354:
outstanding condition". It is "one of the few remaining
British examples of colossal religious figurative sculpture, and remains in outstanding condition despite the upheavals of the 16th and 17th centuries." The art historian Phillip Lindley describes the statue as "the work of a sculptor whose mastery of this rather unpromising material is such that his figure need not fear comparison with almost any sculpture of its period in England. It is a work of national and even international significance, one of the most important pieces of late medieval sculpture to survive from the north of England ...It is an extremely rare survival of gigantic sculpture from late medieval England, since there are no other sculpted English images of this saint to set against the great continental survivors ..."
207:, and when its status was raised to that of an abbey, St Christopher was adopted as a subsidiary patron saint. The sandstone was probably obtained from a quarry 1 mile (2 km) from the priory at Windmill Hill. It is likely that the statue was carved at the priory, but the identity of the sculptor is not known. The original position of the statue in the priory is uncertain. Greene suggested that it stood in the outer courtyard of the priory, where it is shown in a print dated 1727. However, Marrow argued that it was probably originally placed at the west end of the abbey church. He supports this by the fact that statues of St Christopher were sited at the west end of
29:
147:, having a maximum depth of 0.4 metres (1.3 ft). It was created in three pieces, one of which is now missing. The main piece is the section above the saint's knees and it includes the Christ child. The smaller piece is the base, consisting of the saint's lower legs and the river. The missing piece would have fitted into a hollow on the saint's right side. The right arm of the saint and the Christ child's right arm are missing. It is likely that the Christ child's arm would have been raised in
382:
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151:, and the saint's arm would have carried a staff. The Christ child's head is not original, having been replaced in the 17th century. There is a break running from the saint's forehead to below Christ's knee. The details of the carving remain fine, with little weathering. The depictions of the fish are sufficiently realistic for the species of all but one to be identified; the species identified are
345:. The priory had an obligation to be hospitable to travellers, and the saint is the patron saint of travellers. In addition the priory received one tenth of the profits from the ferry. In 1331 priory lands had been damaged by flooding, and Greene suggested that the saint might "also have been regarded as a protector against a repeat of the floods".
330:
second pose, that adopted by the Norton Priory statue, shows the saint with a staff in one hand; the other hand rests on his hip and the Christ child sits on his shoulder. The third version shows the saint walking, holding the staff with both hands, and the Christ child either kneels behind his neck or sits with one leg on each side of his neck.
325:, in which a giant named Christopher helped travellers across a dangerous river and, when he planted his staff in the riverbank, it burst into leaf. In addition it was believed that seeing an image of the saint would protect from sudden death that day; this would have been particularly persuasive after the
235:
in 1545. At some time it was moved, because in a print of 1727 it is shown outside the buildings in a courtyard. The head of the Christ child was probably broken off during the
Reformation, and its replacement is dated stylistically to between 1660 and 1685. It is known that the statue was on view
268:
at some time between 1664 and 1678 shows that statue was already in this position at this earlier date. Although it was outside the house, it stood against a wall and was sheltered to a degree by the overhanging upper storey; this would have given it some protection from weathering. At some time
329:
of 1348–49. The statue at Norton Priory was "created not as a work of art but as a practical working image with a religious purpose". Images of St Christopher are found in three poses. In the first pose the saint stands holding a staff in one hand and the Christ child in the other. The
353:
Experts comment on the quality of the carving, the general condition of the sculpture, and the rareness of survival of such objects. Comments include the following. The statue is "one of the very few representatives in
Britain of the genre of colossal religious figural sculpture, and it is in
226:
was a period in which religious sculpture was attacked or destroyed, although some items survived because they were hidden and orders to destroy them were disobeyed. At the end of this period "no more than a tiny fraction of such medieval sculpture remained". The survival of this statue is
284:
The Brooke family left Norton Priory in 1921, leaving the statue behind. The house was demolished in 1928, apart from a section of wall to which the statue was bolted. By the 1960s, the statue had sunk into the ground and was damaged. In 1964 it was given to
Liverpool Museum, now part of
536:
The term "mitred abbey" means that the abbot was given permission to use pontifical insignia, including the mitre, ring and pontifical staff, and to give the solemn benediction provided a bishop was not present. This gave the abbey a higher status.(Greene, 1989, p.
314:
between 249 and 251. However, because of doubts about historical authenticity the cult came in for criticism during the
Reformation. The saint's late medieval popularity derived largely from a version of the story published in 1275 in the
297:
where it underwent conservation and cleaning, including removal of the blue-green paint. After work lasting three years it was returned to Norton Priory in
September 1999. The statue is on loan to Norton Priory Museum Trust until 2049.
