is only content when she is not out with others. She mentions wanting to go to the Verdurins, but the Narrator suspects an ulterior motive and analyzes her conversation for hints. He suggests she go instead to the

1116:, the narrator is concerned with his ability to write, since he desires to pursue a writing career. The transmutation of the experience of a scene in one of the family's usual walks into a short descriptive passage is described and the sample passage given. The narrator presents this passage as an early sample of his own writing, in which he has only had to alter a few words. The question of his own genius relates to all the passages in which genius is recognized or misunderstood because it presents itself in the guise of a humble friend, rather than a passionate 1799:, also includes Kilmartin's "A Guide to Proust", a set of four indexes covering the (fictional) characters, (real) persons, places (both real and fictional), and themes in the novel. The Modern Library volumes include a handful of endnotes, and alternative versions of some of the novel's famous episodes. The Penguin volumes each provide an extensive set of brief, non-scholarly endnotes that help identify cultural references perhaps unfamiliar to contemporary English readers. Reviews that discuss the merits of both translations can be found online at the 948: 860: 56: 715: 556: 1390: 8083: 763:

Forcheville, aided by the Verdurins. Swann seeks respite by attending a society concert that includes Legrandin's sister and a young Mme. de Guermantes; the "little phrase" is played and Swann realizes Odette's love for him is gone. He tortures himself wondering about her true relationships with others, but his love for her, despite renewals, gradually diminishes. He moves on and marvels that he ever loved a woman who was not his type.

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multitude of realistic details, the focus is not on the development of a tight plot or of a coherent evolution but on a multiplicity of perspectives and on the formation of experience. The protagonists of the first volume (the narrator as a boy and Swann) are, by the standards of 19th-century novels, remarkably introspective and passive, nor do they trigger action from other leading characters; to contemporary readers, reared on

703: 782: 394: 457:, "Un Amour de Swann" is sometimes published as a volume by itself. As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of 624:), published in 1925, is the second and final volume in "le Roman d'Albertine" and the second volume published after Proust's death. It is the most editorially vexed volume. As noted, the final three volumes of the novel were published posthumously, and without Proust's final corrections and revisions. The first edition, based on Proust's manuscript, was published as 835:

begins staking out the street where Mme. de Guermantes walks every day, to her evident annoyance. He decides to visit her nephew Saint-Loup at his military base, to ask to be introduced to her. After noting the landscape and his state of mind while sleeping, the Narrator meets and attends dinners with Saint-Loup's fellow officers, where they discuss the

648:. To complicate matters, after the death in 1986 of Proust's niece, Suzy Mante-Proust, her son-in-law discovered among her papers a typescript that had been corrected and annotated by Proust. The late changes Proust made include a small, crucial detail and the deletion of approximately 150 pages. This version was published as 735:

entertain their friend Charles Swann, an elegant man of Jewish origin with strong ties to society. Due to Swann's visit, the Narrator is deprived of his mother's goodnight kiss, but he gets her to spend the night reading to him. This memory is the only one he has of Combray until years later the taste of a

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No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the

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The Narrator's parents invite M. de Norpois, a diplomat colleague of the Narrator's father, to dinner. With Norpois's intervention, the Narrator is finally allowed to go and see the Berma perform in a play, but is disappointed by her acting. Afterwards, at dinner, he watches Norpois, who is extremely

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called "Albertine the Ambiguous: Notes on Proust's Transposition of Sexes", in which he proposed that some female characters are best understood as actually referring to young men. Strip off the feminine ending of the names of the Narrator's lovers, Albertine, Gilberte, and Andrée, and one has their

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and is walking the streets during a blackout. He reflects on the changed norms of art and society, with the Verdurins now highly esteemed. He recounts a 1914 visit from Saint-Loup, who was trying to enlist secretly. He recalls descriptions of the fighting he subsequently received from Saint-Loup and

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The Narrator is anguished at Albertine's departure and absence. He dispatches Saint-Loup to convince her aunt Mme. Bontemps to send her back, but Albertine insists the Narrator should ask, and she will gladly return. The Narrator lies and replies he is done with her, but she just agrees with him. He

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with Andrée, and she reluctantly agrees. The Narrator compares dreams to wakefulness, and listens to the street vendors with Albertine, then she departs. He remembers trips she took with the chauffeur, then learns Léa the notorious actress will be at the Trocadero too. He sends Françoise to retrieve

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The family seeks out the best medical help, and she is often visited by Bergotte, himself unwell, but she dies, her face reverting to its youthful appearance. Several months later, Saint-Loup, now single, convinces the Narrator to ask out the Stermaria daughter, newly divorced. Albertine visits; she

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The Narrator's family has moved to an apartment connected with the Guermantes residence. Françoise befriends a fellow tenant, the tailor Jupien and his niece. The Narrator is fascinated by the Guermantes and their life, and is awed by their social circle while attending another Berma performance. He

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The nature of art is a motif in the novel and is often explored at great length. Proust sets forth a theory of art in which we are all capable of producing art, if by this we mean taking the experiences of life and transforming them in a way that shows understanding and maturity. Writing, painting,

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The Narrator is staying with Gilberte at her home near Combray. They go for walks, on one of which he is stunned to learn the Méséglise way and the Guermantes way are actually linked. Gilberte also tells him she was attracted to him when young, and had made a suggestive gesture to him as he watched

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made a decisive break with the 19th-century realist and plot-driven novel, populated by people of action and people representing social and cultural groups or morals. Although parts of the novel could be read as an exploration of snobbery, deceit, jealousy and suffering, and although it contains a

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was famously given the manuscript to read to advise NRF on publication and, leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. Proust eventually

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France. Proust began to shape the novel in 1909; he continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished, he continued to add new material and edited one volume after

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The narrator invariably suspects his lovers of liaisons with other women, a repetition of the suspicions held by Charles Swann about his mistress and eventual wife, Odette, in "Swann's Way". The first chapter of "Cities of the Plain" ("Sodom and Gomorrah") includes a detailed account of a sexual

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in the work, it is rarely defined through explicit "keys" leading to moral, romantic or philosophical ideas. The significance of what is happening is often placed within the memory or into the inner contemplation of what is described. This focus on the relationship between experience, memory and

493:. At the same time, Grasset's firm was closed down when the publisher went into military service. This freed Proust to move to Gallimard, where all of the subsequent volumes were published. Meanwhile, the novel kept growing in length and in conception. When published, this volume was awarded the 1067:

believed that the focus of Proust was not memory and the past but the narrator's learning the use of "signs" to understand and communicate ultimate reality, thereby becoming an artist. While Proust was bitterly aware of the experience of loss and exclusion—loss of loved ones, loss of affection,

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Years later, again in Paris, the Narrator goes to a party at the house of the Prince de Guermantes. On the way he sees Charlus, now a mere shell of his former self, being helped by Jupien. The paving stones at the Guermantes house inspire another incident of involuntary memory for the Narrator,

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The Narrator is living with Albertine in his family's apartment, to Françoise's distrust and his absent mother's chagrin. He marvels that he has come to possess her, but has grown bored with her. He mostly stays home, but has enlisted Andrée to report on Albertine's whereabouts, as his jealousy

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and the art of military strategy. But the Narrator returns home after receiving a call from his aging grandmother. Mme. de Guermantes declines to see him, and he also finds he is still unable to begin writing. Saint-Loup visits on leave, and they have lunch and attend a recital with his actress

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There is much debate as to how great a bearing Proust's sexuality has on understanding these aspects of the novel. Although many of Proust's close family and friends suspected that he was homosexual, Proust never admitted this. It was only after his death that André Gide, in his publication of

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Back at the hotel, the Narrator ruminates on sleep and time, and observes the amusing mannerisms of the staff, who are mostly aware of Charlus's proclivities. The Narrator and Albertine hire a chauffeur and take rides in the country, leading to observations about new forms of travel as well as

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He decides to return to Balbec, after learning the women mentioned by Saint-Loup will be there. At Balbec, grief at his grandmother's suffering, which was worse than he knew, overwhelms him. He ponders the intermittencies of the heart and the ways of dealing with sad memories. His mother, even

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for their deepening relationship. The Verdurins host M. de Forcheville; their guests include Cottard, a doctor; Brichot, an academic; Saniette, the object of scorn; and a painter, M. Biche. Swann grows jealous of Odette, who now keeps him at arm's length, and suspects an affair between her and

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The Narrator begins by noting, "For a long time, I went to bed early." He comments on the way in which sleep seems to alter one's surroundings, and the way habit makes one indifferent to them. He remembers being in his room in the family's country home in Combray, while downstairs his parents

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wrote that "Every reader enamoured of the art must brood in amazement over the way in which Proust maintains the balance between these two manners—the broad and the minute. His endowment as a novelist—his range of presentation combined with mastery of his instruments—has probably never been

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known as "le Roman d'Albertine" ("the Albertine novel"). The name "Albertine" first appears in Proust's notebooks in 1913. The material in volumes 5 and 6 were developed during the hiatus between the publication of volumes 1 and 2 and they are a departure of the original three-volume series

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Proust begins his novel with the statement, "For a long time I used to go to bed early." This leads to lengthy discussion of his anxiety at leaving his mother at night and his attempts to force her to come and kiss him goodnight, even on nights when the family has company, culminating in a

464:"For several days I have been unable to put your book down ... The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life" ( 770:. There he meets and befriends Gilberte. He holds her father, now married to Odette, in the highest esteem, and is awed by the beautiful sight of Mme. Swann strolling in public. Years later, the old sights of the area are long gone, and he laments the fleeting nature of places. 874:

The Narrator describes what he had seen earlier: while waiting for the Guermantes to return so he could ask about his invitation, he saw Charlus encounter Jupien in their courtyard. The two then went into Jupien's shop and had intercourse. The Narrator reflects on the nature of

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correspondence with Proust, made public Proust's homosexuality. In response to Gide's criticism that he hid his actual sexuality within his novel, Proust told Gide that "one can say anything so long as one does not say 'I'." Proust's intimate relations with such individuals as

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Thus the novel embodies and manifests the principle of intermittence: to live means to perceive different and often conflicting aspects of reality. This iridescence never resolves itself completely into a unitive point of view. Accordingly, it is possible to project out of the

2937:(2009), the main character Aomame spends an entire fall locked in an apartment, where the book becomes her only entertainment. Aomame's days are spent eating, sleeping, working out, staring off the balcony to the city below and the Moon above, and slowly reading through 797:

Two years later, the Narrator, his grandmother, and Françoise set out for the seaside town of Balbec. The Narrator is almost totally indifferent to Gilberte now. During the train ride, his grandmother, who only believes in proper books, lends him her favorite: the

1521:

Gilberte Swann: The daughter of Swann and Odette. She takes the name of her adopted father, M. de Forcheville, after Swann's death, and then becomes Mme. de Saint-Loup following her marriage to Robert de Saint-Loup, which joins Swann's Way and the Guermantes

2015:(General Editor: Christopher Prendergast), translated by Lydia Davis, James Grieve, Mark Treharne, John Sturrock, Carol Clark, Peter Collier, & Ian Patterson. London: Allen Lane, 2002 (6 vols). Based on the French "La Pléiade" edition (1987–89), except 1105:

and music are also discussed at great length. Morel the violinist is examined to give an example of a certain type of "artistic" character, along with other fictional artists like the novelist Bergotte, the composer Vinteuil, and the painter Elstir.

339:

another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages, as they existed only in draft form at the death of the author. His brother Robert oversaw editing and publication of these parts.

1022:

itself a series of putative and intermittent authors ... The portraitist of an expiring society, the artist of romantic reminiscence, the narrator of the laminated "I," the classicist of formal structure—all these figures are to be found in

1476:

Robert de Saint-Loup: An army officer and the narrator's best friend. Despite his patrician birth (he is the nephew of M. de Guermantes) and affluent lifestyle, Saint-Loup has no great fortune of his own until he marries Gilberte. Models are

3112:

Bragg, Melvyn. "In Our Time: Proust". BBC Radio 4. April 17, 2003. See also Malcolm Bowie, "Freud, Proust, and Lacan: Theory as Fiction," Cambridge: Cambridge University Press, 1987. For differences between Freud and Proust, see

1333:

in 1948, he wrote, "I am reading Proust for the first time ... and am surprised to find him a mental defective" and later, "I still think insane ... the structure must be sane & that is raving." Another hostile critic is

2899:, Duane Moore's therapist assigns him the task of reading the Proust novel. She tells him, "The reason I made you read Proust is because it's still the greatest catalogue of the varieties of disappointment human beings feel." 1048:, triggered by sensory experiences such as sights, sounds and smells conjure important memories for the narrator and sometimes return attention to an earlier episode of the novel. Although Proust wrote contemporaneously with 1095:

His anxiety leads to manipulation, much like the manipulation employed by his invalid aunt Léonie and all the lovers in the entire book, who use the same methods of petty tyranny to manipulate and possess their loved ones.

1072:, was that the work of art can recapture the lost and thus save it from destruction, at least in our minds. Art triumphs over the destructive power of time. This element of his artistic thought is clearly inherited from 3701: 3399: 1123:

The question of taste or judgement in art is also an important theme, as exemplified by Swann's exquisite taste in art, which is often hidden from his friends who do not share it or subordinated to his love interests.

553:(1922). It was the last volume over which Proust supervised publication before his death in November 1922. The publication of the remaining volumes was carried out by his brother, Robert Proust, and Jacques Rivière. 1214:, "Proust's reception during his lifetime is always set against the backdrop of often-hostile criticism, frequently based on the myth of the sickly, reclusive snob writing from the safety of his cork-lined room." 962:

her. Also, it was Léa she was walking with the evening he had planned to reconcile with her. He considers Saint-Loup's nature and reads an account of the Verdurins' salon, deciding he has no talent for writing.

