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Talk box

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57: 22: 548:, conceived an alternative to the cumbersome and unsanitary talk box in mid-2014, imagining a neck-worn electronic system that would be easier to use. Bosko showed the ElectroSpit prototype in 2016, and launched a Kickstarter campaign in June 2018. The device sends sound into the mouth by way of electromagnetic transducers placed against the throat, allowing the user to shape the sounds of a synthesizer, guitar or any other electronic source. Bosko released the ElectroSpit product in 2019, showing it at the 2540: 1802: 314:
The Kustom Electronics device "The Bag" was the first mass market talk box and was housed in a decorative bag slung over the shoulder like a wine bottle. It used a 30-watt driver and was released to the mass music market in early 1969, two years before Bob Heil's talk box became widely available. The
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and a connection to a normal instrument speaker. A foot-operated switch on the box directs the sound either to the talk box speaker or to the normal speaker. The switch is usually a push-on/push-off type. The other end of the tube is taped to the side of a microphone, extending enough to direct the
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by shaping the frequency content of the sound and to apply speech sounds (in the same way as singing) onto the sounds of the instrument. Typically, a talk box directs sound from the instrument into the musician's mouth by means of a plastic tube adjacent to a vocal microphone. The musician controls
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The performer can vary the shape of the mouth and position of the tongue, changing the sound of the instrument being reproduced by the talk box speaker. The performer can mouth words, with the resulting effect sounding as though the instrument is speaking. This "shaped" sound exits the performer's
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When activated, the sound from the amplifier is reproduced by the speaker in the talk box and directed through the tube into the performer's mouth. The shape of the mouth filters the sound, with the modified sound being picked up by the microphone. The shape of the mouth changes the
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The sound can be that of any musical instrument, but the effect is most commonly associated with the guitar. The rich harmonics of an electric guitar are shaped by the mouth, producing a sound very similar to voice, effectively allowing the guitar to appear to "speak".
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that sits on the floor and contains a speaker attached with an airtight connection to a plastic tube; however, it can come in other forms, including homemade, usually crude, versions, and higher quality custom-made versions. The speaker is generally in the form of a
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was an obvious candidate for both the talk box and the vocoder, experimenting with merging voice and instrument into a single unified sound. The effect was employed during the lengthy guitar solo sections of "Raving and Drooling" and "You've Got to Be Crazy" on the
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tour. Heil and Walsh, both avid ham radio operators (K9EID and WB6ACU, respectively), along with Walsh's guitar tech "Krinkle", combined a 250-watt JBL driver and suitable hi-pass filter which was used for Walsh's single
285:. Drake's device consisted of an 8-inch paper cone speaker driver attached to a funnel from which a clear tube brought the sound to the performer's mouth. It was only loud enough to be useful in the recording studio. 475:
in the later 1960s. Frampton acquired one as a Christmas present from Bob Heil in 1974. It was a hand-built talk box in a fiberglass box using a 100-watt high-powered driver. This was the Heil talk box used for the
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by the singer themselves. On the other hand, vocoders process both the carrier and the modulator signal integrally, producing the output as a separate electric signal. They are also more common in different
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Bag is claimed to have been designed by Doug Forbes, who states that exactly the same concept (speaker attached to a plastic tube and inserted into the mouth) had previously been patented as an artificial
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attached to the performer's throat to produce sounds that the mouth shapes. The Sonovox was marketed and promoted by the Wright-Sonovox company, an affiliate of the Free & Peters advertising agency.
439:, claimed to have invented a version of the talk box during a Who tour of the US in 1976. "I built a speaker in a small box, attached a tube and put the tube in my mouth, allowing me to speak music." 168:
wired in such a way as to modulate his electric steel guitar sound. The mic, originally developed for military pilot communications, was placed on the throat of Rey's wife Luise King (one of
1091: 172:), who stood behind a curtain and mouthed the words, along with the guitar lines. The novel-sounding combination was called "Singing Guitar", and employed on stage and in the movie 137:: a talk box is often found in rock music due to its typical pairing with a guitar, whereas vocoders are almost always paired with synthesizers, and as such, are ubiquitous in 1238: 471:, he heard Drake using it with a pedal steel guitar. Frampton said in the same interview that the sound it produced reminded him of an audio effect he loved listening to on 179:
Rey also created a somewhat similar-sounding "talking" effect by manipulating the tone controls of his Fender electric guitar, but the vocal effect was less pronounced.
