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Spanish Enlightenment literature

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1326: 363: 928: 1152: 1011:. It was said that he possessed a vast culture, probably enriched by his trips to England, France, Germany and Italy. He was a military man and obtained the rank of colonel. He was deeply in love with the actress María Ignacia Ibáñez, who died very early, in 1771, due to typhus. The excesses to which he indulged – Cadalso even tried to exhume her – earned him banishment to Salamanca (ordered so that he would be cured of his insanity). He was later assigned to Extremadura, Andalusia, Madrid and finally Gibraltar, where he died during the Great Siege of Gibraltar. His body was laid to rest in Santa Maria la Coronada Parish Church in 25: 1350:, Leandro (Madrid, 1760–Paris, 1828) is the main 18th-century playwright. He owes his neoclassical orientation to his father. A protégé of Jovellanos and Godoy, he traveled through England, France (he witnessed the outbreak of the French Revolution) and Italy. He fell in love with Paquita Muñoz, much younger than him, whom he never married because of his desire to not enter into commitments. He was pro-French and accepted from José Bonaparte the position of chief librarian, for which he was banished to France, where he died after the defeat of the invaders. 380:, based on the predominance of the ecclesiastical, military and aristocratic classes, entered into crisis in Europe. In this century, Europe critically reviewed the established order. As opposed to previous thought, it proposed reason as the universal method of knowledge, systematic criticism, and promoted the experimental method and studies based on reason itself as the basis of the epistemology that sustained it, as opposed to the argument of authority that sustained thought in previous centuries. 983:, a neoclassical reformist drama. A law had been enacted that condemned to death the survivor of duels, considering the offender and the victim equally guilty; Jovellanos based his drama on this, because for him only the offender was guilty. The work follows the line of sentimental comedy, so admired in France, and its tone is already Pre-Romantic. Clarity, concision and sobriety are the characteristic features of the didactic work of Jovellanos. 240: 581: 992: 1169:
and finally in Madrid, where he worked as public prosecutor of the Supreme Court. Once his mentor, Jovellanos, fell in disgrace before Godoy, he was ordered to be exiled to Medina del Campo, later to Zamora and finally to Salamanca. He was pro-French during the War of Independence and avoided being shot in Oviedo, but had no choice but to go into exile after the defeat of the French army.
1078:. This style prevailed in Spain, imposing criteria of utility and service to humanity, along with the desire for aesthetic pleasure. Artistic ideals imported from France, "good taste" and restraint dominated, and feelings and passions were repressed. Subjection to norms was general, fleeing from spontaneity and imagination, which were replaced by didactic zeal. 451:. The delay with regard to Europe was evident at the beginning of the 18th century. Nevertheless, some intellectuals since the end of the 17th century refused to abandon their research; not without risk, they were always up-to-date on European discoveries in astronomy, medicine, mathematics or botany. These scholars are the so-called 915:(1742–1760). Feijoo saw the need to write in order to bring Spain out of its backwardness; with this intention, he gave his work a didactic character, markedly Catholic, but with the intention that the new European currents would take root, at least in the educated classes. He was very critical of superstitions and false miracles. 1060:), the author composes a book with ninety letters between Gazel, a moor who visits Spain, his Moroccan teacher and friend Ben-Beley, and Nuño Núñez, a Christian friend of Gazel. They comment on the historical past of Spain and its current life and judge the work of the rulers and the customs of the country. 827:, led to a new sentiment, dissatisfaction with the tyranny of reason, which asserts the right of individuals to express their personal emotions (then repressed by the neoclassicals), among which is fundamentally love. This current heralded the decline of neoclassicism and opened the doors to Romanticism. 724:(1808). The reformers, in spite of counting on the support of the Crown, did not obtain the recognition of the privileged groups; many were described as pro-French and accused of attacking Spanish traditions and religious education. After the French Revolution, some were persecuted and even imprisoned. 1168:
Meléndez Valdés (Ribera del Fresno, Badajoz, 1754–Montpellier, France, 1814) is considered one of the best poets of the 18th century. He was a university professor in Salamanca, where he maintained friendships with Cadalso and Jovellanos. He worked as a jurist, occupying posts in Zaragoza, Valladolid
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Jovellanos (Gijón, 1744–Puerto de Vega, Asturias, 1811) is probably the most important essayist of the 18th century. Belonging to a wealthy family, he studied law and was assigned to Seville, where he made epistolary contact with the poetic school of Salamanca. In Madrid, as mayor of House and Court,
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Feijoo contributed to the consolidation of Castilian as a cultured language by defending its use against Latin, which still was used in universities. He also accepted the introduction of new words when necessary, no matter where they came from. His production covers very diverse fields like economy,
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In this new attitude, the enlightened person is a philanthropist who cares for others, and proposes and undertakes reforms in aspects related to culture and society. They defend religious tolerance, practice skepticism, and even go so far as to attack religions. In opposition to absolute monarchies,
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Theater adopted the new fashions coming from France. In neoclassical theater, reason and harmony were also imposed as the norm. The so-called "rule of three units" was obeyed, which demanded a single action, a single stage and a coherent chronological time in the development of the dramatic action.