1276:'", indicating the vogue of new, experimental French prose but also, by extension, other post-war attempts to fuse different planes of location, temporality and fragmented consciousness within the same novel. 453:

I" (sometimes referred to in English as the "Overture"), "Combray II", "Un Amour de Swann" ("Swann in Love"), and "Noms de pays: le nom" ("Names of places: the name"). A third-person novella within

2847: 1725:(1932) in a translation by Frederick Blossom. There were thus eleven books in the original English translation. Although cordial with Scott Moncrieff, Proust grudgingly remarked in a letter that 899: 1272:

is placed eighth. In the 1960s, Swedish literary critic Bengt Holmqvist described the novel as "at once the last great classic of French epic prose tradition and the towering precursor of the '

930:

He happens to meet Gilberte again; her mother Mme. Swann became Mme. de Forcheville and Gilberte is now part of high society, received by the Guermantes. The Narrator publishes an article in

678:, but was revised and expanded during the course of the novel's publication to account for, to a greater or lesser success, the then unforeseen material now contained in the middle volumes ( 2518: 1144:, where the daughter of the piano teacher and composer Vinteuil is seduced, and the narrator observes her having lesbian relations in front of the portrait of her recently deceased father. 1345:, based on a new definitive French edition (1987–89), interest in Proust's novel in the English-speaking world has increased. Two substantial new biographies have appeared in English, by 1068:

friendship and innocent joy, which are dramatized in the novel through recurrent jealousy, betrayal and the death of loved ones—his response to this, formulated after he had discovered

1625:

Charles Morel: The son of a former servant of the narrator's uncle and a gifted violinist. He profits greatly from the patronage of the Baron de Charlus and later Robert de Saint-Loup.

1195:

is considered, by many scholars and critics, to be the definitive modern novel. It has had a profound effect on subsequent writers, such as the British authors who were members of the

3375: 691:

The novel recounts the experiences of the Narrator (who is never definitively named) while he is growing up, learning about art, participating in society, and falling in love.

1573:

Madame Verdurin (Sidonie Verdurin): A poseur and a salonnière who rises to the top of society through inheritance, marriage, and sheer single-mindedness. One of the models is

1083:'s poem "Une Charogne": "Then, O my beauty! say to the worms who will / Devour you with kisses, / That I have kept the form and the divine essence / Of my decomposed love!") 2651: 2491: 706:

Illiers, the country town overlooked by a church steeple where Proust spent time as a child and which he described as "Combray" in the novel. The town adopted the name

746:

Mme. Verdurin is an autocratic hostess who, aided by her husband, demands total obedience from the guests in her "little clan". One guest is Odette de Crécy, a former

4070: 1826:

has been publishing a new revision of Scott Moncrieff's translation, edited and annotated by William C. Carter, at the rate of one volume every two or three years.

4097: 3875: 3822: 3162:"...the by now authentically banal exposure of Proust's narrator as a closeted homosexual" Sedgwick, Eve Kosofsky. "Proust and the Spectacle of the Closet", in 3147: 3178:

Lucey, Michael. "Proust's Queer Metalapses" Never Say I: Sexuality and the First Person in Colette, Gide, and Proust. Durham: Duke University Pess, 2006. 218.

3133: 1463: 1208:

surpassed." During Proust's lifetime, on the other hand, while he would achieve success, he would also face criticism from critics of his work. According to

1829:

After a partial translation of the first volume in 2018, since 2023 Oxford University Press is publishing a new, complete translation, edited by Adam Watt.

1795:

Both the Modern Library and Penguin translations provide a detailed plot synopsis at the end of each volume. The last volume of the Modern Library edition,

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mistress: Rachel, the Jewish prostitute, toward whom the unsuspecting Saint-Loup is crazed with jealousy. The Narrator then goes to Mme. de Villeparisis's

6834: 2660: 803: 1052:, with there being many points of similarity between their thought on the structures and mechanisms of the human mind, neither author read the other. 750:, who has met Swann and invites him to the group. Swann is too refined for such company, but Odette gradually intrigues him with her unusual style. A 3849: 1611:

Octave: Also known as "I'm a wash-out", a rich boy who leads an idle existence at Balbec and is involved with several of the girls. Model is a young

1092:

spectacular success, when his father suggests that his mother stay the night with him after he has waylaid her in the hall when she is going to bed.

3327: 1381:, a non-profit organization was created to accommodate reading and discussing Proust to readers all over the world through monthly online sessions. 461:. In early 1914 Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel: 4588: 3572: 1943:, translated by C. K. Scott Moncrieff, edited and annotated by William C. Carter (New Haven: Yale University Press, 2013, 2015, 2018, 2021, 2023). 1168: 4204: 766:

At home in Paris, the Narrator dreams of visiting Venice or the church in Balbec, a resort, but he is too unwell and instead takes walks in the

3619: 2523: 1917:). Revised by D.J. Enright. London: Chatto and Windus, New York: The Modern Library, 1992. Based on the French "La Pléiade" edition (1987–89). 1602:

Albertine Simonet: A privileged orphan of average beauty and intelligence. The narrator's romance with her is the subject of much of the novel.

1172:

masculine counterparts. This theory has become known as the "transposition of sexes theory" in Proust criticism, but it has been challenged in

17: 3551: 1329:(1934), in which Chapter 1 is entitled "Du Côté de Chez Beaver" and Chapter 6 "Du Côté de Chez Tod". Waugh did not like Proust: in letters to 636:, first published in 1921. The first authoritative edition of the novel in French (1954), also based on Proust's manuscript, used the title 3497: 1772:

by a team of seven different translators overseen by editor Christopher Prendergast. The six volumes were published in Britain under the

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writing and the radical de-emphasizing of the outward plot, have become staples of the modern novel but were almost unheard of in 1913.

8175: 3954: 1044:

similar to that caused by the madeleine is the beginning of the resolution of the story. Throughout the work many similar instances of

905:(1844–1910), better known by her married name of Madame Arman or Madame Arman de Caillavet, was the model for Proust's Madame Verdurin. 360:(1896–1899), though the perspective and treatment there are different, and in his unfinished hybrid of philosophical essay and story, 8225: 8195: 1749:

in 1992. It is based on the "La Pléiade" edition of the French text (1987–89), and rendered the title of the novel more literally as

3731: 1411:, which, if we give the narrator the same name as the author of this book, would produce 'darling Marcel' or 'my darling Marcel.'" ( 2019:, which is based on the 1954 definitive French edition. The first four volumes have been published in New York by Viking, 2003–04. 8180: 4714: 370: 4634: 3640: 2534: 38: 2987: 1458:

Oriane, Duchesse de Guermantes: The toast of Paris high society. She lives in the fashionable Faubourg St. Germain. Models are

7699: 4479: 3393: 1366: 334:

follows the narrator's recollections of childhood and experiences into adulthood in late 19th-century and early 20th-century

4556: 4529: 3898: 3751: 1534:

Elstir: A famous painter whose renditions of sea and sky echo the novel's theme of the mutability of human life. Modeled on

1338:, who said in an interview: "To be absolutely honest, apart from the opening volume of Proust, I find him crushingly dull." 8260: 8200: 4581: 4537: 2125: 1781: 113: 8165: 3685: 3117:, "Philosophy As Fiction: Self, Deception, and Knowledge in Proust," New York: Oxford University Press, 2004, pp. 29, 165. 8265: 4858: 4123: 4060: 3455: 3444: 2159: 2095: 1552:

Vinteuil: An obscure musician who gains posthumous recognition for composing a beautiful, evocative sonata, known as the

4093: 3867: 3668: 1407:, he addresses the reader thus: "Now she began to speak; her first words were 'darling' or 'my darling,' followed by my 6894: 4526:: translations and resources in English, including the "Penguin Proust" and the new edition from Yale University Press. 4394: 3922: 3778: 3695: 1998: 1987: 1976: 1965: 1954: 1079:, but Proust crosses it with a new intensity in describing jealousy, desire and self-doubt. (Note the last quatrain of 346:) after it had been turned down by leading editors who had been offered the manuscript in longhand. Many of its ideas, 8170: 1503:

Charles Swann: A friend of the narrator's family (he is modeled on at least two of Proust's friends, Charles Haas and

1487:

Basin, Duc de Guermantes: Oriane's husband and Charlus's brother. He is a pompous man with a succession of mistresses.

674:), published in 1927, is the final volume in Proust's novel. Much of the final volume was written at the same time as 471:

Gallimard (the publishing arm of NRF) offered to publish the remaining volumes, but Proust chose to stay with Grasset.

7627: 4653: 4465: 4451: 4433: 4373: 4359: 4317: 4301: 4286: 4264: 4244: 4228: 4194: 4011: 3983: 3264: 3248: 3141: 2593: 2068: 2057: 2046: 2035: 1922: 1889: 31: 6846: 3127: 2857:

cited Proust as an influence, saying: "Proust, of course, was obsessed with some of the same things I deal with in

2761:, it condensed the entire series into six episodes. Although considerably shortened, it received excellent reviews. 1650:

Marquis and Marquise de Cambremer: Provincial gentry who live near Balbec. Mme. de Cambremer is Legrandin's sister.

817: 592:

originally planned by Proust. This is the first of Proust's books published posthumously. Early editions describe

30:"Remembrance of Things Past", "À la recherche du temps perdu", and "Swann's Way" redirect here. For the play, see 8255: 8240: 8185: 8105: 4574: 2826: 1741:

revised the Scott Moncrieff translation in 1981, using the new French edition of 1954. An additional revision by

8245: 3072: 8250: 8160: 7848: 7841: 7663: 4443: 3476: 1768:

In 1995, Penguin undertook a fresh translation based on the "La Pléiade" French text (published in 1987–89) of

1484:

Marquise de Villeparisis: The aunt of the Baron de Charlus. She is an old friend of the Narrator's grandmother.

1041: 870:, 1852. The fourth volume opens with a discussion of the inhabitants of the two Biblical "cities of the plain". 7440: 1403:

The Narrator: A sensitive young man who wishes to become a writer, whose identity is kept vague. In volume 5,

8235: 8220: 3809: 2496: 1776:

imprint in 2002, each volume under the name of a separate translator, the first volume being American writer

1765:. The guide contains four indices: fictional characters from the novels; actual persons; places; and themes. 1631:

Marquis de Norpois: A diplomat and friend of the Narrator's father. He is involved with Mme. de Villeparisis.

1136:

appear throughout the novel, particularly in the later volumes. The first arrival of this theme comes in the

247: 4523: 4399:

O'Brien, Justin. "Albertine the Ambiguous: Notes on Proust's Transposition of Sexes", PMLA 64: 933–52, 1949.

1653:

Mlle. Vinteuil: Daughter of the composer Vinteuil. She has a wicked friend who encourages her to lesbianism.

1424:

Bathilde Amédée: The narrator's grandmother. Her life and death greatly influence her daughter and grandson.

6870: 4984: 3024: 2909: 2586: 2568: 1518:. Odette is also referred to as Mme. Swann, the lady in pink, and in the final volume, Mme. de Forcheville. 220: 3324: 8190: 8155: 8150: 8145: 8140: 8135: 8130: 8125: 8120: 7941: 7869: 6918: 6703: 4707: 2957:. The diary is bought by protagonist Nao Yasutani, and later discovered by Ruth when it washes ashore in 2640: 1362: 1164: 1160:

are well-documented, though Proust was not "out and proud", except perhaps in close-knit social circles.

335: 1013:

elucidates an underlying principle in understanding Proust and the various themes present in his novel:

424: 8115: 8110: 7890: 7799: 4757: 4743: 2865: 2678: 1210: 422:), published in 1913, was rejected by a number of publishers, including Fasquelle, Ollendorff, and the 42: 342:

The work was published in France between 1913 and 1927. Proust paid to publish the first volume (with

8210: 6187: 5273: 4803: 4201: 2949: 2795: 1788:

imprint as hardcover editions in 2003–2004, while the entire set is available in paperback under the

1478: 1184:(1999) by Elisabeth Ladenson. Feminized forms of masculine names were and are commonplace in French. 8205: 4771: 4517: 3611: 3427: 3295: 3083: 1349:

and William C. Carter, and at least two books about the experience of reading Proust have appeared,

645: 8215: 6808: 6354: 5746: 5655: 3547: 2507: 1758: 1541:

Bergotte: A well-known writer whose works the narrator has admired since childhood. The models are

5447: 4810: 4566: 2895: 2850:", contestants are required to summarize all of Proust's seven volumes of the novel in 15 seconds. 1641:

Jupien: A tailor who has a shop in the courtyard of the Guermantes hotel. He lives with his niece.

437:

to pay the cost of publication himself. When published, the book was advertised as the first of a

7948: 7834: 7010: 6906: 5545: 4851: 4119: 4033: 3998:

Chapman, Graham; Cleese, John; Gilliam, Terry; Idle, Eric; Jones, Terry; Palin, Michael (1990) .

3792: 3038: 2878: 2859: 2717: 297:. This early 20th-century work is his most prominent, known both for its length and its theme of 4532: : electronic versions of the original novels and the translations of C. K. Scott Moncrieff 2564: 2453: 1468: 682:, 153n3). This volume includes a noteworthy episode describing Paris during the First World War. 8075: 8032: 7883: 6954: 6235: 5667: 5468: 4700: 4680: 4661: 2768: 2687: 2671: 2631: 2610: 2582: 2340: 533:) was published in 1921 and 1922 and was also split into two volumes. The first forty pages of 1459: 822: 723: 8011: 7934: 7231: 6117: 5956: 5377: 5301: 5098: 4028: 3188:

O'Brien, Justin (1949). "Albertine the Ambiguous: Notes on Proust's Transposition of Sexes".

2329: 1842: 1823: 1666: 1634:

Albert Bloch: A pretentious Jewish friend of the Narrator, later a successful playwright; an

1452: 1177: 951: 867: 827: 719: 377:

it. For the centenary of the French publication of the novel's first volume, American author

309: 180: 97: 7168: 3944: 2425: 1393:

Main characters of the novel. Blue lines denote acquaintances and pink lines love interests.

