1964:
3319:
106:
2066:, wrote that readers should "take no account of the standard interpretation", "reject in no uncertain terms the distinction drawn between songs evicting a good state of morals and songs attesting to perverted morality", and " all symbolic interpretations, and likewise any interpretation that supposes a refined technique on the part of the poets". These traditional allegories of politics and morality are no longer seriously followed by any modern readers in China or elsewhere.
3305:
1542:
3333:
1992:, though frequently on simple, rustic subjects, have traditionally been saddled with extensive, elaborate allegorical meanings that assigned moral or political meaning to the smallest details of each line. The popular songs were seen as good keys to understanding the troubles of the common people, and were often read as allegories, and complaints against lovers were seen as complaints against faithless rulers. Confucius taught that the
3291:
1193:
or syntactically matched lines within a specific poem share the same, identical words (or characters) to a large degree, as opposed to confining the parallelism between lines to using grammatical category matching of the words in one line with the other word in the same position in the corresponding line; but, not by using the same, identical word(s). Disallowing verbal repetition within a poem would by the time of
1064:"Court Hymns" contains "Lesser Court Hymns" and "Major Court Hymns". Most of the poems were used by the aristocrats to pray for good harvests each year, worship gods, and venerate their ancestors. The authors of "Major Court Hymns" are nobles who were dissatisfied with the political reality. Therefore, they wrote poems not only related to the feast, worship, and epic but also to reflect the public feelings.
45:
1664:. After the officials returned from their missions, the king was said to have observed them himself in an effort to understand the current condition of the common people. The well-being of the people was of special concern to the Zhou because of their ideological position that the right to rule was based on the benignity of the rulers to the people in accordance with the will of
1178:
All but six of the "Eulogies" consist of a single stanza, and the "Court Hymns" exhibit wide variation in the number of stanzas and their lengths. Almost all of the "Airs", however, consist of three stanzas, with four-line stanzas being most common. Although a few rhyming couplets occur, the standard
2017:
can be a source of inspiration and a basis for evaluation; they can help you to come together with others, as well as to properly express complaints. In the home, they teach you about how to serve your father, and in public life they teach you about how to serve your lord. They also broadly acquaint
1553:
poems involved the appointment of officials, whose duties included documenting verses current from the various states which constituted the empire. Out of these many collected pieces, also according to tradition, Confucius made a final editorial round of decisions for elimination or inclusion in the
1192:
is that they tend to possess "elements of repetition and variation". This results in an "alteration of similarities and differences in the formal structure: in successive stanzas, some lines and phrases are repeated verbatim, while others vary from stanza to stanza". Characteristically, the parallel
892:
The "Airs of the States" are shorter lyrics in simple language that are generally ancient folk songs which record the voice of the common people. They often speak of love and courtship, longing for an absent lover, soldiers on campaign, farming and housework, and political satire and protest. The
2108:
As the idea of allegorical expression grew, when kingdoms or feudal leaders wished to express or validate their own positions, they would sometimes couch the message within a poem, or by allusion. This practice became common among educated
Chinese in their personal correspondences and spread to
1672:
would be withdrawn upon the failure of the ruling dynasty to ensure the prosperity of their subjects. The people's folksongs were deemed to be the best gauge of their feelings and conditions, and thus indicative of whether the nobility was ruling according to the mandate of Heaven or not.
1513:. Many of the songs appear to be folk songs and other compositions used in the court ceremonies of the aristocracy. Furthermore, many of the songs, based on internal evidence, appear to be written either by women, or from the perspective of a female
1146:
poems were folk songs or not, they "all seem to have passed through the hands of men of letters at the royal Zhou court". In other words, they show an overall literary polish together with some general stylistic consistency. About 95% of
1755:
told the story: "The Master once stood by himself, and I hurried to seek teaching from him. He asked me, 'You've studied the Odes?' I answered, 'Not yet.' He replied, 'If you have not studied the Odes, then I have nothing to say.'"
1729:
in some way or another to
Confucius, who by the 1st century BCE had become the model of sages and was believed to have maintained a cultural connection to the early Zhou dynasty. This view is now generally discredited, as the
1776:, and the songs had to be reconstructed largely from memory in the subsequent Han period. However the discovery of pre-Qin copies showing the same variation as Han texts, as well as evidence of Qin patronage of the
2048:' focus upon such a seemingly simple and ordinary collection of verses. These elaborate, far-fetched interpretations seem to have gone completely unquestioned until the 12th century, when scholar Zheng Qiao (
1496:
does not specify the names of authors in association with the contained works, both traditional commentaries and modern scholarship have put forth hypotheses on authorship. The "Golden Coffer" chapter of the
1673:
Accordingly, the songs were collected from the various regions, converted from their diverse regional dialects into standard literary language, and presented accompanied with music at the royal courts.
1179:
pattern in such four-line stanzas required a rhyme between the second and fourth lines. Often the first or third lines would rhyme with these, or with each other. This style later became known as the "
1061:
and dynastic hymns which praise the founders of the Zhou dynasty. They also include hymns used in sacrificial rites and songs used by the aristocracy in their sacrificial ceremonies or at banquets.
1424:, with the rhyme words even having the same tone, but the first stanza does not rhyme in Middle Chinese or any modern variety. Such cases were attributed to lax rhyming practice until the late-
1216:
qualities, which relates to the musical accompaniment with which they were in their early days performed. The songs from the "Hymns" and "Eulogies", which are the oldest material in the
1231:
are rhyming, with end rhyme, as well as frequent internal rhyming. While some of these verses still rhyme in modern varieties of
Chinese, others had ceased to rhyme by the
1220:, were performed to slow, heavy accompaniment from bells, drums, and stone chimes. However, these and the later actual musical scores or choreography which accompanied the
1636:
The
Confucian school eventually came to consider the verses of the "Airs of the States" to have been collected in the course of activities of officers dispatched by the
5030:
5385:
2097:, prior to their final triumph over the neighboring states: the suppression of Confucian and other thought and literature after the Qin victories and the start of
1057:
On the other hand, songs in the two "Hymns" sections and the "Eulogies" section tend to be longer ritual or sacrificial songs, usually in the forms of courtly
2089:
became a foundational text which informed and validated literature, education, and political affairs. The
Legalists, on their side, attempted to suppress the
1988:
has been a revered
Confucian classic since the Han dynasty, and has been studied and memorized by centuries of scholars in China. The individual songs of the
5037:
1725:
from a larger 3,000-piece collection to its traditional 305-piece form. This claim is believed to reflect an early
Chinese tendency to relate all of the
3110:
1562:
has been annotated and commented on continuously throughout history, as well as in this case providing a model to inspire future poetic works.
2077:
became an important and controversial force, influencing political, social and educational phenomena. During the struggle between
Confucian,
5013:
1263:
4476:, Berkeley: Society for the Study of Early China; Institute of East Asian Studies, University of California Berkeley, pp. 415–423,
3160:
1640:
court, whose duties included the field collection of the songs local to the territorial states of Zhou. This territory was roughly the
1565:
Various traditions concern the gathering of the compiled songs and the editorial selection from these make up the classic text of the
5403:
5087:
635:(four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the
1888:
said that its text was descended from the first generation of
Confucius' students, and as such should be the authoritative version.
629:, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of
364:
4783:
2098:
1769:
904:), is a well-known example of the category. Confucius commented on it, and it was traditionally given special interpretive weight.
3016:
1601:" that Confucius personally selected the "300" which he felt best conformed to traditional ritual propriety, thus producing the
1244:) has a tightly constrained structure implying rhymes between the penultimate words (here shown in bold) of each pair of lines:
5544:
4644:
4503:
4481:
4458:
4432:
4413:
4358:
4335:
4313:
4257:
4235:
4179:
4136:
4113:
4091:
685:
later became a generic term for poetry. In
English, lacking an exact equivalent for the Chinese, the translation of the word
347:
5534:
5519:
5509:
5150:
4697:
1657:
1484:
tend to have certain typical patterns in both rhyme and rhythm, to make much use of imagery, often derived from nature.
3127:
5109:
4743:
1963:
5378:
4590:
4571:
4552:
4529:
3137:
5539:
5465:
4898:
4272:
1616:(at least part of it). The manuscript has been published in the first volume of this collection of manuscripts,
5499:
5428:
3149:
2833:
2331:
2201:
1713:
1609:
1593:
466:
250:
129:
4369:
5080:
2823:
2188:
2078:
1717:
was the first work to directly attribute the work to Confucius. Subsequent Confucian tradition held that the
145:
4822:
4776:
1686:
689:
in this regard is generally as "poem", "song", or "ode". Before its elevation as a canonical classic, the
372:
355:
5529:
5514:
4423:
Kern, Martin (2010), "Early Chinese Literature, Beginnings Through Western Han", in Owen, Stephen (ed.),
3048:
5549:
5494:
5323:
229:
4513:
4297:
3445:, with corresponding substitutions for the fourth character of each line within the body of the poem.