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In contrast, the essay, or in general, essayistic genres, is the dominant genre. This prose is partly educational and doctrinal, showing a desire to approach the problems of the moment and tending toward the reform of customs; it usually makes use of the epistolary form. On the other hand, it deals
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writer Ramón de la Cruz (Madrid, 1731–1794) was one of the authors most applauded by the public and most criticized by the neoclassicals (although some of them, seeing the popular support of his works, retracted their views). He began writing tragedies of neoclassical style, rejecting the "messy"
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The benedictine friar Benito Jerónimo Feijoo y Montenegro (Orense, 1676–Oviedo, 1764) had an Aristotelian formation. His works reached numerous editions and provoked many controversies, so many that Ferdinand VI, in an act of enlightened despotism, had to defend him by appointing him his honorary
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Many of the enlightened people, for the modernization of Spain, defended the introduction of the teaching of other languages (French, English, Italian) in the centers, and the translation of outstanding works into Castilian. The former was opposed by those who defended the priority of the classic
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or critical position towards the church, with the intent of carrying out a series of basic reforms. At the end of century, the quality of life of the Spanish people had been improved, as demonstrated by the increase in population of almost three million inhabitants, a figure which is nevertheless
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In the Court and bourgeois circles, the reformist ideas of the 18th century took hold quickly. In addition to the Academies, there were also other private initiatives that had a great influence on literature, such as the Fonda de San Sebastián, founded by Nicolás Fernández de Moratín and his son
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The creation of a series of cultural institutions and economic societies of friends of the country aimed at promoting the cultural, social and economic progress of Spain through the reform of traditional practices. The first of these societies was founded in the Basque Country in 1765, and soon
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era and was given the name the Enlightenment. This movement is based on a critical spirit, on the predominance of reason and experience, philosophy and science being the most valued sources of knowledge. The period is also known as the Age of Enlightenment or the Age of Reason. In short, human
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However, after the death of Cadalso, and following Jovellanos' advice, he thought that pastoral poetry was inappropriate for a magistrate, so he composed another type of poetry more in keeping with his profession. Like Jovellanos, he was sensitive to social inequalities, defended the need to
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The separation of the comic and the tragic was established. Imaginative restraint was imposed, eliminating everything that was considered exaggerated or in "bad taste". An educational and moralizing purpose was adopted, which served to spread the universal values of culture and progress.
957:, which overthrew Godoy, gave him back his freedom. In 1808 he took part in the Central Junta that confronted the Napoleonic army. He was pursued by the French and tried to move to Cadiz, but the inclement weather forced him to take refuge in the port of Vega de Navia, where he died. 1194:
His style, in its beginnings, was contrived and conventional, but later became very conventional and precise. He himself defined his purpose when he wrote: "I have taken care to explain myself with nobility and to use a language worthy of the great matters I have dealt with".
799:(until approximately 1750): writers fought against the style of the late Baroque, considered excessively rhetorical and convoluted. Recreational literature is not cultivated, but writers were more interested in essays and satire, using the language with simplicity and purity. 664:), in six volumes (1726–1739). The etymology of each word can be found in it, and each meaning is accompanied by a brief quotation from a famous writer (the authorities) that proves its existence and illustrates its use. Other institutions that emerged at the time were the 1255:
Two writers were also members of the Madrilenian group. With the purpose of correcting defects and showing rational values, they wrote fables. They were Tomás de Iriarte (La Orotava, Tenerife, 1750–Madrid, 1791) and Félix María Samaniego: (La Guardia, Álava, 1745–1801).
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with the genres of historiography, what we would nowadays call human sciences and, in general, the sciences, since it should not be forgotten that the 18th-century and enlightened concept of literature embraces poetry and artistic literature as well as all science. The
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Knowledge moved from courtly gatherings to bourgeois salons, cafés or cultural institutions. The need was felt to travel for study or pleasure, to learn other languages, to practice sports to strengthen the body or to improve the living conditions of the citizens.
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was founded, which promoted literary activity. From 1760, and as a result of the arrival of Pablo de Olavide as intendant of the Government of Andalusia, culture in that city was noticeably boosted. In 1776, Olavide was persecuted and jailed by the Inquisition.
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In this century, a struggle was waged in favor of clarity and naturalness of artistic language, in which many writers fought against the remnants of the Baroque style that still survived – that is to say, the use of artifice to which the late Baroque had come.