489:), published in 1919, was scheduled to be published in 1914 but was delayed by the onset of 160: 8068: 7855: 7711: 6564: 4918: 4626: 4618: 2953:(2013), a French edition of the novel is turned into a diary by a handicraft saleswoman in 2691: 2440: 2412: 1286: 131: 7154: 6599: 4785: 2683: 1574: 902: 8: 7913: 7370: 7363: 6942: 6738: 6652: 6571: 6326: 6319: 6075: 5266: 4968: 4817: 3723: 2665: 1444: 1295: 1228:, in a 1965 interview, named the greatest prose works of the 20th century as, in order, " 767: 629: 362: 6930: 6194: 3687:

Marcel Proust's Search for Lost Time: A Reader's Guide to The Remembrance of Things Past

2461: 991: 911: 727: 434: 343: 156: 8086: 7897: 7792: 7749: 7687: 7675: 7591: 7266: 7224: 6815: 6550: 6368: 5907: 5893: 5788: 5643: 5619: 5503: 5089: 4844: 4778: 4764: 4065: 4000: 3415: 3221: 3213: 2842:" as a pet fish, and warns, when his listener laughs, "if you're calling the author of 2749: 1754: 1291: 1252: 1080: 1045: 740: 458: 438: 347: 298: 7615: 7523: 7377: 2811:), "So you do get up. I was beginning to think you worked in bed, like Marcel Proust." 1418:

The Narrator's father: A diplomat who initially discourages the Narrator from writing.

1374: 1268:, collates 125 "top 10 greatest books of all time" lists by prominent living writers; 7820: 7723: 7460: 7412: 7384: 7291: 7252: 7217: 7040: 6508: 6480: 6340: 6033: 5949: 5851: 5816: 5583: 5363: 5329: 4461: 4447: 4429: 4390: 4369: 4355: 4313: 4297: 4282: 4260: 4240: 4224: 4190: 4007: 3979: 3814: 3691: 3644: 3566: 3389: 3244: 3225: 3205: 2457: 2236: 2105: 2064: 2053: 2042: 2031: 1994: 1983: 1972: 1961: 1950: 1918: 1885: 1738: 1325: 841: 313: 205: 105: 7126: 5210: 2539: 2333: 1929:

Swann's Way—Within a Budding Grove—The Guermantes Way—Sodom and Gomorrah—The Captive

1280:

wrote that "To its admirers, it remains one of those rare encyclopedic summas, like

8053: 8046: 7785: 7565: 7474: 7467: 7398: 7300: 7210: 7056: 6966: 6858: 6752: 6745: 6578: 6403: 6361: 6180: 6096: 5991: 5900: 5760: 5732: 5347: 5217: 5182: 5175: 5140: 5055: 4948: 4328:. Eds. Nigel Nicolson and Joanne Trautmann. 7 vols. New York: Harcourt, 1976, 1977. 3804: 3796: 3381: 3197: 2958: 2730: 2644: 2511: 2384: 1789: 1647:

Legrandin: A snobbish friend of the Narrator's family. Engineer and man of letters.

1504: 1281: 1225: 1196: 1033: 1003: 947: 859: 736: 302: 231: 55: 7259: 7161: 5998: 5984: 5977: 5802: 5161: 8039: 7990: 7976: 7969: 7530: 7433: 7245: 7238: 7140: 7112: 7105: 7077: 7029: 6882: 6801: 6773: 6668: 6592: 6543: 6431: 6396: 6284: 6277: 6221: 6173: 6082: 5970: 5823: 5795: 5595: 5517: 5510: 5489: 5426: 5384: 5294: 5287: 5245: 5189: 5080: 4489: 4484: 4208: 3902: 3895: 3853: 3755: 3672: 3501: 3459: 3448: 3385: 3331: 3151: 3137: 3087: 3076: 3056: 2928: 2808: 2703: 2699: 2503: 2477: 2370: 2345: 1913:, translated by C. K. Scott Moncrieff and Terence Kilmartin, with Andreas Mayor ( 1880:, translated by C. K. Scott Moncrieff and Terence Kilmartin, with Andreas Mayor ( 1553: 1350: 1299: 1234: 755: 707: 351: 268: 6675: 6494: 6270: 5774: 5126: 4692: 4549: 2846:

a looney, I shall have to ask you to step outside!" In another sketch entitled "

2695: 7997: 7927: 7920: 7862: 7806: 7776: 7639: 7551: 7481: 7426: 7405: 7328: 7321: 7314: 7175: 7133: 7119: 7098: 7049: 6794: 6787: 6766: 6759: 6710: 6689: 6682: 6445: 6256: 6249: 6228: 6212: 6145: 6131: 6019: 5858: 5837: 5830: 5753: 5739: 5725: 5607: 5475: 5356: 5336: 5315: 5252: 5112: 4882: 3783: 2921: 2890: 2804: 2656: 2620: 2465: 2257: 2135: 1746: 1718: 1542: 1508: 1408: 1342: 1335: 1313: 1309: 1308:, that offer insight into our unruly passions and solace for life's miseries." 1200: 1064: 1010: 836: 640:. The second, even more authoritative French edition (1987–89), uses the title 101: 6606: 6263: 5928: 5538: 5419: 4128: 3441: 3374:

Elsner, Anna Magdalena (2013). "Critical reception during Proust's lifetime".

1605:

Andrée: Albertine's friend, whom the Narrator occasionally feels attracted to.

898: 509:) was published in 1920 and 1921 and was originally split into two volumes as 8099: 8018: 7983: 7876: 7558: 7502: 7488: 7335: 7196: 7091: 7084: 7070: 6780: 6661: 6529: 6424: 6382: 6333: 6166: 6159: 6124: 6089: 6040: 6012: 5935: 5531: 5461: 5433: 5405: 5308: 5224: 5168: 5154: 5147: 5133: 5041: 5021: 4939: 4911: 4824: 4724: 4597: 3818: 3665: 3269: 3209: 2998: 2979: 2800: 2726: 2598: 2578: 2366: 2325: 2303: 1761:

to the novel compiled by Terence Kilmartin that was published in 1983 as the

1742: 1628:

Rachel: A prostitute and actress who is the mistress of Robert de Saint-Loup.

1427:

Aunt Léonie: A sickly woman whom the Narrator visits during stays at Combray.

1370: 1361:. The Proust Society of America, founded in 1997, has three chapters: at The 1330: 1304: 1277: 1273: 1261: 1204: 1157: 1133: 1049: 876: 759: 714: 555: 494: 356: 325: 294: 77: 6291: 5196: 4959: 3914: 3545: 2916:

has a breakthrough about the role the smell of meat plays in triggering his

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The Narrator's mother: A supportive woman who worries for her son's career.

1346: 1320: 1217: 1002:, they would not function as centers of a plot. While there is an array of 378: 61: 6026: 3274: 2585:. A 4-hour long adaptation with a huge cast. Dir. by Philip Prowse at the 1580:

M. Verdurin: The husband of Mme. Verdurin, who is her faithful accomplice.

8025: 7906: 7765: 7756: 7572: 7495: 6536: 6501: 6417: 6410: 6152: 6054: 5942: 5872: 5809: 5686: 5552: 5412: 5370: 5322: 5259: 5238: 5231: 5203: 5119: 5062: 4902: 3452: 3335: 2863:– memory and the way memory affects us." The opening line of his novella 2814: 2772: 2758: 2754: 2738: 2397: 2149: 1777: 1674: 1665:

The first six volumes were first translated into English by the Scotsman

1560: 1389: 1247: 1239: 1229: 1073: 1069: 999: 995: 966: 830:, who served as the model for the character of the Duchesse de Guermantes 490: 109: 3842: 3800: 2830:(1969–1974) references the book and its author in two episodes. In the " 1430:

Uncle Adolphe: The Narrator's great-uncle, who has many actress friends.

1224:

is now "widely recognized as the major novel of the twentieth century".

212: 7955: 7509: 7280: 7203: 7182: 7063: 6731: 6717: 6466: 6452: 6389: 6312: 6201: 6068: 6005: 5865: 5695: 5496: 5454: 5391: 5048: 4511: 4419:: A Chronological Examination of Proust's Manuscripts from 1909 to 1914 2944: 2854: 2835: 2722: 2609:. Dir. by Trevis (who had acted in A Waste of Time – see above) at the 2527: 2522:: "Marcel Proust's 'A la recherche du temps perdu'", a 1988 episode by 2472: 2349: 1773: 1032:

The role of memory is central to the novel, introduced with the famous

970: 3217: 2542:, a four-hour, two-part French TV movie that covers all seven volumes. 1341:

Since the publication in 1992 of a revised English translation by The

730:(1878). She served as partial inspiration for the character of Odette. 8004: 7962: 7827: 7537: 6620: 6375: 6242: 5963: 5914: 5879: 5440: 4867: 4545: 3846: 3069: 2602: 1678: 1635: 1515: 1076: 932: 773: 747: 3472: 5844: 5711: 5069: 5030: 5014: 5000: 4891: 4596: 4505: 4029:"On Encompassing the Entire Universe: An Interview With Gene Wolfe" 3201: 2954: 1589:

Saniette: A palaeographer who is subjected to ridicule by the clan.

1448: 145: 3612:"Kazuo Ishiguro On Memory, Censorship And Why Proust Is Overrated" 2973: 1036:

episode in the first section of the novel and in the last volume,

702: 7603: 6641: 6103: 5718: 5007: 4991: 4977: 4499: 4387:

Paintings in Proust: A Visual Companion to in Search of Lost Time

2839: 786: 450: 3945:"The Big Sleep (1946) - Lauren Bacall as Vivian Rutledge - IMDb" 587:), published in 1923, is the first volume of the section within 4925: 4382:. (Translation by Richard Howard.) George Braziller, Inc. 1972. 2821:

marked Warhol's "transition from commercial to gallery artist".

2556: 2168:

by Lucy Raitz (Pushkin, 2022) - partial translation of Volume 1

1780:, and the others under English translators and one Australian, 1511:

and marriage to Odette ostracize him from much of high society.

781: 751: 644:

and is based on an unmarked typescript acquired in 1962 by the

374: 393: 4493: 3546:

The Morning News LLC; www.themorningnews.org (May 24, 1963).

1378: 789:, a seaside resort that was the model for Balbec in the novel 206: 141: 4836: 1784:. The first four volumes were published in the US under the 324:, a literal rendering of the French, became ascendant after 5398: 4932: 3949: 2933: 1832: 969:, when the Narrator has returned to Paris from a stay in a 328:

adopted it for his revised translation published in 1992.

232: 3643:. Mercantilelibrary.org. November 9, 2013. Archived from 3080: 301:. The most famous example of this is the "episode of the 3997: 3779:"Proust at the Ballet: Literature and Dance in Dialogue" 3377:

Chapter 24 - Critical reception during Proust's lifetime

2344:, a parallel novel based on a rewriting of Albertine by 1745:—that is, a revision of a revision—was published by the 1656:

Léa: A notorious lesbian actress in residence at Balbec.

1490:

Prince de Guermantes: The cousin of the Duc and Duchess.

2882:

concludes with an allusion to the madeleine episode of

1608:

Gisèle and Rosemonde: Other members of the little band.

1592:

M. Biche: A painter who is later revealed to be Elstir.

2757:

between February 6, 2005 and March 13, 2005. Starring

4279:

Proust's Way: A Field Guide To in Search of Lost Time

4251:

Proust, Marcel. (Carol Clark, Peter Collier, trans.)

385:"the most respected novel of the twentieth century." 2969: 2627:, staged throughout an abandoned factory in Chicago. 1559:

Berma: A famous actress who specializes in roles by

739:

cake dipped in tea inspires a nostalgic incident of

405:

The novel was initially published in seven volumes:

373:; some writers have sought to emulate it, others to 308:

The novel gained fame in English in translations by

66:À la recherche du temps perdu: Du côté de chez Swann 49:

In Search of Lost Time (Remembrance of Things Past)

6835:

A Sunday Afternoon on the Island of La Grande Jatte

3993: 3991: 3978:. Pittsburgh, PA: Andy Warhol Museum, 2002, p. 46. 3473:"Nabokov's interview. (05) TV-13 NY [1965]" 3103:. Princeton: Princeton University Press, 1982, p. 6 1685:into another language. The individual volumes were 809: 248:

In Search of Lost Time (Remembrance of Things Past)