1047:
5504:
5228:
5187:
5073:
4919:
4806:
3351:
752:
542:
31:
1876:) who lived during the 2nd or 3rd centuries BCE, was not officially recognized until the reign of
5350:
5334:
5316:
5309:
5284:
4769:
3356:
2984:
Note: alternative divisions may be topical or chronological (Legge): Song, Daya, Xiaoya, Guofeng
889:
can be divided into two main sections: the "Airs of the States", and the "Eulogies" and "Hymns".
17:
1608:
In 2015 the Anhui University purchased a group of looted manuscripts, among which is one of the
1171:, with occasional parallelism, and longer poems are generally divided into similarly structured
5008:
4712:
4394:
4350:
4728:
4811:
4581:
Shi, Zhongwen; Hu, Xiaowen (2011), "The History of Literature in the Warring States Period",
2041:
1947:
1914:. Zheng Xuan's edition of the Mao text was itself the basis of the "Right Meaning of the Mao
1847:
1641:
1529:
period canonical status. Despite the impersonality of the poetic voice characteristic of the
1441:
640:
2058:
ignored these traditional interpretations in their analysis of the original meanings of the
1996:
were a valuable focus for knowledge and self-cultivation, as recorded in an anecdote in the
5524:
5442:
5357:
5125:
4957:
4840:
4167:
2054:, 1104–1162) first wrote his scepticism of them. European sinologists like Giles and
1834:(156–87 BCE). Until the later years of the Eastern Han period, the dominant version of the
3074:
2166:), seeing it as part of a greater narrative discourse in China that extols the virtues of
1521:
was made much of in the process of attempting to give the poems of the women poets of the
1476:
1458:
1451:
identified three major literary devices employed in the songs: straightforward narrative (
8:
4912:
3060:
2430:
1877:
390:
3078:
3008:
3004:
1699:
and a recently excavated manuscript from 300 BCE entitled "Confucius' Discussion of the
5065:
4905:
4671:
4442:
4302:
4210:
3104:
3025:
1946:
in use today. Only isolated fragments of the Lu text survive, among the remains of the
1533:, many of the poems are written from the perspective of various generic personalities.
737:, but is generally considered quite late in date. According to the Eastern Han scholar
286:
278:
1938:
By the 5th-century, the Lu, Qi, and Han traditions had died out, leaving only the Mao
305:
5449:
5214:
5198:
5166:
4835:
4758:
at Chinese Notes; Chinese and English parallel text with matching dictionary entries.
4640:
4633:
4586:
4567:
4548:
4525:
4518:
4499:
4477:
4454:
4428:
4409:
4354:
4331:
4309:
4253:
4231:
4224:
4175:
4132:
4109:
4101:
4087:
3156:
3145:
3133:
1831:
1830:) were officially recognized with chairs at the Imperial Academy during the reign of
1669:
1499:
717:
contains the oldest chronologically authenticated Chinese poems. The majority of the
213:
205:
3037:
5435:
5096:
5054:
4663:
4614:
4202:
4146:
3346:
3192:
3175:
2542:
2138:
1597:, where it says from originally some 3,000 songs and poems in a previously extant "
1421:
1079:
670:
621:, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the "
170:
54:
729:
area. A final section of 5 "Eulogies of Shang" purports to be ritual songs of the
4747:
4543:
Poetry and Didacticism in Ancient Chinese Literature". In Mair, Victor H. (ed.).
2153:
1202:
4701:
from the Chinese Text Initiative, University of Virginia: Chinese text based on
4245:
2149:
are also quite different from the Old Chinese language represented in the Odes.
524:
434:
413:
152:
136:
5343:
5291:
5256:
5139:
5118:
4792:
4124:
3338:
1232:
1198:
1156:
618:
326:
319:
191:
105:
4619:
2141:. Although preserving more Old Chinese syllable endings than Mandarin, Modern
1747:
in such a way as to indicate that he holds it in great esteem. A story in the
1467:
725:
period (1046–771 BCE), and were drawn from around provinces and cities in the
5488:
5263:
5235:
5221:
5173:
4722:
4491:
4281:
4267:
3296:
3092:
2370:
2157:
2055:
2037:
1943:
1894:
1773:
1726:
1148:
734:
730:
622:
4206:
1740:
already existed in a definitive form when Confucius was just a young child.
397:
5472:
5458:
5100:
4977:
4926:
4737:
4323:
4153:, vol. 1, Montreal: Center for East Asian Research, McGill University.
3324:
3310:
3258:
3123:
3080:
Cheu-king; Texte chinois avec une double traduction en français et en Latin
2472:
2255:
1690:
1637:
1526:
1522:
1510:
1433:
1425:
1181:
722:
678:
657:
636:
406:
295:
177:
4451:
Ancient and Early Medieval Chinese Literature: A Reference Guide, Part Two
5421:
4984:
4970:
4963:
4865:
4860:
4855:
4850:
4845:
4706:
4628:
3415:
3411:
3373:
2995:
2511:
2451:
2130:
2094:
1788:
1577:
1453:
1194:
674:
340:
115:
66:
1898:, written in the 2nd-century CE, quotes almost exclusively from the Mao
503:
5364:
4940:
4830:
4753:
4214:
4189:
Dobson, W. A. C. H. (1964), "Linguistic Evidence and the Dating of the
3304:
3210:
2391:
1903:
1843:
1541:
738:
222:
118:(top), Traditional (middle), and Simplified (bottom) Chinese characters
4675:
4427:, vol. 1, Cambridge: Cambridge University Press, pp. 1–115,
3042:. The Sacred Books of China. Vol. 3. Oxford, The Clarendon press.
2838:
2828:
2550:
2547:
2209:
2206:
2196:
2193:
2171:
5249:
3039:
The Shû king. The religious portions of the Shih king. The Hsiâo king
2162:
2142:
2045:
1851:
1732:
1722:
1708:
1582:
1058:
726:
626:
517:
243:
1931:) which became the imperially authorized text and commentary on the
5270:
5132:
4933:
4667:
4601:
Smith, Adam; Poli, Maddalena (2021), "Establishing the text of the
3085:
Shijing; Chinese Text With a Double Translation in French and Latin
1998:
1695:
1645:
489:
264:
4690:
3332:
3144:
Rpt. New York: Grove Press, 1996, with a Preface by Joseph Allen.
2160:
in the "Major Court Hymns" as the "Weniad" (a name that parallels
5242:
5180:
4761:
3368:
3362:
2146:
2129:
often focuses on doing linguistic reconstruction and research in
1889:
1880:(1 BCE to 6 CE). However, during the Eastern Han period, the Mao
1783:
During the Han period there were three different versions of the
1752:
1661:
1514:
1436:. Since Chen, scholars have analyzed the rhyming patterns of the
1429:
1172:
1168:
1160:
631:
331:
302:
3290:
1549:
According to tradition, the method of collection of the various
4891:
4702:
2856:
40 total praises, hymns, or eulogies sung at spirit sacrifices
2843:
2555:
2214:
2093:
by violence, after the Legalist philosophy was endorsed by the
1256:
1213:
1164:
1163:
between the second and third syllables. Lines tend to occur in
427:
3215:
The Confucian Odes: The Classic Anthology Defined by Confucius
2101:
era, starting in 213 BCE, extended to attempt to prohibit the
1517:. The repeated emphasis on female authorship of poetry in the
1034:
894:
4991:
4408:, Seattle: University of Washington Press, pp. 149–193,
4304:
The Songs of the South: An Ancient Chinese Anthology of Poems
4084:
The Shape of the Turtle: Myth, Art, and Cosmos in Early China
2114:
2110:
1653:
1649:
639:, its rhyme patterns have also been analysed in the study of
443:
310:
4372:
Investigations of the Ancient Pronunciations of the Mao Odes
3757:
3755:
1884:
gradually became the primary version. Proponents of the Mao
5371:
5277:
3622:
3620:
3618:
1665:
681:
as the guiding principle of Chinese society. The same word
44:
5031:
Sunflower Splendor: Three Thousand Years of Chinese Poetry
4654:
Wang, C. H. (1975), "Towards Defining a Chinese Heroism",
4149:(2001), "Gender and Canonicity", in Fong, Grace S. (ed.),
3673:
1910:
as the basis for his annotated 2nd-century edition of the
1846:, and founded by Shen Pei, a student of a disciple of the
5386:
Questions and Replies between Tang Taizong and Li Weigong
3952:
3950:
3767:
3752:
3728:
3694:
3692:
3690:
3688:
3639:
3637:
3635:
2032:
The extensive allegorical traditions associated with the
1558:. As with all great literary works of ancient China, the
369:
352:
283:
269:
255:
5095:
4547:. New York: Columbia University Press. pp. 97–109.