227:). Expressions of feeling were avoided, norms and academic rules were followed, and balance and harmony were valued. By the end of the century, so much rigidity led to a reaction in the form of a return to the world of feelings; this movement is known as Pre- 1123:, around the Fonda de San Sebastián. In this way, the writers in that trend are grouped into schools or poetic groups: The Salmantine school, which included Cadalso, Meléndez Valdés, Jovellanos and Forner; the Sevillian school, which included writers 1264:
In theater, the main cultivators were those of the Madrilenian group. They submitted to the teachings of classic and modern preceptors, and created a theater which followed the political and moral interests of the time. Three trends existed:
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In the first he is attracted in his youth by the predominant Rococó poetry and by the influence of José Cadalso. He composed anacreontic and pastoral poems with love as the predominant theme. From this first stage it is worth mentioning the
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languages (Latin and Greek) over modern languages, and the latter by those who rejected translations because they would introduce unnecessary foreign words into the Spanish language and would endanger its identity. Two positions thus arose:
1317:, and as opposed to Ramón de la Cruz's amiable sainete regarding local customs, Leandro Fernández de Moratín ridiculed the vices and the customs of his time, in a clear attempt to turn the theater into a vehicle for moralizing customs. 964:. But he soon tired of poetry, which he considered to be an adolescent game to which reason did not apply, and which was improper of a respectable man. Curiously, years later he invited in verse to the insurrection of 1808 in the 805:(until the late 18th century): an interest in French and Italian classicism is seen. The writers also imitated ancient Greek and Roman classics and its peak extended from the reign of Ferdinand VI until well into the 19th century. 392:
defended the foundations of modern constitutionalism and the separation of the legislative, executive and judicial powers. The enlightened wanted to enjoy freedom and to choose their own rulers. All this inspired the motto of the
1475:, a satire of the theater written by his neoclassical enemies. With his maxim "I write and the truth dictates to me", he could find in the people an inexhaustible source, the same one that, with greater depth, would inspire 572:. On the other hand, the common people, made up of ranchers, crop farmers, civil servants and the marginalized, lacked rights. The monarchs gradually reduced some privileges of the hereditary aristocracy and adopted a 1233:(1775–1848) stood out. They wrote patriotic poems urging people to fight for freedom after the invasion of the French and the return of Ferdinand VII in the early 19th century. Some of them went into exile. 642:, founded for the benefit of the language, under the motto "it purifies, fixes and shines". The society aimed to establish norms for the correct use of language, and its first effort was devoted to the 638:
spread throughout the nation. They were made up of enlightened people from the aristocracy, the bourgeoisie and the clergy. In this century organizations of great importance were created, such as the
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Jovellanos began to write lyric poetry with the pastoral name (very common in his time) of Jovino, and with Enlightenment ideals. Like Cadalso, he satirized the uneducated aristocracy in his satire
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politics, astronomy, mathematics, physics, history, religion, etc. His style was characterized by its simplicity, naturalness and clarity. For many critics, Spanish prose became modern with Feijoo.
1024:(1771). His love towards the actress María Ignacia Ibáñez brought him closer to the dramatic world. Although he wrote three tragedies, only one of them was performed, and with little success: 1431:
theater that people preferred. Nevertheless, his economic needs made him approach less-enlightened genres more acclaimed by the public and the actors. In this way, he began to write
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José Cadalso y Vázquez de Andrade (1741–1782) is another of the great prose writers of the 18th century. He wrote important literary works, his most important creation being
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as a literary language, but for that it was necessary to develop forms of expression in accordance with the European experimental sciences, a task which was carried out by
512: 1386:(1806), he defends the woman's right to accept her spouse or not against the imposition of her family, since it was common to marry young girls to wealthy old men. In 475: 1085:
variant, more luxurious and ornate, was dominated by pastoral themes that exalted pleasure and gallant love. Typical forms were odes, epistles, elegies and romances.
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Minister of Grace and Justice, and later, Secretary of State. When he lost the confidence of the minister, he was imprisoned in Mallorca in Bellver Castle until the
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is entirely eighteenth-century, in which he lashes out against false intellectuals, seven lessons that satirize those who pretend to know a lot by studying little.
778:, which defended a pure language, without mixing vocabulary or strange turns of phrase, with words documented in the Authorities (the Royal Spanish Academy); and 501: 275:, Philip V (1700–1746) was recognized as King of Spain, although he later lost his dominions in Menorca and Gibraltar. In 1724, he abdicated in favor of his son 1213:
Under the influence of José Cadalso and Meléndez, poems were written that were more ornate and colorful than those of the Salmantine school, also influenced by
490: 1313:, creator of what has come to be called Moratinian comedy. As opposed to the tragic genre, the most common at the time, which was practiced by his father 736:
Latin was used in the universities as an academic language, but it was gradually replaced in that role. Spaniards wanted to return to the splendor of the
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Another modality of great influence in this time was the newspaper. Literary and scientific publications and publications of curiosities, including the
464: 310: 291: 318: 1051:(1789), published posthumously, are the most important of Cadalso's literary work. According to a model widely cultivated in France (for example, 1190:
undertake reforms to improve the life of the people, criticized courtly customs, and his poetry became philosophical, sentimental and reflective.
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he narrates in dialogue the frustrated longing of the main character Tediato, to rescue the body of his beloved from the tomb. The book
314: 294:, improved the country's communications and road network, encouraged naval constructions and favored the development of the sciences. 784:, which was entirely opposed to the penetration of neologisms, mainly foreign ones, accusing its opponents of defiling the language. 404:
The Enlightenment theories had their origin in England, although they reached their peak in France, where they were collected in the
457:('innovators', called so contemptuously). They spread the theories of Galileo Galilei, Kepler, Linnaeus and Isaac Newton. Among the 741: 601: 877:
contributed to the spread in Spain of the theories and the ideas of the time, establishing the principles of the Enlightenment.