4421:, University of Toronto Press, 2004 (two volumes). 3999: 1713:, was initially published in English in the UK as 1433:Françoise: The Narrator's faithful, stubborn maid. 851: 4722: 3810:20.500.11820/1b662a7d-ee23-4390-84b5-13bb9036da37 3690:. Knopf Doubleday Publishing Group. p. 289. 1721:(a pseudonym of Sydney Schiff), and in the US as 27:1913–1927 novel in seven volumes by Marcel Proust 8097: 3988: 3976:Possession Obsession: Andy Warhol and Collecting 3974:Smith, John W., Pamela Allara, and Andy Warhol. 3594: 3166:. Berkeley: University of California, 1990. 223. 2783: 2162:(Oxford, 2018) - partial translation of Volume 1 1763:Reader's Guide to the Remembrance of Things Past 1660: 1203:wrote in 1922: "Oh if I could write like that!" 758:, which features a "little phrase", becomes the 293:), is a novel in seven volumes by French author 4219:Kilmartin, Terence. "Note on the Translation." 4094:"The Underappreciated Genius of Larry McMurtry" 2655:, a 2005 solo performance adapted and acted by 1644:Madame Bontemps: Albertine's aunt and guardian. 1583:Cottard: A doctor who is very good at his work. 1169:Publications of the Modern Language Association 954:, the main inspiration for Baron de Charlus in 3442:"Scott Moncrieff's Way: Proust in Translation" 3022:Edmund White, "Proust the Passionate Reader", 1266:The Top Ten: Writers Pick Their Favorite Books 939: 4852: 4708: 4582: 4563:: Vidéo – Audio Book 17 tomes. Public Domain. 4310:Present Past: Modernity and the Memory Crisis 3597:The Letters of Nancy Mitford and Evelyn Waugh 2737:, featuring Pinter as narrator, broadcast on 2502:: "Du côté de chez Swann", a 1971 episode by 2390: 2310:Remembrance of Things Past, Part One: Combray 7774: 7763: 4957: 4946: 4900: 4889: 4002:Monty Python's Flying Circus: Just the Words 3865: 3585:Troubled Legacies, ed. Allan Hepburn, p. 256 3571:: CS1 maint: multiple names: authors list ( 2902:In the third episode of the third season of 2848:The All-England Summarize Proust Competition 2446: 2418: 1493:Princesse de Guermantes: Wife of the Prince. 1256:, and the first half of Proust's fairy tale 965:The scene shifts to a night in 1916, during 890: 305:", which occurs early in the first volume. 8231:French novels adapted into television shows 5028: 4223:. Vol. 1. New York: Vintage, 1981: ix–xii. 3609: 3187: 2767:, translated from French and dramatised by 2373:, abridged 1995-2002, unabridged 2010-2012. 2260:(Sydney Schiff) (Chatto & Windus, 1931) 918: 4859: 4845: 4715: 4701: 4589: 4575: 4354:. New Haven: Yale University Press, 2000. 3296:"Books of the moment: What the papers say" 2318:Part Three: Within a Budding Grove, vol. 2 2191:by Charlotte Mandell (Oxford, forthcoming) 1884:). New York: Random House, 1981 (3 vols). 1319:Proust's influence (in parody) is seen in 694: 54: 4185:Bouillaguet, Annick and Rogers, Brian G. 4026: 3808: 3683: 3641:"The Mercantile Library • Proust Society" 2869:is a paraphrase of the first sentence of 2589:in 1980, revived 1981 plus European tour. 2284:by David Whiting (Naxos AudioBooks, 2012) 2266:by Frederick Blossom (Random House, 1932) 2112: 283:, and sometimes referred to in French as 4239:. Vol. 2. New York: Random House, 1959. 3915:"Marcel Proust's In Search of Lost Time" 3721: 3238: 2314:Part Two: Within a Budding Grove, vol. 1 1904:The Captive; The Fugitive; Time Regained 1900:The Guermantes Way; Cities of the Plain— 1833:Scott Moncrieff and subsequent revisions 1681:; this was the first translation of the 1388: 946: 897: 858: 816: 780: 713: 701: 567:was originally published in two volumes. 554: 392: 350:and scenes were anticipated in Proust's 4058: 3843:Productions: Remembrance of Things Past 3588: 3174: 3172: 3004: 628:to prevent it from being confused with 14: 8098: 3776: 3373: 2765:Marcel Proust's In Search of Lost Time 2183:In the Shadow of Young Girls in Flower 2128:(Australian National University, 1982) 2040:In the Shadow of Young Girls in Flower 1959:In the Shadow of Young Girls in Flower 1729:eliminated the correspondence between 1514:Odette de Crécy: A beautiful Parisian 1451:with many antisocial habits. Model is 776:In the Shadow of Young Girls in Flower 718:Portrait of Mme. Geneviève Bizet, née 476:In the Shadow of Young Girls in Flower 388: 7700:Six Characters in Search of an Author 4840: 4751:À l'ombre des jeunes filles en fleurs 4696: 4570: 4091: 3526: 2553:Proust ou les intermittences du coeur 2272:by Andreas Mayor (Random House, 1970) 1187: 1086: 864:The Destruction of Sodom and Gomorrah 481:À l'ombre des jeunes filles en fleurs 68:with Proust's handwritten corrections 4333:Beugnet, Martin and Schmid, Marion. 4129:"All this from a slice of gabagool?" 3925:from the original on 10 October 2019 3868:"Giving Proust the Pinter treatment" 3758:on 2024-01-21. Retrieved 2024-08-18. 3402:from the original on 17 January 2024 3169: 2322:Part Four: Un amour de Swann, vol. 1 1896:Swann's Way; Within a Budding Grove— 277:), first translated into English as 39:À la recherche du temps perdu (film) 4535: 4292:Tadié, J-Y. (Euan Cameron, trans.) 4274:. Chatto & Windus London, 1964. 4259:. London: Penguin Books Ltd, 2003. 4073:from the original on April 21, 2021 4059:Houston, Robert (January 7, 1999). 3498:"The 10 Greatest Books of All Time" 3358: 3037:Walter de la Mare (on Wikisource), 2519:The Modern World: Ten Great Writers 2278:by Ian Patterson (Allen Lane, 2002) 2245:by Peter Collier (Allen Lane, 2002) 2213:by John Sturrock (Allen Lane, 2002) 2202:by Mark Treharne (Allen Lane, 2002) 2122:A Search for Lost Time: Swann's Way 545:, 942), the remainder appearing as 24: 6895:Nude Descending a Staircase, No. 2 4343: 4296:. New York: Penguin Putnam, 2000. 4218: 4027:McCaffery, Larry (November 1988). 2185:by James Grieve (Allen Lane, 2002) 1384: 25: 8277: 8176:Fiction with unreliable narrators 4472: 4307: 4100:from the original on May 27, 2024 3752:"Charlotte Mandell: Bibliography" 3684:Alexander, Patrick (2009-09-22). 2670:, performed again in 2012 at the 2306:published in 1978 (never filmed). 2224:by Carol Clark (Allen Lane, 2002) 2189:In the Shadow of Girls in Blossom 2102:In the Shadow of Girls in Blossom 2077:The Fugitive – Finding Time Again 2006: 1597:The "little band" of Balbec girls 1316:has called it his favorite book. 679: 563:. It is labelled as "Tome VI" as 537:initially appeared at the end of 369:The novel had great influence on 8226:Novels about French prostitution 8196:French novels adapted into films 8082: 8081: 4337:. Burlington, VT: Ashgate, 2004. 4234: 4189:. Paris: Honoré Champion, 2004. 2972: 2924:, likens to Proust's madeleines. 2623:. A series of 11 vignettes from 2085: 1127: 1099: 4366:How Proust Can Change Your Life 4332: 4250: 4160: 4147: 4112: 4085: 4052: 4041:from the original on 2006-08-14 4020: 3968: 3957:from the original on 2022-09-05 3937: 3907: 3889: 3878:from the original on 2012-01-25 3859: 3836: 3825:from the original on 2021-07-10 3770: 3761: 3745: 3734:from the original on 2023-12-07 3715: 3704:from the original on 2024-05-27 3677: 3659: 3633: 3622:from the original on 2019-12-18 3603: 3579: 3554:from the original on 2011-06-12 3539: 3520: 3507: 3490: 3479:from the original on 2020-11-08 3465: 3434: 3367: 3352: 3341: 3314: 3288: 3257: 3232: 2747:dramatised by Michael Butt for 1845:. London: Chatto & Windus. 1443:Palamède, Baron de Charlus: An 1412: 1379:The Proust Society of Greenwich 1377:Library. Furthermore, in 2016, 1355:How Proust Can Change Your Life 8181:French autobiographical novels 7849:Grosvenor School of Modern Art 7842:Fourth dimension in literature 4530:University of Adelaide Library 4460:. New York: Penguin US, 1999. 4444:University of California Press 4410:French Forum Publishers, 1987. 4323: 4291: 4281:. New York: W W Norton, 2000. 4184: 4092:Smith, Kyle (March 28, 2021). 3767:Beugnet and Marion Schmid, 206 3722:Clifford, Becky (2023-09-14). 3595:Charlotte Mosley, ed. (1996). 3453:Proust Said That. Issue No. 6. 3347: 3181: 3156: 3120: 3106: 3093: 3062: 3031: 3016: 2824:The British television series 2288: 2174:by Brian Nelson (Oxford, 2023) 1507:). His political views on the 542: 465: 442: 18:The Remembrance of Things Past 13: 1: 4866: 4635:À la recherche du temps perdu 4559:À la Recherche du Temps Perdu 4540:À la recherche du temps perdu 4538:"Proust, Marcel (1871–1922): 4520:: a site devoted to the novel 4417:A la recherche du temps perdu 4406:A la recherche du temps perdu 4389:. Thames & Hudson, 2008. 4326:The Letters of Virginia Woolf 4157:(Vintage Books: 2011), p. 29. 3866:Robert Hanks (May 17, 1997). 3777:Schmid, Marion (2013-04-01). 3610:Maddie Crum (March 3, 2015). 3059:. Retrieved 18th August 2019. 2844:À la recherche du temps perdu 2838:mentions that Proust "had an 2784:References in popular culture 2535:À la recherche du temps perdu 1661:English-language translations 1055:The madeleine episode reads: 956:À la recherche du temps perdu 823:Élisabeth, Countess Greffulhe 449:is divided into four parts: " 274:À la recherche du temps perdu 88:À la recherche du temps perdu 4512:Alarecherchedutempsperdu.com 4428:. New York: Scribner, 1997. 4312:. Ithaca: Cornell UP, 1993. 4202:"In search of Marcel Proust" 3517:, Bonniers förlag, Stockholm 3386:10.1017/CBO9781139135023.029 3243:. Cornell University Press. 3239:Ladenson, Elisabeth (1999). 3025:The New York Review of Books 2827:Monty Python's Flying Circus 2819:A La Recherche du Shoe Perdu 2569:Ballet National de Marseille 1992:The Captive and The Fugitive 1809:The New York Review of Books 1586:Brichot: A pompous academic. 1568:The Verdurins' "Little Clan" 1367:Mechanic's Institute Library 1167:published an article in the 433:arranged with the publisher 371:twentieth-century literature 7: 8261:Novels with bisexual themes 8201:French philosophical novels 7942:List of avant-garde artists 6919:The Cabinet of Dr. Caligari 4368:. New York: Pantheon 1997. 3896:Reviews of radio adaptation 3856:. Retrieved April 25, 2006. 3070:Chronology of Proust's Life 2965: 2920:, which his therapist, Dr. 2876:The 1998 television series 2239:(Chatto & Windus, 1989) 1363:New York Mercantile Library 686: 10: 8282: 8266:Novels adapted into comics 7800:Classical Hollywood cinema 4654:Remembrance of Things Past 4508:(public domain audiobooks) 4440:Epistemology of the Closet 4426:The Year of Reading Proust 4237:Marcel Proust: A Biography 4221:Remembrance of Things Past 4200:Douglas-Fairbank, Robert. 