3803:
3740:
3615:
3556:
3485:
3483:
3481:
3479:
2183:
Summary of groupings of poems from the Classic of Poetry
2081:, and other schools of thought, the Confucians used the
2062:. Granet, in his list of rules for properly reading the
2018:
you with the names of birds, beasts, plants, and trees.
1743:
In works attributed to him, Confucius comments upon the
234:
4025:
4023:
4021:
3992:
3990:
3937:
3935:
3866:
2085:
to bolster their viewpoint. On the Confucian side, the
4635:
Chinese Poetry: An Anthology of Major Modes and Genres
4607:
Bulletin of the School of Oriental and African Studies
4520:
An Anthology of Chinese Literature: Beginnings to 1911
4047:
3947:
3839:
3716:
3685:
3632:
547:
4059:
4035:
3922:
3920:
3918:
3916:
3914:
3912:
3910:
3908:
3895:
3893:
3856:
3854:
3815:
3704:
3603:
3476:
3062:
The Shi King: The Old "Poetry Classic" of the Chinese
2174:"literature, culture") over more military interests.
1617:
1432:
argued that the original rhymes had been obscured by
210:
196:
182:
4741:
and collated commentaries (Harrison Huang's website)
4449:詩經". In Knechtges, David R.; Chang, Taiping (eds.).
4018:
3987:
3962:
3932:
3581:
3579:
3577:
3575:
3573:
3571:
3544:
3507:
3286:
3011:. rpt. Hong Kong: Hong Kong University Press (1960).
1870:), attributed to an obscure scholar named Máo Hēng (
1074:
Reverent and concordant the illustrious assistants.
893:
first song of the "Airs of the States", "Fishhawk" (
751:) in the "Odes of Chen", dated to the middle of the
471:
5038:
The Columbia Anthology of Modern Chinese Literature
3827:
3495:
1420:The second and third stanzas still rhyme in modern
4632:
4517:
4301:
4223:
3905:
3890:
3851:
3779:
3661:
3591:
3519:
2137:, which show vast differences when read in modern
1780:, have led modern scholars to doubt this account.
3791:
3649:
3568:
3410:) appellation would not have been used until the
3197:Bulletin of the Museum of Far Eastern Antiquities
3180:Bulletin of the Museum of Far Eastern Antiquities
3115:Translated into English by E. D. Edwards (1932),
5486:
411:
395:
4252:, New Haven and London: Yale University Press,
3168:. Stockholm: Museum of Far Eastern Antiquities.
1188:One of the characteristics of the poems in the
651:Early references refer to the anthology as the
1440:as crucial evidence for the reconstruction of
625:" traditionally said to have been compiled by
522:
508:
494:
30:"Shijing" redirects here. For other uses, see
5081:
4777:
4441:
3440:
3434:
3428:
3405:
3393:
3391:
3389:
3217:. Cambridge, Mass.: Harvard University Press.
2968:
2950:
2932:
2914:
2896:
2878:
2805:
2787:
2769:
2742:
2732:
2714:
2696:
2678:
2660:
2642:
2624:
2606:
2588:
2524:
2503:
2485:
2464:
2443:
2422:
2404:
2383:
2362:
2344:
2323:
2305:
2287:
2269:
2247:
2049:
2007:
1972:
1925:
1919:
1871:
1862:
1822:
1809:
1796:
1623:
1591:) refers to Confucius and his mention in the
1586:
1570:
1504:
1236:
1122:
1039:
1016:
1003:
990:
977:
964:
899:
866:
848:
830:
812:
794:
776:
746:
608:
150:
134:
4691:Bilingual Chinese-English searchable edition
4639:, Durham and London: Duke University Press,
4474:Early Chinese Texts: A Bibliographical Guide
4122:
3000:The She-king, or the Lessons from the States
1902:. Finally, the renowned Eastern Han scholar
1076:Dignified, dignified are the many officers,
448:
432:
4605:: The Anhui University Bamboo Manuscript",
4425:The Cambridge History of Chinese Literature
4166:
3626:
3018:The She king, or The Book of Ancient Poetry
1703:", mention Confucius' involvement with the
1084:Responding in praise to the one in Heaven,
733:as handed down by their descendants in the
5088:
5074:
4784:
4770:
4545:The Columbia History of Chinese Literature
3386:
3109:: CS1 maint: location missing publisher (
1693:. Some pre-Qin dynasty texts, such as the
1509:) in the "Odes of Bin" was written by the
104:
5404:The Nine Chapters on the Mathematical Art
4618:
4600:
4349:, Ann Arbor: Center for Chinese Studies,
4344:
3872:
3809:
2027:, chapter 17 (Edward Slingerland, trans.)
4656:Journal of the American Oriental Society
4524:. New York: W. W. Norton & Company.
4453:. Leiden: E.J. Brill. pp. 904–915.
4378:) and Textual Research in the Late Ming"
4330:, New York: Farrar, Straus, and Giroux,
3176:"The Book of Odes: Kuo Feng and Siao Ya"
2099:Burning of Books and Burying of Scholars
1962:
1545:Map of states during Western Zhou period
1540:
617:), is the oldest existing collection of
4709:, with Chinese names updated to pinyin.
4585:, China: China Books Publishing House,
4566:, Stanford: Stanford University Press,
4286:Fêtes et chansons anciennes de la Chine
4244:
3845:
3746:
3698:
3679:
3243:. Shanghai: Shanghai Guji Chubanshe and
3097:Fêtes et chansons anciennes de la Chine
2988:
1768:and other classics were targets of the
1569:: "Royal Officials' Collecting Songs" (
1197:be one of the rules to distinguish the
14:
5487:
4561:
4538:
4328:Classical Chinese Poetry: An Anthology
4322:
4296:
4280:
4250:The Flowering Plum and the Palace Lady
4188:
4172:Sources of Chinese Tradition: Volume I
4100:
4053:
4012:
4008:
3996:
3981:
3833:
3821:
3773:
3761:
3734:
3710:
3562:
3550:
3513:
3501:
3275:Il Libro delle Odi: edizione integrale
2133:by analyzing the rhyme schemes in the
2069:
1689:, the canonical works associated with
1685:historically has a major place in the
1235:period. For example, the eighth song (
285:
212:
5069:
4765:
4705:'s edition; English translation from
4580:
4490:
4467:
4367:
4266:
4221:
4157:
4145:
4081:
4041:
4029:
3968:
3956:
3941:
3785:
3722:
3655:
3643:
3525:
3489:
3050:Confucii Chi-King sive Liber Carminum
2120:
2009:詩可以興，可以觀，可以群，可以怨。邇之事父，遠之事君。多識於鳥獸草木之名。
1958:
1185:" style for much of Chinese history.
1088:Greatly illustrious, greatly honored,
1086:They hurry swiftly within the temple.
957:With bells and drums do her delight.
4733:at the Internet Sacred Text Archive.
4721:. Chinese text with James Legge and
4653:
4512:
4422:
4392:
4345:Idema, Wilt L.; Haft, Lloyd (1997),
4290:Ancient Festivals and Songs of China
4065:
3926:
3899:
3860:
3667:
3609:
3597:
3585:
3117:Festivals and Songs of Ancient China
3002:. The Chinese Classics. Vol. 4.
2225:"Airs of the States", poems 001–160
1066:
906:
27:Collection of ancient Chinese poetry
4627:
4158:Davis, Albert Richard, ed. (1970),
4131:. Oxford: Oxford University Press.
4106:A Handbook of Old Chinese Phonology
3797:
3087:]. Hokkien: Mission Catholique.
2739:"Major Court Hymns" poems 235–265;
2566:"Lesser Court Hymns" poems 161–234
2152:C.H. Wang refers to the account of
939:He tossed from one side to another.
24:
4791:
4564:The Problem of a Chinese Aesthetic
4226:Chinese Civilization: A Sourcebook
3433:may sometimes be used in place of
3193:"The Book of Odes: Ta Ya and Sung"
1536:
935:Waking, sleeping, thought of her,
933:Wanting, sought her, had her not,
25:
5561:
5379:Three Strategies of Huang Shigong
4684:
4160:The Penguin Book of Chinese Verse
4151:Hsiang Lectures on Chinese Poetry
4129:Old Chinese: A New Reconstruction
3024:. London: Trübner. Archived from
1787:which each belonged to different
951:Watercress grows here and there,
942:Watercress grows here and there,
745:was the song "Tree-Stump Grove" (
5466:The Twenty-four Filial Exemplars
4230:(2nd ed.), The Free Press,
3331:
3317:
3303:
3289:
3067:; rpt. New York: Paragon (1969).