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The high point of the Enlightenment in Spain occurred during the reign of Charles III and its decline, around the time of the
625:), in spite of the censorship of the time to avoid their introduction in the Peninsula and the vigilance of the Inquisition. 301:
succeeded him on the throne. The prototype of an enlightened monarch, he relied on the support of important ministers, like
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Although less rationalist than other genres, tragedy cultivated historical themes, as is the case of the best known,
76: 1493:, madness, gloomy and nocturnal atmospheres and a great amorous passion are introduced. Other important authors are 447:, Spain practically abandoned scientific studies, which were seen with suspicion and continuously persecuted by the 279:, but when the latter died months later, he returned to assume the Spanish throne. During his reign, he developed a 47: 1739: 765: 628:
The translation of French books of all genres and the hiring of foreign professors or scholars in certain subjects.
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happiness was pursued by means of culture and progress. Art and literature began to move towards a new classicism (
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with Spanish themes and, at the same time, sainetes. Of the latter he wrote more than four hundred, generally in
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As a playwright, he wrote only five comedies that earned him a great reputation among the enlightened people. In
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and laws of Aragón and Catalonia. The Church maintained its dominance, although some religious orders like the
268: 109: 1306: 1222: 816: 325:, he modernized the country, repopulated the Sierra Morena, and favored education, commerce and public works. 1734: 1246: 1101: 543: 248: 1097: 885:
defined the great current, largely composed of enlightened and expelled Jesuits, in regard to these genres.
943: 753: 675: 157: 517: 1729: 480: 101: 1365:. Current critics consider Moratín to be the most outstanding lyricist of the 18th century. In the poem 1151: 843: 768:
to carry out a general reform of education ordered the exclusive use of the Spanish in the university.
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Some works of the Salmantine school foreshadow the beginning of Romanticism. Thus, in José Cadalso's
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fortified the monarchic power and promoted a process of centralization in the nation, abolishing the
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Los conceptos de Rococó, Neoclasicismo y Prerromanticismo en la literatura española del siglo XVIII
41: 33: 523: 495: 1498: 1371:, in his old age, he bids farewell to poetry and theater, which had been his reason for living. 427: 418:. In this work, they gathered all the existing knowledge of their time, in alphabetical order. 341: 58: 903:
His knowledge was manifested in a multitude of essays that he grouped in the eight volumes of
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Vida, ascendencia, nacimiento, crianza y aventuras del Doctor Don Diego de Torres Villarroel
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stand out. In the 18th century, the legacy they left was continued by other scientists like
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Narrative is almost non-existent in Spain during this period. It is practically reduced to
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The traditional trend. During the first half of the 18th century, theater was in decline.
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The appearance of newspapers or publications where enlightenment ideas were disseminated.
469: 448: 329: 117: 1421: 1288: 1242: 1069: 1012: 745: 1469:; the ending is sometimes intended to be exemplary. The most famous of his sainetes is 954: 737: 251:(1701–1714). The European powers, worried about the hegemonic power of the French King 92: 631:
Scholars and intellectuals' academic trips and knowledge of European life and customs.
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barely had seven and a half million inhabitants. With a French political conception,
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Like Salamanca, the city of Seville also had a great poetic tradition. In 1751 the
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During the 18th century a new mentality emerged (in essence a continuation of the
1440: 1056: 764:, among others. In 1813, after the War of Independence, the Board created by the 749: 707: 597: 1427: 1276: 1000: 406: 1280: 949:
his political activity increased steadily. After an exile, he was appointed by
811:(late 18th and early 19th centuries): the influence of the English philosopher 721: 345: 1236: 432: 1723: 1230: 1136: 824: 547: 486: 415: 224: 1115:, with the influence of its assistant (a position similar to that of mayor) 1436: 1081:
Neoclassical poetry dealt with historical, genre and satirical themes. The
950: 936: 337: 1654: 1309:. But undoubtedly the most representative theater of the time was that of 1052: 622: 527: 389: 287: 228: 215: 1284: 1172:
Two stages can be distinguished in the lyric poetry of Meléndez Valdés:
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Three stages in 18th-century Spanish literature can be distinguished:
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Historia del famoso predicador fray Gerundio de Campazas, alias Zotes
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The diffusion of the ideas of some Enlightenment scholars, including
290:(1746–1759) succeeded him, who, with ministers like Carvajal and the 252: 1279:
enjoyed popular support. They were written in verse, related to the
239: 1432: 618: 614: 573: 1412:(1792) is a mockery of authors who ignore the Aristotelian rules. 1287:
of previous centuries. The most important author of sainetes was
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advisor and prohibiting attacks against his work and his person.