4187:Dictionnaire Marcel Proust 3724:"Translating Proust again" 3164:Epistemology of the Closet 3044:Collected poems, 1901-1918 2866:The Fifth Head of Cerberus 2682:, adapted and directed by 2619:, adapted and directed by 2594:Remembrance of Things Past 2492:Les Cent Livres des Hommes 2363:Remembrance of Things Past 1933:The Fugitive—Time Regained 1878:Remembrance of Things Past 1839:Remembrance of Things Past 1709:(1930). The final volume, 1671:Remembrance of Things Past 1359:The Year of Reading Proust 1211:Cambridge University Press 1174:Epistemology of the Closet 616:, sometimes translated as 529:, sometimes translated as 418:, sometimes translated as 318:Remembrance of Things Past 280:Remembrance of Things Past 43:Swans Way (disambiguation) 33:Remembrance of Things Past 29: 8063: 7741: 7582: 7450: 7290: 7039: 7028: 6871:Les Demoiselles d'Avignon 6825: 6651: 6211: 5694: 5685: 5562: 5346: 5088: 5079: 4874: 4804:Les plaisirs et les jours 4795: 4731: 4672: 4645: 4610: 3666:Proust Society of America 3599:. Hodder & Stoughton. 3302:. 30 Nov 2002. p. 60 2950:A Tale for the Time Being 2799:(1946), Vivian Rutledge ( 2587:Glasgow Citizens' Theatre 1575:Madame Arman de Caillavet 1027: 981: 255: 242: 230: 218: 204: 196: 188:Published in English 186: 176: 166: 152: 137: 127: 119: 93: 83: 73: 53: 8166:Éditions Gallimard books 5656:The Master and Margarita 4438:Sedgwick, Eve Kosofsky. 3901:August 20, 2008, at the 3515:Den moderna litteraturen 2994:100 Books of the Century 2508:Marie-Christine Barrault 1398:The Narrator's household 1132:Questions pertaining to 539:Le Côté de Guermantes II 515:Le Côté de Guermantes II 425:Nouvelle Revue Française 7949:List of modernist poets 7835:Fourth dimension in art 7011:Meshes of the Afternoon 4034:Science Fiction Studies 3793:Oxford University Press 3527:Dirda, Michael (2005). 3028:(April 4, 2013), p. 20. 2879:Serial Experiments Lain 2860:The Book of the New Sun 2853:Science fiction author 2302:, a film adaptation by 1864:, in two books (1927), 1860:, in two books (1925), 1856:, in two books (1924), 1852:, in two books (1922), 1701:, in two books (1927), 1697:, in two books (1925), 1693:, in two books (1924), 1689:, in two books (1922), 596:as the third volume of 511:Le Côté de Guermantes I 8256:Works by Marcel Proust 8241:Novels with gay themes 8186:French-language novels 8171:Éditions Grasset books 8106:In Search of Lost Time 8033:Second Viennese School 7775: 7764: 5668:The Sound and the Fury 5572:In Search of Lost Time 5029: 4958: 4947: 4901: 4890: 4734:In Search of Lost Time 4662:My Life with Albertine 4603:In Search of Lost Time 4561:– Œuvre Intégrale (FR) 4501:In Search of Lost Time 4480:In Search of Lost Time 3671:June 27, 2013, at the 3361:The Writing of Fiction 2769:Timberlake Wertenbaker 2745:In Search of Lost Time 2652:Du côté de chez Proust 2632:My Life with Albertine 2625:In Search of Lost Time 2617:Eleven Rooms of Proust 2611:Royal National Theatre 2583:Robert David MacDonald 2447: 2419: 2391: 2113:Individual translators 2013:In Search of Lost Time 1941:In Search of Lost Time 1911:In Search of Lost Time 1854:Within a Budding Grove 1819:, and Reading Proust. 1770:In Search of Lost Time 1753:. It also includes an 1751:In Search of Lost Time 1717:(1931), translated by 1691:Within a Budding Grove 1673:, a phrase taken from 1481:and Clement de Maugny. 1394: 1270:In Search of Lost Time 1258:In Search of Lost Time 1222:In Search of Lost Time 1193:In Search of Lost Time 1062: 1025: 958: 906: 871: 831: 790: 731: 711: 646:Bibliothèque Nationale 589:In Search of Lost Time 568: 543:Bouillaguet and Rogers 486:Within a Budding Grove 470: 443:Bouillaguet and Rogers 402: 383:In Search of Lost Time 332:In Search of Lost Time 322:In Search of Lost Time 272: 264:In Search of Lost Time 256:Word count = 1,267,069 41:. For other uses, see 8251:Self-reflexive novels 8161:Novels about adultery 8012:Reactionary modernism 7935:List of art movements 4811:Pastiches et mélanges 4758:Le Côté de Guermantes 4744:Du côté de chez Swann 4552:on February 11, 2007. 4496:in French and English 4352:Marcel Proust: A Life 4294:Marcel Proust: A Life 3325:"In Our Time: Proust" 3143:Structuralist Poetics 2718:The Proust Screenplay 2686:, created in 2020 at 2679:Le Côté de Guermantes 2647:, and lyrics by both. 2639:musical with book by 2607:The Proust Screenplay 2400:, uses segments from 2330:Franco-Belgian comics 2300:The Proust Screenplay 2108:(Oxford, forthcoming) 1894:Three books: Vol. 1: 1843:C. K. Scott Moncrieff 1824:Yale University Press 1667:C. K. Scott Moncrieff 1453:Robert de Montesquiou 1392: 1178:Eve Kosofsky Sedgwick 1057: 1015: 952:Robert de Montesquiou 950: 901: 862: 820: 784: 717: 705: 664:, also translated as 581:, also translated as 558: 551:Sodome et Gomorrhe II 507:Le Côté de Guermantes 483:, also translated as 462: 455:Du côté de chez Swann 447:Du côté de chez Swann 416:Du côté de chez Swann 399:Du côté de chez Swann 396: 310:C. K. Scott Moncrieff 98:C. K. Scott Moncrieff 8236:Novels set in France 8221:Novels about artists 7856:Hanshinkan Modernism 7712:The Threepenny Opera 7628:Pelléas et Mélisande 4335:Proust at the Movies 4215:, November 17, 2002. 4006:. London: Mandarin. 3550:. The Morning News. 3513:Holmqvist, B. 1966, 3380:. pp. 183–190. 3129:Deleuze and Guattari 3005:Notes and references 2605:, based on Pinter's 2565:Opéra de Monte-Carlo 1870:The Sweet Cheat Gone 1707:The Sweet Cheat Gone 1163:In 1949, the critic 618:The Sweet Cheat Gone 547:Sodome et Gomorrhe I 37:. For the film, see 8246:Roman à clef novels 7914:International Style 7664:Afternoon of a Faun 6943:Battleship Potemkin 6847:Mont Sainte-Victoir 4818:Contre Sainte-Beuve 4350:Carter, William C. 4308:Terdiman, Richard. 4272:Proust's Binoculars 4168:A Tale For The Time 4096:. National Review. 3847:NationalTheatre.org 3616:The Huffington Post 3504:. January 15, 2007. 3300:The Daily Telegraph 3265:"Published Reviews" 3241:Proust's Lesbianism 2270:The Past Recaptured 2264:The Past Recaptured 1862:Cities of the Plain 1723:The Past Recaptured 1699:Cities of the Plain 1479:Gaston de Cavaillet 1357:and Phyllis Rose's 1182:Proust's Lesbianism 724:Jules-Élie Delaunay 672:The Past Recaptured 630:Rabindranath Tagore 531:Cities of the Plain 389:Initial publication 363:Contre Sainte-Beuve 84:Original title 50: 8191:French LGBT novels 8156:1927 French novels 8151:1925 French novels 8146:1923 French novels 8141:1922 French novels 8136:1921 French novels 8131:1920 French novels 8126:1919 French novels 8121:1913 French novels 7793:Buddhist modernism 7750:American modernism 7676:The Rite of Spring 5644:The Sun Also Rises 5620:The Magic Mountain 4779:Albertine disparue 4765:Sodome et Gomorrhe 4490:Project Gutenberg: 4364:De Botton, Alain. 4207:2006-02-08 at the 4153:Murakami, Haruki, 4066:The New York Times 3852:2015-10-07 at the 3458:2012-02-07 at the 3447:2012-02-07 at the 3330:2006-03-10 at the 3150:2023-04-17 at the 3136:2023-04-07 at the 3086:2012-08-12 at the 3075:2006-02-09 at the 3055:2019-08-18 at the 2750:The Classic Serial 2452:), a 1999 film by 2426:Volker Schlöndorff 2424:), a 1984 film by 2402:Sodom and Gomorrah 2396:), a 1982 film by 2392:Quartetto Basileus 2276:Finding Time Again 2211:Sodom and Gomorrah 2200:The Guermantes Way 2152:(Allen Lane, 2002) 2142:The Way by Swann's 2062:Sodom and Gomorrah 2051:The Guermantes Way 2024:The Way by Swann's 1981:Sodom and Gomorrah 1970:The Guermantes Way 1858:The Guermantes Way 1813:The New York Times 1695:The Guermantes Way 1460:Comtesse Greffulhe 1395: 1188:Critical reception 1154:Alfred Agostinelli 1087:Separation anxiety 1046:involuntary memory 959: 907: 872: 854:Sodom and Gomorrah 832: 812:The Guermantes Way 791: 741:involuntary memory 732: 712: 657:Finding Time Again 652:in France in 1987. 650:Albertine disparue 642:Albertine disparue 626:Albertine disparue 610:Albertine disparue 598:Sodome et Gomorrhe 569: 535:Sodome et Gomorrhe 527:Sodome et Gomorrhe 522:Sodom and Gomorrah 502:The Guermantes Way 459:involuntary memory 439:three-volume novel 420:The Way by Swann's 403: 299:involuntary memory 48: 8116:1920s LGBT novels 8111:1910s LGBT novels 8093: 8092: 7821:Experimental film 7737: 7736: 7724:Waiting for Godot 7024: 7023: 5681: 5680: 5584:The Metamorphosis 4834: 4833: 4796:Novels and essays 4786:Le Temps retrouvé 4690: 4689: 4378:Deleuze, Gilles. 4324:Woolf, Virginia. 4277:Shattuck, Roger. 4270:Shattuck, Roger. 4235:Painter, George. 3801:10.1093/fs/kns309 3395:978-1-316-62624-5 3338:. April 17, 2003. 3140:See also Culler, 3099:Shattuck, Roger. 