2177:
1764:According to Han tradition, the
1619:Anhui daxue cang Zhanguo zhujian
1072:Ah! Solemn is the clear temple,
948:With harps we bring her company.
924:Watercress grows here and there,
43:
4899:New Songs from the Jade Terrace
4273:A History of Chinese Literature
4002:
3974:
3878:
3448:
3421:
3277:. Milano, Italy: Luni Editrice.
3229:(in Japanese). Tokyo: Shūeisha.
1447:Traditional scholarship of the
1227:Nearly all of the songs in the
1155:are written in a four-syllable
953:Right and left we pick it out.
761:
370:
353:
332:
311:
284:
270:
256:
235:
76:Ancient Chinese poetry and song
5429:Biographies of Exemplary Women
4472:詩經", in Loewe, Michael (ed.),
4406:Text and Ritual in Early China
4074:
3531:
2848:
2837:
2827:
2747:) for solemn court ceremonies
2560:
2219:
2205:
2192:
1977:), an early discussion of the
1759:
1714:Records of the Grand Historian
1631:
1594:Records of the Grand Historian
1475:
1457:
1409:tshoj tshoj bju yi, bak ngjon
1386:tshoj tshoj bju yi, bak ngjon
1358:tshoj tshoj bju yi, bak ngjon
1335:tshoj tshoj bju yi, bak ngjon
1307:tshoj tshoj bju yi, bak ngjon
1284:tshoj tshoj bju yi, bak ngjon
1078:Holding fast to the virtue of
955:Gentle maiden, pure and fair,
946:Gentle maiden, pure and fair,
669:, or a "classic book", in the
583:, translated variously as the
548:
472:
412:
211:
197:
183:
151:
135:
13:
1:
5009:Chinese poems (category list)
4496:The Five "Confucian" Classics
4445:; Shih, Hsiang-ling (2014). "
4347:A Guide to Chinese Literature
4276:, New York: Appleton-Century.
4174:, Columbia University Press,
4108:, Berlin: Mouton de Gruyter,
3465:
3439:, in which case the title is
3132:. London: Allen & Unwin.
2741:31 total major festal songs (
1751:recounts that Confucius' son
1487:
1090:May never be weary of men.
928:Gentle maiden, pure and fair,
919:Gentle maiden, pure and fair,
756:
741:, the latest material in the
5545:Four Books and Five Classics
3537:Zheng Xuan 鄭玄 (AD 127–200),
3470:
3265:Mekada, Makoto 目加田誠 (1991).
3222:Takada, Shinji 高田真治 (1966).
1687:Four Books and Five Classics
1676:
1035:
937:On and on he thought of her,
926:Right and left we gather it.
895:
57:, with accompanying painting
7:
5459:School Sayings of Confucius
4162:, Baltimore: Penguin Books.
3282:
3191:Karlgren, Bernhard (1945).
3174:Karlgren, Bernhard (1944).
1926:
1660:region. Perhaps during the
1618:
1471:) and implied comparisons (
10:
5566:
5535:11th-century BC literature
5520:Chinese poetry anthologies
5510:Chinese poetry collections
5324:Thousand Character Classic
4583:The Whole History of China
4170:; Chan, Wing-Tsit (1960),
3273:Vincenzo, Cannata (2021).
3257:Zhonghua Publishing House.
3249:Cheng Junying 程俊英 (1991).
3236:Cheng Junying 程俊英 (1985).
3059:Jennings, William (1891).
2854:"Eulogies" poems 266–305;
2125:Modern scholarship on the
1892:'s influential dictionary
1707:but Han dynasty historian
1503:says that the poem "Owl" (
1129:translated by Martin Kern
944:Right and left we pull it.
917:On sandbars of the stream.
708:
29:
5413:
5395:
5333:
5301:
5197:
5149:
5108:
5047:
5022:
5001:
4950:
4874:
4820:
4799:
4729:Legge translation of the
4620:10.1017/S0041977X22000015
4539:Riegel, Jeffrey (2001). "
4498:, Yale University Press,
4404:, in Kern, Martin (ed.),
4399:in Excavated Manuscripts"
4308:, London: Penguin Books,
4168:de Bary, William Theodore
3627:de Bary & Chan (1960)
3441:
3435:
3429:
3406:
2975:Sacrificial Odes of Shang
2969:
2951:
2939:Decade of Min You Xiao Zi
2933:
2915:
2897:
2879:
2869:
2863:
2860:
2806:
2788:
2770:
2760:
2754:
2751:
2743:
2733:
2715:
2697:
2679:
2661:
2643:
2625:
2607:
2589:
2579:
2573:
2570:
2546:
2525:
2504:
2486:
2465:
2444:
2423:
2405:
2384:
2363:
2345:
2324:
2306:
2288:
2270:
2248:
2238:
2232:
2229:
2050:
2008:
1973:
1953:
1920:
1872:
1863:
1857:The Mao Tradition of the
1823:
1810:
1797:
1721:collection was edited by
1624:
1587:
1571:
1505:
1466:
1462:), explicit comparisons (
1237:
1123:
1040:
1017:
1004:
991:
978:
965:
900:
867:
849:
831:
813:
795:
777:
747:
609:
595:, or simply known as the
559:
541:
536:
532:
523:
516:
509:
502:
495:
488:
483:
465:
460:
456:
449:
442:
433:
426:
421:
405:
389:
384:
363:
346:
339:
325:
318:
301:
294:
277:
263:
249:
242:
228:
221:
204:
190:
176:
169:
164:
160:
144:
128:
123:
103:
99:
92:
80:
72:
62:
42:
5229:Etiquette and Ceremonial
5188:Spring and Autumn Annals
4920:Three Hundred Tang Poems
4807:Classical Chinese poetry
4468:Loewe, Michael (1993), "
4222:Ebrey, Patricia (1993),
3379:
3352:Classical Chinese poetry
3119:, New York: E.P. Dutton.
3053:. Sumptibus J.G. Cottae.
2885:Sacrificial Odes of Zhou
2276:Odes of Shao & South
1554:received version of the
1255:Mandarin pronunciation (
1137:
930:Wanted waking and sleep.
843:11th & 10th century
786:160 "Airs of the States"
753:Spring and Autumn period
677:'s official adoption of
665:first became known as a
130:Traditional Chinese
32:Shijing (disambiguation)
5540:1st-millennium BC books
5351:The Methods of the Sima
5335:Seven Military Classics
5317:Hundred Family Surnames
5310:Three Character Classic
5285:Classic of Filial Piety
5014:List of poems (article)
4725:(partial) translations.
4693:at Chinese Text Project
4207:10.1163/156853264x00028
3873:Idema & Haft (1997)
3810:Smith & Poli (2021)
3357:Geese in Chinese poetry
3272:
3221:
3209:
3190:
3173:
3155:
3122:
3073:
3058:
3046:
3036:—— (1879).
3035:
3015:—— (1876).
3014:
2994:
2044:as a justification for
1942:, which has become the
1400:Cǎi cǎi fú yǐ, báo yán
1377:Cǎi cǎi fú yǐ, báo yán
1349:Cǎi cǎi fú yǐ, báo yán
1326:Cǎi cǎi fú yǐ, báo yán
1298:Cǎi cǎi fú yǐ, báo yán
1275:Cǎi cǎi fú yǐ, báo yán
825:10th & 9th century
804:74 "Lesser Court Hymns"
646:
146:Simplified Chinese
5257:Commentary of Gongyang
4351:University of Michigan
3427:The variant character
2030:
1981:
1612:scribal copies of the
1546:
1262:Early Middle Chinese (
1224:poems have been lost.
1095:
1070:
962:
921:Fit pair for a prince.
910:
822:31 "Major Court Hymns"
807:9th & 8th century
789:8th & 7th century
673:sense, as part of the
396:
49:The first song in the
5500:Chinese classic texts
5264:Commentary of Guliang
5002:Individual poems list
4812:Modern Chinese poetry
4562:Saussy, Haun (1993),
4393:Kern, Martin (2005),
4368:Jenco, Leigh (2023).
4292:], Paris: Leroux.
4082:Allan, Sarah (1991),
3247:(in Mandarin Chinese)
3234:(in Mandarin Chinese)
3071:(in French and Latin)
3047:Lacharme, P. (1830).