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considered Spain a nation submerged in misery and ignorance. The
219: 704:(Royal Academy of the Good Writings of Barcelona, 1752) and the 1120: 1082: 336:
broke out in 1789. Because of his weakness and the ambition of
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Neoclassical literature was developed mainly in three cities:
991: 1392:, he criticizes hypocrisy and false piety. Another comedy is 1356:
Sátira contra los vicios introducidos en la poesía castellana
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As poet, and under the name of Dalmiro, he composed the work
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Enlightenment ideas entered Spain through various channels:
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The Madrilenian school: the fabulists Iriarte and Samaniego
932: 537: 696:(Royal Academy of Fine Arts of San Fernando, 1751), the 1443:. The characters of this theater subgenre are popular ( 1030:(1771). His prose work is, however, more extensive. In 1616:
La comedia sentimental, género español del siglo XVIII
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collected the aesthetic ideas of Neoclassicism in his
1679:, F. Pedraza y M. Rodríguez, Tafalla, Cenlit, 1983. 1541:
Historia de la literatura española. III. Siglo XVIII
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Foundation and statutes of the Royal Spanish Academy
1523:: Historical context of the Enlightenment in Spain. 1634:, G. Carnero, Fundación Juan March-Cátedra, 1983. 297:After the reign of Ferdinand VI, his half-brother 1649:, J. Caso González, Universidad de Oviedo, 1970. 1721: 1571:Antología de la Literatura Española. Siglo XVIII 1092:, the leading Spanish representative of Rococó, 88: 46:but its sources remain unclear because it lacks 1709:, F. Sánchez Blanco, Crítica, Barcelona, 1997. 1320: 1252:Leandro, together with Cadalso and Jovellanos. 922: 888: 883:Spanish Universalist School of the 18th century 613:The propagation of French encyclopedist ideas ( 577:smaller than that of other European countries. 190:• Literature subsequent to the Civil War 1559:, J. Álvarez Barrientos, Júcar, Madrid, 1991. 727: 688:(Royal Botanical Garden of Madrid, 1755), the 351: 1704: 1689: 1674: 1659: 1644: 1629: 1619:, Universidad de Extremadura, Cáceres, 1994. 1614: 1601:Historia social de la literatura española, II 1599: 1584: 1569: 1554: 1539: 1488: 1470: 1464: 1458: 1452: 1444: 1407: 1399: 1393: 1387: 1381: 1375: 1366: 1360: 1354: 1335:Real Academia de Bellas Artes de San Fernando 1300: 1204: 1181: 1073: 1046: 1037: 1031: 1025: 1019: 1006: 978: 965: 910: 904: 872: 866: 860: 847: 837: 779: 773: 705: 697: 692:Real Academia de Bellas Artes de San Fernando 689: 681: 673: 665: 655: 643: 605: 458: 452: 434: 421: 376:In the last decades of the 17th century, the 1676:Manual de literatura española V. Siglo XVIII 1664:, Mª R. Pérez Estévez, Actas, Madrid, 2002. 722:Napoleonic invasion of the Iberian Peninsula 700:Reial Acadèmia de Bones Lletres de Barcelona 283:policy and reorganized the Public Treasury. 1353:As poet, he wrote satirical poems like the 1147:The Salmantine school: Juan Meléndez Valdés 967:Canto para los astures contra los franceses 1694:, F. Sánchez Blanco, Júcar, Madrid, 1992. 340:, he had to abdicate in favour of his son 1706:El ensayo español. El siglo XVIII. Vol. 2 1505:(1777–1853) and José Somoza (1781–1852). 1359:, a theme that he returns to in prose in 1111:, by people connected to its University; 972:Song for the Asturians against the French 263:had named heir to the throne, formed the 218:) which swept away the old values of the 77:Learn how and when to remove this message 1329:Leandro Fernández de Moratín (1799), by 1324: 1150: 990: 926: 579: 361: 238: 1198: 1722: 1217:. In the Sevillian school, poets like 1088:Important names in Spanish poetry are 680:(Royal Academy of History, 1736), the 538:Adoption of the Enlightenment in Spain 1574:, A. Amorós, Castalia, Madrid, 1999. 1544:, J.L. Alborg, Gredos, Madrid, 1972. 234: 1027:Don Sancho García, conde de Castilla 18: 1589:, J. Arce, Alhambra, Madrid, 1980. 