3042:(anthologized in 2896:Duane's Depressed 2771:and broadcast on 2729:'s screenplay by 2688:Comédie-Française 2684:Christophe Honoré 2672:Comédie-Française 2476:, a 2000 film by 2458:Catherine Deneuve 2448:Le Temps retrouvé 2420:Un Amour de Swann 2237:Terence Kilmartin 2138:(Macmillan, 1992) 2106:Charlotte Mandell 1739:Terence Kilmartin 1711:Le Temps retrouvé 1464:Laure de Chevigné 1326:A Handful of Dust 903:Léontine Lippmann 662:Le Temps retrouvé 565:Sodom et Gomorrhe 314:Terence Kilmartin 260: 259: 177:Publication place 106:Terence Kilmartin 16:(Redirected from 8273: 8211:Modernist novels 8085: 8084: 8056: 8054:Vulgar modernism 8049: 8047:Underground film 8042: 8035: 8028: 8021: 8014: 8007: 8000: 7993: 7986: 7979: 7972: 7965: 7958: 7951: 7944: 7937: 7930: 7923: 7916: 7909: 7900: 7893: 7886: 7879: 7872: 7870:Hippie modernism 7865: 7858: 7851: 7844: 7837: 7830: 7823: 7816: 7809: 7802: 7795: 7788: 7786:Bloomsbury Group 7781: 7780: 7770: 7769: 7759: 7752: 7730: 7729: 7718: 7717: 7706: 7705: 7694: 7693: 7682: 7681: 7670: 7669: 7658: 7657: 7646: 7645: 7634: 7633: 7622: 7621: 7610: 7609: 7598: 7597: 7575: 7568: 7561: 7554: 7547: 7540: 7533: 7526: 7519: 7512: 7505: 7498: 7491: 7484: 7477: 7470: 7463: 7443: 7436: 7429: 7422: 7415: 7408: 7401: 7394: 7387: 7380: 7373: 7366: 7359: 7352: 7345: 7338: 7331: 7324: 7317: 7310: 7303: 7283: 7276: 7269: 7262: 7255: 7248: 7241: 7234: 7227: 7220: 7213: 7206: 7199: 7192: 7185: 7178: 7171: 7164: 7157: 7150: 7143: 7136: 7129: 7122: 7115: 7108: 7101: 7094: 7087: 7080: 7073: 7066: 7059: 7052: 7037: 7036: 7017: 7016: 7005: 7004: 6993: 6992: 6983: 6982: 6973: 6972: 6967:Un Chien Andalou 6961: 6960: 6949: 6948: 6937: 6936: 6931:Ballet Mécanique 6925: 6924: 6913: 6912: 6901: 6900: 6889: 6888: 6877: 6876: 6865: 6864: 6859:The Starry Night 6853: 6852: 6841: 6840: 6818: 6811: 6804: 6797: 6790: 6783: 6776: 6769: 6762: 6755: 6748: 6741: 6734: 6727: 6720: 6713: 6706: 6699: 6692: 6685: 6678: 6671: 6664: 6644: 6637: 6630: 6623: 6616: 6609: 6602: 6595: 6588: 6581: 6574: 6567: 6560: 6553: 6546: 6539: 6532: 6525: 6518: 6511: 6504: 6497: 6490: 6483: 6476: 6469: 6462: 6455: 6448: 6441: 6434: 6427: 6420: 6413: 6406: 6399: 6392: 6385: 6378: 6371: 6364: 6357: 6350: 6343: 6336: 6329: 6322: 6315: 6308: 6301: 6294: 6287: 6280: 6273: 6266: 6259: 6252: 6245: 6238: 6231: 6224: 6204: 6197: 6190: 6188:Toulouse-Lautrec 6183: 6176: 6169: 6162: 6155: 6148: 6141: 6134: 6127: 6120: 6113: 6106: 6099: 6092: 6085: 6078: 6071: 6064: 6057: 6050: 6043: 6036: 6029: 6022: 6015: 6008: 6001: 5994: 5987: 5980: 5973: 5966: 5959: 5952: 5945: 5938: 5931: 5924: 5917: 5910: 5903: 5896: 5889: 5882: 5875: 5868: 5861: 5854: 5847: 5840: 5833: 5826: 5819: 5812: 5805: 5798: 5791: 5784: 5777: 5770: 5763: 5756: 5749: 5742: 5735: 5728: 5721: 5714: 5707: 5692: 5691: 5674: 5673: 5662: 5661: 5650: 5649: 5638: 5637: 5626: 5625: 5614: 5613: 5602: 5601: 5590: 5589: 5578: 5577: 5555: 5548: 5541: 5534: 5527: 5520: 5513: 5506: 5499: 5492: 5485: 5478: 5471: 5464: 5457: 5450: 5443: 5436: 5429: 5422: 5415: 5408: 5401: 5394: 5387: 5380: 5373: 5366: 5359: 5339: 5332: 5325: 5318: 5311: 5304: 5297: 5290: 5283: 5276: 5269: 5262: 5255: 5248: 5241: 5234: 5227: 5220: 5213: 5206: 5199: 5192: 5185: 5178: 5171: 5164: 5157: 5150: 5143: 5136: 5129: 5122: 5115: 5108: 5101: 5086: 5085: 5072: 5065: 5058: 5051: 5044: 5035: 5034: 5024: 5017: 5010: 5003: 4994: 4987: 4980: 4971: 4964: 4963: 4953: 4952: 4949:Der Blaue Reiter 4942: 4935: 4928: 4921: 4914: 4907: 4906: 4896: 4895: 4885: 4861: 4854: 4847: 4838: 4837: 4723:The writings of 4717: 4710: 4703: 4694: 4693: 4591: 4584: 4577: 4568: 4567: 4557:Marcel Proust – 4553: 4548:. 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Archived from 3749: 3743: 3742: 3740: 3739: 3719: 3713: 3712: 3710: 3709: 3681: 3675: 3663: 3657: 3656: 3654: 3652: 3647:on June 24, 2009 3637: 3631: 3630: 3628: 3627: 3607: 3601: 3600: 3592: 3586: 3583: 3577: 3576: 3570: 3562: 3560: 3559: 3548:"Michael Chabon" 3543: 3537: 3536: 3524: 3518: 3511: 3505: 3494: 3488: 3487: 3485: 3484: 3469: 3463: 3438: 3432: 3431: 3425: 3421: 3419: 3411: 3409: 3407: 3371: 3365: 3364: 3359:Wharton, Edith. 3356: 3350: 3345: 3339: 3318: 3312: 3311: 3309: 3307: 3292: 3286: 3285: 3283: 3282: 3273:. 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May 25, 2005. 3088:Wayback Machine 3077:Wayback Machine 3068:Calkins, Mark. 3067: 3063: 3057:Wayback Machine 3036: 3032: 3021: 3017: 3007: 2991: 2978: 2971: 2968: 2929:Haruki Murakami 2809:Humphrey Bogart 2786: 2753:, broadcast on 2704:Dominique Blanc 2700:Laurent Lafitte 2692:Théâtre Marigny 2663: 2575:A Waste of Time 2563:. Premiered at 2504:Claude Santelli 2494: 2478:Chantal Akerman 2346:Jacqueline Rose 2328:adaptations by 2291: 2115: 2088: 2009: 1835: 1663: 1554:Vinteuil Sonata 1466: 1387: 1385:Main characters 1375:Boston Athenæum 1351:Alain de Botton 1190: 1130: 1102: 1089: 1030: 1023:Proust ... 984: 945: 924: 896: 857: 815: 804:Mme. de Sévigné 779: 708:Illiers-Combray 700: 689: 397:NRF edition of 391: 223: 189: 169: 112: 108: 104: 100: 69: 46: 28: 23: 22: 15: 12: 11: 5: 8279: 8269: 8268: 8263: 8258: 8253: 8248: 8243: 8238: 8233: 8228: 8223: 8218: 8213: 8208: 8203: 8198: 8193: 8188: 8183: 8178: 8173: 8168: 8163: 8158: 8153: 8148: 8143: 8138: 8133: 8128: 8123: 8118: 8113: 8108: 8091: 8090: 8073: 8065: 8064: 8061: 8060: 8058: 8057: 8050: 8043: 8036: 8029: 8022: 8015: 8008: 8001: 7998:Poetic realism 7994: 7987: 7980: 7973: 7966: 7959: 7952: 7945: 7938: 7931: 7928:Late modernity 7924: 7921:Late modernism 7917: 7910: 7903: 7902: 7901: 7894: 7887: 7873: 7866: 7863:High modernism 7859: 7852: 7845: 7838: 7831: 7824: 7817: 7810: 7807:Degenerate art 7803: 7796: 7789: 7782: 7777:Ballets Russes 7771: 7760: 7753: 7745: 7743: 7739: 7738: 7735: 7734: 7732: 7731: 7719: 7707: 7695: 7683: 7671: 7659: 7647: 7635: 7623: 7611: 7599: 7586: 7584: 7580: 7579: 7577: 7576: 7569: 7562: 7555: 7548: 7541: 7534: 7527: 7520: 7513: 7506: 7499: 7492: 7485: 7478: 7471: 7464: 7456: 7454: 7448: 7447: 7445: 7444: 7437: 7430: 7423: 7416: 7409: 7402: 7395: 7388: 7381: 7374: 7367: 7360: 7353: 7346: 7339: 7332: 7325: 7318: 7311: 7304: 7296: 7294: 7288: 7287: 7285: 7284: 7277: 7270: 7263: 7256: 7249: 7242: 7235: 7228: 7221: 7214: 7207: 7200: 7193: 7186: 7179: 7172: 7165: 7158: 7151: 7144: 7137: 7130: 7123: 7116: 7109: 7102: 7095: 7088: 7081: 7074: 7067: 7060: 7053: 7045: 7043: 7034: 7026: 7025: 7022: 7021: 7019: 7018: 7006: 6994: 6984: 6974: 6962: 6950: 6938: 6926: 6914: 6902: 6890: 6878: 6866: 6854: 6842: 6829: 6827: 6823: 6822: 6820: 6819: 6812: 6805: 6798: 6791: 6784: 6777: 6770: 6763: 6756: 6749: 6742: 6735: 6728: 6721: 6714: 6707: 6700: 6693: 6686: 6679: 6672: 6665: 6657: 6655: 6649: 6648: 6646: 6645: 6638: 6631: 6624: 6617: 6610: 6603: 6596: 6589: 6582: 6575: 6568: 6561: 6554: 6547: 6540: 6533: 6526: 6523:Ray (Satyajit) 6519: 6516:Ray (Nicholas) 6512: 6505: 6498: 6491: 6484: 6477: 6470: 6463: 6456: 6449: 6442: 6435: 6428: 6421: 6414: 6407: 6400: 6393: 6386: 6379: 6372: 6365: 6358: 6351: 6344: 6337: 6330: 6323: 6316: 6309: 6302: 6295: 6288: 6281: 6274: 6267: 6260: 6253: 6246: 6239: 6232: 6225: 6217: 6215: 6209: 6208: 6206: 6205: 6198: 6191: 6184: 6177: 6170: 6163: 6156: 6149: 6142: 6135: 6128: 6121: 6114: 6107: 6100: 6093: 6086: 6079: 6072: 6065: 6058: 6051: 6044: 6037: 6030: 6023: 6016: 6009: 6002: 5995: 5988: 5981: 5974: 5967: 5960: 5953: 5946: 5939: 5932: 5925: 5918: 5911: 5904: 5897: 5890: 5883: 5876: 5869: 5862: 5855: 5848: 5841: 5834: 5827: 5820: 5813: 5806: 5799: 5792: 5785: 5778: 5771: 5764: 5757: 5750: 5743: 5736: 5729: 5722: 5715: 5708: 5700: 5698: 5689: 5683: 5682: 5679: 5678: 5676: 5675: 5663: 5651: 5639: 5627: 5615: 5608:The Waste Land 5603: 5591: 5579: 5566: 5564: 5560: 5559: 5557: 5556: 5549: 5542: 5535: 5528: 5521: 5514: 5507: 5500: 5493: 5486: 5479: 5472: 5465: 5458: 5451: 5444: 5437: 5430: 5423: 5416: 5409: 5402: 5395: 5388: 5381: 5374: 5367: 5360: 5352: 5350: 5344: 5343: 5341: 5340: 5333: 5326: 5319: 5312: 5305: 5298: 5291: 5284: 5277: 5270: 5263: 5256: 5249: 5242: 5235: 5228: 5221: 5214: 5207: 5200: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5137: 5130: 5123: 5116: 5109: 5102: 5094: 5092: 5083: 5077: 5076: 5074: 5073: 5066: 5059: 5052: 5045: 5038: 5037: 5036: 5018: 5011: 5004: 4997: 4996: 4995: 4981: 4974: 4973: 4972: 4965: 4954: 4936: 4929: 4922: 4919:Constructivism 4915: 4908: 4897: 4886: 4878: 4876: 4872: 4871: 4864: 4863: 4856: 4849: 4841: 4832: 4831: 4829: 4828: 4821: 4814: 4807: 4799: 4797: 4793: 4792: 4790: 4789: 4782: 4775: 4772:La Prisonnière 4768: 4761: 4754: 4747: 4739: 4737: 4729: 4728: 4720: 4719: 4712: 4705: 4697: 4688: 4687: 4685: 4684: 4676: 4674: 4670: 4669: 4667: 4666: 4658: 4649: 4647: 4643: 4642: 4640: 4639: 4631: 4623: 4614: 4612: 4608: 4607: 4594: 4593: 4586: 4579: 4571: 4565: 4564: 4554: 4533: 4527: 4524:Reading Proust 4521: 4518:TempsPerdu.com 4515: 4509: 4497: 4487: 4474: 4473:External links 4471: 4469: 4468: 4454: 4436: 4422: 4415:The Growth of 4411: 4400: 4397: 4395:978-0500238547 4383: 4376: 4362: 4347: 4345: 4342: 4340: 4339: 4330: 4321: 4305: 4289: 4275: 4268: 4248: 4232: 4216: 4198: 4181: 4173: 4172: 4159: 4146: 4135:. June 8, 2015 4111: 4084: 4061:"Happy Trails" 4051: 4019: 4012: 3987: 3967: 3936: 3906: 3888: 3858: 3835: 3784:French Studies 3769: 3760: 3744: 3714: 3697:978-0307472328 3696: 3676: 3658: 3632: 3602: 3587: 3578: 3538: 3519: 3506: 3489: 3464: 3433: 3424:|website= 3394: 3366: 3351: 3340: 3313: 3287: 3256: 3249: 3231: 3202:10.2307/459544 3196:(5): 933–952. 3180: 3168: 3155: 3126:Ronald Bogue, 3119: 3105: 3092: 3081:TempsPerdu.com 3061: 3030: 3014: 3013: 3006: 3003: 3002: 3001: 2996: 2984: 2983: 2967: 2964: 2963: 2962: 2941: 2925: 2922:Jennifer Melfi 2900: 2893:'s 1999 novel 2891:Larry McMurtry 2887: 2874: 2851: 2822: 2812: 2805:Philip Marlowe 2785: 2782: 2781: 2780: 2775:in 2019, with 2762: 2742: 2733:, directed by 2708: 2707: 2675: 2659:, directed by 2657:Jacques Sereys 2648: 2641:Richard Nelson 2628: 2621:Mary Zimmerman 2614: 2590: 2572: 2544: 2543: 2540:Nina Companéez 2531: 2515: 2482: 2481: 2469: 2466:John Malkovich 2437: 2409: 2375: 2374: 2354: 2353: 2337: 2334:Stéphane Heuet 2307: 2290: 2287: 2286: 2285: 2279: 2273: 2267: 2261: 2258:Stephen Hudson 2247: 2246: 2240: 2233:Albertine Gone 2226: 2225: 2215: 2214: 2204: 2203: 2193: 2192: 2186: 2176: 2175: 2169: 2163: 2153: 2139: 2136:Richard Howard 2129: 2114: 2111: 2110: 2109: 2099: 2098:(Oxford, 2023) 2087: 2084: 2083: 2082: 2081: 2080: 2026:(in the U.S., 2008: 2007:Penguin Proust 2005: 2004: 2003: 2002: 2001: 1999:978-0300186215 1988:978-0300186208 1977:978-0300186192 1966:978-0300185423 1955:978-0300185430 1938: 1937: 1936: 1908: 1907: 1906: 1875: 1874: 1873: 1834: 1831: 1817:TempsPerdu.com 1747:Modern Library 1735:Temps retrouvé 1719:Stephen Hudson 1662: 1659: 1658: 1657: 1654: 1651: 1648: 1645: 1642: 1639: 1632: 1629: 1626: 1622: 1621: 1617: 1616: 1609: 1606: 1603: 1599: 1598: 1594: 1593: 1590: 1587: 1584: 1581: 1578: 1570: 1569: 1565: 1564: 1557: 1550: 1543:Anatole France 1539: 1531: 1530: 1528: 1524: 1523: 1519: 1512: 1509:Dreyfus Affair 1500: 1499: 1495: 1494: 1491: 1488: 1485: 1482: 1474: 1456: 1440: 1439: 1438:The Guermantes 1435: 1434: 1431: 1428: 1425: 1422: 1419: 1416: 1409:Christian name 1400: 1399: 1386: 1383: 1343:Modern Library 1336:Kazuo Ishiguro 1314:Michael Chabon 1310:Pulitzer Prize 1244:Transformation 1201:Virginia Woolf 1189: 1186: 1165:Justin O'Brien 1129: 1126: 1101: 1098: 1088: 1085: 1065:Gilles Deleuze 1029: 1026: 1011:Roger Shattuck 987:À la recherche 983: 980: 944: 940:Volume Seven: 938: 923: 917: 895: 889: 856: 850: 837:Dreyfus Affair 814: 810:Volume Three: 808: 778: 