47:
436:
127:
443:(bars marked E in the score above) is not played. Instead, motif D is repeated so as to switch back to D major and to the re-exposition of the fanfare theme. This is followed by the re-exposition of "God Save the King", now in the main key (D major) and adopting the pace of a "Tempo di menuetto moderato". Again the final cadence (E) is avoided and replaced by successive repetition of motif D, this time leading to a coda in imitative style. This fugal section ("Allegro") starts as a string octet (later joined by the full orchestra) with the phrase
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778:
176:
This performance, which featured 100 musicians, has been noted as being particularly loud. Corinna da
Fonseca-Wollheim described it as a "sonic assault on the listener" and the "beginning of a musical arms race for ever louder... symphonic performance", quoting an unnamed attendee as remarking that
142:, a contraption that was able to play many of the military band instruments of the day. However, Beethoven wrote a composition for large band (100 musicians), so large that Maelzel could not build a machine large enough to perform the music. As an alternative, Beethoven rewrote the
484:. It never caught on as anything more than a curiosity. Nonetheless, Mälzel toured Europe showing off Beethoven's work on the mechanical trumpeter and the enthusiasm for the music convinced Beethoven to turn it into a full-blown "victory
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the performance was "seemingly designed to make the listener as deaf as its composer". Musicologist Frédéric Döhl described performances of this work as "not like an evening at the
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567:
Beethoven was well aware of the triviality of the work and responded to similar criticism in his own time: "What I shit is better than anything you could ever think up!"
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The novelty of the work has waned, and "Wellington's
Victory" is not performed often today. Many critics lump it into a category of so-called "battle pieces", along with
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If this first part is pictorial music, the second is far from vulgar and exhibits some typical
Beethoven composing techniques. It can be considered as a
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111:. Composition stretched from August to first week of October 1813, and the piece proved to be a substantial moneymaker for Beethoven.
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107:. It is known sometimes as "The Battle Symphony" or "The Battle of Vitoria", and was dedicated to the Prince Regent, later King
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17:
169:, with Beethoven conducting. It was immediately popular with concertgoers. Also on the programme were the premiere of his
138:
talked him into writing a composition commemorating this battle that he could notate on his 'mechanical orchestra', the
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derived from the anthem's phrase B, thus building up a little double fugue. It all ends with a section based on motif
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stemming from phrase A of the "God Save the King" tune. Later a second phrase joins in, still in imitative style,
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describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses "
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wrote that "Beethoven's contribution lacks the serious pretentiousness or the incorporation of ideology of
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Cf. first edition by S.A. Steiner & Co., Vienna, December 1815. The complete score, available from
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in D major, which switches to the distant key of B-flat major for the second theme. This is "
410:, perhaps because playing "La Marseillaise" was considered treasonous in Vienna at the time.
278:. On stage there are two 'sides', British and French, both playing the same instruments: two
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In the orchestral percussion section one player plays the timpani, the other three play the
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The first version of "Wellington's
Victory" was not written for an orchestra.
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The manuscript of the second part of this version was discovered by
340:. Statements consisting only of original research should be removed.
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392:" ("Marlborough has left for the war", also popularized today as "
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30:"Battle Symphony" redirects here. For the Linkin Park song, see
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Cultural depictions of Arthur
Wellesley, 1st Duke of Wellington
396:") for the French side. Beethoven may have elected to not use "
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622:"Loud, Louder, Loudest: How Classical Music Started to Roar"
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The autograph manuscript of the work is preserved in the
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and a work performed by
Maelzel's mechanical trumpeter.
742:, composer's autograph manuscript, Berlin State Library
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for orchestra, added a first part and renamed the work
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Wellington's
Victory: Battle of Waterloo – 18 June 1815
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91, is a 15-minute-long orchestral work composed by
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134:After the Battle of Vitoria, Beethoven's friend
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99:in Germany thus ending the rule of Bonaparte's
73:Wellingtons Sieg oder die Schlacht bei Vittoria
756:Wellington's Victory or the Battle of Vittoria
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738:Wellington's Victory or the Battle of Vittoria
181:, but rather like a modern-day rock concert".