2042:Warring States period
2040:to have begun in the
2004:
1966:
1948:Xiping Stone Classics
1848:Warring States period
1575:) is recorded in the
1544:
1442:Old Chinese phonology
876:5 "Eulogies of Shang"
840:31 "Eulogies of Zhou"
641:Old Chinese phonology
53:, handwritten by the
5443:Four Books for Women
5358:Six Secret Teachings
5126:Doctrine of the Mean
4958:Antithetical couplet
4841:Six Dynasties poetry
4123:Baxter, William H.;
3269:詩経. Tokyo: Kōbansha.
2989:Notable translations
2721:Decade of Du Ren Shi
2156:'s victory over the
1480:). The poems of the
1203:new, regulated style
1142:Whether the various
467:Revised Romanization
365:Baxter–Sagart (2014)
5023:Modern compilations
4913:Complete Tang Poems
4443:Knechtges, David R.
3776:, pp. 150–155.
3764:, pp. 150–151.
3737:, pp. 107–108.
3656:Shi & Hu (2011)
3565:, pp. 355–356.
3099:(in French). Paris.
2921:Decade of Chen Gong
2903:Decade of Qing Miao
2857:
2834:traditional Chinese
2794:Decade of Sheng Min
2748:
2631:Decade of Tong Gong
2567:
2226:
2202:traditional Chinese
2070:Political influence
1791:traditions. The Lu
1252:Chinese characters
1248:
912:The fishhawks sing
885:The content of the
768:Number and meaning
699:Three Hundred Songs
697:) was known as the
39:
5530:Zhou dynasty texts
5515:Chinese folk songs
4906:Nineteen Old Poems
4746:2020-01-16 at the
4102:Baxter, William H.
3682:, p. 215–216.
3157:Karlgren, Bernhard
3075:Couvreur, Séraphin
3055:Latin translation.
2824:simplified Chinese
2821:
2776:Decade of Wen Wang
2730:
2685:Decade of Bei Shan
2667:Decade of Xiao Min
2540:
2189:simplified Chinese
2186:
2121:Modern scholarship
2036:were theorized by
1982:
1959:Confucian allegory
1842:, named after the
1642:Yellow River Plain
1547:
1247:
858:4 "Eulogies of Lu"
38:Classic of Poetry
37:
5550:Thirteen Classics
5495:Classic of Poetry
5482:
5481:
5450:Lessons for Women
5250:Commentary of Zuo
5215:Book of Documents
5208:Classic of Poetry
5199:Thirteen Classics
5167:Book of Documents
5160:Classic of Poetry
5063:
5062:
4885:Classic of Poetry
4755:The Book of Songs
4646:978-0-8223-1946-7
4505:978-0-300-08185-5
4483:978-1-55729-043-4
4460:978-90-04-19240-9
4434:978-0-521-85558-7
4415:978-0-295-98562-6
4376:Mao Shi guyin kao
4360:978-0-892-64123-9
4337:978-0-374-10536-5
4315:978-0-14-044375-2
4259:978-0-300-02242-1
4237:978-0-02-908752-7
4181:978-0-231-10939-0
4147:Chang, Kang-i Sun
4138:978-0-19-994537-5
4115:978-3-11-012324-1
4093:978-0-7914-0460-7
4068:, pp. 26–29.
3959:, pp. 12–14.
3725:, pp. 73–74.
3646:, pp. 11–13.
3612:, pp. 30–31.
3414:, after the core
3129:The Book of Songs
2982:
2981:
2957:Praise Odes of Lu
2819:
2818:
2728:
2727:
2703:Decade of Sang Hu
2595:Decade of Lu Ming
2538:
2537:
2127:Classic of Poetry
1979:Classic of Poetry
1832:Emperor Wu of Han
1772:in 213 BCE under
1745:Classic of Poetry
1738:Classic of Poetry
1736:records that the
1705:Classic of Poetry
1683:Classic of Poetry
1614:Classic of Poetry
1603:Classic of Poetry
1500:Book of Documents
1482:Classic of Poetry
1418:
1417:
1210:Classic of Poetry
1208:The works in the
1190:Classic of Poetry
1135:
1134:
1118:—"Clear Temple" (
1055:
1054:
883:
882:
715:Classic of Poetry
691:Classic of Poetry
568:Classic of Poetry
563:
562:
555:
554:
479:
478:
380:
379:
251:Yale Romanization
171:Standard Mandarin
112:Classic of Poetry
94:Classic of Poetry
88:
87:
81:Publication place
51:Classic of Poetry
16:(Redirected from
5557:
5436:Classic of Music
5097:Chinese classics
5090:
5083:
5076:
5067:
5066:
5055:Cantonese poetry
4786:
4779:
4772:
4763:
4762:
4714:The Book of Odes
4679:
4650:
4638:
4624:
4622:
4596:
4577:
4558:
4535:
4523:
4509:
4487:
4464:
4438:
4419:
4403:
4389:
4364:
4341:
4319:
4307:
4293:
4277:
4263:
4246:Frankel, Hans H.
4241:
4229:
4218:
4201:(4–5): 322–334,
4185:
4163:
4154:
4142:
4119:
4097:
4069:
4063:
4057:
4056:, pp. 1–12.
4051:
4045:
4039:
4033:
4027:
4016:
4006:
4000:
3994:
3985:
3978:
3972:
3966:
3960:
3954:
3945:
3939:
3930:
3924:
3903:
3897:
3888:
3882:
3876:
3870:
3864:
3858:
3849:
3843:
3837:
3831:
3825:
3819:
3813:
3807:
3801:
3795:
3789:
3783:
3777:
3771:
3765:
3759:
3750:
3749:, p. 51–52.
3744:
3738:
3732:
3726:
3720:
3714:
3708:
3702:
3696:
3683:
3677:
3671:
3665:
3659:
3653:
3647:
3641:
3630:
3624:
3613:
3607:
3601:
3595:
3589:
3583:
3566:
3560:
3554:
3548:
3542:
3535:
3529:
3523:
3517:
3511:
3505:
3499:
3493:
3492:, p. xliii.
3487:
3459:
3452:
3446:
3444:
3443:
3438:
3437:
3432:
3431:
3425:
3419:
3409:
3408:
3395:
3347:Chinese classics
3341:
3336:
3335:
3327:
3322:
3321:
3320:
3313:
3308:
3307:
3299:
3294:
3293:
3278:
3264:
3248:
3235:
3230:
3218:
3204:
3187:
3169:
3167:
3162:The Book of Odes
3143:
3114:
3108:
3100:
3088:
3072:
3066:
3054:
3043:
3032:
3030:
3023:
3003:
2972:
2971:
2954:
2953:
2936:
2935:
2918:
2917:
2900:
2899:
2882:
2881:
2858:
2850:
2841:
2831:
2820:
2809:
2808:
2791:
2790:
2773:
2772:
2749:
2746:
2745:
2736:
2735:
2729:
2718:
2717:
2700:
2699:
2682:
2681:
2664:
2663:
2646:
2645:
2628:
2627:
2613:Decade of Baihua
2610:
2609:
2592:
2591:
2568:
2562:
2553:
2539:
2528:
2527:
2507:
2506:
2489:
2488:
2468:
2467:
2447:
2446:
2426:
2425:
2408:
2407:
2387:
2386:
2366:
2365:
2348:
2347:
2327:
2326:
2309:
2308:
2291:
2290:
2273:
2272:
2251:
2250:
2227:
2221:
2212:
2199:
2185:
2139:Mandarin Chinese
2053:
2052:
2028:
2011:
2010:
1976:
1975:
1929:
1923:
1922:
1875:
1874:
1866:
1865:
1826:
1825:
1813:
1812:
1800:
1799:
1770:burning of books
1670:Heavenly Mandate
1668:, and that this
1627:
1626:
1621:
1590:
1589:
1585:Deletes Songs" (
1574:
1573:
1508:
1507:
1479:
1470:
1461:
1422:Standard Chinese
1249:
1246:
1240:
1239:
1201:poetry from the
1159:, with a slight
1126:
1125:
1067:
1043:
1042:
1038:
1026:
1025:
1013:
1012:
1000:
999:
987:
986:
974:
973:
907:
903:
902:
898:
870:
869:
852:
851:
834:
833:
816:
815:
798:
797:
780:
779:
762:
758:
750:
749:
612:
611:
551:
550:
534:
533:
528:
527:
512:
511:
498:
497:
475:
474:
458:
457:
452:
451:
438:
437:
417:
416:
401:
376:
375:
374:
359:
358:
357:
335:
334:
314:
313:
290:
289:
288:
273:
272:
259:
258:
238:
237:
217:
216:
215:
200:
199:
186:
185:
162:
161:
156:
155:
140:
139:
108:
90:
89:
55:Qianlong Emperor
47:
40:
36:
21:
5565:
5564:
5560:
5559:
5558:
5556:
5555:
5554:
5505:Confucian texts
5485:
5484:
5483:
5478:
5409:
5391:
5329:
5297:
5193:
5145:
5104:
5094:
5064:
5059:
5048:Regional styles
5043:
5018:
4997:
4946:
4877:and collections
4876:
4870:
4816:
4795:
4790:
4748:Wayback Machine
4687:
4682:
4647:
4593:
4574:
4555:
4532:
4506:
4484:
4461:
4435:
4416:
4401:
4388:(5/6): 668–704.