772: 768:Champs-Élysées 699: 693: 688: 685: 684: 683: 653: 622:Albertine Gone 612:, also titled 601: 594:La Prisonnière 579:La Prisonnière 570: 561:La Prisonnière 518: 498: 472: 390: 387: 258: 257: 253: 252: 244: 240: 239: 236: 228: 227: 224: 219: 216: 215: 210: 202: 201: 198: 194: 193: 190: 187: 184: 183: 178: 174: 173: 170: 167: 164: 163: 154: 150: 149: 139: 135: 134: 129: 125: 124: 121: 117: 116: 102:Stephen Hudson 95: 91: 90: 85: 81: 80: 75: 71: 70: 59: 26: 9: 6: 4: 3: 2: 8278: 8267: 8264: 8262: 8259: 8257: 8254: 8252: 8249: 8247: 8244: 8242: 8239: 8237: 8234: 8232: 8229: 8227: 8224: 8222: 8219: 8217: 8214: 8212: 8209: 8207: 8206:Künstlerroman 8204: 8202: 8199: 8197: 8194: 8192: 8189: 8187: 8184: 8182: 8179: 8177: 8174: 8172: 8169: 8167: 8164: 8162: 8159: 8157: 8154: 8152: 8149: 8147: 8144: 8142: 8139: 8137: 8134: 8132: 8129: 8127: 8124: 8122: 8119: 8117: 8114: 8112: 8109: 8107: 8104: 8103: 8101: 8088: 8078: 8077: 8076:Postmodernism 8071: 8070: 8062: 8055: 8051: 8048: 8044: 8041: 8037: 8034: 8030: 8027: 8023: 8020: 8019:Metamodernism 8016: 8013: 8009: 8006: 8002: 7999: 7995: 7992: 7988: 7985: 7984:New Hollywood 7981: 7978: 7974: 7971: 7967: 7964: 7960: 7957: 7953: 7950: 7946: 7943: 7939: 7936: 7932: 7929: 7925: 7922: 7918: 7915: 7911: 7908: 7904: 7899: 7895: 7892: 7888: 7885: 7881: 7880: 7878: 7877:Impressionism 7874: 7871: 7867: 7864: 7860: 7857: 7853: 7850: 7846: 7843: 7839: 7836: 7832: 7829: 7825: 7822: 7818: 7815: 7811: 7808: 7804: 7801: 7797: 7794: 7790: 7787: 7783: 7779: 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5396: 5393: 5389: 5386: 5382: 5379: 5375: 5372: 5368: 5365: 5361: 5358: 5354: 5353: 5351: 5349: 5345: 5338: 5334: 5331: 5327: 5324: 5320: 5317: 5313: 5310: 5306: 5303: 5299: 5296: 5292: 5289: 5285: 5282: 5278: 5275: 5271: 5268: 5264: 5261: 5257: 5254: 5250: 5247: 5243: 5240: 5236: 5233: 5229: 5226: 5222: 5219: 5215: 5212: 5208: 5205: 5201: 5198: 5194: 5191: 5187: 5184: 5180: 5177: 5173: 5170: 5166: 5163: 5159: 5156: 5152: 5149: 5145: 5142: 5138: 5135: 5131: 5128: 5124: 5121: 5117: 5114: 5110: 5107: 5103: 5100: 5096: 5095: 5093: 5091: 5087: 5084: 5082: 5081:Literary arts 5078: 5071: 5067: 5064: 5060: 5057: 5053: 5050: 5046: 5043: 5039: 5033: 5032: 5026: 5025: 5023: 5022:Neoplasticism 5019: 5016: 5012: 5009: 5005: 5002: 4998: 4993: 4989: 4988: 4986: 4985:Functionalism 4982: 4979: 4975: 4970: 4966: 4962: 4961: 4955: 4951: 4950: 4944: 4943: 4941: 4940:Expressionism 4937: 4934: 4930: 4927: 4923: 4920: 4916: 4913: 4912:Ashcan School 4909: 4905: 4904: 4898: 4894: 4893: 4887: 4884: 4880: 4879: 4877: 4873: 4869: 4862: 4857: 4855: 4850: 4848: 4843: 4842: 4839: 4827: 4826: 4825:Jean Santeuil 4822: 4820: 4819: 4815: 4813: 4812: 4808: 4806: 4805: 4801: 4800: 4798: 4794: 4788: 4787: 4783: 4781: 4780: 4776: 4774: 4773: 4769: 4767: 4766: 4762: 4760: 4759: 4755: 4753: 4752: 4748: 4746: 4745: 4741: 4740: 4738: 4736: 4735: 4730: 4726: 4725:Marcel Proust 4718: 4713: 4711: 4706: 4704: 4699: 4698: 4695: 4683: 4682: 4678: 4677: 4675: 4671: 4664: 4663: 4659: 4656: 4655: 4651: 4650: 4648: 4644: 4637: 4636: 4632: 4629: 4628: 4627:Time Regained 4624: 4621: 4620: 4619:Swann in Love 4616: 4615: 4613: 4609: 4605: 4604: 4599: 4598:Marcel Proust 4592: 4587: 4585: 4580: 4578: 4573: 4572: 4569: 4562: 4560: 4555: 4551: 4547: 4543: 4541: 4534: 4531: 4528: 4525: 4522: 4519: 4516: 4514:: French text 4513: 4510: 4507: 4503: 4502: 4498: 4495: 4491: 4488: 4486: 4482: 4481: 4477: 4476: 4467: 4466:0-670-88057-4 4463: 4459: 4458:Marcel Proust 4455: 4453: 4452:0-520-07874-8 4449: 4445: 4441: 4437: 4435: 4434:0-684-83984-9 4431: 4427: 4423: 4420: 4416: 4412: 4409: 4405: 4404:The Birth of 4401: 4398: 4396: 4392: 4388: 4384: 4381: 4377: 4375: 4374:0-679-44275-8 4371: 4367: 4363: 4361: 4360:0-300-08145-6 4357: 4353: 4349: 4348: 4336: 4331: 4327: 4322: 4319: 4318:0-8014-8132-5 4315: 4311: 4306: 4303: 4302:0-14-100203-4 4299: 4295: 4290: 4288: 4287:0-393-32180-0 4284: 4280: 4276: 4273: 4269: 4266: 4265:0-14-118035-8 4262: 4258: 4254: 4249: 4246: 4245:0-394-50041-5 4242: 4238: 4233: 4230: 4229:0-394-71182-3 4226: 4222: 4217: 4214: 4210: 4206: 4203: 4199: 4196: 4195:2-7453-0956-0 4192: 4188: 4183: 4182: 4180: 4179: 4169: 4166:Ozeki, Ruth, 4163: 4156: 4150: 4134: 4130: 4125: 4121: 4115: 4099: 4095: 4088: 4072: 4068: 4067: 4062: 4055: 4040: 4036: 4035: 4030: 4023: 4015: 4013:0-7493-0226-7 4009: 4004: 4003: 3994: 3992: 3985: 3984:0-9715688-0-4 3981: 3977: 3971: 3956: 3952: 3951: 3946: 3940: 3924: 3920: 3916: 3910: 3904: 3900: 3897: 3892: 3877: 3873: 3869: 3862: 3855: 3851: 3848: 3844: 3839: 3824: 3820: 3816: 3811: 3806: 3802: 3798: 3794: 3790: 3786: 3785: 3780: 3773: 3764: 3757: 3753: 3748: 3733: 3729: 3725: 3718: 3703: 3699: 3693: 3689: 3688: 3680: 3674: 3670: 3667: 3662: 3646: 3642: 3636: 3621: 3617: 3613: 3606: 3598: 3591: 3582: 3574: 3568: 3553: 3549: 3542: 3534: 3530: 3523: 3516: 3510: 3503: 3499: 3493: 3478: 3474: 3468: 3461: 3457: 3454: 3450: 3446: 3443: 3437: 3429: 3417: 3401: 3397: 3391: 3387: 3383: 3379: 3378: 3370: 3362: 3355: 3349: 3344: 3337: 3333: 3329: 3326: 3322: 3321:Bragg, Melvyn 3317: 3301: 3297: 3291: 3277:on 2024-02-16 3276: 3272: 3271: 3270:Library Thing 3266: 3260: 3252: 3250:0-8014-3595-1 3246: 3242: 3235: 3227: 3223: 3219: 3215: 3211: 3207: 3203: 3199: 3195: 3191: 3184: 3175: 3173: 3165: 3159: 3153: 3149: 3145: 3144: 3139: 3135: 3131: 3130: 3123: 3116: 3109: 3102: 3101:Marcel Proust 3096: 3089: 3085: 3082: 3078: 3074: 3071: 3065: 3058: 3054: 3051: 3049: 3045: 3041: 3034: 3027: 3026: 3019: 3015: 3012: 3011: 3000: 2999:Mono no aware 2997: 2995: 2990: 2986: 2985: 2981: 2980:Novels portal 2975: 2970: 2960: 2956: 2952: 2951: 2946: 2942: 2940: 2936: 2935: 2930: 2926: 2923: 2919: 2918:panic attacks 2915: 2911: 2910:Fortunate Son 2907: 2906: 2901: 2898: 2897: 2892: 2888: 2885: 2881: 2880: 2875: 2872: 2868: 2867: 2862: 2861: 2856: 2852: 2849: 2845: 2841: 2837: 2833: 2829: 2828: 2823: 2820: 2817:'s 1955 book 2816: 2813: 2810: 2806: 2802: 2801:Lauren Bacall 2798: 2797: 2796:The Big Sleep 2792: 2788: 2787: 2778: 2774: 2770: 2766: 2763: 2760: 2756: 2752: 2751: 2746: 2743: 2740: 2736: 2732: 2728: 2727:Harold Pinter 2725:adapted from 2724: 2720: 2719: 2715: 2714: 2713: 2712: 2705: 2701: 2697: 2693: 2689: 2685: 2681: 2680: 2676: 2673: 2667: 2662: 2658: 2654: 2653: 2649: 2646: 2642: 2638: 2634: 2633: 2629: 2626: 2622: 2618: 2615: 2612: 2608: 2604: 2600: 2599:Harold Pinter 2596: 2595: 2591: 2588: 2584: 2580: 2579:Philip Prowse 2576: 2573: 2570: 2566: 2562: 2558: 2554: 2551: 2550: 2549: 2548: 2541: 2537: 2536: 2532: 2529: 2525: 2521: 2520: 2516: 2513: 2509: 2505: 2501: 2498: 2493: 2489: 2488: 2487: 2486: 2479: 2475: 2474: 2470: 2467: 2463: 2459: 2455: 2451: 2449: 2443: 2442: 2441:Time Regained 2438: 2435: 2431: 2427: 2423: 2421: 2415: 2414: 2413:Swann in Love 2410: 2407: 2406:Time Regained 2403: 2399: 2395: 2393: 2387: 2386: 2382: 2381: 2380: 2379: 2372: 2368: 2367:Neville Jason 2364: 2361: 2360: 2359: 2358: 2351: 2347: 2343: 2342: 2338: 2335: 2331: 2327: 2326:graphic novel 2323: 2319: 2315: 2311: 2308: 2305: 2304:Harold Pinter 2301: 2298: 2297: 2296: 2295: 2283: 2282:Time Regained 2280: 2277: 2274: 2271: 2268: 2265: 2262: 2259: 2255: 2254:Time Regained 2252: 2251: 2250: 2244: 2241: 2238: 2234: 2231: 2230: 2229: 2223: 2220: 2219: 2218: 2212: 2209: 2208: 2207: 2201: 2198: 2197: 2196: 2190: 2187: 2184: 2181: 2180: 2179: 2173: 2172:The Swann Way 2170: 2167: 2166:Swann in Love 2164: 2161: 2157: 2156:Swann in Love 2154: 2151: 2147: 2143: 2140: 2137: 2133: 2130: 2127: 2123: 2120: 2119: 2118: 2107: 2103: 2100: 2097: 2093: 2092:The Swann Way 2090: 2089: 2086:Oxford Proust 2078: 2074: 2070: 2069:0-14-303931-8 2066: 2063: 2059: 2058:0-14-303922-9 2055: 2052: 2048: 2047:0-14-303907-5 2044: 2041: 2037: 2036:0-14-243796-4 2033: 2029: 2025: 2021: 2020: 2018: 2014: 2011: 2010: 2000: 1996: 1993: 1989: 1985: 1982: 1978: 1974: 1971: 1967: 1963: 1960: 1956: 1952: 1949: 1946:In progress: 1945: 1944: 1942: 1939: 1934: 1930: 1926: 1925: 1924: 1923:0-8129-6964-2 1920: 1916: 1915:Time Regained 1912: 1909: 1905: 1901: 1897: 1893: 1892: 1891: 1890:0-394-71243-9 1887: 1883: 1882:Time Regained 1879: 1876: 1871: 1867: 1863: 1859: 1855: 1851: 1847: 1846: 1844: 1840: 1837: 1836: 1830: 1827: 1825: 1820: 1818: 1814: 1810: 1806: 1802: 1798: 1797:Time Regained 1793: 1791: 1787: 1783: 1779: 1775: 1771: 1766: 1764: 1760: 1756: 1752: 1748: 1744: 1743:D. J. Enright 1740: 1736: 1732: 1728: 1724: 1720: 1716: 1715:Time Regained 1712: 1708: 1704: 1700: 1696: 1692: 1688: 1684: 1680: 1676: 1672: 1668: 1655: 1652: 1649: 1646: 1643: 1640: 1637: 1633: 1630: 1627: 1624: 1623: 1619: 1618: 1614: 1610: 1607: 1604: 1601: 1600: 1596: 1595: 1591: 1588: 1585: 1582: 1579: 1576: 1572: 1571: 1567: 1566: 1562: 1558: 1555: 1551: 1548: 1544: 1540: 1537: 1533: 1532: 1529: 1526: 1525: 1520: 1517: 1513: 1510: 1506: 1502: 1501: 1497: 1496: 1492: 1489: 1486: 1483: 1480: 1475: 1470: 1465: 1461: 1457: 1454: 1450: 1446: 1442: 1441: 1437: 1436: 1432: 1429: 1426: 1423: 1420: 1417: 1414: 1410: 1406: 1402: 1401: 1397: 1396: 1391: 1382: 1380: 1376: 1372: 1371:San Francisco 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1339: 1337: 1332: 1331:Nancy Mitford 1328: 1327: 1322: 1317: 1315: 1311: 1307: 1306: 1301: 1297: 1293: 1289: 1288: 1283: 1279: 1278:Michael Dirda 1275: 1274:nouveau roman 1271: 1267: 1263: 1262:J. Peder Zane 1259: 1255: 1254: 1249: 1245: 1241: 1237: 1236: 1231: 1227: 1223: 1219: 1215: 1213: 1212: 1206: 1205:Edith Wharton 1202: 1198: 1194: 1185: 1183: 1179: 1175: 1170: 1166: 1161: 1159: 1158:Reynaldo Hahn 1155: 1149: 1145: 1143: 1139: 1135: 1134:homosexuality 1128:Homosexuality 1125: 1121: 1119: 1115: 1111: 1106: 1100:Nature of art 1097: 1093: 1084: 1082: 1078: 1075: 1071: 1066: 1061: 1056: 1053: 1051: 1050:Sigmund Freud 1047: 1043: 1039: 1038:Time Regained 1035: 1024: 1021: 1014: 1012: 1008: 1005: 1001: 997: 993: 988: 979: 975: 972: 968: 963: 957: 953: 949: 943: 942:Time Regained 937: 935: 934: 928: 922: 916: 913: 904: 900: 894: 891:Volume Five: 888: 884: 880: 878: 869: 865: 861: 855: 852:Volume Four: 849: 845: 843: 838: 829: 825: 824: 819: 813: 807: 805: 801: 795: 788: 785:The beach at 783: 777: 771: 769: 764: 761: 757: 753: 749: 744: 742: 738: 