1415: 895:Benito Jerónimo Feijoo y Montenegro 321:. Without leaving the model of the 13: 1517:: Evolution of Spanish literature. 1482: 652:Dictionary of the Spanish Language 271:to accede to the crown. After the 14: 1756: 1604:, VVAA., Castalia, Madrid, 1978. 1529:: General vision of the movement. 862:Diario de los Literatos de España 788:Stages of 18th-century literature 646:Diccionario de la lengua española 1631:La cara oscura de la Ilustración 247:The 18th century began with the 197:Spanish Enlightenment literature 23: 1533: 1155:Juan Meléndez Valdés (1797) by 1063: 986: 909:(1727–1739) and in the five of 684:Real Jardín Botánico de Madrid 672:(National Library, 1712), the 584:Cover of the first edition of 433:Antecedents of reformism: the 1: 1586:La poesía del siglo ilustrado 1495:Nicasio Álvarez de Cienfuegos 1206:Academia de las Buenas Letras 668:Biblioteca Nacional de España 399:Freedom, Equality, Fraternity 286:After the death of Philip V, 255:, together with his grandson 249:War of the Spanish Succession 1348:Nicolás Fernández de Moratín 1342:Leandro Fernández de Moratín 1321:Leandro Fernandez de Moratín 1311:Leandro Fernández de Moratín 1094:Nicolás Fernández de Moratín 944:Gaspar Melchor de Jovellanos 923:Gaspar Melchor de Jovellanos 889:Friar Benito Jerónimo Feijoo 676:Real Academia de la Historia 267:and endorsed the attempt of 7: 1661:La España de la Ilustración 1508: 1307:Vicente García de la Huerta 1141:Vicente García de la Huerta 817:Étienne Bonnot de Condillac 728:Spanish in the 18th century 352:The Enlightenment in Europe 311:Pedro Pablo Abarca de Bolea 269:Archduke Charles of Austria 10: 1761: 1419: 1362:La derrota de los pedantes 1339: 1259: 1240: 1161: 998: 941: 912:Cartas eruditas y curiosas 892: 844:Diego de Torres Villarroel 657:Diccionario de Autoridades 425: 422:The Enlightenment in Spain 355: 1556:La novela del siglo XVIII 1205: 1039:Los eruditos a la violeta 662:Dictionary of Authorities 1691:La prosa del siglo XVIII 1454:La pradera de San Isidro 1247:Félix María de Samaniego 1102:Félix María de Samaniego 931:Jovellanos portrayed by 906:Teatro crítico universal 831: 815:, as well as the French 712:(Museum of Prado, 1785). 476:Antonio Hugo de Omerique 32:This article includes a 1740:18th-century literature 1466:El Rastro por la mañana 1275:The popular trend. The 1272:The neoclassical trend. 412:Jean Le Rond d'Alembert 410:(1751–1772), edited by 61:more precise citations. 1705: 1690: 1675: 1660: 1645: 1630: 1615: 1600: 1585: 1570: 1555: 1540: 1489: 1471: 1465: 1459: 1453: 1445: 1408: 1400: 1394: 1388: 1382: 1376: 1367: 1361: 1355: 1337: 1301: 1219:Manuel María de Arjona 1182: 1159: 1125:Manuel María de Arjona 1074: 1047: 1038: 1032: 1026: 1020: 1007: 996: 980:El delincuente honrado 979: 966: 939: 911: 905: 873: 867: 861: 854:José Francisco de Isla 848: 838: 780: 774: 706: 698: 690: 682: 674: 666: 656: 644: 606: 602:Benito Jerónimo Feijoo 589: 513:Juan Bautista Corachán 459: 453: 435: 428:Enlightenment in Spain 373: 346:invasion by the French 244: 1745:18th century in Spain 1460:El Prado por la tarde 1328: 1154: 994: 930: 821:Jean-Jacques Rousseau 654:), known then as the 640:Royal Spanish Academy 583: 365: 242: 1735:Age of Enlightenment 1527:Age of Enlightenment 1503:Juan Nicasio Gallego 1499:Manuel José Quintana 1199:The Sevillian school 1164:Juan Meléndez Valdés 1090:Juan Meléndez Valdés 1021:Ocios de mi juventud 610:of the 18th century. 568:fell by the time of 358:Age of Enlightenment 328:During the reign of 319:Leopoldo de Gregorio 292:Marquess of Ensenada 209:Age of Enlightenment 1521:Enlightenment Spain 1515:Literature of Spain 1490:Las noches lúgubres 1439:verse, and some in 1227:Joseph Blanco White 1215:Fernando de Herrera 502:Tomás Vicente Tosca 439:of the 18th century 207:written during the 118:Miguel de Cervantes 102:Medieval literature 93:Literature of Spain 1730:Spanish literature 1383:El sí de las niñas 1377:El viejo y la niña 1368:Elegía a las musas 1338: 1160: 1096:and the fabulists 1045:Nevertheless, the 997: 955:Tumult of Aranjuez 940: 590: 374: 245: 235:Historical context 34:list of references 1477:Francisco de Goya 1133:José María