247:
At some stage the medieval paint was removed. John Larson, who carried out conservation work on the statue, is of the opinion that it was removed deliberately at some time before about 1660 and a coat of wax, probably
138:
and is twice life-size, standing 3.37 metres (11.1 ft) high. It weighs 1.25 tonnes and is the largest surviving medieval statue of St Christopher in
Britain. The statue depicts St Christopher carrying
231:. However, while movable objects and materials were taken away, the statue, being "colossal and fragile" and probably built into the structure of the abbey, remained until the abbey and manor were sold to
252:, was applied to give it a plainer and a "uniform dull brown appearance". This may have made it "less offensive to Reformers". No wax was found on the replacement head of the Christ child. After the
143:, as a child, on his left shoulder, walking through water that contains fish; the saint is wearing medieval clothes. It does not have the full thickness of a statue and is rather a carving in
122:
and stood originally in the outer courtyard of their house, and later in the garden. When the Brooke family left the site, the statue remained and, in a damaged condition, it was given to
191:
The statue has been dated on stylistic grounds to have been produced between 1375 and 1400. The status of the foundation at Norton was raised from that of a
203:, the director of the excavations in the 1970s and 1980s, that the statue may have been commissioned as a result of this. The priory was dedicated to
310:
based on him was derived from legends dating from the 5th century and later. It is possible that there was a person called
Christopher who was
273:
style. The statue was moved into the garden, and it is likely that the blue-green paint was applied around this time to give it the appearance of a
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cloak, naturally coloured skin, and a grey beard. Traces of wax are also present, some of them overlaid by particles of blue-green paint.
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The name
Christopher means "Christ-bearer". St Christopher was one of the most popular saints in the late medieval period and the
219:. He also says that the crispness of the carving is consistent with the statue having been indoors for part of its existence.
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dated 1727 shows the statue displayed in front of the house in the outer courtyard. A sketch plan drawn by a member of the
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The association between St Christopher and Norton Priory is probably the result of the priory's proximity to the
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that was created towards the end of the 14th century and is a rare survival of a religious sculpture from late
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179:. Fragments of paint remaining on the surface show that the statue was originally brightly coloured, with a
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considered to be "extraordinary". Norton Priory was one of the first monasteries to be closed in the
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published in 1834 states "In the garden is an antique gigantic figure of St. Christopher".
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between 1727 and 1757 the old house was demolished and it was replaced by a new house in
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807:"3D Laser Scanning in 3D Documentation and Digital Reconstruction of Cultural Heritage"
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in 1964. It has been restored and is housed in the museum on the site of the priory.
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562:(1979), "The elevation of Norton Priory, Cheshire, to the status of a mitred abbey",
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3.37 m × 0.4 m (11.1 ft × 1.3 ft)
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the statue was on display at the priory. A print of Norton Priory by the
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September 2001 and March 2002 the statue was on display at
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in 1636 because reference is made to it in a poem of that date,
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Norton Priory: The archaeology of a medieval religious house
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337:. The priory stood 3 miles (5 km) from the
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914:Brown, Fraser; Howard-Davis, Christine (2008),
885:A History of the World: St Christopher Statue
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938:Visitor's guide to Runcorn and its vicinity
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341:ferry where it crossed the river near
199:in 1391, and it has been suggested by
16:Late medieval English religious statue
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855:Cumming, Laura (30 September 2001),
106:, England. It is a large statue of
1025:Monuments and memorials in Cheshire
805:La Pensée, Annemarie (March 2008),
415:List of monastic houses in Cheshire
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368:Image and Idol: Medieval Sculpture
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920:Oxford Archaeology North
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94:stands in the museum at
92:Statue of St Christopher
22:Statue of St Christopher
1010:14th-century sculptures
936:Fowler, Rev G. (1834),
993:A History of the World
468:Cheshire Record Office
82:Norton Priory, Runcorn
985:Norton Priory website
213:Terrington St Clement
114:England. After the
857:"Gods and monsters"
771:, pp. 318–319.
718:, pp. 323–324.
690:, pp. 202–204.
629:, pp. 321–322.
507:, pp. 322–323.
491:, pp. 320–321.
445:, pp. 316–317.
410:History of Cheshire
323:Jacobus de Voragine
108:St Christopher
1035:Statues in England
953:Greene, J. Patrick
795:, pp. 65, 67.
560:Greene, J. Patrick
402:Visual arts portal
233:Sir Richard Brooke
970:978-0-52133-054-1
929:978-0-904220-52-0
767:Marrow, D. J. in
754:Marrow, D. J. in
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242:Rev Richard James
238:Iter Lancastrense
201:J. Patrick Greene
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343:Runcorn Gap
327:Black Death
254:Restoration
224:Reformation
149:benediction
130:Description
74:1.25 tonnes
1004:Categories
895:18 October
869:28 January
828:28 January
474:29 January
421:References
264:family of
209:Notre Dame
63:Dimensions
946:559247716
823:1751-8970
426:Citations
295:Liverpool
181:vermilion
136:sandstone
955:(1989),
374:See also
349:Critique
312:martyred
177:flounder
112:medieval
104:Cheshire
79:Location
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907:Sources
339:Runcorn
279:Runcorn
266:Chester
250:beeswax
217:Norfolk
187:History
153:garfish
100:Runcorn
55:Subject
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193:priory
173:plaice
171:, and
161:mullet
145:relief
141:Christ
71:Weight
47:Medium
464:(PDF)
240:, by
197:abbey
169:bream
991:BBC
965:ISBN
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924:ISBN
897:2017
871:2010
830:2010
819:ISSN
537:65.)
476:2010
308:cult
222:The
165:carp
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890:BBC
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