729: 728:Musée d'Orsay 725: 721: 716: 709: 704: 698: 692: 681: 677: 673: 669: 668: 667:Time Regained 663: 659: 658: 654: 651: 647: 643: 639: 635: 631: 627: 623: 619: 615: 611: 607: 606: 602: 599: 595: 590: 586: 585: 580: 576: 575: 571: 566: 562: 557: 552: 548: 544: 540: 536: 532: 528: 524: 523: 519: 516: 512: 508: 504: 503: 499: 496: 495:Prix Goncourt 492: 488: 487: 482: 478: 477: 473: 469: 467: 460: 456: 452: 448: 444: 440: 436: 431: 427: 426: 421: 417: 413: 412: 408: 407: 406: 400: 395: 386: 384: 380: 376: 372: 367: 365: 364: 359: 358: 357:Jean Santeuil 353: 349: 345: 340: 337: 333: 329: 327: 326:D. J. Enright 323: 319: 315: 311: 306: 304: 300: 296: 295:Marcel Proust 292: 288: 287: 282: 281: 276: 275: 270: 266: 265: 254: 251:at Wikisource 250: 249: 245: 241: 237: 235: 233:LC Class 229: 225: 222: 221:Dewey Decimal 217: 214: 211: 209: 203: 199: 195: 191: 185: 182: 179: 175: 171: 165: 162: 158: 155: 151: 148:, 1890s–1900s 147: 143: 140: 136: 133: 130: 126: 122: 118: 115: 111: 107: 103: 99: 96: 92: 89: 86: 82: 79: 78:Marcel Proust 76: 72: 67: 63: 57: 52: 44: 40: 36: 34: 19: 8074: 8067: 7814:Ecomodernism 7722: 7710: 7698: 7686: 7674: 7662: 7652:The Firebird 7650: 7638: 7626: 7614: 7602: 7590: 7009: 6999:Citizen Kane 6997: 6988:Fallingwater 6978:Villa Savoye 6965: 6953: 6941: 6929: 6917: 6907:Black Square 6905: 6893: 6881: 6869: 6857: 6845: 6833: 6725:Le Corbusier 6653:Architecture 5666: 5654: 5642: 5632:Mrs Dalloway 5630: 5618: 5606: 5594: 5582: 5571: 5570: 5455:Lowell (Amy) 4823: 4816: 4809: 4802: 4784: 4777: 4770: 4763: 4756: 4749: 4742: 4733: 4732: 4679: 4660: 4652: 4633: 4625: 4617: 4602: 4601: 4558: 4550:the original 4539: 4500: 4478: 4457: 4442:. Berkeley: 4439: 4425: 4418: 4414: 4407: 4403: 4386: 4379: 4365: 4351: 4334: 4325: 4309: 4293: 4278: 4271: 4257:The Fugitive 4256: 4253:The Prisoner 4252: 4236: 4220: 4212: 4186: 4178:Bibliography 4177: 4176: 4167: 4162: 4154: 4149: 4137:. Retrieved 4132: 4120:Ghostarchive 4118:Archived at 4114: 4102:. Retrieved 4087: 4075:. Retrieved 4064: 4054: 4043:. Retrieved 4032: 4022: 4001: 3975: 3970: 3959:. Retrieved 3948: 3939: 3927:. Retrieved 3918: 3909: 3891: 3880:. Retrieved 3871: 3861: 3838: 3827:. Retrieved 3788: 3782: 3772: 3763: 3756:the original 3747: 3736:. Retrieved 3727: 3717: 3706:. Retrieved 3686: 3679: 3661: 3649:. Retrieved 3645:the original 3635: 3624:. Retrieved 3615: 3605: 3596: 3590: 3581: 3556:. Retrieved 3541: 3533:W. W. Norton 3528: 3522: 3514: 3509: 3492: 3481:. Retrieved 3467: 3436: 3404:. Retrieved 3376: 3369: 3360: 3354: 3343: 3316: 3304:. Retrieved 3299: 3290: 3279:. Retrieved 3275:the original 3268: 3259: 3240: 3234: 3193: 3189: 3183: 3163: 3158: 3142: 3128: 3122: 3115:Joshua Landy 3108: 3100: 3095: 3064: 3047: 3043: 3039: 3033: 3023: 3018: 3009: 3008: 2988: 2948: 2938: 2932: 2914:Tony Soprano 2905:The Sopranos 2903: 2894: 2883: 2877: 2870: 2864: 2858: 2843: 2832:Fish Licence 2825: 2818: 2794: 2791:Howard Hawks 2777:Derek Jacobi 2764: 2748: 2744: 2735:Ned Chaillet 2716: 2710: 2709: 2696:Loïc Corbery 2677: 2650: 2637:Off-Broadway 2630: 2624: 2616: 2606: 2592: 2574: 2561:Roland Petit 2552: 2546: 2545: 2533: 2524:Nigel Wattis 2517: 2490: 2484: 2483: 2471: 2445: 2439: 2434:Ornella Muti 2430:Jeremy Irons 2417: 2411: 2405: 2401: 2389: 2383: 2377: 2376: 2365:narrated by 2362: 2356: 2355: 2339: 2321: 2317: 2313: 2309: 2299: 2293: 2292: 2281: 2275: 2269: 2263: 2253: 2248: 2243:The Fugitive 2242: 2232: 2227: 2221: 2216: 2210: 2205: 2199: 2194: 2188: 2182: 2177: 2171: 2165: 2160:Brian Nelson 2155: 2145: 2141: 2131: 2126:James Grieve 2121: 2116: 2101: 2096:Brian Nelson 2091: 2076: 2073:The Prisoner 2072: 2061: 2050: 2039: 2027: 2023: 2017:The Fugitive 2016: 2012: 1991: 1980: 1969: 1958: 1947: 1940: 1932: 1928: 1914: 1910: 1903: 1899: 1895: 1881: 1877: 1869: 1868:(1929), and 1865: 1861: 1857: 1853: 1849: 1838: 1828: 1822:Since 2013, 1821: 1816: 1812: 1808: 1804: 1800: 1796: 1794: 1782:James Grieve 1769: 1767: 1762: 1750: 1734: 1730: 1726: 1722: 1714: 1710: 1706: 1705:(1929), and 1702: 1698: 1694: 1690: 1686: 1682: 1670: 1664: 1613:Jean Cocteau 1547:Paul Bourget 1536:Claude Monet 1445:aristocratic 1404: 1358: 1354: 1347:Edmund White 1340: 1324: 1321:Evelyn Waugh 1318: 1303: 1285: 1269: 1265: 1257: 1251: 1243: 1233: 1221: 1218:Harold Bloom 1216: 1209: 1192: 1191: 1181: 1173: 1162: 1150: 1146: 1141: 1137: 1131: 1122: 1117: 1113: 1109: 1107: 1103: 1094: 1090: 1063: 1058: 1054: 1037: 1031: 1019: 1016: 1009: 986: 985: 976: 964: 960: 955: 941: 931: 929: 925: 921:The Fugitive 920: 919:Volume Six: 908: 893:The Prisoner 892: 885: 881: 873: 863: 853: 846: 833: 821: 811: 799: 796: 792: 775: 774:Volume Two: 765: 745: 733: 696: 695:Volume One: 690: 675: 671: 666: 665: 661: 656: 655: 649: 641: 637: 633: 625: 621: 617: 613: 609: 605:The Fugitive 604: 603: 597: 593: 588: 583: 582: 578: 574:The Prisoner 573: 572: 564: 560: 550: 546: 538: 534: 530: 526: 521: 520: 514: 510: 506: 501: 500: 485: 484: 480: 475: 474: 463: 454: 446: 423: 419: 415: 410: 409: 404: 398: 382: 379:Edmund White 368: 361: 355: 341: 336:high-society 331: 330: 321: 320:. The title 317: 307: 290: 286:La Recherche 285: 284: 279: 278: 273: 263: 262: 261: 246: 114:James Grieve 87: 65: 62:galley proof 32: 8069:Romanticism 8026:Remodernism 7907:Incoherents 7766:Avant-garde 7757:Armory Show 7364:Maeterlinck 7267:Villa-Lobos 7253:Szymanowski 7232:Stockhausen 7169:Lutosławski 6887:(1909–1910) 5687:Visual arts 5660:(1928–1940) 5576:(1913–1927) 5099:Apollinaire 5063:Synchromism 4903:Art Nouveau 3919:BBC Radio 4 3872:Independent 3795:: 184–198. 3462:March 1997. 3336:BBC Radio 4 2871:Swann's Way 2836:Mr. Praline 2815:Andy Warhol 2773:BBC Radio 4 2759:James Wilby 2755:BBC Radio 4 2739:BBC Radio 3 2664: [ 2643:, music by 2567:in 1974 by 2495: [ 2398:Fabio Carpi 2289:Adaptations 2222:The Captive 2150:Lydia Davis 2146:Swann's Way 2132:Swann's Way 2028:Swann's Way 2022:Six books: 1948:Swann's Way 1927:Six books: 1866:The Captive 1850:Swann's Way 1848:Ten books: 1778:Lydia Davis 1759:concordance 1731:Temps perdu 1727:Remembrance 1703:The Captive 1687:Swann's Way 1675:Shakespeare 1561:Jean Racine 1467: [ 1447:, decadent 1405:The Captive 1220:wrote that 1142:Swann's Way 1140:section of 1114:Swann's Way 1112:section of 1000:Leo Tolstoy 996:Victor Hugo 967:World War I 868:John Martin 826:(1905), by 697:Swann's Way 676:Swann's Way 638:La Fugitive 634:La Fugitive 614:La Fugitive 584:The Captive 549:(1921) and 491:World War I 411:Swann's Way 381:pronounced 366:(1908–09). 243:Translation 138:Set in 110:Lydia Davis 94:Translators 8100:Categories 7956:Maximalism 7891:Literature 7566:Wiesenthal 7468:Cunningham 7461:Balanchine 7441:Witkiewicz 7413:Strindberg 7399:Pirandello 7371:Mayakovsky 7246:Stravinsky 7218:Schoenberg 7030:Performing 6955:Metropolis 6746:Mendelsohn 6551:Rossellini 6544:Richardson 6355:Fassbinder 6341:Eisenstein 6278:Cassavetes 6034:Modigliani 5908:Goncharova 5894:Giacometti 5288:Dos Passos 5090:Literature 5049:Surrealism 4960:Die Brücke 4045:2022-09-05 3961:2022-09-05 3882:2014-01-02 3829:2021-06-02 3738:2023-11-29 3708:2020-11-12 3651:January 2, 3626:2019-12-18 3558:2014-01-02 3483:2014-01-02 3475:. Lib.ru. 3406:17 January 3281:2024-02-14 3146:, p. 122. 2945:Ruth Ozeki 2939:Lost Time. 2912:" (2001), 2855:Gene Wolfe 2834:" sketch, 2723:radio play 2538:(2011) by 2528:Roger Rees 2485:Television 2473:La Captive 2350:Vintage UK 1774:Allen Lane 1638:of Marcel. 1498:The Swanns 1373:, and the 1253:Petersburg 1176:(1990) by 1081:Baudelaire 971:sanatorium 710:in homage. 445:, 316–7). 430:André Gide 352:unfinished 291:The Search 238:PQ2631.R63 8005:Pulp noir 7963:Modernity 7828:Film noir 7552:St. Denis 7475:Diaghilev 7211:Schaeffer 7134:Hindemith 7106:Dutilleux 7078:Boulanger 6883:The Dance 6579:Tarkovsky 6572:Sternberg 6404:Hitchcock 6320:Dovzhenko 6236:Antonioni 6181:Stieglitz 6020:Metzinger 5971:Kokoschka 5950:Kandinsky 5364:Aldington 5357:Akhmatova 5274:Marinetti 5267:Mansfield 5218:Hemingway 5056:Symbolism 4875:Movements 4868:Modernism 4681:Albertine 4546:glbtq.com 4104:March 30, 4077:March 30, 3929:9 October 3819:1468-2931 3426:ignored ( 3416:cite book 3226:163853078 3210:0030-8129 3132:, p. 36. 3040:The Ghost 2884:Lost Time 2635:, a 2003 2603:Di Trevis 2526:starring 2506:starring 2456:starring 2454:Raúl Ruiz 2428:starring 2341:Albertine 2249:Volume 7 2228:Volume 6 2217:Volume 5 2206:Volume 4 2195:Volume 3 2178:Volume 2 2117:Volume 1 1805:Telegraph 1792:imprint. 1683:Recherche 1679:Sonnet 30 1636:alter ego 1516:courtesan 1296:Montaigne 1077:platonism 1042:flashback 1034:madeleine 1004:symbolism 933:Le Figaro 912:Trocadéro 748:courtesan 737:madeleine 303:madeleine 192:1922–1931 172:1913–1927 161:Gallimard 153:Publisher 132:Modernist 8087:Category 7688:Fountain 7592:Don Juan 7531:Nijinsky 7427:Wedekind 7406:Piscator 7301:Anderson 7225:Scriabin 7141:Honegger 6795:Sullivan 6781:Saarinen 6774:Rietveld 6767:Niemeyer 6739:Melnikov 6669:Bunshaft 6600:Truffaut 6565:Sjöström 6509:Pudovkin 6481:Minnelli 6446:Kurosawa 6439:Kuleshov 6369:Flaherty 6195:Vuillard 6174:Steichen 6132:Rousseau 6097:Pissarro 6076:O'Keeffe 6041:Mondrian 5992:Malevich 5985:Magritte 5957:Kirchner 5901:van Gogh 5852:Doesburg 5831:Delaunay 5824:Delaunay 5747:Brâncuși 5733:Boccioni 5696:Painting 5546:Williams 5469:Mallarmé 5385:Cendrars 5295:Platonov 5253:Lawrence 5246:Koestler 5183:Flaubert 5176:Faulkner 5141:Bulgakov 5070:Tonalism 5031:De Stijl 5015:Lettrism 5001:Futurism 4892:Art Deco 4506:LibriVox 4446:, 1992. 4213:Guardian 4205:Archived 4122:and the 4098:Archived 4071:Archived 4039:Archived 3955:Archived 3923:Archived 3899:Archived 3876:Archived 3850:Archived 3823:Archived 3732:Archived 3702:Archived 3669:Archived 3620:Archived 3567:cite web 3552:Archived 3477:Archived 3456:Archived 3445:Archived 3400:Archived 3328:Archived 3148:Archived 3134:Archived 3084:Archived 3073:Archived 3053:Archived 2989:Le Monde 2966:See also 2955:Harajuku 2803:) tells 2613:in 2000. 2336:in 1988. 2148:(US) by 1902:Vol. 3: 1898:Vol. 2: 1801:Observer 1449:aesthete 1305:Commedia 1264:'s book 1074:romantic 756:Vinteuil 687:Synopsis 680:Terdiman 497:in 1919. 146:Normandy 120:Language 60:A first 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