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tour and album. He then promptly locked himself away in a practice space for two weeks, and came out with some mastery of it. The success of the albums
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the modification of the instrument's sound by changing the shape of the mouth, "vocalizing" the instrument's output into a microphone.
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are often conflated by listeners. However, they have radically different mechanisms for achieving the effect. Talk boxes send the
1492: 1266: 423:". Walsh gives credit to Bill West, an electrical engineer, Nashville steel guitarist and first husband of country-music legend 1112: 230:, in June 1940. The Sonovox was used to produce the "voice" of the anthropomorphic train Casey Jr. in the 1941 animated films 2519: 493: 410:. The device was the first that could be reliable when used on high-level rock stages. His first Heil talk box was built for 808: 1046: 976: 2569: 273:, in what came to be called his "talking steel guitar". The following year Gallant released three albums with the box, 2068: 1623: 1070: 1134: 1883: 232: 2053: 1280: 640: 1831: 1368: 326: 191:, invented by Gilbert Wright in 1939. Instead of a throat microphone modulating a guitar signal, it used small 686: 2238: 1863: 1757: 1410: 827: 2589: 2433: 2258: 2175: 2099: 1937: 586: 446:, which built the Heil talk box to the exact standards that Heil designed in 1973. (Now out of production) 2453: 1868: 1777: 1164: 764: 2200: 2109: 1348: 443: 394: 338: 242:, and was also used for the "talking piano" in a children's record issued on Capitol Records entitled 2423: 2321: 2301: 2142: 1967: 1906: 1824: 1531: 1516: 1507: 1361: 1239:"Reinventing Instruments, Winning a Grammy, and Beating the Odds: Artiphon and ElectroSpit Creators…" 420: 917: 903: 499:
Frampton also now sells his own line of custom-designed "Framptone" products, including a talk box.
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gave the talk box its first national television prominence, performing a medley of The Carpenters' "
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features Eric Clapton using a talk box during his outgoing solo on the song "Mainline Florida".
2574: 1618: 489: 389: 1252: 2190: 2104: 1442: 1052: 381: 330: 1186: 2331: 2296: 1942: 1917: 1542: 1512: 765:"Watch Lucille Ball demo a 1939 ancestor of the "talk box" famously used by Peter Frampton" 463: 93: 1004:"A Conversation with Bob Heil—the Master of Game-Changing Microphone Technology – The HUB" 8: 2015: 1457: 1322: 1285: 635: 526: 348: 736: 691:
Message: 347458. Bob Heil responds about the origin of the Talk Box. Posted June 6, 2008
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Another early voice effect using the same principle of the throat as a filter was the
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content of the sound in the same way it affects the harmonic content generated by the
2253: 2137: 2114: 1975: 1415: 1405: 457:, Frampton says he first heard the talk box in 1970 while sitting in on sessions for 165: 220: 2428: 2367: 2326: 2233: 2210: 2180: 2025: 1985: 1855: 1847: 1719: 1628: 1547: 472: 415: 352: 169: 138: 86: 453:
made extensive use of the talk box in his music. In an interview for the 1999 DVD
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Effects unit that allows musicians to modify the sound of a musical instrument
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mouth, and when it enters a microphone, an instrument/voice hybrid is heard.
77: 427:, for inventing the talk box for him in a 2006 interview with Howard Stern. 2268: 2228: 2170: 2063: 2033: 1990: 1912: 1762: 1729: 1704: 1699: 1582: 1462: 1425: 1420: 1400: 1021: 717: 357: 289: 216: 45: 1065: 877: 524:. Also from 1977, Johnnie "Guitar" Watson used a talk box. The 1974 album 2509: 2504: 2463: 2448: 2372: 2357: 2316: 2273: 2089: 1752: 1736: 1679: 1669: 1633: 1613: 1452: 1142: 936:"Beck, Bogert, & Appice - Superstition - Santa Monica May '73 stereo" 789: 580:
running an effects program was used to create the voice of the character
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The first use in music was a score by Ernst Toch in the Paramount film
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The box has connectors for the connection to the speaker output of an
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ProSoundWeb. Forum: Recording Engineering & Production. Thread:
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in 1974 in which he also explains its use to the host of the show.