619:Corinna da Fonseca-Wollheim (17 April 2020).
751:, copyist's manuscript, Berlin State Library
665:For similar key shifts see for instance the
495:in a revised copy by the author (Hess 108).
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192:is something of a musical novelty. The full
564:termed the piece an "atrocious potboiler".
298:, played by eight to ten instrumentalists.
157:on 8 December 1813 at a concert to benefit
693:, p. 401. London: Faber & Faber, 1971.
476:, known today primarily for patenting the
732:International Music Score Library Project
675:and many other mature works by Beethoven.
356:Learn how and when to remove this message
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232:, a large percussion battery (including
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27:1813 orchestral composition by Beethoven
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400:" to represent the French forces, as
814:Compositions by Ludwig van Beethoven
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368:The work has two parts: the Battle (
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829:Compositions for symphony orchestra
122:Composition, premiere and reception
85:Marquess (later Duke) of Wellington
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32:Battle Symphony (Linkin Park song)
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284:englisches/französisches Trommeln
153:The piece was first performed in
95:in Spain on 21 June 1813 and the
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433:", the British national anthem:
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650:The Bear Went Over the Mountain
548:Symphonie funèbre et triomphale
50:Title page of the first edition
824:Mechanical musical instruments
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421:section, features an extended
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390:Malbrough s'en va-t-en guerre
654:For He's a Jolly Good Fellow
394:For He's a Jolly Good Fellow
388:" for the British side and "
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598:"Beethoven, Siegessinfonie"
336:the claims made and adding
130:Bust of the composer (1812)
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294:in the score), two (four)
101:Confederation of the Rhine
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809:1813 in military history
165:soldiers wounded at the
37:For the board game, see
707:, for orchestra, Op. 91
560:, Wallace Brockway and
425:. The first theme is a
97:German campaign of 1813
819:Napoleonic Wars in art
417:that, stripped of the
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136:Johann Nepomuk Maelzel
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499:The composition today
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103:and the birth of the
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18:The Battle of Vitoria
705:Wellington's Victory
702:Michael Rodman.
538:Reformation Symphony
190:Wellington's Victory
148:Wellington's Victory
116:Berlin State Library
105:German Confederation
81:Ludwig van Beethoven
56:Wellington's Victory
690:The Classical Style
648:Also known now as "
439:However, the final
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179:Berlin Philharmonie
83:to commemorate the
628:The New York Times
525:Battle of the Huns
321:possibly contains
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562:Herbert Weinstock
533:Felix Mendelssohn
468:The panharmonicon
431:God Save the King
404:later did in the
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93:Battle of Vitoria
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634:23 November
604:6 September
505:Tchaikovsky
419:development
415:sonata form
402:Tchaikovsky
793:Categories
571:References
493:Willy Hess
346:April 2022
330:improve it
280:side drums
251:I and II,
236:and other
844:George IV
478:metronome
334:verifying
302:Structure
272:bass drum
238:artillery
226:trombones
210:clarinets
109:George IV
59:, or the
758:, Op. 91
749:, Op. 91
740:, Op. 91
711:AllMusic
541:, or of
486:overture
371:Schlacht
296:ratchets
276:triangle
224:, three
222:trumpets
214:bassoons
163:Bavarian
159:Austrian
441:cadence
427:fanfare
328:Please
286:in the
268:cymbals
249:violins
234:muskets
230:timpani
216:, four
202:piccolo
91:at the
769:Portal
671:, the
652:" or "
474:Mälzel
292:Kanone
259:, and
257:cellos
253:violas
220:, six
212:, two
208:, two
204:, two
198:flutes
155:Vienna
585:IMSLP
515:Liszt
288:score
218:horns
206:oboes
636:2020
606:2013
513:and
423:coda
274:and
200:, a
161:and
709:at
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535:'s
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517:'s
507:'s
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332:by
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77:Op.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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