4361:
4338:
4316:
4300:, ed. (2011) ,
4260:
4238:
4182:
4139:
4125:Sagart, Laurent
4116:
4094:
4077:
4072:
4064:
4060:
4052:
4048:
4044:, p. xliv.
4040:
4036:
4028:
4019:
4007:
4003:
3995:
3988:
3979:
3975:
3967:
3963:
3955:
3948:
3940:
3933:
3925:
3906:
3898:
3891:
3883:
3879:
3871:
3867:
3859:
3852:
3844:
3840:
3832:
3828:
3824:, pp. 7–8.
3820:
3816:
3808:
3804:
3796:
3792:
3784:
3780:
3772:
3768:
3760:
3753:
3745:
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3674:
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3650:
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3625:
3616:
3608:
3604:
3596:
3592:
3584:
3569:
3561:
3557:
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3545:
3536:
3532:
3524:
3520:
3512:
3508:
3500:
3496:
3488:
3477:
3473:
3468:
3463:
3462:
3453:
3449:
3426:
3422:
3396:
3387:
3382:
3337:
3330:
3323:
3318:
3316:
3309:
3302:
3295:
3288:
3285:
3262:
3246:
3233:
3165:
3140:
3102:
3101:
3091:
3070:
3028:
3021:
2991:
2986:
2855:
2853:
2740:
2738:
2649:Decade of Qi Fu
2565:
2224:
2180:
2123:
2072:
2029:
2023:
2020:
2012:
1961:
1956:
1927:Máo shī zhèngyì
1762:
1679:
1648:, southwestern
1634:
1539:
1537:Textual history
1490:
1140:
1128:
1113:
1110:
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1104:
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925:
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920:
918:
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711:
649:
385:Vietnamese name
119:
58:
35:
28:
23:
22:
15:
12:
11:
5:
5563:
5553:
5552:
5547:
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5399:
5397:
5393:
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5382:
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5361:
5354:
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5344:The Art of War
5339:
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5170:
5163:
5155:
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5147:
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5136:
5129:
5122:
5119:Great Learning
5114:
5112:
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5105:
5093:
5092:
5085:
5078:
5070:
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5058:
5057:
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4878:
4872:
4871:
4869:
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4863:
4858:
4853:
4848:
4843:
4838:
4836:Jian'an poetry
4833:
4827:
4825:
4818:
4817:
4815:
4814:
4809:
4803:
4801:
4797:
4796:
4793:Chinese poetry
4789:
4788:
4781:
4774:
4766:
4760:
4759:
4751:
4750:(Chinese text)
4735:
4726:
4710:
4694:
4686:
4685:External links
4683:
4681:
4680:
4668:10.2307/599155
4651:
4645:
4625:
4613:(3): 515–557,
4598:
4591:
4578:
4572:
4559:
4553:
4536:
4530:
4510:
4504:
4492:Nylan, Michael
4488:
4482:
4465:
4459:
4439:
4433:
4420:
4414:
4390:
4365:
4359:
4342:
4336:
4320:
4314:
4294:
4282:Granet, Marcel
4278:
4268:Giles, Herbert
4264:
4258:
4242:
4236:
4219:
4186:
4180:
4164:
4155:
4143:
4137:
4120:
4114:
4098:
4092:
4086:, SUNY Press,
4078:
4076:
4073:
4071:
4070:
4058:
4046:
4034:
4032:, p. xlv.
4017:
4001:
3986:
3973:
3971:, p. 671.
3961:
3946:
3944:, p. 416.
3931:
3904:
3889:
3877:
3865:
3850:
3848:, p. 215.
3846:Frankel (1978)
3838:
3826:
3814:
3812:, p. 516.
3802:
3790:
3778:
3766:
3751:
3747:Frankel (1978)
3739:
3727:
3715:
3713:, p. 107.
3703:
3701:, p. 216.
3699:Frankel (1978)
3684:
3680:Frankel (1978)
3672:
3660:
3648:
3631:
3614:
3602:
3590:
3567:
3555:
3553:, p. 323.
3543:
3530:
3518:
3516:, p. 356.
3506:
3494:
3474:
3472:
3469:
3467:
3464:
3461:
3460:
3447:
3420:
3384:
3383:
3381:
3378:
3377:
3376:
3371:
3366:
3359:
3354:
3349:
3343:
3342:
3339:Society portal
3328:
3314:
3300:
3284:
3281:
3280:
3279:
3270:
3260:
3244:
3231:
3219:
3207:
3206:
3205:
3188:
3153:
3138:
3120:
3093:Granet, Marcel
3089:
3068:
3056:
3044:
3033:
3031:on 2014-04-12.
3012:
2990:
2987:
2980:
2979:
2976:
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2889:
2886:
2883:
2876:
2872:
2871:
2868:
2865:
2862:
2817:
2816:
2813:
2812:Decade of Dang
2810:
2803:
2799:
2798:
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2785:
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2518:
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2334:
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2321:
2317:
2316:
2313:
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2303:
2299:
2298:
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2292:
2285:
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2277:
2274:
2267:
2263:
2262:
2259:
2252:
2245:
2241:
2240:
2237:
2234:
2231:
2181:
2179:
2176:
2122:
2119:
2071:
2068:
2021:
2005:
1960:
1957:
1955:
1952:
1817:) and the Han
1761:
1758:
1678:
1675:
1633:
1630:
1581:, and "Master
1538:
1535:
1489:
1486:
1416:
1415:
1406:
1397:
1393:
1392:
1383:
1374:
1370:
1369:
1365:
1364:
1355:
1346:
1342:
1341:
1332:
1323:
1319:
1318:
1314:
1313:
1304:
1295:
1291:
1290:
1281:
1272:
1268:
1267:
1260:
1253:
1233:Middle Chinese
1212:vary in their
1139:
1136:
1133:
1132:
1130:
1115:
1114:
1093:
1053:
1052:
1050:
1046:translated by
1030:
1029:
960:
881:
880:
877:
874:
863:
862:
859:
856:
845:
844:
841:
838:
827:
826:
823:
820:
809:
808:
805:
802:
791:
790:
787:
784:
773:
772:
769:
766:
710:
707:
648:
645:
619:Chinese poetry
561:
560:
557:
556:
553:
552:
545:
539:
538:
537:Transcriptions
530:
529:
520:
514:
513:
506:
500:
499:
492:
486:
485:
481:
480:
477:
476:
469:
463:
462:
461:Transcriptions
454:
453:
446:
440:
439:
430:
424:
423:
419:
418:
409:
403:
402:
393:
387:
386:
382:
381:
378:
377:
367:
361:
360:
350:
344:
343:
337:
336:
329:
327:Middle Chinese
323:
322:
320:Middle Chinese
316:
315:
308:
299:
298:
292:
291:
281:
275:
274:
267:
261:
260:
253:
247:
246:
244:Yue: Cantonese
240:
239:
232:
226:
225:
219:
218:
208:
202:
201:
194:
188:
187:
180:
174:
173:
167:
166:
165:Transcriptions
158:
157:
148:
142:
141:
132:
126:
125:
121:
120:
109:
101:
100:
97:
96:
86:
85:
82:
78:
77:
74:
70:
69:
64:
60:
59:
48:
26:
9:
6:
4:
3:
2:
5562:
5551:
5548:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5492:
5490:
5475:
5474:
5470:
5468:
5467:
5463:
5461:
5460:
5456:
5452:
5451:
5447:
5446:
5445:
5444:
5440:
5438:
5437:
5433:
5431:
5430:
5426:
5424:
5423:
5419:
5418:
5416:
5412:
5406:
5405:
5401:
5400:
5398:
5394:
5388:
5387:
5383:
5381:
5380:
5376:
5374:
5373:
5369:
5367:
5366:
5362:
5360:
5359:
5355:
5353:
5352:
5348:
5346:
5345:
5341:
5340:
5338:
5336:
5332:
5326:
5325:
5321:
5319:
5318:
5314:
5312:
5311:
5307:
5306:
5304:
5300:
5294:
5293:
5289:
5287:
5286:
5282:
5280:
5279:
5275:
5273:
5272:
5268:
5266:
5265:
5261:
5259:
5258:
5254:
5252:
5251:
5247:
5245:
5244:
5240:
5238:
5237:
5236:Book of Rites
5233:
5231:
5230:
5226:
5224:
5223:
5222:Rites of Zhou
5219:
5217:
5216:
5212:
5210:
5209:
5205:
5204:
5202:
5200:
5196:
5190:
5189:
5185:
5183:
5182:
5178:
5176:
5175:
5174:Book of Rites
5171:
5169:
5168:
5164:
5162:
5161:
5157:
5156:
5154:
5152:
5151:Five Classics
5148:
5142:
5141:
5137:
5135:
5134:
5130:
5128:
5127:
5123:
5121:
5120:
5116:
5115:
5113:
5111:
5107:
5102:
5098:
5091:
5086:
5084:
5079:
5077:
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5071:
5068:
5056:
5053:
5052:
5050:
5046:
5040:
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5035:
5033:
5032:
5028:
5027:
5025:
5021:
5015:
5012:
5010:
5007:
5006:
5004:
5000:
4994:
4993:
4989:
4987:
4986:
4982:
4980:
4979:
4975:
4973:
4972:
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4956:
4955:
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4935:
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4922:
4921:
4917:
4915:
4914:
4910:
4908:
4907:
4903:
4901:
4900:
4896:
4894:
4893:
4889:
4887:
4886:
4882:
4881:
4879:
4873:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
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4837:
4834:
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4813:
4810:
4808:
4805:
4804:
4802:
4798:
4794:
4787:
4782:
4780:
4775:
4773:
4768:
4767:
4764:
4757:
4756:
4752:
4749:
4745:
4742:
4740:
4736:
4734:
4732:
4727:
4724:
4723:Marcel Granet
4720:
4716:
4715:
4711:
4708:
4704:
4700:
4699:
4695:
4692:
4689:
4688:
4677:
4673:
4669:
4665:
4661:
4657:
4652:
4648:
4642:
4637:
4636:
4630:
4626:
4621:
4616:
4612:
4608:
4604:
4599:
4594:
4592:9787506823623
4588:
4584:
4579:
4575:
4573:0-8047-2593-4
4569:
4565:
4560:
4556:
4554:0-231-10984-9
4550:
4546:
4542:
4537:
4533:
4531:0-393-03823-8
4527:
4522:
4521:
4515:
4514:Owen, Stephen
4511:
4507:
4501:
4497:
4493:
4489:
4485:
4479:
4475:
4471:
4466:
4462:
4456:
4452:
4448:
4444:
4440:
4436:
4430:
4426:
4421:
4417:
4411:
4407:
4400:
4398:
4391:
4387:
4383:
4379:
4377:
4373:
4366:
4362:
4356:
4352:
4348:
4343:
4339:
4333:
4329:
4325:
4324:Hinton, David
4321:
4317:
4311:
4306:
4305:
4299:
4298:Hawkes, David
4295:
4291:
4287:
4283:
4279:
4275:
4274:
4269:
4265:
4261:
4255:
4251:
4247:
4243:
4239:
4233:
4228:
4227:
4220:
4216:
4212:
4208:
4204:
4200:
4196:
4192:
4191:Book of Songs
4187:
4183:
4177:
4173:
4169:
4165:
4161:
4156:
4152:
4148:
4144:
4140:
4134:
4130:
4126:
4121:
4117:
4111:
4107:
4103:
4099:
4095:
4089:
4085:
4080:
4079:
4067:
4062:
4055:
4054:Baxter (1992)
4050:
4043:
4038:
4031:
4026:
4024:
4022:
4014:
4013:Saussy (1993)
4010:
4009:Granet (1929)
4005:
3999:, p. 20.
3998:
3997:Saussy (1993)
3993:
3991:
3983:
3982:Saussy (1993)
3977:
3970:
3965:
3958:
3953:
3951:
3943:
3938:
3936:
3929:, p. 21.
3928:
3923:
3921:
3919:
3917:
3915:
3913:
3911:
3909:
3902:, p. 22.
3901:
3896:
3894:
3886:
3881:
3875:, p. 94.
3874:
3869:
3863:, p. 19.
3862:
3857:
3855:
3847:
3842:
3835:
3834:Hinton (2008)
3830:
3823:
3822:Hinton (2008)
3818:
3811:
3806:
3800:, p. 54.
3799:
3794:
3787:
3782:
3775:
3774:Baxter (1992)
3770:
3763:
3762:Baxter (1992)
3758:
3756:
3748:
3743:
3736:
3735:Riegel (2001)
3731:
3724:
3719:
3712:
3711:Riegel (2001)
3707:
3700:
3695:
3693:
3691:
3689:
3681:
3676:
3670:, p. 23.
3669:
3664:
3657:
3652:
3645:
3640:
3638:
3636:
3628:
3623:
3621:
3619:
3611:
3606:
3600:, p. 31.
3599:
3594:
3588:, p. 20.
3587:
3582:
3580:
3578:
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3563:Baxter (1992)
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3528:, p. 39.
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3514:Baxter (1992)
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2056:Marcel Granet
2047:
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2038:Herbert Giles
2035:
2026:
2019:
2016:
2003:
2001:
2000:
1995:
1991:
1987:
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1970:
1969:Kǒngzǐ Shīlùn
1965:
1951:
1949:
1945:
1944:received text
1941:
1936:
1934:
1930:
1928:
1917:
1913:
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1906:used the Mao
1905:
1901:
1897:
1896:
1895:Shuowen Jiezi
1891:
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1868:Máo shī zhuàn
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1774:Qin Shi Huang
1771:
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1727:Five Classics
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1610:oldest extant
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1033:—"Fishhawk" (
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623:Five Classics
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586:Book of Songs
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4927:Wangchuan ji
4925:
4918:
4911:
4904:
4897:
4890:
4884:
4883:
4875:Poetry works
4754:
4738:
4731:Book of Odes
4730:
4719:Wengu zhixin
4718:
4713:
4698:Shi Ji Zhuan
4696:
4662:(1): 25–35,
4659:
4655:
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4629:Yip, Wai-lim
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4128:
4105:
4083:
4061:
4049:
4042:Davis (1970)
4037:
4030:Davis (1970)
4004:
3976:
3969:Jenco (2023)
3964:
3957:Giles (1901)
3942:Loewe (1993)
3884:
3880:
3868:
3841:
3836:, p. 8.
3829:
3817:
3805:
3793:
3788:, p. 2.
3786:Chang (2001)
3781:
3769:
3742:
3730:
3723:Nylan (2001)
3718:
3706:
3675:
3663:
3651:
3644:Ebrey (1993)
3629:, p. 3.
3605:
3593:
3558:
3546:
3538:
3533:
3526:Allan (1991)
3521:
3509:
3497:
3490:Davis (1970)
3455:
3450:
3423:
3402:
3399:*k-lˤeng
3398:
3325:China portal
3311:Books portal
3274:
3266:
3254:
3250:
3241:
3237:
3227:
3223:
3214:
3200:
3196:
3183:
3179:
3161:
3128:
3116:
3096:
3084:
3079:
3061:
3049:
3038:
3026:the original
3017:
2999:
2996:Legge, James
2983:
2847:
2559:
2492:Odes of Kuai
2351:Odes of Wang
2312:Odes of Yong
2218:
2182:
2167:
2161:
2151:
2134:
2126:
2124:
2107:
2102:
2090:
2086:
2082:
2074:
2073:
2063:
2059:
2033:
2031:
2024:
2014:
2006:
1997:
1993:
1989:
1986:Book of Odes
1985:
1983:
1978:
1968:
1967:Part of the
1939:
1937:
1932:
1924:
1915:
1911:
1907:
1899:
1893:
1885:
1881:
1878:Emperor Ping
1867:
1858:
1856:
1850:philosopher
1839:
1835:
1827:
1818:
1814:
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1801:
1792:
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1765:
1763:
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1737:
1731:
1718:
1712:
1704:
1700:
1694:
1691:Confucianism
1682:
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1638:Zhou dynasty
1635:
1613:
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1598:
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1511:Duke of Zhou
1498:
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1437:
1434:sound change
1426:Ming dynasty
1419:
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1119:
1096:
1071:
1063:
1056:
1048:Stephen Owen
963:
913:
911:
891:
886:
884:
879:7th century
871:
861:7th century
853:
835:
817:
799:
781:
742:
723:Western Zhou
721:date to the
718:
714:
712:
702:
698:
694:
690:
686:
682:
679:Confucianism
666:
662:
656:
652:
650:
637:Qing dynasty
630:
614:
603:
602:
597:
596:
592:Book of Odes
591:
590:
585:
584:
579:
578:
573:
572:
567:
566:
564:
543:Romanization
296:Southern Min
230:Romanization
178:Hanyu Pinyin
124:Chinese name
111:
93:
50:
5525:Old Chinese
5422:Bai Hu Tong
5396:Mathematics
4951:Major forms
4866:Qing poetry
4861:Ming poetry
4856:Yuan poetry
4851:Song poetry
4846:Tang poetry
4707:James Legge
4597:10 volumes.