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show in 1972. The performance was later sampled on Frank Ocean's "
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with a talk box, the tube being attached to the microphone (2022)
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made one of her earliest film appearances during the 1930s in a
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Another prominent use of the talking steel guitar appears in
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Letter from Gilbert Wright to Melville Clark, 28 April 1940.
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recorded the talk box effect atop an already-recorded
552:. Early users of the ElectroSpit include P-Thugg of 1281:"This Kickstarter Completely Reinvents the Talkbox" 1088:"I'm In You: Peter Frampton Still Feels Like We Do" 199:The Sonovox was used in many radio station IDs and 97:reproduced sound in or near the performer's mouth. 1267:"ElectroSpit ESX-1 Tubeless Talkbox at NAMM 2019" 406:The first high-powered talk box was developed by 351:" at a Santa Monica concert. He also used it on " 2556: 956:"Beck, Bogart & Appice - Superstition -1973" 302:spoke through a talk box, distorting the phrase 298:, released in 1965. In the song "Silver Bells", 1253:"ElectroSpit takes the tube out of the talkbox" 442:In 1988, Heil sold the manufacturing rights to 89:with the horn replaced by the tube connection. 48:that allows musicians to modify the sound of a 703:"Means and method for producing sound effects" 1832: 1369: 545:Sir Lucious Left Foot: The Son of Chico Dusty 401: 825: 2459:Professional Lighting and Sound Association 809:"The Ventures A Go-Go in the New Millenium" 347:used a Kustom Bag talk box in May 1973 on " 2049:Comparison of analog and digital recording 1839: 1825: 1376: 1362: 128:into the singer's mouth, where it is then 1783:Music technology (electronic and digital) 762: 661: 361:, and was seen using it for the song on 55: 20: 628: 538:Producer Bosko, who played talk box on 310:Kustom Electronics talk box ("The Bag") 251: 2557: 1323:National Talkbox Association's Website 1048:"Peter Frampton: More Alive Than Ever" 333:", both via a Kustom Bag, live on the 164:, amateur radio operator W6UK, used a 120:The effect produced by talk boxes and 2520:New Interfaces for Musical Expression 1820: 1357: 1846: 1383: 1338:The Effects Database Forum – The Bag 1211: 974: 826:O'Rourke, Sally (22 December 2016). 763:Pescovitz, David (8 February 2019). 488:, and particularly the hit singles " 269:, used a talk box on his 1964 album 571: 275:Pete Drake & His Talking Guitar 13: 1299: 715: 265:, a Nashville-based player of the 14: 2601: 2069:Reel-to-reel audio tape recording 1624:Recording studio as an instrument 1316: 1067:"Pete Drake: everyone's favorite" 1001: 734: 384:, which would eventually become " 279:Talking Steel and Singing Strings 149: 85:, the sound-generating part of a 2538: 1800: 806: 2054:Experimental musical instrument 1293: 1273: 1259: 1245: 1231: 1205: 1179: 1149: 1127: 1105: 1079: 1058: 1039: 1014: 995: 968: 948: 928: 910: 888: 870: 845: 819: 800: 629:Fortner, Stephen (1 May 2011). 1008:The HUB from Musician's Friend 811:. 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Gibson Guitar Corporation 882:dougforbes1.googlepages.com 631:"How It Works: TALKBOX 101" 593: 576:A talk box connected to an 223:demonstrating the Sonovox. 