Blanco 977:He also composed 718:French Revolution 552:Iberian Peninsula 544:War of Succession 395:French Revolution 334:French Revolution 315:Jerónimo Grimaldi 273:Treaty of Utrecht 257:Philip V of Spain 194: 193: 184:Generation of '27 168:Generation of '98 87: 86: 79: 16:Literary movement 1752: 1708: 1693: 1678: 1663: 1648: 1633: 1618: 1603: 1588: 1573: 1558: 1543: 1492: 1474: 1468: 1462: 1456: 1450: 1422:Ramón de la Cruz 1416:Ramón de la Cruz 1411: 1403: 1401:La comedia nueva 1397: 1391: 1385: 1379: 1370: 1364: 1358: 1304: 1289:Ramón de la Cruz 1243:Tomás de Iriarte 1229:(1775–1841) and 1208: 1207: 1185: 1117:Pablo de Olavide 1098:Tomás de Iriarte 1077: 1070:Ignacio de Luzán 1050: 1048:Cartas marruecas 1041: 1035: 1029: 1023: 1013:San Roque, Cádiz 1010: 1008:Cartas marruecas 982: 969: 914: 908: 876: 874:Correo de Madrid 870: 864: 851: 841: 783: 777: 711: 703: 695: 687: 679: 671: 659: 649: 609: 532:Antonio de Ulloa 521: 510: 499: 484: 473: 465:Juan de Cabriada 462: 456: 438: 243:Battle of Denain 89: 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 1760: 1759: 1755: 1754: 1753: 1751: 1750: 1749: 1720: 1719: 1536: 1511: 1485: 1483:Pre-Romanticism 1441:hendecasyllabic 1424: 1418: 1344: 1323: 1262: 1249: 1241:Main articles: 1239: 1201: 1166: 1149: 1066: 1057:Persian Letters 1033:Noches lúgubres 1003: 989: 946: 937:El Prado Museum 925: 897: 891: 846:, or the story 834: 809:Pre-Romanticism 790: 730: 720:(1789) and the 708:Museo del Prado 598:Gregorio Mayans 540: 515: 504: 493: 491:Martín Martínez 478: 467: 445:Habsburg period 441: 430: 424: 360: 354: 307:Pedro Rodríguez 237: 95: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 1758: 1748: 1747: 1742: 1737: 1732: 1718: 1717: 1702: 1687: 1672: 1670:978-8497390118 1657: 1642: 1640:978-8437604091 1627: 1612: 1597: 1582: 1567: 1552: 1535: 1532: 1531: 1530: 1524: 1518: 1510: 1507: 1484: 1481: 1447:manolas, majos 1420:Main article: 1417: 1414: 1398:, and finally 1340:Main article: 1322: 1319: 1293: 1292: 1273: 1270: 1261: 1258: 1238: 1235: 1200: 1197: 1192: 1191: 1187: 1162:Main article: 1148: 1145: 1065: 1062: 999:Main article: 988: 985: 942:Main article: 924: 921: 893:Main article: 890: 887: 833: 830: 829: 828: 806: 800: 797:Anti-baroquism 789: 786: 729: 726: 714: 713: 635: 632: 629: 626: 611: 539: 536: 440: 431: 426:Main article: 423: 420: 369:L'Encyclopédie 356:Main article: 353: 350: 338:Minister Godoy 265:Grand Alliance 236: 233: 192: 191: 187: 186: 179: 178: 171: 170: 163: 162: 153: 152: 145: 144: 137: 136: 129: 128: 121: 120: 113: 112: 105: 104: 97: 96: 85: 84: 42:external links 31: 29: 22: 15: 9: 6: 4: 3: 2: 1757: 1746: 1743: 1741: 1738: 1736: 1733: 1731: 1728: 1727: 1725: 1716: 1715:9788474237610 1712: 1707: 1703: 1701: 1700:9788433484048 1697: 1692: 1688: 1686: 1685:9788485511099 1682: 1677: 1673: 1671: 1667: 1662: 1658: 1656: 1652: 1647: 1643: 1641: 1637: 1632: 1628: 1626: 1625:9788477231776 1622: 1617: 1613: 1611: 1610:9788470392986 1607: 1602: 1598: 1596: 1595:9788420507378 1592: 1587: 1583: 1581: 1580:84-7039-804-0 1577: 1572: 1568: 1566: 1565:9788433484024 1562: 1557: 1553: 1551: 1550:9788424931247 1547: 1542: 1538: 1537: 1528: 1525: 1522: 1519: 1516: 1513: 1512: 1506: 1504: 1501:(1772–1857), 1500: 1497:(1764–1809), 1496: 1491: 1480: 1478: 1473: 1467: 1461: 1455: 1449: 1448: 1442: 1438: 1434: 1429: 1423: 1413: 1410: 1406: 1402: 1396: 1390: 1384: 1378: 1372: 1369: 1363: 1357: 1351: 1349: 1343: 1336: 1332: 1327: 1318: 1316: 1312: 1308: 1303: 1297: 1290: 1286: 1282: 1278: 1274: 1271: 1268: 1267: 1266: 1257: 1253: 1248: 1244: 1234: 1232: 1231:Alberto Lista 1228: 1225:(1768–1820), 1224: 1223:José Marchena 1221:(1771–1820), 1220: 1216: 1211: 1196: 1188: 1184: 1180: 1175: 1174: 1173: 1170: 1165: 1158: 1153: 1144: 1142: 1138: 1137:Alberto Lista 1134: 1130: 1129:José Marchena 1126: 1122: 1118: 1114: 1110: 1105: 1103: 1099: 1095: 1091: 1086: 1084: 1079: 1076: 1071: 1061: 1059: 1058: 1054: 1053:Montesquieu's 1049: 1043: 1040: 1034: 1028: 1022: 1016: 1014: 1009: 1002: 993: 984: 981: 975: 973: 968: 963: 958: 956: 952: 945: 938: 934: 929: 920: 916: 913: 907: 901: 896: 886: 884: 878: 875: 869: 863: 857: 855: 850: 845: 840: 826: 