4370:"Chen Di's
4075:Works cited
4066:Wang (1975)
4011:, cited in
3927:Kern (2010)
3900:Kern (2010)
3861:Kern (2010)
3668:Kern (2010)
3610:Owen (1996)
3598:Owen (1996)
3586:Kern (2010)
3456:Shi Huo Zhi
3416:Old Chinese
3412:Han dynasty
3374:Chinese art
3211:Pound, Ezra
3170:Reprint of
2531:Odes of Bin
2411:Odes of Wei
2294:Odes of Bei
2258:& South
2131:Old Chinese
2095:Qin dynasty
1935:in 653 CE.
1844:state of Lu
1838:was the Lu
1789:hermeneutic
1760:Han dynasty
1632:Compilation
1578:Book of Han
1396:采采芣苢、薄言襭之。
1373:采采芣苢、薄言袺之。
1345:采采芣苢、薄言捋之。
1322:采采芣苢、薄言掇之。
1294:采采芣苢、薄言有之。
1271:采采芣苢、薄言采之。
1195:Tang poetry
771:Date (BCE)
675:Han dynasty
422:Korean name
341:Old Chinese
116:seal script
67:Old Chinese
5489:Categories
5365:Wei Liaozi
5110:Four Books
4941:Zhuying ji
4831:Han poetry
4821:Poetry by
4800:Major eras
4541:Shih-ching
4470:Shih ching
4382:T'oung Pao
4195:T'oung Pao
3798:Yip (1997)
3466:References
3186:: 171–256.
3150:0802134777
2867:group name
2758:group name
2577:group name
2236:group name
1904:Zheng Xuan
1804:), the Qi
1656:, and the
1652:, eastern
1488:Authorship
1059:panegyrics
872:Shāng sòng
759:700 BCE).
739:Zheng Xuan
580:Shih-ching
391:Vietnamese
356:stjɨ(keng)
198:Shih-ching
192:Wade–Giles
5101:Confucian
3980:Cited in
3471:Citations
3105:cite book
2541:Xiao Ya (
2187:Guofeng (
2163:The Iliad
2143:Cantonese
2117:as well.
2046:Confucius
1733:Zuo zhuan
1723:Confucius
1709:Sima Qian
1677:Confucius
1658:Han River
1625:安徽大學藏戰國竹簡
1583:Confucius
1199:old style
1120:Qīng miào
914:gwan-gwan
836:Zhōu sòng
727:Zhongyuan
671:canonical
653:300 Poems
627:Confucius
518:Shinjitai
5271:Analects
5133:Analects
4934:Wen Xuan
4744:Archived
4631:(1997),
4516:(1996).
4494:(2001),
4326:(2008),
4284:(1929),
4270:(1901),
4248:(1978),
4127:(2014).
4104:(1992),
4015:, p. 20.
3984:, p. 19.
3885:Analects
3539:Shipu xu
3283:See also
3213:(1954).
3203:: 65–99.
3159:(1950).
3126:(1937).
3095:(1929).
3077:(1892).
2998:(1871).
2978:301–305
2960:297–300
2942:286–296
2924:276–285
2906:266–275
2888:266–296
2870:poem #s
2815:255–265
2797:245–254
2779:235–244
2761:poem #s
2724:225–234
2706:215–224
2688:205–214
2670:195–204
2652:185–194
2634:175–184
2616:170–174
2598:161–169
2580:poem #s
2534:154–160
2516:150–153
2510:Odes of
2495:146–149
2477:136–145
2471:Odes of
2456:126–135
2450:Odes of
2435:114–125
2429:Odes of
2414:107–113
2396:096–106
2390:Odes of
2375:075–095
2369:Odes of
2354:065–074
2336:055–064
2330:Odes of
2315:045–054
2297:026–044
2279:012–025
2261:001–011
2254:Odes of
2239:poem #s
2079:Legalist
2075:The Odes
2025:Analects
2022:—
1999:Analects
1749:Analects
1696:Analects
1646:Shandong
1428:scholar
1169:couplets
1167:related
1080:King Wen
782:Guó fēng
695:Shi jing
663:The Odes
504:Kyūjitai
490:Hiragana
473:Sigyeong
398:Kinh Thi
333:/ɕɨ keŋ/
265:Jyutping
63:Language
5292:Mencius
5243:I Ching
5181:I Ching
5140:Mencius
4823:dynasty
4739:Shijing
4447:Shijing
4215:4527607
3454:In the
3418:period.
3369:Chengyu
3363:Guan ju
3224:Shikyō
2731:Da Ya (
2543:Chinese
2220:Guófēng
2154:King Wu
2147:Min Nan
2103:Shijing
2091:Shijing
2087:Shijing
2083:Shijing
1890:Xu Shen
1828:Hán shī
1753:Kong Li
1719:Shijing
1662:harvest
1551:Shijing
1519:Shijing
1515:persona
1494:Shijing
1430:Chen Di
1368:
1317:
1222:Shijing
1214:lyrical
1173:stanzas
1161:caesura
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1036:Guān jū
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854:Lǔ sòng
800:Xiǎo yǎ
743:Shijing
709:Content
701:or the
632:chengyu
574:Shijing
571:, also
407:Hán-Nôm
312:Si-keng
303:Hokkien
271:Si-ging
257:Sī-gīng
236:Sy-chin
184:Shījīng
73:Subject
18:Shijing
5414:Others
4892:Chu Ci
4703:Zhu Xi
4676:599155
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3887:16.13.
3267:Shikyō
3148:
3136:
3009:Part 2
3005:Part 1
2934:閔予小子之什
2846::
2844:pinyin
2836::
2826::
2822:Song (
2716:都人士 之什
2561:Xiǎoyǎ
2558::
2556:pinyin
2545::
2217::
2215:pinyin
2204::
2191::
1954:Legacy
1940:Poetry
1933:Poetry
1916:Poetry
1912:Poetry
1908:Poetry
1900:Poetry
1886:Poetry
1882:Poetry
1859:Poetry
1840:Poetry
1836:Poetry
1819:Poetry
1815:Qí shī
1806:Poetry
1802:Lǔ shī
1793:Poetry
1785:Poetry
1778:Poetry
1766:Poetry
1666:Heaven
1560:Poetry
1556:Poetry
1449:Poetry
1438:Poetry
1264:Baxter
1257:pinyin
1229:Poetry
1218:Poetry
1153:Poetry
1111:無射於人斯
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604:Poetry
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5473:Xunzi
5372:Wu Zi
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4992:yuefu
4672:JSTOR
4402:(PDF)
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4288:[
4211:JSTOR
3380:Notes
3253:詩經注析
3240:诗经译注
3166:(PDF)
3083:[
3029:(PDF)
3022:(PDF)
2861:group
2752:group
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2680:北山 之什
2662:小旻 之什
2644:祈父 之什
2626:彤弓 之什
2608:白華 之什
2590:鹿鳴 之什
2571:group
2371:Zheng
2230:group
2115:Korea
2111:Japan
1852:Xunzi
1654:Gansu
1650:Hebei
1531:Songs
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1390:tsyi.
1362:tsyi.
1339:tsyi.
1311:tsyi.
1288:tsyi.
1286:tshoj
1242:Fú Yǐ
1157:meter
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1138:Style
1107:駿奔走在廟
818:Dà yǎ
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703:Songs
444:Hanja
371:*
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114:" in
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5278:Erya
5099:and
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3458:食貨志.
3403:jing
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3146:ISBN
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3111:link
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2898:清廟之什
2864:char
2849:Sòng
2789:生民之什
2771:文王之什
2755:char
2574:char
2473:Chen
2431:Tang
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2060:Odes
2034:Odes
2015:Odes
2013:The
1994:Odes
1990:Odes
1984:The
1974:孔子詩論
1921:毛詩正義
1701:Odes
1681:The
1599:Odes
1588:孔子刪詩
1572:王官采詩
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1109:不顯不承
1105:對越在天
1103:秉文之德
1101:濟濟多士
1099:肅雝顯相
1097:於穆清廟
1024:鐘鼓樂之
1022:窈窕淑女
1020:左右芼之
1018:參差荇菜
1011:琴瑟友之
1009:窈窕淑女
1007:左右采之
1005:參差荇菜
998:輾轉反側
996:悠哉悠哉
994:寤寐思服
992:求之不得
985:寤寐求之
983:窈窕淑女
981:左右流之
979:參差荇菜
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