71: 10: 2606: 2201:Sound reinforcement system 2110:Sound reinforcement system 444:Dunlop Manufacturing, Inc. 402:Heil high-powered talk box 255: 182: 153: 144: 2570:Digital signal processing 2534: 2482: 2424:Audio Engineering Society 2416: 2340: 2322:Software effect processor 2302:Digital audio workstation 2287: 2209: 2151: 2143:Digital signal processing 2128: 2082: 2024: 1966: 1907:Digital audio workstation 1882: 1854: 1796: 1745: 1652: 1591: 1481: 1391: 1102:– Monday, 25 October 2004 1094:22 September 2007 at the 1073:27 September 2007 at the 76:A talk box is usually an 2515:Professional audio store 2417:People and organizations 2403:Sound recording engineer 1135:"Framptone product page" 1055:– Thursday, 13 June 2002 1022:"HEIL TALK BOX - Dunlop" 449:The classic rock artist 367:Five Faces of the Guitar 355:" from his 1975 release 205:JAM Creative Productions 166:carbon throat microphone 1933:Microphone preamplifier 1187:"Johnny Guitar WatsonP" 329:" and The Jackson 5's " 1874:Electronic and digital 1344:VULFPECK /// Poinciana 1328:GF Works Talkbox Index 737:"Machine Made Voices!" 490:Do You Feel Like We Do 211:advertising agency of 68: 29: 1695:Ghostwriters in music 788:REVIEW: Adams, Greg. 486:Frampton Comes Alive! 331:Never Can Say Goodbye 59: 24: 2332:Software synthesizer 2297:Digital audio editor 2083:Playback transducers 1943:Multitrack recording 906:on 3 September 2007. 478:Frampton Comes Alive 464:All Things Must Pass 283:Talking Steel Guitar 252:Talking steel guitar 245:Sparky's Magic Piano 236:and, most famously, 233:The Reluctant Dragon 94:instrument amplifier 2590:Tone, EQ and filter 643:on 24 November 2016 527:461 Ocean Boulevard 365:television program 2383:Re-recording mixer 2186:Keyboard amplifier 1902:Binaural recording 1609:Hip hop production 1269:. 9 February 2019. 1191:Movingtheriver.com 944:. 2 December 2011. 815:on 24 August 2011. 469:Abbey Road Studios 421:Rocky Mountain Way 267:pedal steel guitar 228:The Ghost Breakers 83:compression driver 69: 50:musical instrument 30: 2552: 2551: 2358:Guitar technician 2254:Music workstation 2138:Digital recording 2115:Speaker enclosure 2034:8-track cartridge 1976:Phonograph record 1814: 1813: 1416:Critical distance 1193:. 10 January 2016 975:McCulley, Jerry. 2597: 2543: 2542: 2541: 2429:Goji Electronics 2368:Monitor engineer 2327:Software sampler 2234:Electronic drums 2211:Electronic music 2181:Guitar amplifier 2026:Analog recording 1986:Compact cassette 1948:Music production 1856:Music technology 1848:Music technology 1841: 1834: 1827: 1818: 1817: 1805: 1804: 1803: 1720:Session musician 1385:Music production 1378: 1371: 1364: 1355: 1354: 1345: 1310: 1309: 1297: 1291: 1290: 1277: 1271: 1270: 1263: 1257: 1256: 1249: 1243: 1242: 1235: 1229: 1228: 1226: 1224: 1209: 1203: 1202: 1200: 1198: 1183: 1177: 1176: 1174: 1172: 1163:. 