825:Denis Diderot 822: 818: 814: 810: 807: 804: 803:Neoclassicism 801: 798: 795: 794: 793: 785: 782: 776: 769: 767: 763: 759: 755: 751: 747: 743: 739: 734: 725: 723: 719: 710: 709: 702: 701: 694: 693: 686: 685: 678: 677: 670: 669: 663: 658: 653: 648: 647: 641: 636: 633: 630: 627: 624: 620: 616: 612: 608: 603: 599: 595: 594: 593: 587: 582: 578: 575: 571: 567: 563: 562: 557: 553: 549: 545: 535: 533: 529: 525: 519: 514: 508: 503: 497: 492: 488: 487:Juan Caramuel 482: 477: 471: 466: 461: 455: 450: 446: 437: 429: 419: 417: 416:Denis Diderot 413: 409: 408: 402: 400: 396: 391: 385: 381: 379: 378:Ancien Régime 371: 370: 364: 359: 349: 347: 343: 342:Ferdinand VII 339: 335: 331: 326: 324: 323:Ancien Régime 320: 316: 312: 308: 304: 300: 295: 293: 289: 284: 282: 278: 274: 270: 266: 262: 258: 254: 250: 241: 232: 230: 226: 225:Neoclassicism 221: 217: 212: 210: 206: 202: 198: 189: 188: 185: 181: 180: 177: 173: 172: 169: 165: 164: 161: 160: 155: 154: 151: 147: 146: 143: 139: 138: 135: 134:Enlightenment 131: 130: 127: 123: 122: 119: 115: 114: 111: 107: 106: 103: 99: 98: 94: 91: 90: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 1534:Bibliography 1486: 1437:octosyllabic 1425: 1404: 1373: 1352: 1345: 1298: 1294: 1263: 1254: 1250: 1212: 1202: 1193: 1171: 1167: 1106: 1087: 1080: 1067: 1064:Lyric poetry 1055: 1044: 1017: 1004: 1001:José Cadalso 995:José Cadalso 987:José Cadalso 976: 971: 961: 959: 951:Manuel Godoy 947: 917: 902: 898: 879: 858: 835: 808: 802: 796: 791: 770: 735: 731: 715: 661: 651: 591: 585: 560: 541: 442: 407:Encyclopédie 405: 403: 386: 382: 375: 367: 344:, after the 327: 296: 288:Ferdinand VI 285: 246: 213: 196: 195: 176:Novecentismo 175: 158: 133: 73: 64: 53:Please help 45: 1389:La mojigata 623:Montesquieu 570:Charles III 528:Cosme Bueno 516: [ 505: [ 494: [ 479: [ 468: [ 449:Inquisition 443:During the 390:Montesquieu 303:José Moñino 299:Charles III 229:Romanticism 216:Renaissance 142:Romanticism 110:Renaissance 67:August 2021 59:introducing 1724:Categories 1285:entremeses 813:John Locke 775:casticismo 754:Jovellanos 738:Golden Age 542:After the 524:Jorge Juan 330:Charles IV 281:centralist 261:Charles II 201:literature 159:Modernismo 1655:606185939 1433:zarzuelas 1109:Salamanca 1068:In 1737, 962:A Arnesto 868:El Censor 746:Sarmiento 607:novatores 460:novatores 454:novatores 436:novatores 366:Cover of 348:in 1808. 253:Louis XIV 1509:See also 1395:El barón 1277:sainetes 935:, 1798. 871:and the 619:Voltaire 615:Rousseau 574:regalist 556:Philip V 548:Bourbons 182:• 174:• 166:• 156:• 148:• 140:• 132:• 124:• 116:• 108:• 100:• 1428:sainete 1409:El café 1346:Son of 1315:Nicolás 1260:Theater 1179:eclogue 1113:Seville 1075:Poética 781:purismo 766:Regency 762:Capmany 566:Jesuits 277:Louis I 259:, whom 220:Baroque 199:is the 150:Realism 126:Baroque 55:improve 1713:  1698:  1683:  1668:  1653:  1638:  1623:  1608:  1593:  1578:  1563:  1548:  1472:Manolo 1302:Raquel 1183:Batilo 1121:Madrid 1119:; and 1083:Rococó 760:, and 758:Forner 750:Mayans 742:Feijoo 588:(1715) 561:fueros 546:, the 530:, and 372:(1751) 332:, the 1305:, by 1281:pasos 832:Prose 520:] 509:] 498:] 483:] 472:] 205:Spain 40:, or 1711:ISBN 1696:ISBN 1681:ISBN 1666:ISBN 1651:OCLC 1636:ISBN 1621:ISBN 1606:ISBN 1591:ISBN 1576:ISBN 1561:ISBN 1546:ISBN 1380:and 1331:Goya 1283:and 1245:and 1157:Goya 1135:and 1100:and 933:Goya 823:and 600:and 511:and 414:and 317:and 1426:Th 974:.) 852:by 842:by 203:of 1726:: 1479:. 1463:, 1457:, 1405:or 1333:, 1131:, 1127:, 1104:. 1015:. 865:, 856:. 819:, 756:, 752:, 748:, 744:, 621:, 617:, 604:, 534:. 526:, 518:es 507:es 500:, 496:es 489:, 485:, 481:es 474:, 470:es 463:, 401:. 397:: 313:, 309:, 305:, 231:. 211:. 44:, 36:, 1291:. 1186:. 970:( 660:( 650:( 80:) 74:( 69:) 65:( 51:.

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Literature of Spain
Medieval literature
Renaissance
Miguel de Cervantes
Baroque
Enlightenment
Romanticism
Realism
Modernismo
Generation of '98
Generation of '27
literature
Spain
Age of Enlightenment
Renaissance
Baroque
Neoclassicism
Romanticism

War of the Spanish Succession
Louis XIV
Philip V of Spain
Charles II

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