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1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1892:Audio channel 1890: 1889: 1887: 1885: 1881: 1875: 1872: 1870: 1867: 1865: 1862: 1861: 1859: 1857: 1853: 1849: 1842: 1837: 1835: 1830: 1828: 1823: 1822: 1819: 1809: 1808: 1795: 1789: 1786: 1784: 1781: 1779: 1776: 1774: 1771: 1769: 1766: 1764: 1761: 1759: 1758:Interpolation 1756: 1754: 1751: 1750: 1748: 1744: 1738: 1735: 1731: 1728: 1727: 1726: 1725:Backup singer 1723: 1721: 1718: 1716: 1713: 1711: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1667: 1665: 1658: 1655: 1654: 1651: 1645: 1642: 1640: 1639:Wall of Sound 1637: 1635: 1632: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1610: 1607: 1606: 1604: 1597: 1594: 1593: 1590: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1558:Octave effect 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1533: 1529: 1526: 1524: 1521: 1518: 1514: 1511: 1509: 1506: 1504: 1503:Chorus effect 1501: 1499: 1496: 1494: 1491: 1490: 1488: 1486: 1480: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1444: 1441: 1437: 1436:Wah-wah pedal 1434: 1432: 1429: 1428: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1402: 1399: 1398: 1396: 1394: 1390: 1386: 1379: 1374: 1372: 1367: 1365: 1360: 1359: 1356: 1350: 1346: 1341: 1339: 1336: 1334: 1331: 1329: 1326: 1324: 1321: 1320: 1307: 1303: 1296: 1288: 1287: 1282: 1276: 1268: 1262: 1254: 1248: 1240: 1234: 1219: 1215: 1208: 1192: 1188: 1182: 1166: 1162: 1158: 1152: 1144: 1140: 1136: 1130: 1114: 1108: 1101: 1097: 1093: 1090: 1089: 1082: 1076: 1072: 1069: 1068: 1061: 1054: 1050: 1049: 1042: 1027: 1023: 1017: 1009: 1005: 998: 982: 978: 971: 963: 962: 957: 951: 943: 942: 937: 931: 923: 919: 913: 905: 901: 897: 896:"Doug Forbes" 891: 883: 879: 878:"Doug Forbes" 873: 858: 854: 848: 833: 829: 822: 814: 810: 807:Stav, Steve. 803: 797: 793: 792: 785: 770: 766: 759: 750: 742: 738: 731: 723: 719: 712: 704: 698: 692: 690: 683: 681: 665: 658: 642: 638: 637: 632: 625: 621: 611: 610:Wah-wah pedal 608: 606: 603: 601: 598: 597: 591: 589: 588: 583: 579: 569: 567: 563: 559: 555: 551: 547: 546: 541: 531: 529: 528: 523: 522: 517: 513: 509: 508:Walter Becker 505: 500: 497: 495: 491: 487: 483: 479: 474: 470: 466: 465: 460: 456: 452: 447: 445: 440: 438: 437: 432: 428: 426: 422: 417: 413: 409: 399: 397: 396: 391: 387: 383: 378: 374: 373:David Gilmour 370: 368: 364: 360: 359: 354: 353:She's a Woman 350: 346: 342: 340: 336: 332: 328: 324: 323:Stevie Wonder 320: 318: 307: 305: 301: 297: 296: 291: 286: 284: 280: 276: 272: 268: 264: 259: 249: 247: 246: 241: 240: 235: 234: 229: 224: 222: 218: 214: 210: 206: 202: 197: 194: 190: 180: 177: 175: 171: 167: 163: 157: 142: 140: 136: 131: 127: 123: 118: 114: 110: 108: 104: 98: 95: 90: 88: 84: 79: 78:effects pedal 66: 62: 58: 54: 51: 47: 43: 39: 35: 27: 23: 19: 2536: 2269:Sound module 2229:Drum machine 2171:Effects unit 2064:Player piano 1991:Compact disc 1913:Effects unit 1798: 1763:Loudness war 1730:Ghost singer 1705:Orchestrator 1700:Horn section 1583:Reverse echo 1543:Equalization 1513:Delay effect 1463:Punch in/out 1458:Ping-ponging 1430: 1426:Effects unit 1421:Effects loop 1411:Audio mixing 1401:Audio filter 1305: 1295: 1284: 1275: 1261: 1247: 1233: 1221:. 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Index


Peter Frampton
effects unit
musical instrument

Weezer
Brian Bell
effects pedal
compression driver
horn loudspeaker
instrument amplifier
harmonic
vocal folds
vocoders
carrier signal
modulated
genres
electronic music
Alvino Rey
Alvino Rey
carbon throat microphone
The King Sisters
transducers
jingles
JAM Creative Productions
PAMS
Dallas
Lucille Ball
Pathé Newsreel
The Reluctant Dragon

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